#this whole sequence was lovely

[toffoliravioli]

that’s so nice they decided to go golfing in the middle of their date 🥺😔

[0fps]

JANE DOE ❖ undercover r&b

The big bad daddy who cussed you out every day is gone and yet you still miss him. What are you, a bunch of daddy's boys?

[linipikk]

Scenes that go exponentially funnier after s2

RIGHT HANDS

MORAL ARGUMENT

+ Crowley having 1941 flashbacks

[yudol-skorbi]

i love explosions and i was inspired

[wltsquareih]

The Kamaboko Squad baked her a small cake!

[souenkun]

I need the pokemas anniversary to come soon so we can hopefully see volo go batshit crazy again for the second time!!!

[gunstellations]

In the world I love

_

In a different world

[dramashii]

I must have been crazy.

LOVE NEXT DOOR (2024) | Ep 4

[mummer]

just saw asteroid city last night, pls explain the proposed significance of the kiss!!

answering this publicly hope thats ok! cant do a readmore im on mobile *****asteroid city spoilers below beware*****

i dont remember anyones names so this is gonna sound partly unhinged. okay so the edward norton playwright and jason schwartzman actor (not character, in the black and white parts) are lovers right. tbh i thought this was kind of a gag and forgot about it. but later we find out that the playwright died 6 months into the production. i didnt make the connection that THAT’s why the actor-jason has to suddenly leave the stage and freaks out backstage about how he’s not sure he’s Doing it right. hes not talking about acting!! because he himself is literally grieving his lover while he’s playing a character who’s grieving his wife written by his lover so obviously it’s too much!!! actor-jason is trying to find meaning in his death through his writing but there isnt any meaning in death [gerris drinkwater voice] which is what the play is trying to say anyway. he doesnt think he’s performing grief right even in his own life!!! (and tbh it’s the 50s so he wouldnt be able to perform grief publicly anyway!!!!) the play starts with a car accident… anyone would search for some hidden meaning there, some sign…. so when he talks to margot robbie outside it’s not really about finding the CHARACTER’s motivations it’s about the actor himself being able to process the playwright’s death! and adrien brody director was probably also dealing with that too (him and norton seemed to be good buddies) so the whole “sleeping backstage” thing gets a bit sadder maybe? maybe everyone else got this in the theatre and im just stupid lol but crazy making stuff to me!!! the whole story is about sublimated gay grief that cannot be expressed?!?!

the tweet that caught me onto this was here which posits that the playwright’s death was a suicide but i think that’s pretty stupid and unnecessary because the whole thing about the play asteroid city is that death is random and meaningless. im pretty sure that’s what the alien represents— a shocking and absurd event that isnt outright evil or menacing, not something anyone can predict or make sense of, it’s just a thing that happens to you out of nowhere, it doesnt mean anything. he’s a little black figure, he’s death! giving and taking! aagh

[gunsatthaphan]

"can I hold your hand?"

[dirt-str1der]

They made hyoga look so much cooler in the anime hes just standing there , in the manga theyre all dripping wet and bedraggled and senku is dying as usual

[casualavocados]

#5-min diy crafts to avoid touching an evil possessive dagger by mat cauthon

THE WHEEL OF TIME 2.08 | What Was Meant To Be

[fettiowi]

Sonadow fans when

[szethsmom]

I am SO here for Falin’s resurrection being horrific. For the gory, awful details of them sitting through the dragon’s innards to reassemble her skeleton. And for healing magic that doesn’t feel good; that itches and burns and leaves scars. Take the reassuring mechanic of D&D resurrection and force it to fight with overpowering human fear and revulsion in the face of death. You can have them back, but only at the cost of knowing the weight of each of their bones in your hand.

[never-looked-so-good]

📷 @/scuderiaferrari

[lsleofthelost]

we can meet in the space between

descendants 2 (dir. kenny ortega)

space between - sofia carson and dove cameron // the goldfinch - donna tartt // space between - sofia carson and dove cameron // what was missing - ana carrizo // isle of the lost - melissa de la cruz // the pillowcase - annelyse gelman // you know who i am - leonard cohen // leaves of grass - walt whitman // i'm your girl - sofia carson and dove cameron // your love finds its way back - sierra demulder // poem of the end - marina tsvetaeva (trans. elaine feinstein, with angela livingstone) // space between - sofia carson and dove cameron // this is how you lose a time war - amar el-mohtar and max gladstone // the collected poems - george seferis (trans. edmund keeley and philip sherrard // little women (dir. Greta Gerwig) // much ado about nothing - william shakespeare // a self portrait in letters - anne sexton // space between - sofia carson and dove cameron //