#this whole scene is one of the best in the entire play holy fuck
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thesarcasticism · 2 months ago
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LMAOOOOO
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ironunderstands · 10 months ago
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2.1 was so good holy shit (spoilers, obviously)
GOD THEY ATE AND IM SPECIFICALLY GONNA TALK ABOUT HOW WELL THEY WROTE RATIO IN THIS BECAUSE IM FOAMING AT THE GODDAMN MOUTH IT CHANGES HOW YOU VIEW EVERYTHING BUT IN A GOOD WAY.
so, let’s start from the beginning in 2.0 I want to walk you through my experience of it
ratio mean to aventurine, everyone gets mad. I feel weird about it, pre-2.1 I come to the conclusion that he got used as a plot device in that scene, since being racist contradicts his core motivations and the dialogue is awkward and has no real reason behind it, I chalk it up to bad writing but ultimately forgive it because 2.1 seems centered around Aventurine so they need setup for that
2.1 drops, my bsf plays the update throughout the night and we are losing our shit. He gets to the part where Ratio “betrays” Aventurine. I fucking lose it, I try to reconcile this with my preconceived notions of ratio, they don’t match up at all, his behavior that whole time doesn’t in the slightest. I am confused, I wonder if I have been wrong about him this whole time, if his whole speech on the Space Station and his character quests were some kind of fluke. I mean it could be in character? Knowledge of how a stellaron works could save millions if not billions of lives, invaluable information which Ratio would have trouble turning down because of its value. It still feels deeply wrong, Ratio isnt a backstabber, and he wouldn’t so easily bargain with Sunday over information he has no confirmation of (and could likely obtain in some other way).
The story continues, me and Haseeb (aforementioned best friend) are still pissed, I’m losing it because my favorite character just did something so unforgivable and out of character and I feel like a complete and utter idiot for interpreting a character to be a good person when they so clearly weren’t. Well, I (luckily) was so so so so so so so wrong about that, as it was all a setup, a plan devised by Aventurine to distract Sunday and forward their goals. I’ve never been happier, and suddenly every weird behavior, every “this doesn’t make sense” goes from “bad writing” to perhaps one of my favorite retroactive twists in fiction.
Ratio belittling Aventurine for his background doesn’t make any sense, I mean we literally saw the guy give a whole ass speech about how he believes all people deserve access to knowledge and that everyone is capable of being creative and having intellect, but that they just have to try for it, and if they are incapable of it, he DOCTOR Ratio is there to lend a helping hand. To cure the galaxy of stupidity, something which he views as not the lack of knowledge but rather the misuse and misinterpretation of it, how he depises the Genius Society because they mostly do not try and use their intellect from the betterment of other, and actively guide/encourage other scientists (and in Hertas case the researchers at the space station) to view knowledge as some sort of prize or commodity rather than tool. This notion is what causes Screwellum to acknowledge that Ratio is more like a medical doctor than a scholar. And this notion is something Sunday Isn’t Aware Of.
Sunday doesn’t know who Ratio really is, he may have heard of his various exploits, but Ratio has a reputation for arrogance, bluntness and insensitivity, something which Ratio plays up to the nines. The 2.0 scene with Aventurine goes from seemingly massively OOC for Ratio to him actively playing up his negative reputation to play into Sundays perceptions of the pair for their plan. Ratio->
a) makes it seem like Aventurine fucked up and he’s mad at him for losing the cornerstones, something which Sunday would see and go “hmm they don’t like each other
b) this “oh I can drive a wedge between them” notion gets worse (although in their case better) when Ratio brings up Aventurine’s (not entirely accurate) background. Sunday now thinks he has leverage over Aventurine and even more of a chance of getting Ratio to betray him. Ratio also makes it seem like he just learned this information by stating he “did his homework” and this supposed unfamiliarity with one another would give Sunday more confidence to try and drive a wedge between them
c) this makes it seem like the IPC are unaware of the Families constant surveillance, as it looks like they are having an important conversation in a private room, which would make Sunday think they are unaware of his eyes and ears everywhere
Now let me qualify this notion with more evidence because you could still try and argue that the deal Ratio and Aventurine struck was post 2.0 argument
Topaz (my glorious Queen). At the end of the 1.4 (or was it 1.5?) Belabog quest she has a conversation with Aventurine in which he requests for her help in Penacony, and we do not get a confirmation on if she said yes or not. Until 2.1, in which the the Topaz (and Jade) stone in in Aventurines possession, meaning she took him up on that offer prior to 2.0 because how else would he bring multiple cornerstones there, which we know there are many because Ratio says he lost the cornerstones, not just his own. Topaz would not give this item up easily or on a whim in between 2.0 and 2.1, meaning she would have to be let in on his plan prior, meaning the plan was formed prior. Since Ratio was also assigned to this mission keeping him in the dark would make negative sense and actively undermine their collaboration, something which he brings up in their fake argument
2. The Final Victory Lightcone. I originally thought this scene to be after their argument for complicated reasons, the most important of which being the minor snippet of conversation we see between Ratio and Aventurine during the first time we meet Acheron. Aventurine mentions 3 chips, Ratio doubts him, and the lightcone description starts with Aventurine questioning his doubt and firing three shots, a perfect correlation that made me place the order of events in that way. However, we get to see the snippet of conversation between Aventurine and Ratio in game, right before they meet Sunday, not prior to the lightcone events. However, they are still clearly connected for aforementioned reasons, just in a different manner, let me explain. Now we know the three chips reference not bullets but the three cornerstones, and Ratio openly expresses his doubt because the family is always watching (something which I will get into) and because a part of him does doubt this plan will go well. However, Aventurine prior reminds him of the events of the lightcone with the three chips. My interpretation is that Aventurine took that gamble in the lightcone to convince Ratio to go along with his crazy plan since if he can win a game of Russian Roulette with an unwavering smile on his face he an insane gamble means nothing to him (ratio doesn’t buy it because it’s ratio but the sheer audacity or you could say the “charming audacity” makes him go along with it). In my opinion this scene only makes sense pre-penacony, due to the timeline of events, which is why I believe it the reason for the events in it has to be Aventurine trying to convince Ratio to join in.
3) The family is always watching. During the 2.1 story quest it gets brought up several times in many different ways that it seems like the family has eyes on everything and everyone. Sunday’s fuckass bird is everywhere, and the man himself (minus being a goddamn biblically accurate angel) is covered in eye shaped shit and possesses close ties with the Harmony, which lends itself well to a character that knows things considering the Aeon itself is a conglomeration of many different perspectives. He fucking perception checks Aventurine, when the crew goes to look for info on firefly they learn the dream pools monitor people’s vitals and everything, even producing a dialogue option where the trailblazer states they feel like their every move is being watched. Topaz gets stalked by bloodhound members upon arrival, I could go on. TLDR Sunday knows almost everything that’s going on in Penacony, this is what leads him to believe the traitor is within the family, and his access to knowledge is something the IPC 100% knows about. I mean they have been presumably attempting to try and get it back for a while, and they would reasonably extensively try and learn everything about it. The Family notoriously hates negotiating with them so the IPC either learning and/or coming to the conclusion that the Family is watching their every move isn’t a ridiculous notion. If this conversation was genuine, if Ratio truly wanted to discuss this matter with Aventurine, why would he do it in a likely wiretapped, not very soundproof room where any passerby could hear Ratio loudly exclaim that Aventurine lost the very important cornerstones and that he is also one of the most despised groups in the galaxy because that would really do numbers for both their reputations. If you think about it, this not being staged is an incredibly stupid blunder on Ratio’s end (minus the deliberate OOCness) because of all the places Ratio could set up a very important meeting he does it in one of the worst places ever.
4) The dialogue in the scene. It’s awkward, it’s so awkward and the whole “also my family died I didn’t get an education” seemed so tacked on the first time I watched it. Knowing now, it seemed so tacked on because it was, Aventurine had to shove the info in there somewhere and their incredible conversational skills decided that was the best part in there. Ratio fucking leaving before Aventurine is even done talking goes from a “huh weird” to a “wow he is really playing up this arrogant scholar role”. And if Ratio is playing the arrogant scholar, Aventurine is playing the dumb, helpless, blonde to a T. Losing the cornerstones and acting nonchalant about it, letting Ratio insult him so callously and letting the insults slide, talking absolute nonsense at the end about random things that don’t matter, sadly lamenting into the distance that he’s alone again. Bro is playing it up and I live for it. They also and play up these personas in their little adventure prior to meeting Sunday, Aventurine asks stupid questions like wondering about the species of the bird that make up the statues and talking about how he wants to play in the sandpit and even insulting Sunday a bit, behavior that would make Sunday think him unprepared and unserious rather than cold and calculating. If Aventurine does that well, Ratio plays up his arrogant, uncaring scholar persona to the nines. He insults any and every decision or thing Aventurine does, loudly sighing of how happy he is to finally have some peace and quiet when Aventurine leaves his sight for 0.00008 milleseconds, pointing out his sarcasm, beefing with a random Pepeshi bodyguard no reason, pointing out his sarcasm, just the exaggerated way he talks in general, and suggesting he admit Aventurine into the Genius Society (even Ratio wouldn’t stoop so low as to suggest Aventurine was worthy of that).
Moreover, this is really, really tragic because I do think there are several moments of genuine banter and fun the two share “Ratio, you’re huge!” was not added to the script to enhance the plot guys. And obviously Aventurine knows most of Ratios behavior is acting, however he has such severe trust issues, and Ratio is so damn straightforward and blunt that he worries the man was serious about some of it which just breaks my heart. Soft Ratio please add it give me one conversation, the note at the end of 2.1 doesn’t count it’s too short.
Ultimately, knowing what I know now I can’t help but view the 2.0 conversation with Aventurine as being anything but staged, it simply makes no sense otherwise, and it happily obsolescent Ratio of his sins. This was a bit incoherent I honestly just wanted to rant (if you couldn’t tell haha) but I hope you enjoyed it regardless. I need sincere Ratio more then I need oxygen and I’m not afraid to say it.
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freshwarrior757 · 3 months ago
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Played Class of 09 Flip Side last week...man, that sucked
I was honestly given high hopes for The Flip Side, and since my Class of 09 drawing that I made for Flip side is getting a lot of likes, I figured I'd make a post reviewing the game.
Pros:
The voice acting was incredible. Kayli Mills really gave her all in the therapy scenes, I actually felt heartbroken for her.
The FYE route was good up until the end...I'll talk about that in a bit.
The 7 seconds part was pretty funny.
Trody is still best boi
Emo Jecka
The Hatman
The Nicole Suicide route was one of the biggest requests for the Flip Side, and at least he listened to the fans on that. It was even more awfully crushing when seen from Jecka's perspective.
That's about all the good. Now the bad:
The foot stuff. That was like, a third of the game, and it was barely even funny the first time. If they were gonna do something like this, the least they could have done was not show the actual foot stuff taking place. In The Re-up, they didn't show Nicole having sex with men as a MySpace escort, and it honestly made the point even better (I'll talk more about this later). It's pretty obvious that SBN3 was just putting his fetish in to spite people.
The Dad was just tiring. I mean, his character was a good depiction of an abuser, but the joke honestly just got boring. It's like SBN3 saw how popular the "I WANNA FUCKING KILL MY WIFE" scene was, and decided to make that joke an entire character.
The jokes just felt off. The edginess was there, but it was all edge, no point. The "Flip a coin" scene was funny, as was the "7 seconds" scene and some others, but it kinda felt like SBN3 just got burnt out, or he fired his ghostwriter (I don't doubt that he wrote the game, but I'm pretty sure he had some help with some of the jokes).
The FYE Route had a bizarre-ass ending after all that good buildup.
Crispin did nothing but get insulted the whole game, even when he tried to help Jecka.
Mr. Katz became a pedophile because SBN3 didn't like the fact that Reddit liked him. He was one of the only male teachers who wasn't a pedophile, he was just a crackhead. But they had to massacre his character too.
The characters felt kinda...out of character. Nicole HATES men, like absolutely DESPISES them. She engages with men to manipulate them, and she only engaged in sexual acts with men when she was homeless, on drugs, and had literally no other options. She would never willingly try to have sex with a 50 year old man.
Also, she didn't get mad at Jecka for refusing to let her stay at her house when she was homeless, and she didn't get mad when Jecka refused to help her get revenge on Megan, or sell crack, or do some of the other stuff. But you're telling me she's gonna engage in sexual acts with her father because...Jecka didn't cut Nicole in on one of her jobs?! People may point to the Megan route in The Re-up, but Megan was a bitch to her for most of their interactions, whereas Jecka was Nicole's only real friend. Plus, she just asked Hunter for dick pics, she didn't actually try to have sex with him like she did with Jecka's dad.
To add on to this: The FYE Route had like, the weirdest and worst ending: Being sex trafficked by the Taliban. The other games were believable, even if the White Supremacist ending was kinda exaggerated. But holy crap, this made no sense.
Nicole gets kicked out by her mom and has to resort to selling her body? It's pretty fucked up, but it's really happened to people. Jecka finds out that FYE has a massive illegal porn stash they use to keep men in control, and gets sold to the Taliban as a sex slave to keep her quiet? It makes zero sense.
To add on to the last two things: The endings were not good. They were:
Jeffery OD's and Jecka becomes more toxic as a result of relying on Nicole
Nicole has "foot-sex" with Jecka's dad, and Jecka kills herself
Jecka drunk-drives and kills Ari
Nicole commits suicide, leaving Jecka all alone
Jecka gets sold to the Taliban, and Kelly fucking dies.
I mean seriously. Even the past two games had SOME good endings: Nicole becomes a YouTuber, Nicole becomes Valedictorian, Nicole graduates and becomes a better person, Nicole exposes a racist teacher...this game just felt like torture porn of Jecka.
I swear to God this anime better get picked up by Prime or Netflix or something like that, cuz I'll be damned if the series dies like this.
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kandisheek · 1 month ago
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FIC REC WEEK 49 – SMUT PT. 2
Torque and Friction by BewareTheIdes15
Pairing: Steve/Tony Rating: E Words: 4,332 Tags: Costume Kink, Identity Porn, Wall Sex
Summary: The armor is his religion. And, c'mon, does anyone really expect that Tony Stark wouldn't want to have sex with his religion? He's just never found anybody before who could handle it.
Reasons why I love it: Steve having the hots for the armor is one of my favorite things, and in my opinion this fic is one of the best explorations of that concept. I love how quickly Tony figures out Steve's kink and how much he plays into it – it's hot as hell how turned on Steve is in the moment. I love it so much, and I hope you give it a shot for yourself!
Get Me Off This Ride by ozuma
Pairing: Steve/Tony Rating: E Words: 7,860 Tags: No Powers AU, A/B/O Trapped in Elevator
Summary: An omega and an alpha walk into an elevator. Wait, stop me if you've heard this one before...
Reasons why I love it: Holy hell, this fic is scorchingly hot. I'm always a sucker for an 'Oh no, I'm in heat – oh hey there, Mr. Handsome Alpha' fic, and this one is both gloriously smutty and very sweet. The dialogue is perfect, and I really love how Tony seeks Steve out even after everything is over. It's wonderful, and you should definitely read it!
Fever, Breathe Your Love on Me by blue_jack
Pairing: Steve/Tony Rating: E Words: 4,176 Tags: Medical Kink, A/B/O, Humiliation Kink
Summary: Steve hates his bi-annual checkup. “Mr. Rogers?” Nurse Grace calls, and he inhales sharply before standing up to follow her into the back. He answers the standard “how are you doing today?” and “is there anything you want to mention to the doctor?” questions, and he tries not to fidget, but it’s hard to keep still. He’s just getting so wet.
Reasons why I love it: I credit solely this one fic for giving me a med kink. Poor Steve is struggling so much, and Tony's reaction is absolutely perfect. Plus, the fact that there's more in this universe, including Steve and Tony's first date after this incident, makes me so happy. Definitely check this one out, it's incredible!
Good Vibrations by isozyme
Pairing: Steve/Tony Rating: E Words: 7,248 Tags: Fucking Machine, Size Kink, Overstimulation
Summary: Steve had sounded like he really genuinely wanted to see Tony and hear about the new robot-heart and Stark Solutions, so Tony decided that a weekend trip was worth it to see his friend in person. His friend, Tony had reminded himself. Not anything else. It wasn’t fair to Steve if Tony spent their entire visit thinking un-friend-like thoughts about him, and his muscles, and his sweet smile and his careful, firm hugs. However, Tony had a plan. All he needed to do was to tire his dick out on the way over, and he’d be fine. Fortuitously, the Mark 20 had a few brand-new bells and whistles that would help him blow off some steam before meeting up with Steve. Tony built a fucking machine inside the armor. It would be a shame if it malfunctioned in the worst possible way, at the worst possible time, in front of the worst possible person.
Reasons why I love it: This fic is so goddamn hot, holy shit. The whole scene with Tony on his own is already fire, but Steve getting so goddamn turned on when he finds out what happened is just – I don't even have words. You have to read this one, it's so good!
On Camera by FestiveFerret
Pairing: Steve/Tony Rating: E Words: 5,644 Tags: Camboy Steve, Orgasm Control, Exhibitionism
Summary: Steve's heart skipped a beat. It was beyond ridiculous to get attached to one of his regular clients but somehow, over the last six months, he had. StarkNakedGenius wasn't logged on for every show, far from it, but he was on for a lot of them, and whenever he was, he tipped like mad.
Reasons why I love it: That private scene between Tony and Steve is so good, I love it! The whole concept of Steve as a camboy is intriguing in and of itself, but I especially enjoyed how much Tony revels in the control he has over Steve in the scene, it's super hot. Definitely check this one out, I bet you'll love it just as much as I do!
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halfetirosie · 9 days ago
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✨💖🎡 What can I say except, I LOVED IT! 🎡💖✨
(Sleepless Fun Fair - Retrospective Thoughts)
Holy shit, this event was HEALING!!!! ✨
(Even if Merry did disappear at the end, that's basically the only bad thing that happened, and I consider that I win!)
I mean, yes, Sweet ♡ Heart Attack was also an absolute delight. But, I think this event was even better medicine for my soul, because:
It was even longer
Basically the whole clan family was there, and
This healing event actually had Kuya in it; the fella that mercilessly trampled on my heart the two previous events he featured in (more on that later)!
The moment everyone loves talking about is the bumper boats scene, and I absolutely agree!!! I feel like we don't see the whole family together hardly ever---especially my #1 Best Boi, Workaholic Wife Edmond!!! 😭🙏 That moment where Edmond started zooming around, I could just picture him driving at the speed of light with Running in the 90s playing in my head. 😊
🚤💨
But another moment I took particular satisfaction in was, while figuring out the music for the parade, Olivine, Edmond, and Rei basically have an impromptu jam session!---Everyone already knows that Rei is somewhat musically inclined, but his ability to play the flute is new info; and none of us knew about Olivine and Edmond playing instruments!!!!
In hindsight, I guess it makes sense; Olivine would certainly have learned piano to help with church services, and Edmond would have learned at least one instrument as part of his noble upbringing (because #culture). Still--- It was unexpected, and painted a cool-ass picture! Chill and elegant as fuck!!!! Such bros!!!!!! ♪♫♪
🎻✨
As for the main characters of the event...
It was wonderful seeing Eiden showing off a slice of Earth's culture, Olivine experience childhood fun [that his shitty parents stole from him], and Blade being absolutely in his element for this event.
I know that Blade is a very free-spirited person regardless, but in the fun fair setting, he felt even more free; since every part of his personality wouldn't seem at all "weird" or out-of-place. I haven't seen any of his intimacy rooms yet, so idk if this is confirmed or not, but it seemed like Blade didn't feel self-conscious at all, unlike in other events.
And with Kuya, I gotta say; even though I knew this was going to be a fun event, I fully expected him to do something that was a bit too out-of-pocket [for my taste]. For example, say an insult that cuts a little too deeply, or something like that.
🎉 But this entire event, Kuya was having fun that wasn't at the expense of others' well-being!!!! 🎉
I'm sure that it's mostly because he was surrounded by new things (since the fun fair was remodeled after the ones from Eiden's memories). But I like to think it's also because a fun fair is inherently innocent---like Eiden mentioned at the story time with Olivine, it seems like that Kuya might secretly like things that are popular with children. Thus, I've decided that that's a fact, and is my new headcanon. 🔥🔥🔥
Idk if I'll ever truly recover from/forget the yucky feelings Kuya gave me in Welcome to Elysium and Mirage of Scales [R5], but at least in this event, we got to see Kuya at his finest. 💜💜💜💜💜
The vibes were excellent the entire time, and my cheeks were sufficiently abused with smiles. 😊 💖
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Round 1 - Side A
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Galahad art credit @spiralstain
Propaganda below ⬇️
Junk Rat
I wish his Catholicism meant if he got killed in game it would take him 3 days to respawn
Galahad
OKAY SO . "Galahad (played by Jonny d'Ville): a travelling preacher/religious zealot who is told to sit in the Siege Seat by Merlin, and discovers the fact that Fort Galfridian is falling into the star Avalon. He sparks the quest for the GRAIL, and willingly goes to his death to overcome its final defences." DUDE SAT IN THE CHAIR THAT IS KNOWN FOR KILLING PEOPLE BECAUSE HIS CRUSH [MERLIN] [AKA HANGED MAN] [AKA DRUMBOT BRIAN] TOLD HIM TO . SORRY I THINK THATS REALLY FUNNY. he found out the whole shitshow of a spacestation he lived on was gonna fall into the sun and he went around yelling about it incomprehensibly and got fucking gunned down trying to get the GRAIL and just kept going through the gunfire because of how Religious [tm] he was . he died . in once and future king it just "galahad's blind faith" . also hellfire goes really hard . he is the definition of going insane with the knowledge of the universe . also jonny dville played him thats bonus points
There was a prophet. The prophet gave three separate people three separate instructions. 1. Stop being racist 2. Love your son 3. Sit in the Chair That Makes People Insane Galahad received number three. He was the only one who followed the instructions. He sat in the Chair That Makes People Insane, saw the sun for the first time, and immediately starts preaching about how everyone will burn in hellfire
i dont know anything about this guy i just wanna help make Kai happy please dont like not count my submission just because i dont know anythinf except for the Kills You Chair im trying my best im sorry 😭
his themesong is called hellfire and it slaps btw go listen to it. anyways he is my blorbo blingus he is Deeply unwell i could fix him but also whatever is wrong with him is incredibly fascinating to watch. a robot dude who's been hanging from the gallows since forever told him 'hey go sit in the Chair That Kills People Who Sit In It' and he was like 'I HAVE BEEN WAITING FOR THIS MOMENT MY ENTIRE LIFE'. the getting-his-brain-fried thing definitely made him worse but he was also clearly kind of fucked up before that. his death is probably one of my favorite scenes in any mechs album. maybe just straight up my favorite. ahem. SAY WHAT YOU WILL ABOUT FAITH, BUT IT CAN HAVE POWERFUL EFFECTS ON THOSE THAT HAVE IT. IT CAN KEEP YOU FROM FALTERING AS THE BULLETS START TO SLAM INTO YOU. IT CAN KEEP YOU WALKING AS YOU LEGS ARE SHOT TO BLOODY STUMPS. IT CAN KEEP YOU LAUGHING AS YOUR LUNGS ARE FILLED WITH SHRAPNEL AND LEAD. IT CAN KEEP YOU SMILING AS HALF YOUR FACE IS BLOWN AWAY. IT CAN KEEP A MAN LIKE GALAHAD STANDING TALL UNTIL THE GUNS. CLICKED. DRY. anyways go listen to high noon over camelot <3
my friends my people my... flock I HAVE HAD A VISION!! A VAST FIERY ORB FLOATIN IN AN ENDLESS VOID!! and there so small so feagile US!!! BUT FALLIN FALLIN FALLIN INTO THE FLAMES!!! your soul is connected to the world youre in youre draggin it down with the weight of your sin surrounded by temptation and y'just give in we're fallin into the flames OF THAT FIRE THAT FIRE THAT HEEEEELLLLLLFIIIRE YOUR BROW BECOMES SLICK AS YOU PERSPIRE YOU THINK YOURE THIRSTY NOW WAIT TIL IT GETS DRIER AND YA FEEL THE HEAT OF THE FLAMES OF THAT FIRE THAT FIRE THAT HELLFIRE YOUR SICK AND SINFUL LIES WILL BUILD A FUNERAL PYRE YOUR PERVERSION SCARS THE STATION SON ITS GONAN FRY HER AND WE ALLLLLL FALL INTO THE FLAMES... oh i have SEEN DAMNATION MY BROTHERS!! ive FELT its searing heat within my VERY BONES !!!!!!! but there is a way me be saved... "OH TELL US FATHER GALAHAD, TELL US" I HEAR YOU CRY "IS IT PIETY IS IT PURITY IS IT VIRTUE?" NO!!! ONLY WAY TO SAVE US NOW IS THE HOLY GRAIL ITSELF... HAHAHAHAHHAAAA.... WELL THAT ORB OF DAMNATION MAKES THE SUN SEEM PALE YOURE QUITE CORRECT TO QUIVER YOU ARE RIGHT TO QUAIL THE ONLY WAY TO SAVE US IS TO FIND THAT GRAIL OR WE ALL FALL INTO THE FLAMES OF THAT FIRE THAT FIRE THAT HELLFIRE YOUR SKIN STARTS TO SIZZLE AS YOU EXPIRE YOU CLAIM TO BE VIRTUOUS BUT YOURE A LIAR !!!!! AND YOU FEEL THE HEAT OF THE FLAMES ... i said HEEEELLLLFIIIIRE HEEEEEEEELLLLFIRE HEEEEEEEEEEEEEEELLLLFIIIIIREEE HEEEEEEELLLLLLFIIIIIIRE OF THAT FIRE THAT FIRE THAT HELLFIRE AT THE HEART OF THAT INFERNO THAT WILL NEVER TIRE IVE SEE THE END IS NIGH AND DAMNATIONS NIGHER OH WE ALL FALL INTO THE FLAMES
Ok i know this is kind of a shot in the dark because hes so obscure but i need to speak my truth. Hes so insane. The narrator calls him a “holy roller.” He has a vision which is meant to tell him that the place they live is LITERALLY going to get burnt to a crisp because its slowly falling into the sun. But hes like Oh my god i just had a vision of hell i need to save everyone from eternal damnation. And he happily gets killed and turned into a pile of slop because he believes its what he was “chosen to do” he quite literally dies for his religion. Hes also quite funny. I like him. Thank you
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podfeels · 4 months ago
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Podfeels Adapt8ion Notes: Episode 6
hello, dare again! just as a reminder for how these posts work, stagelights will be covering the notes as a whole, and if i ever have to pitch in it will be with purple text like this! with that said, lets get back into it!
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and here we have it, the final one of season/act 1. i dont know if we ever settled on which its called. seasons internally, acts externally :) we never really cleared up that inconsistency but its not a huge deal so shrug emoji. this episode is some of our best work so far, and i think a lot of the changes help sell that even more.
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a bit of a call forward to the next chapter where dirk says the same thing. we also used this in the trailer for the sahcon new years showcase.
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this change was done to match the art drawn for the background more closely.
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that first bit literally makes no sense in audio and there is no way to adapt it so we changed it. then some narration changes. then im pretty sure that last bit was a typo, so that was fixed lmao. yeah. half-hazard is a sarah-ism we nixed to make the actual word (as much as its a charming sarah-ism, i dont think it was intentionally included by choice by her, just put in by virtue of her writing it) and grub-naking was definitely a typo i think. as for the b's or 8's thing. yeah. that was hell to figure out and we eventually gave up on it after multiple attempts to find ANY way to make it work.
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this line wasn’t actually changed, but there was a small addition of the characters in question screaming slash begging for their life or what have you as their name is said. spooky. :)
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fairly big change, and i think the change from a photo to a video helps sell more in audio form the impact of junes violence here. its some good shit, and also fucking terrifying holy shit i shuddered while listening back to this for writing these notes. shout outs to the writing team for putting this here. abso-fuckin-lutely, the writing goes so hard. also a big shoutout to my friends who put up with my annoying and loose process to come in as cameo voices for the recording!
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you know the drill by now.
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there are a BUNCH of changes here. first of all we added a lot of new lines here for the ads, because i think that fits better in audio. all of these lines are voiced by guest actors, including sarah herself, which is pretty neat. then theres a new bit of dialogue here from jane. it being a pre-recorded message helps to sort of keep it ambiguous as to whether she’s alive or not, and helps to sell that this is a crisis the world is taking seriously. it also helps bring things in line with future bits of godfeels, as crockercorp has its hands in many pieces of this version of earth c. then janes voice starts to glitch out and we cut to the terezi call, which had a bunch of changes to reflect the whole “phone calls and not text” thing. 
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some changes to help bring the fight scene into place more naturally
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This entire fight scene does not show the script in the video version, so i had to manually create the screenshot for this for the sake of the comparison, but this screencap does not do this scene justice. this entire bit of narration was cut and replaced with some INCREDIBLE sound design, which i can’t really get into the sound design part because im not a sound designer. but its really fucking good. shout outs to dare for that.
so, a bit of background on this scene. originally our plan was to have an instrumental sludge metal cover of Sweet by Phemiec, the trickster!Jane song. it was gonna be a tense chase sequence like the original text, but dragged out into a cat and mouse between june and dirk with dirk playing with his food a bit and june having to face the reality of what she did while fearing for her life.
however, when it came time for this to be done, the musician i'd planned this with had something else in mind, intending on a Deftones style altmetal sound instead of the sludge metal previously discussed, and then also life events made her incapable of delivering within any reasonable timeframe anyway before we could settle on which route to go down. so that got scrapped, which is tragic because that plan, sludge or alt, would have been absolutely stunning, but also scrapping it allowed us to make it SO. MUCH. BETTER.
we had already settled on "Game over." as a title, a callback to the last time everyone Fucking Died, also formatted like Dirk's text instead of June's, to show his control over this episode. but following from that name, I realized... we could use the song. from [S] Game Over, CARNE VALE. which also adds more flavor to this ult-dirk depiction, i feel. using a Caliborn song over a Dirk scene reminds the listener that Ult-Dirk is, in fact, Caliborn. He's every instance of Dirk, which includes Lil Hal, which includes Arquisprite, which includes Lord English. So using a Caliborn song here actually resonates REALLY HARD, i think.
as for the sound design, thank you for the praise! im very proud of my work here, the vrillyhoo sounds, syncing the swings to the beat of the song, and using the uprising whistle in the song at one point as a sound effect for the vrillyhoo flying through the air after june gets disarmed. the scene and song gave me a lot of material to work with :3
there were actually a ton of suggestions for flourite octet effects from all of our writers (and a few friends of mine who weren't on the team lol), and i cant find them all, but these were the final ones we narrowed down to before chosing
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last bit of the original episode had a bunch of cuts for pacing. pacing, yes, but also to keep us tied to our current june. the original writing had it cut to the scene before june showed up, and had her appear. but in order to maintain the inertia from the last scene and to keep our camera focused on our protagonist, we had us just land in the scene at the same time as her. the audio here is literally ripped verbatim from episode 5, and in the scriptlog for this episode it says “episode 5” during this part, which i think is very fun.
there is also a post credits scene involving dirk, with a bit of completely original writing.
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i don’t know if theres much to say about this that the text itself doesn’t already make clear. “this is where i get off” is apparently a half life reference though, but i haven’t played half life so idfk. dirk would be the type of nerd to do a reference like this in these circumstances though.
i had a lot of plans for this scene, and felt VERY strongly about it. originally this scene was vetoed by some performers until i recorded it myself as a proof of concept and we discussed was to get them on board. my original draft had gore sfx after he swung his blade (because i love gore sfx), but i think its far stronger to cut off before impact. as for why we're having A Dirkicide, when thats often seen as a bit insensitive these days, is actually to humanize dirk. dirk, in later godfeels updates, comes back as far less of a villain. in early godfeels, he's all intimidating villain all the time, all the way until his death. i wanted to let him share his piece. the text here is some original, some taken from his death in the Meat timeline, and some taken from his death in the Game Over timeline. These callbacks are also included intentionally to make him a bit more sympathetic. While his plan is to spark the epilogues, and he is a monster for his actions there, he IS ultimately motivated by an urge to keep his friends alive. this timeline isn't just a dud for his plans, isn't just a failure of his foresight, but also a repeat of dirk's lowest moment in the comic, when he lets the glitchtide take him after learning all his friends are dead. a moment he remembers and likely still grieves. and now he's having to grieve it all again. this wasn't included to be insensitive to dirk, it was included to make you remember 'wait, shit. yeah. oof. he IS kinda right on all counts about june as of this moment'.
and for a bit of behind the scenes? i've designed two sounds for deaths, Heroic and Just. and this one? it was Heroic. he died in the process of opposing someone who just killed all her friends. i may not agree with that distinction overall, but i think its a fair choice for skaia to make and i included that little meta aspect to once again humanize him a bit more.
also yes i had him quote gman, not just because he's a dweeb, but also to show his position as a Controller Who's Lost Control.
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thank you for coming around to see the adaptational notes for podfeels act 1! thank you again to stagelights for putting all of this together (i never would have found the time to do the bit by bit markdowns like they did), and also thank you to everyone on the team for contributing to this passion project i think we're all very very proud of.
i apologize for the long delay in getting act 2 started, but rest assured that we're still hard at work! i hope youve enjoyed seeing our process a bit, and maybe even learned from it a little!
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emblemxeno · 8 months ago
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Xenoblade 1 DE Main Story/Game Thoughts
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Finished the main story! I didn't go full completion but I got full affinity for all areas and saw every Heart-to-Heart. More detailed thoughts-including spoilers-under the cut!
-For starters, DE is a great update to the original. Many QoL improvements trims the extra menu time down a lot (inventory management, art books, equipment/gems, etc.), especially swapping gems. Also hell yes to including the appearance feature from X, as someone who prefers the default outfits for everyone!
-Same applies to battle stuff and general gameplay. Quest tracking, gauges on things like Break and Topple, clearer status effects, chance arts being highlighted, even something as small as the scroll between Talent Arts/Running/Chain Attacks being more streamlined had many great returns on me not pressing the wrong thing.
-However... why did they not just go all the way with more changes? The two big ones that come to mind are trading and Colony 6 collecting. First, why can you not bulk trade? It is such a time sink having to constantly open the menu again and again. And since trading and skip travelling share a button, I clocked probably over a hundred instances of opening the damn map menu instead of trading since there's a second of cooldown before the option appears for the NPC again! It's an annoyance that is easily ignored once or twice, but absolutely brutal after the tenth time.
-Jumping ahead a bit, but I speak not just criticizing DE but XC1 as a whole. It's probably an unpopular opinion but I don't like the ongoing Colony 6 reconstruction sidequest. The first time I completed it-about half a decade ago I think-was magical! Seeing a ruined home blossom into a lively city due to my hard work was something I'll never forget as an RPG fan. But I don't have that kind of time on my hands anymore (or I simply have better management of time now that I don't stay up til 4 am playing video games anymore lol). Exploring Bionis and Mechonis is an undeniably wondrous and beautiful experience, but only when doing normal quests (well most of the normal quests) and progressing the story. Jogging around places trying to find each item is incredibly unfun and tedious. The big offenders are typically Ice Cabbages (luckily I got all the ones I need by playing through the Valak portion of the story), Rainbow Slugs (I spent an entire hour on the Fallen Arm ugh), and the Black Liver Beans. The last one was the breaking point, I can't stand the Bionis Interior and after an hour in there just trying to find one, I said fuck it and did the Time Attack trials to get them that way. It was just not... good! I don't like it a bit.
-Last thing on DE specifically, I found that the graphics are apparently controversial among fans? I'm understanding of the position, as there's definitely a charm that the original artstyle had, especially being on the Wii. But to me the original has more issues in its visuals than just being a different artstyle. Poor resolution, blocky models, souless faces when not in an important cutscene, absolutely diabolical pop-in. And some say that the original gave its characters more personality during cutscenes, which... I don't get whatsoever. Did we watch the same scenes, cuz it's very hard to distinguish emotion in the original, whereas DE has better mouth, eyebrow, and facial movements. Certain scenes may "look" more emotional in the original, but things get exaggerated all the time to compensate for poor resolution or graphics.
-Now on to the just XC1 in general! Holy fuck the main cast is better than I remember. Shulk, Fiora, and Melia were already my favorites, but honestly... Dunban is probably my absolute favorite out of all of them now. His story is just so succinct and he's just so cool and hot and kind and just ughhhhhh!
-Egil is still best villain in the game, no surprise. Revisiting this game honestly made it really fucking clear why I loved Dimitri from 3H so much cuz the two are so similar (to the point where you can pull line's from the game about Egil and put them in 3H). The others fair less well. Metal Face/Mumkhar is delightfully hammy and an amazing threat for the first half of the game, but is as deep as a puddle. Dickson and Lorithia I found I dislike even more, for the wrong reasons; they lack charisma, and it's noticeable in places where the game gets really anime in its hammy villainy, but they're written and played a bit too straight for it to come off as anything other than lackluster. Though at least Dickson has presence as Shulk's caretaker and the guy who everyone knows and respects; Lorithia though? Throw her away. Honestly if Yumea took her place and retained the bigotry against Homs it'd be much more entertaining IMO.
-Zanza himself is a definitive mixed bag. Were I ignorant to Klaus' entire story from XC2, I'd honestly write him off as a by-the-numbers arrogant (but secretly imperfect and prone to "human" folly) god figure that happens in many, many RPGS. But I can't dislike him because I do know the entire story, and Zanza being an utter dickwad is explained in great detail and makes sense. Honestly, he does work for the story that XC1 is telling without playing XC2 as well, but ehhh. I guess it's just really difficult to be the main villain after Egil does such great things in a limited time.
-Narrative is great, just as it was the first time I played. Highlights for me:
Singlemindedly fighting for revenge is destructive not just to your enemies, but to yourself and your friends. Ignorance and unwillingness to look beyond your own world or history means you may be hurting innocent people without realizing it. Chaining your life to the deaths of others rather than supporting the survivors is unhealthy and can lead you down a path of misery and disaster.
Ether is not just analogy for carbon/other base elements in our world. Philosophically it's analogous to light and fate as well. Shulk unlocks the Monado's powers when he stops treating it as a tool with functions, but rather as an extension of his will. He wills his wishes into his heart, and they are made manifest. He protects Reyn with Shield not cuz the Monado lets him, but because he desired it. Same with Sharla and Speed, and it's how Alvis taught him to unlock Purge. It's how he resists Apocrypha, and later gains Cyclone once the Apocrypha is destroyed. His will is so strong, it becomes resistant to Zanza's influence, hence why he starts suffering the more he learns of Mechonis' history. The truth being brought to light is painful internally and externally, as Zanza physically rejects anything that challenges how he sees the world. Shulk brings himself back to life, begins having visions without Zanza, and gains his own Monado-which looks purely made of ether and light-through pure willpower and the desire to create his own future.
Shulk's duality and inner turmoil when he realizes his yearning for revenge is destructive; Fiora's endless strength of heart when dealing with a machine body and carrying on Meyneth's wishes; Melia going through hell and back trying to find a balance between her sense of self and sense of duty (I imagine Future Connected is gonna touch on that more as well); Dunban grappling with his moniker of being a hero and mentoring the party despite being imperfect and lamenting his disability; Reyn's goal of being a protector developing into being a supporter once he becomes insecure over his strength and character compared to Shulk; Sharla trying to keep hold onto a sense of hope that her love is alive before coming to terms with the fact that she needs to cherish her life and love those within it; Riki just being the fucking best dad and friend in the world.
Having played XC2 and XC3 makes all these things even richer as well.
-Last but not least, gameplay:
-Most quests are good. Most. The generic quests weren't ever fun for me, and they cause significant bloat that could've been trimmed IMO. Especially since lots of quests ask you to kill monsters and collect items anyway.
-The method to get quests started though? Awful. I know that things like Community in Torna and Field Skills in XC2 are hated, but man I can't stand having to change the clock and track the damn NPCs in XC1. Especially since there are many areas separated between towns/villages and "wild" areas (Colony 6 and Bionis Leg, Frontier Village and Makna, Alcamoth and Eryth + Valak), it just makes things so drawn out. Going back and forth, changing time and all that, is a sour point on this game.
-Like I said a few weeks ago, the Xenoblade series as a whole is unmatched in gameplay story telling. Beautiful and large environments make curious exploration a treat, especially as you start getting pieces to puzzles that can get completed later. I payed a lot more attention to the High Entia and Giant related sidequests due to the fascinating lore, for example.
-The fights are great, if a bit centralizing. Shulk, due to Monado arts, is the best character to have in the party and is sorely missed when switched out. I have pretty standard opinions on the rest of the characters, so no need to speak on each individually. I will say though, holy fuck is the AI just as bad as I remember. Shulk wastes his Monado gauge, Sharla is terrible at using arts and always puts herself into cooldown, and Melia for the love of god, stop firing elementals as soon as you summon them you're made of tissue.
Topple locking is deffo the prime strategy, cuz there were fights I wouldn't otherwise have won were it not for it, and thankfully Reyn and Dunban have pretty good AI.
Two major gripes though. Spikes are a terrible mechanic, gross. Second, I hate that the enemy tags affect accuracy, it makes certain quests extremely brutal to complete without grinding. And I just hate having to fight tough/overlevelled enemies as a whole, it becomes routine and simple after a while.
As a whole, I like the gameplay still, but it feels very restrictive going back to it after seeing all the crazy tricks I could do in 2 and 3. And also auto-attack arts > timer arts forever and ever.
-Overall a very great experience getting to replay this game like this. Though more rough points than I remember, and with certain things that have not aged well whatsoever , XC1 is still a good game that I'm glad introduced me to this series. I'm taking a break before playing Future Connected.
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dna-d2 · 1 year ago
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(One Piece Live Action Spoilers, Beware) (Also long post alert, Also Beware) (TL;DR at the end)
(Beware)
So I finally finished watching the Live Action One Piece and BOY LET ME TELL YOU.
(Please note that this is coming from someone who’s read the manga numerous times and is almost caught up on the anime. So this is a time for me to lovingly rant about this show/franchise in general)
I loved it. Like, to start off with, I fucking loved it. It had a couple flaws, and I certainly wouldn’t say it’s the BEST way to experience the story of One Piece, but I had so much fun with it, god.
Like, one of the biggest flaws you see with live action anime adaptations is that they make a bunch of changes, and these changes feel like they were made by a bunch of higher-up suit-wearing dickheads who think they managed to systematically dissect why people loved Dragon Ball so much and gave us the war crime that was Dragon Ball Evolution.
No, OPLA does have changes, but these changes feel like they were made to actually ADAPT the story into a new medium, since this would require a whole different type of storytelling compared to anime or manga. And (almost) all of the changes do feel like they were able to get the same point across as in the anime/manga, just in a different way.
Like pretty much everyone’s been saying, the casting choice was SPOT-FUCKING-ON. Like
HOLY SHIT
Guys, Iñaki as Luffy was absolutely brilliant and you’d have to kill me before I’d ever say anything different, I mean it. The closest I’d have to a character complaint (and it’s really not a complaint, it’s more of a nit-pick than anything) is that Zoro was just not goofy enough. OG Zoro gets caught up in the shenanigans more than he’d like to admit and gets pissed about it and many other things. OPLA Zoro was way more stoic than that. Though I did also like the stoic himbo energy he was giving off too, so like I said it’s not ENTIRELY a complaint. Just a slight nitpick. (And this is nothing against the actor, the actor did a phenomenal job and I will hear no slander against him or any of the others. Especially Usopp’s actor. Dude was perfect in pretty much every way)
And then the only REAL complaint I had. Well, two, technically. And they both center around the final two episodes.
One of the ONLY changes I didn’t like is that the people in Cocoyashi DIDN’T know that Nami was working for Arlong to buy back the village. The anime/manga had them all know about it and play along so that her efforts to help them wouldn’t be in vain, thus when she was double-crossed by Arlong, they had 7 years of resentment against just HIM to get out, and it felt so nice knowing that these guys were more than willing to fight to the death for her in her name and in the name of the years she sacrificed for them.
In this one though, the fact that they didn’t know just made it feel less impactful to me. They hated Nami for years, then just gave her an apology for not realizing what she was doing before deciding to march on Arlong Park. They didn’t even march on Arlong Park. It felt like the writers were rushing this along a little bit, which kinda leads into my other complaint.
I think there should’ve been ONE more episode. Just one. Nine overall. I think they should’ve spent 2 episodes, 7 and 8, specifically on the fight against Arlong, instead of an episode and a half with the resolution to the Garp thing stuck on at the end. THEN made episode 9 the resolution to the Garp subplot. Or hell, I think even just an extra 30 minutes would’ve helped a lot more. But it felt like they didn’t 100% get how to pace it out properly and had to change certain things that resulted in being a detriment to the overall product. I didn’t feel anywhere near as moved during Nami’s scene asking for help as I did during the anime/manga. In those, she looked absolutely broken, pushed so far past her breaking point that she just couldn’t see a way out of this darkness she’d found herself in for years and years. And in OPLA, she just…Didn’t. It’s hard to put to words, but it just wasn’t as impactful to me.
NOW WITH ALL THAT SAID!!!!
This is an incredible show in its own right. If I didn’t have the anime/manga to compare this to, I would have almost no gripes whatsoever. Maybe even none!! I enjoyed the hell out of this from start to finish, and only came out of it with like one complaint and a couple nitpicks. That’s INCREDIBLE for a live action anime adaptation. Not to mention the way that this is already proving to be a great way to get new people into One Piece. (They don’t realize. They don’t realize that this is the gateway show. That this is where it starts. They don’t realize that they’ll be hooked after this. They don’t realize. But I realize. I know. And soon, so will everyone…!!!)
So yeah, OPLA, solid 8/10. It’s not the best way to experience the story overall, but it’s great for beginners and I will watch again for Easter Eggs and further enjoyment. You should watch it.

TL;DR: One Piece Live Action is great actually, and while it’s not perfect, you should watch it and I love it.

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bb-bare-bones · 9 months ago
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Deya's Favourite Body Horror Films
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Art and Words by Dy Dawson, @xgardensinspace
John Carpenter’s The Thing (1982)
Films that have practical special effects tend to be my absolute favourites! And this film is – at least in my humble opinion – the holy grail for practical special effects! I never get tired of watching bodies becoming unrecognisable masses of bone and sinew in this incredible film, and the fact that everything looks agonisingly real whilst being done through the power of makeup and human hands with such extensive precision blows my mind! EVERY GODDAMNED TIME!
The Void (2016)
Similarly to The Thing, I praise the shit out of this hidden gem because the practical effects are PRISTINE! I don’t wish to say much about this one because it’s a real treat, and the fact that they managed to build a WHOLE creature on such a tight budget (plus all the many other special effects) is insanely amazing. A must watch, if you haven’t already!
Braindead (1992)
For this one I would like to say, buckets of blood and a lawnmower. That is all.
Nah, but in all seriousness, this is considered to be the goriest film of all time, and for good measure. It’s extremely campy, but all the effects are practical (I think you might start seeing the pattern here), super well done, and even if this is a horror comedy, the gory scenes are bound to make you feel icky! Also…Peter Jackson made this masterpiece before Lord of the Rings. I just think that’s fucking precious.
Child’s Play 2 (1990)
Some might not consider this a “body horror” film, but if we really think about it, this film series still contains an extensive showcase of body horror as a doll is quite literally turning human. This could fall under the “mutation” bracket of body horror. The first two films do the best job at showcasing that; the doll’s appearance shifts as Chucky spends time inside the doll. It’s shown through the progression of his staining teeth, the receding hairline, and a blemished face. I have specifically selected Child’s Play 2 because it’s got the most beautiful blend of this “mutation”, and the violation of the doll’s (human) body itself. That final scene in the factory is the best, and this stands as the only film that I couldn’t sleep with after watching. Sure, I was 8 years old, but I’ve been watching horror since the age of 5 and the fact that this one genuinely frightened me and has now turned into one of my favourite franchises saysa lot (mee thinks).
Akira (1988)
This film is simply amazing! And the most stunning example of body horror in animation! Well, the kind about physical human body mutilation, of course. But the animation behind those scenes is pure bliss and such a beautifully grotesque visual. I played King of Fighters before actually watching Akira, though. So when I saw Tetsuo’s arm do “the thing” for the very first time, you can imagine how happy I was to know there was a magnificent reference to the character X/9999. It fulfilled some childhood nostalgia I didn’t know I was craving, and seeing those scenes in the movie still runs chills down my spine because that animation is GORGEOUSLY disturbing. And trust me, I like to be disturbed.
Hellraiser (1987)
My favourite thing about body horror is the absolute gory violation and destruction of the human body. The whole centrepiece of this film is body mutilation, so of course it’s going to be on my list! My favourite scene is when Frank Cotton is being resurrected from the floorboards of the attic. When that spine connects to the brain, I shriek with Frank in pure awestruck! Another thing I love about body horror is THE GOOP! I need fluids, blood and goop and ooze and stringy bits. And that scene has SO much of it!
If I’m not being disturbed and/or disgusted, am I really watching horror?
Re-Animator (1985)
What can I say about this one that Ed hasn’t already? I mean… c’mon! There is SO much body horror and practical effects in this baddie to fill an entire house! I mean, the opening scene has exploding eyeballs, for Pete’s sake! And the entirety of Dr. Halsey head is oscar-winning material for the makeup department! As well as for the effectiveness of working smart, not hard. This entire film is a beautiful collection of practical effects that work effectively by not spending an absurd amount of money. It’s a B-film for a reason! And let’s face it, B-films often have some of the best effects in the industry because people have to work around that tight budget, get very creative and manage to deliver effects that can withstand the test of time, as well as look as convincing as possible. Re-Animator does this so well, and I sometimes forget Dr. Halsey isn’t actually decapitated in that fucking scene. Such a simple effect accomplished incredibly effectively.
Ginger Snaps (2000)
This is one of my favourite films, but not necessarily for the body horror; it’s just such a bloody good story! I still wanted to include it because I feel it’s a bit of an underrated or not very talked about film. Anyone with a period needs to watch it, first of all… And the practical special effects for Ginger’s werewolf transformation are genuinely impressive! One of my favourite things about this film is the opening sequence, with the sisters’ photoshoot on deaths. They are all very precious ways to die, and some are very body-horror oriented! (As well as the social commentary on women and their periods. It’s fucking BRILLIANT!)
Event Horizon (1997)
This one is truly a treat for sci-fi and horror films alike! And if you, like me, adore both genres, this film is just a treasure! It’s gorey, it’s gritty, and the plot is to die for. A little Hellraiser around the edges, but who’s complaining? And the special effects are truly magnificent! Also, look out for deleted scenes or the unrated versions of this film, please. You cannot miss this film in its full horrific glory!
Taxidermia (2006)
Taxidermia’s a bit odd, but I love it for exactly that reason. It’s one of the only films to have genuinely disturbed me; although it’s for my emetophobia reason rather than for body horror-situations. Although…it brings the question on whether competitive food eating is a bit of a violation on the body, hehe. It’s a film about 3 generations of one family, through the POV of the grandfather, the dad and the son. The biggest “body horror” part in this film is the last segment, and boy is it beautiful! Well, the bits with the son only. The body metamorphosis the dad went through is certainly grotesque, but the effects are sort of unrealistic/comedic(?) and thus look a bit silly. But trust me, that final transformation the son goes through is truly beautiful :)
Again… a really bizarre little Hungarian film, but if you are interested, go watch it and don’t say I didn’t warn you! I also don’t personally know anybody who has seen this film…so it’s always great to recommend and put it out there!
Honourable Mentions:
Tetsuo: The Iron Man (1989)
This one is here for being ICONIC. This film is so creative and artsy about its body horror. Certainly taking inspiration from Akira, but also just being unsettling for its stylised way of showcasing the destruction of the human body. Bits and wires everywhere! In black and white? SURE! I love the red of blood, but this movie gets a pass for its sheer imaginative way of displaying body horror.
The Fly (1986)
Love this film, but surprisingly it’s not one of my favourites! I wanted to include it here though, because the metamorphosis Seth Brundle goes through is EXTREMELY grotesque! It’s got absolutely everything I adore about the genre: Physical human body violations, gore, GOOP, and practical effects.
Scanners (1981)
Honestly, this one is just here because I FUCKING love that head exploding scene everyone knows about :b LITERAL ART!
Black Sheep (2006)
A dark comedy! Or horror comedy? Either way, this fucking film is DISTURBING! The practical effects are to die for, and the final creature sent shivers down my spine. I don’t care how silly this film is, if it wasn’t comedic, this would be a straight up HORROR of the most disturbing kind. And besides, anything making commentary on animal cruelty and animal testing is a definite narrative artistry about body horror in my book.
American Mary (2012)
This film has A TON of body horror displays! Full frontal and all. It’s one of my picks that isn’t just about gorey mutilation, but actual sexual violation as well :0 It’s got such a strong message, and the visuals are pretty great! Extra points for empowering women ;)
Slither (2006)
This film is only here for being one of the only ones to genuinely disgust and disturb me. The transformation of that one woman in the barn creeps me to the core :( And that doesn’t happen often! So as much as I hate this movie for making me feel uncomfortable, it’s gotta be on the list, right?
Society (1989)
This film is also fucking GROSS. Commentary on the rich being as disgusting as the actions happening, and as gross as they look in the end of this film is fucking GOLD! I’m all for it. Definitely not one of my favourites (it’s just a little boring at parts), but worth mentioning for that social commentary mixed in with absolutely horrendous body mutilation scenes done with practical effects.
Splinter (2008)
Another little hidden gem of a movie! I don’t hear people talk about this one ENOUGH! One of two films in my list that doesn’t exclusively include practical effects (I think). But that’s okay! Because this film is SO creative and has such a unique version of the zombie virus! It certainly will shake you; especially if hearing and/or seeing bones cracking is one of your “irk” uncomfy factors.
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arcplaysgames · 2 years ago
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hey guys have you met kanji tatsumi
he's like the best dude
wait lemme sum up other stuff first before getting to my good good punk boy
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I'm good enough friends with shrine fox that he'll give me a discount on healing which is good because HOLY SHIT THIS BITCH IS EXPENSIVE, what the hell. 9 THOUSAND yen, bro? what the fuck. i'll just go home and sleep thanks.
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Hung out with Yosuke and like the retail core of my soul just shrivels and dies every fucking time because yep YEAH YEP THAT SURE IS A THING.
Like... it is horseshit the amount of hours retail sucks out of your life, but leaving other people to take on your hours and thus grind that other person further into the ground just. hate it.
Yosuke is both trying not to be The Junes Kid but everyone around him expect him to basically be a ad hoc manager and that shit fucking sucks so much, I'm sorry, dude.
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also he burst into Reverie's room looking for porn. ah, life before the more widespread proliferation of the internet and its cavalcades of erotic content. someday, yosuke, you will be able to just look up tiddies.
i know everyone has probably said all of this already but out of everyone, yosuke feels the most like he's Trying to be hetero and it's painful to see.
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Over in the Hierophant SLink, I got enough eloquence to talk to Dojima and this conversation took me tf OUT. Dojima, you HAVE to try harder, Nanako hangs out more with my high school friends than you and it SUCKS.
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That said, the whole family working on the garden is very heartwarming and gives me hope. Dojima needed me to level up my stats to even TALK to me, so there is this gap he has to bridge to reach out to Nanako, and it's painful to see because I'm sympathetic but also you GOTTA do better, Dojima. This is not optional.
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I read the first few chapters of My Immortal.
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AND IN THE SUN SLINK THERE IS LIKE SO MUCH FUCKING DR-- drama. there's. drama in the drama club. i see what they did there. Yumi's mother collapsed. but ho ho!
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It turns out that her deadbeat dad collapsed and mom lied to get Yumi to come, and it's a fuckign MESSSSSSSS.
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Then in the fucking Adachi SLink that apparently exists??? The game gave me the option to flirt with him and he actually let me down very smoothly, which.
WHY IS THIS HERE? Was there a hankering for this weird side character to get an SLink? I'm baffled.
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And then Nanako asked me why people die and I am not equipped to handle that one, honey! Not yet! Whoo boy! Your dad sucks!
here nanako, do you have a psp? play this game, persona 3 portable, it'll explain everything, okay? make sure to use the arcade games to boost your stats, you'll be fine.
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KANJIIIIIIIIIIII
hang on the entire scene with him is so good i need another post, brb
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gaydiation-poisoning · 2 years ago
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Revali from BoTW for the character opinion bingo!
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Ohhhh you're gonna get me killed by the fandom for this one, that there is a character I have some BAGGAGE with
Okay here's my thing
I kinda despise Revali And it sucks because I really REALLY don't want to
Story time
I grew up playing Wind Waker, it was my first video game ever, and from that game the Rito were my favorite race, and they remained my favorite all these years. You probably wouldn't be able to find someone more hyped than me for the return of these beautiful birds.
So. April 2017. When I got my hands on BOTW I decided I'd save the Rito zone for last, I'd kept myself blind so I could go in and experience everything purely.
So imagine my surprise when I unlock the champion I'd been most excited for, the Rito, the champion of my favorite Zelda race from my earliest childhood memories.
And he was a complete fucking douchebag
At first I was like oh :( well okay maybe we'll be given some more information on him and it'll be better!! After all characters with huge egos can be extremely fun!!!
So I maintained hope that maybe the upcoming DLC would give us something
December 2017
We got something!! A teeny tiny fragment that suggested maybe Revali's ego was just a coverup for a deeply troubled bird, it was hardly anything at all but it was something.
But then his journal made him like 10 times worse in such a way that the DLC honestly didn't do much but make him more insufferable
So I was deeply saddened, they'd given us something but simultaneously made him more unlikeable. I thought that would be the end of it. But then!! Hyrule Warriors Age of Calamity was announced. And I was THRILLED. FINALLY. we were going to get AN ENTIRE game alongside the champions, I was gonna get more content for Best Girl Mipha, and FINALLY AN ENTIRE GAME'S WORTH OF CHANCES TO GIVE REVALI SOME CHARACTERIZATION. YES!!!!
November 2020. AOC comes out. Holy. Fucking. Shit. Revali what did they do to you? To my shock he'd graduated from a little unlikeable to downright unpleasant to watch. Even my best friend, a diehard Revali fan through and through, could not STAND what they'd done with him. We got a whole game with this guy and they basically spent the whole thing trashing this guy's character. He was arrogant to the point of annoying, horribly rude to characters who had done nothing to earn it, and overall was just kinda a ballache. And not even in the 'fun annoying character' way.
But hey!! AOC was getting DLC as well!!! That is meant to flesh out the characters more!!! We'll definitely get something there!!
October 2021. Guardian of Remembrance comes out. Yeah this DLC gave us fuck all really. That goes for all the champions, but I think Revali suffered pretty bad in this regard. Some of the scenes with Tulin were cute but they didn't do much in terms of Revali's character.
And....that's where we are now. Tears of the Kingdom is on the horizon, and I highly doubt we're gonna get much on the Champions in this game but...well I've maintained hope for six years already, why stop now?
So yeah my feelings on Revali are...complicated to say the least. There's so much I love about him, his design is probably my favorite of the Champions (next to Mipha), he easily has like...the best voice in the whole fucking game, and the character POTENTIAL is absolutely incredible. But all in all it feels like they've done nothing with that potential, for what is supposed to be the most Character driven era of Zelda to date, it truly feels like they've let his character stagnate, if not actively regress in a way that I REALLY do not vibe with.
I can see what people can love about him, god knows I've done more when provided with less in a character. It's not the ego that gets me, I love cocky characters, ffs my favorite BOTW character is Master Kohga for crying out loud, and that man has a damn near god complex. (Kohga, incidentally, has LEGITIMATELY EXPERIENCED MORE CHARACTER DEVELOPMENT THAN REVALI. WHAT.)
Like I'm not saying I want his character to do a full 180, just a couple more scenes like what we got in Champion's Ballad, just a couple more cracks in the facade would have done wonders. But instead they just kept him rather one note. Feels bad man.
Ultimately it feels like they're just going in circles with this character, arguably the Champion with the most potential to be interesting and they're doing fuck all with it. I can see why people love him, but idk, I've dealt with a few people irl with egos like that and that's probably not helped.
Idk, I guess this character managed to regress perfectly into a niche I cannot stand, and it sucks because it feels like such a personal loss to me.
I guess to put it very shortly
Revali is a bully. And I'll take a full blown villain over a bully any day.
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mycomicbox · 11 months ago
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Random Thoughts on Persona 4 Golden - Part 2
(for context, I'm up to 11/13 and I just rescued [SPOILER])
<<< Part 1
I like how there are a lot of moments where the Investigation Team hangs out together outside of the context of the main story, like the fireworks scene and the concert performance. It really makes them feel like true friends.
Not my favorite fishing minigame in the world, but it's serviceable.
You ever drink coffee so good it knocks you the fuck out?
The Death Social Link may be in my personal running for one of the best Social Links that isn't a party member or side character.
I was honestly kinda blindsided by Mr. Morooka's murder.
They did it. They made a character who's both a bear and a twink.
Mitsuo's dungeon and boss fight were cool as fuck, especially with the 8-bit remix of I'll Face Myself. I'm a sucker for that retro aesthetic.
Since I played Persona 3 Portable immediately before this game, I loved the Tatsumi Port Island field trip. It was really nice to see something familiar. Chihiro shows up and briefly mentions Mitsuru, Club Escapade plays the opening song for Persona 3 FES, and the gang even stays in the hotel where SEES fought one of the boss Shadows. Wonderful.
Speaking of Club Escapade, how did Rise and Yukiko get drunk again? Naoto mentions that the drinks were non-alcoholic, so were they just acting drunk?
...They did Naoto so dirty. That part where she said that she "shouldn't strive to live as a man" gave me the ick. Her dungeon literally has a Transition Surgery Machine, and she continuously wishes that she was born a guy. Like I said in my last post, the story feels like if a queerphobe and a queer person were fighting over who got to write it. It would've been nice if Naoto's arc revolved around accepting that she was transmasc, or better yet, rejecting the concept of gender entirely.
Speaking of Naoto, she's honestly kinda OP. I heard that she was buffed from the original Persona 4.
The Cultural Festival was... holy shit, where do I begin. The whole beauty pageant segment was incredibly awkward (except for the bit where Teddie stole the show, that was pretty based of him), and the hot springs scene was even worse than the one in Persona 3. And don't even get me started on the scene immediately after.
The scene on the night of 11/1 was awesome. The suspense of Nanako's kidnapping was elevated by how likable she is, especially if you finished her Social Link beforehand (which I did). I was also wondering when Dojima would find out about the protagonist's involvement.
It's probably been said many times before, but WE WERE FUCKING ROBBED. As I found out, there were unused voice lines for Yosuke (in both Japanese and English) which imply that he was going to be a romance option, but it was cut in late development. Not only would it have been nice to have an actual bromance in a Persona game, this would've been a great character moment for Yosuke; it would've recontextualized his homophobic remarks as the result of denying his own feelings, fitting perfectly with the game's intended themes.
(Also, happy launch day to Persona 3 Reload. This is a Persona 4 post, but it feels weird not to acknowledge it.)
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iwritenarrativesandstuff · 1 year ago
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(oml okay so I know you answered my Great Ace Attorney ask like. three weeks ago at this point, but I'm finally getting around to writing a response. I hope you remember what you talked about or can find that ask again alskdfgjfkd I'm so sorry-) First of all, OLIVE IS SUCH A GREAT FAVORITE CHARACTER YOU HAVE IMMACULATE TASTE!!! I felt SO bad for her oh my god, the moment where she tried to poison herself... holy shit it hit. it hit so hard, it's probably one of the darkest and most depressing moments in the game (and lord knows there's so much heavy shit in this game). 💔 TGAA does a lot of subversions from the main AA series, but I loved how she was an (attempted) culprit but also her "victim" was a culprit as well... it's utterly fascinating, I loved what they did with her character and 2-2 in general. She's one of the most realistic and grounded and subtle characters in the game imo, like she feels so normal: she's depressed, and she's bitter, and hateful, but not too hateful, and still sweet despite all of that... I loved her a lot, I want to give her a hug 😭🥹💔 the scene where she thanks Ryuu for helping her get closure was so touching, it made me cry. 💚 I was also really fascinated by her relationship with Shamspeare, or at least his reaction to her, considering that he didn't have any idea of her existence until the trial (I love him too, he's SUCH an interesting character)?? Idk I just think there's so much potential for their interactions post-series, though to be fair I say that about so many characters in this game alsdfjgkfld there's just so much juicy potential for character dynamics... Susato and Yuujin are DEARS, I love them so much 😭🥹💖 It makes me really sad we don't get practically any Susato & Kazuma & Yuujin family content.... I'm forever mad that their (+ Ryuu's) grief over his assumed death is so glossed over, I really feel like Kazuma desperately needed more screentime in the second game where he was allowed to just... be more vulnerable around them and get some sort of emotional catharsis, instead of just being his emo self the whole time :' ) 🫠 it's not bad by any means, I just think he needed so much more. Cause YEAH, his breakdown fucked me up too, it's my favorite scene of his cause it's really the only scene where we get a true taste of how much pain he's bottling up inside UGH. We needed more Mikotoba family scenessssss (seriously, Yuujin doesn't even react at all to hearing that he's alive again and it pisses me off!!! Like that's his adopted son of his dead best friend!!!)
(re: Kazuma though, my favorite Kazuma relationship is actually him and Nikomina from 1-2, or rather, hypothetical relationship. I wrote a fic about them actually lol I just want them to be brother and sister so bad okay :' ) maybe it makes no sense to anyone other than me lol but I need her to know he's aliiiiiive 😭🥺 he treated her so kindly... my heart)
Barok is wonderful, by far my favorite of the main characters and imo has the best written arc of them. He needs a damn HUG and we were robbed of seeing him smile at the end 😭💔 he makes my heart ache godddddd. Van Zieks brothers make me weep. Barok and Iris make me weep *sobs*
As for Graydon...... ahaha how do I even describe it. To be honest my thoughts on him could fill an entire essay; I'm actually responsible for a lot of posts and content about him on tumblr prior to the release of the localization a;lsdfjgkfdls (though under his Japanese name, Rupert Chrogray, which I prefer because I'm a snob lol), he occupied my brain for at least a year after I played the first game, and I still love him to death. He's just a really, really beautiful and complex character to me despite only being in one case... his story is so incredibly tragic, but realistic, and relatable, and so sympathetic to me, not to excuse his actions but he really does break my heart so, so much. I love the hints of characterization we get with him and his father, with him and the brothers, and I also ADORE thinking about his potential relationship with Gina, because they're foils to each other. I think he has SO MUCH POTENTIAL for a redemption arc after the first game, because imo he really is not a bad person deep down, and could change for the better if he's just given the chance to. I just love him sooooo much, I've written a few fics about him lol and I've delved into the Japanese fan content for him because I just need so much more alsdjfgkfld, he's such a beautiful character to me; he's so human, and flawed, and contradictory, but contradictory in a way that makes so much sense and is so well executed. Honestly he could have his own game/media all on his own imo, that's how powerfully well-written he is in such a short amount of time.
And OMG THAT ART OF IRIS AND KYOUKA IS SO ADORABLE AND WHOLESOME, thank you for drawing it 😭🥺💖🐇 my precious girls ✨
HI I'M SO SORRY. I read this ages ago and then just. Never responded. I have no idea why.
I totally agree that one of the things that makes Chronicles so fun is the way you only get a little of most of the trial-only characters, and yet there's so much there as a foundation to play around with! Olive is a great example of that! I love that you wrote about Nikomina and Graydon! I checked out the Nikomina one but still need to go through your Chrogray stories; I'm sure they're just as good a read :)
I really love it when people enjoy the minor or one-off characters. Nikomina really should get to know that Kazuma lived... that'd be a world of guilt off her shoulders, poor girl. It was an accident... I stick to my headcanon that Sholmes told her at some point.
I do agree that the second game kind of was a whirlwind. I imagined a lot of stuff was happening off-screen that we didn't see, especially with regards to the lingering grief concerning Kazuma. I do kind of wish we'd gotten a little less mystery over Yuujin and a little more just getting to be around the man and getting to know him. His story was just really impactful to me. I adore him so much.
I also have some mixed feelings regarding leaving Kazuma somewhat alone in London without his friends at the end of the game... while I don't really see how else it could've ended (it's more realistic; they can't stay in London forever; Kazuma was the one actually supposed to be on exchange), I can't help but feel concerned over him having very little support after a major breakdown/situation that exposed nearly all of his trauma, and still pretty much on that single-minded drive, just in a different, slightly healthier direction (so he can find himself/challenge Naruhodou). I'll be honest, it's now been awhile since I've played the game and I played it late at night so I don't actually recall the ending in detail - it's possible there's something I forgot about here that changes the context a little. I mean, at least we know Sholmes and Iris are going to look out for him...
Also I am a firm believer in post-canon Kazuma and Van Zieks worsties. They can't forgive each other, they begrudgingly understand each other, they can trust the other with pursuing justice, they are petty little shits to each other...
I also like the idea of Sholmes looking out for Kazuma in his own annoying way, and just coming across as... annoying, lol, while Iris keeps finding reasons to "mysteriously" cross paths with Van Zieks, so he cannot shake this weird, genius little pink child. The doors to the prosecutor's office open and the both of them just go "oh no", and then glare at each other because how dare they have the same thought at the same time ahjsbfvsjdfh
Anyways. They're funny to me. Part of me is happy where the story leaves off, and part of me wants a Kazuma Asougi Investigations game, with Van Zieks, Gina, Sholmes, and Iris. (...I actually came up with a rough outline for that very concept... it's a bit self-indulgent though and I have enough projects started... maybe I'll get to it someday... it's actually more like parallel Kazuma-Susato investigations lol)
Sorry again for this woefully delayed response... :/
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theoncomingdoo-dah · 2 years ago
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I wasn't the biggest fan of 11s era. I feel like it was a spit in the face for the most part. But I did give me some things that I actually really enjoyed.
>Rose being the projection from the TARDIS'S emergency program hologram in Let's Kill Hilter. (But fuck everything about that episode URGH.)
>The opening that that Amy and Rory and 11 hanging out in the console room while Super Massive Blackhole is playing. Yes. Absolutely yes. 11 would listen to Muse. Thank you show.
>The entire existence of ✨️MR. CLEVER ✨️like nightmare in silver was kinda mid but thank you Neil for the CYBER PLANNER. 🥵
>Dinosaurs on a spaceship. Not the episode, just the concept of dinosaurs on a spaceship and the Doctor interacting with them.
>11 wearing cool hats. And losing said cool hat in the same episode.
>I never thought 11s whole "*blank* is cool." thing to be annoying. I thought it was cute and charming. (I literally just had him say to Rose, "Waterbeds are cool." in a fic. I'll let your imagination fill in the context of that. 😏
>BUT WIBBLY WOBBLY CAN DIE IN A HOLE. I HATE WIBBLY WOBBLY SO MUCH.
>“Think about it, Doctor. One last day with your beloved. Which day would you choose?” (DONT TOUCH ME THEY KNEW WHAT THEY WERE DOING)
>Clara's theme. It's so gentle and sweet. I only wish the show gave as much of a fuck about their character as they did her theme.
>The Long Song. But it's Murray Gold. That doesn't effect the show as much. EXCEPT WHEN I LISTEN TO IT AND JUST GET FUCKING DEPRESSED. And not like Vale Decem where I get depressed because "I don't wanna go" regeneration scene CRYING
but depressed because holy FUCK 11 did not deserve that good of a send off theme.
>Hand fasting being a thing in Gallifreian weddings. It's celtic. but on God, the wedding of river song....UGHHHHHHHH 0/10
But it's okay that's why fix fics exist, hehe hoohoo.
>The entirety of Vincent and The Doctor. No notes. This episode is a god damn masterpiece and has some of the best Amy characterization.
but Moffat almost shat it all away when he included a MENTALLY UNWELL MAN IN HIS FUCKING TIME CRACK BULLSHIT.
Maybe he was salty because the best episode of his era isn't even written by him. Haha, seethe. Cope.
>That part where 11 is sitting in the throne in Vampires in Venice. God he is such a *brat.* I never wanted to break a man so much in all my life on god pleas
>Mr. Clever again.
>that part where 11 chugs a bottle of wine just to spit it back out.
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Round 2 - Resurrect Bracket (Losers Bracket) Side B
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ashes to ashes, dust to dust; in sure and certain hope of the Resurrection to [make it to the finals]
Propaganda below ⬇️
Galahad
OKAY SO . “Galahad (played by Jonny d'Ville): a travelling preacher/religious zealot who is told to sit in the Siege Seat by Merlin, and discovers the fact that Fort Galfridian is falling into the star Avalon. He sparks the quest for the GRAIL, and willingly goes to his death to overcome its final defences.” DUDE SAT IN THE CHAIR THAT IS KNOWN FOR KILLING PEOPLE BECAUSE HIS CRUSH [MERLIN] [AKA HANGED MAN] [AKA DRUMBOT BRIAN] TOLD HIM TO . SORRY I THINK THATS REALLY FUNNY. he found out the whole shitshow of a spacestation he lived on was gonna fall into the sun and he went around yelling about it incomprehensibly and got fucking gunned down trying to get the GRAIL and just kept going through the gunfire because of how Religious [tm] he was . he died . in once and future king it just “galahad’s blind faith” . also hellfire goes really hard . he is the definition of going insane with the knowledge of the universe . also jonny dville played him thats bonus points
There was a prophet. The prophet gave three separate people three separate instructions. 1. Stop being racist 2. Love your son 3. Sit in the Chair That Makes People Insane Galahad received number three. He was the only one who followed the instructions. He sat in the Chair That Makes People Insane, saw the sun for the first time, and immediately starts preaching about how everyone will burn in hellfire
i dont know anything about this guy i just wanna help make Kai happy please dont like not count my submission just because i dont know anythinf except for the Kills You Chair im trying my best im sorry 😭
his themesong is called hellfire and it slaps btw go listen to it. anyways he is my blorbo blingus he is Deeply unwell i could fix him but also whatever is wrong with him is incredibly fascinating to watch. a robot dude who’s been hanging from the gallows since forever told him ‘hey go sit in the Chair That Kills People Who Sit In It’ and he was like 'I HAVE BEEN WAITING FOR THIS MOMENT MY ENTIRE LIFE’. the getting-his-brain-fried thing definitely made him worse but he was also clearly kind of fucked up before that. his death is probably one of my favorite scenes in any mechs album. maybe just straight up my favorite. ahem. SAY WHAT YOU WILL ABOUT FAITH, BUT IT CAN HAVE POWERFUL EFFECTS ON THOSE THAT HAVE IT. IT CAN KEEP YOU FROM FALTERING AS THE BULLETS START TO SLAM INTO YOU. IT CAN KEEP YOU WALKING AS YOU LEGS ARE SHOT TO BLOODY STUMPS. IT CAN KEEP YOU LAUGHING AS YOUR LUNGS ARE FILLED WITH SHRAPNEL AND LEAD. IT CAN KEEP YOU SMILING AS HALF YOUR FACE IS BLOWN AWAY. IT CAN KEEP A MAN LIKE GALAHAD STANDING TALL UNTIL THE GUNS. CLICKED. DRY. anyways go listen to high noon over camelot <3
my friends my people my… flock I HAVE HAD A VISION!! A VAST FIERY ORB FLOATIN IN AN ENDLESS VOID!! and there so small so feagile US!!! BUT FALLIN FALLIN FALLIN INTO THE FLAMES!!! your soul is connected to the world youre in youre draggin it down with the weight of your sin surrounded by temptation and y'just give in we’re fallin into the flames OF THAT FIRE THAT FIRE THAT HEEEEELLLLLLFIIIRE YOUR BROW BECOMES SLICK AS YOU PERSPIRE YOU THINK YOURE THIRSTY NOW WAIT TIL IT GETS DRIER AND YA FEEL THE HEAT OF THE FLAMES OF THAT FIRE THAT FIRE THAT HELLFIRE YOUR SICK AND SINFUL LIES WILL BUILD A FUNERAL PYRE YOUR PERVERSION SCARS THE STATION SON ITS GONAN FRY HER AND WE ALLLLLL FALL INTO THE FLAMES… oh i have SEEN DAMNATION MY BROTHERS!! ive FELT its searing heat within my VERY BONES !!!!!!! but there is a way me be saved… “OH TELL US FATHER GALAHAD, TELL US” I HEAR YOU CRY “IS IT PIETY IS IT PURITY IS IT VIRTUE?” NO!!! ONLY WAY TO SAVE US NOW IS THE HOLY GRAIL ITSELF… HAHAHAHAHHAAAA…. WELL THAT ORB OF DAMNATION MAKES THE SUN SEEM PALE YOURE QUITE CORRECT TO QUIVER YOU ARE RIGHT TO QUAIL THE ONLY WAY TO SAVE US IS TO FIND THAT GRAIL OR WE ALL FALL INTO THE FLAMES OF THAT FIRE THAT FIRE THAT HELLFIRE YOUR SKIN STARTS TO SIZZLE AS YOU EXPIRE YOU CLAIM TO BE VIRTUOUS BUT YOURE A LIAR !!!!! AND YOU FEEL THE HEAT OF THE FLAMES … i said HEEEELLLLFIIIIRE HEEEEEEEELLLLFIRE HEEEEEEEEEEEEEEELLLLFIIIIIREEE HEEEEEEELLLLLLFIIIIIIRE OF THAT FIRE THAT FIRE THAT HELLFIRE AT THE HEART OF THAT INFERNO THAT WILL NEVER TIRE IVE SEE THE END IS NIGH AND DAMNATIONS NIGHER OH WE ALL FALL INTO THE FLAMES
Ok i know this is kind of a shot in the dark because hes so obscure but i need to speak my truth. Hes so insane. The narrator calls him a “holy roller.” He has a vision which is meant to tell him that the place they live is LITERALLY going to get burnt to a crisp because its slowly falling into the sun. But hes like Oh my god i just had a vision of hell i need to save everyone from eternal damnation. And he happily gets killed and turned into a pile of slop because he believes its what he was “chosen to do” he quite literally dies for his religion. Hes also quite funny. I like him. Thank you
no propaganda some I'll just include
"When did Catholics become so judgmental?" hahahah
Gloria stealing the twins to get the secretly baptized is so funny to me. My auntie stole me as a baby to get my ears pierced. Just latino things
youtube
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