#this wasn't in the tag so im posting it again

[micahdotgov]

hot. who said that

[dawntheduckrb]

I love how you can purposely cater you internet experience to block most politics so you can mentally detox since your media consumption was becoming unhealthy, and still have a whole week of attempting to regain your hope in humanity become completely undone by wanting to eat lunch with your mom (ramble in tags, feel free to ignore; take care of yourselves first <3)

[ramenwithbroccoli]

finally introducing the other character who also occupies a part of my brain:

Meet Giewont!

while the creator of it, Maria Leszczyńska, originally intended to make a war machine, she struggled a lot with finding resources then. however, with her and her family's life deeply affected by both world wars, the idea never left her mind. inspired by utopian idea of glass houses from a novel "the spring to come" ¹, she created her machine from glass. it would be cheap to make, yet durable, available as help to those in need, able to do hard work in times when it was needed - but if fragile peace was in danger again, it could fight alongside other soldiers. as if to set that role of protector in stone, she named it Giewont ². to test her creation, she gifed it to her brother Andrzej, who owned a small farm near the seaside.

Giewont worked as much as four men, not needing to be paid or fed like people would. it was a perfect solution for everybody, the new industrial revolution. that was, until about half a year into her work, glass started to shatter. it turned out not to be as durable as the utopian story made it to be, especially in contact with rough farm tools. small cracks also started to appear after they worked outside in winter, with low temperatures on the outside and hot steam circulating inside. with her fingers and edges getting sharper every day, Giewont was forbidden from taking care of animals anymore, as she would injure them. she was given the only task with no way to injure others - they recieved a showel fully made from metal and was ordered to dig. she did as she was told, even though the work put strain on her already-falling-apart fingers.

but when one day, when returning home, she noticed daughter of Andrzej, Aniela, swimming too far away from the shore and having trouble coming back, long forgotten wire snapped into its place as she jumped into the water to save her. while Giewont did bring her back home, carrying her in their arms, the girl had severe cuts on her body from coming in contact with robot's sharp hands. furious with his sister creation, Andrzej took it outside, desperate to destroy it. blinded by anger, he didn't even notice the storm gathering over the horizon

Andrzej took the metal showel and struck Giewont on the side on their head, then again, until her body fell and crumbled to pieces. He covered it with sand and raised his hands to deal the final blow.

that's when the lightning struck.

and the man fell to the ground, dead.

the sand melted from the heat around Giewont, filling the empty spaces and connecting the pieces back together. raising from their shallow grave, with body more rigid than what she was used to, she took her shovel and decided to bury the man, with what respect they had left for him. that was, after she dealt the final blow herself.

although miraculous, the lightning didn't return her to the previous state of being. their motions were stiff and some parts of theirs got lost forever among the sands of the beach. the part of her head where the first blow was dealt never worked properly again, rendering Giewont deaf in one ear (or whatever was left from it). however it did some good as well, as it widened the space around her mouth, finally making them able to talk - even if it was simillar to a whistle. determined to help people but with a body that kept hurting everyone around her, Giewont set off into the world, trying to find a home and piece herself together, leaving parts herself and a dead body behind.

footnotes below the cut:

1. "During one pause in their journey, the elder Baryka tells Cezary of an entrepreneur who, along Poland’s Baltic coast, devised an ingenious method for manufacturing durable glass from the vast reserves of pristine sands that had lain for eons beneath coastal peat fields. By a massive Rube Goldberg-type arrangement of channels and a creative method for harnessing the westerly winds (the storytelling here is a literary engineering feat in itself), an incursion of the sea provides power for converting the extracted sand into glass. From this vitreous wonder substance, prefabricated houses of glass are built inexpensively. The houses are strong as steel, hygienic, and easy to heat in winter and keep cool in summer. Whole villages are built with houses of brightly colored glass. Life becomes less of a struggle for mere existence, more civilized, and without the need to toil incessantly. People eat less meat or no meat at all, and begin to revere farm animals as sacred beings. For the reader, the digression serves to freshen the mental palate. For Cezary, however, the story is altogether beguiling, raising the utopian prospect of a more wonderful life, reunited with a homeland that might have been his to begin with and a father he has just rediscovered" - via neh.gov

wow thanks for skimming through footnotes as well! as a reward, here's the first ever design of both Janka and Giewont (which proves they were both created around the same time :] )

2. "Those knights had been in a deep sleep for hundreds of years and they only would wake up if it is time to fight on a great battle. When this day comes, the earth will move, there will be thunders that would shake the sky, many trees will fall and break, and there would be noises when the Border Mountains will break. On that moment the knights will take their horses and they will gallop to fight for Poland once again." - the legend of the sleeping knights

a lot had changed since that time :]

[mariemariemaria]

can't lie g/omens fans are starting to piss me off

[acourtofquestions]

Dont be angry, Finnula said. Be smart.

[lunaticus]

ok yeah so the very last time sanji saw usopp before the ts was him literally being ripped away from him, right in front of his eyes, and so afraid, and sanji was unable to do anything about it, and it haunts him, haunts him the whole two years and it will haunt him even longer, and then they meet again, and usopp's changed, things happened in those two years, things that forced him to become fit when usopp would never do something like that willingly, and sanji swears to himself that he'll never let anything like that ever happen again, nobody will ever rip usopp away and out of his reach ever again

[the-acid-pear]

I never tried the option myself bc it'd probably mean skipping the Reason You Suck speech at the end (fire for speedrunners though) but I Love that you can frame your Phoneys in 3, especially so if you've already killed the previous two. Like yeah couldn't send you off to die so i'll let the goverment do it for me 🧸 like its just Peak evil imo.

[everymlmhybrid]

this part genuinely makes me feel like eating dry wall like i can't explain how i feel about it without making some of you finally tire of me and block me about it i think

[boldarvarequests]

A moodboard for a Night Elf Death Knight, including pieces of Elune and the Alliance, for @i-have-all-the-genders!

⚓️

[mildcicada]

[numberfiveenterprises]

Pfft. The people who thought Five was gonna be in high-school in the new season are stupid! Absolute morons!

[todayisafridaynight]

Sorry to keep throwing Miscellaneous Asks your way, but I finally had a moment to get my thoughts in order on one of the points on your Venn diagram I wanted to talk about! I always kind of debate whether or not to send other, semi-unrelated long asks like this when we've already got a chain going, but oh well. I'll try and address anything brought up in response here in the main one and hopefully it doesn't get confusing lol.

So I was thinking about the extent of Jo and Arakawa's relationship. It is completely true there's not much you can say that's concrete, especially since most of what we see is from Jo's perspective. Although his perspective is crucial to forming an understanding of their relationship, it's not sufficient. This is particularly the case because, coming back to giri-ninjo for a moment, Jo is largely bound by giri; it's clear his loyalty runs deep, but it's not a choice for him.

Arakawa, on the other hand, can choose who he places his trust in, especially early on. And I think it's incredibly important that, despite having men who've already been with him from day 1, men who've already been helping him with his son, Arakawa chooses to "place every confidence" in Jo (per an old Famitsu profile, one of the first official ones) and chooses to make Jo his captain.

Similarly, he kind of chooses Jo "over" Ichi in sending Ichi to prison "instead of" Jo. Perhaps the family really would collapse without Jo's talents, but… does it have to collapse entirely? Didn't Arakawa make it pretty far on his own? I guess it's neither here nor there, but I've always wondered if things would've really played out as feared if Jo went to prison instead. Not to understate Jo's role in the family, of course.

Anyway, I think that trust shows not only in overt gestures such as entrusting Masato and the family's finances to Jo, but also in more subtle behind-the-scenes ways, such as what we were talking about before with regard to New Year's 2001. There's also the fact that leaking information to Aoki was Jo's idea; for that to be the case, Arakawa would have to discuss Aoki's threats at length with Jo. (Unrelated, but come to think of it, "complying with him [to] make him see value in keeping us around" is very often the strategy of victims of abuse and neglect…)

And this one's an underrated detail many people miss, but after Arakawa shot Ichi, while he was able to come up to Ichi to tell him he's counting on him and sneak in the fake bill, if the goal was to not arouse suspicion, I don't think he would exactly have been able to excuse himself from the dinner to drive Ichi to Yokohama. Time was of the essence in terms of Ichi's survival, so that leaves Jo, who was conveniently already at the scene and who was certainly in on the "secret rule" that constitutes part of the Arakawa Family's agreement with the homeless camp. Overall, there is a pattern of Arakawa approaching Jo before anyone else, isn't there?

Sort of branching off of that, I would personally feel comfortable saying that Jo knows Arakawa better than anyone else. He seems to know details about Akane and New Year's 1976 no one else does, details Arakawa would have had to volunteer himself, and that plus his own experiences are what allow him alone to have the most complete picture of that night.

I also get the impression Jo understands Arakawa better as a person than anyone else--certainly better than Aoki, but perhaps even better than Ichi in some cases. There are multiple instances where he defends Arakawa and challenges their perceptions of him--that he's "betrayed" the Tojo Clan, that he's betrayed Aoki, that he's the type to scheme and make power-plays behind Aoki's back. He hasn't. And, despite how little Jo's "allowed" to say, he turns out to be right every time. Also worth noting Arakawa does something similar in asking Ichi to try and understand Jo's frustrations, though he's more or less enabling Jo's abuse in doing so.

Lastly, The Smallest Detail that drives me kind of insane. Them arriving at the office in the back seat of the same car in one of Ichi's flashbacks. I wouldn't think too much of it if it were any other time of day, but the first-thing-in-the-morning quality and the fact Jo isn't driving (thus it's not as an act of service but as an equal) is like… Okay. You're carpooling to work. And if you're not carpooling, you're honest-to-god living together. What the hell.

So a lot of it is this web of inferences--it has to be, at least currently--but I really do think there's a lot to chew on. More than meets the eye, anyway. I've also been stewing in all of this for years, especially since drafting Jo's relationships section, so I might just have inhaled the fumes for too long lol

Thank you for coming to me about the nature of their relationship! Although I did put it down as being more-or-less 'uncertain' on my chart, I do agree that their relationship isn't as cut-and-dry as other relationships might be (it's going back to appreciating the complexities of RGG relationships, especially in the case of the Arakawa's where for every party involved it really IS complicated)

I wanted to exclude making any definitive statements on things that couldn't be verified without making a detour on the original post (I know I already mentioned frequently that Arakawa is able to joke about Jo being 'softer' on Masato, but I do think about their relationship often and the implied depth of Jo's loyalty if- as you said- he was able to climb through the ranks of the Arakawa family much quicker than preexisting members), but there are clear points in the game that due allude to a great trust between the two (and I also note that carpooling detail during Ichi's flashback- or at the very least I know I'd find myself noticing Jo sitting in the back opposed to the front/driving). It's definitely not hard to assert that Jo knows Arakawa well either, it's hard not to come to that conclusion when we have evidence from the game to infer that.

[laika-of-the-stars]

i've rambled a lot about it before but as a disabled persson who gott sick later in life and lost their ability to do a hobby / passion almost entirely, i've internalized all those tumblr posts about like. "making art even if it looks bad" etc etc and its part of the reason we still draw. beccause we're a heavy perfectionist and we no longer have the energy ever to draw, and when we do we burn ourself out because of how much energy it takes now to do a full piece. our art has noticably stagnated since we got sick compared to before we were sick, and that's fine. it hurts a lot some days knowing my skills stagnated, that im probably stuck or going to improve slower than my peers, but its fine. i can never really word it. something something art was my passion and im happy that, even if i had to adjust to being sick, i can sstill make art.

i dont know how much sense im making, but losing the ability to draw for almost a year or two due to how sick i was was awful, and being able to finally come back from that is so special to me and i cherish my art so much more than i did and i just needed to get the words out there.

[currentlyonstandbi]

[pyrriax]

hey guys im back at it again with the horrible levels of s4 zam brainrot. um.

did i manage to somehow make this song about him in my head? yes! yes i did. and i cannot be normal about it.

[myththefangirl]

Uhh bonus picture of my gecko, because I look at time zones wrong and it turns out Good omens is coming out tonight at 5pm for me and not at midnight- like I originally thought. God, I'm such a dumbass 😭

But putting my dumbass besides the point right now- ITS HERE ITS FUCKING HERE IN JUST ONE FUCKING HOUR