#this was the beginning of the bad times

[bucketofchum]

More Atumu shit that no one asked for.

I found some old shit from Same Age AU (also called Teen AU, but they end up growing up and becoming not teens anymore) during Atumu's "Lost Years" - 2 years during which he disappears inexplicably and Startop has no trace of him.

Well it's a bit before his Lost Years, when he is still on the map, and still exists to the government.

Context: Star and Atumu are about 24-25 years old at this point and they are living together. Atumu is working for the Federal Government. Star is trying to figure out what he wants to do (community college). Atumu has been working for the government for about a year at this point. He was recruited from his previous job. Star doesn't really know what he does but he spends less and less time at home. Sometimes multiple days. Sometimes multiple weeks. This one mission is supposed to be multiple months.

Money means nothing to someone like Atumu. He grew up so fucking dirt poor that having ANY disposable income means all his needs are met. He doesn't need more than what is necessary for survival. Money means nothing to him, but Startop means everything to him.

His handlers realised this rather quickly. Promise of good pay was not a good motivator. He'd do the work anyway without complaint. He'd do the work because they told him the pay would be good to help Star out financially. Star could live comfortably and safely with Atumu's service. He'd be working to help Star. Atumu never asked questions. He did everything he was told, because they told him they'd take care of Star. They told him Star was happy. That was the only thing that mattered to Atumu.

But he wished he could see Star. He missed Startop, the boy who befriended him in high school and who helped him move out of his abusive foster home. He owed Star everything. He missed Startop, but ...as long as Star was happy...

Startop missed Atumu but figured Atumu's work was important, so he tried not to get in the way. But despite now living together, he had never seen Atumu so little. Atumu was never home anymore. Still, the paychecks came in, the bills and the rent were paid so... I guess. Star didn't want money. He only wanted Atumu. Atumu couldn't care about the money. He just wanted Star safe and happy.

Anyhow that's the context. Atumu is working for the government. Overworked, on way too many simultaneous projects, and literally has not been home in months.

[cappycodeart]

"The dead one! Yeah I haven't thought about her in a long time!"

A little theory I've had about Winter King's original motives based on his heartless comment about Betty and Ice King's original motives for kidnapping princesses in the first place...... clearly she gave off Bad Ex Vibes…

[heartorbit]

figure skating set right now please. thanks

[royaltea000]

nooo don’t hurt him he has a baby to feed 😭

[tubbytarchia]

I don't know what this is all I know is that LimL Joel makes me really emotional

[cptnbeefheart]

this old world may never change and sometimes i wonder: do you ever think of me?

[thatkoiboi]

Sleepovers with April are the best! ...and normally accidental-

omg also i binge read dandy's "i may be invisible, but i still look good" and the reference is random but i needed it cause it was funny in the fic and references are my data collection-

[334iwatchshit]

please remember that luke skywalker adopted rey and fin a few years after marrying din djarin and and opening his jedi school on mandalor with their green rat son.

[dredgesnails]

after watching most povs for session 3 of wild life i think there are two crucial errors nearly everyone who died to their snails made (other than just, like, panicking or not figuring things out quick enough at the start)

the first was to assume there was some way of defeating the snails and experimenting with all manner of things (a wall between them, drowning them, going to the nether etc etc) which ultimately lead to them realising the hard way that there's no way to kill the snails. the second was rapidly moving from one side of the map to the other in an attempt to run from the snails, resulting in players losing sight of their snails thus leading to them being blindsided a number of times (tango...). there were a few other reasons of course, but i think almost most deaths can be attributed to one of these two things.

if you look at the five who didn't die to their snails too, they figured out pretty quickly the best ways to stay safe. gem and joel actually managed to get a wall and cowpen built just by keeping their snails close enough to keep an eye on at all times, and they might have experimented with a few things but they were vigilant enough about it to stay safe. lizzie went mining (on her own!!!) and managed not to die (and also didn't nearly die the way grian and mumbo did). cleo and scott moved across the map a lot more than these three but iirc they didn't try to kill or hinder their snails, they just made sure they stayed away from them at all times.

[yanderespamton78]

AJDJSOAJW I MADE MY SPAMTON PLUSH THE DEFRAG OUTFIT

AAAAAAAAAAAAAAAAA

I'm so normal. About. This comicc

Yes

Defragmentation by @zarla-s go read it if you haven't rjkwsjdkdhkash

[aroaceleovaldez]

What is the PR disaster in question that made Rick announce TSATS? I wasn’t active in the online fandom at that point

Of course! This was awhile ago so it figures people don't remember it/aren't familiar:

Basically a couple years back (2020) the fandom had some posts circulate discussing the ways different characters in the Riordanverse were written poorly or offensively. There was a masterpost that went around tumblr but the two major points people were particularly focusing on were Piper and Samirah (particularly because Piper had featured prominently again in Trials of Apollo recently and the third MCGA book had further emphasized and discussed Samirah being Muslim, since it was supposed to take place during Ramadan). Basically each had multiple posts breaking down the ways they were depicted incorrectly or offensively. The entire fandom for a little bit was VERY intensely discussing this (and it's around this time the "RR crit" tag got very popularized on tumblr - it did exist before, but suddenly was being used VERY frequently - cause it was that wide-spread - though the discussion took over basically every side of Riordaverse social media on different platforms). People really wanted Rick to respond to these criticisms, so he did!

He made two blog posts, one about Piper and one about Samirah. He has since deleted both so the links are to archived versions. The short version: he essentially tried to justify his poor research and double-down that he hadn't written them offensively, actually, people were just being mean to him. The fandom, of course, reacted poorly to this.

[Further elaborated events under the cut since this got a bit lengthy]

(Fun fact, this all happened within a month or so of the time i posted an open letter on aphobic tropes in the Riordanverse that Rick replied to, and then he immediately followed with announcing that Reyna was intended to be ace-coded [which cause a LOT of fandom debate] before Rick dipped for a couple of weeks, and then came back to post the blog posts in response to Piper and Sam stuff. So I like to jokingly refer to this as "The time I imploded the fandom/drove Rick off of twitter." Twas I that set the house ablaze.)

Rick fully left social media after this and the LT Musical social media manager became Rick's social media manager for the time being.

So this all happened June/July of 2020. Tower of Nero would end up being published in October of 2020 and a few months after that Rick would state that he was done with the series and wouldn't be writing any more series installments involving Percy, and also that he wouldn't be writing a Nico quest following Tower of Nero as it "wasn't his place to" and encouraged the community to write their own versions of Nico's story.

The community continued to circulate the tumblr posts and discuss the topics of Rick's offensive character depictions, and this is also where we see the dramatic shift in how the fandom depicts Piper in fanwork (though in most cases it is admittedly not an improvement 😬) because of all this discussion. This is also around the time when the fandom brought Viria under scrutiny claiming that she was whitewashing Piper as part of the same discussions, through the justification that she was drawing Annabeth as having tan skin (which she does canonically), and if Annabeth has tanner skin then Piper then that's whitewashing Piper? Except they were using completely separate images of not fully rendered Piper art versus Annabeth in dramatic lighting, so it's all very awkward and poor logic, and did actually get kind of racist. A lot of people were calling it "Tannabeth Blackchase" (yeah, i know) or similar and a common sentiment you'd see repeated is "Don't draw Annabeth as having darker skin than Piper, because that's offensive/racist/whitewashing." (Note: it was not phrased "don't draw Piper as having lighter skin than Annabeth" - we also won't get into certain offensive depictions of Native Americans, but I digress). But yeah, the Annabeth stuff in all that did not age well at all.

Anyways, in October of 2021 however Rick would announce that he was co-writing The Sun And The Star - with a lot of heavy emphasis on how Mark Oshiro works as a sensitivity reader, and some false advertising from the official social media that Mark Oshiro was the first time a non-Riordan author would be collaborating on the series (disregarding the ghostwriters completely). One of the big criticisms in the breaking down of issues in Rick's writing was his lack of ever seeking a sensitivity reader, and fans claiming that a sensitivity reader could solve a lot of the problems. This was basically Rick's "look! I totally listened!!!!" (though it did little to actually improve things, based on the book) and in TSATS as well Piper gets a large cameo at the end where the text very directly addresses a lot of points made in criticism of Rick's writing of her.

We also then of course got the CoTG trilogy later, explicitly stated to be for advertising purposes for the show.

So basically, short version: Rick came under scrutiny for a lot of offensive writing within the span of two months, made some bad blog posts doubling down about it, left social media. TOA ends. Rick says he wasn't going to continue the series/write what would become TSATS. Community celebrates the end of of the franchise but also continues to discuss Rick's poor writing and the blog posts at length. Rick suddenly announces TSATS and Mark Oshiro's involvement. Everybody gets distracted from being mad. Show announcement stuff also happens and the discussions peter out.

[turtleblogatlast]

[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]

I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.

Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.

Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.

I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.

On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.

These two care about each other so much, and they’re way too much alike for their own good.

[felassan]

.

[spacetimeaccordionfolder]

I love the intersection of Narrator and character. Character who is the narrator or a narrator who is also a character but not the main character. Guy in the corner who announces what will happen and also gets boo'd or high five by the main characters. Exists in the 4th wall but sees through it. Or perhaps exists outside the 4th wall but peaks in and says hi. The characters say hi back. Sometimes the Narrator is all knowing. Sometimes they only know a little, perhaps the script or what has previously happened. Sometimes the Narrator character is kind and helps the other characters along. Sometimes they laugh in the other characters faces. There is a chart here that I haven't conceptualized yet.

Some examples:

The narrator in Into The Woods

Alan-A-Dale/ the Rooster in Robin Hood

Hoid/ Wit in the Cosmere

Steve/ The Jester from Galavant

Also the Head Monk from Galavant

the Narrator from Winnie the Pooh

The Narrator from Word Girl

If you can think of other examples, please add!

[tubbytarchia]

gg buddy am I right (ethubs doodle that I don't know what to do with)

[odd-chips]

Here's a big post of some of my doodles of [Cap'n and crew] that I haven't posted yet! Couple are comics, couple are shitposts, you know how it goes.

(Also have some extra character tidbits beneath the cut!)

Cap'n (she/they) has become a Spongebob-adjacent "married to the job" type with sprinklings of "they are not immune to rose-tinted Company propaganda". Cartoonishly loyal to work, she's more upset about lying to the boss about her condition over actually becoming a monster on work time (though she isn't particularly a fan of being a monster, either).

Skeets (she/her) was already implied to be pretty optimistic and curious, but I've doubled down on this. She's constantly curious about entities and the state of her co-workers, asking questions and absorbing new information. She's also extremely lucky when it comes to encountering entities.

Mav (she/him), as implied by her nearly leaving Cap'n behind in the first comic, has become a "I won't hesitate, bitch" bitch. Split second decisions aren't an issue for her, she WILL shoot first and ask questions later. (She also now has a gambling addiction, haha. LOVES betting credits on things)

Kid (he/him) is now Irish. I will not elaborate. He's kind of literally the same otherwise. He's also in major inherited debt because of a Company-caused clerical error, but don't worry about it.

Uh. That's about it, I suppose!