#this was taken in the light

[devonsrugbyexgirlfriend]

Purple Plaid

B came over and put the new skin on my xbox. It was a bit fiddly but B did so good. I'm so chuffed with it.

Look at her! 😍😍😍

(Custom design rom MightySkins)

[kylorenscar]

"...and I have to live with that. Forever."

[tubbytarchia]

Gaze upon her. Please

[taivans]

ZENDAYA as TASHI DUNCAN CHALLENGERS (2024) dir. Luca Guadagnino

[radiotrophicfungi]

BLINKIE SET #57 . . . RANDOM

. . . with a few suggestions sprinkled in!

[emiplayzmc]

Doodles based on conversations about Twisted Glisten and Rodger with @tdlizardowo :3. Mainly with the Mini AU thing I doodled the other day where Rodger does solo runs down to the Twisted floors to meet with Glisten.

|| "Well, what do you normally do when I'm gone?"

|| "Wait for you to get back..."

Based on an idea we had that Glisten literally just. Sits outside the elevator waiting for Rodger to return whenever he leaves. Probably sits with his head turned to the side so he can listen against the wall for the elevator moving in the shaft.

|| "he's gonna come back for this isn't he

he wouldn't leave this it's his favourite briefcase he wouldn't leave it

if he comes back for this that means he comes back for me right

he's coming back right

|| please please please please please don't leave me alone again please"

We also made the headcanon that when Rodger was first going to see Glisten and trying to get his trust back with him, Glisten had such low self esteem and such high anxiety at that point that he thought literally anything was holding more importance in Rodger's eyes than himself. So Rodger would catch onto this and leave items down there with Glisten, the latter of whom would basically hold them hostage until Rodger came back (I also think sometimes Glisten would outright take to nicking stuff off him to hold hostage as well, something he felt was significant enough that Rodger would come back for it had he lost it).

Rodger would slowly get Glisten to realise that, by doing this little habit and being nonchalant about whether an item goes missing or he leaves something on accident, that he really isn't caring about whether he leaves stuff down here or not - notes, a briefcase, research, whatever - it's *him* that he's returning for, because helping Glisten and keeping him company until he can find a way to cure him or get him safely up to the lobby without other Toons being worried or scared of him is the most important thing to him. Glisten is more important to Rodger than some silly items. :)

(Also I choose to believe the briefcase has lore as being a birthday / debut anniversary gift from Toodles to Rodger that she convinced her Toon Handler to help her get for him)

Also the OG SpongeBob scene for the first image :)

[loudemic]

i do like a good little note taking session in a cute café ☕️

[transdemon]

(click to view)

Fanart of my most recent comfort fic diphylleia grayi by stacytrouille on ao3 🥺🥺🥺

This chapter (chapter 21) is one of my favorites so far because gojo is so utterly adorable, I love his baby gay tendencies on their totally-not-a-date hangout session before the plot™️ happens.

10,000,000/10 everyone should read it, it's so very good trust me🙏

[grimae]

Books are now available in my store. Thank you all so much for the support, this was probably the biggest thing I've done in my life so far. It's 535 books of which half were already sold via crowdfunding. Each comes signed and numbered. I also have a few leftover prints from crowdfunding, as I ordered more for safety's sake. Those are also available as bundle, for a very small quantity.

[astrhae]

Let there be matter, let there be gravity, let there be everything from pages 11 to 3,000,602 inclusive... (Funny if I did the good thing and you did the bad one, eh?)

GOOD OMENS SEASON 2 + the seven virtues and the seven sins

[secriden]

Just going to cry again (see: my previous post about the parallels between the storage room scene and the abandoned factory scene) about parallels and juxtapositions in the store room scene vs the one in Styles bedroom:

Both these scenes have such a tone of desperation and are characterised by an overflowing of emotions, but in drastically opposite directions.

(Note, some of what I say in this post directly relates to concepts and themes I talked about here, so it may not wholly make sense without that context.)

The scene in the storeroom is filled with frustrated desire. Fadel kisses Style because he wants Style's body and also wants to take his frustrations at Style out on his body. He doesn't need to look Style in the eye (and in fact very intentionally only does so only in small snatches) because this isn't about a connection as much as it is about a release. Fadel's kisses come fast, hard, and are intended to bruise more than to adore.

But episode 5's scene is filled with much more quiet and tender sort of desire. Style is kissing Fadel so much more slowly and purposefully. He keeps looking back at Fadel, checking in to see how he feels and whether Fadel is enjoying it. Everything Style wanted in Episode 3, he now gives to Fadel here, pours the secrets of his knowing and choosing Fadel anyway into the way he presses his lips onto Fadel's skin. His kisses linger, they carry a weight but are somehow infinitely gentle still; Style's kisses contain a purpose that Fadel's kisses couldn't in Episode 3 because in all honesty they were relative strangers back then.

There's also the way there's such a ferocity and carelessness in the way Fadel starts the encounter in episode 3 that is juxtaposed beautifully by the slow, tender, almost hesitant way Style slides his lips onto Fadel's. Both of them are in such different headspaces, between these episodes and its especially evident in the way they care so much more about the other person's comfort and how intentionally they showed that to the audience.

There's hunger present in both scenes but what this hunger is focused on is so drastically different. In the storeroom, they're both mainly focused on a physical release; its primal and visceral but lacked emotional resonance. Fadel gives Style what he knows Style wants (that hint of danger, with the hand on his neck), but its not because he really cares about what Style wants on anything more than a physical level. In Style's bedroom, however, Fadel is drunk (intentionally and by his own design) and desperate to open himself up to Style on an emotional level. Meanwhile, Style wants that desperately too, but knows that Fadel shouldn't because of his own terrible secret. So this kiss is what they both will allow themselves - an honesty and a hunger for this deeper connection they can only share in act but not in words.

In the storeroom, Style wants Fadel to want more than his body but knows (or thinks) he can't push for it yet, so he remains passive, lets Fadel do whatever he wants, lets him turn and shove and place Style how he wants because at this point, this is all Fadel will give him. Here, Style is passive in spite of what he wants. But in the bedroom, Fadel is passive because it's what he wants; he wants to let Style do whatever he desires to and with Fadel's body. He wants to lay himself as bare as he possibly can, which is only physical, and so he does.

And because the encounter in Episode 3 lacked that emotional connection, the focus is merely their respective releases. There's a sense of two people trying to find pleasure and 'finish' while remaining emotionally disconnected despite actively having sex with each other. Because in some ways, they didn't really need each other in that moment to get there (there's actually a lot of truth in what Fadel says about it being easier to just jerk off alone). In sharp contrast, the scene in Episode 5 isn't focused on the destination but on the journey. Style is taking his time and Fadel is letting him - Style is choosing to worship Fadel's body, with his fingers, with his lips, to respond to his vulnerability with gentleness and tenderness and adoration. The goal has stopped being about finding a release, it's about allowing both these men to revel in the giving and receiving of pleasure.

The point of these scenes is to show to us the ways in which Fadel and Style have grown to care for and, dare I say it, love each other in ways that are so purposefully portrayed by showing the nature of their physical connection. Because the ways in which these scenes are the same and yet so wholly different showcases how their touches are now no longer merely tied to their senses any longer, but also to their hearts as well.

[bloominglegumes]

still thinking about robots in love

[queseresere]

“Impulse is probably the only person who can kill me”

Tango said it and I could not get the idea out of my head… are they rivals? Are they enemies? Who knows! Anywho, here is my take on Flashfreeze (that’s what we’re calling him, right?) and Impulse, who would presumably have an alias that has something to do with his techy teleporting powers. In my brain the gauntlets allow him to search, put in chords, map, contact people, and other place and space related things, that allow him to more quickly teleport.

Alt background, and textless versions below cut :)

[buotella]

A valiant effort was made

+ Ariana’s attempt

[taxus-fraud]

My opponent just called upon the Oracles and scattered most of my pieces across space and time. Does anyone know the best counter in this situation?

[fuckyeahgongyoo]

Jan 2025 | Louis Vuitton Fall/Winter 2025 Show (Credit to gongyoopa on tiktok, x)