#this was difficult because I think there’s like. literally no way to put the version of this scene that’s in my head on paper

[totaled-drama]

Hi ! Can I request a comic from your fic? Whatever scene you want, I just think it could be cool to see your words into art ! Thank you ! :D

Thank you for the request!!! And thank you for reading my fic, I’m glad you liked it!! :)

[duffmckagans]

very excited for people to see how all of these characters have changed in subtle ways due to either maturity in nuance or dissatisfaction with the original portrayals, but i think i'm most excited for people to read about valerie this time. which, possibly may be because this book is centered around her, but i just feel like she's gained some good depth. all of her traits are still there, for better or worse, but there's definitely an added realism that i'm really proud of ♡ and i hope is better understood this time around.

[creatingblackcharacters]

“It’s Giving” AAVE, and the Denied Yet Undeniable Impact of Black Culture

I grew up knowing it as Ebonics; I didn’t hear 'AAVE' until I was an adult. Apparently it’s used derogatorily- I did not know. But when Robert Williams coined the term in the 70s, its meaning was:

“…the linguistic and paralinguistic features which on a concentric continuum represents the communicative compentence of the West African, Caribbean, and United States idioms, patois, argots, ideolects, and social forces of black people…Ebonics derives its form from ebony (black) and phonics (sound, study of sound) and refers to the study of the language of black people in all its cultural uniqueness.”

Familiar Examples include but are not limited to:

The History

It was unbelievably difficult to find a solely Black perspective on the subject. I’m gonna need everyone to let Black linguists talk, it’s literally their job. Anyway, I need y’all to actually WATCH this video. Don’t skip it thinking I’ll summarize. Watch it. Actually listen. That’s part of the problem to begin with, is not listening. Even if you have to read this lesson later, so be it.

One of the points emphasized in this video was that AAVE was formed of the need to communicate, and specifically to communicate in a way that hid what we were saying and thinking from antagonistic white society.

“…“the disguise language used by enslaved Africans to conceal their conversations from their white slave masters to the lyrics of today’s rap music, [the magical power of] the word has been shaped by a time when, as observed by Harlem newspaper writer Earl Conrad, ‘it was necessary for the Negro to speak and sing and even think in a kind of code.’””

Because it was in a form that white people could not understand, as well as already existing racist biases against the humanity and intelligence of Black people, naturally it was assumed that our way of communicating was ignorant and ‘false’. Even acknowledging it as a valid language was seen as abhorrent, by nonblack and certain Black people.

“For decades, linguists and other educators, pointing to the logic and science of language, have tried to convince people that Black English exists, that isn’t just a politically correct label for a poor version of English but is a valid system of language, with its own consistent grammar. In 1996, with the unanimous support of linguists, the Oakland School Board voted to recognize AAVE, or the more politicized term “Ebonics” (a portmanteau of “Ebony” and “phonics”), as a community language for African American students, a decision which might have opened up much needed additional funding for education. Instead it resulted in intense public backlash and derision due to the still widespread, incorrect belief that Black English was an inferior, uneducated form of English associated with illiteracy, poverty, and crime. It’s hard for a language to get ahead when it keeps getting put down. Some linguists, such as John Russell Rickford, have noted how even sympathetic linguistic research, which has derived a lot of benefit and understanding from Black English grammar, can unknowingly focus on data that represents African American communities negatively, giving “the impression that black speech was the lingo of criminals, dope pushers, teenage hoodlums, and various and sundry hustlers, who spoke only in ‘muthafuckas’ and ‘pussy-copping raps.’” The term “Ebonics” even now is used mockingly by some as a byword for broken English.”"

(Some of) The Rules

AAVE is a full dialect with grammar and social rules. But the ones most people are familiar with include:

Th becoming D (“dats”)

Double Negative (“I ain’t see nobody”)

Habitual Be (“It’s cuz he be on that phone”)

Possessive s absence (“I’m going to my grandaddy house”)

Question word order (“who that is with the ice cream and cake?”)

Zero copula (“who that?”)

"Why do you talk like that" Would you rather I code switch?

“Code switching, or adjusting one’s normal behavior to fit into an environment, has long been a strategy for BlPOC individuals to navigate interracial interactions successfully. Code switching often occurs in spaces where negative stereotypes of Black individuals run counter to what are considered appropriate or professional behaviors and norms in a specific environment, and regularly happen in work settings.”

In this context, you might recognize it better as “using your white people voice”.

Some Black Americans, for varying reasons including internalized antiblackness and a desire for assimilation, hate AAVE! Some people will hate that you don’t use AAVE! Never assume we’re all on the same page about its use! My own mother used to be big on speaking ‘proper English’.

Regional Differences

The same way regional differences affect standard pronunciation, it’ll affect the AAVE used. Culture in the area as well will affect the words that come from it. So someone Black using a phrase in Philadelphia might not automatically know what someone Black from Compton is saying.

Someone did their dissertation on this topic, and while I’m going to link the summary for yall to give it a shot, Imma be honest- I do not understand this. I tried. It’s interesting how something that comes so innately, once written out like this is like WHAT. But the research has been done!

Easier examples include:

"Aaron earned an iron urn"- Baltimore

GloRilla and "Mursic"- Memphis

A lot of AAVE from New York City is popularized; so you might hear words from anywhere that originated from Harlem or Queens, or New York Ballroom culture

Tonal Languages

One major source of misunderstanding AAVE is people not understanding tonality. AAVE is often tonal, similar to many African languages, languages in general- meaning that unless you hear it or are innately familiar with how it’s spoken, you might not know HOW I’m saying something and therefore will not understand what I’m trying to convey. Given the history, this was on purpose!

Black language- Black culture in general, really- is often conveyed orally. Everything we say and do is not going to be written down for someone else to study. Doesn’t mean we weren’t saying or doing it. If you want to understand, you have to listen!

“Linguist Margaret G. Lee notes how black speech and verbal expressions have often been found crossing over into mainstream prestige speech, such as in the news, when journalists talk about politicians “dissing” each other, or the New York Times puts out punchy headlines like “Grifters Gonna Grift”. These many borrowings have occurred across major historical eras of African American linguistic creativity. Now-common terms like “you’re the man,” “brother,” “cool,” and “high five” extend from the period of slavery to civil rights, from the Jazz Age to hip-hop: the poetry of the people. This phenomenon reflects how central language and the oral tradition are to the black experience.”

Some examples:

1) "You Good" can mean, depending on how it is said and the context in which it is spoken:

Are you okay?

Do we have a problem?

You’re okay.

You don’t want these problems so chill.

Do you have enough money/resource?

It’s fine! Don’t worry about it.

2) This was an interesting experience, watching the misunderstanding of AAVE occur live. It’s the realization that people read this as “This is something Bugs Bunny would wear” versus “Bugs Bunny would wear the fuck outta that outfit”. But if you didn’t know that, if you aren’t familiar with the tonality of AAVE, of course you’d think the first one is what it meant! And it's not wrong-wrong - he would wear it, but that's not necessarily all it meant.

3) “Chill-ay” versus “Chile”. Yeah, we didn’t forget that. This is often why AAVE is used to sound “aggressive” on the internet- if you perceive (however subconsciously) how Black people speak is aggressive, then when you decide to emulate my speech in your moment of aggression, it is because you think my Blackness will make you seem more intimidating! You find Blackness… intimidating. Same reason you think it makes you funnier than if you were to deliver the same joke using your own dialect. It means the jokes not funny; my language is what’s funny.

Black American Sign Language

We even communicate differently in sign language; there’s an entire history and culture behind the Black deaf experience.

“In April 2020, Nakia Smith, aka Charmay, created a TikTok account introducing five generations of her Black Deaf family and how they communicate in Black ASL. As a social media influencer of Black ASL content, Charmay made a series of educational and informative videos on the history and practice of Black ASL. Charmay’s video went viral, landing in a New York Times article, Black, Deaf and Extremely Online, and Blavity: TikToker Has Gone Viral For Putting The Culture On To Black American Sign Language. Additionally, Netflix requested Charmay to explain the difference between Black ASL and ASL.”

Everyone doesn’t speak AAVE!

If your Black character is not Black American, and has never once been connected with Black American culture or people, they are probably NOT going to speak AAVE! They’re going to speak whatever dialect THEY have! And that doesn’t make it any less ���Black” of them!

Different dialects and languages across the diaspora include but are certainly not limited to:

Black British English

Haitian Creole

Gullah

Jamaican and Caribbean Patois

Everyone Owes Rihanna an Apology

Y’all remember the song Work. I know you do. It was mainstream’s love and joy when this song dropped to be overtly racist about it, Black Americans included. Everyone claimed it was ‘gibberish’, that she was just mimicking language on a song and ‘it would be popular’.

Meanwhile, it was her singing in her native island patois! The people who spoke her language understood it! Anybody who actually tried to understand it, understood it! Another popular song, Sean Paul’s Temperature, is also in patois! And I thought we loved that song!

So next time Black people speak and you find yourself thinking- ‘wow, this makes no sense’, I want you to think to yourself: ‘does it make no sense, or do I just lack the context/knowledge/language to understand it?’

NOW THAT WE’VE HAD SOME EXPLANATION BEHIND THE LANGUAGE!

Writing AAVE

Me personally, I admit I don’t like it being used in stories where it is clear the author doesn’t understand the dialect, or where it’s clear the only person who speaks it is the “Black character who OMG DID I TELL YOU THEY WERE BLACK”. I’d rather it be the regular Queen’s English. We speak that too. I’m not going to decry your fanfiction or your regular modern-day original story as “bad” if you choose to use whatever language your region commonly uses. We know how to speak it. We will be okay. Using AAVE is not going to sell me that this character is “Black” if the rest of the character writing is still bad.

If it means that much to you, because it is important to the character, then you as the writer need to commit to learning proper AAVE! This isn’t going to be a “look up every turn of phrase on google” or “ask Ice what every single thing means”. You’re going to have to do what everyone who learns a language does- immerse yourself in it! If you can’t be bothered to learn my language, I’m going to know that when I read your work.

Obviously if there’s a context where the Black people involved do not know how to speak a language, it is perfectly fine to show that, as long as you are showing that it’s not due to some innate stupidity or other stereotype that this person cannot communicate the same way others communicate around them.

“The N Word”

I know someone’s thinking it, so let’s address it. There’s a translation for this word in damn near every language that’s ever come across Black people. So don’t go “oh we don’t have that word in my language-” I bet money you do.

Yes, it could be used in historical context- the ‘hard -er’. Yes, it could be used in social context- the ‘-a’. It follows the tonality rules I discussed earlier; that is, the way it’s used and who is using it makes ALL the difference in how it will be received.

Everyone is not on the same page about the use of this word within our community. Some Black people think it should never be used, period, even by us! Some Black people think that it should be reclaimed and use it as such! The only thing we’re on the same page about is that YOU should not be using it.

I say this to say to nonblack writers: put the pen down.

My stance is, if you can’t understand AAVE, you CERTAINLY aren’t going to be able to incorporate the social use of this word. Period. If you scared of the potential smoke incurred if you fuck it up- and if we see it, you will catch it- don’t bother. Trying to “write realistically” does not cut it. You should be doing everything in your power to understand and write a great Black character in all ways before ever thinking this is something you should do. In fact, if you're that thirsty to use this word, you have some other things you need to consider.

In the historical context, just watch yourself. If you’re gonna drop that word, you need to be damn well-researched on every other aspect of Black life and oppression in whatever era you’re writing. Just dropping this word to say “life is racist” shows a lazy lack of understanding of antiblackness. You don’t even have to drop the whole word. A “ni-” at the end of the sentence is enough for me to know exactly where we’re going! But if you not gone do the rest of the work… you know what they say about stupid games.

The Fundamental Disrespect

If you watched the prior videos (and you should have) and paid attention up to this point, you have already heard the struggles that both AAVE as a dialect and those that speak it go through.

There’s a societal connotation of stupidity, aggression, and silliness behind the way I speak. None of those things are true, and it’s hard to be told that even the way you communicate with others is bad.

But the other reason it’s so hard is because we spend our lives hearing that those are the connotations… when WE speak it. It is not the language- it’s ME that makes it so! And that gets into the other part of this lesson, something that AAVE is oft victim to.

This part is a little scarier for me to write, because people don’t like it when you talk about Black Americans as a separate entity from the US of A as it is known. I’m gonna put on my political hat for a second, but I promise this ties into my overall point so stick with me!

Stolen Cultural Hegemony

The reality is that the United States of America has forced a cultural hegemony upon the planet (amongst other forms). Yes. That is due to the capitalism, colonialism, imperialism and damn near just about every other -ism at the US government and military’s disposal. I am not saying that part somehow changes, of course not. That’s just facts. There are people far smarter than I (Edward Said, take the wheel) who could explain this far better. But I’m only here to explain this one point.

What DOESN’T get acknowledged is how much of what is deemed American pop culture across the world is both 1) stolen 2) Black culture! We do not have equivalent political power despite what our hypervisibility would suggest, but our social currency is raw diamond- so naturally, it has to be plundered! The white American dollar might mean far more than my life, but it’ll pay for my creations- even more so when I’m not involved!

The issue is that if your society says that I am less than, how can you justify how you covet everything I create? If I’m supposed to be so much less than you, why do you seek my language, my fashion, my music, my body? Why do you feel entitled to my creation, but you think you should have it… Without me?

Sit on that one for a second!

Appropriation of AAVE

Let's refer back to that chart at the beginning. How many of these have you seen or even used before? How long did it take for you to know it was AAVE? Don’t get me started on the influence of AAVE in queer spaces!

Of course I’m going to get started. Ballroom culture, created by Black and Latino people in New York City in the 80s (Paris is Burning, anyone?), has spawned so much popular “gay” lingo, and it’s not even just “gay”- it’s of color! Black English in particular is the source of many of the words that queer people use now in casual conversation, brought into the ballrooms, normalized, and then proliferated with other communities.

I can always tell when a new phrase from AAVE has hit nonblack audiences because it’ll suddenly be in every sentence I see, often butchered. Remember that historical context- of having to speak in code. Have you ever considered why AAVE is always evolving? Why we have to find new ways to communicate with each other? Have you considered that when people are constantly taking and misplacing your words, they may lose meaning or value, and so you have to come up with something else?

Appropriation of Black Music

Jazz, swing, the blues, disco, rock and roll, pop, even rap and hiphop have all been subject to appropriation- intentional or not. Far more intentional than you might want to believe. And it all comes back to money!

White audiences in the 1900s loved Black music- as long as they didn’t know Black people were singing it! Often, songs would be completely lifted and given to white bands to re-record. When Frankie Lymon first came on stage to perform, some of the audience was stunned! Even you know Itty Bitty Pretty One!

A more modern-day example: not to pick on the K-Poppies, but unfortunately it’s a low hanging branch example.

What K-Pop groups are doing now is heavily influenced what Black pop, rap, and R&B artists were doing from the late 90s to this very day. Part of the reason I enjoy K-Pop is because it reminds me of the stuff I used to listen to growing up. How many times have you heard someone think a Korean rapper in a K-Pop group is “fine”, but “don’t like” rap otherwise? Or will listen to K-Pop groups, but have very few to no one Black of the same sound on their playlists?

Examples:

Rover by Kai (2023) vs Swalla by Jason Derulo (2017)- Idk how popular Kai is outside of EXO, but I do know that some influence was had. And I like the song, btw! I prefer the music video! It’s just not the first time it’s been done!

Sweet Juice by Purple Kiss (2023) vs Say It Right by Nelly Furtado on a Timbaland beat (2006)

Taemin and Michael Jackson, period. Taemin having a song called The Rizzness. How did ‘rizz’ get to him? How did he know? More relevantly, how did the people who wrote his music know? How did something that started with Black people in Baltimore get all the way to Taemin in South Korea without influence?

I’ll use another example, so it doesn’t feel like I’m picking on K-Pop. I’m currently listening to CĂN NHÀ TRANH MÁI LÁ (Vietnamese, if you couldn’t tell) and as much of a banger as it is, with its own amazing cultural spin on the delivery… it is CLEARLY influenced by Black American rap. He nicknamed himself Vietgunna. Yall.

A non-American musical example: Afrobeats has taken the music industry by storm… How many of those people who enjoy an afrobeat from a nonblack artist will enjoy it from Wizkid or TEMS?

Those polls, where they ask how many Black artists you listen to… try paying attention to see just how much of your music takes inspiration from Black creators, but there’s a non-equivalent amount of Black artists that you support!

Political Bastardization of Powerful Black Colloquialisms

The appropriation of Black English isn’t always for entertainment. Sometimes, it’s a purposeful, malicious tactic to demean the words, and therefore the intent behind them.

“Woke”

“Michael Harriot, columnist at TheGrio and author of the upcoming book, Black AF History: The Unwhitewashed Story of America, explains that this kind of insidious takeover and flipping of Black vernacular to anti-Black pejorative has numerous parallels in America’s past and runs all the way up to present day. “When you look at the long arc of history and America’s reaction to the request for Black liberation – every time Black people try to use a phrase or coin a phrase that symbolizes our desire for liberation, it will eventually become a cuss word to white people,” Harriot says in an interview with [Legal Defense Fund]. It’s perhaps this very context — Black people’s awareness of their history and their power to resist injustice — that made woke so ripe for the pernicious mutation it has now undergone. Indeed, the forced transformation of the colloquialism echoes how countless other Black ideas and intellectual contributions have been maligned. “When people during the civil rights movement began saying ‘Black power,’ all of a sudden it became a term that people equated with communism and anti-white sentiment — and then it eventually gave birth to ‘white power,’” Harriot tells LDF. “The ‘1619 Project’ [which centers the ramifications of slavery and the contributions of Black people in American history] has become an insult. ‘Black Lives Matter’ became an ‘anti-white sentiment’ that was banned in school and spawned ‘all lives matter’ and ‘blue lives matter.’”

#SayHerName

This discourse is happening again, it happens like every six months on here, and it’s one of the things on here that fills me with a hatred that I struggle with every single time. It is hard, I literally feel that hatred in the pit of my chest right now as I type this.

Kimberle Crenshaw (Black woman and the originator of the legal term ‘intersectionality’), the Center for Intersectionality and Social Policy Studies, and African American Policy Forum coined the hashtag in 2014. TWENTY FOURTEEN.

It was meant to highlight the violent deaths of Black women and girls at the hands of police, which happens at a high rate like Black men and boys, but often goes far less acknowledged. By appropriating the hashtag, you are actively choosing to speak over the very names and deaths of Black women and girls we don’t know, because we are NOT SAYING THEM, and therefore are allowing those deaths to continue as though they do not matter.

I’m going to stop before I get more upset. But know what violence you’re contributing to in your negligence.

How to Avoid Cultural Appropriation while Showing Appreciation

Everything is obviously not appropriation. It is possible for people to appreciate, replicate, and take influence without being disrespectful! It happens! And because it is possible, is why it’s so infuriating that it does not.

It’s frustrating that when something is on me, it’s ghetto, ugly, ignorant. But when it’s on the right stick thin pale girl, it’s chic, it’s fashionable, it’s new. So if it’s not the language, and it’s not the fashion or music you don’t like… It must be… Me. I am somehow not worthy of respect for the very culture I create.

Can you imagine being told that? That you are not worthy of being… you?

If you are worried about cultural appropriation, both in your writing and in your life, the easiest way to avoid that is to:

1) acknowledge and support the culture that created what you’re saying or doing and

2) actually treat them like human beings instead of zoo animals or a species to study. Show respect! It’s not hard!

This is my body, my language, my creation. It’s not just to entertain you! It’s my life! I talk like this because this is how I speak, not because I want to get Tiktok cool points. If I’m around people who treat the way I talk like childish babble, it makes me feel stupid and disrespected. We can see that, and we can read it in your writing.

And yes, you may be saying “well none of that is unique to AAVE, that’s how other languages work!” Okay then go speak those languages then lmao. But if you’re absolutely determined to understand and utilize mine, then you need to treat it with respect and not like the Gen Z slang babble (or worse- the threat) y’all treat it as. It’s a form of antiblackness that is so normalized that we don’t even think about it… but now that you’ve read this lesson, you can start! You can start taking the time to actively dedicate a thought to what you’re saying and doing and where it came from. You can take the time to notice when something isn’t right- and maybe even choose to speak up, because it’s the thought that counts, but the action that delivers.

[tealvenetianmask]

A lot of the discourse on The Full Moon/Apology Tour has revolved around the pedestals that our boys put each other on. But I think the pedestal Stolas has Blitz on in particular often gets misunderstood.

I've seen a lot of takes that says that Stolas can't really love Blitz. He just loves the idea of Blitz . . . the one he's built up in his head based on romance novels and rom-coms and soap operas.

I think the reality is more complicated, and that even though, yes, Stolas idealizes Blitz, he also very much loves Blitz for his true self.

Let's look at some times when Stolas saw "the real Blitz," as his quirky, resilient, innovative, low-class self, and very much loved that person, and not just the knight in shining armor version of him.

The Circus.

Some have used this moment to say that Stolas idealized Blitz as a fantasy of what it must be like to be free.

And . . . yes. BUT ALSO. He only falls more in love (in a kid-crush kind of way) when he sees Blitz mess up on stage, get booed by the crowd, and make a joke that's clever but quite dark and niche. Creatively, to work his way through a difficult situation. There is SO MUCH in this short minute that reveals to us AND TO STOLAS who Blitz really is.

Seeing Stars

Oh boy. Let's make a list. I'm too tired to make this exhaustive, but in this episode, Stolas sees Blitz

Being careless in a way that puts Octavia in danger

Using an absolutely stupid costume to disguise himself

Getting terrible stage fright

Going way off script in the sitcom in (again) a way that's niche humor and does not appeal to most of the audience

LITERALLY HAVING A BREAK FROM REALITY AND SHOOTING UP THE TV STUDIO

Okay, so when Via is in danger, Stolas is unambiguously peeved by the mistake, but he forgives Blitz because Blitz puts in effort to find Via and make it right.

And in the rest of these instances, Stolas EITHER affirmatively likes the cringy and silly side of Blitz's personality:

Or without the slightest hesitation, when Blitz shows a real weakness, focuses not on disappointment that this man is not his perfect soap opera hero, but puts that aside and tries to help Blitz get out of trouble.

There's also this moment in Western Energy where Stolas is absolutely unbothered by Blitz's atrocious spelling and is genuinely just happy to think for a moment that Blitz cares. I feel like someone COULD twist this to be about Stolas having blinders on about what's right in front of him, but I don't think so. I think he's fine with Blitz not having all the same strengths that his society clearly values, and just wants to be loved back by this person who he has genuine feelings for.

So what doesn't Stolas know about Blitz before The Full Moon/Apology Tour? He doesn't know that Blitz hates himself. He doesn't know that Blitz pushes away people he cares about. He knows that Blitz has walls up but doesn't know why. You can fall for someone without knowing their deepest darkest hurts-- you can even love them. But you do need to know these things to have a deeper relationship with the person.

His focus on romantic media is a problem because it forms his expectations about relationships, not necessarily because it blinds him to who Blitz is. He wants to be rescued. He wants to be chased after. He doesn't understand that good relationships take a lot of work . . . and he'll need to learn that.

But he doesn't just love Blitz for these ideas. He loves Blitz for being Blitz.

This, like many of these essays, was inspired by a conversation with @akirathedramaqueen.

[daretoassume]

the feeling of knowing it is done

it is often said, as neville pointed out, "it is done," and this is absolutely true. now, how can you live your daily life knowing that it is done? what would it feel like to go through each day, fully aware that your desires have already come to fruition?

usually, you would try to think of ways how it will happen, or when, or if you are closer to it—will it happen this year, this month, or not? and you have this narrative or belief that says, "oh, it's possible to happen this way, so I'm expecting this to happen this way more than that way because it feels more believable and not impossible." but that is not your job to know. yet that's the thing—we usually think about it all the time, especially when we are not guarding our thoughts. so, you'd rather do all these different techniques people do online because it won't hurt to follow them, right?

but what you're actually telling yourself is that you don't trust yourself—that you already have what it takes, that you already have your desires. your refusal to believe is the only thing that is keeping things at bay.

"so, do not ask how it’s going to be done. all i have to do is to completely yield to this being within me, for he has ways and means that i, on this level of my being, know not of. i rise then under compulsion. and under this compulsion, i go through a series of events, which will lead up to the fulfillment of that to which i yielded. i assume that it’s done." ♱ faith is loyalty to unseen reality, neville goddard

you put your desires on a pedestal, your focus is on wanting those desires, but WANTING something doesn't get you to the state of HAVING. the state of NOT having is thinking that your desires are going to make you feel better, or that they will make you feel like a new person, but you have to understand that the physical reality is mirroring you—your state, your thoughts, your feelings. nothing will change if you are expecting the physical reality to change first in order to change you.

that's not how it works.

your state should change first. there is literally no one to change but self. so, accept the fact that it is done. give yourself the capability to realize that it is already done. your beliefs, your perceptions, and your state should be aligned with your desires. what would it be like to have those desires? what would it be like to be the person you want to be? what does the best version of you, who has everything, think, feel, act, and believe?

when you are in a state of hurry, desperate to see your desires in your physical reality, it simply means you are not aligned with the vibration of the version of you who already has everything she desires. you are making it harder for yourself to realize that it is already done.

"to attempt to change the world before we change our concept of ourselves is to struggle against the nature of things. there can be no outer change until there is first an inner change." ♱ out of this world, neville goddard

rebrand yourself in a way that makes you feel that you have everything. because you do. your potential is buried deep inside of you, wanting to do everything that you are capable of. allow yourself to evolve, to change, to be the most authentic version of yourself. allow yourself to live knowing that it doesn't have to be difficult. allow yourself to live in the now—be so occupied in the now that you forget that you even have those desires or need those desires in the first place. because the feeling of wanting those desires resists the fact that it is already solidified. allow yourself to be the path of least resistance.

and when you are already in that state, you always have to choose to be in that state by decision. be aware of it so your mind is not all over the place.

if it is done, would you think about it all the time, or would you just appreciate that it already exists, that it is already done, and continue about your day, doing whatever you are doing, completely occupied, completely in the now?

[saksukei]

simon ‘ghost’ riley and his love languages

masterlist | i think i may have wrote too much??

there’s one thing lieutenant simon ghost riley knew when he began dating you. he had to be the best version of himself or at least try. you were the only person he met that he ever wanted to try for.

i. words of affirmation

initially, simon has trouble adjusting to calling you any pet names and just calls you by your name. it isn’t until he gets comfortable enough to say, “love” which is his go to nickname. he says them only in private though.

and then it’s nicknames galore. he calls you his sunshine because he literally adores your smile so much!!! the type to say, “i brought flowers for you. they needed sunshine and you were the obvious choice.” and he also says things like, “my darling angel” when you get him a cup of tea.

most importantly, if you ever do something that’s like daunting or difficult for you or if you learn something he’s gonna say “that’s my girl, always so intelligent.” if the two of you ever hit the gym together and you hit more reps than your regular ones, he’s gonna be so happy for you. “atta girl,” he kisses your cheek as he pats your back.

ii. gifts

he wasn’t very heavy on gift giving. that was until he saw something that he knew you’d like and bought it. and the smile that graced your face with the stars in your eyes made him want to do it more often.

and he felt his heart jump when he saw you cherish the letters he’d written when he was deployed. ever since then, he’s been leaving cute little notes for you, making handmade things you’d like such as bracelets, necklaces. he knows how to sew and he sewed a cute little shirt for you. this also brings me to the fact that he likes knitting a lot and loves making mug warmers? it’s endearing really. he can also carve wood apparently? so he makes sweet little decoration pieces for your apartment. (but also lumber jack simon making me insane)

all in all, he loves giving gifts. he’s the type to make a special notebook for just you and put pressed flowers on each page. “got you something you liked, darling.”

iii. acts of service

simon’s strongest way of expressing love is through acts of service. he’s a military man and a firm believer of ‘actions speak louder than words.’ i’ve said it before that his eye for detail is insane and he uses it in the relationship as well. alongside with his ability to literally commit you to memory, he remembers everything. (except birthdays, but he’ll remember yours).

from bending down to tie your shoelaces, to refilling snacks that he knows you like, to picking up heavy stuff, to guiding you with a hand on your waist, everything really!!! can read your facial expressions like it’s the only thing he knows and can immediately figured out what you like and don’t like. “you okay?”

and god, he's also aware of the sidewalk rule! never lets you walk on the outer side. the type to place a hand on corners and edges so that you don’t get hurt. he’s always looking out for you, ensuring you don't have anything in your way. he’ll always stand behind you because he feels it gives him a better chance to protect you.

iv. quality time

such a sucker for spending time with you but that’s mainly because he knows his is limited. and he would never risk not spending another minute with you. from watching movies, to watching you do make up in front of the vanity, to reading books together, training together, having tea. he finds your presence alone to be comforting. it's like you deal with all of his inner thoughts and reservations without even knowing it.

he also enjoyed doing mundane domestic tasks with you like getting groceries, setting up ikea furniture, cooking and cleaning together, honestly he loves it all. especially if there’s some jazz music playing in the background. i can absolutely imagine rubbing a little flour on simon’s face and he’ll get so offended, chasing you around the entire house, pining you down, just to do the same to you.

v. physical touch

simon is hesitant to become physically affectionate. that's not to say that he doesn’t enjoy it, it's just that when you’ve been met with violence all your life, gentleness is hardly something you expect.

but god, did he want to melt into a puddle when you held his hand or when you pressed a sweet kiss to his cheek. he swears he forgot how to breathe. and little by little, he got comfortable. hands hesitant to be on your waist, until that's the only place you found them, his head always nuzzled in the crook of your neck. “this might just be the favorite part of my day,” he says softly.

from lacing fingers, to kissing you the first thing in the morning, once simon’s comfortable, he won’t go a day without being intimate. “c’mere give me a kiss” to “you’re my good luck charm, love.”

[anxious-witch]

I think the reason why there are so many amazing ships in Dead Boy Detectives is because the show manages to show different versions of love/lust/devotion through different relationships all characters have.

Like, love triangles have been doing the whole "a girl has to choose between two guys who each being out a different side of her" for over a decade in popular media, some more, some less successfully. But the pitfall they often fall into is that those differences seem very shallow and often ignore the other aspect of the main person who have to choose between the love interests.

Dead Boy Detectives makes sure to not do that.

When we look at how Charles is with Crystal vs how he is with Edwin, we can clearly see the difference. In the beginning of his and Crystal's dynamic, he is flirtier and puts more if a bravado, but he pretty quickly opens up to her. Because he sees that she very quickly sees past his facade he puts up with his constant happy-go-lucky persona. Only when he starts opening up to her and showing his emotions does their relationship progress. Because after David, Crystal needs someone who can be emotionally vulnerable with her and in turn, Charles offers her the same, and offers her a safe space.

In contrast, we see that Charles is more at ease around Edwin. They know each other deeply, and are also woven into each other at this point. It's easy, like breathing. One thing it doesn't do is challenge either of them from the status quo they have built over the years. But there is a sense of ease there, and such devotion. There is no question about what they would do for each other because the answer is everything.

That said, while they both bring out different sides of Charles, those sides of him feel intricately linked to one another! Which is why Crystal coming into the pictures begins changing Charles' relationship with Edwin as well! It brings to light things they have ignored. And in turn, Charles' clear and unwavering devotion and loyalty to Edwin prompts Crystal to learn it herself. To quote Jenny in ep 8, "you were about to leave and never see these boys again, but now you are going to save them"? And yes, she does exactly that.

This even has influence on Edwin and Crystal's rs directly, which I can't recall ever seeing in a love triangle before, at least not in a positive sense. But it's so clear that Charles loves both of them that the other learns to love them too, and they realize their own similarities through it, too!

As for Edwin and his many love interests, well. I know there has been a lot of debate, especially around Cat King vs Charles dyankics with Edwin, but the thing is-you are comparing apples ajd oranges here.

The Cat King is enamored, fascinated by Edwin, and yeah above all, attracted to him. This dynamic serves to challenge both of their characters' beliefs and shake up the power dynamics between them. Whenever you like the Cat King or not Edwin clearly reciprocates the attraction part, at the very least.

Charles loves Edwin and is devoted to him and Edwin to him turn, as discussed above. What is difficult about their relationship is that it became stagnant due to lack of communication, which is why they needed other relationships to shake up that dynamic.

But to address the most prominent comparison I saw, which is the Cat King saying he'll wait for Edwin vs Charles going to Hell to save him.

Both are types of devotion, is the thing. A profession of love, if you will. To this day, we consider Penelope a faithful, loving and devoted wife for waiting for Odyssey for 20 years. Cat King saying he'd wait for Edwin isn't any small confession, given he is aware it could take decades, if not more.

Don't get me wrong, Charles going to literal Hell to save Edwin and succeeding where Orpheus and Eurydice failed is an enormous success and a way to show you love someone. I am not minimalizing that at all.

I am just saying that, for who these characters are and given their rs with Edwin, they did exactly what they were supposed to. They expressed in which ways Edwin had influenced them and what they can offer him if that dynamic becomes romantic.

Cat King represents experience, patience. As an immortal he has all the time in the world to wait for Edwin to return from hell, because he believes Edwin is strong enough to return on his own.

Charles represents love that breaks all obstacles in their way. He goes to save Edwin because he believes Edwin deserves to be helped in the way he helps others. He deserves to be saved.

My point is, there is no better of worse way of loving someone. The character in the love triangle choose the person that better alignes with who they are and who they wish to be as a person. So yes, you are absolutely allowed to say "I think this character would choose person a because it alignes better with their character development" but comparing the two as one being superior is kinda pointless imo? Exploring different dynamic of a character is the goal here, right? Either through canon or fanon.

...I was gonna talk about Crystal/Niko and Edwin/Monty too but this post got away from me to uhh. Might do another one if anyone is interested but in their way! I adore the way DBDA explores different sides of characters while still making them feel like a fully rounded person and doesn't shy away from letting one rs influence other rs character has.

[directdogman]

Super stoked for the Roger DLC and WILL be playing it on release, but something that’s been bugging me ever since the first few teasers was Peter, his personality feels quite different to me and my Peter obsessed friend, is there a reason for his personality change or was it completely unintentional?

He feels a lot more hot headed now, not completely the same as but similar to Steven, which feels like a complete 180 for Peter, I always remember enjoying him more in DSaF 2 because he was the more relaxed Phoney who when he had geniunely serious moments, it was incredibly impactful and gut wrenching when Peter would yell at me. 😔

Also, will Steven ever be real in dialtown please sir I miss my wif-

The comparison just always bothered me slightly.

Different universes. I should note that while Peter IS chiller in DSaF 2, if the restaurant goes under, the main consequence is that the company will get mortally wounded and he might die. The other employees will (for the most part) be fine. Peter cares. He cares if you hurt employees, he cares if you fuck up but is also willing to look the other way a few times if the fuckup isn't bad enough (without letting it slide, because he still cares what you do at work too.) I'd say his attitude at work namely stems from that, rather than the other way around. Steven does NOT care. He is literally willing to throw you under the bus to save himself and his sole goal is keeping the place open specifically so he can save his own hide, and his hot-headedness comes from that.

In DT, Peter is at the end of his rope and has had to deal with a LOT up until this point, arguably even more than his DSaF counterpart in terms of his day to day job, as shocking as that may sound. There's also WAY more on the line this time. He isn't the one that's going to face the worst of what'll happen if things continue at their current trajectory (unlike Peter or Steven in their original games.) He explains this pretty early into the DLC, which may explain why he's testier than you remember him, namely what's on the line. He's trying his damndest to fix it but is failing. He's stuck between a rock and a hard place with Roger, recognizing his bad leadership is sinking the plant but caring too much about the guy to effectively deal with it until this point.

His guard is up because it has to be, but he does have a few nice moments where it's clear how much he cares and if you listen to Roger's dialogue carefully, you'll see just how much Peter has put up with that would've made any sane person walk away. He's also noticeably nicer to Gingi if you don't waste his time and seem to actually care about Roger, and he acts closer to how he does in the DSaF 2 screenshot you showed off, though perhaps with slightly less energy (since he is, like I said, at the end of his rope.) There's even a scene in the evil route where you can identify this and use it against him in a pretty sinister way.

To mention another thing that even Gingi sees as far back as his original scene in DT: He's a natural manager who's playing second-fiddle to someone who clearly doesn't know what he's doing.

I didn't just wanna do more of the same, so I played with the dynamics a lil. Peter is in a very different role here, one that he's not exactly suited to. He's out of his element. He's inundated with work and in this scene, is thinking about the lives of the employees who are going to be laid-off in a week or so time if things don't change FAST, and while this is happening, his boss is bantering with a weird cryptid on the street and talking about random garbage.

There are times in DSaF 2, like you said, where you do see him get like this. It's not as much that his character is different in my eyes, but that the context is. This is a version of Peter who is one bad day away from having to make a difficult decision. Literally. I'll gladly talk more about it when the DLC's out (namely I could compare + contrast certain decisions he makes!) For now, I don't wanna spoil anything that isn't explicitly stated in the first major scene he has.

[descendant-of-truth]

That said, I do think that Shadow Generations being such a more carefully cultivated exploration of Shadow's past compared to what the original Generations was for Sonic is... not doing Sonic himself any favors

General audiences are already kind of under the impression that Sonic as a character is fundamentally not that deep or interesting, and Generations was written during a time that really, really wanted to prove that notion right. Sonic "being deep" was what, seemingly, caused so much critical backlash, so to counteract that, they gave us the blandest cutscenes Sonic has ever had the displeasure of being in.

But that's not really what Sega is trying to push for, now. Frontiers wanted to be more serious, with a mature, down-to-earth Sonic. The movies gave him an origin story that inherently makes him a lot more complicated than usual. Prime put the focus on his emotions and gave him a character arc that lasted the whole show. The IDW comics can get extremely serious, and we're treated to Sonic's inner monologue as he wrestles with difficult choices. They clearly want Sonic as a character to be interesting to people, not just a vehicle for action and quips.

But putting the old Sonic Generations in the same package as the new Shadow Generations is inherently portraying them as equivalent experiences. When Sonic explores his past, it's no big deal - just another day on the hero job! Absolutely nothing worth exploring on his end when it comes to meeting his past self and revisiting his memories! Nope! No need to use time travel as a way to explore his core values as a person who prefers to live in the moment and not be bound by his past, no siree!

Oh, but Shadow? Now that's the actually interesting character! Revisiting Shadow's past is such an exciting event that it requires the whole year to hype up, and Sonic's just so boring in comparison, isn't he? Who really cares about Sonic beyond his surface-level characteristics anyway, right? The Sonic Generations remaster is more of an accessory to what's essentially Shadow the Hedgehog 2 at this point, and that bothers me.

Sure, Sonic doesn't have "a backstory" like Shadow does. But the past that we explore in Sonic Generations isn't his literal origins, but all the adventures we went on with him. Imagine how much depth you could wring out of him if you just took those events as being legitimate parts of his life that he has feelings on! Feelings we could explore!

But because it's a remaster instead of a full-blown remake, all of this effort they're putting into Shadow's campaign is nowhere to be seen in Sonic's. Can you imagine how good of a package deal this would be if Sonic's character was given this much care and respect, too? Like, we have two Sonics, but Shadow is getting more than double the favoritism.

And the fact that this is only going to continue to push the idea that Sonic is just. incapable of being interesting, or even really affected by what happens around him is really frustrating. We already have the movies and Prime drastically changing his demeanor and core traits for the sake of making him "able" to have character development, and as much as I love those versions as characters, it's really doing a disservice to who Sonic is supposed to be.

The last thing we need is for Generations to come out again and make the Sonic from the games seem like the least interesting version of him. Bringing Shadow up should not involve dragging Sonic down - they're supposed to be equals. But this game doesn't seem to be showcasing that very well, on account of essentially being two games written by different people haphazardly mashed together.

People being introduced to the series through this game are going to have such a skewed perception of what Sonic is like as a person, as well as what he's like compared to Shadow, and that just. makes me kinda upset not gonna lie

[uranometrias]

wait for your love, spencer reid (pt. 2)

this is the second part to this. tysm for all the love on the first part, as well as all the new follows. this literally took so long, and i'm literally so sorry. i suck, but i hope you all enjoy it nonetheless. xx

you can read the alternate version for jj right here.

pairing: aaron hotchner x bau! reader | spencer reid x bau! reader | s7 team x bau! reader (platonic)

summary: following the dismissal of the case against the bureau, you're trying to get back into the swing of things. that moment of realization that comes with discovering the love you feel for someone else isn't reciprocates is never fun. but it's a truth you're meant to accept nonetheless, with a bit of help from your dearest friend spencer, you find that through a conversation about the realities of music and their hidden messages getting the courage to move on is not quite as difficult as you might have initially thought. especially when there's someone like spencer reid waiting on the other side. except of course, things always get difficult when it seems now as you're moving on, the past object of your desires is believed to feel the same way you always have.

content warnings: this is the sequel to angst lol. it's still very kind of angsty, but not as bad! it doesn't exactly end with spence/reader running off into the distance together, but i think it has a very bittersweet & sort of hopeful ending, which i felt made the most sense for a storyline like this. sometimes people have feelings for people that don't like them back, and sometimes it's just something we have to deal with.. sad but true. && i didn't want spence to seem like a rebound for reader, so i tried to go the route of her slowly putting the pieces together that maybe spence had romantic feelings for her && going from there. still spencer somewhat confesses his feelings for reader, hints that hotch might actually like reader, jj/reader reconciliation, because it needed to happen soz! she might have feelings for y/n too idk... she's kinda pulling everybody. this feels kinda melodramatic, but also idk i want epic romance vibes so i tried my best xx

i also love how hotch was such a focal part of this story and never physically showed up once... hmm.

tagged the people that asked for part 2 xx

@stvrlitsky , @cocopuff213 , @aaronhotchnerlover , @ofagathachristies , @blurpleuni-squid , @wolf-phoenix-lover , @babyspiderling , @queermaxwooo , @jihyowrrld , @minkyungseokie , @silentjudger , @btskzfav , @barbeddreams , @ah-blossom , @darker-december

It had been about a week since the court proceedings, you'd been more than a little surprised to find that you all managed to walk away scot free. You still hadn't managed to work up the courage to place your resignation papers on Hotch's desk, probably because you still hadn't gotten up the strength to face him or anyone else for that matter. You weren't outwardly abrasive, you'd offer small nods of greeting when you showed up in the morning, waves as you left.

But everyone knew that it wasn't the same.

Penelope had been trying to get you out for a night of bonding with her, Emily, and JJ, and you'd been keen on turning her down. You don't think you were quite there yet, the wound however surface level was still fresh. Looking at Emily, only reminded you of your grief, how much you had missed her. Looking at JJ only reminded you of how she hadn't had the courage necessary to tell you the truth. You'd tried to take their positions into account, look at things through a different view, but it hardly worked. You just wanted to be left alone.

Spencer was still the only one privy to the thoughts you had about ending your career at the FBI, and everyday he seemed to be holding his breath. It had become a habit to catch him staring at you with his face pinched up like he was deep in thought. It was partially why, even as your eyes skimmed over a file, you knew that he was looking in your direction. "Spence." you mutter quietly, eyes not quite meeting his as you highlighted something of importance in blue.

He sits at attention, back straight, eyes wide. He looked like a puppy that'd been caught doing something bad and was waiting for punishment. "You're doing it again." you exhale, and then you finally manage to peel your eyes from your work, eyebrow raising as you take him in tiredly. "Do you need something?" and he bares down on his bottom lip, almost as if he was thinking over his next move. He stands tall, grabbing hold of his chair and tugging it until it was planted on the other side of yours, before he sat down politely.

"Are you okay?" he's talking quietly, likely to salvage a bit of your privacy. You'd become a bit of a walking attraction in the bullpen, everyone seemed to follow every one of your actions with their eyes. You tap your highlighter against your desk, head tipping to the side as you scrutinize the man. You didn't know exactly what was going on with Spencer, but you had a small inkling, it was nothing more than an internal feeling if you were completely honest about it.

Your sister had been asking about him quite constantly lately, and after learning that day in the courtroom that for some odd reason the duo spoke over the phone, it made you pay a bit more attention to the certified genius than before. "I'm fine, Spencer. Just like I was when you asked me yesterday, and the day before that, and the day before that." you keep your tone light, not wanting him to think that you were by any means annoyed with him. "What's going on?"

"I guess I keep waiting for you to disappear." he admits, head nodding involuntarily. "You're here right now, and you look fine." he continues, and you like listening to him, even if he was breaking one of the rules, and choosing to profile you. "So shouldn't things feel different? Better at least, like before?" he asks, and you don't expect that. Maybe he wasn't profiling you at all, and instead was expressing himself to a friend. "At least a little bit?" he asks, and you think it over.

"I don't think it'll ever be like before, Spence." and you hate to be the Betty Buzzkill, but it's as true as you can be. "How can it?" and Spencer's eyes jump across the room, landing on Emily who was not so subtly watching the two of you speak. You follow his gaze, and blink harshly when Emily's eyes connect with your own. It forces you to look right back at Spencer. He looks pensive, and you wonder how long he's been working up the courage to say more than 'Are you alright?'

"She was dead... and now suddenly she's not. That's great, but I grieved my friend, and maybe I'm not done grieving the Emily I knew before." and it's the first time you're admitting this aloud. "Our Emily, not the- Interpol Superspy." and you huff. "And look, I know I should be grateful, how many people get back the people they love after death?" and Spencer doesn't answer. "But is she really back? Is she really still our Emily? And how long before she's ready to pack up her stuff and take off? I'm not opening myself up to that again."

Spencer thinks your point is valid, he at one point had insisted that he had the worse abandonment issues on the team, but you had been right there through most of it. You were, in your own way protecting yourself from being hurt again. He couldn't fault you for that, none of them should. "I understand." and truthfully he does, and he's glad that at least you trust him enough to be upfront about it. "There's nothing wrong with shielding yourself from heartache, I just don't want you to close off completely... not from all of us."

You falter, and Spencer hates that he can't just say that he doesn't want you to close off from him. He didn't want this situation to change the way you behaved with him, he couldn't handle losing you.

"I won't." you promise. "And I won't do anything to jeopardize what we do here, I've got enough self control to be civil." you add with a small smile. "I haven't quite decided what a future at the bureau will look like, but I am willing to give things here a chance to get better." and you do love your work, Profiling was something you enjoyed doing, you wouldn't toss it away, unless you absolutely had no other choice. "So you don't have to worry about losing me, Spence." and you hold your breath, mostly because it's a bit audacious on your part.

He offers you a half smile, and you notice the way he visibly relaxes. Still, he doesn't want you to feel obligated to stay somewhere just for his sake, so he feels the need to be honest with you. "I'm not worried." he promises you, and it's a tiny fib, one that could become true if he grew just a touch more confidence. "Even if you did decide to leave one day I would put in the work to keep you in my life." and his smile stretches across his face now, and reaches his eyes. "You're not someone anyone would want to lose." your stomach twists.

"You're not either, Spencer." and you say it firmly, mainly to show just how much you need him to believe it. "I'd just make it my job to take up all your free time outside of work." and his face feels incessantly warm, like he'd stuck his head directly in the stream of scalding shower water. The funny thing about you was that you were oftentimes one of the hardest on the team to read. He figured that because he spent so much time hyper focused on you that he'd get better at it. He still hadn't, and you still managed to leave him stuck.

Comments like the one you just made were common for you, but the meaning behind it always escaped him. Were you flirting with him or were you just being nice? Was it possible that you knew that he had feelings for you? Were you using him as a rebound after the mess you'd found yourself entangled into with Hotch just months ago? The thought of him merely being an emotional rebound made him sad, disappointed, and insecure. But then he's taking in your expression, how despite your confidence you still look shy, and reels it in.

You had never been that sort of person, maybe you were just as oblivious as he was. "I'd be okay with that now." and you look a bit surprised, but also pleased. You nod your head slightly, leaning forward just a little in your seat. Spencer isn't sure if he's moved too quickly, but he's got no room to second guess it now.

"We should do something." it's not at all what he'd expected you to say, and he's surprised, it's more than evident on his face.

"Who? Us? Just the two of us?" he asks, and you find yourself offering him an amused sort of glance.

"Yeah, it could be fun." you insist, and you're not trying to play with his feelings, at least not in the traditional sense. Spencer Reid was no rebound. "It's not often we have days off, you know?" and you lean against your palm, head tipping slightly to the side. "Only if you want." you add, hoping that this addition would make him feel a touch more comfortable. It seems to work, because he untenses just a bit.

"Y-Yeah." he nods his head slightly, hair moving with the action just slightly. "Yeah, we should definitely do something." he agrees, and your smile is bright, clearly pleased at the turn of events. "When would you?" his eyes jump to his watch, and he shakes his head. "Obviously, not right now." he says and you're staring at him a bit bemused, because Spencer Reid was nothing if not a bit unserious.

"There's this music store I've been dying to check out." you say, and you witness Spencer's eyes seem to brighten. "It's sort of right on the strip, if you don't mind going with me to look at some vinyls and cd's for my collection, we could just go-" and you're eyebrows are raised, "And see what happens? There's a lot you could do..." you finish, and Spencer's already nodding his head in agreement.

"T-That's..." and he clears his throat, you think to keep you from acknowledging the fact his voice cracked in his nervousness. "Yeah, I don't mind that at all." he agrees politely. "Did you know that in the late 19th and early 20th centuries, record stores only sold gramophone records, but over time they've sold other formats like eight-track tapes, compact cassettes, and compact discs." his hands curl into one another as he relays this message and you snort.

"Did you know that there's a national record store day? It started back in 2008." and he's a bit surprised that you're shooting him a fact of your own, and one that he wasn't actually aware of.

"Really?" he questions, and your eyes sort of crinkle, smile broadening enough to show off both rows of your teeth.

"Don't tell me that I know something the brilliant Doctor Reid doesn't." you tease, and his eyes roll, though his entire demeanor remains lighthearted. "So, what's your poison?" you sidestep, but just barely, your work ignored as you focus all your efforts on keeping this conversation with Reid going.

"My poison?" and his mind of course drifts to alcohol, a bit of a confusing pivot in the conversation. "I don't really see myself as much of a drinker." he admits truthfully, and he's confused when you're laughing, hand flying up to cover your mouth as his face contorts.

"I meant your favorite music genre." you correct. "And I know you're partial to classical," and you try not to stretch your eyes. "It's great when I need to concentrate, but I wouldn't exactly say I'm dying to put on Bach and Tchaikovsky in a regular setting." you explain, both hands resting against your cheeks as you await the hopefully longwinded answer he'd have to give you.

"What if that's my only answer?" he asks, and you scoff.

"It's not." you deadpan, and he exhales through his nose. "I know you and Morgan have that understanding about music..." you explain, head cocked to the side. "He got you to listen to Nas." you remind him as he purses his lips at the reminder. "And Garcia's always sending music recommendations." you proceed as Spencer shoots you a look that clearly reads 'What's your point?'.

"Are you really telling me that out of every genre of music that's ever been released to the entire world, the only genre that's ever stood out to you is the one where old men sit behind a piano and twinkle the keys to their hearts content?" Spencer's releasing another one of those quiet laughs, this one is clearly full of exasperation though.

"I think they're doing a little bit more than twinkling keys." he corrects you, and you know that. You'd only said it to get under his skin just a little, he was fun to mess with. "Classical music is one of the only genres that seemingly does so little and is able to express the full spectrum of human emotion and life experience." he explains, and you fight your smile, leaning in just a bit more to show you were focused. You weren't sure what was happening or if anything was really happening at all, and it was all in your mind.

But you were finding that you didn't mind just listening to Spencer go on and on about whatever he wanted. You thought a lot about what had happened outside of that court room, how he'd listened to you. Really listened to you, and had never once made you feel like the emotional failure you'd imagined yourself to be. You couldn't say that in the span of a week all of your feelings for Hotch had vanished. That'd be bullshit, because deep down you knew it wasn't that easy.

And sometimes you wished it could be, sometimes you wondered why you had to fall for Hotch when Spencer was right there.

Still, whether or not you were being forced to come to grips with the fact that Hotch was not, and wouldn't ever love you the way you loved him, you couldn't deny that it was nice to have a friend there. Spencer wasn't coming to you with heavy confessions and tear-streaked cheeks begging you to look and see that he was perfect for you, which is why you think you like him even more. You knew a lot of times it was hard, rare even to find someone who would just care for you without expecting anything in return. That was Spence to a T.

"Go on." you instruct, and you find that despite the way you'd baited him into this conversation, it was well worth it. He didn't get a lot of time to just be Spencer, and with no clock over your heads, no rush for time to solve a case, you figured it was the least you could do. Especially after he'd spent the last week trying to show you how much he cared.

"I just mean that in classical music, it's actually very common to have one piece of music encompass an entire host of emotions, experiences, and subject matter." he expresses, and you hum, nodding along. "And it's all because most classical pieces use a similar formula that uses textures, dynamic colors and key modulations to express things certain words can't properly articulate." he proceeds. "That's why certain sounds and notes manage to adduce certain reactions." he seems finished.

"Oh, yeah?" you press and he nods limply, seemingly awaiting the moment you offer some jab regarding his oversharing. "I guess Mozart and Beethoven were really onto something." you mutter, and he snorts. "Still, I'd much rather listen to something a bit more obvious." you admit, not that you had a real problem with Classical Music.

"What do you mean?"

"Well I'm just saying... music's always sort of been the perfect tool for expressing everything you might need to say." you counter. "And while I agree that music in any form does a great job of invoking certain emotions, sometimes you don't want to guess what someone means." you admit, and it's partially (mostly) because you had never been good at reading in between the lines. Things always made the most sense when they were plainly spelled out.

"Or maybe that's just a me thing." you correct. "I've found that I always enjoy things when they're a little more laid out... there's no way to misunderstand when it's spelled out for you, right?" you ask and Spencer's lips curve down into a slight frown. He's not pitying you, mostly just sympathizing with how torn up you must have been about everything. Especially as your eyes instinctively are drawn to the shut doorway of Hotch's office. Spencer thinks that's when reality sets back in and hits him like a brick.

Because he knew something that you didn't. Something that would probably make everything better for you, but would undoubtedly double his heartache. In truth, he, much like everyone else on the team tried their hardest to ignore just how obvious you'd been about your feelings for hotch. spencer more than anyone.

He remembered how things had changed a few months back, how you'd started to move on all for the rug to be pulled from up under your feet. It had been outwardly cruel, undoubtedly. because while everyone else on the team seemed to be just fine with 'don't ask, don't tell', Spencer had been unable to not pay attention to the way Hotch had actually changed too. Did he hate him? Absolutely not... and he knew you didn't either, because despite how idiotic the plan was, he hadn't done much besides give you more attention.

And Spencer guessed the act of giving you more attention had unsurprisingly ended with Aaron Hotchner realizing it was something he actually enjoyed. Hence the sudden change their boss underwent.

He supposed that was the worst part about it all, the fact that everyone had the right to tell you that "nothing had happened", and there was nothing you could do about it. Because in the grand scheme of things nothing really had happened. Hotch was no heartless womanizer, Spencer couldn't even imagine the man flirting with anyone, let alone stringing someone along for kicks. Still, that didn't change the fact that you'd gotten your hopes up, and now you were back to your own harsh reality.

Not because it wasn't a real possibility, more so because Hotch was self destructive, and sabotaged himself and his happiness at every turn. Spencer wants to stay quiet, to bask in the fact that you were slowly on your own terms getting over Hotch, and paying more attention to him, but he can't do that. He'd hate it if someone did it to him. So instead he decides to throw you a bone, push you in the right direction. "Why haven't you just talked to him?" it's not what he had meant to say. He had meant to play the role of the supportive friend.

He'd wanted to pat you on the back, mumble some agreeance that would validate how you were feeling, and possibly give him cool points. Instead, here he was about to push you in the direction of someone else. He supposed that's how stupid love made you.

"What?" you exclaim, and Spencer doesn't know what's so exasperating about his question. It was obvious that you needed to, it wasn't fair that you were slowly deteriorating on the inside whilst trying to maintain some semblance of being a "team player". He said 'screw the team' if it wasn't genuine. And clearly, from the way you'd still been icing out JJ and Emily, it wasn't. Not fully anyway. He'd never rush you to get over it, mostly because it'd make him a hypocrite. He still cringes at the thought of the tears he'd shed to JJ.

But, that was his own problem.

"Hotch." he lowers his voice a little, because it's just now hitting him that the two of you have been slacking off for a while now. Emily wasn't exactly focused in on the both of you anymore, but every so often, he'd find that she still look up every few moments. JJ, Derek, and Rossi had made a habit of leaving their respective offices, eyes glued to what was apparently becoming unit news. "You should talk to him." he says simply as your eyes cross dramatically.

"What's there to talk about?" you ask suddenly distracted by a smudge on the corner of your desk.

"What happened." he says simply. "I mean, don't you think there might be some explanation you might be missing?" Spencer tries, and you curl into yourself just a little bit.

"It's still work hours and he's still Hotch." you deny, and Spencer's lips push to the side, an obvious sign of his slight discomfort about what he was going to say next. "He's not going to want to talk about it." you admit. "And what exactly do you say in a conversation like that? Oh by the way boss, I was in love with you, and it kinda felt like maybe you felt the same, except oh wait, it was just a ploy to keep me from realizing you were lying about Emily being alive?" you say sarcastically. Spencer huffs in retaliation.

"Yes actually, you could say exactly that. Maybe you'll learn something you didn't know before." he deadpans, and your nose curls. You cut your eyes over at the man, who's not amused.

"I kinda thought you'd be the last person pushing for this sort of confrontation, you know?' you admit before you can really help yourself. You watch as Spencer's face seems to set into one of surprise, his cheeks and neck slowly gaining a red sort of tint to them.

"What do you mean?" he questions, and your mouth parts just slightly. And you think the same way he's been gentle with you is the exact same way you need to be gentle with him, so you pivot, head shaking from side to side.

"Nothing." you say firmly. "Forget about it." you say quietly, and then you're looking back at your paperwork. Spencer, embarrassed finds himself fiddling with his fingers, trying to scold his heartbeat back into submission. It suddenly felt way too cramped sitting at your desk.

"You should go after work." he says, and your eyes snap back to him. "Talk to Hotch after work, I mean." he says and your stomach feels a bit tight. "I think it'll be best." he proceeds, and you frown.

"You do?" you question, and you try not to sound despondent.

"Y-Yeah, I do." he agrees despite his stutter. "Things like this don't go away on their own, you know?" and you chew on the inside of your lip, and feel that gloom cloud from earlier making its way back.

"I thought we were supposed to be hanging out today, Spencer." you start and he blinks owlishly, long lashes nearly caressing the tops of his cheekbones.

"We could always raincheck." he says, and you stare at him just a bit blankly. "It's not like it was a date or anything. They were just plans..." he adds, and your teeth chomp down on your bottom lip. He doesn't really know how to read the look on your face, but he knows that he feels like he's being noble.

"Just plans." you shrug your shoulders dismissively. "Right." and then you pick up your pen. "Well if that's what you want, I guess it's fine by me." you add, body curling into itself as you position yourself away from him.

"Isn't that what you want?" he questions, and you cut your eyes.

"Do you think I'd be sitting here if it was?" you keep your voice level, but your leg is bouncing. You're not quite sure why, maybe because Spencer was being Spencer. You supposed your comment that made it clear that you knew that he had feelings for you had scared him. Now, he was trying to protect himself, but you weren't so hungry for a relationship that you'd string him along for the sole purpose of getting over Hotch. You would've made this call had you figured it out or not, and you supposed the fact he didn't get that was what sucked. "I'm not that pathetic." you add with a quiet scoff.

"It's not about you being pathetic." he denies. "I don't think that about you., I just know that you're in a vulnerable place. You had real feelings for him, and I think it'd be best for you to get it all off your chest correctly, before you start projecting all those leftover feelings to the first person you can." and he doesn't mean it in the way it sounds. In fact the statistics about rebounds would sound a lot worse, but as usual, he's horrible at communicating exactly what he feels.

You blink. Once, twice, three times.

"I can't believe you just said that to me." you say, and you're abruptly standing up, mostly because you're about to cry like the fucking baby you were. Spencer's certain this is a new record for how quickly things could go left just because he couldn't shut the hell up. What he'd been trying to convey was that after a rejection, it was much easier to mistake platonic feelings for romantic ones. He had been a consistent shoulder for you to lean on since everything went south.

He didn't want you to think that he was being nice to you only because he had feelings for you, and convince yourself that you felt the same all because you refused to fully shut the door with Hotch. But he'd never actually meant to make it seem like you'd be so desperate, and especially not with him. "Y/N, wait. That's not what I meant-" except you're already leaving, taking in the shaky breath that told him he'd stupidly made you cry.

"L/N?" Emily's calling as you pass her, but you don't respond to her either. Instead you're rushing off in the direction of the bathroom, likely to calm yourself down. Emily's eyes are immediately snapping over to Spencer, and her eyebrows are furrowed. He instinctively looks away, internally cursing himself out.

────────────────────────

"Y/N/N?" you're surprised to hear JJ entering the bathroom, and you're hurriedly moving to splash at your face with water to keep it from looking so puffy. Still, JJ was as perceptive as she was pushy, so it's clear she's already put it together that you're crying. "Hey, is everything alright?" she takes on that motherly tone she uses with Henry, and the rest of the team when they're feeling down.

"I'm fine." you insist, and she doesn't look convinced. She takes a tentative step towards you, standing beside the sink you were occupying. "Seriously JJ, please just leave me alone." you partially beg.

"I know you're upset with me, but you're still my friend." she reminds you. "I'm not going to leave you in here when it's clear you're upset." she exclaims. "So you can talk to me or not, but I'm not going anywhere." she deadpans, and you sniffle, rubbing harshly at your cheeks. They're sensitive to the action, blood rushing to your face.

"You're so annoying." you mumble, but there's no bite. It makes JJ snicker, and it's a step in the right direction you're sure.

"It's my job." she retorts with a shrug, and she leans her back against the sink beside you, legs crossing slightly. "Is everything okay?" she tries again, much more gently as you frown. No, everything was not okay. You hadn't actually expected to be sitting here crying over Spencer's remark, but you supposed that the fact he believed you'd ever use him as a rebound had kind of hurt. You supposed it also didn't help that he'd so callously canceled your plans.

You'd actually started to look forward to hanging out with him.

"Do you think I'm desperate?" you question haughtily, and JJ's eyes widen, surprise overtaking her features as she turns to you fully.

"Of course not." she denies firmly, blonde ponytail bobbing with all her intense animation. "What would make you think that?" she pries, and you cut your eyes just slightly.

"You guys could have trusted me with the truth." you counter, and she falls silent. "And even if you couldn't there were so many other ways to keep me from finding out about Emily. Ways that didn't involve making me look like an idiot to the rest of the team." you mumble crossly, and you blink enough that you feel like your lashes are crumpling into your cornea. it forces you to drag a hand over them roughly, rubbing harshly at your eyes until the sensation left.

"That wasn't what we were trying to do." JJ tries, and it doesn't really matter what exactly she was trying to do. What mattered was what had happened. "You know that." she adds, and you think she's trying to appeal to the part of you that knew the type of people she and Hotch were. The ones that had proven their loyalty to the team for years and years. "Is this about Hotch?" she says and you wince because the problem wasn't that simple.

And you didn't understand why everyone seemed to think so.

You weren't some girl that couldn't handle rejection, what bothered you the most was that Hotch and JJ had felt like they couldn't trust you, and it bothered you that Hotch had felt like he had to play along to some stupid fantasy to ensure you'd play your role. And it especially bothered you that you'd mourned your friend Emily and everything you thought you knew about her, and all anyone could focus on was the fact that you liked Hotch and he didn't like you back. As if your entire world stopped all because of it.

"No, it's not about Hotch." you deadpan. "I wish you guys would just stop being so casual about it." you add on as JJ's mouth parts.

"Y/N... it's not really something that you'd ever really been subtle about. Everyone knows." and she's still trying to be gentle, despite the fact that the words still managed to slice at you.

"So that makes what you guys did, okay?" you shoot back. "Is that really the hill you want to die on?" and you're growing crosser. "This isn't about not being liked back by a guy, this is about me believing that the people I spend most of my days with have my back. How are we supposed to be a team when I can't trust you?" you press. "Because you never would have done that to Spence." you add, and JJ blinks, mostly because she doesn't know how to counter that.

"You didn't have to do it to Derek or Rossi or Penelope either." you remind her. "So what was it about me, about this that made your only course of action rubbing salt in a wound that I was doing a damn good job of healing all on my own?"

"I-I don't know." she admits, and you suppose it was an answer.

"Yeah, well I don't know if I have the patience to wait around for you all to figure that out." you mumble.

"What are you saying?" and JJ's blinking a bit more, eyes misty but not quite showing any signs of shed tears.

"I'm saying that before I didn't know if I wanted to stay here anymore. I love my job, but I don't love how it makes me feel now." you say plainly. "When Elle got like that and ignored her gut it got someone shot." you say, and it sounds melodramatic, but it doesn't feel that way at all. JJ gasps, though it's faint. "I just don't want to wait around for that to happen to me." and you inhale sharply, shuddered breath wracking through you as JJ stares at you clearly gobsmacked.

"But-" and she can't quite grasp the words. "You can't just leave." she exclaims, and it sounds like she's pleading. "Look-" and she's starting to sound just a little desperate. "Look we never wanted to hurt you, okay? And-and none of us..." and she stops to make sure she's staring you directly in your eyes. "None of us want to lose you, Y/N." she insists. "I-" and she's shaking her head again. "Please don't do this." and she sounds the same way Spencer did when he said it. Your nose twitches, "We just got the team back together." she mutters.

"JJ, that's not fair." you huff at her, and she's not really trying to be fair. She just doesn't want you to leave.

"I'm so sorry that we hurt you." and while most apologies that start that way are usually rife with deceit, JJ sounds more sincere than she probably ever has before. "And I'm sorry if it feels a little flat, especially with you already having a foot out the door." she sighs, "It wasn't okay, but-but I know how Hotch feels about you. How the entire team feels about you." she reiterates. "We can't do this without you, we can't." she emphasizes sternly. "And maybe that's selfish to bring up, but we all care so much about you." she promises.

You want to cut her off, but she doesn't give you the chance.

Classic JJ.

"Do whatever you need to! Take as much time away as you need, hate us forever if you have to, but please don't- don't walk away from what you do here." she exhales shakily. "And-and for the record, whether it helps or not... we didn't sit around discussing your... feelings for Hotch." she tells you quietly. "It wasn't some master plan that we composed, and-and I don't know... it couldn't have all been fake." she whispers, and you wonder why she's changing her tune, because just last week she was telling you that 'it wasn't real'

"JJ-" you finally manage and she's shaking her head.

"I'm serious." she insists, and your nose crinkles up again.

"Stop." you deadpan. "You're being really mean." you huff, and you begin to click at your nails just slightly. JJ thinks you're a little bit exasperating. Too stubborn for your own good, but she wont push.

"Could you just listen for one second?" she exclaims, and you're pouting as she grows more overwhelmed at it all. "I wouldn't lie to you about this." she insists, and you wonder why she, and Spencer have taken this sort of stance with you. It should make you hopeful, right? Oh, there was some chance that Hotch felt the same way as you. Except you can't be happy about it, because he's not the one that was sitting here telling you this. It was JJ.

What had you told Spencer earlier? 'There's no way to misunderstand when it's spelled out for you, right', and emotionally exhausted or not, you meant it. Which meant you refused to do the work for him. If he couldn't say it, if he couldn't admit it, than it was as if it wasn't true at all. Which is why you exhale, blinking away whatever bleariness tried to keep itself latched to your eyes. "I love you for trying so hard, but I'd rather you didn't." you instruct sternly.

JJ inhales deeply, audibly expelling the breath from her nose. "That's what you're missing, Y/N." she begins, and she reaches out, hand cupping your shoulder. "I'm not trying to do anything. Everything I've said today I meant. You're important, and you're a lot to lose." she admits. "If you're going to leave, leave because you hate the job, do it because you don't feel fulfilled any longer. But don't let this be what makes you throw in the towel, Y/N." she says and you huff again.

You were doing a lot of that today. "We'll make up for it." she begins, and then she sighs. "I'll make up for it, however long it takes." and you think her pivot from sharing the blame to taking it all for herself makes you feel a little less like you were being ganged up on. She was no longer the spokesperson for everyone involved, and was back to just being JJ, your friend JJ. "Please?" she tries again, and it's not like her to beg, which tells you all you need to know about how serious she was.

"We should get back to work." you mumble, and it's not quite the answer she's expecting, but at the very least it was a promise that you both still had until the end of the day at the very least. She doesn't have the strength to fight her smile, arms looping around you in a move that's much too invasive for your still sour mood, but you don't slight her for it. You instead let her hug you, because obviously it meant a lot more to her than you knew. She'd missed you.

"Alright, alright. That's enough." you tease, moving to lightly push the blonde off of you as she exhales.

"Can you blame me? I thought you were gonna hate me forever." she admits honestly, and you crinkle your nose.

"Guess I'm softer than I thought." you reply, and she waves you off at the remark. Still, despite this slight turn in the direction of your relationship with JJ, you still couldn't feel all that settled. But, you know hiding out in the restroom was by no means the best choice. So when JJ moves to leave, you tail her, surprised when on the other side is a nearly pacing Reid.

"Spence?" JJ exclaims in surprise, the tawny haired man turns to you both. He's immediately looking past JJ to take you in. JJ follows hos gaze and whistles under her breath, deciding that her job was done. She offers you a hopeful sort of look before she continues on towards her desk, leaving you and Spencer mostly alone.

"Are you okay?" he asks, and you're subjectively alright, for the moment. You're better than you were, but not as good as you could be. You're not anywhere near where or who you were before, but you suppose after what the team endured there wasn't much that could be done about that last bit. "I'm so sorry." he's exclaiming, and of course, he means it. He always means it. "I didn't mean to-" and he doesn't really know how to articulate all his thoughts correctly.

He's good with words, knows facts and statistics and data, knows what runs through his mind when he thinks about you, and knows what he wants to say. It's when he opens his mouth that things go awry, because despite all his grand attempts, he always manages to screw up when it came to expressing the emotional side of things. His pep talks sometimes fell flat, and a lot of times he missed the mark when it came to cheering someone up. But, he'd never wanted to be a person who hurt you, so he needed to fix it.

Even if it ruined everything forever.

"I wasn't trying to insinuate that you'd-" and he motions between the both of you. "I don't think that you see me as a rebound." he finally vocalizes. "That would mean you'd have to see me in a potentially romantic way." Spencer's voice is as steady as it often was when he was giving a geographical profile or helping to relay some form of fact or evidence during a case. Which said a lot about his intentions, and how serious he was about you not misunderstanding him.

"I was merely trying to note that a lot of times in circumstances where we're faced rejection from someone we hold to a high regard, it's really easy to misinterpret our own feelings and latch onto people before we really mean to." he expresses, and your chewing on the inside of your cheek, albeit subtly. "For example, because you've established me as someone who you can trust during this time, it'd be really easy for you to misinterpret what you think you feel for me." he says, and your eyebrows furrow inwardly.

"How could I possibly do that? They're my own feelings." you retort.

"Because, the first thing people do after a breakup, is they seek validation, or a new way to boost their esteem and self worth." he doesn't quite lecture, but it's clear he's intent on your knowing all of this. "And that doesn't necessarily mean that you're vying for me as a potential person to bounce back with, but a lot of times when you don't process the end of a previous emotional bond, your view of the entire new dynamic can be warped." he proceeds, and you're still not really understanding his point, instead you're feeling more silly.

"What are you saying, Spencer?" you question quietly.

"All I'm trying to explain is that I don't want you to tell me that you want to go out and listen to me promenade facts unless it's what you really want to do." he says, "I don't want you to feel like you're obligated to play along, because you think we're in the same boat... where we- we love someone that we can't have?" he presses, and he winces once it's out, you think you may have started holding your breath. "Does that make sense to you?"

You nod your head limply, and you take in his words. You find that your little hunch about your dear Spencer was correct. You also note that it doesn't quite scare you the way you'd initially believed it would. "Spence, I wouldn't do that to you." you remind him, and he nods too.

"I know that." he promises. "At least not consciously, but our minds can play tricks on us. You could think that this is what's best, moving on... forgetting about- about everything that happened." he presses, and your lips form into a thin line. "And then wake up in three weeks and remember why you fell in love with Hotch to begin with."

"Or-" and his eyes widen.

"Or?"

"Or...I could choose to stop waiting around for someone to not be afraid to love me." you counter. "I could- I could choose to hang out with my friend, Spencer and be okay with whatever happens after that. I could- We could do that. And it could be okay." you purse your lips. "Because, it's what I want to do. Nobody's entitled to my feelings but me, and you know what that means, Spencer? It means that if you think that you might love me, you need to be okay with that." he looks a bit startled that you're saying it so bluntly, but stays quiet.

"And you need to know that sometimes your statistics are gonna be wrong, and sometimes the guy that's too scared to admit how they feel doesn't get the girl." it's a shock, you can't say that you've fallen out of love in a day, you can't say that you've fallen in love in a day. But you do know that Spencer Reid managed to invoke a hope inside of you that you hadn't managed to feel in a long time. He made you girlishly giddy, and you liked talking to him, you liked listening to him, you liked the way it felt when you'd made plans together.

And maybe there was no such thing as a happily ever after where everyone gets who they want, maybe in three weeks you would wake up and find that you and Spencer were better off as friends, but you weren't going to hold up your life in the hopes that maybe someday Aaron Hotchner would wake up and decide he was finally ready to love you out loud. Not when there was a chance to take your own life, your own emotions by the balls and do with them what you wanted.

"He doesn't?" Spencer asks, and you're not quite sure you can place what emotions are resting on his face and in his eyes.

"We can find out." you offer, and it's not some heady and heavy declaration of unyielding devotion, but wasn't that sort of how every relationship started? With some decision to take a chance. Maybe, you didn't really know. "There's this music store I've been dying to check out." you say, and for the second time that day Spencer seems to brighten right in front of your eyes. "It's sort of right on the strip, if you don't mind going with me... there's a lot we could do…" and the small change is almost everything. It's scary, causes a pit in your gut.

Still, it's a nicer feeling than uncertainty and the hollowness left behind by idleness. "Are you in?" you ask, and Spencer is already nodding his head, smile reaching his eyes as his pretty teeth reveal themselves to you, eyes twinkling in a way that's very very beautiful.

"Yes." he agrees with a simple nod. "I would-" and you think it's cute the way his smile refuses to leave, and sweet the way he's suddenly grown nervous all over again. "I'd like that-" and his voice cracks, and earns him a laugh, your own demeanor seeming to change as your excitement starts to brew in the depths of your chest.

"Good." you beam.

"Good." he repeats, and there's a small moment, a flicker where you're certain you both look nervous, frightful of what came next. But it only lasts a second, because you're both suddenly being called by Derek, a resounding 'Pretty Boy, Pretty Girl' forcing you out of your bubble and back into the fray. With another shared smile you find yourselves in step, making your way back towards the heart of the bullpen where the rest of the team is huddled. It's rare when work is so light, but you know as well as everyone else, you'll all take advantage of it.

When Penelope smiles at you, you smile back, and it's real.

When JJ plants herself on top of your desk, the two of you actually laugh, spilling secrets and trading gossip like nothing's ever changed.

When Rossi calls you Piccola, you relax even more into the familiarity of being surrounded by your teammates.

When Derek slings an arm around your shoulder and plants a kiss to the top of your head, you remember why you loved your job.

When Emily calls your name and waves you and JJ over to the group, you oblige, meeting Emily's eyes with no mirth left behind. When she calls you by your nickname, you feel that familiar swarm of familial adoration filling your chest, and recognize that things with her would be okay. You find that in the grand scheme she is still your Emily.

When you find yourself standing next to your boss, his usually stern and stoic persona shed in the presence of the team he considered family, you hardly bat an eye. When he smiles at a joke you make, you're pleased, but the anxiety, the panic that tormented you is all gone. The butterflies are too, replaced with the respect you remember.

And when you find yourself looking across the circle and meet the pretty brown eyes of one Spencer Reid, you feel it when your heart tremors, just a little bit.

And you think, in the end, you made the right decision.

[cyclesprefectpress]

[image description: photos of The Disco Elysium Tarot, printed letterpress in an edition of one from handset lead type and linoleum blocks. It is a complete 78-card tarot deck printed primarily with white text and illustrations on medium grey cardstock, in a custom dark grey hardcase box with a hand-marbled orange and yellow endsheet. The backs of the deck are decorated with an illustration of a sprig of may bells, and a quote from Smallest Church in Saint-Saëns: "None of this matters at all." The interpretive meaning of each card is expressed on its face with a small excerpt of the game's text. The Minor Arcana are divided into four suits of Harry's Attributes—Motorics, Psyche, Physique, Intellect—and each card in that suit is a quote from a skill under that Attribute. The Major Arcana are assigned quotes from other sources like NPC dialogue or Thought Cabinet problems & solutions. Pips for the Minors are counted with diamonds like the game's skill points; each actor or title is printed with their in-game color, but made shiny & metallic with bronzing powder.

each piece of text was set in handset lead type, assembled from individual pieces for each letter and space, and printed relief on a chandler & price clamshell press. end description.]

🎊🎊 Desert Bus for Hope starts for 2023 on nov. 11th and i have made an item this year for the craftalong that will be up for giveaway between 6am-12pm on Monday the 13th! 🎊🎊 It is a full tarot deck based on Disco Elysium and it has several pieces of my heart & soul in it but NOT my blood because i put a bandaid right on that :) donations for this and any other auctions & giveaways for Desert Bus go to Child's Play Charity.

notes: i did not make a whole new interpretive model for this deck, apologies, that was outside of my scope. it's generally compatible with a Rider-Waite model, with Motorics for Wands, Psyche for Cups, Physique for Swords, and Intellect for Disks. (full distribution of text listed by card, linked below. any spelling or transcription errors you find there, i promise i fixed them in print—that's copied from my digital mockup which was copied hastily from screenshots.)

i also do not track hours on these kinds of projects because that way lies madness, but i will say: i knew how much time it would take to print it. it was a lot but i was not worried about it, i know how to print. i was very worried about how much time it would take to absorb the sheer amount of text, and distribute it across the cards, and really get an array i believe in. i was right to worry, and i have absolutely had a few anxious nightmares about discovering the Perfect excerpt that should've gone in and i missed it, and the suit of Intellect made me want to lay on the floor a few times, but still! i believe there's many versions of a deck you could make from this game and this one is a good one.

i think the Minors fit really well with the double-edged sword of Harry's skills, their advice, their priorities. the circular way the Fool-World assignment works out makes me smile every time. The colors on The Star came out so nice. i think Justice fulfills some of my favorite things about Kim's character & purpose in the story. i worried sometimes that editing to such short clips would lose too much of the politics of the game, but of course you can't really take them out and they're especially present in the Majors—the Devil and the Hierophant, The Star and The Sun. i've wanted to design a tarot deck for years and i love this game deeply and i let this idea percolate for a few months and it never stopped making me laugh so here it is, & given a beautiful purpose :)

i also literally could not have done this without xyrilin's Disco Reader and the FAYDE On-Air Playback Experiment to navigate the dialogue and skill checks. Really couldn’t have tied the whole concept & colophon in its final bow without the Disco Reader :)) thank thank thank, they're so fun to investigate that it was honestly very difficult to focus on my task instead of veering off and exploring every branch in an extremely disorganized way.

actual printing went well honestly, very few problems! i think that means i'm getting pretty good at planning one of these monstrosities, although perhaps it also means i'm not challenging myself enough. hmm. no that's silly there's 78 ding dang cards in this thing. anyway the drop & replace formes worked well, no registration issues. mum convinced me to overprint another half a deck's worth of cards when I was printing backs & borders and of course she was right :/ there were a handful of cards that actually had better line breaks and fewer lines total in true type than in the digital mockup, so i needed all the spares I had to put those new short quotes into the appropriate border breakage. next time i will not question her.

handset in Garamond, Eden Bold, and secret Neuland.

WIP : full text card assignments

bonus photo of the kind of trash notes i always take to plan things like how many borders were printed with space for short excerpts vs long excerpts, and how many of those are majors vs. minors, because they have a slightly different frame at the bottom edge, etc.

[image description: they are truly garbage notes, i tell you. half of it is written at angles to the other half, many numbers in the math problems are not labeled, mistakes are scribbled over. it gets me there but it doesn't look pretty. end description.]

[kathaynesart]

Replica Holiday Special Winners!

Happy Holidays everyone! It's that time of year and you know what that means! Time to announce the winners for the DTIYS Replica Holiday Special Cover!

I received so many wonderful submissions. Far more than I had anticipated! They were all so unique and creative and it was an absolute joy to look at each and every one of them! I really underestimated however how difficult it would be to choose with them all being so unique from each other. In the end, I decided to gauge the top picks on how well their cover captured the "essence" of what this Special is going to be like! Without further ado, here are the winners.

HONORABLE MENTION - @matchstique

Buddy! I love this piece so dang much! It has so much character and perfectly displays the wacky hijinks we can expect as well as the huge amount of stress our poor boys are under during these trying, pregnancy times. The movement and colors work so well and make me excited for what comes next! Seldom do I see pregnant females shown as the badasses they are, but you have gone and turned Cassandra into an absolute icon with this piece! Bless you!

3RD PLACE - @thegunnsara

Sara, the shear amount of craft you put into your art is STAGGERING. Every scuff on Raph's shell and wisp of smoke screams of a quality I can only hope to attain someday. I literally want to be you when I grow up! That said, the concept of this piece is also fantastic. One of the things I'm must excited about for this Special is getting to see Raph and Casey as they were and witnessing the strong bond they share. I love them dearly and this cover captures their strength and tenacity so perfectly. Gods among men.

2ND PLACE - @cupcakeslushie

Slushie, this cover is so damn fun and dynamic that I can't stop looking at it! Your attention to detail and composition are masterful and the fact that you could fit such a bombastic battle into such a limited space speaks to how crazy talented you are! You also do a wonderful job of retaining both the intensity of the apocalypse but also that playful edge that Rise always manages to retain! It's definitely the cover that would catch my eye on a shelf and make me want to turn the page to see what happens next!

1ST PLACE - @abbeyofcyn

Cyn, the moment I saw this cover, I gasped! It's funny because this is both a piece I could have totally seen myself doing had I done the cover, yet crafted in a unique way I could have never come up with on my own! On top of that, this slick composition scratches my little designer brain juuust right. The use of the hands motif is such a great element because to me, it encapsulates the conflicting themes of family/parenthood with the drama of what it means to be human. On top of that, having each character as one of the digits both connected to and encircling Casey is such a wonderful touch that really drives the symbolism home. Somehow, you managed to peer into the future and perfectly capture how the finale of this special is going to feel. Thank you so much Cyn for such a wonderful piece!

~~~~~~~~~

Now that I think about it, looking back on these winners as a set, all four them actually do an amazing job as individual covers for each of the four "acts" that will make up this special. That was not at all my intention, but it kind of worked out perfectly for that. Gets me all emotional!

I also definitely want to put a spotlight on the other amazing submissions, many of which made it SO close to the top slots! I was going to post these pieces individually but I was worried people wouldn't then go to their blogs to view the covers, so instead have a compilation and links to the full versions! Please check out everyones amazing covers and give them some love. They all worked really hard and it means so much to me. Thank you everyone!

@dreamundraws - LINK @honeylief - LINK @gemini-forest - LINK @memorydarkness - LINK @skullythefriendlyskullface - LINK @v-albion - LINK @its-wabby-stuff - LINK @yris-latteyi - LINK @reagi-df - LINK @chaoscontrol50 - LINK / LINK @murasakibonnet - LINK @hitwiththetmnt - LINK @xandriagreat - LINK @karonkar - LINK @sunydays - LINK (sorry my dear, yours did not appear on my hashtag reference at first! D: But still love it!) @quailaz - LINK @delicatechildwitch - LINK

Thank you again all of you! You all did such an amazing job!

[geospiral]

Taking a look at Mizi and Ivan as symbolic of Till’s desire for escapism vs. having to acknowledge the cruel reality he lives in:

When people think about Ivan and the idea that Till “never looked at him,” many people take this claim either in the literal sense or in the sense that Till was not appreciative of Ivan’s presence when he was still alive, both of which can be disproven with canon material. However, I want to take this idea and apply it in another way, of Ivan being the reality that Till does not want to acknowledge or face.

One of the most defining aspects of Ivan’s character is his rejection of idealism, to the point that you could honestly say that he leans towards nihilism. This is in great contrast to Mizi pre-Round 1, who was sheltered as a child and throughout most of her young adulthood, right up until the actual Alien Stage competition itself. The disconnect between these two and their worldviews can most readily be seen when comparing their intimacy levels with each other, with Ivan having a hard time relating to Mizi due to her innocence, whereas Mizi, although very fond of Ivan, seemingly only knows the version of him that he specifically curated and hid behind for the sake of survival.

(Text: "Intimacy: 75%. A cool friend with a prince-like smile! The object of every child's admiration! Whenever I don't know something, he's always kind and teaches me.")

(Text: "Intimacy: 30%. I like Mizi because she has a purity that is free of lies. As you get older, its natural to become pessimistic about your situation. But sometimes... its so bright it's difficult.")

(Text screeshot taken from a previous post)

Till was most definitely a witness to the different faces Ivan wore, being one of only two people that Ivan let his mask down around. But Till knew Ivan even before he started actively masking, before their first fight even, when he saw Ivan small and beaten from his holding cell.

Ivan is like Till’s shadow, ever present. Shown to us to almost always try to be by Till’s side even in his worst moments, especially in his worst moments. And while the two of them are friends, and I’m sure Till is glad that he doesn’t have to go through his ordeals completely alone, what comes with Ivan is an aching reminder of Till’s cruel reality. With Ivan there to care for Till in the aftermath of his mistreatments, there is now a witness that also carries the knowledge of what happened to him, and that can be both comforting and horrifying. These are no longer contained occurrences between Till and his abusers that Till can try and use escapism (Mizi) to ignore. Ivan knows and will always be by Till’s side, and so will the reality of Till’s circumstances.

This isn’t to say that Ivan’s presence is a detriment to Till but far from it! Reality cannot be fully ignored; you must come to acknowledge what is or has happened to you and then go forward with that to try and see what can be done about it.

Which leads us to the meteor show incident.

Till taking Ivan’s hand and leaving what he knows behind is NOT him ignoring reality but is him trying to escape from the constant abuse he suffers. Till should never have to “accept” the torture he is put through, and neither should anyone else who is in an abusive situation. The meteor shower escape attempt is simply a chance for something to be done about Till's circumstances—to leave and hopefully be able to live a life more independent and free away from the creatures and system that torments him, similar to Hyuna’s own escape.

It must be reiterated that in this moment, however, Till is leaving everything he knows behind, his entire life up until this point, and that scares him...

Till letting go of Ivan’s hand isn’t as simple as “Till running back to his crush." It's Till not wanting to leave behind the most prominent source that he’s used to cope with basically everything in his life.

And obviously Till cares for Mizi as a person, but he also sees her as much more than that. She is his light in the dark; she is his hope—innocent and yet to be scarred by the world.

Till going back is NOT a failure on his part or something that he can be blamed for. It's sad, but also incredibly human and understandable. A lot of people would have probably gone back, choosing familiarity over the unknown. I probably would have gone back.

Talking about Round 6 now, it makes perfect sense how devastated Till is over Mizi’s disappearance. It's important to face reality, yes, but it's also important to have something to emotionally rely upon to get you through your darkest moments. Outside of Mizi, Till doesn’t really have anything that he uses to comfort himself; sure, he writes and draws, but he’s made those things about Mizi with her being his muse.

Till’s obsession with Mizi isn’t healthy, but it's also all he believes he has. Ivan is still there, of course, but he’s not like Mizi. Till could never view him in the same light as he does Mizi, but at least he’s still here. Him being the only one left, a reminder of all he's lost, sure, but he's still here.

Then he pulls his stunt, and he’s gone.

And Till, who had decided to give up in the absence of Mizi, is forced to really look.

I don't have much to say about Round 7 because I'm not entirely sure how to feel about it yet, but I want to point out that Till didn't know that Mizi was trying to save him. When he was singing and fighting for his life on that stage, he was doing it for himself. He wanted to live! Despite everything he wanted to live, and the importance of that and that he was doing this for himself cannot be undersold.

[jazzyblusnowflake]

Alright, we've had Nuzi headcanons. We've now had Vuzi headcanons... Let's heart it, you're Violent Biting Biscuits headcanons, N x Uzi x V... Or if you'd rather complete the set, eNVy headcanons. I am curious of both. (Your headcannons are just super cute)

Holy hecc, I'm so sorry for answering these asks so late but i'm gonna be honest- I just never think anyone likes my writings or ever reads them XD

okay then lets see- my ViolentBitingBiscuits headcanons- i will put eNVy for the next ask because someone else asked for it too and they wont all fit here lol.

My NUziV headcanons ovo<3 :

[once again these are only the drone versions, the human versions aren't involved / also i may add some 🔞🔞🔞 ones this time lol >:3 also uhhh apologies in advance but this one is long as all hell so....um]

K we know the drill, they are all together- hopefully in the future- even if any of them dies i'm gonna pretend i do not see 🙄 deadass gonna treat this like the jjba fandom- my faves are ALIVE AND WELL SHUT UP ARAKI-

Okay so there's some things that we have already mentioned in the previous headcanons- ill try to not repeat them unless they are necessary but ill also try to treat this as its own post and lightly repeat them real quick too-

N and V started out fighting over Uzi, and Uzi obviously was mostly into N at first- but after a while i guess Vs advances got to her- especially since she was- in a way- so desperate for attention/affection, so it felt a little overwhelming to her but in a good way. they very obviously flirted with her which got them silently treating it as a challenge- and Uzi being Uzi obviously loved the attention she got out of it- opting to let this just... kinda continue lmao. she didn't expect to let it go far enough for her to end up with both of them but here we are XD

We slightly touched this topic before about V but to reiterate- all of them have different levels of trauma that they all deal with and currently V has gone through the worst of it, both having to endure Cyn's torture in her mindspace and also having to watch N get slaughtered in front of her and possibly even having a hand in it. She fears losing people that mean to her so she became avoidant with a difficult personality to guard whatever's left of her. It took a really long time for her to decide to be with the two and to protect them and not run away from her feelings for anyone or anything. but some days its still difficult for her so sometimes N and Uzi have to literally trap her into a wrestling cuddle pile or something to get her to just... exist, without feeling like the whole universe is weighing her down. N and Uzi want her to know they are there to protect HER from those inner demons too.

sometimes the cuddle piles end up with N and V once again trying to get Uzi's attention lmao which ends up with them being a little too horny on main- whoops :) - everything starts with a little nibble here, a small bite there - maybe some pillow fights and climbing over eachother or holding one another down in different positions- aaaand then they wake up a few hours later with Uzi having regrets cuz these two are horny as f-

ANYWAY- N is probably the most patient of the 3, and although he usually never breaks up fights because he trusts the other two to handle their own problems without him needing to mom them, sometimes Uzi and V go a lil too far and he gets very tired of dealing with this kind of behavior. he never blows up at them- but he usually goes away to take a breather- sometimes hanging out with Thad or the other drones- and during this time Uzi and V kinda feel bad- but then they would think of stuff like maybe planning dates or getting food for him, draw stuff on cards and etc- or go around trying to find gifts to make him happy<3 sometimes they might add some extra kisses and unwinding sessions in the end as an extra treat :p N always forgives them obviously, he just needs some guys night out every once in a while or something lmao-

Getting close to Uzi became an excuse for N and V to get closer to eachother too. ironically, it first started with them bantering about who is better at what- but then it turned into unironically flirting and teasing eachother- but after a while they realized their relationship isn't going to ever be the same as what it was back in their old days but its also something completely new, so they become more willing to accept one another and explore their newer dynamic.

they all love being coddled and pampered every now and then. Uzi and V may not outright admit it- but they really do too. so they take turns with who they put in the middle of receiving affection :p

N and V are VERYYYYYY over protective of Uzi. to the point that they wouldn't even let the doctor [for tech repair obviously] check Uzi or touch her in any way when she had a small virus case lol. Khan had to pay the poor doctor extra for that.... deciding to leave his daughter in her room in a cuddle pile of two murderous demons that have glowing cat eyes every time he comes in the room smh.

V and N really like cuddling Uzi and sticking their hands under her clothes. or sometimes just flat out sleeping or cuddling naked. its less of a sexual thing and more so to do with the fact that the two MD's have higher body temperature and a less efficiant body for cooling- since they have a more compact torso and a lot less oil and coolant fluids going through them [since they need to consume it continuously] and having a bunch of working nanobots and nanites shoved into them to turn into weapons/wings/etc- and Uzi- although having the AS- is still very much less in need of cooling due to still having a more efficient body design for a "exoplanetary worker unit", with a still functioning cooling system inside that doesn't necessarily need extra oil to make it work unless under stressful conditions.... even if she probably does have worms and fleshy tentacles inside her now lmao. But either way Uzi's body is still a lot colder than the others so she's usually shared in the middle and at this point Uzi cant even be embarrassed when they slide their hands under her clothes and grab her wherever smh..... although V also does it as a semi possessive thing so there's that pfft. she was especially handsy after that doctor left XDDD.

Yes Uzi has very much in fact ended up at the medical/tech repair unit multiple times because N and V have sometimes ended up being a bit too much for her to handle- and the doctor [a character yall shall meet later] has absolutely had it. She had to literally sit the 3 down, explain to them their body differences via scans and the damages they may cause Uzi and it was basically the robot version of having "the talk" with your child- and Uzi wanted to die there and then.

Uzi sometimes just tells the two to drink blood from her- the first time they wanted to share oil they were scared about accidentally causing Uzi to overheat- but after a few times of trying it, they continued doing it more frequently either by kissing and regurgitating or taking turns to bite Uzi or vice versa. N and V typically don't use one another's oil because they already have high usage as it is, it wouldn't be efficient. admittedly N and V always have concerns when it came to biting Uzi- but somehow they found out Uzi actually enjoys it a little when they do it and well...they get ideas lmao- they just make sure to lick her indents clean with their regenerative saliva to make the AS work as little as possible on Uzi's body.

N really enjoys seeing his partners smooch..... for study purposes ofc lmao- actually he uses his visor to take pictures sometimes- let the man be a little horny in peace smh. and don't worry Uzi and V know all this- they just wanna tease him a little bit :p

Uzi and N usually chit chat while they are in the bed until they fall asleep- but V prefers to just hug Uzi on the side listening to them while they talk until she falls asleep too

they love going around in human based areas with shops and stuff to find books to read together or any other fun human stuff they can find- maybe table top games? lol- V goes for the sports stuff. she kinda wanna try hitting something with a bat...

[okayyyy so tumblr doesn't let me write any more XD i def have more ideas but oh well. also ill save the eNVy for another ask that i have in my inbox so you'll get that soon too :p]

[zairene]

hey girl i loved your dazai relationship headcanons SM, can I please ask for a version with Chuuya? YOUR WRITING IS LITERALLY AMAZING.

AS A BOYFRIEND. chuuya nakahara

* ˚ ✦ synopsis: how chuuya nakahara would be like as a significant other.

* ˚ ✦ genre: headcanons !

* ˚ ✦ warnings: spoiler free + a fem reader is also very heavily implied / stated !

* ˚ ✦ author’s note: sure you can ! and ty so much that means a lot <333 i did write as y/n still in the ADA, if you don’t mind !

chuuya nakahara, the hot-headed and impulsive young man who you were interested in when you first met him.

he’s very arrogant when it comes to his abilities and his remarkable skills revolving around the port mafia. he may talk a lot of shit, but he can still definitely beat your ass at any time any day, no doubt. and this personality does NOT come off as pleasing to women, hence his failure in the romance department. so, when he realized that you weren’t immediately disgusted with him after knowing him for such a little time, he already developed some appreciation for you.

with chuuya, there is also a lot of patience with him too—but not in the way you would think. chuuya had a difficult time trusting you. chuuya despises dazai, and it’s very well known, and knowing that you were a part of the armed detective agency and was on dazai’s side put him off. yes, even in their years of rivalry and multiple times of working together, he just doesn’t find himself truly trusting him or you.

it’s not like you weren’t trustworthy or showed signs of being dishonest, he just knew that if he became too vulnerable with you, it would open up an opportunity for you to betray him and he doesn’t do well with betrayal. he knows that it’s not impossible to gain his trust, so he respects you at first, but he keeps his distance.

so yes, you have to chase him, he doesn’t chase you.

think of the trope of, she falls first but he falls harder… sort of.

this started with subtle flirting from you, very subtle to the point where it had him going insane on the fact whether or not you were interested in him. it’s not like he could go to someone with advice so he was seriously stressing himself out over it. there were times even when dazai pointed it out but chuuya would brush it off as dazai trying to poke fun at him.

after you did it multiple times, he finally decided he would reciprocate it because it’s not like he didn’t like you, he was just surprised at the fact HE DID? so, the one time he came back with an even risker line with you, you were shocked. this had you excited because you finally had some type of confirmation that he liked you! now the next step, asking him out.

it was hard catching him in his free time with being the port mafia’s strongest martial artist. he was constantly sent out on missions and meetings. just to your luck, you found him strolling the streets one random day, and that encouraged you to just go up to him knowing this moment would not occur again.

this confession was just you talking and him staring at you with his widened eyes and his lips slightly parted. and when you were done speaking, he could only spit out one thing. “yeah… yeah sure.”

and that started your relationship with him!

i honestly don’t believe it would be filled with arguments, at least not real ones. because the PETTY ARGUMENTS you guys have is an hourly occurrence. no joke. the playful banter between the both of you is amazing, but his competitive spirit can get overwhelming and it causes petty arguments. at this point, you kinda just believe that he likes to hear himself talk.

i feel that the biggest problem you would have in a relationship is his major trust issues. mentioned before, he doesn’t do well with shady or shifty behavior. this doesn’t pair well with situations where you want to have a surprise party for him for his birthday, but he’s under the impression that you’re doing something behind his back that isn’t as innocent as it is.

the product of this is arguments and a lot of breaks between you two. he’s not difficult to talk to, but incredibly difficult to get to, if that makes sense. it would take a lot for him to believe that you’re being truthful. you can sense he takes loyalty very seriously, so after the birthday party incident, you took a mental note that surprises don’t sit well with chuuya and to make sure to not do them again.

other than that, your relationship with him is pretty smooth!

however, he also has his moments where he makes weird comments toward you trying to suggest that you’re “inferior” to him and that you can’t handle yourself. he always feels like he has to protect you or things will go downhill even when you have proved countless amount of times that you were extremely capable.

those times when you have to give him a reality check and bring him back down to earth for a second. his apologies are him bringing you a bouquet and a long talk about how sorry he is why he made those comments and how he would never make them again. you forgave him and he really stood by his word! he always gave you credit when it was due, maybe too much sometimes, but you can tell he was sorry.

other than that, some general things would be that he isn’t a big fan of PDA. he doesn’t hate it but doesn’t prefer it. he wouldn’t mind if you just held his hand or kissed him on the cheek (maybe lips) but would much rather save everything else for in private. he’s all for separating his work life from his relationship with you, especially since both of your workplaces are against each other. he’s very awkward when it comes to intimacy, but once you’re together for a while he likes it, especially getting home after a very rough mission that day.

he likes to act like he hates pet names, even the silly ones you give him, but he likes them. he would never admit that you calling him pookie bear makes his heart happy each time.

overall, chuuya is a pretty good guy who has his moments. he can be painfully unaware of himself and his actions sometimes so you have to handle the liberty of telling him off and putting himself in his place when it’s needed. but don’t worry, he never takes it to heart when he realizes he’s wrong. he loves you and as the relationship goes on, he learns to trust you a little more every day.

(📦) — BUNGOU STRAY DOGS TAGLIST // @4nthonyyliving

(📝) — TAGLIST FORM :: sign to be apart of the taglist!

[moonpie016]

Aaahhhhhh....!!! It's done. It's finally done. A!!

Mind. Teehee.

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Now how would I explain this calculated individual?

Well, that he's big brained (no pun intended). Actually, he says smart stuff to make himself seem responsible, and at points, it is. It can hold itself to the ground and verbally fight for what it deams as justice. ... doesn't do well physically though. While having a broader build, he lacks in actual strength. Just how Heart is strong in a physical sense, his feelings get the hold of his decisions. Fast paste. Opposites yet similar.

He's the youngest of the three, why? Because feelings seem like they'd come first then logic or critical thinking?? (I'm just guessing at this point). Mind being in power wouldn't necessarily crumble everything, it'd just be.... difficult to care for anything. Finding certain things insignificant. (Like memories, connections, literally relationships and just anything that would make Whole fully happy.) It cares. It just wants nothing bad to happen, and will do anything to prevent that.

Y'know how when you get hugged, and just sometimes don't want to be hugged, yet you want to do it to someone else. Because it feels nice. Yeah that's Sol. Physical affection? What's that?/j

Now I was going to have Mind in a skirt, but since I'll also be posting it on Instagram as well, I had to commit to pants. Though maybe I'll make a different version with a skirt. I draw Mind in dresses a lot. Idk, it just looks cool.

I also was going to put him in glasses, but I guess I forgot about that entirely. Yes he has glasses and reads. He has a whole (no pun intended) bookshelf in his room and living area.

I committed to giving HMS tails, not just Soul but the other two as well. Yippy! (<- Is this the normal way to spell it?? Have I just forgotten.....?)

Oh! Crown. Its crown can disappear and reappear whenever, likes it always being there to a symbol of respect.

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My brain is already done with the words? But it feels like more could be added. Maybe.

Though I don't want this to be too long. This ain't the end of these character references though. >:]

Hope you enjoy.

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