#this was a really pointless ramble

[gameringgungke]

edit 2: leak is FAKE everyone, go home

so of course i'm keeping up with the pokemon leaks and

I KNEW IT

I FUCKING KNEW IT

I SAID THE KANTO FAVORITISM STARTED BECAUSE OF BW'S BACKLASH AND WAS GOING TO MAJORLY STAGNANTETHE SERIES FOR YEARS AND NOBODY BELIEVED ME

update 113 notes later: might be fake, idk

[elbiotipo]

The easiest and sure way of telling if something is written by ChatGPT is because it always has to, in whatever it writes, to wrap it up with some kind of conclusion (con un moño as I say), and it's VERY, VERY conspicous, there is ALWAYS a conclusion. It's always "in summary/in conclusion/overall/stands as a testament". It NEVER, EVER writes anything without some sort of conclusion, and even if you ask it not to, it always tries to somehow shoehorn some sort of conclusion, summary, or a moral or a happy ending (if you ask it for prose writing), it's deeply coded into it. Another thing, it is always wholesome, eager to please and sickengly optimist, like the most eager costumer service of all time (because it was designed for it and really nothing else), it is almost impossible to ask it to write anything cynical, it's really almost funny how it is.

So, vague, cynical, esoteric, incomprehensible, resentful and rambling pointless rants is the sign of something written by a real human.

[sophsicle]

Soph I love you but Taylor Swift does not “make herself the victim” there’s so much valid shit that has happened to her for us to feel that way about her, which most of her fans honestly don’t even see her as - granted there as some obnoxious ones but that goes for all fandoms.

Like for example of the experiences I was talking about.

- being sexually assaulted and then being called “greedy” for suing the guy.

- being painted as a “snake” because she didn’t react well to someone writing a misogynistic song about it. Which I feel like is a valid reaction as a woman in entertainment.

- being groomed at 19 by a 30+ something year old.

- getting called a snake worldwide for a narrative that 2 people - who were more famous than her at the time invented.

- being bodyshamed constantly when she had an eating disorder

Yes she’s privileged and has always been, coming from money and having fame, but she does not portray herself as the “victim” and the fact that people think she does just for standing up for herself makes me sad, not because of her but because being a woman myself it just paints the picture that women’s pain or experiences will always be brushed under the rug because we’re classified as “dramatic” and “we should take it with more grace” “be thankful about the good things” like??

I understand that you don’t like her but that assessment just seems wrong.

like i just. you realize you're proving my point right? like this - not just this message, but all of the ones i've gotten where people are waxing poetic about all of the struggles taylor swift has had and how she is absolutely a victim and how dare i suggest otherwise - is exactly what i'm talking about. you feel the need to jump down the throat of anyone who says anything remotely negative about her. this is the whole "victim" narrative, that she is vulnerable and must be protected and defended from all negativity at all times at all costs.

and like. that is on purpose. she has cultivated that narrative for this reason. so that publications are now afraid to post reviews of her albums with bylines because their journalists are getting death threats if they criticize her.

i am not suggesting that taylor swift has never had anything bad ever happen to her. that would be insane. i am trying to say that this culture that has been cultivated within her fanbase of defending and protecting her, is extreme and irrational. and when you don't buy into it, it makes a lot of the content surrounding taylor swift very hard to swallow.

[bonetrousledbones]

what they dont tell you about being slightly brainrotted about undertale aus is that sometimes you will have sick as fuck ideas for how to "fix" certain aus you dont really vibe with but be very hesitant about actually wanting to talk about it because you do not have enough brainrot about the specific characters that would fit better to do it justice outside of drawing it like once and then never doing anything with it ever again

[septic-salad]

I'm still stuck thinking about the fact that that is the softest voice I've ever heard Quackity speak in, especially for a long period of time.

It just. Aouuhhggh. That's all I can say.

He sounded so broken and lost and uncertain, like at first it was like he didn't really even know how to speak, or maybe he was just afraid to hear his own voice after spending so much time surrounded by the gentle quietness of the water he'd been submerged in.

I mean, imagine how much of a shock that must've been to go from pretty much complete sensory deprivation to suddenly being forced out of the calm water into a sickeningly steril environment with bright florescent lights and too-white walls.

No wonder he wanted to just stay in the water, and even when he was above he literally made a little wool cave thing to hide in :( it was so pathetic to watch and I mean that in the nicest way possible

[prairiemule]

All I can do is keep living, despite it

[jojosbizarrekakyoinobsession]

Jotaro and Nori think they’re far above giving each other pet names. But at the same time, Nori likes to occasionally call Jotaro ‘baby’, ‘my star’, and most commonly and simply, ‘JoJo’.

As for Jotaro, using cute couples’ pet names, or any sort of nickname other than ‘Nori’, is a very rare occurrence. But during those rare instances, JoJo will let ‘baby’ slip past his lips.

When he wants to be teasing however, then more affectionate pet names such as ‘my shining emerald” will be used more often than when JoJo is being unironically sappy with the name calling. Nori assumes (correctly) that the reason why that’s the case is because Jotaro finds it easier to show that kind of genuine affection through a playful manner. And Nori can fully relate, he too does find it easier to express his love for Jotaro through fun and teasing means.

Nori is super flattered every time Jotaro uses a lovey name, and vice versa, though a lot more subtly expressed, with Jotaro.

TLDR; Nori and Jotaro are such hypocrites about claiming to being above lovey dovey nicknames.

[edwinisms]

I’ve come to realize that “well in the comics (insert factoid)” can/should really only be taken as a vague idea of what Might be true in the show and nothing more than that. like more often than not, if a question unaddressed by the show is answered in the comics, it’s an interesting note to take into consideration, but by no means should it be considered to actually, canonically answer anything in the show. because boy howdy they are drastically different, and the show is much less of a tv adaptation of the comics and more like a tv show that’s premise and characters are loosely inspired by the comics. i only highlight all this because it feels like I see certain possibilities and theories and whatever else shot down by the “canon” contradicting them via the comics from time to time, when in reality the show’s canon and the comics’ canon are two wildly different, occasionally overlapping things and should be treated as such.

(note: this is not, however, discounting the sandman tv universe’s canon as being true dbd canon– the shows absolutely DO have the same canon, and facts of the sandman (tv show) must be facts of dbd. but I digress.)

[archduke-enver-gortash]

at least i get to say that my hypochondriac delusions about dying soon weren't delusions at all lmao. small w

[moe-broey]

LIKE MAN OKAY. HERE'S THE PROBLEM.

Kind of cutes, I guess. But I think I'm running into the age old My Art Style (focused on being able to draw a character as much as possible as quickly as possible and to mirco-organism them when necessary) is Fundamentally Incompatible With the FEH Art Style and SPECIFICALLY the Askr motifs/aesthetics. Problem.

I think what happened as time went on too, is I translated the chunky thigh armor into more of a solid shape on the knees of the boots.

You can see the difference here! He doesn't have a solid knee-pad like diamond, he has a funky pattern. Not the worst example of extremely intricate pattern crimes but still the bane of my existence as an artist. (Worth saying, it works in Kozaki's art style!!!! And more conventional anime art styles, broadly speaking!!! Because those styles give you a lot more room to work with, on the character themselves, and they're more focused on details!!! That's just, my rough thoughts about it)

So there's like. Too Much Big Solid Shapes going on. Not enough space to give your eyes a break. Esp the way I ink. I think the negative space and all-blue ink Until you get to the knees, again, just gives your eyes a break.

See him Usual Style:

I feel soooooooooo bad going "but my art style 😢" bc I feel like TYPICALLY. That sentiment is used to avoid learning new things. But like.......... do you see the Problem here. I need to draw this fucker a million times and sometimes I need to hit 'em with the shrink ray.

LIKE. MAYBE. WHAT I'M GETTING AT. Is The Purpose of an art style. What it's Supposed to Do. And how it functions in tandem with You, the artist.

[vintagesimstress]

Me about every scene in Act 3 of my hopefully-one-day-going-to-be-published-story:

[wutheringmights]

<shakily rolling into your inbox> Would you gift us with chapter commentary, please?

Your wish is my command:

Framing the past section around headlines was not my original plan. I wanted to do a repeating refrain of "This is how the war ended," but when it came time to actually write it, I was bored with it. Yeah, kinda thought about it too hard. So I went back to the drawing board.

I also considered framing the chapter around the passing seasons, but that seemed too boring. I wanted something with a bit more pizazz.

Plus, one of my favorite genres of fan work is in-universe media like newspapers and magazine covers. This is a pretty weak attempt at it, but at least I threw my hat into the ring.

I've been trying for a while now to imply that the original HW storyline is what was spread as propaganda to the people of Hyrule, but this is the first time I made it really, really clear.

So the engineer being assigned to the coast is a reference to how the DLC that features Toon Link is the one where there's suddenly an ocean. Very smooth of me lol

This chapter ended up being a bit of a dumping ground for all of the relationships I was ignoring in favor of writing about the brothers, ironically because I too was too consumed with the engineer and the child to write about anything else, which in turn really drove home how all-consuming their presence was for Link

The fun thing about Midna's scene is that her and Link going on nightly walks together was one of the very first ideas I had for CTB by virtue of it being inherited from when I thought I was going to write a romcom. Incredible that it took half a million words to finally get to it.

My favorite part of the past is the bit where Link writes all of the letters to the engineer. It's just a lot of fun to sit there and figure out what kind of bullshit he would spout to kinda apologize but not really. It was even more fun to punch him back down with Lincoln's brutal response. Just rereading it, I feel like you can tell I was having a blast.

I also had a lot of fun finding ways to show symptoms of Link's alcoholism getting worse without him realizing it. The constant headaches, the nausea, the shakey hands, the sensory sensitivity-- him experiencing all of this and going so deep into denial that he can't understand why his body is reacting that way.

It's been so long since I've managed to give Toto some screen time that I kinda forgot how much I like his character? He's just a guy, but I like that he's just a guy. But I don't think I made it too clear in the chapter that in their friend group, they were the least friends with each other. Link was closer to Anders, and Toto to Uri. They're being driven together by virtue of being the only ones left, moreso than I initially conveyed.

And, of course, I got to talk about Uri again. Again, Uri is always so interesting to handle because he is a character who we will never see in person and Link is too traumatized by the death of to think about in detail. Even now, Uri feels like a mystery. All we know about him is how Link feels about him.

And finally, Zelda. The thing about Zelda is that I feel like her goals are really transparent, but I always get comments from people who want there to be this moment where everything about her is spelled out. And, despite the fact that she monologues about her feelings here, I don't think this is exactly what everyone was hoping for. The more I read it over, I can see how she probably just got more confusing.

Also, I know I need to stop writing monologues. But have you considered that the monologues are sexy?

I feel like I should say something about how Zelda's relationship with Hylia, but it really speaks for itself. I will say that as much as I like how BOTW is so ambiguous with Hylia, I am a little bit more fascinated with the idea that "your god is real and they specifically hate you." Like, how are you supposed to cope with that? We should all be thankful Zelda isn't more fucked up than she is.

I should also say something about her thoughts on the engineer... so first, my goal with that relationship was always for it to be toxic from both ends, with the engineer trying to use her while she uses him-- which gets even more complicated when you consider all the ways Zelda echoes Link. Like Link, she sees parts of herself in the engineer. Unlike him, she wants to save be saved, so she in turn saves him. Link hates himself so much that he has to drag everyone else down with him.

In the era of everyone wanting Zelda to no longer be a damsel in distress, it's kind fun to give her the traditional goal of being saved by someone else, to then twist it around. She is begging to be rescued, but she won't fix anything herself.

This idea really goes against the popular depictions of HW Zelda, which is why I have iterated before that this Zelda is not Artemis. She's her own thing.

There was going to be more about how the war ended, but I decided to keep it for next chapter because (you guessed it) the word count got too long.

On to the present--

Congrats to everyone who said they wanted to see more of Spirit and Warriors talking shop. You really won with this chapter.

That being said, I always think that I never write what people want when they want it. Like I will write a chapter with a lot of action, so everyone says they want more action next. But then I follow it up with a chapter of people just talking, so I get a lot of people requesting more of that. But then, it's back to heavy action.

All that's to say that I feel bad that there wasn't more character drama this chapter

Also, I feel really bad for not including either Hyrule or Wind in this chapter. Those two are the characters people ask me to write more about the most. But unfortunately, the thing about juggling a large cast of characters is that some times you have to sit down and get a few of those characters out of the way for a bit so that we can focus on other things.

I don't want to make it sound like I was targeting those two on purpose. They just had the best excuse for not going on the Nephus mission.

Speaking of which, I feel terrible for constantly finding ways to leave Lana and Linkle out of the action-- and that's after I've talked so much about adding more women into the story to balance out the default nine dudes LU requires me to add. But again, there are so many characters that I have to find ways to leave some of them behind. And again, it was really easy to give them an excuse to not be in the main action. But It's probably a bad thing that they are easily excused. I should work on that.

And I know I can write scenes with a shit ton of characters talking together. I've done it plenty of times in CTB and other ensemble stories before it. But it's a lot of work, and when I need to focus on more important plot points, the last thing I want to juggle is balancing every scene so that everyone has something to do.

Sorry to belabor that point. Sometimes, I get really annoyed with how big the cast it when it's not even my fault.

It is my fault. I just want to complain.

I appreciate everyone who has their own version of Spirit going on more legendary adventures while he is wearing his OSHA mandated work uniform. I know the Heroes of Hyrule are not unionized, but I at least would like to make sure he is properly dressed with an adventure.

That being said, his Castle Guard uniform was partially inspired by the uniform for the Free Planets Alliance in the original Legend of the Galactic Heroes:

That is not a great photo, but I was envisioning something like this-- "this" being a more modern cut with clear nautical influences (cause the Castle Guard was probably originally a navy)

Also the crest on Spirit's uniform is Tetra's pirate emblem. Do not get be started about how I fucked up the crest of the New Hyrulean royal family back in chapter 6 and how I have been looking for some band-aid to place over that mistake so that it would look like I did it on purpose

I didn't expect the scene where Spirit talks to Four to be so polarizing. I didn't even think it was a significant moment when I wrote it. Yet I've seen a huge gambit of reactions, from people calling Spirit cruel or others saying that the moment was sweet. That being said, I am living for this. If there is one thing I want right now, it is for everyone's opinion on Spirit to be split.

Did you guys enjoy me trying to write about how machinery works? Honestly, I could have probably cut all that, but I did so much work establishing the mechanics behind the ganons in previous chapters that I felt like I had to go through with it.

My original plan was for Warriors's plan to involve taking Philo hostage from the start, but I changed it because writing a kidnapping scene would have been too much work. It still really bugs me. The way the chapter is written now feels really cheap, but again. I didn't feel like I had enough space.

I also ran into the fun problem of wanting to show the nuances of Philo and Icarius's relationship when one can't speak and the other would not speak Hylian. Legend saved my ass a bit with this one, but I don't know if all of the little details got through.

Speaking of which, I should talking the House of Nephus

So obviously, I wanted the House of Nephus to reflect the original brothers dynamic. The idea is that they are what Warriors, Spirit, and Time/Mask would turn into if both Spirit and Mask stayed.

Except, in practice, I had to give them their own distinct personalities so that they wouldn't be boring as fuck

Icarius and Philo got away with getting small but really effective changes. They both still feel like reflections of Spirit and Time respectively

But Nephus.... so my original personality for him was someone as jaded and mean as Warriors is at his worst. But he felt too much like Zelda or Impa. So I went back to the drawing board to find some character angle that would be really interesting and effective for how little screen time he will ultimately get.

My inspiration came from the Virginia Woolf seminar I was in when I first started working on CTB. I was thinking a lot about rich, British assholes; very specifically about the kind who are self-prescribed intellectuals who fetishize non-white cultures while maintaining the superiority of Western imperialism.

So with that in hand, I got rid jadedness and turned Nephus into a guy dripping with charisma but is unaware of how terrible of a person he is. And as a reflection of Warriors, he works thematically.

But you can make the argument that this is not the story for this kind of a character, especially when I have already gone through such lengths to clarify that Hyrule is an imperialist nation that echoes America. You can see me poking fun at it in some of the dialogue during this scene, but still.

(And it gets worse when you look at the subtext of how light vs dark magic is treated between Hyrule and Faovaria).

So, yeah. I deserve some criticism for this one. I know it. But I didn't change it because I just liked how immediately interesting Nephus was. I couldn't think of an alternative that would have been as effective as this affable evil. Sorry about that.

Another idea I had was that Nephus was going to be the Faovarian equivalent of the Hero of Hyrule, and he would even have his own dual blades of dark and light magic to prove it. I ended up not doing this because it was too heavy handed.

I originally was going to keep the swords, and I even realized that if I had planned things out a bit better, the dark magic sword could have been Ghirahim. I decided that it would have been too out of left field to have worked, but man. I have regretted since day 1 that I cut Ghirahim from the story. I'm sorry, Ghirahim.

And then I didn't even include the swords. Motherfucker.

That actually was a genuine mistake on my part, because the point of the swords would have been to give Nephus's speech on his religion more credence. We as the audience know that the goddesses exist. And yet... why does there seem to be more to the gods of this universe? Are Hylia and the Golden Three really just oracles? If Nephus has these cool swords, what other powers and weapons does Faovaria have within its borders? You know, just world building stuff.

I came up with too much story for the House of Nephus than what I will ultimately have space to include in CTB. I'll try to strategic so that you won't be annoyed with the lack of answers from some of the questions you probably have.

As important as Nephus is, he's ultimately not the main antagonist of the story. If I was willing to write 20 more chapters, I could do a lot more with him, Philo, and Icarius; but I would like to see the end of CTB someday lol

Originally, only Time, Spirit, and Midna were going to go with Warriors to meet Nephus. There was definitely going to be this bit where Spirit and Warriors were going to be like "oh fuck, he's hot" as Nephus flirted with them. Meanwhile, Time (a married man) would be sitting there like "really??? both of you have horrible taste??"

I am also realizing I forgot to write a moment where Warriors is horrified to realize that Nephus was going to make Philo sit there in pain instead of rushing him to a doctor. Fucking hell.

Also, that Nephus's spirit feels normal to Spirit is important. Not on a plot level, but thematically. Just hang on to that thought next time you think about the whole spirit sensing thing.

I always knew that CTB was going to evolve into a Triforce quest story. There's no way I could write about a guy who's supposed to be this brutal strategist and not let him realize he has an easy solve to everything. But I also didn't want this to be easy or feel cheap. It's why I went through all that effort to establish that getting those pieces would involving going up against the Royal Family and the Knights of Hyrule. It's going to be hard, and it will involve all the fighting and manipulating you expect CTB to have. It'll also involve moral dilemmas.

After all, we've been talking about the moral dilemmas presented by the Triforce since at least chapter 6 (remember when I said that there was so much set-up in that chapter for stuff that was for far later in the story? Hello, pay off!)

All that's to say that I am worried that people don't like this direction. I have gotten a few comments about how excited people are for Warriors's plan, but only time will tell if this ruined the story for some people.

And I know I worry a lot about ruining CTB. That's not a problem that's going to be solved any time soon, so let me have this one.

Finally, the chapter was going to go until Time's talk with Warriors. Decided to move it to next chapter because, you guessed it, space.

[callingcxrd]

Figured out how to word my thoughts on the "DNIs don't work" argument. Like... obviously yes they don't always work 100% of the time, I'd say quite literally nothing does. In regards to stuff like "DNI if you're racist" or whatever I'd very much guess literally no one ever goes "Oh no I'm racist :(" because they can't even fathom their behaviour is a bad thing anyway

But like, about other things that aren't parts of the (fairly nebulous) "general criteria" people set forth, they absolutely can have some use. After that, if they don't work... Well, that's fine? A DNI is just your step one, your sign on the fence. The block button still exists. A DNI has never MEANT to completely replace it. If you expect to completely avoid ever dealing with this or that using one that's just not what you're going to get

[t4t4tclethian]

i have such a burning hatred for the angel skizz fanon and i don’t even know why

[oh-meow-swirls]

was looking through old posts and i'm surprised to see that i seemingly didn't have any commentary on anything in 3 in chapter 7, 8 or 9, the posts related to 3's story go from "my first reaction when i saw yopple-bot was 'i love you. but also you are definitely the boss for this chapter-'" to "i have been in hell all day. hell being bada-bing tower." funny to me cuz those chapters are like, the best ones sdfkljsdfjfsdkjlfsdjkl-

[roberrtphilip]

noticing many people really just do Not understand how the friends to lovers trope works, and it's. interesting to say the least