arthur is rude to that one sex worker because the guys are fucking around as they oughtn't be and he actively wants the source of their distraction to go away. that is how he operates through the entire game: deliberate, utilitarian intimidation and strategic unpleasantness to achieve a goal. it is an early game commentary on arthur meant to position him as a big dog that barks. it is not a commentary on his views about women which are clarified many times afterward. you guys realize that right
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Tim: Oh, officer it’s just awful! He just suddenly dropped dead! I think he had a heart attack or something!
Based on a post made by @gunpowderdtim because I just couldn’t help myself
Bonus:
Marius: Yup, totally dead. Heart attacks am I right? Welp nothing to do about it now, looks like our job here is done.
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showing off the commission i got from @ruporas for my fic, In the Next Life!
i'm still so incredibly excited about this. it's been some months since the story event that caused these scars, but i wanted SO BADLY to be able to see what they'd actually Look like... & Here They Are.
ruporas rendered the scars So Well, i just cant stop Looking at them... there's a Fresh & a Healed version, which ruporas was kind enough to give me without additional charge (Thank U Again😭😭) so i get to see what it looks like at different stages.
Lichtenberg Figures. in terms of actual scarring, lightning strikes that people survive don't tend to leave permanent scars, but the lichtenberg figures that they (usually temporarily) leave behind are just So Cool... Now, what happens when you get someone who can survive an amount of electricity/lightning that would be Frankly Lethal to any normal human person?
This :]
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i think the reason that kaos is such a successful adaptation, despite being so inaccurate to the myths, it’s that it’s so new, fresh, and entertaining
like, there isn’t one canonical Greek Myth. there are, of course, surviving texts from the era—homer, euripides, aeschlyus, etc. — but those are only what have *survived,* there are countless other myths and ancient retellings that have been lost to time. besides, even between the original myths, there are discrepancies and different interpretations. the myths originated in an oral storytelling tradition, and with each teller, the stories were different. sure, there were some things that stayed consistent throughout the retellings, but almost every myth has elements that varied across sources.
you could always argue that even though that might be true, they could have based the show more on less common myth alternatives that still have sources from the time period, but i personally think the fact that they’re kind of doing their own thing is literally just what the ancient greeks were doing with their myths as well lol
plus, the reason successful greek plays *were* successful was that they told existing stories in a new and interesting light. sure, it was more of a “no one goes to the theatre to find out what happens next, they go to hear how the writer is telling the myth in a new and interesting way” sort of vibe, and kaos *does* have an element of watching bc you don’t know what happens next bc so much has been changed from the original myths, but again, i think this is basically just what the greeks were doing. when something originated in an oral storytelling tradition, there isn’t One Definitive Way to retell it. kaos takes a lot of creative liberties with the source material, but there’s always room for new interpretations and ways of telling these stories
BUT the show is imo so engaging and successful despite all that bc it really gets at the heart of the myths, even though, again, it isn’t at all accurate. zeus is cruel, power-crazed, and incestuous. dionysus is literally just a boy. hera is trying so so hard to be a GirlBoss. hades and persephone are the only ones who seem to have their shit together. poseidon is a douche on a yacht. there’s some incredibly interesting and compelling world building. and at its core, the show is about two things: 1) the gods are human and fallible and 2) you cannot outrun your fate, no matter how hard you try.
and what’s more greek than that?
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If you're ever bored, just scroll the Shoot From The Hip TV tropes page :)
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