#this was a mistake but i'll still do it

[technicianuprisingau]

Meet the Cast: Kirby

Hello there!

From now on, expect this special section so you can learn more about the characters. We'll be starting with the founding members of Team Starstruck.

Today on the spotlight is Kirby, our main protagonist... and the one who has the most POV later (lol)

--------------------

"Hey, everyone! Sorry for the wait! Is it my turn now?"

Basic Information

Name: Kirby ("I don't have a family name... or do I? I never find one...")

Age: 13 [by the start of Planet Robobot]

Gender: Male

Orientation: Straight

Hometown: Star Hill, Dreamland, Popstar

Species: Puffball

Ability: Technician [pure type]

Job: Star Warrior [in-training], adventurer

Other names: [Leading] Starbound Technician, the Pink Demon ("I'm not too fond of this one, actually..."), Kirb, Strawberry Puff [by Galacta]

Alignment: Neutral Good

The de-facto leader of Team Starstruck, he bears many titles and many friends. The Technological War started by the Nullari wasn't exactly his first rodeo into adventuring considering he got dragged around since his birth and subsequent crashing into Dreamland. Friendly and curious, Kirby's seemingly innocent outlook surprisingly hides a lot of vigor, and his balanced stats as well as a jack-of-all-trades system of his Technician ability absolutely helps to get in and out of fights easier. He can interact with a lot of weapons and items more than the rest, and even make use of it when he finds the chance thanks to his ability now giving him what amounts to technological addiction of sorts.

Detailed Information

Goals/Motivation: "I just want to enjoy life and make friends, but at the same time, I strive to experience everything I can!"

Hobby: "I really like exploring! I don't mind resting around and enjoying life, but you can see me wandering around Dreamland or places I have visited! It gives me joy. Oh, and I like eating too, actually. Also, I don't mind if you give me technological things to fix or to observe, especially blueprints, I love them as well!"

Favorite Food: "Watermelons! I've loved that fruit since I was little! It's really juicy and sweet. People of the Cappy Town loves to send me some once in a while!"

Least Favorite Food: "...I don't usually have one, but I would try avoid eating insects if possible... I don't know. Seems gross to me..."

Favorite Game Type: "I love shooting games! They motivate me to stay on my toes!"

Habits: Sometimes falls asleep on random places when too exhausted, rubs his arm when anxious or stressed, swears ONLY when under pressure

Other Liked Things: "I love my scarf! Mety and Galacta gave this for my 13th birthday. Sets me apart from any other pink puffball in case I find more similar ones. Oh, and my helmet!"

Secret: Has a crush on Ribbon. He keeps sending valentine chocolates every Valentine's Day by sneaking into the post office. Though, this crush is a common secret since everyone can see it anyways.

Relationships

Best Friends: "I have a lot, but you'll see me with Bandana and Robobot from time to time! We're part of Team Starstruck, after all! Without them, I'd never survive that war... hahaha..."

Rivals: "Hm? I used to have one in Dedede, but he's more of my surrogate uncle than anything."

Enemies: "...do I have one? Not... really... Not the type to make enemies unless they get too out of hand, you know?"

Family: "...I don't know. Team Starstruck and my friends here at Dreamland are my found family. Sometimes, I wish I would know something about it, but people say I kinda look like Galacta..."

Crush/Love Interest: "...I have none... I swear! Guys, it's not what you think! I am not in love with Ribbon! We're just friends! Don't look at me like that!"

Skills and Abilities

Overview:

Kirby's main copy ability in this AU is named Technician (exclusive for this AU as well, more explanation regarding this ability will be shown soon), a contact ability that he can get out at any time by activating his Adaptor Chip, albeit his is a prototype. The chip is also binded to Robobot Armor, causing most of his skills to be with them... at first, as later a loophole lets him to access his own modes with a bunch of differences.

Due to his affinity to copy abilities, his ability's specialty is Adapt. This results in his powers circling around Ability Modes, which grants him different weapons and skillsets depending on what ability he is storing. Without any modes, he wields the Virtual Drill - a hardlight drill that he crosses his arms in front of his body to use, albeit he can attach it to any part of his body if he so wishes - by default.

The helmet also gives him the ability to fix broken technological devices by touch.

Without the Technician ability, if he chooses to let it go (since it’s not binded to him), he can use copy abilities and stuff like any pure puffballs do.

Strength: Because of his variety of moveset pools, he becomes the jack-of-all-trades. As long as there's something to scan (mainly attacks and weapons - he CAN scan actual people, but doing so will cause whoever gets scanned to be stunned for a moment), he can change battle styles on the fly. But even without that, while his moves are contact-based, don't be fooled, his range is still quite massive, as he can and will use his erratic movements and 'acrobatics' to reach enemies that at first glance cannot be reached.

Weakness: Kirby has to maintain stamina, as his bounces off it. He has to preserve it well or he'll get tired easily. He is also limited to one mode at a time, and as his normal state counts as a mode, he cannot go back and use his drill at any time unless he discards his current mode. Also, if you're smart enough, you can feasibly counter his moves by either playing into his gimmick or try an advantage, especially on certain modes that are elemental in nature or mostly more support-based.

"I hope we can have good relations moving on!"

[tcustodisart]

Remember that outfit I designed for Connie? Yeah...

[esprei]

ai submas

[i-dreamed-i-had-a-son]

Broke (2016): BBC Sherlock is a phenomenal piece of media and anything that seems like a flaw just hasn't been fully explored yet

Woke (2020): BBC Sherlock is an incredibly flawed series run by an egotistical writer, it never deserved the hype and is actively bad on so many fronts (especially representation)

Bespoke (2024): BBC Sherlock is flawed and bogged down by increasingly poor writing, which many fans refused to see while it was airing, leading to hugely misplaced expectations (particularly for the final series), AND it has the seeds of some compelling characterizations and portrayals, some genuinely solid performances, and touches--albeit imperfectly--on complexities that are still being discussed today (particularly as it relates to the relationship between Sherlock and John). The huge cultural impact of the show has created a massive pendulum effect in its public perception, leading to most people today remembering a caricature of the show (whether positive or negative) rather than appreciating its nuanced merits and failings...that being said Season 4 sucked

[oh-katsuki]

yk when someone dies and you just have to... sit with it.. and you're like... how do i tell people something is wrong. how do i tell people who never met them or knew them or spoke to them that something happened. and it feels selfish somehow to even talk about it out loud but at the same time for some reason you feel like you have to. like somehow you're telling a lie or being disrespectful or being self-indulgent. when the reality is that you just don't want to be alone in grief. but they didn't know them and even after saying something, you're alone anyway.

[starpros-sunshine]

Eichi gives away the mask so easily because it was never meant to be an "engagement ring" like you delulu wataeis imagined it to be lmao. It was wataru saying that he will continue playing tsumugi clown role in fine and won't leave it for hokuto's mother troupe after graduation. Do you dumb fucks even read the stories? Eichi didn't even understand tf that mask meant when wataru gave it to him and wataru referenced fucking tsumugi in his "proporsal". I dunno why the f you think it's ok to lie about "! EnDiNG wItH wAtAeI EnGaGeMEnT" when the chapter it happened wasn't even close to the end of ep:link. Cope

PS: how do you live with the fact that Eichi clearly admitted to never being in love in his life and Wataru said that even though Eichi likes him, he still can easily discard him for the sake of his objectives?

I love you anon thank you for giving me a nice reason to ramble again beautiful ask 10/10 I'm sorry this is probably not how you hoped this would go but this is such a funny block of text delightful really thank you for the enrichment please marry me

But okay yes now to get down to the actual ask just to disclaim I am solely relying on translations seeing as I do not speak japanese well enough to understant the original text so if anyone has anything to add to this or to correct me on please feel free to do so.

Now to get started I'm not sure if one could say Eichi gave away the mask "So easily" seeing as he claimed that it was "a hard choice to make"? Which, as one might know, implies unease with an idea and pondering and debating and a general amount of thinking behind a decision so? I know this isn't really the main focus of this ask but I'm just a tad miffed with the semantics of it is all. And in either case giving the mask back to Wataru while expecting it back still shows a certain degree of trust in their relationship it wouldn't have been such a big deal for him (as it apparently was) if the mask didn't have a lot of sentimental value to him (the both of them really if we look at the whole exchange).

Now to the claim that the mask was "only" Watarus promise to stay with fine and "continue playing Tsumugis clown role". This is not entirely incorrect. Regarding the acting troupe and staying with fine bit at least.

I'm assuming this bit in EP:Link Deadend/7 is what you are referencing, and I see where you're coming from. But the bluebird line

from literally three dialogue lines further down, which references this line of dialogue (notorious Eichi line everyone should be familiar with)

kind of somewhat really recontextualises that? Because you see this is a reference to a fairytale about a pair of siblings and they get sent out by a nice fairy to find the bluebird of happiness for her sad daughter to make her happy again so they both go on an adventure and travel far and search and search but they can not find the bluebird of happiness and then when they return home again, disappointed because they couldn't find the blue bird, they realise only one night has actually passed and the journey was probably just a dream. But then their eyes fall upon their pet dove in it's cage which appears blue all of a sudden and so they gift it to the fairies sad daughter which becomes happy again and sets the bird free. The real bluebird of happiness is a dove. At least in the version of the story I'm familiar with but I mean everyone sees the symbolism right? It's. very hard to miss.

And then dropping this?

I'm not sure how to say this properly but in the overall context this makes it pretty clear that Tsumugi has nothing to do with this anymore this is Fully between Wataru and Eichi. And I am the last person to dismiss Tsumugis significance in the course of Wataeis relationship as characters I will be among the first to protest when someone dismisses the importance of Tsumugis and Eichis relationship in favour of some image they have of Wataei but he has nothing to do with this one.

Yes Tsumugi gets namedropped but - again - I don't really see how that would lessen the sentiment Wataru is triying to convey here? Because. Yes. Why wouldn't he mention Tsumugi?

The entire conversation pretty much boils down to "Yes I was initially only in this because I thought I could replace Tsumugis role in your life and then I wanted to leave but we have spent so much time together that I realised that that is definitely not working out because I really do love you. I love you as a teammate; I love you as a friend; I love you as a person and I am very angry at myself for not managing to get that into your head. So please allow me to stay with you for as long as you'll have me." And then also Eichi not understanding because he has the emotional self awareness of a very emotionally unaware loaf of bread and also because he hates himself that is a very big thing about his character huge part of his character arc actually that he. you know? Hates himself? And feels guitly for his actions during the war? And doesn't think he deserves love and companionship? Which is why Wataru wanting to stay with him for him and not for some twisted form of revenge is such an alien concept to him? Because he is projecting his insecurities onto Wataru? As one is wont to do when they hate themself? "EiChi Didn'T eVen UnDErStanD WhAt tf ThAT Mask MEAnt" Yeah. That's. That's the point? So he can think about it and come to that conclusion himself which works as a keymoment in his characters journey from hating life and himself to enjoying being alive and wanting to live on because of the people he's surrounded with? He literally explains why he didn't immediately understand the mask during the EP:Link Epilogue/4

And to get back to the "I dunno why the f you think it's ok to lie about "! EnDiNG wItH wAtAeI EnGaGeMEnT" about which I have two things to say:

"Lying" implies further intent and an effort. Neither of which exist in this case.

He literally went down on one knee while making a big proclamation of offering himself to Eichi with a very personal item that works as a symbol for their commitment to each other on a starlit rooftop. The comparison writes itself.

3. https://en.wikipedia.org/wiki/Joke

And then I expected there to be a proper reason given and instead you proceed to follow that up with "when the chapter it happened wasn't even close to the end of ep:link". I know the shame is on me for expecting something sensical from an ask which has been near constant in it's lack of correct statements but such is human nature I suppose. And you are not wrong. Deadend/7 isn't very close to the end of EP:Link. That is true.

But do you know what Is very close to the end of EP:Link? The Epilogue Chapters 3-5.

Do you know what the content of those chapters is? I do. Very well actually :)

(Eichi literally explains why he didn't get it)

So if this answers your "Do you dumb fucks even read the stories?" questions, Yes. And I think I'm a lot better at it than you. So I'd say I'm coping quite well over here :p

PS: Regarding your PS, I take the "I've never been in love before so I wouldn't know" comment with a lot of humour actually as an aroace person who's emotional self awareness also ends at "good" and "Not good" I think it's very funny all things considered especially because he mentioned the loving Wataru thing several times before that and I'm generally of the belief that actions speak louder than words and also am in a happy long term relationship with the concept of "Reading Subtext". So please excuse me for not breaking down in tears everytime someone reminds me of that one singuar line of text in one of my favourite all time enstars stories that came out three years ago which also brought us the single best card set in the entire game

as well as absolute banger dialogue such as

Among others <33

And there are soooooo many other examples of wataei dialogue that simply make me swoon but I have already had to take out so many of the one's I wish I could put here so this wouldn't get "Do you love the colour of the sky" long

And also, regarding your "Wataru said that even though Eichi likes him, he still can easily discard him for the sake of his objectives" I'll just say that no he absolutely could not. I mean he'd say that and if pull comes to shove and he has no other option then he might seriously consider it but may I mention that Wataru was gone for a few days at most but really not that long of a time during Sanctuary and Eichi stopped considering being a normal rational person that doesn't leave helpless 17 year olds in the midst of a construction site. Very different situation but I feel like it's worth mentioninh here. Another example is Eichis almost not being able to go through with the war because of Wataru. Wataru had to actively come and tell Eichi to go through with it. Wataru isn't the reason Eichi started the war, that is wrong, but he is the reason Eichi almost didn't finish it. and during the war era that was his Main objective. Again I'm part of the fraction "actions speak louder than words" Show don't tell and all that, but even the words are pushing it.

And that concludes my essay :)

[kittarts]

is it stressful running your own art shop/business?

It's something I am considering myself but, idk it just seems like a lot of responsibility and I always get so intimidated by that😔

It's stressful, and it takes a-lot of work and patience, but it's also incredibly fulfilling!

Trust in your ability to get a task done, to manage money, to communicate with customers and manu's, to ship things safely. Don't settle for less, hold yourself to a high standard and make sure your goals are reached.

The more you do so the easier it'll become! :)

[screamingwiththewolves]

I generally don't make posts like this, cause I don't wanna start an argument or disagreement, but I do find the "Is Hyde really a person?" discourse, a bit odd...I know it's a comic, and maybe I'll be proved horribly incorrect but...

Does he have emotions, with personality traits and preferences? Yes.

Does he insist he's a person? Yes.

Then he is, in fact, a person.

[undertale-fic-librarby]

Hi, are you okay I hope so, could you recommend me some Error × ink fics?

Howdy, thanks for asking! Here are some fics that might fit what you're looking for!

From Your Point of View by 0Sion0, TGK Translations (Teen And Up, Incomplete)

They say that to understand another person you should imagine yourself in their place. But what are you to do when you're pretty much forced into the body of your sworn enemy?

The Two Cockroaches by Mutatedbunnies (Mature, Incomplete)

In the aftermath of a messy breakup, Ink moves into the city to begin his life anew. After a fateful encounter with his neighbor, he falls head over heels for someone new. Error, a graduate student who’s hesitant when it comes to romance, is immediately swept up in Ink’s brilliance and vitality, unable to stop himself. While Ink and Error are consumed with one another, their friends and family fall into romantic affairs of their own. Cross, Error’s best friend, falls in love at first sight with Ink’s ex-boyfriend, who isn’t sure he’s ready for a new beau just yet. Geno, a promising young doctor, has an unfortunate tendency to be stalked by one of the hospital’s top forensic pathologists, Reaper.

I want your soul | Errorink / Errink by Yumikokun (General Audiences, Incomplete)

~ This story is inspired by another one...so if you stumble upon a story similar to this one, you know where I got the inspiration :) ~ . . . A story about a young prince who lives in a castle with his three older brothers. The oldest brother catches a mysterious flu that can not be healed with simple treatment. And thus, the kingdom is ruled by the second heir. The young prince, desperate to find salvation in healing his brother, travels in search of a wizard who might help him. Though, he stumbles upon more than he anticipated. ~~~~~~~~~~~~ Published: 2nd of June 2022 Ended: ?

Curiosity Killed the ErROr by ShandyCandy278 (Teen And Up, Complete)

After realizing that he knows next to nothing about how Ink came to be and that the guardian knows nothing as well, Error decides to start looking into it. The Creators are egging him on, and shenanigans from the other outcodes are proving to be quite the distraction; Ink just wants to be his friend (not happening), Dream is acting weird, and Nightmare can't believe his eye. The chances of Error learning everything are slim-to-none, but since when did that stop him?

Tangled Memories by honey_bubbletea33 (Teen And Up, Incomplete)

Ink is forgetful, sure, but he remembers basic, necessary things, most of the time. So when Error finds him clueless, unable to remember how he got there or any of the people he interacted with, it's nothing short of a good opportunity. Ink knows where the Omega Timeline is, so Error can just go there and destroy it, right...? Turns out, Ink's memory is still limited at best, which leads him and Error on a hunt for more clues about Ink's previous life in the Omega Timeline, revealing a side of Ink Error never knew about. ...All he needs is for Ink to never remember who they were to each other.

[martyryo]

marlo singer

[dazais-guardian-angel]

Okay, a good amount of time has passed, and after having seen this post by @weretiger-be-my-horse , I've been turning it over and over in my brain going absolutely feral over this concept. I need to expand upon my thoughts on this idea and all the evidence there is pointing towards it, whether that be actual tangible things, or purely strong vibes I have.

First of all, full disclaimer: I did not like the season 5 finale, and how it wrapped up the DoA arc. To say that I "disliked" it is putting it extremely lightly, in fact -- I absolutely hated it, and I am still, to a degree, in disbelief that I actually even watched those 24 minutes with my own two eyes, and that it somehow wasn't a complete fever dream. While I'm not going to go in long-winded detail into all the ways that I feel like the finale almost completely bastardized all of its featured characters and destroyed any and all buildup we've had going on in this arc for 50 some chapters now, because that's not the main point of this post, I will not make any attempt to hide the fact that the theory-crafting I'm about to pose here is partly influenced and prompted by how much I hated the finale, and how much I desperately hope that it will not end up being manga canon. Therefore, if you enjoyed the finale — and that's fine! — and don't want to read any negativity about it, then I would not recommend reading any further (I mean, you've probably already left by this point, which is fair lol), While obviously it's important that I be as objective and unbiased as possible when explaining my thoughts, some of my negative feelings about the writing will be a part of this analysis, even if this isn't going to be a full-blown rant. Just know that if you proceed.

With that out of the way, let me continue.

So. In the aforementioned post, the theory presented is that the anime may be operating on an alternate timeline, and that this will become evident once we read the upcoming October chapter, wherein things will go completely differently post-chapter 110 than they do in the final episode — probably for the worse, with the s5 finale intending to lull us into a false sense of security and make us assume that everything in the manga arc finale will wrap up as smoothly and consequence-freely(? lol) as it did in the anime one. It also suggests that the Fukuchi we see at the very end that sskk are fighting came from the manga timeline, where he won, and that he used the Book to jump to a timeline where he lost, the anime one, proven by the fact that this Fukuchi is wearing a mask with the same design on it as the mask Fukuchi is wearing on the chapter 110 DoA color spread/title page.

First of all, I want to note the fact that it's not just the mask design that's the same: the entire outfit is roughly more or less the same as well. It's not completely 1-to-1, because the anime can never fully match the intricacies of Harukawa's beautiful outfit designs, and the Fukuchi in this scene has the kimono half-off because of the... super saiyan mode he's in, but most all of the main pieces of clothing are there. Any small inaccuracies could also be attributed to the fact that Harukawa probably didn't have this finalized art ready back when this episode was being made, so the animators wouldn't have had the complete design to work off of. But in general, because it's all so similar, I think we can quite confidently say that the ending episode Fukuchi is meant to be the one from this manga art.

Also, people have pointed this out, but it's worth mentioning that the mask Asagiri wore at Anime Expo in July was referencing this Fukuchi. It's not a crucial detail, but it just proves more that Asagiri is a gigantic fucking troll, and that he clearly wanted to draw attention to this Fukuchi design. It's important. He describes the mask here as made in the motif of an ellipses inside a speech bubble... could that perhaps be referencing meta aspects, like the Book?

Next, I want to talk about the even bigger elephant in the room, which to me is the most damning and undeniable piece of evidence there is of the anime operating on a completely separate timeline from the manga:

This Fucking Hand™️

As we all know, in the anime, Fyodor injures his hand when the password input device blows up, and as we all know, this does not happen in the manga. In the last episode, Dazai claims that the final nail in the coffin of his impromptu plan to kill Fyodor relied on this hand injury: because Fyodor couldn't pilot his escape helicopter himself, he would ask one of his Meursault vampires to do it for him, unaware that Bram and thus this vampire was now on the ADA's side, and said vampire could kill him while his guard was down.

Ignoring how utterly stupid and contrived this plan is when you stop and think about it for more than two seconds, the fact of the matter is that something that initially seemed like nothing more than an odd but inconsequential anime original addition ended up snowballing into being the entire reason one of the big bads was brought down. If Fyodor hadn't hurt his hand, he wouldn't have needed another pilot, and so the traitor vampire wouldn't have had an opportunity to get near him and kill him without him expecting it even though said vampire was presumably with him as they were leaving Meursault, and was probably already a traitor by then, so there was plenty opportunity for him to still die. not to mention by Chuuya's hands at literally any time he wanted to, because Chuuya was coherent the whole time. Also there's absolutely no way Dazai could have known exactly what Ranpo would do, no matter how smart he is and how much he trusts him. idk it's fucking dumb, just roll with it. Therefore, putting aside all other variables for now, we can conclude that, on the most basic level, this signifies that no hand wound = no death.

And let me tell you, this hand wound bothers me. It really, really does. Because they focus on it a LOT — they go out of their way to draw attention to it MULTIPLE TIMES, from the moment it first happens to the end of the season. Fyodor even talks about it to himself, about Dazai being able to cause him tangible, visible, bodily harm, (something that, again, as far as we've seen, has never happened in the manga). Hell, even after Fyodor's death, they're still drawing attention to it, because his right arm is all of him that survives, and Dazai picks it up and gives it to Nikolai to do his hilarious sad little gay fondling of it played completely straight even though there's nothing straight going on here at all! It's like it's a big red flashing sign at all times going "you see this injured hand? This is important. Are you picking up that it's important? Are you taking note of it?" Why is that? Obviously, it serves to give us the lore crumbs about Fyodor and "that man", but that's hardly the main, much more glaring reason, as I've already mentioned.

Fyodor doesn't hurt his hand in the manga. Fyodor won't die here in the manga. I am so dead serious by this point about this, and it's not just simply the fact that this was absolutely not at all the time for him to die, or the fact that his hand is the reason for his death in the anime in and of itself, but how much EMPHASIS they place on this, and on the hand in general. What would be the point of adding something like this, if it's not meant to alert us to the fact that it has a major impact on how the story plays out? We all know Bones: they struggle to get right and include everything that's already there in the source material; they would never go out of their way to add something this noteworthy if there wasn't a very good reason for it, if it wasn't absolutely necessary. I've seen a few people bring up the fact that Fyodor gets shot in the shoulder by Sigma and that that could lead to the same outcome in the manga, but I disagree: although he has blood on his shoulder in the manga, it seems like the bullet just grazed the top of it, because his arm and hand appears completely functional afterwards (not hanging limp by his side or anything). But that doesn't even matter, because this isn't even about the semantics/logistics of how the hand wound caused Fyodor's death because again, it's a stupid outcome, or what could serve as a substitute in the manga — thematically, this is a textbook example of the butterfly effect. Countless parallel universes exist within this series, ones where even the most minute differences lead to a majorly different outcome: this just happens to be one of them. There's no reason to think it isn't, and there's no reason to not think that the anime wants us to clue into the fact that things only went as smoothly as they did on the Meursault side because of this wound; in other words, that things will go very differently in the manga thanks to the absence of said wound. They wouldn't have added it in the first place and put such clearly deliberate emphasis on it otherwise.

Things are going to happen very differently in the manga, at least when it comes to the Meursault crew (but then, if you assume that, you then naturally assume it all will be very different). This is the only conclusion one can come to with the presentation of this anime-only wound, combined with the fact that parallel universes are a very real thing in BSD.

I'm going to go on a bit of a tangent, so bear with me. I play a lot of visual novels, and although such concepts aren't really as original now as they were a while ago, some of my favorite and some of the very best VNs out there are the ones that break the fourth wall and make the visual novel branching route format directly intertwined with the story: you know, the ones where the characters go "if only I had done things differently, maybe everything would have turned out better...!" in a wink wink nudge nudge moment, and the ones where the characters are aware of the different timelines, even, or even have the ability to gain information from their selves in said alternate timelines to influence events in their current one (I'm intentionally not naming the games I'm thinking of for the sake of spoilers, but if you know, you know lmao). It gets very meta in this regard, and this is how I started viewing BSD through the lens of ever since I first learned about Beast: like a visual novel with many branching routes, and only a few routes that feel entirely "right".

When I first read Dazai's Entrance Exam, I was struck by how unnerving the ending sequence in the abandoned hospital felt. Obviously, Kunikida's internal struggle over Sasaki's actions and motives is him still desperately clinging to his ideal world that does not exist, but the specific type of phrases he uses — "who is wrong?" "[who is] the cause of all this?" "there has to be an ideal world" "there has to be something, I'm sure of it" "There must have been something we could have done!" — and the framing of the scene in general, is eerily reminiscent of a bad ending in a visual novel, to me. There's a haunting, looming, bleak sense that a different outcome could have been achieved, if different decisions had been made, or if things outside of anyone's control had been different... and we know that this is true, because in Beast alone, Kunikida never goes through the Azure Messenger incident, because Dazai doesn't have his entrance exam. Hell, you could even consider the anime's version of the Azure Messenger arc an alternate timeline in of itself, if you really wanted to, long before we even arrive at season 5.

When it comes to Beast, this timeline has almost the opposite feeling of what I described above, that I've also encountered in visual novels: the idea of a "good route" or "good ending" that still doesn't feel quite earned, or as perfect as one would expect. Beast is presented as the "ideal" timeline purely for one sole reason: Oda is alive. It is the only timeline where he's alive, and keeping Oda alive is the ultimate goal Dazai wants to achieve, the only reason this timeline exists; therefore, disregarding all else, Beast should be the best timeline, because Oda's death is the greatest devastation in the series to date. We all want him to live, so why wouldn't the timeline where he does be the best one? And yet... of course, it isn't. Dazai is alone, and steeped in darkness and loneliness without Oda, and dies by the end of the story for Oda's continued living. Atsushi has Kyouka still, but he's suffering and more traumatized, and unable to heal while stuck in the mafia, and neither can Kyouka. Akutagawa is living a much better life in the ADA... but without his sister, and without what he has from his bond with Atsushi in canon, that isn't replicated in Beast. And Oda... Oda is alive, and he has his children and his novel, but there is a feeling that he is aimless, that something in his life is missing. He has everything he ever wanted, but all that means nothing without what he truly needs: Dazai, and his time with Dazai and Ango at the bar. In this way, things going well and us getting what we want — in this case, Oda living — goes against how it's supposed to be, the natural order, which is why it feels so hollow. In the specific visual novel I'm thinking of here as a comparison (again, shoutout if you know), there's an alternate ending that involves you inputting information you gain at the end of the game very early on in the game, wherein the protagonist now has memories of the future and is able to bypass and prevent all of the events that take place normally. This means that people who die or are hurt somehow in general are saved from that fate, and nothing bad ever occurs; everything wraps up neatly and nicely... but again, there's an undeniable, unsettling feeling of emptiness, of a victory that rings hollow, because what's the point if everything is simply handed to you easily, where's the sense of accomplishment, without any struggles to achieve said victories, or any growth along the way? How can it feel earned if one doesn't have to, in Dazai's words, "scream within the storm of uncertainty, and run with flowing blood"?

You can probably already see where I'm going with this.

This finale feels weird. Really, really weird. It feels too cheap, too simple, too unsatisfying. So much so, in fact, that for almost the entire runtime, as I was bombarded with resolution upon resolution one after another, I kept thinking "There's no way this can be real. Where's the catch? When is the "gotcha!" moment gonna happen? The "it was all a dream" reveal?". And this isn't just because I hated the writing, and that it really did feel like a fever dream watching fanfic levels of bad (actually, that's an insult to fanfic writers, tbh; they could do better) — no, it genuinely feels so incredibly fake. Even upon rewatching it and already knowing what happens, my brain still naturally keeps expecting some kinda of "sike, you THOUGHT!" moment to suddenly appear. It just.... feels "too good to be true". Dazai and Chuuya come out unscathed, and it's revealed that they were never in any real danger to begin with. Fyodor, one of our biggest threats, is dealt with supposedly for good (I say "supposedly" only because of the Jesus line, but if anything imo, I think that's just a hint that this won't be the canon ending in the manga, so in a sense he's going to "come back to life"), and Nikolai seems somewhat at peace with his death. The other biggest threat, Fukuchi, is also dealt with, and he and Fukuzawa get their final moment together of closure. Yes, Sigma is left in Meursault don't even get me started on how angry this alone makes me, and Fukuzawa loses Fukuchi, but overall, everything is portrayed in a positive light, and any negatives or losses are quickly glossed over. Everything is tied up nicely, neatly, and smoothly. ...And that is exactly what makes it feel so wrong, and hard to trust in.

I'm not sure if this will make sense, but to me, the finale is so incredibly poorly written that it almost feels.... intentional. It's so bad to the point of feeling self-aware in how bad it is, how unrealistically happy and convenient an ending it is. It had to end this neatly in order to rush to wrap up this arc for the season finale and not leave the last episode on a cliffhanger — which imo is chiefly the main reason it turned out this way, and, if this whole theory is true, Asagiri just used it to his advantage — and I'm not saying this was probably an effect Bones had in mind intentionally, I'm sure they just threw shit at the wall and went with whatever stuck, maaaaybe with some suggestions/approval from Asagiri, but the result is that you have a conclusion that contradicts so much of what was set up before and goes against so many character arcs, making some characters so out of character and even regressing in their development Dazai. I'm talking about Dazai abandoning Sigma, because he would never; hashtag #NOTMYDAZAI. Also Nikolai, Nikolai for most of that is so ooc I can't even begin to describe it oh my god. Everyone is OOC to a degree though lmao, and opens so many plot holes, to the point that it's impossible not to watch all that and get the feeling that it is subtly saying to you "did you really think it could be this easy? It feels wrong, doesn't it? It doesn't feel satisfying. It feels unearned." I find it incredibly interesting and suspicious in particular that they confirmed multiple theories people had about soukoku in Meursault: that Chuuya slowed the elevator's fall so that Dazai wouldn't die from it, that Chuuya slowed down the bullet so that it only penetrated Dazai's skin and not his skull, and that the both of them used Fyodor's camera angle to their advantage because they knew he wouldn't be able to see certain things from his view. I'm not saying that Asagiri trawled BSD twitter and tumblr after those chapters dropped for the most popular theories before the final episode was made lmao, there was no time for that (imagine though lol—), but I do think it's highly likely that he already had in mind exactly what theories would be made about these parts (I mean, the evidence for the gun scene was all there), and that Dazai rattling them off in his long monologue to Fyodor at the end is essentially him speaking to the audience and going "yeah, that's what you would predict, right? Those are the clichés, after all", much like him suggesting earlier that he can maybe bring Chuuya back to himself with a few moving words and the power of friendship, and Fyodor using the split personalities trope to fool Sigma. We expect these tropes to be true. Of course we'd fall for them, as Fyodor tells Sigma, especially if the evidence is right there. But Asagiri himself has explicitly said that he likes doing the opposite of what people expect. And so just because people predicted correctly with the three things I mentioned in this timeline... doesn't mean they'll be true in the manga's. Things happened how we wanted and expected it to, and everything turned out happily. So we can relax now, right? Everything will work out just as easily in the manga, right? Or... is the reason most of this finale feels so fake and unsettling and unsatisfying because it's meant to lull us into a false sense of security before all our heroes lose in the manga? Because deep down, we don't want an ending that's this simple, because we'd rather have a conclusion where our characters have struggled more and grown more and come out the better for it, and we know it?

After rewatching the episode a lot, and watching some other videos, and doing a lot of thinking, I am pretty confident in suspecting that the only part of this finale that is actually from manga canon, aside from Aya jumping off the building of course, is Fyodor and Nikolai's exchange after Fyodor leaves Meursault — specifically, them talking about Fyodor leaving Sigma behind, and their "new game" and Nikolai being excited at the prospect of it. This little conversation actually feels in character for them, and it's easy to tell this when contrasting it with everything that happens immediately after, wherein Fyodor is fatally stabbed, and Nikolai, completely at odds with what he was just talking about, just... stands there and watches Fyodor die while Dazai monologues lmao. I'm not sure if the helicopter is still a factor, but I would bet good money on Fyolai getting out of Meursault being manga canon, and that Dazai and Chuuya getting out as well and killing Fyodor + everything with FukuFuku, is part of the anime original ending, in order to wrap up everything positively. It makes much more sense if you think about, in reality (aka in the manga), Dazai and Chuuya still being left behind in Meursault (where they can eventually try to get Sigma), because none of it was an act and things did not go according to plan, and Fukuchi having an entirely different goal that doesn't feel so stupid and contradictory to his character, and Fukuzawa possibly dying — everyone seemingly loses, with Aya still being the last hope, perhaps by awakening her ability like we all speculated.

There's a youtuber I watch who covers BSD in-depth, despite being an anime-only (she reads the respective manga content after each season, though). Going into this finale, she knew about the fact that the anime had overtaken the manga, though she didn't know where the cutoff point was; despite that, however, she made predictions about what was from the manga so far and what was anime original, and it was almost entirely spot-on, based mostly on what she basically described as "anime original dialogue." She talked about how you can always tell when dialogue is veering into the realm of anime-original, because the sentences are very short, choppy, and slightly out of character, but generic enough to not be TOO out of character, and so that anyone can easily write said lines, even if they're not extremely familiar with the character like the original author would be. And when I heard this explanation, everything clicked — because so much of this finale has dialogue like that. The Fyolai scenes just feel peppered with it, around the lines I mentioned earlier, the Dazai dialogue does too, and ESPECIALLY shit at the end like Fukuchi and Fukuzawa exchanging the cliche death lines to end all death lines: "Are you there? I'm a little tired." "Rest up." That just isn't Bungou Stray Dogs. That isn't Asagiri. BSD is cheesy at times, yes, but it isn't like this; it's smarter. The dialogue is smarter, the explanations/plot twists are smarter, Asagiri is smarter, and the aforementioned youtuber I watched agreed. She's a pretty casual fan of the series, so if even she could pick up on these things, I think it speaks volumes.

I mentioned this briefly earlier, but this theory makes sense if you consider that this situation probably came about because of Bones wanting two seasons back-to-back when they did, and this arc being as long as it is. Season 3 aired in 2019, and I imagine Bones would have wanted season 4 in 2020, and might have then been willing to wait a bit longer for season 5 in order for more of this arc's manga chapters to come out — but then covid happened. Because of that, season 4 was delayed to 2023, creating the longest gap we've had between seasons, and I wouldn't at all be surprised if the delay made them want season 5 right together with it, after getting so far "behind", so to speak. S4 was announced in November of 2021, and roughly around that time, Asagiri was finishing up writing the plot of the DoA arc. If Bones came to him sometime in late 2021 and said they wanted two seasons now (so basically, one giant two cour season), Asagiri would know that not only of course would this arc not be finished publishing in the manga for a very long time yet, but that roughly 20ish episodes would not be enough to cover it all to the end, with this arc being longer than any arc the anime has adapted to date. Because of all this, and the arc manga chapters being nowhere near fully drawn to completion, he'd have to make a decision about what to do, and what to give Bones. Without ending season 5 on a massive cliffhanger that wouldn't be resolved for years until an eventual season 6, the only other option would be to rush towards an anime-original ending for the DoA arc.... and for Asagiri to take advantage of that, and integrate it into BSD's lore. Thereby creating a truly unique cross-media experience that utilizes the different mediums to create multiple timelines, that could make both the anime and manga interact with each other and become part of a bigger picture (not that you'd need to see both to get the full experience, mind you, just that it'd provide a little bonus if you did).... and would without a doubt be Asagiri's biggest surprise yet.

...I feel like at this point I'm starting to ramble, and my evidence become more and more incoherent and less substantial lmao, so I should probably end this post. 💀 Thank you if you've read this far, and hopefully it made some semblance of sense, despite not being structured very well; I know I promised at the start to try to be as objective as possible and curb my negative feelings, but I'm not sure how well I succeeded in that regard. If it weren't for the Fukuchi thing and the Fyodor hand thing, I probably wouldn't take how wrong and strange and bad the finale feels to me as serious evidence about it being an alternate timeline, especially since I seem to be one of the only people who actually hates all of it.... but combined with everything else, I am just so convinced of this theory being true. It started off as pure copium, but as more time has gone on, I fully, 100% believe in my bones (ha) that there is no way that finale is the same Bungou Stray Dogs I know and love, for so many reasons. It just isn't. It can't be. I know BSD better than this, I know Asagiri better than this, and I know that it's absolutely in the realm of possibility for him to cook up this whole scheme to completely blindside us with in the upcoming chapters, because that's exactly the kind of shit Mr. "Please Be Surprised!" himself would pull. If I end up being completely wrong, I guess I'm wrong, and you can laugh at me all you want then.... but I just know that ages ago people were teasing the idea of the anime operating on a different timeline from the manga, and I truly do think that only now are we finally seeing that idea come to fruition, as a setup for Asagiri going full-bore insanity with the Book in the upcoming arc(s). if I and the OP of that theory end up right, this will be the wildest time in the BSD fandom's history.

Like. I cannot even emphasize how hard they are trolling us at this point. Something is going on. Something is being cooked over there, the likes of which we've never seen before... and I don't think any of us are ready for it.

Oh yeah, and one last thing of note: both Fyodor and Nikolai here have their right arms hidden from view. Is that alluding to anything? I'm not sure. I also think that since chapter 110 was so short, next chapter will likely be 110.5 instead of 111, and if that's the case, this title spread could still technically be associated with the next chapter... wherein we might see this Fukuchi, who ends up wreaking havoc, right before he jumps to the timeline in the anime, as we see him at the end of the s5 finale.

I guess we'll find out on Tuesday.

[snipper-snap]

Get neon’d, fool

[marshmallowloves]

Had the idea for a series of comics that show different types of personal hells (like in canon) except the hells are just a bunch of awkward moments between these two dorks

AKA making my shameless infatuation with the Hell Man™ your guys' problem: part 1/???

(also I didn't draw those backgrounds, I didn't have the patience for that so I got them from the show 👀 well. except the stairs that they're sitting on in the first panel. I did draw that fkdhgkg)

[kashilascorner]

Oh ok. I get now why a lot of people didn't vibe with the ending.

All and all: excellent manga, overall very good final act, too rushed final 2-3 chapters but weak and honestly mediocre epilogue, which makes the high of the ending kind of leave a bitter taste. I think Noda had a good steed and suddenly he had to finish and had to rush all. So the ending in the sense of the final arc was good but the ending proper (final couple chapters) + epilogue......... Not so much

[delta-piscium]

part 2 | this is part two to this from Steve's perspective leading up to and including part one | cw unresolved angst [unfinished/for now not being worked on]

31 days until moving day.

Steve burst through the door to Family Video, swinging it open with way too much force. 

Robin jumps and opens her mouth, probably to tell him off for scaring her but he speaks before she gets the chance. 

“Eddie asked me to move to Chicago with him,” he blurts out, “Robin, he asked me to go with him.” 

Her eyes widen, “what did you say?” 

“That I’d go, of course,” he huffs. Like it’s even a question? like not going was ever an option?

Robin jumps over the counter squealing and hugs him so tight breathing becomes a little bit hard. 

“I’m moving away with Eddie,” he whispers into her hair, awed as he hugs her back. She somehow squeezes him even tighter and they stay like that for a minute until they have to actually do their jobs. 

An hour passes and Robin keeps shooting him contemplative looks.

“What?” He finally snaps after getting tired of waiting for her to say what she wants to say herself. 

She jumps again like she didn’t realize how obvious she was being, which honestly, she probably didn’t.

“Nothing, nothing.” 

“Robin,” he whines.

“Okay, just,” she scrunches her face up a bit and Steve knows that face, she’s trying to figure out how to say something to him she thinks he’ll react badly to. 

He narrows his eyes at her, bracing himself, “yes?” 

“I think you and Eddie are great together, and like I love you both and I am excited for you guys. You know that right?”

Steve nods, doesn’t say anything though, wants her to get to the point.

“I’m just also, maybe, a little bit worried.”

Steve’s eyebrows draw together, “what do you mean?” 

Robin is looking around nervously. Something heavy starts to form in Steve’s stomach. 

“You haven’t been together for very long and this is a big step. I just don’t wanna see either of you get hurt you know? I guess I’m just wondering if you’ve talked it all through? Because both of you have a tendency to jump into things without thought.”

They haven’t talked it through, not really. Eddie asked Steve to move, he said yes and that was pretty much it. It didn’t feel like they needed to talk it through though? Did they? Usually, they just dealt with things as they became relevant, that had worked for them so far. 

Robin must see something on his face because she quickly talks again, backtracking and interrupting his thoughts. 

“Not that I don’t think it will be great, you know I just worry about things a lot. This is my anxiety talking. You know what, ignore everything I just said. You two know what you’re doing.” 

He doesn’t want her to know she’s already put doubts in his head so even though he’s starting to freak out a little he smiles and shakes his head. 

“It’s fine Rob, I’m sure we will talk more with time.” 

22 days until moving day.

Steve meant it when he said he and Eddie would talk. Meant to ask about the logistics, meant to make sure they were on the same page, he really did. But every time the move comes up Eddie just seems so sure about it already. Steve doesn’t want to make him think he’s having second thoughts. Thinks maybe it’s better to not say anything, to wait and let it come up naturally. 

He thinks maybe they’ll talk about it tonight. The kids had joked about them all evening, about how fast they were moving.

Mike had made some snarky comment about them moving to a city where they knew no one and how awkward it would be if they crashed and burned and they’d have to share a bedroom. 

Eddie had laughed, said it was good they weren’t gonna crash and burn then. But, he’d also added that his band was also going so actually he would know people. 

It was just jokes, Steve knew that. That didn’t make it any less true though. Steve wouldn’t have anyone except Eddie, sure he liked the guys in his band but they weren’t his friends. Steve would have Eddie and Eddie would have his band. It suddenly seemed like a big deal.

He expects Eddie to also feel it, to get worried and bring it up but he doesn’t. If he is worried he isn’t saying anything, just like Steve isn’t.

8 days until moving day.

There’s a knock on Steve's door and when he opens Gareth is standing there. Steve is a lot confused about it but lets him in. 

“Uh,” he starts a little unsure, “do you want anything to drink or?” He offers, mostly because he doesn’t know what else to say or do. 

Gareth shakes his head, looking about as uncomfortable as Steve feels. Shuffling around where he’s standing and fiddling with the sleeve of his shirt. “No, I’m gonna leave again soon. I just came here to say something.” 

Steve gestures for him to speak, “I’m listening.” 

Gareth doesn’t immediately say anything, he shuffles some more and looks around the room before his eyes land on Steve again, a determined look in them. 

“Look, I like you. I know Eddie loves you.”

Steve can’t help but smile a little at that, even though he’s starting to suspect he’s in for a shovel talk. 

“And like, I probably wouldn’t do this if it weren’t for the fact that you haven’t dated for very long at all and are about to move in together in a city four hours away.”Gareth pauses and waits to speak again until Steve nods, showing he’s listening. 

“Eddie does things without thinking. He doesn’t think about the consequences, not anything, just does. I love that about him, it’s the reason our band has gotten anywhere at all, but it also means that he gets hurt a lot, disappointed a lot. He can handle it with most things, he won’t be able to handle it with you.”

“What are you saying?” Steve asks even though he’s pretty sure he already knows. 

Gareth looks pained but continues, “I’m saying that if you aren’t one hundred percent sure about moving with him, if you have any doubts at all, you can’t go.”

Steve can’t suppress his flinch. He expected Gareth to say he needed to be sure, that if he wasn’t he needed to tell Eddie. He wasn’t expecting him to say he shouldn’t, no, couldn’t go. 

Gareth catches it and narrows his eyes, “I mean it Steve, it will break him more if you go, let him think it’s gonna work and then leave, then if you don’t go at all.” He steps closer to Steve, getting into his space. “So, if you’re not absolutely sure,” he pauses, steps even closer, “Do. Not. Go.” He punctuates every word and then he turns on his heel and leaves.

6 days until moving day.

Steve needs to talk with Eddie about it now, can’t ignore it anymore. He isn’t gonna just not go like Gareth told him to do. No, he’ll talk to Eddie and it will be fine. 

They’re in his bed together, laying next to each other. Skin touching skin and a comfortable silence between them. Now is as good a time as any. 

“Hey, Eddie?” 

“Mhh?” He hums, shifting slightly next to him. 

“What happens if something goes wrong when we move?” 

Eddie snorts, “what? Like if we get a flat wheel? I know how to change a wheel, sweetheart.” 

Steve smiles despite his nerves, tries to not imagine what Eddie would look like changing a wheel. 

“Good to know, but no, not quite what I meant.” 

Next to him, Eddie props himself up on his elbow so he can properly look at Steve. 

“What did you mean?” He reaches out and tucks a strand of hair behind Steve’s ear as he speaks. Steve has to focus harder than he’d like to admit to not get lost in it. Even the smallest touches have an effect on him when it’s Eddie. 

“What if something happens with us?” His voice is small and he can’t look at Eddie, afraid of what his reaction might be. “Remember that thing Mike said about us not really knowing anyone there? Just, what would happen?” 

“Baby,” Eddie gently grabs Steve’s chin with his thumb and forefinger, tilting his face towards him. Steve easily follows but closes his eyes. 

“Baby, please look at me,” Eddie’s voice is even softer than before, and Steve has always been weak when it comes to Eddie asking him to do things so he slowly blinks his eyes open.

“There you are,” he smiles, face open and tendrils of hair falling around it. He looks angelic and Steve almost forgets what they are talking about, too overwhelmed by the man next to him. 

Eddie keeps them on track though. 

“Like I told Mike, nothing will happen. We will be fine. But,” he continued before Steve can protest, “if something does, we both have jobs already, we’ve done this right. We will be able to save eventually. Quicker because we’re two people, paying rent and all that stuff on two salaries. If something happens we will have that security.” 

Steve relaxes then and Eddie must see it because he grins and continues, “now if you didn’t have a job then I’d be worried. I’m not cut out for all the responsibility of being the breadwinner, princess.”

Steve groans and shoves Eddie away. Mostly to hide the blush he can feel creeping up his face just from Eddie calling him princess. Judging by the way Eddie cackles he doesn’t have to see Steve blush to know the effect it has on him. 

He reaches out and pulls Steve in against his chest. “Worst case scenario we have to move back. Wayne will probably pretend to be unhappy about it but he’ll let me take over his trailer again. And, I know you have complicated feelings about this house, that your parents are the worst, but you’ll be able to come back if you need to.” 

“Okay,” Steve says, his worries mostly calmed. 

1 day until moving day. 

Steve and Eddie are spending the night apart. Eddie wanting to spend his last night with Wayne and both of them needing to do some last minute packing. 

Just as he finishes closing one of the last boxes the phone rings, he’s a bit confused about who would call him right now. His friends all having seen him earlier in the day to say goodbye. Maybe Eddie needs to double-check what time they decided to leave. 

He picks up but it’s not Eddie, or even one of the kids, who speaks.

“Steven,” his mother's shrill voice crackles on the other end of the line. 

“Hi mom,” he tries to hide his sigh as he speaks, doesn’t have the energy to get into anything with her right now, doesn’t want her to ruin his excitement. 

“I thought you were moving to Chicago alone?” 

His freezes, when he told his parents he was gonna move he didn’t say he was going alone but he also didn’t mention Eddie. He knew they wouldn’t like it, knew it would be easier to let them assume he was going by himself. 

“But I just got off a call with Mrs. Hagan and she told me that Tommy had said you were moving there with- with that cult boy? The one who’s wanted for murder?” 

Steve closes his eyes and this time he doesn’t bother hiding his sigh. Fucking Tommy, he’s always had a big mouth but Steve suspects that this hadn’t been him blabbering without thinking. No, Steve thinks Tommy knew exactly what he was doing telling his mom this piece of information. 

“His name is Eddie, and he was cleared of all charges. The ‘cult’ was literally just a school club.”

“So it’s true? You’re moving with him?” Her voice is sharp and even just hearing it over the phone makes him flinch.

“Yeah, we’re friends and it’s cheaper that way. We got a better apartment because we’re two people with a job each.” It’s such a simplification of the truth it’s almost a lie but Steve doesn’t think this is the time to come out to her. He hopes the ‘better apartment’ comment will calm her, it’s the sort of thing she cares about after all. Not for his safety and comfort though but for how it will reflect on her.

He’s not sure she actually hears him though because she hisses a vicious, “If you move with him you will not be welcome back Steven, this will be the last time we speak.” Before she hangs up on him. 

Steve carefully places the phone back in its cradle, then he’s left standing alone in the living room, both too shocked to move and not really shocked at all. 

He’s not close to his parents. Has slowly been understanding just how much they’ve neglected him. He’s been relieved about moving away, about being in another city where he won’t have to see them when they waltz back into town. But to never speak to them again? That’s a whole different thing. He still hoped that they’d be able to fix their relationship. That him not being dependent on them anymore would allow him to stand up for himself. That everything would get better. Now instead, the thing he thought would allow their relationship to get better is gonna destroy it forever. 

He debates calling Eddie, wants to tell him what his mom just said, wants to hear his voice, wants to let him make it better. He decides against it, he doesn’t wanna ruin Eddie’s last night with Wayne and he’ll see him tomorrow anyway. He can tell him in the car. 

He doesn’t call Robin either, she’ll insist on coming over and he knows she’s on a date with Nancy right now. He doesn’t wanna ruin that either, even though both of them will tell him he’s not, he knows he will be. He goes to bed instead, sleep seems like the best option right now, at least he won’t have to think if he’s asleep.

Moving day.

He ended up not really sleeping at all. Tossing and turning for hours and after finally falling asleep sometime in the early morning he wakes up just hours later from a nightmare. He doesn’t remember what it was about but can feel the lingering panic. He gives up on getting any more sleep, doesn’t wanna risk more nightmares when he’s alone.

He picks at his breakfast, still thrown off from the conversation with his mom the night before and not feeling like eating, so he gives up on that too. He spends the rest of the morning wandering around, touching the walls and the furniture in the house he grew up in. The house he’s been left alone in since he was nine. The house he both hates and loves. The house he will never be allowed to return to after today. 

Then the phone rings again, it’s probably his mom calling to ask if he’s decided to stay he thinks. It’s not, it turns out.

“Hi I’m Patricia, I’m looking for Steve Harrington?” A chipper voice says.

“This is him.”

“Okay well, good. I’m calling about a barista job you’re supposed to start with us next week.” 

“Yeah?” Steve chews on his cheek. 

“I’m so sorry but due to our rent being raised we’re having to do cutbacks. Since you haven’t signed your contract with us yet, it’s the first one to go.” 

“You’re firing me?” Steve asks, it’s not entirely right since he hasn’t started yet but it’s all he can think to say. 

“Essentially,” Patricia responds, “I’m sorry for the short notice.” 

“Okay,” he says, his voice void of emotion, “thank you for calling.” 

He hangs up without waiting for a response, he doesn’t have the energy to be polite. 

He barely has time to let the information sink in before his doorbell rings. Eddie on the other side of the door with a wide grin on his face. 

“Did you oversleep?” He jokes. 

Steve’s confused for a second but then he realizes he’s still in his pajamas, that he’s spent the whole morning wandering around like a ghost in his house not getting any of the things he needed to do done. 

He hasn’t packed the bag of all his essentials. He hasn’t gotten dressed. He hasn’t even brushed his teeth. What he has done is get fired from a job he never even started.

He sees Eddie’s teasing smile, the combination of it and his sudden joblessness tugs at something in his brain, brings back the conversation they had last week.

“Now, if you didn’t have a job then I’d be worried. I’m not cut out for all the responsibility of being the breadwinner princess.”

He doesn’t have a job. He’ll have to live off Eddie and what little savings he has left. Become a responsibility Eddie doesn’t want, a burden probably.

“Worst case scenario we move back”, “you’ll be able to come back if you need to.”

If he leaves now he won’t be able to come back. 

Gareths words play back in his mind too.

“if you have any doubts at all, you can’t go.”, “it will break him more if you go, let him think it’s gonna work and then leave, then if you don’t go at all.”

“I’m not going,” Steve hears himself say as he steps back from the hand Eddie reaches out to him. 

“You’re not-“ Eddie looks so confused. “Like today? Do you need extra time? We can postpone by a couple of days but-“

He’s not getting it. Steve interrupts him, needs to make him understand because he can’t listen to him try to come up with solutions. 

“No, Eddie. I’m not going it all.” 

The words feel wrong in his mouth but he forces them out anyways. 

“What do you mean?” Eddie asks and it fucking ruins him. He feels his carefully blank expression break, despair showing through. 

“I can’t leave Hawkins, the kids,” he has to look away from Eddie as he says this. Knows it’s the only thing Eddie won’t question, knows Eddie thinks he doesn’t mean as much to Steve as the kids do. “They need me.”

“When did you decide you weren’t going?” Eddie asks and Steve didn’t know it was possible but he breaks even more from that, from Eddie not fighting him. 

I didn’t, he thinks, I don’t know why I’m saying this now. If you ask me to stop and just go with you I will. 

“A couple of days ago,” he lies. 

It’s silent then, just their breathing and the distant sound of cars down the street being heard. Eventually, Eddie breaks it.

“Steve?”

His voice cracks in the middle. Steve can hear the plea for him to take it all back and he nearly does, has to swallow the words creeping up his throat before they get out. 

“I’m sorry,” he says instead. He turns around, closing the door behind him. Destroying their future and breaking the last bit of his heart in the process.

He doesn’t get more than two steps into the house before his legs give out beneath him. He stays there, sitting on the floor for what feels like forever. 

After some time he hears a car drive away and he knows Eddie has left. He feels silent tears start streaming down his face that soon turns into sobs. Making him curl in on himself and gasp for air. 

He doesn’t know how long he stays there, crying until he can’t anymore and then just sitting there. But after a while, he’s interrupted by a loud ringing. For the third time in less than twenty-four hours he picks up the god-forsaken phone. 

“Hello?” He rasps, his voice dull and raw from crying.

“Steven. You made the right decision and stayed I take it?” His mother asks.

“Yes.” He says and hangs up on her. 

[ruvviks]

quick sketch but this is ulysses' mom btw :] she doesn't have a name yet but i'll give her one soon i promise