#this was a lot more relevant when i made it years ago

[alex51324]

You're right; this was meant to be contexualized by another post I made, about how Chaos Is the Point, and attention and outrage are finite resources. But this post ended up having a much bigger reach, so a lot of people are seeing it who didn't see the other one.

To summarize:

Because no one can live at DefCon 5 all the time, we need to be thoughtful about distinguishing between "Trump's back on his bullshit," "This is a real actual thing that could happen if they get their shit together," and "holy shit, grab the kids and run." AKA, threat levels Piss Yellow, Spray-Tan Orange, and Blood Red.

A lot of Trump's EOs are simply publicity stunts. For instance, a few days ago there was a flurry of panic because he'd rescinded a Johnson-era Civil Rights EO, which had a similar name to the Act which codified it into law a few years later. With this EO, Trump was showing us (once again) who he is and what he values, but in terms of actual legal effect, it was nothing. Within hours of the headlines announcing this EO, there were clarifications about it all over the place.

Another batch are so blatantly illegal that, again within hours, there are well-grounded legal challenges in process, and often judicial stays on the order. The "funding pause" is one of these, as was Trump's attempt to limit birthright citizenship.

The first group are pure yellow, and the second are sort of orange-tinged, like the urine of a man who drinks only diet coke (and not enough of it). It's important for state governments, the ACLU, and other relevant stakeholders to respond quickly with those legal challenges, but as an ordinary person, you can kind of figure it's being handled, and just keep an eye out in case it explodes somehow, or the groups doing the legal challenges are asking for a show of support from the public.

The next concern level, solid orange, is a mix of orders where it isn't really clear what Trump was trying to do or if it means anything, or where the legality of the order is more open to interpretation, meaning that if it ends up in front of a Trump-friendly judge, it could make it through.

These are the ones where you want to pay attention as the situation develops, especially if the order would affect you personally. With this category, there maybe things for you to do, like writing/calling your congresspeople, attending protests, etc., or ways you can prepare for impact if you're in the affected group (or help others in the affected group prepare). As you follow the story, make sure you're using trusted sources of information, and share information when you're reasonably confident that it is accurate and useful.

And then red, of course, is where the effect could be immediate and drastic, and affected groups should prepare to take quick action. For instance, for federal employees, the "fork in the road" emails are dark orange bordering on red. It's pretty clear that Trump is attempting a purge of the civil service; it's not clear whether he's actually going to succeed, or what comes next if making ominous noises and trying to bribe people to quit doesn't work. If you are in the affected group on this one--that is, a federal employee--you should be actively planning & working with your union, others in your department, and/or legal representation to understand what's happening & what is best for you to do.

As the threat level tends toward Red, it remains important to seek accurate and useful information sources, but at the same time, events may be evolving quickly. Be conscious of how you use and pass along information in the "important if true" category: of course you don't want to be so cautious you miss the window to respond before the situation turns critical, but you also don't want to waste your and others' time with actions that are unnecessary or counterproductive.

It's a very normal and natural impulse, when things are scary, to want to sound the alarm and share the scary information as widely as possible, but overreacting can make it harder for people to pay attention to the most scary things.

Food for thought

[tanicus-caesareth]

guarana drama, damage control

[knifearo]

I've been enjoying all your posts lately, especially all the community engagement. It makes me think about posting more personal aroace content instead of just reblogging.

I'm full of feelings but not sure what I really have to contribute to the conversation. Aro-identified people skew young and I feel like nobody's going to care what a middle aged aroace has to say but now I'm like hang on, maybe all aro content is good content, I don't know, I'm thinking about it.

i am absolutely of the opinion that all aro content is good content! especially because a lot of us skew young, i think it's so important to have (first of all just aro content in General. there's always a lack of that. but especially) aro content from people who don't usually have their perspectives talked about. if you've got nothing to contribute to the conversation that's fine :) more than half the time i do not either, i just make a silly happy little lah di dah i love aromanticism post and chit chat with all the little aromantic people who live on my laptop. if you're aromantic and you're engaging with the community then everybody should be more than happy to have you there :) just like you said. all aro content is good content. your opinion is valuable and your presence is treasured <2

[esote-rika]

More of you to worship | Spencer Reid

Pairing: Spencer Reid x gn!reader

Category: fluff, mild angst

Summary: Spencer Reid has insecurities about his changing body, and you assure him you love him regardless.

Content: body insecurity, established relationship, one mention of New Year

Word count: 1.5k

A/N: Quick little oneshot to end the year! You can thank @reidgif for this one because this gif rekindled my hyperfixation on his tummy. And then I saw a clip of Aisha (Tara’s actress) saying MGG weighs 11 pounds and has the metabolism of a rabbit on speed (lmfao) anyway, I took that and ran with it and now here we are. As someone who struggles with dysmorphia, I did my very best to be as sensitive with this as possible. Last fix of the year, I hope you enjoy it!

Spencer had begun to notice it a few weeks ago. At first, he had foolishly thought that there was simply something wrong with the shirt he had worn. Tactile sensitivity had always been something he dealt with, and this was no different. There had been a certain peculiarity in the fit of his shirt that he couldn’t quite pinpoint. Days continued, and it became a persistent bother, impeding his movement when he aimed, and inhibiting his general comfort.

It wasn’t until today, sitting in the bed—one he shared with you—that he finally had the time to inspect what was going on. The two of you had just gotten home from Rossi, who had graciously hosted a New Year’s dinner at his mansion. Spencer had admittedly eaten more than his fill, and that’s when he realized—it showed.

At once, the problem appeared. He was gaining weight. His shirts were bothering him because they were growing too tight, digging into places where they had previously been loose. The realization made him pause, as he stared down at himself.

Sitting on the bed, his stomach had gathered into a bulge, straining against the cloth. It was a new sight, not necessarily unwelcomed, but it seemed to send his mind reeling (to be fair, a lot sent his mind reeling nowadays, he was running on fumes, his only reprieve being you.)

He had never been muscular, had never found the need to be muscular. The team was nearly faultless because everyone filled a role, and they executed that well. He was, has always been, the genius, the expert on everything, as Hotch had called him once. Being the genius of the BAU meant that he had value. Relevance. It brought him great deal of pride, being able to contribute and pick up on patterns and little details that the majority of the team might miss.

It made him feel like he mattered. Needed.

So what if he couldn’t tackle a man down? They used to have Derek and Hotch for that, and now that role was being fulfilled by Luke and Matt, both of whom were utter specimens of the male physique.

But his time in prison had proven to him that he couldn’t rely on just his brains. Not when he had three burly inmates looking for trouble, looking for someone easy. It pained him that someone easy meant someone that looked like him. Tall, gangly, defenseless.

He took another breath and frowned as the fabric around his stomach grew tighter, taut at having to contain this belly that had formed over the course of the evening. A food baby, you liked to call it, because your own tummy was bonded to several factors as well—hormones, food, water intake—that made it fluctuate frequently, normally.

Normal. He tried to remind himself that this was normal, gaining weight was normal, but then again, how could someone tell what was normal when their—his—whole life, he had little experience with the word? Growing up a genius and taking care of an ailing mother skewed whatever sense of normalcy he could have developed.

Besides, his normal meant lanky, thin. His body, the way it was framed and built, had always been long and erring on the side of delicate. It wasn’t that he hadn’t tried to bulk up, it was that his muscles were lean; that was simply how his anatomy worked. It would take a lot more effort to gain more muscle, effort that he, admittedly, didn’t want to exert. It wasn’t his role.

And now, he looked down at his stomach with a crease on his brow, mind whirring with explanations. Weight fluctuations are normal, and they were okay, and he was nearing forty, anyway, of course his metabolism was beginning to slow down, human adults’ bodily functions tend to do that, it was scientific and —

“Honey?”

He looked up, and there you were, your loveliness framed by the plain doorway. Somehow, you made it seem more magical, less boring, as though your very presence just made everything better. He smiled, holding out a hand for you, forcing the wave of insecurity down his throat, down his chest, trying to bury it deep in the recesses of his body.

You walked closer, and the thoughts punched through his attempts to silence them—you wouldn’t find him attractive anymore.

Something must have shifted on his face, a sliver of that anxiety creating fresh lines between his brows, because you paused. A hand ran across your cheek, and he felt the weight of your concern in the action.

“What’s wrong, Spence?”

He drew you closer, pulled you onto his lap. He couldn’t lie to you, not out of his lack of skill, but due to your incessant ability to somehow sniff out the truth from him, one way or another.

“I think I’m outgrowing my shirts.” he said, softening the words with a chuckle. He was ashamed to admit that it was affecting him more than he anticipated; maybe humor would lessen its significance.

“Aren’t you a little too old to be going through puberty?” you asked, matching the teasing tone of his voice. The difference was glaring though; his voice was awfully strained, and yours was lighter, more at ease.

Still, he laughed, buried his face at the nape of your neck. “They’re getting tight around my stomach.”

At that, you pulled back. He swallowed the whine that threatened to leave his lips; he was already being so pathetic over a little pudge, he was reaching max capacity. With bated breath, he watched as your gaze ran over him, eyes flickering with recognition when they landed on his torso.

“Oh they are,” You replied, hands going up to his shoulders, tugging at the fabric there, “Here too. Huh, I guess we’ll have to go shopping then.”

He looked, patiently waited for more.

“What?” you asked, eyes crinkling oh so prettily at the corners that he couldn’t help but press a kiss over them.

“That’s it?” he murmured, disbelief coloring his voice. He had anticipated more of a reaction, maybe a suggestion of ‘oh maybe you should go to the gym’. But you took it with such stride that he was a little confused.

“Yeah, that’s it.” you laughed, brought a palm down to his stomach, that one place that’s causing him to basically break down, “Should there be more?”

He shrugged.

Perched on his lap, you frowned as you watched emotions flicker through his eyes. “Spence,” You murmured, kissing his temple, “Talk to me.”

“I just don't want you to think I'm unattractive anymore.” The words felt bitter in his tongue; it was a relief to release them, get them out of his system. “I was never - you know - sexy before, and now I'm gaining weight.”

“Spence,” You interrupted him gently. It wasn't something you did often; his rambles were one of the things you loved about him after all, but it pained you to hear him get so insecure about something so insignificant as his weight, especially since his body wasn't even the thing that made him attractive to you in the first place, “Belly pudge or scrawny, I think you're hot.”

His eyes softened, looking so impossibly hopeful that you couldn't stop the urge to lean in and kiss him. “Seriously,” You murmured, “It doesn't matter to me. You're handsome, but you're also so intelligent and passionate and sensitive, and those are so much more important than how you look.”

He sagged with relief, arms tightening around you. “Yeah?” He asked as he buried his face in your hair.

“Yeah, honey. I'm not with you because of your looks,” You replied, then with a little laugh, you added, “Although, they certainly are an added bonus.”

His shoulders shook as he chuckled, and you can feel his lips giving you tiny kisses at the crown of your head.

“Besides,” You continued, toying with the hair at the nape of his neck, “The way I see it, there's physically more of you now - more of you to hug, and to love, more of you to worship.”

He was silent, but his grip on you never faltered, breath fanning gently over your hair. “More of me to love.” He whispered, “You're right, that's - that's one way to look at it.”

“Mhmm,” You nodded, “But you really do need to go shopping, can't have you ripping your shirts while you're out on a case. You wouldn't want your team to think you're doing an impromptu strip tease.”

He bursted out laughing, and exhilaration filled your chest. You always took pride in making him laugh, and this was no exception.

“God, I love you.” He said, pulling back and resting his forehead against yours.

“I love you too.” You smiled, then added, “Besides, I think the pudge is cute. You're on your way to a dad bod.”

He laughed again, and if you could hear that sound on loop forever, then you would be in heaven

[anyroads]

How to actually support small businesses on Etsy

With Christmas approaching and people starting to look for gifts, I thought it might be useful to let people know how to best support Etsy sellers, since we get a lot of sales this time of year! Etsy has a lot of policies that affect sellers which they don't really disclose to customers, and often there's a communication gap that can be damaging to sellers without customers intending them to. Hopefully this post helps more people avoid this kind of thing.

A while ago Etsy implemented the Star Seller program. When you go to an Etsy store, you can see badges at the top of the page, denoting if the seller has done well in three main categories:

Speedy replies

On time dispatch with tracking

Good reviews

If you clear the bar for all three as a seller, you're a Star Seller. This is an important badge for sellers, which I'll get to in a bit. Etsy evaluates your stats monthly, and bases them on three months' worth of data:

Each has specific determining factors, which also advantage large operations like dropshippers over small businesses, but we'll get to that too:

As you can see, the criteria is really demanding. You have to respond to 95% of first messages (ie. the first time someone contacts you) within 24 hours or you lose your Star Seller status. This can be really damaging to a small store.

You also have to dispatch 95% of orders on time, ie. within the set timeline you've chosen for an item listed, and you have to give tracking info. This, by the way, is frustrating and disingenuous; I ship my product in envelopes because they're small and thin, but the mail service in my country doesn't offer tracking for envelopes. I'm not going to spend up to 3x as much on shipping just to have a tracking number (shipping would cost half the price of my product if I did), but if I don't include tracking info I don't get a Star Seller badge even if I ship all my orders on time. I get around this by writing "unavailable" in the field where tracking info goes, but this still poses a transparency issue to customers and rightly so. I end up compensating by issuing a lot of replacements for delayed orders, which I can recoup costs of through my mail service which is a lot of extra work and time.

You also must have an average of 4.8 star reviews or higher. There are no adjustments made for small stores, and this is a big one where dropshippers have an advantage.

As you can see in my stats here, I had 11 reviews in 3 months. That means if just one person gives me a 4 or 3 star review, I lose my Star Seller status for 3 months unless I get a ton more reviews quickly. A dropshipper who makes hundreds of sales a week won't be affected by one middling review. And you'd be surprised how often people who leave 3 or 4 star reviews actually meant to leave better ones but clicked the wrong button without noticing, or just don't understand how the system works.

Because Etsy doesn't explain this to customers. So people will leave a damaging review in perfectly good faith. The number of times I've gotten an "excellent product, would buy again!" review with 3 stars is astounding. I always message customers to ask what I could do better and explain the system, and the response is almost always that there was nothing wrong, they just usually don't give anything higher than 3 out of 5 stars unless the product radically improved their lives or was transformative (and to their credit, most customers change their reviews after this exchange but again, it takes time and effort).

3 stars is average, and what customers rate is their experience receiving and using a product. What Etsy uses these ratings to gauge, however, is whether a customer was satisfied dispatch timelines, craftsmanship, and if a product met the expectations set in the listing.

As an added bonus, Etsy hoses money off sellers by offering to advertise for them. The way this works is that if a seller opts in, Etsy will advertise their store in relevant searches on search engines like Google, and in exchange they take a percentage from any sales made from clicks on these links. And then some. Because if a customer clicked an advertising link once, then Etsy will keep taking that cut from any further purchases from that IP address. So if you click a Google link to an Etsy store and then purchase from that store, and then bookmark that store and go back six months later to get another item, Etsy will keep taking their advertising cut with each purchase you make.

Depending on whether or not you opt in to advertising, Etsy can take up to 30% of your earnings in fees alone. That means if I sell, say, bookmarks for $10, I only get to keep $7. Hopefully that covers my operating costs, but if I charge more for an item that takes me a lot of time and work to make, I have to factor in that Etsy offers free shipping on orders over $35 whether or not sellers agree to give it. So if I sell a product that costs $35, not only do I only get to keep $24.50 of what I was paid after Etsy takes fees, I also have to cover the cost of shipping. And if I'm selling a product for that much, it's likely shipping will cost $5-10, so now my profit is down to $15-20 for an item I sold for $35.

Why is the Star Seller status so important? Because it's the main way the average Etsy store gets onto the algorithm and has visibility, and without visibility you don't have sales. Drop shippers can afford to purchase advertising space, so they'll always show up in searches. They can also afford to have a variety of products, high-end professional photos of their products, and because they have a lot of sales, the occasional bad review or delayed shipment won't cause a blip on their rating system. In comparison, the average Etsy store who makes, let's say, 50 sales a month (and that's a small store that's doing well), is going to feel the impact of a handful of 4 star reviews and one day of delayed orders/message replies due to a family emergency. If you contact Etsy customer service to explain your legitimate reason for having a delay, they're unable to intervene. They can't give you back your Star Seller status, which means you're dropped from the algorithm for the three months it takes for those delays to stop counting towards your averages, and you then have to work your way back up into the algorithm once that time passes, which is even harder to do. (And while you can put up an auto-reply, there's a time limit on how long it'll be up, which is usually 24-48 hours. Which may not work if you have a personal emergency that the average small business would understand and give you time off for in ways Etsy refuses to accommodate.)

So what can you do to support Etsy sellers?

- Give good reviews. If you have problems with a product, message the seller and give them the opportunity to fix the problem or send a replacement/refund. Unless you feel the need to leave a scathing 1 star review, don't leave one unless it's a 5 star. Etsy counts anything under 5 stars the same as it does one star. (This goes for Amazon, Uber, Deliveroo, etc. too. Review kindly.)

- Message sellers during the week. It's harder to get to messages during the weekend, and not everyone remembers to put on their auto-reply.

- Don't click advertising links. If someone promos their Etsy store on their own social media account, it's fine. So if you click a link from an instagram profile or a tumblr post, that's fine. But if you see a link on Google or in a dedicated advertising space, even if it's a sponsored spot on Etsy, don't click on it. Instead, search the shop name on Etsy and go to it through that search. This way the seller won't lose more fees to Etsy.

[rivalcobalt]

Okay actually yknow what, I'm just gonna do this on here cause I've been agonizing over this for too long

Firstly to prove I'm not insane, and I guess to his credit, the author has mentioned ONS as an inspiration-slash-thing-with-similar-vibes on twitter (archived):

That said, I feel like this really undersells it. Like, you can argue about how much inspiration you can take from a work, and ONS itself takes insane amounts of shit from Devilman, but even still it feels very much like a different story, and not like... the entire first half of the book being largely what you'd get if you just ported the plot of S1 of ONS over into a YA novel with and then altered who the love interest was.

This is long enough already (talking like nearly 4 pages point form on google docs) so I'm just copying it over as is. I only read the book once, so honestly this may have even missed some things. I'd put more effort into this but honestly idk how many people are gonna see this anyways.

Tl;dr no fucking way did you just "watch this while editing"

The Flood || unnamed apocalypse virus

Man-made virus

Kills most of the human population (ons' explicitly kills off 90%, the Flood has killed near 9 billion (earth's population when it was released)/appears to be a comparable rate)

Intentionally caused by Angels cult/Hyakuya Sect + JIDA (revealed in manga/LNs only)

Angels cult || vampires:

Signaturely wear white robes/uniforms + capes

Ons vampires are associated with (fallen) angels

New Nazareth/Sanguinem (city for cult/vampires that protagonist escapes from)

Don't want any more of their kind made (Angels forcing Angel parents to drown their newborns, vampires noted to be generally opposed to making more vampires for unexplained reasons; iirc only progenitors are able to sire and they're supposed to get permission from the vampire council first)

Angels cult || Hyakuya Sect

Religious cult

Doing human (S)eraph experiments

Benji & Theo/Yuu & Mika are children of cult members who use them as test subjects

Causes virus on purpose (manga/LNs only)

Responsible for creating Graces/Horsemen of John (manga/LNs only)

Benji || Yuu:

Only successful version of the (S)eraph experiments

Not fully in control of powers yet/powers emerge over the course of the story

Child of Angels/Hyakuya Sect cult members

Brought to New Nazareth/Sanguinem under the age of 12 and lives there for 4-5 years before escaping

Grow up in New Nazareth/Sanguinem with Theo/Mika during those years

Important family member dies as they try to escape together

Son of cult members

Posesses (S)eraph abilities from being experimented on by cult

Joins ALC/JIDA in their front-line forces after escaping and being found by Nick/Guren

Seraph || seraphs (humans possessing seraph gene and have ability to turn into them)

Aim to wipe out humanity (but this can be controlled by protagonist with effort)

Very powerful

Created via human experimentation on children by the religious cult that caused the virus

Picture of Yuu in complete seraph form in ons tweet from author

Theo || Mika:

Curly/wavy blond hair and blue eyes

Protagonist's childhood best friend

In love with protagonist, debatably reciprocated

Child of Angels/Hyakuya Sect cult members

Grows up in New Nazareth/Sanguinem with protagonist, but didn't escape with them

Wants to get protagonist away from ALC/JIDA and live with them

Seen in whites of the vampires/Angels for the majority of the story

Remains affiliated with the vampires/Angels (Theo sides with Angels & Mika is turned)

Soldier for the Angels/vampires

Protagonist often recalls memories of being in the cult/vampire city together as children

Protagonist thinks of them as someone they'll never see again after escaping (Theo stayed with cult, Yuu thinks Mika is dead)

Mika is revealed to be the son of the first vampire, a fallen angel, meaning he's also an angel (manga only)

Other (S)eraph besides Benji/Yuu, but not a fully functional one (Theo injects himself with a failed version of Seraph, Mika's seraph gene is dormant)

Theo's angry outbursts may be based on Mika's anger (though who they lash out at is very different)

Theo's character differences from Mika are almost all traits commonly found in other characters also influenced by Ryou Asuka (betrays protagonist, parallel to protagonist due to similarities but on opposing sides of conflict) (not sure if author knew about Mika being heavily from Ryou or just subconsciously knew the archetype via consuming other anime/manga/JRPGs/etc or just a really funny coincidence)

Upon escaping New Nazareth/Sanginem, Benji's dad/Mika is killed

Nothing can be done to save them

Bleeding out as Benji/Yuu tries to save them as a specific similar imagery (plus I guess gaping hole wounds specifically mentioned (from being shot in the head/arm thrust through stomach respectively))

Specific memories of looking at a map together to plan their escape

Yuu/Benji is forced to keep running alone to the only way out (only bridge out of Acheson/only tunnel out of Sanguinem)

Cult is using human experiments to create humans with the seraph gene/martyrs to turn into Seraph

(S)eraphs aim to wipe out the rest of humanity

The name. Are you kidding me

Protagonist is the only fully successful experiment

Main character and childhood best friend are children of parents in cult

(In the end) main character and childhood best friend are both (S)eraph experiments

The way the Flood is killing Benji has similarities to Yuu in his incomplete seraph form

Dripping blood and black fluid (Yuu: from wings and left eye, right sclera filled with blood and left eye may have burst upon transforming, Benji: from wounds from Seraph decomposing him)

Spitting up black fluid

at a later incident, Yuu's seraph form is triggered by multiple organs rupturing. Benji's organs are liquefying inside him and coming up in chunks as part of the Seraph transformation

Theo's death after injecting himself with Dominion-12 focusing on his shot-through left eye looking like a black hole is similar to Yuu's left eye blacked out by anime gore censor circle in incomplete seraph form

Same type of post-apocalyptic setting: 

Plants beginning to cover over a wrecked city (only a few years after the virus broke out, so not super heavily overgrown yet)

Skyscrapers and concrete brutalist architecture specifically shown. Downtown core type of stuff

Graces || Horsemen of John

Created by Angels/Hyakuya Sect (result of Flood virus/called by 6th trumpet (seraph) of seraph experiments)

Beasts that kill humans, just to finish killing off the population

Can be called upon/created/controlled by (S)eraphs

Described as both horselike and spiderlike

Ribs protruding out of chest, fangs, mouths in unusual places, and I think wings (not sure about Graces on that one) are common traits

Picture of a Horseman included in author's tweet about ons

ALC || JIDA

Wear all black

Surviving humans outside of New Nazareth/Sanginem

Fight against Angels/vampires

Rescue Benji/Yuu after they escape New Nazareth/Sanguinem

Secretly aim to use Benji/Yuu's (S)eraph abilities for their own gain

The Watch || Shinoa Squad

ALC/JIDA Moon Demon Company front lines squad

Comprised of teenagers

Protagonist joins them after escaping New Nazareth/Sanguinem to fight back against the Angels/vampires

Cormack is debatably based on Kimizuki (red/pink hair, asshole personality, rare bits of kindness show through exterior (when Cormack prioritizes giving Benji his jacket to block smoke while ALC is on fire, but not nearly as nice of a guy under it all as Kimizuki)

Aisha is like… maybe bastardized Mitsuba if you just take her emotional outburst parts, but I might be reaching on that

Nick || Guren 

Leader of ALC & the Watch/Moon Demon Company (strongest section of front-line soldiers in JIDA)

Black hair & eyes (Guren's eyes are dark purple, but could be interpreted as stylized black)

Finds Benji/Yuu after their escape and brings them into their group

Nick is literally just Guren in personality if you age him down a few years and add autism and make him nicer under the exterior. Like even the way he talks and him being mentioned dramatically stomping his leg up on furniture during speeches 

Heading ALC/JIDA's intentions to use Benji/Yuu for their own gain

Dehumanizes protagonist yet also having a bit of affection towards them (more debatable for Guren, but he has some rare moments of being caring towards Yuu in a more older sibling/fatherly way)

Erin || Shinoa

Another leader within the ALC/JIDA (though Erin isn't a soldier/in the Watch)

Sympathetic towards Benji/Yuu, protests against Nick/Guren directly for how they treats them

Pastel pink/purple feminine aesthetic

Wears hair at least partly in braids

Benji & Theo's reunion in Reformation Faith Evangelical Church || Yuu & Mika's reunion on the battlefield in Shinjuku

Reunite at first major battle protagonist participates in, but not their first (iirc both only have one minor fight between joining ALC/JIDA squad and this one)

One approaches other from behind, other only realizes who they are a moment after turning around

On opposite sides as ALC/JIDA vs Angels/vampires

"[Name]? Is that you?"

Benji holds a knife to Theo's throat || Yuu stabs Mika through the chest

Theo/Mika went along to fight specifically to find Benji/Yuu

"Abandon everything and run away with me" || "I came here to follow you. I couldn't let the city take you alone. If it wants you, it has to take me too."

Theo/Mika wants to separate Benji/Yuu from the ALC/JIDA (but Mika has good reason, while Theo wants Benji to come back to the cult)

Forced to separate again at end of fight

Picture of Yuu stabbing Mika from this scene is also on ons tweet from author

In general, first half follows the escape from Sanguinem/New Nazareth leaving behind a dying family member who tried to escape with the protagonist but died to let them get away -> get found by JIDA/The Watch upon escape and rescued by Guren/Nick with the intention of using Yuu/Benji as a weapon against those he escaped from due to his nature as a human experiment -> join JIDA/The Watch, meet other members and the leader Guren/Nick -> do some missions with them -> reunite with previous friend-slash-love interest they had left behind (Mika/Theo) at first major battle as soldiers for opposing sides and are forced to part again progression, which isn't super unique but still very specific, and given everything else... yeah

This is by far not the first time an English work has copied a Japanese work and was praised for originality, but "gay trans YA novel rips off mediocre gay vampire shounen" has to be conceptually the funniest and yet there still seem to be 0 google results about it

[embracing-the-ineffable]

Beware clickbait accusations

Hi fandom, here's what happened yesterday: A reporter named Rachel Johnson, who is the sister to Boris Johnson and a big terfy supporter of JK Rowling, released a 4-part true crime podcast featuring two women accusing Neil Gaiman of SA. Yesterday. The day before the UK elections. This post explores the possible political links in more detail.

CW: this post is free of graphic details, but if you follow these links, there may be explicit descriptions of sex, kink, and bdsm, plus mentions of mental illness and suicidal thoughts.

I want to believe and support survivors, and I also want to base my thoughts and actions on facts. I thought the xitter livestream commentary from Not Becky for all 4 episodes was very insightful. There's also a first episode transcript without extra commentary. (Edit: released after I wrote this post: the full audio plus transcripts for all four episodes of the podcast are now available to download here, or you can read all four transcripts in your browser.) I have since concluded (pending more time to think and read and learn, or any new information, of course):

This seems like the worst kind of clickbait, an unjustified mess that will hurt everyone involved (except possibly a few politicians who might benefit somehow, we'll see). The evidence the "reporters" present directly contradicts their accusations. They're counting on people reading headlines and not digging any deeper.

They tried to make something sinister where there was apparently consent and a caring relationship. Have they exploited one or both of these women? S, in particular, is described as vulnerable and with a history of unspecified mental illness. They have all of the message history between S and Neil, and her messages make the sexy stuff between the two of them sound enthusiastically consensual. There are even messages (multiple!) where she specifically says everything was consensual. Here's one:

They're playing horror music in the background to try to make us feel horrified, even as S reassures us that things were consensual. It's emotional manipulation by the reporters.

The times S sounds upset during the interview are the times she talks about Neil leaving her behind or not paying attention to her. Not the times she talks about consent violations. Her stories during the interview are inconsistent, and they contradict her messages with Neil and with others. Maybe we'll get better information from a more reputable news source, or maybe not, I don't know. I also don't know why anyone who cares about her would have advised her to do this interview.

Then they tracked down lots of other women who know/have dated Neil and they all had glowing things to say, except one other lover from 20 years ago, K. She described some bad sex, and then pointed to a time in their 2-year relationship when she felt something wasn't consensual and he thought it was. And after their breakup, they continued to text and flirt, for decades.

This podcast "exposé" feels like explosive clickbait with political ramifications. The evidence here doesn't support a pattern of poor conduct so much as establish Neil as a fellow well-meaning human with imperfect judgement. That doesn't mean the accusations are all made up; intimate partner violence is complicated, and the responsibility for checking in and getting regular enthusiastic consent from partners is very real, especially when kink or bdsm are involved.

I don't know what the right balance is here between supporting survivors, thinking critically, assuming good intentions, and waiting for better information, but I feel confident that this podcast alone is not enough to condemn anyone aside from the irresponsible journalists who inflicted it on the rest of us.

PS/edit: I'm tagging my relevant posts (mostly reblogs) with #ineffable grief, and you can see all of them here.

[daretolovemyrambling]

the Medarda Clan

(picture above is from the arcane artbook, it's concept art for Mel, Kino, Ambessa and Kino's unnamed father. Mel's father isn't named or shown anywhere yet)

I don't think Arcane necessarily retconned this, so I wanted to talk about the Medarda Clan in the League of Legends Universe.

Mel Medarda, while banished from Noxus, likely still retained a high status because a part of the Medarda family also resides in Piltover.

It makes sense that Medarda family members don't just reside in Noxus. Ambessa says herself that she send Mel to Piltover in order to oversee their family's interests. And would it really be called "Medarda House" by Piltover residents if only Mel is in it? Mel would have also been only about 23 when she enters Piltover and 26 when she was a councelor in season 1 act 1 (here is a timeline I made for arcane: x) it's insane, even for her, to establish a well respected house in such a short time in Piltover.

In Legends of Runeterra (a Riot card game that explores the world of Runeterra in more detail), there is a card named Jae Medarda.

His description reads: "Heir apparent to Piltover's prestigious Clan Medarda, Jae preferred hunting ancient artifacts over managing the family business... much to his father's chagrin."

There also some other Medarda family members that we know of; on the League website you can find a map named "Medarda Heirloom", it shows trading routes the Medarda's use. It's a pretty old map though, I think it's from 2016 so I wouldn't really say this very relevant.

On the map you can find a letter by a Medarda Merchant named Jago writen to his nephew, Salob, who seems at risk of being banished.

I tried my best to make out every word:

Nephew Salob,

As much as I am forced to admire your frankly staggering & baffling level of self-belief in the face of numerous failures, failures that would have punctured the ego of the staunchest Zaunite braggart. I would like to confirm, in writing, that control of the Medarda Clan's commerical portfolio and access to the clan trade map. Which you have long coveted, shall not be granted to you - not now - not in time - nor never.

I suggest you take on a profession more befitting your natural talents - perhaps as a chem-lamp lighter - and be grateful to your aunt, my dear wife, that your ties with the clan are not severed completly.

This will be the end of the matter.

Sincerly,

Jago Medarda

The Medarda family seems to love exiling children that don't fit into the family.

I think Jago is now kind of retconned if Arcane is the new canon, or he's at the very least not the head of the clan and has married into the family. Sun Gates are what made a lot of the families in Piltover rich 200 years ago, it's not mentioned in arcane but we do see them in some arcane maps.

In Arcane Ambessa mentions that she fought battles from the Bloodcliffs to the Dalamor Plains. The Black Rose mentions that she might have had an affair while travelling through Basilich, at least fake-Kino claims that this is the area he heard rumors about Ambessa's affair in. I marked all these places with a red dot on the Runeterra map. Basilich is a Port City, if the affair really did happen here, Mel's father could be from any place in Runeterra.

I'm hoping they will expand on the Medarda family in the future, the Ambessa book will likely have some interesting lore about them in it. It comes out in Feb 2025.

From the Synopsis we already know that there will be a cousin of Ambessa that is named Ta’Fik. I'm guessing he knows that Ambessa had an affair and has bad blood with the Black Rose.

Ambessa Medarda: Warrior, general, mother. She is a woman to be feared, and the Medardas are unrivaled in their pursuit of glory. She has led conquests and armies. She has slain legendary beasts. She has made grave sacrifices in her ascent up the ranks. And for this she was rewarded: She entered the realm of death and was granted a vision of herself upon the throne of the vast Noxian empire. But before she can lead her empire, she must become head of her own clan. Yet the title is contested by her cousin and former confidante, Ta’Fik. He knows the bloody sins of Ambessa’s past. And he knows he cannot allow her to rise. They will fight a war for the very soul of the Medardas. But the war won’t be fought on battlefields alone. Ambessa’s daughter, Mel, can deftly break through the walls around anyone’s heart, and she’ll put her talents to use for her mother. Yet despite Mel’s strength, Ambessa sees only a child who lacks her killer instincts. Mel knows she can be the leader Ambessa wants her to be, if only she gives her time. With her family betraying her, enemies closing in on all sides, and unseen forces moving in the shadows, every day proves more dangerous than the last. But Ambessa will not bow. She will burn the world down to claim her place in it.

[vidavalor]

"is, and always has been"

In 1.01, The Voice of God said:

Everyone knows that the best place for a clandestine meeting in London is, and always has been, St. James' Park.

Visually, as she's narrating, we see a lot of indication of the type of clandestine meeting to which she's referring being those between intelligence officers, yes?

St. James' Park in Good Omens is swarmed by background characters of people trying to look casual on park benches with newspapers and briefcases and every type of fun, spy movie cliche there is. Our main characters are also spies on different sides of a conflict so we're definitely getting the surface-level vibe of espionage here pretty easily...

...but that's when it's important to note the inclusion of the "is, and always has been" in her narration.

This gives the audience permission to bring into the story the full history of St. James' Park in London when taking into account her meaning. It's encouraging people who do not know this history to go look it up and apply what they learn to the story. [Many of you likely already know this park's history but I have seen a lot of indication in posts that many do not so that's why I made the post.] The line in The Voice of God's narration is worded in such a way that we don't actually fully understand her meaning unless we know more about the history of St. James' Park.

One does not have to do a ton of digging to get the gist of what's being referenced here, though. It doesn't take long with even just the most cursory of skims-- using only the park's entry on Wikipedia as a source, even-- to find this relevant bit of info:

While Charles II was in exile in France under the Commonwealth of England, he was impressed by the elaborate gardens at French royal palaces, and on his ascension he had the park redesigned in a more formal style, probably by the French landscaper André Mollet. A 775-metre by 38-metre (850 by 42-yard) ornamental canal was created as evidenced in the old plan. The king opened the park to the public and used the area to entertain guests and mistresses, such as Nell Gwyn. The park became notorious at the time as a meeting place for impromptu acts of lechery, as described by John Wilmot, 2nd Earl of Rochester in his poem "A Ramble in St James's Park".[12]

Should one wish to, I can attest that one can find some very entertaining reading material regarding this period of English history with a little further additional research. The general idea, though, is that, in much wilder times in its history than the last few decades, St. James' Park was absolutely competing for the prize of being history's most notorious hookup park.

By taking pains to include St. James' Park's history with the "is, and always has been" part of the line, the park's history is then reflected in what types of clandestine meetings we're discussing. It makes it clear that we're not just talking about spycraft but also about sex.

And what of the immortal characters The Voice of God is discussing? The ones who were alive and in England during this more amusingly debauched period of St. James' Park's history?

Are Crowley and Aziraphale new to the park, having just started clandestinely meeting here a couple of months or years ago, while St. James' Park has been in its modern, more genteel, spy era?

Definitely not is what we're specifically, emphatically, told by The Voice of God. 😂 They've been backchanneling in these woods for quite awhile now...

[alikuarso]

To answer your question about Fresh: Fresh is actually a parasite! He dresses in his 90's-themed clothes and speaks in a silly way so that others underestimate him. His main and utmost goal is to Survive, and the way he does that is by infecting other people with his parasites and draining the life from their souls. Being seen as harmless lets him get closer to them and gives him easier access for possession. He hopes to eventually take over the multiverse, spreading his parasites in every corner of it and having absolute control.

He also has no emotions. He is capable of them, but for whatever reason he is unable to feel much, besides the rare instance of anger. He does frequently feel fear, though.

He is a bit sadistic, and he likes seeing others suffer. This is because when he takes over someone he drains their soul of life, which causes them pain. And to him, taking someone's body means safety, it means he can survive a bit longer as long as he's snatched their body. So he's come to associate the pain of others as something good.

And he's also aware of the creators/viewers, thanks to an event called the Loveball, which is canon to his character.

Going to copy and paste my own words for this [I was talking to a friend about Loveball]:

"So, like seven years ago there was a fandom-wide event called the Loveball, where people gathered their OCs and had them all attend an UTMV dancing ball. Fresh went, of course. There, he met a Frisk called Pacifrisk. Even knowing who he really was [90's parasite], they still believed he could be good. Before this, he hadn't ever really felt a connection to anyone, or even positive emotions in general. But Pacifrisk's faith in him made him feel positively towards them. This freaked him out. [No Fr@ns though, don't worry. That wasn't the intention for this plot.]

As a result, not only did he try to kill them, but he also went through with his plans: the Fresh Takeover [I forget what it's actually called]. His true reason for attending the ball. OCs were either possessed by the parasites or tried to fight against them. Apparently, some people used alcohol to ward the virus off, as Fresh hates substances such as that.

Fresh wanted to take over the multiverse, with this Loveball being the first step for his total domination.

But then right in the middle of things, a Sans AU [which I totally forget the name of X,D] grabbed Fresh and basically yeeted him into an alternate state of being. One where he could see the creators, all staring at him. An audience.

The Sans revealed the nature of Fresh's existence: That he was simply a character in a story. And if the creators got bored of him, he could easily be written aside and forgotten. Erased. His conquest didn't matter, in the end.

Predictably, this gave him an existential crisis. I'm not sure what happened after, but he stopped invading and went somewhere to contemplate his existence in a depressed state.

Afterwards, he had a new goal: To entertain. To convince the creators that he was worth keeping around. Similar to his previous goal of survival, but now with more dire stakes."

His creator @loverofpiggies has some posts about the Loveball, tagged under either the 'fresh sans' tag or the 'loveball' tag, which I recommend you check out! ^^

But yeah, to answer your question: The reason Fresh fought Ink was probably 1: because he saw it as a good way to keep himself alive and 2: So that he could be relevant and interesting to the viewers.

Hope this answered any questions you might have about him! ^w^

THANK YOU BECAUSE THERE'S NO WAY I WOULD HAVE FOUND ABOUT ANY OF THIS OTHERWISE😭😭😭 THAT'S A LOT

Now I want to draw fresh existential crisis mood, That's something I never would have imagined existed

Im still a bit confused about fresh not having emotions¿ but I think I got the idea, but still, why does he feel fear?

I think fresh is becoming my favorite now, help, error do something

(Thank you again for your time✨️)

[lilimaginebean]

five days - 五日

synopsis: in which Kaiser fell in love with his tattoo artist or in which Kaiser had five appointments to convince you to have a date with him.

note: i needed to rewrite this part three times, since it didn’t convinced me.

prev | next

🥀 Day 1

"Are you sure you can do this? You seem pretty young to be doing tattoos," you gave Kaiser the deadliest look, making him giggle like a teenage girl trying to attract the attention of the person who likes her.

You decided to continue with all the preparations, ignoring this pertinent question. Kaiser was a bitch, from now on you would have to ask him more formally, or he would find a way to give it back to you.

"For your information, I'm only a year older. However, I'm old enough for you to show me some respect, spoilt brat," you said in a funny tone.

"Whatever you want, Liebling," he replied, staring at you, hypnotised by the way you worked on his tattoo with such grace and precision.

That famous Monday at 4PM, Kaiser, being the good German that he was, arrived at the studio five minutes early. His excuse was that he had a lot to do and the sooner you could do it the better, his truth was that he wanted to see you again as soon as possible.

Kaiser wasn't the type to think about relationships, he always had better things to worry about. But now that he was considered a German wunderkind, he lived a quiet life, waiting for a good offer from a famous and prestigious club. He would wake up, take a shower, look in the mirror and go to training. Then he would have a meal, time to relax and personal training.

He practically had a life now that he couldn't have dreamed of a few years ago, and even though he wasn't on the best of terms with his teammates, they could still make small talk. Being the teenagers they were, the subject of romantic relationships always came up, and as always, Kaiser just kept quiet, having little experience in that area. Good for him, he never worried about it, he knew he would know when the time came.

But he never expected it to happened when he walked into the tattoo studio which was the closest to his apartment. When he saw you, he didn’t find you relevant at all. However, the way you looked at him and answered him in such a witty tone made him realise that you could be his potential partner.

He had just 5 appointments to see if you could be someone he could see his future with, or if it was just something he made up in his head. The requirements were: pretty, smart and someone who could love him.

Kaiser stared at you, the way you frowned and the way you stuck out your tongue to concentrate. You were pretty, not in the way that makes people turn around the first time they see you. You were pretty in a way that the more he saw you, the more he was captivated. So yes, he was sure you had ticked the first box. Now he had to tick the other two boxes.

"Have you ever read Freud?" Kaiser asked directly, without beating around the bush. You stared at him, blinked twice in surprise at the question.

"Mhm... kinda, I guess you are a Freud fan," you said indifferently and went on with your work.

"Oh, not a fan of Freud because you're not smart enough to read him, Liebling?" he said, trying to embarrass you. You chuckled in reply.

"You wish, it's just not my type of writer. I'm more into depressed writers," you confessed, staring at him for his reaction, "What can I say? I am a masochist"

Kaiser leaned closer.

"Well, I highly recommend you read more about Freud, he is the father of psychoanalysis," he said, still staring at you. You looked at him for a moment before continuing with the tattoo.

“I know, I read Freud’s book The interpretation of dreams. However, I don’t know, he doesn’t convinced me as a writer” you admitted while shrugging your shoulders “But hey, at least he always kept things psych-edelic” you laughed at your own pun

Kaiser skipped a heartbeat. Did you just make such a bad pun? He was disgusted by such a lame joke, but he was even more disgusted that he laughed with you.

"Okay, we just finished the first session. Opinions?" you said as you started to tidy up and get everything ready for the next client.

Kaiser just stared at his hand, satisfied with how everything was going. Not just with the tattoo, but with you.

"Pretty great, but I might have a couple of suggestions," Kaiser said, just to have a bit of fun with you.

“Shoot” you arched an eyebrow, curious

He stood up and looked at you, sure of one thing.

“You should totally go out with me”

[am-i-the-asshole-official]

AITA for telling my friends I want to use they/them pronouns for a bad reason?

I (19F) am 100% a cis girl, but never really felt like I was "allowed" to be girly or feminine because of a lot of internal and external sexism and misogyny in my house growing up. No one ever really acknowledged the fact that I was a girl, unless it was in a negative sense. I was also homeschooled, so that made things worse because limited social interaction and stuff.

Now that I'm older and have a lot more connection with people through the internet, I'm a lot more comfortable with my identity and genuinely love being perceived as a girl. I understand the gender euphoria trans people feel when someone uses she/her pronouns for me. I also feel a hint of disappointment when people I don't know use they/them for me online (e.g. "prev knows their stuff").

With context out of the way, what actually happened was a few weeks ago. I went through a depressive episode, which came with the usual feelings of not ever deserving good things in life or happiness of any kind, and that no one cared/should care about me. As part of that, I withdrew from my friends for a couple days, leaving our discord server and blocking all of them (I know I shouldn't have done that, we worked it out). When I finally returned, I told them in vague terms that things were rough, I was a mess, and I wanted to start using they/them. I'm the only cis person in the group of 8 people so no one batted an eye about my request and just went along with it.

Here's where I might be the ah: the only reason I asked that is because I thought I didn't deserve to feel good about myself in any way, including my gender. My friends don't know I was asking them for help in basically punishing myself. I know if they'd known they would never go along with it. I also feel like an ah for using my privilege of being cis and having accepting friends to punish myself when there's real people in the world suffering because people refuse to gender them correctly.

Additional details that might be relevant: my friends are great, we met online about two years ago in a bigger server and grew closer and made our own small server not too long after. They know about my mental health issues and have helped me a lot. Almost everyone I know irl is transphobic and homophobic, so my reference for what is offensive and what isn't is kinda off. I still live with my family and they're by no means bad people. I'm also in the process of finding a therapist.

What are these acronyms?

[anachronistic-falsehood]

i. don’t really know what to think about the whole forever situation. because i have seen people say “he’s addressed this a long time ago so why are we bringing it up” but i haven’t seen WHERE he’s addressed it in the past. nary a tweet or clip of anywhere he may have talked about it, but i would love to see an older clip of him talking about this if possible

I’ve seen people say “his tweets and messages were translated in bad faith to give english speakers a bad perception” which. ok yeah understandable but if that’s the case i still don’t know what exactly the situation is or how serious it is

“she was 13” “she was 15” OK WHICH IS IT!!! both are bad but one is still significantly grosser than the other and i don’t know which is true!! or are there multiple girls!!! i don’t know!!!

“he met a fan for flirtatious/sexual reasons” “he met a fan for normal content creator reasons” WHICH IS IT!!!! I DON’T KNOW!!! i guess only he and the fan would know what the intent was when they met, and even then i don’t know if they met alone or if it was a normal ass fan meetup with multiple other people there

“it’s been 7-8 years, he’s changed” ok. now we are making some sense. he has not exhibited this kind of behaviour in years it seems and he appears to be the kind of person who would not say or do these things now. no one is irredeemable and no one is beyond change. still, it is important for some people to know. many fans would rather know this and make the educated choice on whether to support him or not than continue to support him in blind blissful ignorance. even though it’s stressing me out and i’m still clueless about a lot of it, i’m glad i know anyway.

“what about the past transphobia and the ableism and the and the and the-” That Is Not Relevant To This Conversation. this is a different situation. he has apologized for his past opinions and everyone has had ample time to come to terms with them and make peace with supporting him despite his past beliefs.

“he’s deleting past tweets” i mean if someone was digging around my account for things i’ve said that i no longer stand by, i would delete shit too. sure as hell doesn’t make him look innocent but i would do the same. i HAVE done the same, albeit for much more minor and trivial reasons for posts i made when i was like 15, but still

“he apologized and said he’s getting a lawyer!! no guilty person would do that!!” your content creator is not an angel. guilty people take their accusers to court all the time and get away with it. also, it is up to everyone individually to decide whether to believe him or not. you cannot push others to believe your side but you can give context to some things

there’s nuance to this like there is with everything, and people are jumping to conclusions saying either “he’s an innocent little lamb how dare you!” or “he should be deplatformed and we should never speak of him again!” i will never fault anyone for supporting the alleged victim. if your decision is to stop watching him immediately or even stop supporting the qsmp itself, no one should ever fault you for that. it is ultimately up to you to make that decision. the situation is not clear enough for me to make a decision, so i will withhold judgement for now. i will not doompost about it, and i will not call out people for defending or dropping him.

but for the love of god, just. everybody keep your cool. especially english speakers, we may not have full proper translations for the messages and tweets. take a deep breath. if you want to find more info to form an opinion now and spread information that people don’t already have, go ahead. if you want to step back and not think about it for now, go ahead. there is no shame in taking a step back and thinking about other things. you are not morally obligated to be invested in this situation. you are not morally obligated to drop him immediately and you are also not morally obligated to keep supporting him just because he’s friends with your favs. stick to your gut and do what you feel is right. you will be okay. this is not the end of the world.

[dinsbeskar]

To Have and To Hold; To Corrupt and Defile (Sauron/F!Reader)

After you discover his identity, Sauron's master throws a wrench into your happily ever after; or:

You're living in Gondolin before it falls; Sauron currently has you fooled, but his plans are falling apart, and the end of the First Age draws closer.

Sequel to The Number of the Beast // AO3 Link

Soundtrack: Never Let Me Go by Florence + the Machine, Don't Let Me Go by RAIGN, Say You’ll Haunt Me by Stone Sour

Warnings: Angst! Plot heavy, no smut this time!! I know, who am I??

A/N: so we've messed around with the timelines a little, I've alluded to some of the major events of the War of the Jewels, especially Lúthien's victory over Morgoth, and Eärendil's subsequent taking of the recovered Silmaril to the Valar. There is so much to cover, frankly too much, so I'm keeping the references to my favourite stories; a lot of it frankly isn't relevant to our Reader. If Amazon can mess with the timeline, so can I 😂

Word Count: 3.4k!

When you'd returned to your tiny village, eons ago, hand in hand with your new husband, the resulting impromptu celebrations had gone on all day and night. No-one thought to question the sudden appearance of this beautiful stranger, as your kin were so overjoyed for your new love, and still as yet so innocent to the evils of the world.

The subsequent years of being without him so often were only eased by their rallying around you, keeping you occupied to stave off your loneliness. It didn't ease the yearning late at night when all were abed and you were left alone to crave him, but you were used to it by now; which only made his visits all the sweeter.

You woke up today to find your husband stretched out next to you, a pleasant surprise that he must have instantly regretted as you threw yourself on him with a squeak.

"I didn't know you were coming! I'd have prepared for you," you say, your tone faltering as you survey the mess in your cosy rooms with a crease in your brow.

He shakes his head fondly; sometimes the lack of order would set his teeth on edge, but today he was just content to be by your side once more.

He murmurs sweet nothings into your hair as he nestles you closer, wrapping you up and refusing to allow to leave your bed this morning.

The city was growing prosperous, becoming the heart of Elvendom in Middle Earth, and your small abode was so different to the humble beginnings of your kin. Your people were finding strength in numbers, building great cities to fortify against the Enemy.

He cannot visit as often as either of you would like, busy with the war in the north, and now you understand why. His confessions about Morgoth threw you, made you doubt everything you knew, but your soul sang for him regardless, so you pressed it to the back of your mind, your heart and your mind fighting a losing battle. He promised you it was simply too late for him to change sides, that his master's wrath was better fought within his service than without. How could you refuse him?

You had asked him long ago if you could visit him instead, perhaps even pack up your life and move to be with him. His face grew dark, and he refused to even consider it. Now that you knew in whose service he toiled, you understood, and didn't press the issue again.

So you had become increasingly interested in the martial affairs of Gondolin, always hoping to hear nothing of Sauron, for no news was good news.

Your kin ask after him often; you tell them the truth where you can. That he is fighting the war in the north, that his brief respites are spent with you in private. Sometimes, you wish you could show him off to the world; it gets lonely surrounded by your family and friends, happily coupled and deeply in love, whilst you await your beloved for what feels like a lifetime.

When he visits, he crosses the borders of your kingdom with relative ease. Even entering the Hidden City, after centuries of being married to you, they greet him as one of their own, something which now plagues you with guilt; though not enough to keep you apart.

You are unfortunately not the only one, as many of your friends wait for their husbands too, who are also away fighting. The siege of Angband has taken much out of you all, and the number of half-souls wandering Gondolin grows day by day as more Elves are called away to bolster the beleaguered armies.

It is the knowing he is out there, yearning for you as much as you for him, that makes it a little easier. When the war is over, he says, you will be together, nothing will keep you apart. So you pray for his master's downfall any chance you get.

Unfortunately for you, it's not as if Sauron has to worry about any other's affections stealing you away; perhaps if he did, you might see him more often. Binding yourself to another soul changes the way you are perceived, a glimmer of the unseen world breaking into the everyday, in a way that to any other creature is imperceptible. But Sauron takes great pleasure in the knowledge that you are his, and no-one else's, that no-one would even think of touching you, not that you would let them. That possessive streak is something that you'd have thought would repulse you; instead it is deeply and mutually returned, the pair of you wrapped up in each other, blind to any others who might have tried their luck.

~

He's deep in thought, sketching long black lines on his paper, but every so often his eyes flicker to you watching his every move.

You love to see him hard at work, it lets you see what makes him tick, what gives him his boundless energy. You worry that you annoy him with your incessant questions, but any time you falter, he encourages you to ask, so you figure he must like the attention.

Today he is sat working on something very important, something that cannot be rushed. And you're sat at his side, head in your hand, thinking idly of everything and nothing, as his hand races across the paper.

"You haven't said a word," he looks over at you with a small smile, "something the matter, my love?"

"No, darling," you sigh, stretching your arms above your head and pulling yourself closer into his side. "Don't want to disturb you."

"You could never, I've told you so many times." He reaches out with his left hand and squeezes your knee, strokes the side of your face, then presses on with his task, one-handed as he commits to holding your hand.

You hum in assent, leaning your head on his shoulder. You feel him relax into your touch and you fear that perhaps you've ruined his industrious streak.

He puts down his pencil and pulls you close, chin resting on the crown of your head. You feel his heart flutter in his chest, and yours can't help but mirror it.

You enjoy his embrace a moment before disrupting the peace. "So what are you working on?"

He snorts, a noise you don't hear very often from him, usually so composed, and it makes you giggle, pulling away and looking up at his affectionate gaze.

"Not a moment's peace," he chuckles, rubbing the small of your back whilst reaching for his discarded sketches.

He rolls them out and watches for your reaction; yours is the only opinion he would deign to heed.

The long black strokes, the angular shape of it, it looks nothing like you expect. Twisted and wicked, it doesn't match the man sitting at your side.

"Is that... is it some kind headpiece?" You stutter a little under his intense stare; he wants the truth even if he dislikes what you have to say.

He raises his eyebrows a little and nods at you to continue your line of thought.

"Not a helmet. No, too many holes, frankly it would be useless as a helm, there's a great hole in the centre of it-" he can't help but laugh at your rambling, joking at his expense. If only you knew what happens to anyone else who would dare to.

"-Oh! A crown? Who needs a crown?" You finally get there, and you take the scroll from him, holding it up and scrutinising every detail.

"Who, indeed?" His tone is suddenly solemn; you've reminded him of what awaits him when he leaves you.

Morgoth in his crazed stupor, lusting constantly for the star-bright jewels that he already possesses, jealously guarded with a ferocity he hasn't seen in an age.

Your face drops and you pull him to you.

"I'm sorry, love, I didn't think." You know very well his trials and tribulations at his master's hands, but were somehow foolish enough to allude to him. You thought He already had a crown, and you remark as much in your naivety.

He traces your neck and kisses your palm. "It's quite alright, love, I know how... faraway my troubles must seem."

A cold sweat breaks down your spine.

"No, my darling, your troubles are mine, I would carry your burdens if only you were to share them with me." You plead softly; how could you be so naive, spoiling a sweet moment that is not so easily stolen now that he is so busy with the war.

He doesn't speak for a long time, and tears prick your eyes, almost painful in your efforts to hold them back. It is his pain you should focus on, not your own selfish regret.

You lean your head on his shoulder, hoping perhaps that he will open up to you for once, tell you of his torment in the north at the hands of the enemy, the part he plays as an unwilling accomplice to Morgoth's destruction.

As if he can hear your thoughts, he interrupts them softly.

"It is a crown. A conduit, for a power over flesh." He licks his lips nervously, avoiding your gaze.

"What could He need of such power?" You ask, before realising that of course, such power would ensure His victory.

He doesn't answer that question, preferring not to lie to you; you don't need to know exactly who it is for.

"I'd prefer something smaller, more elegant-" he begins to explain before you interrupt.

"Like a ring." You muse, meeting his eye. He raises his brow and looks past you, seemingly intrigued, and you can't help the pride that wells within you, happy to have pleased him so.

He looks back to you, smile fading quickly as he is reminded of what he came to tell you today.

"Speaking of my master, I-" he swallows thickly, the words refusing to cooperate with his tongue. "I have news. Concerning you and I."

His eyes are suddenly dark, and his expression sombre, and all at once you feel an all-encompassing dread that makes you press your hands to his mouth.

"No. Don't tell me. Not now. Please, love, I cannot bear any tale of Him while I worry for you." That much is true, you are too concerned about your lover to hear anything of the Enemy right now; but a tiny part of you simply never wants to hear about Morgoth, never wants to think about the evil your husband has been forced to wreak upon Middle Earth, so hard you have worked to forgive and forget, and you have had your fill now for one day.

"It is important, sweetness," he cups your chin and turns your face to look at him, the dread in your soul seemingly shared if his expression is anything to go by.

"Tell me." You nod reluctantly, anxiously awaiting whatever horror you will have to face together.

~

The fortress is always so hot, fiercely dry like a blazing desert heat, scorching his skin. It is nothing like his golden days with you, dappled sunshine on your skin, a cool breeze on his face.

He has been summoned by his master, which can only be an ill omen. Ever since the fiasco involving the lost Silmaril, and his defeat at the hands of Lúthien and her hound, Sauron had suffered nothing but wrath every time he returned to Morgoth; blaming him for the loss of a jewel from His crown, since he had not been there to defend his master from Lúthien's sweet song. The jewel was now set in the sky by the Valar, a constant reminder of his failure.

For you, as much as it pained you to see him suffer, it was a blessing; more precious time spent with your beloved as he avoids the fortress entirely.

Had it been a shock, when your husband appeared to you as a wolf, gravely injured and desperate for you? Of course. Was his betrayal forgiven and forgotten? Absolutely not. But he was so sincere, so sweet, that every time he told you his servitude to Morgoth was in service of a greater purpose, you believed him. Of course, he wanted only to heal Middle Earth; of course, he was working to lead all free peoples to a greater future; of course.

He was not forgiven, but you were so desperately, blindly in love with him, the dark half of your soul, that you might take him any which way he comes. And he had promised you that the greater good was all he worked for, that he was the salvation of Middle Earth, and how could you not believe him?

So when he told you he'd be gone a while, gone to see his master in the North, you were hardly beside yourself with joy.

"How long?" You entwine your fingers with his, studying every contour of his face, in case it is a lifetime, not a day.

"He did not say." There is trepidation in his tone, and you squeeze his hand in reassurance.

"You are his most valuable servant. All will be well." You cannot say that for certain, but you try to sound convincing.

He exhales slowly, pressing his face into your neck, his flaming hair tumbling across your skin as you lie folded into one another, unwilling to be parted a moment earlier than necessary.

~~~

His blood runs cold as his master's words ring in his ears.

Bring her to me, and let's see how worthy of my favourite servant she is.

He paces his forge, cursing and railing, his plans to keep you secret now gone so horribly awry.

He had been so careful, slipping from the fortress seemingly unnoticed by all but the wolves, whom he easily placated with just his word, perhaps a bone thrown in their midst for good measure.

In fact it was not his absence at all that gave you away.

It was your light, seeping into his fëa and glimmering like the northern star in a pitch black night. Morgoth had noticed this straight away, of course; but rather than punish him inmediately, he chose to toy with him, leading him to believe his great deception was successful.

If she does not come to me, I will be forced to name her, Mairon.

He could not have that, could not let his master's power touch you in any way. You were his, and his alone, and the idea of Morgoth even setting eyes on you made him seethe.

And so he began to plot; too little, too late.

~

"What do you mean, my love? You're scaring me, what do you mean, named?" Your voice shakes as he grips your fingers so tightly, you fear he might pull them off.

"He gave you a title I cannot take back, it is beyond my power to do so." Now it is his turn to tremor before you; you have never seen your husband in such terror, the sight brings you to your knees and you lean your forehead against his.

"Whatever has happened, darling, we can fix it. You and I, we are one, are we not?" You try to smile reassuringly, but he shakes his head and puts a finger to your lips.

"You know the importance of names, love." Of course you do; your kind receive many names over the course of your long lives, names from your father and mother, names for your great deeds, or traits your loved ones find admirable. You already had two, you hardly need another, let alone from his master. Never mind the power of words woven into spells and songs, the unbreakable kind your husband seems now to fear.

"When a being such as Melkor uses his power to bestow a name-" his voice breaks and he swallows thickly, buying himself time before the dam breaks.

"He bestows a name, and so a fate with it."

You raise your eyebrows quizzically, but as his words sink in, you gasp and pull away. What fate could the Great Enemy possibly have in store for you? You were nothing and no-one; why would he elect to use even a tiny morsel of power on you?

"I don't want to know." Your words surprise you both.

He draws back, regarding you, brow furrowed.

"You must, my love, you know I cannot break his will-"

"I don't care." You draw yourself up, taking a deep breath. "I forgave you your sins when you came to me with the truth. I have kept your secret from everyone I know and love. You promised me Morgoth would never discover us. This is your doing, and I will have no part in it."

His heart sinks, wrenches in pain, as the gravity of your words hits him, as you refuse to allow him to brush away the tears streaming down your face. Do you not understand? He cannot unsing the will of his master, it might as well have been written in stone, if the fabric of the universe were not hardier.

You jump to your feet, anger bubbling in your stomach, and you pace and curse Morgoth and all he stands for, Sauron wincing every time your lips twist to make the ugly sound of the Enemy's name.

"Amarië-" At hearing your name, you round on him, your eyes blazing with a fire he has only ever seen in himself, and though your anger is directed at him, it thrills him, the hair on the nape of his neck standing on end, and he has to fight every instinct to take you and hold you and ravish the wrath from your being.

"Will it help? If I know my fate? I cannot change it even when you tell me, so perhaps I should live in blissful ignorance, as I did before you revealed yourself?" Your tone is so sharp, it cuts him like no sword could; he recoils from the heat of your words, the furnace blast that emanates from your anger, trepidation and admiration combining in a heady mix that makes his heart sing for you.

You feel a pang of guilt; you hate these new emotions, these feelings you'd never experienced before meeting him. Anger, sadness, betrayal; these had all been alien notions before Mairon, no, Sauron, had walked into your forest.

He has worked his expression into something more impassive, but you know he is hurt; sighing softly, you kneel and take his hand, still gripped with rage but mollified a little by your husband’s remorse. He has worked so hard to make it up to you, to show you how he is not the Enemy that your kin believe him to be.

"Will it make you feel better if I know?" You ask, searching his eyes for an answer. Please say no, please say you'll bear this burden alone... Your heart cannot take more sorrow, more betrayal; and to know would be to worry about something you cannot change.

"Eglandis." If your Elf ears were not so sensitive, you might not have heard him, how quietly he admits your doom.

Your blood runs cold, sweat breaks in uncomfortable waves down your back, as you realise the horrible truth, why your husband is so often absent, and why he was so terrified of your reaction.

"Forsaken one." You pause, thinking a moment, your heart beating out of your chest. "No, forsaken bride."

Doomed to live without your husband, this was the fate Morgoth had chosen for you. To punish Sauron for choosing a bride at all, for weakening himself in the pleasures of the flesh, he had also punished you. Had you not suffered enough? Forced to keep your love a secret from your kin, now you feared losing him forever.

"That is a cruel fate." You mutter, nose to nose with him as he seeks to comfort you.

"I am not going anywhere." He takes your hands in his once more, thumbs rubbing small circles in your palms.

"I swear to you, you will never be rid of me, no matter how hard fate pulls us apart, I will always be with you." He presses a kiss to your lips, trying to reassure you that he is here, that nothing will take you from him, but you can't move, can't breathe, as a crushing wave of grief overtakes you.

As you curl into his chest, he sweeps his sketches out of the way; it would be a shame to crumple that which is of the utmost importance to him, your crown to match his.

[genericpuff]

So I watched ChattyMia's Lore Olympus video which was great and everyone should watch it. It seems most people who do series reviews of the Lore Olympus don't like the comic for obvious reasons. Then I was reminded by the end that the comic is expecting a TV series which is in development hell. It made me think that Rachel might be better off not having a Lore Olympus TV show. Most praise for the series died awhile ago as the story became an utter mess. If it did get a TV show, people will see the early red flags like the age gap, the treatment of Minthe, trying to excuse cheating, Hades horrible behavior to workers, nymphs being discriminated with no pushback, etc. If some of them read the comic for spoilers they would later see the other big red flags of the series. Excusing slave labor, Persephone threatening the lower class, Hera getting with Echo a 'trash nypmh' as she once called Minthe, Apollo gets community service, the continued mistreatment of Demeter etc. Which I feel will cause everyone to go 'wtf is this series? 50 Shades of Grey mixed with Keeping Up with the Kardashians?'. Then you have to wonder if some of them will do a deep dive and find the stuff about Rachel's tie to Lolita. It would be especially bad if a bigger content creator talked about it. And we already know Rachel doesn't handle criticism the best (i.e. the struggle street tweet, the Minthe cosplay situation or even the merch). So I could only imagine how much worse it would be for her if Lore Olympus got a TV show and more eyes got drawn to it and her. It would no longer be just confided to the web comics fanbase but the much larger TV one. Unless Rachel seriously considered rewriting the TV script (or rekindling it lol) I don't see how a TV adaptation of her show would be good press for her.

Yess I've seen that video, it's great! She did a great job summarizing a lot of the biggest core issues with LO's story and art without getting too lost in the sauce (though god knows the rabbithole of LO's issues runs INCREDIBLY deep in an equally fascinating and "oh god what the fuck did I just read' kind of way), her video editing was very entertaining and her Persephone cosplay was a great touch 😎

That said, regarding the thought of "most people who do series reviews of LO don't like the comic", there is an amount of bias we have to acknowledge there - there's often a lot more to say in the negative rather than the positive. By extension, people who simply enjoy LO and don't participate much in the online discussion surrounding it or the discourse concerning it are less likely to make 2 hour videos analyzing it. So while the popular opinion of LO has shifted more towards a negative point of view, that doesn't mean that fans of the comic don't exist - it's just that most of those fans are blissfully enjoying the comic and can only sum it up as "it's very pretty and the plot is great", whereas many people who didn't enjoy it are more likely to voice their opinions as to why in far more explicit detail (though on the flipside of that, it also goes to show that there's a lot more to analyze in LO's flaws than its strengths - it's ironic that the fans often don't have much to say beyond "it's cute" or "I relate to Persephone" and anything further than that is relegated to pure headcanon pieced together by assumption and best guesses to make up for Rachel's lack of writing).

All that aside though, regarding the TV adaption, at this point it's less a matter of reception and more a matter of relevancy. The perfect time to release or at least show us proof of the LO TV show was years ago, when the comic was at its peak between 2020-2021. The second best time was at last year's NYCC when Rachel was a headlining guest. The fact they still had nothing to show for it at this year's NYCC, with Rachel nowhere to be seen and instead focusing more on the Freaking Romance adaption with Snailords filling the role as their featured guest (an equally if not even more problematic creator), is astounding, but unsurprising.

To me, LO feels like a real life case of "Tortoise and the Hare". Back at the start of it all, in 2017-2018, it was doing what no other comic on the platform was doing, presenting us a retelling of the Hades and Persephone story - which was very popular on Tumblr at the time - through a modern setting and with art that was incredibly unique for the platform. That, paired with WT's aggressive marketing, propelled it far ahead every other comic on the platform, creating a gap so massive that even the comics in second place on the trending tabs still weren't even close to LO's lead in terms of stats and money.

But then it got complacent. Quality of the comic's writing and art dropped, it was becoming increasingly obvious that LO had become no more than a marketing grift akin to the likes of Harry Potter - easily turned into books, t-shirts, socks, coloring books, figures, etc. - and that gave way to an increase of criticism towards it, criticism that had always somewhat existed even as far back as its days on Tumblr, but was now amplified by the existing ongoing proof that LO was never all it was cracked up to be.

Now, at best they shill $200+ figurine pre-orders, but the show is nowhere to be seen and, with the comic now finished and locked behind Daily Pass, its relevancy is dying out. "Rachel Smythe Presents" still has nothing to show for itself, Rachel's IG and Twitter seem to be purely for merch-pushing by the Inklore team, and Rachel has, at best, two new series that she suddenly announced but, in her words, don't even have anything written or planned for them yet beyond the taglines that were thrown together for her socials.

Meanwhile, the rest of the Greek myth retelling industry is in a renaissance. Hades is still a massively popular game, with its sequel now in early access; Epic: The Musical has been making waves on Spotify and TikTok far exceeding that of LO's in terms of audience reach, and even has more to show for itself in the way of official animations than LO ever has; and now Kaos has recently launched its first season after being in production since 2018 - yes, you read that right, it got commissioned around the exact same time LO became an Originals series which suggests the idea for it was already floating around and being pitched prior to LO - and, frankly, has beaten LO at its own game by achieving everything LO set out to do - weaving a Greek epic-style story in a modern setting, balancing romance with prophecies and world-ending stakes. It took a while, but Kaos made it past the finishing line, while LO has been dragging itself behind it, still making empty promises that a TV show is "still in the works" and "coming soon", with not a single thing to show for itself.

LO may have gotten a head start in being the "sleek, modern, sexy Greek myth retelling" by the virtue of being a weekly webtoon, but slow and steady wins the race - the productions that have taken their time cooking in the oven are now coming out as beautiful and delicious as we, the guests at the table, were told would be, while LO is simply the short-term gratification junk food that bombards us with gimmicks but sits like a rock in our stomachs and leaves us unfulfilled and wishing for a better meal.

Those better meals are here now and they were absolutely worth the wait.

[kcrabb88]

I was reading this fascinating longform article in the New Yorker about a current lawsuit going on in the Romantasy world and what constitutes a trope that can't be stolen vs. an original idea when a lot of the books in the genre end up being derivative, but what was most interesting were the bits about writers in the genre hardly being able to have their own cohesive idea for a book so much as editors and agents suggesting what they should write and not letting them finish a draft before sending revision notes and making changes. This kind of stuff is getting to be a major problem in trad publishing (and romance indie publishing has it's own issues with forcing writers to churn out books fast fast fast to stay relevant while sticking to a certain set of tropes, and arguably it isn't limited to romance). As a friend put it to me today, "the market controls writers now instead of the other way around."

Reading that article made me think of the Fansplaining article that came out a couple of weeks ago that talked a lot about more and more people reading fic but fic writers not really being able to see the fruits of that as much (because less engagement). It also talked about how a lot of "normie" types came into fandom during the height of the Covid years and they definitely have a different attitude toward fanwork than people who are in fandom generally. Which, true! I think fandoms, especially big popular ones have these kind of a sort of ... break and bake cookies concept of how you interact in fandom. There are pre-made silos where you ship certain characters and adopt certain fanon without coming to your own ideas naturally (and sometimes that fanon is VERY aggressive). Fic writers may feel a similar pressure to write what will be popular and trendy in fandom rather than what they might LIKE to write. They might feel they have to adopt certain popular fanon so people don't get mad. So, I dunno! Seems like the same problem in two not-unrelated spaces.

Not that we need to go back to the whole writers are suffering, tormented geniuses thing, but I do feel like writers of any stripe should be able to write something because they find it compelling and interesting rather than being pressured to, or feeling like they must, chase trends. You're going to get better writing that way! And readers will be happier for it, too.