#this took WAY too long to get to sorry!

[sunfloweraro]

I am asking about your book!

I love your fic writing, so I’m very excited about the prospect of a book!

What’s the plot? Who are the main characters? Any fun lore details you’re bursting to share?

(Also November in Australia is evil, I’m dying, how are you holding up?)

YES okay so:

The plot:

Edwin, heir to the throne and very-soon-to-be king, is sent on a quest by his father to prove himself a worthy future king: he must journey far to the west of the kingdom and defeat a terrible evil threatening the kingdom. With the help of Meghan, a royal knight in training, Atla, a physician, and Soarn, an archer, he sets out on this quest, but the longer they travel together, the harder it becomes to keep secrets hidden. And when they finally reach the end of their journey, they discover this great evil isn’t all that it seems—and neither is the king.

The characters (AKA more detail of the above):

Edwin:

- my prince character! He’s 19, almost 20

- Speaks relatively ‘proper’ initially, until the others infect him with their speech patterns

- autistic

- Disabled, but no one except his immediate family know of it. There was an accident when he was 7 which wound up with his leg being crushed by a statue, and even though he’s healed now, it’s permanently weakened and causes him pain, either from flare ups or when he uses it too much (or both!) He blames himself for the accident.

- Best (and only) friend is Meghan. They’ve known each other since they were 4-5 and are extremely close. No romance between them, although Edwin had a little crush on her when they were very, very young, before he found out she doesn’t like men. They laugh about it now.

- Related to the above note: he also gets very jealous when Meghan is with her other friends. His father never allowed him to make other friends—Meghan pushed her way into his life anyway.

- Terrible at taking care of himself. Forgets to eat/sleep a lot

- Does not have a good relationship with either of his parents, but he is desperate to make his father proud, hence why he so readily accepted this quest.

- Used to have an older brother. When a prince from a neighbouring kingdom visited, he and Edwin hit it off quickly. Edwin snuck him into his rooms to keep playing, and when he fell asleep, the other prince stole his master keys, snuck into his brother’s room, and smothered him with a pillow. No one ever believed Edwin when he tried to share the truth. He very much blames himself for his brother’s death.

- Cannot fight for the life of him. Uses a dagger for self-preservation, but again, not good at wielding it

Meghan:

- My royal-knight-in-training character! 19 years old.

- Best friends with both Edwin and Atla

- Comes from a family of scholars. Her parents have aided the king many times and her mother is one of his trusted advisors. She was expected to follow in her parents footsteps, but she prefers to protect from the front lines, and pushed to get into knight training. Her parents do not approve of this

- A handful of months before the book starts, she ran away from home due to her parents attempting to tear her away from her training. They had a fight, and she never went home. She lives on the streets and can’t bring herself to tell Edwin when he’s already got so much on his plate

- Silly, smart and strong, she’s determined to enter into the royal guard and keep Edwin safe when he ascends. She worries about him a lot. She’s also very soft!

- Butch lesbian

- Determined to protect others to the point of self-sacrifice, and is not kind to herself when she fails (which comes from her parents never accepting this choice of hers)

- She tends to have trouble listening to others—once she sets her mind on something, that’s how they’re doing it. This causes issues between herself and Edwin later on, as well as with Atla.

- Miiiight get a teeny crush on Soarn, until she realises the other girl is aroace. (Edwin has the same issue, and they both laugh about it together)

- Fights with a sword primarily, but can use anything as a weapon in a pinch

Atla:

- My physician character! Their age is… ahem. Technically 18, but their body has been in the world for over 300 years. I will elaborate below.

- They’ve been training under the head physician since they were 13, and excelled to the point where they are now one of her assistants. Very useful on this quest.

- Nonbinary!

- They have godly heritage on their mother’s side, giving them golden eyes, hair, and two golden wings upon their back at birth. They were a cherished secret in their village, bringing good luck and always eager to help their community. They took to healing quickly, using magic granted to them from their godly wings to mend broken bones and nasty gashes. However, a terrible man found out about them and moved to the village, befriending them swiftly. They played together in the forest often, until one day, the man led them into the forest and tore their wings from their back. He then buried them alive to get rid of the evidence and used the magic from the wings to trick the kingdom into accepting him as their leader. He also uses the feathers from the wings to stay alive for far longer than any human should

- 300 years later, the gods bring Atla back to life, feeling their unfortunate ending was unjust, and Atla is deadset on revenge, but they have no way to get close to the man who killed them… until this quest is shared with them, five years after they were brought back to life

- Their wings were not brought back with them, and they now have chronic back pain where their wings used to be

- They were taken in by two loving mothers into a massive family, and they love their mamas, but… they miss their first family, and their village. But that’s all long gone now

- Best friends with Meghan, and would kill for her if need be (“I’m a healer, but—“)

- Can speak to animals. No one else knows this yet

- The cook of the group! They cook a lot of old family recipes to help themself feel close to the family they will never see again

- Fights with a hammer! A lot of rage piled up within them from their unjust death and then consequential revival.

- Has… ulterior motives for being on this quest.

Soarn:

- My archer character! She’s 17, almost 18

- Transfem! and aroace!

- She is a Desikah (a race of magical folks in my book who look similar to humans for the most part, but also… a little off. They each drift toward a certain type of magic at birth (fire, water, earth, shadow or light) and very few may wield two kinds of magic. Soarn herself is an earth- and light-type Desikah. The Desikah are very much hated due to a terrible reputation built up by the king (and maintained using magic) and hunted if they are ever caught. But they’re actually a very peaceful group, who care deeply for the world around them and everyone and everything in it.)

- No one but her father (human) knows she is a Desikah (from her mother’s side) and she will not tell anyone for fear of being slaughtered

- Has an animal friend! Her name is Maipa, and she is a Felivus (think, a cat with the back legs and wings of a raven), a magical race of creatures known for their healing abilities and intelligence. (She and Atla talk a lot). Soarn saved Maipa when she was just a kit, mending her broken wing, and Maipa imprinted on her and will stay with her through thick and thin, until death

- Her mother passed away when she was young, and her father is very cold towards her. He taught her how to hunt, however, and she wields her bow expertly, her connection to the earth aiding her in shooting true and striking her prey every time.

- She joins the quest later on, saving Edwin from a blow from a bandit that would have ended his life. She and Edwin do not hit it off well initially (entirely on Edwin’s part) but they both have terrible fathers, and they bond over that.

- She does not have a lot of self-worth initially, due to her father and the terrible community she grew up in. (the others will bash self-worth into her eventually).

Fun lore details:

OKAY SO. The king is clearly a terrible man, but it’s much worse than you think. Hundreds of different races of magical creatures used to roam the land, until the king used the magic in the feathers of Atla’s wings to cast a massive spell upon all humans in his land—one that imbued a deep hatred and distrust in any magic. The creatures were hunted nearly to extinction and banished from the lands. Why did the king do this? He felt magic of any kind was a threat to him and his rule, and he is very much a power-hungry, evil man.

Some magical creatures still live in the kingdom, one most humans don’t know of at all (Atla knew of Felivi as they were around when they were first alive). But most have been forced to other kingdoms, or into hiding—there is an underground community of thousands, hidden away beneath the desert, that the king has no idea of. And they would all love to get revenge on the man who forced them out of their homes :)

(And thank you for asking! November has been MISERABLE. We’ve been hopping between wet and freezing, and then scorching hot and humid T.T I, naturally, have come down with a cold because of the jump in temps. Hoping you’re handling it better!)

[runningupthatvecna]

get the peach(es)

bestfriend!eddie munson x reader

it's the day after chrissy got vecna'd and you and the gang decide to check up on eddie at rick's. he's still in so much distress that you can't help but selflessly stay with your best friend (who you've been harboring a crush on for quite some time) and keep him company. 6k words, not proofread.

cw: the good old friends to lovers trope, eddie is an anxious bean who just needs to be held (by you, ideally), mutual (and not so secret at all) pining, i wrote this with fem!reader in mind (she/her pronouns) but can also be read as gn i guess, fluff, hurt/comfort (for eddie), pet names, mentions of chrissy's death, there shall be kisses and a lot of softness. nothing too explicit but minors are still advised to LEAVE

a/n: totally not self indulgent, that scene of him being so terrified in 4x02 ripped me to shreds so this is my fix-it attempt, trying to still my need to hold him and scratch his head. disclaimer: this piece of writing is based on the ending of that episode, meaning all credits for the setting go to the respective writers. sources to the header images here, here and here. lovely divider by saradika. ok thank you so much for reading byeeee love y'all <3

–––––

The overwhelming need to befriend the satanic metalhead found you at that party at the Wheeler house. You had almost said no to Nancy when she invited you, knowing damn well how the night would end. Steve passed out with a girl on his lap, Robin silently pining after Vickie from some corner of the room while clinging onto the red plastic cup in her hand, Jonathan getting higher than a kite with his old school mates, the younger kids asking you every five minutes if you could give them a ride since you usually were the one staying sober.

Additionally this time, there would be Eddie Munson. This familiar stranger Dustin, Mike and Lucas had met and somehow befriended over the last months, due to them joining his DnD club. "He might come off as a bit intimidating ... but I promise he's super chill and easy going!", Mike had tried to convince his sister, poking the tip of her shoulder repeatedly with a bunch of pleases during lunch break in the editing room of the school's newspaper. Until she rolled her eyes theatrically and agreed to let the ambiguous stranger, which the whole town collectively perceived as not really fitting in (and who you both certainly knew under the not so chill reputation he carried around), attend the celebratory events at Casa Wheeler. Occasion: Karen, Ted and their youngest leaving the house for more than one day, off on vacation.

You'd always kinda stayed out of his ways, used to observe his antics back at school with a silent laugh and this .. intrigue poking at your guts. To you he always stood out, and if anyone asked you'd be hesitant to admit it, but his willingness to go against the flow and not conform to the acceptable standards set by society was honestly impressive. And besides, surely this whole mysterious drug dealer rockstar image must just be a fassade and deep down he's just a dork, right?

His eyes follow you through the living room, an echo of your name crossing his mind repeatedly after having pulled Dustin into a corner for a brief interrogation. He finds it endearing how quickly and almost bashfully you look away every time your curious gaze meets his. As you redirect your focus to the conversation you're becoming engaged in, there's a soft smile creeping onto your lips. Little did he know it would soon start to haunt him in his dreams at night.

"Anything specific you're looking for?"

God, his voice. The close proximity invites your nose to inhale a mix of fresh cigarette smoke, bergamot and sandalwood, allowing you to sense what can only be him standing behind you as you skim through the cabinets of the Wheeler kitchen. You turn your head for your eyes to confirm your assumption and what they find is the deepest brown of round baby cow eyes they've ever met, up so much closer now. The paring of his gaze and plush smile somehow manages to dissolve every little prejudice you've been involuntarily harboring about him. Eddie Munson, the town's freak. Prime reason for the existence of the satanic panic. Drugs. And then you realise that you should probably do the polite thing and give him an answer. "Yeah uh, I was just trying to find the peach syrup", holding his gaze with a small lopsided smile, lost in its warmth which you wouldn't have dared to expect from it, before facing away from him again. He snorts a little, "peach syrup?", pauses to bring a thumb to his upper lip, lightly scratching the skin above as if to wipe something away, before he removes it again and the dimples appear around the corners of his mouth, "that is oddly specific." His response spreads a smile over your face, and the next thing he says widens it, "looks like you have taste though."

You move one step to the side, about to investigate the insides of the next cabinet, the kitchen itself almost empty of people with only three others chatting away in the corner across the island. He follows, undoubtedly trying to stay close, and the heat from the fire he just ignited somewhere inside of you rises to your cheeks. "Thanks, I really like peaches. Especially in my drinks. It adds a little ... kick to my sobriety", you explain, Eddie now quirks an amused eyebrow paired with a lopsided smile at you, and as you get to the last cabinet it dawns on you (and also Eddie) that this household severely lacks peach syrup. An atrocity. Thanks Ted.

After he helped you rummage through the entirety of the kitchen without success but under a lot of small talk, the metalhead vanishes from the function for an hour or so. At least that's what your brain concludes when your vision fails to spot him among the people who are in attendance. Maybe he's selling out of Nancy's bedroom. Maybe he's puking up his insides in the bathroom because he had too much of that weird beer he's been downing all night. Maybe he's banging some random girl in the bathroom upstairs. Or summoning a demon. Or both. At the same time. You once again try focusing your attention back to the conversation you are involved in. Munson already feels so dear to you that the lack of his presence is starting to form an ache in your heart. It's tugging on those strings with how much you already want him near you. Yeah. You're gonna be in trouble with this one.

And then he stumbles into the room from the direction of the front door, an event you're totally unable (and unwilling) to miss. He doesn't look like he just puked, nor sold a whole lot of the stash since you notice it still bulging out the left ass pocket of his black jeans. Instead, as he pushes past the small groups of people socialising – and towards you – while you notice a red net of round fruits dangling from his right hand, and you start to think that his disheveled hair and that rosy tint on his cheeks might actually not be from shagging either. He meets your gaze again as he approaches you with a grin and your heart dares to swell at his attentive gesture (you think you might as well pass away on the spot).

"Have some, peach."

It's not syrup, but you'll take them anyway. And with your next drink, you swallow down not only that peachy sweetness on your tongue, but also whatever this tingly feeling in your chest is.

"Chchhrhch.."

Pause.

"Hey, uh– chrhchhr.."

Silence in your bedroom, the only thing illuminating the space is the moonlight softly falling through the window.

"Chrch– a-are you there?"

You stirr awake from dozing off in your bed, trying to piece together the information your senses are giving you.

Eyes gone dry, you have to blink a few times. Figure out which year it is and so on.

Confusion lies between the static crackle for a moment. That nap after your shift at the diner was necessary. God, you need to fucking quit.

"No I'm sure she'll pick right up, just– hey pleeease b-be awake, goddamn it!–"

Is it already past midnight?

You don't know and you can't tell, the clock on your nightstand still broken. What you do know though is that the familiar voice belongs to your friend Dustin and it's desperately trying to get ahold of you.

They must have found him.

"Dustin? I copy, where are you? What's going on?", you finally grab the device from the nightstand, fully awake and aware of your surroundings now.

You need to know. If he's okay.

There's that all too familiar instant tingle in your chest again, an ache that made itself familiar to you for the first time when he was introduced to you at the one and only Wheeler party several months ago. The dungeon master of Hawkins High's Hellfire club, the lead guitarist of Corroded Coffin and a super chill and easy going guy, to put it in Mike Wheeler's words.

What you didn't expect back then was your heart starting to develop that feeling, that tingle you'd always get to feel when you were in his presence, or like now, when his name is threatening to spill from your friend's lips on the other side of the connection at any moment.

"Aha! See? I told you she'd respond in no time."

You can practically feel Dustin's shit eating grin through the frequency, basking in being correct over Steve Harrington once again. It never gets old between these two.

"Oh my god", Steve's muffled voice is what you can make out vaguely from the off, he's probably palming his face.

"Dustin!", your voice disappears into the device, and your impatience grows with every passing second, hoping he gets the hint.

There's the sound of a door falling shut, leaves rustling under shoes, he must be outside now.

"Alright, okay yeah, so we found him at Rick's and he's really upset and he's been asking for you. I know it's late but can you meet us out here? And maybe, uh, stay with him?"

It's not even worth questioning. You're already wearing shoes. Your biggest hoodie in tow, you stumble into your kitchen with the intention to raid your own snack drawer. Pulling out Eddie's favourite, which you of course had stocked up on ever since hanging out with him at your place had become more of a weekly routine for the both of you.

Ten minutes, you told him. You'd be there in ten.

The drive feels like forever. The longest ten minutes of your life, you think.

You know the route like the back of your hand, having driven along the gravelly road leading from the last intersection before Hawkins' border to the outer world, to the serene woods surrounding Lover's Lake countless times. Eddie would take you here ever so often, for picnics, an occasional smoke after picking up a new delivery from Rick's, cloud or star gazing, listening to Metallica and Tears for Fears on Wayne's old walkman.

The gravel crunches underneath your white reeboks as they land on the ground. You close the door to your car as quietly as possible after you've taken out the bag and your hoodie.

Dustin and Steve are stood outside the boathouse, waving like madmen in the darkness once you come into their periphery.

The younger boy hugs you tightly.

"So glad you could make it", he gets out, the relief palpable through his voice as well as the grip he holds you in for a brief moment.

You look at them both after Steve presses you against him cordially, and breathe out through your nose, making your nostrils flare.

Dustin cracks open the case to you as he starts to ramble about the state in which they found your best friend, "well first he attacked Steve with a broken bottle, we had to put in great effort to convince him that we'd be on his side, and we came to the conclusion that he was in the wrong place at the wrong time, basically."

What you want right now goes without saying. Everyone here knows how close you and Eddie are. As friends, of course. No one would think anything different.

Without wasting another second, the boys lead you inside where Max and Robin are knelt on the wooden floor. Heads turning towards the entrance of the room where you're now standing.

The sight of what's offered to your eyes, sitting opposite of them, breaks your heart.

You can see that he's slightly shivering, eyes glassy in the dim lit room. A small smile tugs at the corner of his lips though once his brain grasps your presence, and he can't help anymore but let the water fall once his eyes lock with yours.

The pain that is swimming in those two deep warm brown oceans hits you like a dagger to the chest. Over the months of being friends with him you'd seen him various different states, none of them comparable to this.

"Peach", his shaky voice announces your arrival and the sound of your nickname spilling from his lips cracks through your bones. The bag that's slung around your shoulder drops onto the wood with a dull thud.

Wobbly legs carry him towards you with a gentle shove past Robin and Max. You're once again reminded of your best friend's sheer physical strength as he wraps his arms around you, instantly burying his face into the crook of your neck.

One arm of your own sneaks around his torso, pressing him against you as tightly as your own strength allows you, while your other hand comes up to bury itself underneath the mane and to end up scratching soothingly over the scalp above the nape of his neck.

Eddie lets out a muffled sob, sniffling into the collar of the sweatshirt you threw on in a haste. He doesn't really want anyone to see him like this, certainly not Steve Harrington, so he clutches onto you so tightly that he thinks you might just feel his heavy heart beating anxiously against your chest.

And you do. How could you not with the amount of world he means to you? Like an automatism your other hand rubs slow circles over his back. Comforting him in the best way you could. Not a conscious decision you make.

"Okay so, m'not meaning to ruin the party, in fact I'd love to stay for another round of doom talk, but I really should get home soon, guys", Robin scratches the back of her head after she gets up from her huddled position next to the wooden crate Eddie had been sitting on. Max joins in and agrees, mumbling something about having to move her mom from being passed out on the couch again into her bed.

"Yeah me too, actually. My dad's gonna be fucking pissed. We'll see you tomorrow, yeah?", Steve's voice echoes through the room and you can tell he's already shoved Dustin back outside, itching to drive the kid home.

As Eddie processes having to stay in hiding, added the possibility of everyone leaving without him, his grip on you tightens even more.

"It's okay, Eds", you speak softly, head slightly tilted so your cheek rests on the dark frizzy mop you could call his hair. The skin on his neck and scalp so warm underneath your fingertips as you keep scratching it, emphasizing your presence, "I'll stay."

A soft muffled whimper is what you get as a response, and the way he lets you see him in this state melts your insides to a puddle.

You just need him to be okay.

They wave their goodbyes behind your back, accompanied by mumbles of "see you in the morning", and you can't even bring yourself to turn your head around, fully focused on making the young man in your arms less terrified of the world. A world he was sure was now going to come for him with all its force – in deep conviction of him being responsible for Chrissy's misfortunate end.

The door falls shut and Eddie muffles a quiet thank you into the fabric of your sweatshirt. The skin on your neck is damp with his tears, wet eyelashes tickling every time he blinks.

"It's okay, Eds", you softly keep repeating your words to him while continuously rubbing over the denim of his signature Dio vest in a slow motion, when he feels the urgency to claim the truth into the collar of your sweater about what has happened, "I– I didn't do it, I swear."

As if you would need any convincing.

"Oh no of course you didn't, I know that", you're looking for a way to ease the distress this entire situation is causing him, his quivering voice adding to your desire to soothe him to inner peace, "can I make a suggestion?"

Eddie nods with another sniffle against your collarbone, the round wet tip of his nose brushing against the column of your throat lightly. To his ears, your voice sounds like silk right about now.

"How about we head over to the main house and get ourselves a little more comfortable? Since we're gonna be here for a little longer? My god you probably haven't slept or eaten at all, have you?"

You can feel him nod his head again with a hum this time, and you start to think that the tears might not just be pouring because he just witnessed someone suffer a gruesome death right in front of him, but also due to physical exhaustion.

It makes your heart ache even more, that tingle still present, even more so now. It hurts to see your best friend hurt.

He just needs to be okay. And in that heart of yours there's that little spark of hope that leads you to believe you could be the one helping him with that.

You'd really want that. Be all his to find comfort in, to hold close, to kiss stupid

Stop.

A sigh escapes your lungs at the thought. That tingle, that longing, it's selfish. It familiarly pools in your belly and slowly drips downwards. You push your brain aside. This is about soothing your best friend now.

"C'mon then", you utter softly, encouraging him with your hand to lift his head from where it leans against your shoulder.

For your heart it's almost too much to look at, the hurt still swimming in the glassy big brown irises, his waterline red and puffy. The soft smile returning to his lips causes the wet apples of his cheeks to push up slightly, reflecting the dim light coming from the one torch Robin left you, placed on one of the crates.

He really hadn't been able to close an eye for a single second since he he'd gotten up for school the day prior.

You smile back at him almost bashfully as you slowly create space between your bodies.

Eddie is grateful that it's you who grabs his ringed hand next.

He squeezes yours, hoping to get the message of this meaning something to him across.

And he closely trails behind you as you lead the way.

The house feels empty, like no one's really been here in months. You'd never been inside. The few times you'd accompanied Eddie grabbing stash you'd stayed in his van, waiting. But as far as you now can make out in the darkness, there's a couch with knitted blankets, a little TV with a whole stack of VHS almost rising as high as the screen itself, spilled and spluttered empty cans and papers and wrappings littered all around. Maybe this is why he never let you come inside with him. Keeping you out of this definitely not sterile mess. Along with keeping you out of the business.

In the middle of the living room, you let go of his hand and shuffle one step away from him. He's inside now. Safe. Job done. Doesn't need physical contact. You shouldn't, he's your friend. You feel like something between you would break if you'd go there.

Eddie thinks otherwise, regarding close proximity at least. He promptly follows you into what you believe to be the kitchen where you hope you might find a tea bag or two. He comes up behind you and encases you in his arms as you rummage through the cabinets (feels familiar, hm?), not at all ready to say goodbye to the warmth of your body pressed against his own just yet.

You giggle at the silliness of him putting weight on you just to make it harder for you to reach into the cabinets. It's endearing. And very Eddie.

Twenty minutes later and there's two mugs – cleaned to your best ability – with steaming hot liquid on the sixties wooden coffee table. Next to them a plate filled with the almost equally hot insides of a ravioli in tomato sauce can. Thank Rick for a still functioning microwave.

You drape the knitted blankets over both you and Eddie as you settle into the cushions. The only light existent coming from two lit candles on said coffee table. It wouldn't be too wise setting up the torch you think.

The side of Eddie's face glows in the orange yellow, his wide brown bambi eyes dried after the first grand storm, and there's this tug on the corner of his pink plush lips again. He exchanged his leather jacket for the freshly washed hoodie for comfort and a small part of you hopes he doesn't spill his dinner onto any of it.

You lean back into the backrest of the worn out couch and watch as he eats, a domestic thing you've done a thousand times already, yet you still find comfort in knowing that he's nourishing himself.

Or well, in this case, inhaling the raviolis.

"Thank you Peach", he moves to put the empty plate back on the coffee table and it makes the spoon chink and glide along the edge, "I really needed this."

His voice is a little hoarse, probably from the emotions of the hours behind him. Maybe he has indeed calmed down a little. His hand moves down to your thigh, squeezing.

You give him the most empathetic smile you can bring yourself to display, painfully aware of the blaze that is transpiring through your leggings and seeping into your bones, "it's no big deal, really. I mean it is– uh, being there for you, is."

And he can't bring himself to look up at you. Instead, he stares at the empty plate on that coffee table in front of him.

"And to me as well. It really helps that you're here."

He doesn't bother moving the calloused warmth of his hand from the soft warmth of your thigh. It lights your entire nervous system on fire. In a good way.

And that's when you begin to wonder if everything that has just happened and is still happening right now changes anything.

"I'm so glad it does", is all you're able to get out.

Eddie decides that it's time to lean into your side and wrap his arms around your torso once again, drop his head back to its favourite place with a soft content little hum.

He just needs physical comfort. Of course. Just that. Nothing more, nothing else.

The words are redundant but your mouth articulates them anyway, "try to get some sleep, yeah?"

His back already lifts and falls evenly. You place your hand on the back of his head that rests in the crook of your neck again, scratching through the curls lightly, searching to help him shut off even deeper.

–––––

The candles have gone out by the time your eyelids slowly open. It takes you a moment to recall the location you fell asleep in, and you hope that the nightly darkness the whole room is now filled with hasn't invited any stranger to take advantage of your unconsciousness.

There's a warm hand holding your face, the pad of a thumb tracing over the apple of your cheek softly. It makes its way from the bridge of your nose to the outer corner of your eye, and back. And forth. And back. And forth.

You must have moved to lie down on your back in your sleep, with Eddie's weight still on your body, legs entangled. It's not the first time you've slept like this, there had been movie nights that had ended similarly.

His hand caressing your cheek though, yeah that is new. There's something unspoken in the air this time around. Your stomach is doing flip flops when you realise that he is propped up on his elbow, just .. looking at you. With eyes that don't require light to hint at whatever it is he is trying to say, or maybe not trying at all.

"Eds, what are you doing?", you ask almost in a whisper followed by a lopsided smile, expecting an unserious answer, because he always tends to make a joke whenever he tries to avoid conversing about emotions regarding his heart.

His thumb stops its acrobatics on your cheek, comes to a halt.

"I'm–", he takes a deep breath before he continues, "I'm just so grateful it's you that's here right now."

Your hand comes up to cup his. Brush over his rough knuckles with a thumb of your own. Enjoying the warmth that is seeping from his palm into your skin.

"Yeah, I figured you were gonna be a little opposed to spending the night with Harrington", you laugh, an attempt to turn your nerves into humour.

Eddie snorts a little, "yeah right, it's almost like you know me", he grins and pushes himself even closer to your face than he already is. It doesn't necessarily help in extinguishing the fire that's consuming you whole at this point.

"It's almost like we're best friends and I know what you think of him because every time Dustin or literally anyone else mentions his name around you, you're not necessarily secretive about it."

"Hey, my own worldview is not my fault, it's just– ... he just kinda seems like a douche of the highest order."

"He's quite alright, Eds. Try giving him a chance, I think he'd look great as Coffin's tambourinist."

He snorts again and you feel his breath on the column of your neck next when he dips his head down, nose pressing against the soft skin, his small giggle being swallowed by the collar of your sweatshirt.

Your favourite sound. Ever. Followed by the relieved moan Eddie lets out at the way your other hand is softly rubbing over his shoulder blade. The vibration against your neck makes you twitch as much as being pinned into the couch cushions by his body allows you.

It's soothing as much for you as it is for him.

When he lifts his head, the soft gaze he eyes you with is enough to let the goosebumps erupt. Even in the darkness of the room you can still make out those round buttons that could melt the entire north pole.

"Thank you, Peach, really. I'd be goin' mental right now and probably tryin' to counter that by smoking an equally mental amount of the stash I've been hiding here."

Your heart aches.

"I'm just glad I can be that kind of comfort to you, Eds. You don't have to go through whatever the fuck this is alone."

"I know I'm never gonna be alone as long as you are there."

You almost cry yourself now, his words making your hand travel from his own to his cheek, almost passing out from the way his eyes bore into your own once again.

Eddie isn't sure what it is that is making him feel lightheaded right now. The whole rollercoaster of events of the past hours. Or your words of affirmation. Or mayhaps it is your cute soft hand with that little ring on your thumb which is gently swiping over his damp skin.

That cute soft hand he'd been imagining countless times at night, silently yearning for your eyes to look at him differently, to finally see him in a different light the next time you'd hang out.

Probably a combination of just everything.

You reciprocate his soft half-lidded gaze, hand moving from his cheek to tuck some of his hair behind his left ear, revealing that delicate silver hoop earring you'd gifted to him for his birthday, after having talked your ear off about getting his ear pierced for literal months.

He'd insisted you join him for the appointment, "another metal moment for the books", as Eddie had called it, the need to have his hand held during the stab comically urgent in the way his voice sounded when he called you that day. And in the pace in which he picked you up.

"I'm here no matter what", you respond to his sentiment, that hand that brushed his hair away resting on the side of his neck while leaning the weight of your head into his palm that is still attached to your cheek.

Eddie's confidence reaches a new all time high with the admission of your unconditional support being stirred into the cocktail of hormones and emotions that's been circulating in his bloodstream for a generous amount of time now.

Because then he goes on by saying impossible things.

Impossible things with a slightly less platonic undertone.

"You're so fucking sweet, has anyone ever told you?"

You smile as you shake your head, heat rising to your cheeks once again and you're sure he won't be able to see just how flustered he's getting you (joke's on you he does).

You're also sure he's out of his mind for saying that. Now.

"A shame, honestly. You should scold your best friend for not telling you sooner. Tell him what a fucking idiot he is."

Eddie earns another giggle from you. Music to his ears. Better than Metallica. Okay maybe not but .. pretty fucking close.

"I'll let him know next time I see him", you say with a grin, playing along with pleasure, and you ask yourself why it is only now that you realise just how fucking close his face is to yours.

There is a moment of silence in which Eddie hesitates articulating whatever is seemingly bugging his mind.

"Do you, uh, still like him?"

If you lifted your head just a little your noses would be touching. A silly and utmost redundant question, and yet, Eddie dreads your answer. If the circumstances were different, less dystopian and tragic, you'd seriously wonder what would spark the doubt in your friendship in him, but considering that everyone else would be going to pour their judgement over him, you understand.

Every word exchanged between the two of you at this hour is soaked in mutual infatuation, something the idiots in both of you are slowly starting to fathom as well.

"Of course I do, he's everything to me."

As you say it, you can't help the grin which reappears reliably each time you finish verbalizing your thoughts. It's contagious, you notice.

"And do you think – just hypothetically of course", it's only then he breaks eye contact to clear his throat, "of course", you interrupt him still smiling and cocking an eyebrow at him, "d'ya think it would be okay for this best friend to, uh, maybe...", Eddie pauses, internally watching the ship containing his confidence set sail slowly and ultimately letting the irrational thoughts win for tonight, "would you let him..."

Eddie generally wasn't someone who lacked confidence. It showed in the way he boisterously wandered the halls of Hawkins High, the way his demeanor never changed, his mask never faltered no matter who was around. Except for you. You who he had always granted a look underneath the impulsive, extroverted surface.

"Eds", you try everything in your power to stay calm even though everything inside of you is screaming right now and you're certain you can feel your pulse in your earlobes.

"Would it be just insane of that best friend to kiss you right now?"

You want to squeal and kick your feet, pull him into your face, pinch your own forearm, pass away, leave the house and never return, and stay right where you are forever, buried underneath your favourite metalhead, the parts where your bodies are touching practically on fire, cosy and content.

Instead, the most fond smile spreads over your lips as you try to contain your internal overwhelm.

It's still dark, the only light source being the full moon outside. Eddie's so hopeful of your reciprocation and even more terrified of ruining his entire life at the same time, those deep doe eyes at this point pretty much resemble the shape of the space rock orbiting earth. Rejection from you, his pretty Peach and the Bonnie to his Clyde, would be unbearable.

"I think so," you almost whisper, the hand that's been rubbing over Eddie's back coming up to lightly trace one of his eyebrows with your index finger because you just can't seem to not touch him in some way, "but you should know that I love his insanity."

Your small giggle is being silenced by a soft and cautious kiss from Eddie Munson. Like he doesn't want to break you. Or he's afraid you'll snap out of a haze, slap him and leave if he starts kissing you like he really wants to.

And then it's you who goes for it, you feel at home, right where you belong, you don't think you've ever felt this good. The hand on his jaw tugs him closer softly, pressing your lips to his with a bit more urgency.

It gives him all the confirmation he could possibly need.

That tingle, it grows and fills up your chest and shoots through your entire being, goosebumps and all. Eddie moans and breathes against your lips, tongue dancing over the thin skin, asking for permission.

His ringed hand digs deeper and slowly moves to the nape of your neck, intending to hold you in place, afraid you could slip away from him if he didn't. This blossoming thing between you could slip away from him. If he didn't.

It's so soft, the way his lips touch yours, and before you know it they move to your cheek, to your jaw, down your neck before Eddie comes up again, smiling from ear to ear, to gently bump his nose against the tip of yours and his lips return home with a soft and deep hum escaping from his lungs into your mouth.

Relief floods his veins along with whatever it is you're doing to him. The ability to shut out the insanity of the past hours is what he so desperately wants to cling to for as long as you allow him, even if the dawn will remind him of the horrid reality he's involuntarily become subject to live through now.

"You're making things so much better, Peach, you're so sweet, so fucking cute, so fucking good for me, do you even know for how long I've been dreaming of this?"

Eddie greedily pulls your face into his again, not even giving you a chance to reply and not nearly getting enough of your affection it seems with how fervently his tongue searches for yours.

A gentle collision of skin.

The soft whimpers you let out only spur him on. You not backing away from him, staying with him, letting him be this close to you?

You, the only constant source of consolation Eddie's ever really had.

Life changing.

Soft touches follow soft touches, your thumb traces his jaw repeatedly.

"You don't–", kiss, "for how long–", kiss, "I've been dreaming–", kiss, "of you as well", you breathe against him and Eddie thinks he might be about to resort to sniffling into your collar again with the amount of relief he is experiencing.

You'd let him.

"Yeah?", he presses his nose into your cheek with his eyes closed, smiling from ear to ear, relaxing his entire body into yours as you let him slide inbetween your legs.

"Yeah, you know how much of a sucker I am for peaches", you grin, another peck to his cheek, his jaw, his neck, your hips slowly finding a rhythm against his own.

Eddie groans at your allusion with a wide grin on his face (and the feeling of your warmth against his dick), before pressing his lips against yours again lovingly, "me too baby, me too."

–––

taglist (thought you might be interested): @josephfakingquinn, @ghost-proofbaby, @analogkraken, @wroteclassicaly, @songforeddiemunson, @joejoequinnquinn, @somnambulic-thing, @trashmouth-richie, @eddddiemunson, @ceriseheaven, @userchai

comments, reblogs and other forms of affection towards the author are greatly appreciated thank youuuuu <3

[swiftmitsu]

Part 6.5 of Missing Killer

a little check in back at the castle~

_______________________________

Next ->

<- Previous

Start

[doomedclockworkdotmp3]

heeyyy gaaanggg

the pose and the background of the album version (left) are based on oingo boingos only a lad album art. not cause i think he has anything to do with it but just cause ive been wantin to draw that pose for like. weeks and i didnt know who to put there. so why not my latest bug man.

[toxintouch]

hii!! I just read cold spots and it was AMAZING!!! Im not sure if you wanted to continue the fic, but if you don’t mind could you continue with Veres part? I don’t know what you would write about but I just feel like that fic has so much potential to be a little 3 part series or something 🙏

<- Cold Spots TYSM ANON!! I put the Vere End at the beginning for ease of reading. For the sake of folks who would like to read this as a stand-alone... I think u can? With the knowledge that the premise of Cold Spots is that Mhin and MC/Sparrow went ghost hunting. Vere is said to have been responsible for a handful of local ghost stories, so…of course he makes some mischief.🦊 Also MC needs some Winter wear, stat.  A very light Possessive Vere warning in this btw, though perhaps in a roundabout way.  Plausible deniability is so important to him.

You putter around in your room at the Wet Wick as you go about your nightly routine. The occasional cheer or thud from below only accentuates your nervous energy, punctuating your reluctance to settle down and get into bed. You smooth the covers with your bandaged hands and fluff the pillow before extinguishing the lamplight. You tug the bedding up above your shoulders, fighting to get comfortable. As your eyelids finally start to droop, the flicker of a shadow catches your attention.   It dances and sways and bends and grows until suddenly it is right in front of you.  On top of you. Silken, blood red drips down onto your face, a knife gleam smile too close for comfort.  You breathe in a gasp, wondering if you should scream. “Vere, what–” “Shhh,” he coos, pressing a finger lightly to your lips.  His breath is hot against your skin. “I only came to keep you warm, pet.”

Heat Signature

“Poor thing.” Vere purrs.  “Your lips are so cold.”  He leans ever closer, his mouth hot over yours–hovering.  His other hand reaches for your face as well, nails trailing against your cheek in a teasing caress.

You feel even the thought of being cold leave your body, replaced instead by the unusual thrill he commands, that strange enthralling sway.

That heat you’ve come to associate with Vere; sweet tendrils of want that nestle in your bloodstream.

You squirm a little, though you can’t move much with him looming over you.

(You should probably do more to protest his intrusion into your room, you think to yourself, though, the majority of you is–curious, daresay even far too eager to–)

“Whatever trouble did you get up to that left you in such a state?”

At this you scoff, tilting your head back into the pillow and effectively knocking Vere’s finger from your lips.  

“As if you don’t know,” you accuse.

Vere looks entirely unperturbed by you shaking him off, his lithe fingers traveling freely along the newly displayed skin of your throat, making your pulse jump.

Vere chuckles at that, dark and silky.

“Being tight lipped about your adventures, hm?”  He angles your face just so, ensuring you meet his sharp eyes, his nose brushing up against yours.  “Not that it matters.  It so happens I do know what you’ve been up to.  Trespassing in places that don’t belong to you.”

“...It was an abandoned building.  I don’t think it really belonged to anyone.”

“And that’s where you’d be wrong,” Vere says, “everything in this city belongs to someone, darling.  You just don’t know what belongs to who yet.”  He peers down at you with laughter in his expression, though there's a distinct edge to it that you can't quite place.

“So, you're here because that building belongs to you...?”

“Hmm, amongst other things.  However shall I make you apologize to me for this most egregious offense?”  He asks airily, shifting until he’s beside you rather than perched over you, resting his cheek in his hand and letting his eyes slip closed. He's the absolute picture of unbothered leisure.  

(You’re not fooled–he’s simply waiting for you to let your guard down before he pounces.)

You open your mouth to deny any debts on your part (though, if your ghost hunting spot was indeed Vere’s hideout, you really do feel guilty) but Vere cuts you off before you can speak.

“Alas, I suppose it’s not mine anymore.  Within a week it will reek of wet dogs and cheap booze. It's a lost cause now that those drooling reprobates know it's inhabitable.  A pity.  By Eridia's standards it really was divine in its heyday.  Good wine, music, dancing.  There was this portrait artist who would paint the performances…”

His tone remains light as he reminisces.  But the look he pins you with is dangerous: his eyes gleaming bright, his canines bared in an irreverent grin.

“I had such hopes and dreams of reviving the place myself.  Some of the dances were very scandalous.  You never did share with me your stance on dancing, did you?”

You stumble out an approximate answer.  It’s…harmless information to give, isn’t it?

Though, judging by how pleased Vere looks, you wonder if you should have refused to say.  He looks positively wicked as he ponders your answer aloud.  “Oh, I’m sure you’ve got plenty of talents to share.  In another life, perhaps I'd have put you on stage.  Though, I admit.  I find myself partial to a private show.”

And–as expected–the moment you let your guard down, he's in your space again, crowding you.  Heat and proximity and the softest brush of his lips against yours, light enough to send a thrill down your spine, curiosity and a want so deep it surprises you.

“Well?”  He purrs.  “Care to audition?”

You can't hide behind the excuse of supernatural sway or charm or the thrall of hypnotic sunglo eyes.  It's not Vere's power that controls you. It's your own gnawing desire; starvation and longing that draws you to him despite all sense.

Kissing Vere is heady.  Dizzying.  

Kissing Vere is like being in conversation with Vere–a constant of giving and taking, being chased after and running to keep up.  It’s enticing and alluring and decadent and never quite enough, over too soon even as you feel yourself losing air, the rush of blood and sensation threatening to overwhelm you.

He gives a parting nip to your bottom lip as he pulls away.

Then another one, playful, to your jaw.

When he presses his face into the side of your neck, you expect him to bite again.

What you don’t expect is for him to nuzzle into you, inhaling deeply before heaving a great sigh, his tail flopping lazily to land across you with a thump.

He’s officious as he rearranges the covers, ensuring your arms are tucked carefully away from him before he’s willing to fully settle into the bedding, pulling the blankets up around the both of you like a den.  He hums something low in his chest as he tucks himself up alongside you, long tail curled around your waist. 

It’s rhythmic–

purring.

And it’s…soothing, actually.

The weight of him, the warmth.  The incessant lamplight of the Amaryllis District, shining ever present through your window, is dim–tolerable, even, courtesy of Vere's magnificent shadow manipulations and the blankets sheltering you. 

The constant noise seems to fade away as well, obscured by the sound of purring. “Falling asleep when you have me in your bed, pet?  You really do try your luck…”

[gavinette]

It is so incredible to me how Solas and Lavellan have their own code to communicate to each other. Not only explicitly in lines of dialogue, like the elvhen they use in a room full of people just to have their private moment, or the hallelujah cadence they use in certain moments (like when you meet the Inquisitor the second time).

I'm talking about Lost Elf and the music that plays in the "Atonement" romanced ending in Veilguard. Two instruments having a dialogue while time is running. How the tune changes when Lavellan appears in the scene, shifting from the big Dread Wolf vibes to a new arrangement (dialogue?) of the Lost Elf. The music even stops for one second.

I'm obsessing over this little detail, I know, but I think it shows, even if you don't understand Solas or Lavellan body language to each other in the finale, what is happening. They're having the same debate all over again but it is different, the music is telling you it's different. More elements influence it. Lavellan knows better now, the violin is different and it doesn't have this desperate vibe to it.

I always admired Hans Zimmer since I was a little kid and getting to play Veilguard, save Solas from his worst fear and Hans Zimmer taking his time to do something specific for the solavellan ending makes me feel like it was my birthday.

[bi-scottsummers]

Hi, hello, just came here to say that I love your fic "trending in Japan". I was wondering if you had headcanons regarding Kenji or Emi or interpersonal relationships and stuff. Many hugs for you.

hi hello, thank you for the encouragement and hugs! After some thought ive realized I do in fact have some hcs about some of the character dynamics in the movie as well as just kenji himself, cause hes captivated my entire brain:

Kenji & Emi

Emi does not have teeth but she does inexplicably have a teething phase. kenji is forced to hide all his (salvaged) fancy cars in the garage bc the corvette's already been chewed to hell and his heart is gonna give out if he has to watch any more classics get wrecked

he reads her bedtime stories. A lot of aesop's fables, because theyre short and fun and hes trying to raise his monster daughter with good morals. emi goes hogwild for these but its unclear if she actually understands what hes saying; kenji's pretty sure she just likes the silly voices he uses for different characters

they go flying together! they go first thing in the morning before breakfast - it helps kenji shake off the grogginess of sleep and emi gets to stretch her wings. shes not able to go very far for very long initially, but as she grows and gets those cardio gainz she almost gets to be quicker than him. they have races and play air tag :)

while she doesnt have the vocal range to speak english herself, it becomes clear that emi does understand it well. (kenji also develops an ear for her chirping/squawks, though body language & facial expressions play a big part in communication for both of them) during her (much later) rebellious phase she'll simply pretend not to know what's being said when kenji is telling her to do something she doesn't wanna do, which frustrates him to no end

Kenji

developed a pretty massive chip on his shoulder after moving to the states. it wasn't just bitterness over his dad staying behind, though that was a part of it. this is canon but he was picked on in school for "how [he talked], how [he looked] and what [he ate]." he felt like he had something to prove to both his father and the world. he threw himself into sports - specifically baseball - and his academics, and he did so well that it forced everyone to shut up about how he was different from them and focus on how he was better than them

^ playing off this: kenji had a bonkers fucking yonkers routine when he was a kid/in highschool. he'd get up hours before school started to practice his swing, go for a ~1hr run, workout, study, etc. He'd go to school, come home, and do it all again. this is exaggerated but my point is that this kid was DETERMINED and had the discipline to see that determination through to the end

didnt have many friends because of all aforementioned things. he had acquaintances, and he was invited to parties and outings and stuff (never went), but he spent most of his free time hanging out with his mom. he never really had a "parents are so embarrassing" phase. he always liked to do anything with his mother: going to the bank, going grocery shopping, watching cheesy telenovelas till ungodly hours in the morning, etc. she was his no.1 supporter, confidant, and best friend

he played for his university's baseball team and got scouted at 19. his mom forced him to finish his bachelor's first so once he graduated with his degree in kinesiology at 21, he was drafted to the dodgers

Kenji & Ami

both of them, up until meeting each other, were totally dedicated to their career (and child) so they had basically 0 time for friends. theyre both borderline losers but theyre juuust good enough at what they do for people to admire them instead of finding them sad and lowkey pathetic

kenji is way more into the idea of being friends than ami is. hes pretty enthusiastic about it; he thinks that they have a kind of rapport, since they share a similar work ethic and are both (unbeknownst to ami) single parents. he calls her to chat abt random things. ami initially isnt superrrr into it; she thinks kenji is kinda lonely and desperate for human connection, & it isnt until her mom points out that she has not spoken to anyone outside of work-related reasons in 10+ years that shes like oh shit, i am also lonely and desperate for human connection. so she grudgingly acquires a friend. theyre both really bad at it

need to clarify that in my mind their dynamic is 95% kenji yapping about work and drama in his personal life (circumventing the 8m baby kaiju hes raising) while ami goes "mhm mhm" and takes notes until kenji notices and is like What are you doing. at which point ami is like...... right . nothing. im listening. and forces herself to put the notepad away. she has a hard time disengaging from the reporter mindset and just hearing something intriguing without turning it into an article. the other 5% are the rare moments where theyre connecting super well - ami's psychoanalyzing the hell out of whatever kenji just said and hes like what are you my therapist. over time she starts opening up to him, too, and eventually theyre comfortable enough to be having philosophical discussions over breakfast just for funsies

before kenji reveals that hes ultraman, ami thinks hes in a gang. he keeps showing up to their lunch "dates" with like bruised eyes and fractured bones and gets all shifty when she tries to ask about what happened. when she eventually confronts him about it, hes so offended that she thinks hed be involved in something like that that he tells her about being ultraman

thats about all i can think of rn, though im sure ill think of more after rotating all the characters in my head for a while. thanks again for stopping in, i appreciate the support :)

[somethingaboutmint]

Quick ugly doodle of cassidy contemplating her sexuality at some dump somewhere

[yoselin-uyu]

Drawings from the raffle I Made ✨

1st place @aleapple1216

@eternalchaoschocolaterain @theguythatdraws

Extrass @faustinio27 @chirithy564 @cherry-pop-elf

Thanks for being part of this and being patient ☝️

[blood-mocha-latte]

~ HBO WAR ASK GAME ~

created and chosen by poll vote. for band of brothers, generation kill, the pacific, and masters of the air. if you haven't seen one of the shows, do not include them in your answers :)

a. make a moodboard/edit/headcanon for who you think is underrated for any of the shows.

b. between all four shows, which one do you think did the best job of creating a storyline?

c. which show did you enjoy, but don't engage with the fandom of?

d. what was a character arc in any of the shows that left you unsatisfied?

e. what was a character arc in any of the shows that you loved?

f. rank all four shows in order of favorite to least and explain why.

g. masters of the air and generation kill both seem to have more discourse surrounding them than the other two. which did you enjoy more, and why?

h. if there was going to be another hbo war show, what would you like for it to focus on in history and why?

i. tag some of your closest mutuals and choose a show portrayal from any of the miniseries' that reminds you of them.

j. do you read fic for any of the shows? if so, rec a few of your favorites.

k. which books, if any, have you read for any of the shows?

l. would you say the hbo war fandom is more or less hectic than your previous/other ones?

m. what do you think is the best quote of each show?

n. if you create content, which show do you have the most wips for? choose one to talk about in depth.

o. say something nice about a ship that you don't understand.

p. what's a headcanon you have for any one of the shows?

q. acknowledge something nice about your least favorite of the hbo war shows.

r. do you engage in overall fandom events? (gift exchanges, appreciation weeks, etc.) why or why not?

s. tag a blog you don't often interact with, but love the content they make.

t. if you had to name a pet after any one character from any one shows, what would it be and why?

u. acknowledge a flaw in your favorite of the hbo war shows.

v. post a snippet/wip/headcanon involving any one of the shows.

w. what's an hbo war url that you like/would change to? if you have an hbo war url, why did you choose it?

x. choose one screencap of any of the shows that you would frame and put on the wall.

y. what's a wip (edits, art, fic, etc.) you have for any of the shows that will never see the light of day?

z. tag some of your favorite artists/writers/editors in the fandom and give them a compliment.

[burstfoot]

Original tweet underneath cut

[deoidesign]

Hello! I just discovered your blog and I immediately became captivated by your webcomic, but I'm unsure where to read all of it. I know it's on Webtoons, but I can see it hasn't been updated for a while, and you still post about it.

Are your physical novels just prints of the webcomic? Are they a continuation? Is the story complete? Thanks in advance!

Hi there!

Glad you found me and are enjoying my comic!

It's only on webtoons, and the story is not complete yet! We're 2/3 of the way through right now. It's currently on hiatus, and it's scheduled to come back in about 2 months!

I'll explain why it's been so long if you're curious, but also for my followers who might also be wondering about it under the cut. Sorry, it's pretty much just me complaining haha

I took a month off I took 2 months to get the books printed I took a month to prepare my next comic and I took 2 months to write the rest of the series (I knew the character arcs I wanted, but not the time periods or mysteries!!!) I've been working on actual episodes since then

I had to take some time off because of some pretty extreme burnout due to the sheer amount of work it was to draw over 800 pages and write 6 complete stories in a year and a half... I was getting sick almost weekly due to the overwork, it was really really bad honestly. I was having to work 60+ hours every week just to keep up...

The nature of the comic itself is also difficult... Each of the arcs is a complete, self contained story which can be read (ideally) without context, and my arcs need to be about 10-13 episodes each... And since I have an exact number of episodes to work with, it's even harder.

It takes a ton of planning and a ton of refinement, and working week to week with no breaks I was forced to put out second or even first drafts, so I just wasn't happy with the work I was doing... And to do that for the rest of the series? I wouldn't be proud of the work I did.

Plus... To be entirely honest, webtoon has treated me quite badly IN MY OPINION... They deprioritized me before I launched (I had to beg for more promotion, I'm not exaggerating), they outright denied me the opportunity to even ask for a raise, I don't make any money on fast pass and they pay me less than my partner makes working at trader joes. My first editor left me completely hanging, my second editor (who I loved) was fired... And they told me I wouldn't get a third season before my first season even finished. So it was just repeatedly completely demoralizing.

I'm sorry it has taken so long, it'll have been 10 months by the time I come back. But I realized... I won't get promotion either way. I won't get more episodes either way. I won't get more money either way. So to finish everything, to make it feel good, to make it something I'm proud of, I chose to take longer to make it better.

I am fully aware I will lose a significant amount of my readership for this and it might genuinely affect my career moving forward. But it's what I had to do! So I'm sticking to my guns on it, and I'm confident long term it'll be worth it. It never could have been this good if I didn't take this much time.

[marasschino]

if i may. i would like to request... a fuuka

I'm sorry it took me so long to get to this request.... So instead of one Fuuka, you get MANY Fuuka

[xenocorner]

Art Resources 01 [Facial anatomy]

Hi! First post of the Art Resources thing I mentioned a while back :) Figured I'd start with something people generally want to know more about- or something people think they already know about but could still used some lesser known tips!

Resources, break downs and tips under the Keep Reading thing :]

1. The Basics

There are thousands of methods to constructing the face. The most popular one is the little circle with the cross in the middle, and sometimes a few more lines for the jaw. While that can be a useful guideline, if you're just starting to learn the ropes it might be better to use a method that has more structure decomposition and land marks to help guide you. Here I'll leave two methods of deconstructing the face that I believe are the most useful to draw faces in different angles and perspectives as well as identify where exactly should each element be placed.

REMEMBER: All of these methods are just guidelines. In order to get different facial features, you can adjust proportions for each of these and play around with sizes.

1.1 The Loomis Method

A structural approach to drawing the head, based on first: simplifying general forms and second: identifying landmarks for the face elements. Pretty good for beginners, helps you understand the head from a more tridimensional stand point to be able to draw it from different angles.

1.2 The Reilly Method

Also a structural approach, but this one is based on understanding the rhythms of the face (proportions, harmonies, and even some general muscular anatomy). It can be a bit harder to understand and use as a building block for beginner artists, but it can serve as a way to check your proportions after an initial sketch.

Here are other two methods, a bit less known, but that go a bit more in depth about the head. If you're a beginner, I'd recommend watching the Loomis method first before diving into these other two methods. Note: these are playlists covering each method, and the videos are longer, but worthwhile.

1.3 The Michael Hampton Method

1.4 The Steve Huston Method

And here's a hybrid of a visual and structural approach too if you're interested! (Again, this one is recommended mostly if you already have a good grasp of the general structure)

Having trouble finding that reference of the head from that specific angle? Here's a 3D model that can be used as reference from any angle. Bonus: It has a built in light feature that allows you to understand which planes of the face the light would hit!

There's also a version with more feminine features.

Here's a website that lets you pick a head angle and then searches for reference images with that angle too. Allows you to pick age, gender, and other features like glasses, facial hair, etc.

2. Understanding What's Below

When drawing the head and face, what most people think of is what we see everyday: the skin. However, there's more to the head and face than just that: there's a whole structure laying underneath that builds up everything on top. Understanding that structure can lead to better execution of skin level facial anatomy.

And what's that structure? Well, bones of course. And muscles. Even if (most of the time) we don't draw them, knowing they exist and how they are placed on top of each other can help with building what we do draw. Understanding the building blocks of the face will make it easier to avoid, say, making one eye bigger than the other. Or a forehead that's too small. Or ears that are too high. Or side profiles that cut off the brain.

Something I recommend for this is making study sheets of the bone structure, muscular structure, and skin structure. For this it's important to name the main bones and muscle groups. Not because you need to commit them to memory, but because if you name them on your practice sheet, it's easier to remember later on that they EXIST (even if you don't remember the name).

Here's a 3D model of the skull

Useful guide for the names of the bones of the skull

Here's a 3D model of the face muscles with names

3. Elements of a Whole

So we now understand the general structure of a face and some useful guidelines to build it. Good! But now, a face has a bunch of individual elements with their own individual structure and stuff to look out for. Those are, of course:

Eyes

Noses

Lips

Ears

3.1 Eyes

It's important to note that the eye has a volume of its own- it's not just a sticker laying on top of the face. It can be helpful to think of the eyeball inside the eye socket when drawing it (taking into account the bone structure we learned before). When understanding the eyeball as a sphere, it becomes easier to place the skin above: the eyelids. This can help with drawing the eye from any angle.

This can also help when drawing the dreaded Other EyeTM, specially if you are still a beginner artist. If you start by constructing the eyes with spheres and approach it from the perspective of "placing" the skin above that sphere, it's easier to get sizes and proportions right.

3.2 Noses

Again, spheres can be your friend.

3.3 Lips

Spheres part 3

A funny thing with lips that often gets over looked when one is just learning the ropes of anatomy is that it also wraps around the volume of the face. Just like the eyes aren't stickers laying on top, the lips aren't either. It's important to take the curvature of the face when placing the lips from different angles and expressions. For example, when we thing of a smile, its usually this idea that comes to mind:

Which yeah, that's fine! ...As long as your subject is facing straight to the camera.

But when we have even a bit of perspective, the way the mouth looks changes, and we often don't think of that and just draw what we think the mouth looks like... which can lead to odd looking mouths, like they're pasted on. So, it's important to keep in mind the volume of the face:

This is true for all features of the face: keeping in mind the volume. But, it can be more noticeable on the mouth.

3.4 Ears

Spheres part- no.

Even if the ear is one of the "flatter" parts of the head, it doesn't mean they don't have volume. Depending on the angle of the face, it'll change how much of the ear is shown- or which parts.

All ears are different and have their quirks, but they all can be divided in three major segments, colour coded in the image. If you deconstruct the ear in these three major parts, keeping in mind they have their own volume, it should be easier to figure out which of those parts will be seen depending on the angle of your face.

4. Expressions!

Now that we understand the elements and construction blocks of the face (bones and muscles), we can play around with them a bit more. So, time to make expressions!

When playing with how the skin moves, it's fundamental to understand the muscle groups of the face and how they move, relax and tense depending on the expression. Knowing that these muscles exist and how they interact with the skin above will help you know where the eyebrow should furrow, where wrinkles would form.

A BOOK I widely recommend is Anatomy of Facial Expression, which you can find here for purchase

Or here as a PDF

This book also covers skull anatomy, so it's a useful tool to study the structure talked about in 02.

There's also an ArtStation account that uploads a bunch of useful 3D model resources for anatomy (facial or otherwise).

Scott McCloud's book, Making Comics, has a section dedicated to facial expressions too (great book in general, not only if you're interested in comics!). You can find it in PAGE 80 (or 88 in the document).

Another thing that can be helpful is studying from life! You can do that by making different expressions in front of a mirror and pay close attention to which muscle groups tense and relax, where wrinkles appear, how your skin moves. Or, if you're like me and hate staring at your face, you can also study from video references.

Here's a link to a PLAYLIST containing various videos of people making different expressions.

The previous playlist contains real people, thus, REALISTIC ANATOMY. It's important to note that even if your drawing style is heavily stylised (like anime, cartoon, etc), it's still fundamental that you understand real world rules so you later know how to bend and break them properly to implement those to your own style.

However, that doesn't mean you can't study STYLISED EXPRESSIONS too! It's actually a great idea to see how other people exaggerate certain anatomical aspects to their own work so you can also understand how to do it in yours. Here's a list with various videos of EXPRESSIONS IN MOTION for animation tests. Study them the same as the previous ones: paying close attention to how the face and muscles MOVE.

Pause the videos you study as needed! While all of this might seem more useful for animation, it's also incredibly useful in illustration, and studying things in movement can help with understanding them better, thus putting them to paper (or tablet) becomes easier.

Finally, here's some videos in a sort of CLASS FORMAT that can help with walking you through drawing expressions more effectively than a text post could lol

[myreia]

✦ D A R K K N I G H T

Abyssal magic comes effortlessly to her, and therein lies in the danger. Too much grief, too much rage, too much love. Forces bent on tearing her apart from the inside out. Her aether twists around her blade, setting the runes alight, unrefined magic pulsating in the palm of her hand. When she reaches into the abyss, she feels a strange serenity, content with the knowledge her enemies will certainly fall. The question remains as to whether she herself will be left standing at the end. —level 90 compendium

[codacheetah]

5 for the isat ask game!

5 - What's your favorite optional event?

VERY TOUGH ONE TO ANSWER. I'm gonna go right ahead and disqualify twohats bc it's a predictable answer. If I had to choose just one though I think it'd probably be the sus event. It really got my goat on my first playthrough bc I didn't realize you had to do it in ACT 4. If I remember correctly I think sus is the only optional event locked to ACT 4??? Now that I've actually done it though I'm quite fond of it.

Sus event is one that you really have to go out of your way to do. It kind of reminds me of the True Ending in SASASAP but More and I'm sure that's intentional. Like the requirements for sus quest necessitate that you're going to do it, if not the loop before ACT 5, very soon before it. You have to know pretty much everything about Time Craft and Wish Craft already, so whatever you're doing in the loops now is basically taking out any optional stuff before you hit the end. You have to pretty thoroughly remember how the script goes just so you know all the best ways to break it. I feel like if the True Ending route is Loop going through the motions so many times that they can't deal with holding their facade together any longer, the sus route is Siffrin waving a big red flag around for help. There's just no way you're going to stumble into sus without preplanning what to do to rack up your points and make Odile aware of how Wish Craft works.

So I think it's interesting how much Siffrin pushes back against Odile trying to figure him out. It's a pattern of behavior that I am well aware of where you're desperately going "HELP ME" but you're not willing to accept it when it's offered to you.

Siffrin spends an entire loop screwing everything up, to a point that's frankly kind of egregious even by Late Stage Timeloopers standards, and then they can't reckon with the consequences of it. I don't think sus event is as intentional of a cry for help for Siffrin as it is the player, mind you. But I do think it's. Very tragic. Yeah of course "it's too late" in the sense that Siffrin's about to talk to Euphie and the whole journey will end, but moreso it's that by the time that Odile can piece together all the information necessary to figure Siffrin out, Siffrin is just far too deeply entrenched in his self hatred and fear of abandonment to be dug out. I think if Odile could somehow figure it out in, like, early ACT 3, or if Isabeau was just a bit more pushy in getting Siffrin to do a feelings talk, maybe they'd actually be able to reach Siffrin a little. But they're always just a little too late, every single time.

I think the fact that you start really getting a bunch of weird points in ACT 3 gives this event a lot of buildup. For potential dozens of loops you'll see Odile brush against the truth of the situation, and then just barely miss. By the time she figures it out, it's too late. Explodes

Expounded upon slightly more in tags bc I don't like typing in post bodies I feel like a fish on land. eek