#this thing we MIGHT NOT EVEN DO

[witchcraftingboop]

If I had a nickel for every time my bosses told me to research how to start a new business for them, I'd have four nickels which isn't a lot but it drives me fucking insane each and every time. Oh what's that? You want a college dropout to look up how to start an entire fucking company in a new industry in a new state? Yeah no that sounds like something a sane fucking person would say glad we could iron that out, I'll just go fuck myself thanks so much

[lurking-loaf]

It's essential to teach them color theory when they're young so they understand how to mix colors. How else will you get art that's good enough for the fridge?

Day 6 of DCA Promptober - hues plus bonus animation of Sun imitating the Mac's wait cursor aka the Spinning Beach Ball of Doom

[welcometogrouchland]

[ID in ALT] I've made posts before about Talia/Dick co-parenting Damian moments (will never happen but let me dream) and this came to me in a vision. Took me ages to finish for some reason 😭 and then even longer to post

[starscream-is-my-wife]

Sometimes a day makes you want a Starscream to bite and squeeze

[vaguely-concerned]

huh. you know something I just consciously put together for the first time about caterina and lucanis' relationship is that through the game we get to hear them talk about each other a lot, but we get very few chances to hear them speak with each other at any length at all. contrast it with other companions whose storylines have elements of 'believed lost/long time no see relative returns!' like bellara and davrin, where we get to see both of them have several pretty in-depth conversations with cyrian and eldrin. hell I think even rook talks with varric longer in the regret prison scene than we ever get to see lucanis and caterina interact directly.

(and when we do see them interact, it's mostly one-sided -- it is, perhaps unsurprisingly, caterina who is doing most of the talking and giving all the orders, as he ruefully observes is her wont after murder of crows. including jumpscaring him with 'you're first talon now btw' and the shocked pikachu face in five acts he goes through in response lmao. perhaps it's more accurate to say that she talks at him and he reacts, than that they talk to each other much.)

it has such an interesting effect too, because in deliberately denying us direct insight or experience and only having this mosaic of description from each of them to go on, as well as forcing us to pay attention to the negative space of what is carefully not said, it's evocative along the same principle that you never actually show the monster in a horror film. if you've read the wigmaker job you have a clearer image of the more uh. worrying elements at play here going in, but there is something fascinatingly insidious and naturalistic in the way it's 'hushed up' in the game itself. she has his complete loyalty both as a member of her house and, more importantly, that of an abused child to a parent figure. he readily admits several times that she's a difficult person to live with, an even more difficult person to be loved by ("even for me. and I was her favourite")... but never once does he actively blame her nor truly conceptualize that he has every right to do so (that he can be angry with her and still love her, because whether he should or not he unavoidably does), or that she might have acted differently than she did, that she made a choice every time to hurt him. even affectionately he speaks of her as a force of nature, an act of god -- something that can't be reasoned or pleaded with or resisted, something you can only hope to navigate with as little pain as possible and pray to survive. let yourself get carried away by the riptide, resisting it will only make it worse. you don't compromise with a hurricane, you just try to find the best shelter you can and cross your fingers while you wait for it to pass and be calm again.

love is that hurricane. you do whatever she asks. you earn her continued affection day by day by never letting her down. you only want the things she tells you it's okay to want and cut everything else away preemptively. ("A wyvern tooth dagger?? I loved wyverns as a boy --Caterina would never let me have one of these, though." and as we have all wept and gnashed our teeth over, it never even OCCURS to him that he's a like thirty-five year old adult man who can buy himself any dagger he wants at any time. she said he couldn't have one. so he'll never have one. that's just how it works. and maybe if Illario could just accept that and find his peace with it like I have, this whole thing wouldn't be so difficult. oh lucanis.)

such is the price -- and the cost -- of being loved by her, it's a loan on which the interest will never stop piling up. you have to keep paying it down in perfection every day if you want to keep it. who got the worse deal there: the grandson who has abandoned everything else in life to live up to that and mostly succeeded, until the day he's so burned out and broken it threatens to no longer be an option, or the grandson who can never seem to scrape together enough worth in her eyes no matter how he begs, borrows or steals it, how he hustles and plays dirty?

one of the worst things that can happen to anyone is to be loved by a selfish god. another one of the worst things that can ever happen to anyone is to not be loved by a selfish god. (hope that helps, boys!) even in betraying everything else, Illario can't bring himself to hurt his grandmother, because that would defeat the whole point. who would he defiantly be proving himself worthy to, without her. in love, devotion, submission, hatred, frustration, bitterness, everything is defined in relation to her, you can spot the gravitational force of it through how the dellamorte family move through time and space. she -- her love and regard and attention -- is still the sun both of their worlds orbit around, even as adults. the game might never tell you outright 'she used to beat and starve them growing up. for their own good you see, so they'd be strong (and broken down enough for her to build them up again however she wanted but I'm sure that's incidental)', but if you know even a little bit about how these dynamics can work the writing is on the wall everywhere you look and all the more unsettling for it.

follow lucanis' freeze-logic and fraught interpersonal catch 22 irreconcilable mixed emotions problems back far enough, looong before the ossuary entered the picture, and you start to see caterina's ghost around every fucking corner. she is so proud of him. (well, she would be. she made him. she forged exactly the knife she needed and it rests willingly, devotedly, in her hands, it would return to her every time because it doesn't know love as anything but to be a knife. his tama never taught him how to be anything else. his biggest fear with her is that she won't even want him back, the way he is now.) to the best ability of her soul, whatever parts of it survived a lifetime of crow politics and 'five children, eight grandchildren, only Illario and me left now', I think she really does loves him. he certainly loves her, with all the sincerity and artless desperation of a child, of the little boy he was once. and what she's done to him (and to illario, for all his shitty gremlin scar-ass antics lol) is awful. the harm is real, and the love is real, and trying to find a way for these two truths to exist in the same space is driving all three of them their own individualized forms of insane. you know. the way only family can and so often does lol.

through implications and short glimpses and having to put the pieces together yourself, you can have the feeling that there is very genuine mutual love and attachment in this relationship... and that beneath that there is something so profoundly wrong. and the sneaking '...oh shit it gets worse the longer I think about it' horror of that is more effective for me at least than the stark in-your-face presentation of the facts of the matter could have been. the love is here. the love is here. it only ever makes it worse.

[starlitmeadows]

a small idea for which i had to learn how to work with the isat dialogue maker

i like the "ghost" option, but what if we look at Loop's situation from a slightly different perspective?

[shorthaltsjester]

Why are your children bound by rules you will not follow?

Critical Role, Campaign 3, Downfall Parts 1-3 // Commandments of The Prime Deities according to the Tal'Dorei Campaign Setting Reborn

[kirby-the-gorb]

[black-and-yellow]

[narikill]

aughdhshfjjsjcjdjfjsbgsknfjs <- leshy in this art probably

[3-aem]

universal healthcare is not broken and anyone trying to convince you it is is delusional and a dckrider for big health insurance. yes there are wait times but waiting for care is Not the same as being denied care.

in america your physician prescribes care and an insurer can still cuck you out of it because someone across the continent who has never met you can say: doesn’t seem medically necessary. Leaving you to handle a bill that is wildly inflated by the same insurers that just denied you.

let me drill it through your head you can pay thousands a year in premiums and still end up sick and financially burdened for years by One incident. no insurance company is Avoiding going broke by denying claims. theyre doing it to profit off your misfortune and your illness. Because healthcare fundamentally does not cost the amount that they claim it to be.

[myokk]

🫶🫶🫶

Referenced from this, La sirenetta illustration by loputyn💓

[hyunpic]

HAPPY BIRTHDAY HYUNJIN 🖤

[maelancoli]

i'm kind of late to this but i just finished reading the scholomance trilogy by naomi novik and i feel like it is such an underrated urban fantasy?? taking the chosen one trope and turning it on its head with a fmc who has been prophesied to bring death and destruction, who is imbued with terrible power, but cannot even properly use said power to solve any of her obstacles because it would obliterate them and her soul. it takes a tired trope and the idea of an 'overpowered mary sue' and throws it back in your face by showing how all the power and destiny in the world is useless against a system filled with corruption that has burdened you with an easy way out (evil/destructive magic) that you can't take so now you have to work twice as hard as everyone else just to do simple, constructive spells instead of flicking your wrist and being done with it.

[she-posts-nerdy-stuff]

A few interesting parallels in the SoC duology that I don’t think I’ve seen anyone talk about yet

(Analysis/discussion of these parallels/quotes may come later if anyone's interested)

“These creatures were made to be weapons” - Jarl Brum on Grisha, Six of Crows chapter 35

“He looked like what he truly was: a weapon” - Jesper Fahey on the Khergud, Crooked Kingdom chapter 36

“Welcome to the Hellshow” - Kaz to Nina, Six of Crows chapter 6

“Welcome to the Ice Court, Nina Zenik” - Matthias to Nina, Six of Crows chapter 34

“Is this a play?” - Alys Van Eck “Yes love, and you’re the star” - Jesper Fahey, Crooked Kingdom chapter 8 when Alys is taken captive

“What was this but a play Kaz had staged, with that poor sucker Kuwei as the star?” - Jesper Fahey on the auction plan, Crooked Kingdom chapter 36

“he looked like a priest come to preach to group of circus performers” - Inej on Kaz’s appearance in comparison to the rest of the Barrel, Six of Crows chapter 2

“started to preach” - Inej on Kaz leading a coup against Per Haskell, Crooked Kingdom chapter 27

“Whoever he had become, Matthias was not going to shoot someone unarmed. He'd not yet sunk so far” - Matthias Helvar, Six of Crows chapter 29

“I am unarmed” - Matthias Helvar, Crooked Kingdom chapter 38

"I didn't even know the rules of Makker's Wheel" - Jesper Fahey on his first night gambling in the Barrel, Six of Crows chapter ()

"He knew his guns better than he knew the rules of Makker's Wheel" - Jesper Fahey on the concept of aim and its relationship to his life and his zowa/Grisha abilities, Crooked Kingdom chapter 36

“a tiny voice inside him said he should offer to take the drug as well […] maybe he could have helped to draw the parem out of Nina’s system and set her free. But that was a hero’s voice and Jesper had long since stopped thinking he had the makings of a hero�� - Jesper Fahey, Six of Crows chapter 44

“Matthias gave you the remaining parem, didn’t he?” “So?” “[…] I can’t let my father down again. I need the parem as a security measure” “No” “Why the hell not?” - Jesper and Kaz in discussion about the auction plan, Crooked Kingdom chapter 30

I'll probably be back to add more, feel free to add your own as well

[icantalk710]

Looong day of catching up on emails and work to set myself up to be (mostly) on vacation as of xmas 😩☕😵‍💫