#this song is so good. so cute and catchy and such a cool sound

[fourteenfifteen]

you’re such a star at night baby / i can look up and relax

[journey-to-the-attic]

rating all of the om songs (so far) to pass time on the train LET'S GO

i was going to split these into separate posts but Ah who CARES they're all here now. for the intents and purposes of this post i am leaning more positive to the romance aspects (usually i'm more ambivalent). looong post ahead!

(i'm considering the lyrics based on the direct unofficial translations credited to Maon_ObeyMe on twitter, rather than the official english versions)

CHARACTER SONGS

Arcadia (Lucifer) -> Sonically: 7/10 I'm oddly into that one synth that comes in after the chorus. The violin stings are cool. Fun to vibe to! Points knocked off because he kind of doesn't sound like Lucifer, though. -> Lyrically: 5/10 Points removed (derogatory) for "lady", other points removed (affectionate) for the hilarity of "I'm fall in love u baby". You can tell it was written when they were still clinging somewhat to the dominant diet Christian Grey thing, but a lot of the lines are still genuinely romantic (while also being very Lucifer.) -> Overall: 7/10 I scrunch my face when I get to That One Line but otherwise I do pick this to listen to semi-regularly.

Are You Ready? (Mammon) -> Sonically: 6/10 Banger, but repetitive. Good rhythm to walk to. Hirotaka Kobayashi's delivery makes it. -> Lyrically: 6/10 Points docked for repetitiveness, but it's cute to see this side of him verbalised. Gender neutral high heels are a serve. -> Overall: 6/10 I don't relisten to this one quite as much as Arcadia, but I think that's just a genre preference.

My Chance! (Levi) -> Sonically: 8/10 The mixing on his voice is a bit weird, but it fits in with the chiptune sound, which I adore. Really catchy chorus. I also really like that soft bell insturment that's playing along with the main melody. -> Lyrically: 8/10 Really cute! Levi's characterised really well here. I love his little spoken interjections - Satoshi Kada is one of my favourite VAs in terms of delivery. (Levi's lines are some of the best in either of the voiced pop quizzes.) -> Overall: 8/10 Cute and fun to listen to. It's really easy to imagine a music video for this one.

Read My Heart (Satan) -> Sonically: 8/10 Really pretty piano instrumental, but I feel like there could've been a bit of variation. On the one hand, layering in some strings could've sounded really nice, but on the other, it does feel more personal as a solo piano ballad. Shinya Sumi has a really nice voice. -> Lyrically: 9/10 Very sweet, almost poetic, very Satan. The reference to cats doesn't feel heavy-handed. It feels like he wrote it. -> Overall: 9/10 I really like the bridge. It has a sort of lullaby quality as well, so it's nice to fall asleep to, or listen to when you need to calm down.

Pomade (Asmo) -> Sonically: 7/10 It's better-produced than some of the songs I've given a higher sonic rating, but this is more a matter of preference - this song isn't super my style. -> Lyrically: 10/10 EXCELLENT. The journey Asmo goes on? Starting out singing about himself and tempting you, then shifting to singing about you (You are my captive -> I am your captive) - the way it basically reflects his arc in OM S1? Chef's kiss. Beautiful. -> Overall: 7/10 I don't listen to it that often but I do think about those lyrics. They're so good. This is how you write a character song.

Hungry Six-Pack (Beel) Sonically: 8/10 I'm a sucker for that 'wah' effect on the guitar. I really like the rock sound, but I think it was done better in Barbatos's song. (Sorry, Beel.) Kyohei Yaguchi also does a really good job on the performance - you really get the feeling that this is how Beel himself would perform in a band. The interval in "darou" in the chorus is to die for, as is the "forever, forever-ah-ah-ah" in the last chorus. Lyrically: 6/10 Even in songs Beel cannot escape the "they only know how to write him with one character trait" allegations (/hj). To be fair, it'd be hard to get into his deeper character without dipping into lyrics about survivor's guilt, which I feel wasn't what they were going for. Overall: 7/10 I like to imagine him performing this at a bar. Also, total aside, but I really don't like that title.

Dreamscape (Belphie) -> Sonically: 9/10 I'm not usually a lo-fi person, but the vibes are perfect for Belphie and I really like this composition. -> Lyrically: 7/10 Really cute, but pretty basic - then again any of the songs' lyrics seem so when you compare them to the Queen Pomade. I do like how much Belphie's needy little-brother nature comes through here. "Hey, come see me, please?" Makes me want to pinch his cheek. -> Overall: 9/10 The sound alone carries it. I listen to it pretty regularly.

No.1 (Diavolo) -> Sonically: 9/10 Takuhei Yamamoto is giving it so much oomph and it's fantastic and also very in-character for Diavolo himself. He would be that enthusiastic. He would throw his head back and belt like that mic was made for him. (I find the "Sā, hora!" before the chorus really cute.) -> Lyrically: 6/10 It feels a little weird that he's doing the dominant thing in the lyrics here, but his sin attribute is apparently pride, and it's interesting that they chose this characterisation for him given he's usually so affable. (It's not like it came out of nowhere, to be fair - Diavolo basically admits to it on occasion, he seems to just hold it back, usually.) -> Overall: 7/10 Solid song that I don't listen to all that often for some reason.

Crazy About You (Barbatos) -> Sonically: 10/10 Absolute banger. The guitar solo makes me want to run through walls. Masayuki Harada's performance as Barbatos is also both spot-on and pitch perfect. That "Ahh-" leading into the chorus is gorgeous. I'm not the biggest fan of the spoken lines, but I appreciate that they're there for those truly starved stans who don't get nearly enough of him in the main story. -> Lyrically: 8/10 Perhaps oddly I really like his mix of servitude and sternness here. Feels playful in a way that I think really works for his dynamic with MC. (If only they'd utilise it in the game.) -> Overall: 10/10 It's just that much of a banger. Barbatos I'm so sorry for what the NB remix did to you. You were too powerful.

My Wish (Luke) -> Sonically: 6/10 Gonna be honest I completely forgot how this song sounded after I finished listening to it for the first time. I'm not the biggest fan of Luke's voice direction and there are parts in this where I just fully see a full grown man doing the voice. I do really like the chorus (the part that mentions sweets and cream) though. -> Lyrically: 8/10 Just very cute. Pretty much exactly what you'd expect from Luke - another one of those where you can easily imagine that the character wrote it themselves. -> Overall: 6/10 I don't think I've listened to it more than five times, to be honest. I actually quite like the NB remix for this one.

Question Love (Simeon) -> Sonically: 4/10 Simeon what the hell did they do to you. The production is fine, it's just... the autotune? It isn't like Yu Hirata can't sing. Why did they do that? Presumably it's a stylistic thing, which I'm not against, it's just not executed well. (Though it's cute to imagine Simeon himself being responsible, as tech-illiterate as he is.) It's a weird genre for a character like him, too. I was expecting another ballad, maybe with a harp... -> Lyrically: 6/10 Feels quite generic - I feel like Simeon of all characters would have had a more poetically written song, and his relationship with MC could have been particularly interesting to write about. (Though I'm not sure how long ago this was released.) -> Overall: 5/10 He deserved better. I do like the instrumental on his NB remix, though. That deep bass synth in the back is great

Our Destiny (Solomon) -> Sonically: 7/10 Really like those violins on the chorus. The blend of the strings with the more lo-fi adjacent sound is actually really fitting for a character like Solomon. Kazuki Kawata has this really nice smooth voice, and his ad-libbing at the end is pretty charming. The "hey!" on the chorus sometimes veers into youtube_kids_going_yay.mp3 territory for me, though. -> Lyrically: 7/10 I really like that he calls back to one of his in-game phone calls. It's kind of funny that he sounds so sure of himself when there's an almost insecure nature to his affections in NB especially. -> Overall: 7/10 All around good song. Another one who got done dirty by his remix.

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UNIT SONGS

Choose Me (Mammon, Levi, Asmo) -> Sonically: 6/10 I like the big brass sound, but... eh. Feels like something's missing. I like Hirotaka Kobayashi's delivery on Mammon's rap lines, but the chorus in particular feels kind of lacking. -> Lyrically: 7/10 I don't know what this 'love game' is but I don't think I want to participate. I also fully hear "gay" every single time. That aside, the verses are pretty good. -> Overall: 5/10 Not really for me, but I'll listen to it on shuffle sometimes. This one's remix was criminally bad.

Telepathy (Beel, Belphie) -> Sonically: 10/10 Such a pretty instrumental. Is that "ooooooo" in the background Belphie? It does sound like Satoshi Onishi's voice. The twins both sound perfectly in character and in sync with each other (though I would've liked for them to have a verse together.) Their spoken bridge is adorable. -> Lyrically: 7/10 It's hard to gauge the vibes from the lyrics. They're definitely singing to/about each other (they say so in the bridge), and that's clear in the chorus, but there are a few parts where it's like. Is that something you say to a brother?? Did a songwriter miss a memo? Also what does "your muscles are mood" mean. -> Overall: 9/10 It's such a comforting song to listen to. I just get a bit distracted by "your muscles are mood" every time. Belphie. What does that mean. Please

Passion (Lucifer, Satan) -> Sonically: 8/10 Really big fan of the piano. The breathing sounds caught me off-guard at first, but I know to expect them now. I really like both VA's performances. Lucifer sounds like Lucifer again! -> Lyrically: 7/10 I find Lucifer's line "I said that I’d listen with patience and silence, but you've got some nerve to actually continue" kind of out-of-place - it's more consistent with his characterisation in early NB than anywhere in OM when this was released, which is interesting - but the rest is pretty good. I really couldn't imagine singing this alongside your own sibling though. -> Overall: 8/10 I don't tend to choose this one a lot, but I don't skip it if it comes on in shuffle.

Take It Easy (Satan, Belphie) -> Sonically: 8/10 Really fun bouncy instrumental. I really like the rapport between these two here. (Would you say Belphie's in falsetto? Either way, I love how he and Satan take the higher and lower registers respectively.) -> Lyrically: 10/10 God I love these lyrics. They're so funny. The brief moment of sincerity before they go right back to singing about how much they love pranking Lucifer. "Makes me happy" makes me so happy. It's so sweet. These little rascals. These absolute rapscallions. -> Overall: 9/10 I like the sound of Rock On better, but the LYRICS. They're so great.

Rock On!! (Lucifer, Mammon) -> Sonically: 9/10 This one's another banger. The VAs do a great job with the back-and-forth delivery in the spoken bridge (I especially love how Lucifer and Mammon both sound like they're pretending really hard that they don't give a shit on "Yoroshiku douzo negawakuba" together". Lucifer also sounds like he ran out of air on "...omae wa" a little earlier. Lol -> Lyrically: 8/10 It's really funny to listen to them both strut their stuff singing about themselves in the verses and then suddenly get sincere to each other on the bridge. Though I think this song could've really benefited from the "feels like it was written by the characters" approach. -> Overall: 9/10 I just really like it!

Trigger (Levi, Asmo, Beel) -> Sonically: 8/10 This used to be my favourite of these three unit songs sonically, but solely the delivery of "Trigger!" bothers me a little bit. It could use more force, is all. That aside, everyone did a fantastic job and Satoshi Kada in particular served on Levi's verse. -> Lyrically: 7/10 I'm not even entirely sure what's going on in this song, but I like it. I didn't like Asmo addressing you as "kitten", but I did really like Miura Ayme adding a sort of cutesy whining tone to "I'm the cutest demon in the world, right?" - Ayme in general does a great job with Asmo's character in songs. -> Overall: 8/10 Still good! I think my tastes have just shifted since I first listened to it.

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OPENING SONGS

Sinful Indulgence (OM!:SWD) -> Sonically: 9/10 It really is a bop. Miura Ayme's performance is great. -> Lyrically: 8/10 Pretty strong! "Oh baby, obey me!" is clever and very catchy. I only ever use the word sexy as a joke so it catches me off guard when Asmo says it, but that's not really a complaint. The dark-and-sinful nature of the lyrics is really funny when you compare it to the stuff these guys actually get up to in-story. -> Overall: 8/10 It's a good listen and a good opening to the game, even if the lyrics don't really reflect the content all that well.

Devil's Way (OM!:NB) -> Sonically: 9/10 Ohhh whatever that metallic bell sound in the intro+outro instrumental is, it is a tasty sound. Shinya Sumi is performing his heart out and he's doing fantastic. I still can't fully tell if that's Belphie or Levi on the start of the second verse, but whoever it is did a really good job of making it sound subtly unsettling. The bridge starts shifting into edgy territory, but the whole song is teetering, to be honest. Also, I've mentioned this before, but the "sekai de-eeee" just before the bridge is still so good. -> Lyrically: 8/10 I adore the use of "sweetiepie" in the chorus but it does detract a little from the dark vibe they've got going on. Lucifer using 'boku' in this song of all places is bewildering and hilarious. The darker tone definitely fits in with S1 and S2. -> Overall: 8/10 Something about that bridge bothers me. Other than that, banger.

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BROTHER ENSEMBLE SONGS

It's My Party -> Sonically: 9/10 It's a bop. -> Lyrically: 6/10 Relatively basic. From a cynical perspective, the brothers basically each tell you their One Assigned Trait that the writers fall back on when they can't be bothered to do deep characterisation, but that's not the fault of the songwriter. I take psychic damage every time I hear "haters gonna hate." -> Overall: 9/10 I've listened to this quite regularly since I had my friend edit me the version with "haters gonna hate" cut out. (It's a 7/10 with the hater line left in.)

Eternal -> Sonically: 9/10 So nice. I can't unhear the first few notes as See You Again, but the rest of the track is definitely a credit to itself. I feel like there could've been more orchestral build-up, but that might also make it feel too dramatic... as is, it feels more candid and personal. Like you could imagine this being performed to you in a small local theater. -> Lyrically: 10/10 There is definitely bias at play, but hearing this as OM's first sincere ensemble love song made a pretty big impression. The lyrics are so sweet. "My love" is one of those terms of affection that I love so much I don't even mind when it's used on me. -> Overall: 10/10 Again, biased, but this song just has a special place in my heart.

On Your Way -> Sonically: 6/10 It's.... fine? I like the instrumental, but the chorus feels a little empty. Shinya Sumi hitting that high note on "Let's get you on your way" each time is kind of inspiring, though. Belt it, girl! -> Lyrically: 7/10 The "eeny-meeny-miny-mo" is so silly but I love it. -> Overall: 6/10 Pretty standard stuff.

With You -> Sonically: 9/10 Gosh, another really pretty instrumental! I think the seven VAs are definitely more comfortable singing as an ensemble here, though it would've been nice to get some more harmonies... -> Lyrically: 10/10 They're so sappy but that's what makes it work, especially delivered in all sincerity like this. Something about that last line (and its delivery) feels so earnest. -> Overall: 9/10 I'm just a sucker for whatever genre you call this and Eternal. Also, I really like title callback to S2's play (I don't think it was necessarily intentional, but still).

Spooky Night Parade -> Sonically: 7/10 It's a really fun instrumental. I love the little "hehehee....... trick or treat?" in between choruses and verses. They're just little guys. -> Lyrically: 6/10 Just sort of standard Halloween-y lyrics that don't mean too much. -> Overall: 7/10 it feels more like a novelty song than something I'd listen to regularly.

Magic Moment -> Sonically: 9/10 Oooooh that's a nice instrumental. The swelling dynamics are so satisfying, the vocal performances are all lovely. I love that glockenspiel in the back. (At least I think that's what it is.) (I've imagined IK playing it while the brothers perform this before.) -> Lyrically: 9/10 Another "it's so sappy I love it" moment. "I'm so happy I could cry" Like GUYS!! Aw man I love you. They drop three I love yous and they're all great. -> Overall: 10/10 I know the maths doesn't add up but I just really like this song.

Anniversary -> Sonically: 8/10 Strong instrumental, but I feel like the delivery on the raps in the first verse are a little lacking? Asmo and Belphie's verses feel incredibly satisfying for whatever reason. Though Belphie(?)'s little "come on baby" at the end just makes me laugh. I feel like the chorus could've benefited from splitting the brothers up a little (at least for the first two) rather than having them all sing at once. I love hearing them all talk to each other at the beginning, like a behind-the-curtain moment. -> Lyrically: 9/10 "We can't live without you" AWWWWWWWW -> Overall: 9/10 Feels nostalgic even though it came out this year. Another one where the overall rating is based on pure vibes and feeling

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TRIWORLDS

All the Feels -> Sonically: 10/10 Certified banger. Is it something about Barbatos? (His "one more time" in the final chorus is kinda hype.) Feel like there could've been more variety in the instrumental, though. -> Lyrically: 8/10 The verses feel more personal to the characters than in e.g. It's My Party, but the chorus is still pretty basic. It's a little upsetting that one of Barbatos's lines here has more depth to it than most of his characterisation thus far. I find it really funny that they call the listener "buddy." Probably would've been too weird for Luke to say "honey". Also, the "We are dancing, we are dancing (uh, uh)" bridge is so dumb (in a cute and funny way) -> Overall: 10/10 Just a great song to listen to (and imagine choreography to.)

[allamericansbitch]

since y'all seemed to want this.... here's the live notes i took while listening to each song for the first time (bold are thoughts i had during later listens)

fortnight: 

‘i was a functioning alcohol till nobody noticed my new aesthetic’ what the fuck does that even mean…

love the fact she gave post the female collab treatment. don’t wanna hear what he has to say. 

they’re voices sound actually good together? 

some pockets of the melody are catchy

okay i don’t hate this 

ttpd:

her red flags are on fire in this song lol

this seems very half-cooked

also jacks weird mixing continues to plague us all

CHARLIE PUTH???? WHAT THE FUCK WHY HE HERE

tattooed golden retriever??? ……no way

my boy breaks all his favorite toys:

i blinked and it’s half over

this also is like… half cooked and didn’t need to be released tbh

i love the way she sings the second verse tho

down and:

the production does not match the vibe

did tpain produce this

i’m… kinda bored lol

like i have nothing to say this also didn’t need to be released tbh 

this grew on me a lot actually

so long london 

the production is so futuristic? 

oh im obsessed with how she sounds on this one

her talk-singing in the verses is great

honest lyrics without any clunky unnecessary metaphors! a win!!

the fast-paced verses with th slow chorus is really really cool

a favorite so far

daddy i love him

i can barely hear her? the bad mixing continues 

‘growing up precociously sometimes means not growing up at all’ oh yeah WE KNOW

is this…… is this about her dating matty and loving how people hate him… no fucking way she’s this stupid

SHE IS BEING THIS STUPID

‘it’s white noise’ yeah yeah that’s exactly how id describe him  

.... anyway y'all remember when fans really believed the little mermaid theory and this song was supposed to be about how 'joe stole her voice' lmaooo

we will pretend this one doesn't exist!

fresh out the slammer

are we getting another ‘i didn’t cheat technically’ song lol

what is this weird tempo change….

okay kinda catchy

it’s sounds exactly like you are in love at the end….. jack is really out of tricks

florida

‘my friends all smell like weed or little babies’ what the fuck is she even talking about anymore 

i’m sorry but i’m laughing at the phrase ‘fuck me up florida’

again the production sounds so detached from the vocals 

i honestly still have no idea how i feel about this one

guilt as sin

an real instrument?? wow crazy 

okay she’s kinda cute? catchy and fun, love the melody

i love when she goes up at the end of the vocal 

okay…. i don’t mind this one she’s catchy, a little too long and drawn out but cute

who’s afraid of little old me?

what is this production? it’s way too soft to be as threatening as they’re trying for 

why did jack push her vocals back so far when she’s supposed to scream…. that’s ruins the whole thing…. she’s supposed to be screaming and threatening….. not quiet and far away…. hello

this song is trying very hard to be threatening but it’s not... vigilante shit 2.0

‘you wouldn’t last an hour in the asylum they raised me’…………… upper middle-class pennsylvania? 

‘i’m drunk on my own tears isn’t that what they all say, that’ll  sue you if you step on my lawn’ okay bar?

the bridge was good but that’s about it.

i can fix him 

…………… not another matty song oh god

‘i can handle a dangerous man’…… im too stunned to speak this is so embarrassing 

wow taylor really is that girl who like ‘women supporting women’ and then dates/defends a racist bf…. a walking example of white feminism

intersectional feminism found dead.... twice....

loml

okay this is really nice? 

I WAS ACTUALLY ENJOYING THE SONG WHY DID SHE RUIN IT BY SAYING ‘MR STEAL YOUR GIRL’ 💀

if we ignore that one line we're good this is good. im refusing to let that line ruin such a good song

i can do it with a broken heart

‘bitch smile’ why are there so many cringey lyrics on this album lol

what is this song omg why do i kind of like it 

taylor please learn depressed isn’t a synonym for sad 

they recycled the mastermind production 

wait till taylor finds out most of the entire world is sad while they're doing their job and has to pretend they're not

smallest man who ever lived 

oh i think i like this?

‘you said normal girls were boring’ GIRL AND YOU DIDNT IMMEDIATELY GET UP AND LEAVE??? EWWWW??? she's not beating the pick-me allegations

'i just wanna know if rusting my sparking summer was the goal' okay love that line

i like this a lot

the alchemy

no….. no way this is real

i cannot

THE SPORTS METAPHORS WE JOKED SHED DO THAT AND SHE ACTUALLY DID IT OH NO 

touchdown ✅ teams ✅ benches ✅ winning streak ✅ the league ✅

she’s doing…… the worst thing ever this is so laughable 

the corny lyrics are on overload 

‘this time it’s heroine with an e’ didn’t she write folklore? i can’t remember 

that literally was an snl parody of a taylor song

clara bow

love how the guitar sounds… bet money this is an aaron track 

a stevie nicks reference!! a win!!!

i like this one a lot no cringey lyrics yet

nope never mind she name-dropped herself don’t like that

overall really liked it tho

the black dog

i think i like it?? this is kind of what i expected the album to be

okay for once the weird production choices kind of pay off

imgonnagetyouback

kinda catchy? 

she loves a fancy car getting wrecked line

the pre-choruses are the best part 

this would’ve been better without the jack of it all bc he loves a song that doesnt build to anything

this just comes down to personal preference: i don’t like her lighter vocals with jack’s heavy production (ie most of lover lol)

the albatross

a real instrument!!! production that matches taylor’s voice and is well mixed!!! aaron’s arrived!! 

i think it’s solid, has good writing and she sounds great. that's about it.

chloe or sam or…

took me a solid minute to have any semblance of a fuck to know what was going on but okay

okay i love this one

wayyyy more emotive than like… most of the original album

a lot of the 2nd version (or whatever this is lol) are way more emotive, maybe because her voice isnt drenched in reverb so we can actually hear her voice emote better

how did it end

this sounds like an old school adele song? 

i love this one too…. 

her being upset people wanna know what happened but then also feeding it while promoting the album oop 

i love the story of this one it's so refreshing

so high school

THE PRODUCTION is so good ugh aaron never fails 

the man here is a walking red flag girl and the lyrics are ~not it~ but the production is too pretty to hate it

fuck these lyrics are so bad lol

maybe if i disassociate hard enough i can ignore the lyrics and just listen to the production and vibe

give me a karaoke version of this song and we'd be so back

i hate it here

i mentioned disassociation and she made a whole song about it!!!! this one’s mine!!!! 

‘without all the racists’ GIRL HUH

WHAT WAS THE REASON

also... girl don’t act like we don’t know you’re fine with that lololololol

if i had a dime for every time i was liking a song to then have it slapped away because of a bad, out-of-pocket lyric…… 

thank you aimee

this isn’t grabbing my attention 

oh the bridge is interesting 

it’s meh 

i will never be thanking the people that bullied me thanks tho

i look in peoples windows 

what do you mean aaron didn’t produce this??? it’s well-made and has instruments? 

i love this one, again a really interesting and unique concept that's very refreshing to hear at this point when a lot of the songs feel repetitive

the prophecy

aaron guitar!!!! 

she’s nice i like her 

i've really grown to love how she sings this one, the melodies are cool.. however i feel like we've heard the same melody.. like on this exact album... where she upturns at the end of every line...

cassandra 

this seems very…. familiar… idk i feel like we’ve covered this (i mean there are 31 songs we’ve already covered everything lol)

this is such an aaron song, that's a classic 'the national' piano

i like her voice in this one tho, sounds good

peter

oh love i love this

now this? THIS feels the most like a taylor swift song

once again she’s at her best with a simple instrument and emotive simple lyrics

the piano reminds me of champagne problems

the bolter 

i like this! the chorus is so cute

oh i like that ending line a lot!

she’s cute, a little long and drawn out but cute

robin

i haven’t seen anyone talk about this one

welp…. i literally have no feelings toward this one but sounds pretty! 

the manuscript

oh this is soooooooo powerful 

i love this concept 

her ending the album on another introspective album that sums everything up a la dear reader yep yep!!

if you actually read of this ily 💗

[roo-bastmoon]

Thoughts on 3D

So Jungkook's collab with Jack Harlow is out. It is catchy; it will go viral. I have purchased it; I will add it to my new releases playlists--same as I do for all our boys.

But while the dancing was cool and JK's parts are okay (I'm not thrilled that the word "girl" is used literally 20 times, but I get what the western music industry is), I was--I need to be honest here--really taken aback and unhappy with how misogynistic Jack Harlow's rap lyrics were. As far as I'm concerned, he's absolutely unnecessary, and I'll be supporting the alternate version with a lot more enthusiasm.

A deeper look at the lyrics and more of my thoughts are under the cut if you're interested (but by clicking, you're agreeing to keep it respectful in the comments or you'll get banned.)

All my ABG's get cute for me I had one girl (One girl), too boring Two girls (Two girls), that was cool for me Three girls, damn, dude's horny Four girls, okay now you whorin' (Hey, hey, hey) Hey, I'm loose I done put these shrooms to good use

Setting young women up in a line and talking about how sleeping with just one is too boring but sleeping with four is whorish? Yeah, miss me with it.

Then there's this:

You won't regret me (You won't regret me) Champagne confetti (Champagne confetti) I wanna see it In motion In 3D (Show it to me, girl, now, why?)

I was given to understand that "ABG" stands for "Asian Baby Girl" and refers to an Asian party girl who likes clubbing, wearing excessive makeup and tattoos, and revealing clothes, etc.

I also learned from Urban Dictionary—which can be an unreliable site with outdated or incorrect information—that "champagne" has referred to underage girls in the past and "confetti" or nowadays “champagne confetti” refers to orgasm, or sometimes when a group of men or women surround someone, masturbate, and then ejaculate on them.

Not even going to get into the shrooms thing. I'm not in a hyper conservative country with harsh punishments for those type of drugs so... I was a bit taken aback about a song about being fucked right, and now there's lyrics about what amounts to harem girls.

*sigh* Do you know how much I hope I'm reading into things incorrectly? Please correct me if I'm misunderstanding the innuendo, but this is what urban dictionary says. I'm 44 and live in a cave. Maybe I'm wrong.

But in any case, the vibe of Jack's parts in the video was not coming off respectful.

I don't care how many other rap songs objectify and insult women--I won't get behind any content that does. And don't even try to gaslight me or other ARMY into saying we should like this because it's comparatively worse in other rap songs. Don't try to suppress any discourse about it, either--let women discuss how they feel about how they are represented. Don't police women. Don't silence women.

BTS' rap music got so much better once they incorporated feminist feedback, so I'm used to a higher standard and I won't be lowering those standards for anyone. I have no hang ups about sex, but please miss. me. with. misogynistic. bullshit.

Then again, it seems some of the rap hyungs were on board with this.

So I guess industry pros have a different take on stuff like this!

*shrug*

Okay, we have established that I really don't like Jack Harlow's contributions to this song. Which means I'll support the alternative. Thank goodness they had the foresight to provide an alternative!

Now I can work for JK's charts in a way that doesn't aggravate my conscience. All good. Enough said on 3D.

Personally? I really hope JJK1 showcases JK's range of genres, but also has a range of topics besides pursuing girls or being cool.

I just can't vibe with a fuckboy persona; I never liked Justin Bieber or Justin Timberlake for that very reason, even if some of their songs sound fine. Now, if Jungkook really admires their style and wants to pursue it, I'm not going to rag on him for it. Of course not. It's his choice and I can respect people's choices without making the same choices myself.

I will always try to support our members as far as I can, even if not everything is my cup of tea.

But I can't help hoping for something personal and authentic and substantive, when it's just Jungkook coming to us without a collab. (And with Scooter at the helm for an all-English EP, I guess I'm not holding my breath. But maybe this is all part of the learning and growing process. Time will tell.)

Please know that I don't expect other people to suit me and my tastes, but neither will I enthusiastically support content with my time and money when they don't suit me at all or actually really turn me off, ya feel me? It's a real and respectful relationship I have with BTS and their music; not performative. I don't follow along quietly out of obligation, but rather a sincere joy to participate.

I love Jungkook deeply. He's a sweet and intelligent and kind-hearted young man. Amazingly talented and humble. Sincere, open to being vulnerable, protective of those whom he loves. He donates to kid's hospitals, for goodness sake. Jeon Jungkook is a good egg.

I guess I'm just sort of feeling a bit whelmed by the type of music that is in vogue these days. JK worked hard, he did well on his parts. I just am hoping his album showcases some of the emotional depth and meaningful thoughts I have seen from him in the past, if I'm being purely honest. *shrug*

Those are my less-than-two cents. Of course, you may have a vastly different perspective and I appreciate that. Just please keep it respectful of all members and each other in the comments here. It's been a long day and I desperately need some real rest now. I'm trusting I can post this and not come back to a warzone.

I've got a Friday Thirst post in the queue for you guys, and then I'll be taking a bit of a break from social media for a few days to work on work deadlines. Please keep voting for Jimin and of course stream and buy for Jungkook and other new releases.

Sending you all so much love!

~Roo

[karasukarei]

Miscellaneous WinBre-adjacent Experiences

I did lots of random stuff during my recent trip and I thought some of them would be of some interest to the WinBre circle 👀

Edit: Omg I forgot to put everything under a cut I'M SO SORRY FOR MAKING EVERYONE SCROLL

Stuff under the cut:

WinBre x Sanrio

Natori's concert

Shizuoka's tea fields

Other random things of some note

WinBre x Sanrio collab

Yeah the title says it all. If I were to be brutally honest I didn’t really like many of the collab designs… The only one I found that was pretty nice was Suou x Kuromi.

The chibis really weren’t that cute imo ;-; 

Also the collab was held at the TV station, so they had the original promo standees on display too!

Yeah this is me simping.

Ok but this was both unhinged and genius. Whoever decided to put the standee in the aquarium. You are my new hero.

Natori’s concert - 劇場〜再演〜

I managed to score tickets to Natori’s concert in Osaka! This is gonna be a mini concert review (and some mild simping, cos I followed Natori even before Wind Breaker). (Just in case you’re not aware, Natori was the artiste for Wind Breaker’s opening Zettai Reido)

Overall, it was REALLY GOOD. He’s one of the rare singer/songwriters who isn’t just a musician, but is an actual performer. I’m not even kidding when I say that he sounds way better live than in any of his recordings, and the way he changes the notes between cadences on the fly really makes each live performance unique. He’s also really big on dancing and enjoying the music, multiple times he’d tell everyone “踊ろうぜ” (let’s dance!) and he’d just start dancing as he sings, it’s just so chill and enjoyable. They also had a brass triplet on stage, they were SO GOOD, the sax player even switched to flute for some songs!

The stage decor was pretty cool as well, you can essentially split the performance into two halves. For the first half, it was a sort of halloweenish sort of situation, where there was like grey cloth (I think to mimic grey stone or thick cobwebs) draped over the stage pieces and overhanging the projector. Once he starts Gekijou (song 11), all of that falls off and you can see all the intricate wooden detail on the stage sets!!! It was SO COOL, and the different decor really complemented the two halves of the setlist.

Setlist

(source)

Commenting on just the memorable parts or areas that I found of note:

Song 2 Sleepwalk was where all the dancing started! It’s so groovy and the easy swing is SO CATCHY, I really admire how he just sings all these long run-on lyrics effortlessly! (I must admit that the way he sings the endings of a few lines, even in other songs, quite erotic cos of how he growls a bit and alters the notes x_x)

Song 6 EAT was SO GOOD live. I heard the demo before and the quality wasn’t great so I couldn’t really appreciate it, but this version was GOOD. It was so much more polished and had better mixing, and you can feel the high and low tension points in the song now, instead of it sounding a bit flat in the demo.

Song 9 Terminal wasn’t a really big favourite of mine when I first heard it, but it’s SO GOOD live OMG. The tension points were a lot clearer, and singing along with the repeating "da da da la da da da" makes it so much more immersive. This completely changed my perspective on the song, I really like it so much more now!!!

Song 10 Seishatachi I REALLY like this song (it’s the B-side to Zettai Reido), from the live you can tell it’s a pretty technically difficult song cos of the all the off-beats x_x I also realised that the very last syllable in the song is a very very long “da-“ that you can’t hear in the recording cos of all the mixing ^^; he just screams “DA——“ into the mic and holds it for a few seconds, it was SO COOL.

Song 11 Gekijou’s true stars were the brass triplet in my opinion, hearing them live was really what turned the performance into a theatre!!! Natori also welcomes you by saying “劇場へようこそ！” (Welcome to the theatre) while striking the same pose as the key visual, it’s just so cohesive and well thought-out and I was SO IMPRESSED by all the planning that went into this one song.

Song 13 Overdose had an extended mix with the chorus repeating at least 2-3 times at the end (I didn’t count cos I was having SO MUCH FUN). I must admit I wasn’t that big a fan of Overdose (yes I’m a weirdo, my favourite songs are Eureka and Cult), but DAMN the party atmosphere in this mix was amazing.

Song 15 Melodrama is his new collab song with Imase, the only note I have is that you get to hear Natori sing both parts instead of splitting with Imase hahaha (I do actually prefer Natori’s voice over Imase for this song).

Song 16 IN_MY_HEAD is an unreleased song and it is SO WILD, the video they showed with the song felt like something out of a Kyary Kyary Pamyu MV with brains spinning around on neon coloued backgrounds x_x But it’s pretty different from his previous songs, it’s far more rock-influenced with more repetitive choruses and head-banging. Part of me likes to think that Kitani Tatsuya might have had some influence on this www.

Song 17 Zettai Reido was one of the only songs he played guitar for (I can’t remember the other one but I do remember it was an acoustic guitar for that), and damn this is a REALLY hard song. I do think this is one of the few songs where his recordings were slightly better, but tbh I do very much prefer the live version because his voice wavers a bit and gives the song so much more flavour.

Songs 18 and 19 Eureka and Cult - DO YOU HAVE ANY IDEA HOW HAPPY I WAS TO HEAR MY TWO FAVES IN A ROW. THE JOY AND EXCITEMENT. THE ACCOMPANYING VIDEOS WERE SO NICE TOOOO. I especially loved the one for Cult, it was an animated view of a town from up on a hill, and you can see the seasons and day/night cycles throughout the year, and was just so chill and poignant ;-;

Song 20 Itoudenwa sounds SO GOOD live, I already liked the original version but I LOVE the live version, he really sounds like he’s serenading and crooning you ;-; This was also the song where they popped streamers!!! I was surprised at how well they timed the pop, it blended seamlessly into the music and was just such a pleasant surprise.

Merch and goodies haul

GINTAPE (i.e. streamers) - THEY ARE SO PRETTY. This one is pretty beaten up after I tried to get into the case (oops) but I do have spares (might consider a giveaway in future… let’s see how things go.)

Chiitara snack collab - it’s a cheese snack (that I don’t really like…) but they gave out one to each person at the end of the concert! The packaging is limited edition, and the Osaka and Tokyo performances have different designs! The Osaka design I have reflects the food in Dotonbori, while the Tokyo one includes landmarks such as Tokyo tower. Imma be honest the collab is super funny, cos the company that sponsored the snack is a completely unrelated food company called Natori (HELP). 

Gacha album cover art pins - kinda sad I didn’t get Zettai Reido or Eureka, but at least I have Cult and Overdose!! Overdose appears to be especially in demand lmao (for obvious reasons), but I must admit it had the nicest design too.

Zepp tour early bird code - the little card you see includes a code to get access to the earliest round of balloting for next year’s Zepp tour!!! Still wondering if I should just try… Idek if I can take leave ;-;

Shizuoka’s tea fields

In one of Suou’s daily character question, he mentions that a place he’d like to visit is the tea fields of Shizuoka. For personal reasons, I really did make a trip down to the tea fields ^_^

I went tea picking here!!! It is very back breaking work and I have ever greater appreciation for the farmers who grow and process tea now (they are my true heroes; I don’t drink coffee www)

Also here’s the mountain with the word “tea” (茶) on it! It used to be planted with pine, but then weevils destroyed it so they switched to cypress ^^;

Super random but we got lost while looking for this, we ended up too close to the mountain so we couldn’t get good photos ^^; there was a tea shop there with a really kind owner that served us different types of tea and showed us the way to the best photo spots! 

^ this was the original spot we ended up in but you can't see the word really well ^^;

Random merch and other stuff I guess

Yeah I found the vegetable curry, it was the LAST ONE in store. Maybe this will make me start eating vegetables.

I also had a chance to try Wasanbon in some tea snack I bought from Ise Shrine:

It certainly tastes expensive 😳

Thanks for listening to my simping. Please have a nice day ^_^

[milgram-tournament]

MILGRAM Best Song Tournament, Round 1, Match 3 THROW DOWN vs. THIS IS HOW TO BE IN LOVE WITH YOU

Propaganda for both options under the cut!

Propaganda for THROW DOWN:

silly point is that throw down was my top song for this past year and i havent even been into milgram that long so. good song. also i sang it on stage once so. anyway

Flower imagery!!!! god i love flower imagery

the vocals are good

it has a banger es cover too

"ethics are a delusion" is singlehandedly the funniest line to come out of the t1 songs

the mv is SO pretty like. holy shit

the first note constantly jumpscares me

also i like the clock sounds in the background of the verses

the instrumental,,,,

throwdown is just a really nice. calmish song that still has the whole desperation thing conveyed through his voice props to va for that cuz its relatively subtle but really adds to it imo

im reiterating that ethics is a delusion is the funniest thing to me

also i really like the bridge (the whisper part)

irrelevant to the song itself but i like his fit in throw down i'd wear that irl

gardening/pruning as imagery is so fun for a surgeon character

also vocally i just really like throw down its calm sounding yet theres a hint of like. desperation? despair? in his voice and thats really cool to me

---

Jackalope's note: Only one propaganda piece... hmmhehe. Well, I'm glad our resident pretty girl got tons of asks! But I feel a little bad about Shidou, so let's let him argue his case at least! Oi! Shidou! Get over here! Oi! Sheesh, it's like he can't even hear me! This is why I need to send the reminders early...

(mod's propaganda: While I love both songs very much, Throw Down has a special place for me in that I can actually sing it. You sing way too fast, Mappi!! I also just think using flower imagery both made the MV one of the prettiest ones we have yet and helped distance both the viewer and shidou himself to the reality of his sin... I also really like the ethics is a delusion bit lol)

Propaganda for TIHTBILWY:

okay so like the thing im most in love with: the VOCALS!!!! this song has an absolutely AMAZING singer and AMAZING vocals!!!! the way the conversational talk-singing lines still feel so musical!!!! the cute cute cuteeeee mahiru voice!!!! it brings you so much energy!!!! its a song sung with so much love!!!! mahirus va brings such an amazing feel to the song with such amazing talk-singing!!!! its very skillfully done and it happens in i love you too!! mahiru songs r the QUEENS of musical talk singing

the silly phone call bit. kurururu~!

the little vocal flourish and the way her voice raises up like an excited exclamation in the final prechorus!! daijoubu nante kirai DA!

its such a fast song but everything flows so well!!!! it makes it feel so bright and cheery and peppy!!

the instrumental is so underrated just LISTEN to that catchy bass line thats so pretty in the verses!!!! no for real even if u dont vote this is how to be in love with you go listen to the bass line in the verses it works to move both the song and the listener forward at mahirus sweeping breakneck pace. and the cute keyboard sounding and synth instruments!!!! its SUCH a danceable song!!!! i cant listen to it without bopping along in my seat

the way the ominous bits are subtly hidden? it all sounds so cute but there are just these Things that she sings that are really kind of concerning and unhealthy when she sings them!! and the veiled desperation to be in her relationship- listening to that and the cheery tone and breakneck, quick song pace, it really does represent mahiru SO well. she throws in all these little bits that just go noooo teehee the relationships just fine!! when it REALLY isnt

i would listen to mahiru talk for hours

the MV!!!!!! HER FASHION SENSE THE MAGAZINE STYLE!!!! the magazine style especially works so well with her character!!!! its so cute and stunning and just looking at it you have a blast. also her birdcage!!!! her birdcage and the bright orange and the pink bars!!!! the way everything desaturates and becomes more sickly looking when she wakes up at the end!!!! its such a happy carefully curated and designed dream and then it drains away!!!! also god all her outfits are stunning. mahiru call me

the way she sings "overheat de~!" cutest thing in the WORLD.

the little faces she makes!!!! godddd shes so expressive

actually the whole songs so expressive!!!! shes putting her all into it!!!! her words have so much expression in them!!!! once more praising mahirus va the way her voice can soften and become bright or subtly desperate so quickly is MASTERFUL control of expression when singing and its so underrated. join me in being insane over miho okasaki delivers her lines. shes such a perfect mahiru.

funniest es cover. hands down. funniest es cover.

this is how to be in love with you is FREE serotonin!!!! free energy right there!!!! this is how to be in love with you sweep!!!!!

---

-The song is so cheerful!! I always feel like dancing and singing when this one comes up in my playlists!! Absolute banger, mood definer, kicking sadness in the shin with those high-heels and then hitting its face with a cute purse -THE HIGH-HEELS STEPPING TO THE BEAT OF THE MUSIC IN THAT ONE SCENE (0:50). SIMPLY ICONIC. NO ONE DID IT LIKE HER. -👠💅👝👗 -She is slaying. Look at her outfits. She put so much effort there. She gave it her all. Absolutely serving. -SUKITTE KIMOCHI WAKATTA TSUMORI? NARA KONO MAMA FUTARI O-VA-HI-TO- DE -The storyline of the mv MAKES SENSE and you can form a COHESIVE TIMELINE OF EVENTS (unlike other unspecified contestants' mvs you know 🙄) -look at herr 🥺 she beby 🥺 all she did was love too much 🥺 we all love mappi don't we 🥺 she deserved more let her win this pleease 🥺 -No medical malpractice happened in the making of this mv 👍

---

I care so much about This is How To Be In Love With You- it's visuals are brilliant in the ways it conveys its themes and narrative. I'm never normal Ever about the "Love as marketing" symbolism that is brought in by the use of magazines. It's a lovely upbeat song but the Horrors are Always Lurking under it, the breakup Ritual line is my Favorite Line cause its so horrifying but its said so casually and its so good oh its so good-

[ecargmura]

Maho Aku Episode 12 Review + Final Thoughts - The Cutest Enemies-To-Lovers Story

Because this anime’s finale is just Byakuya and Mira being cute as heck for the final time, I’m going to just give my overall thoughts about the entire anime!

This is the cutest enemies-to-lover anime I’ve watched and now it’s over… This is a show where it’s impossible to ask for a second season because there isn’t anything else to adapt. Still, I can’t deny that this has been one of the most entertaining animes of this season…and it’s only a 12-minute long anime!

It’s crazy how much Bones did to make this weekly 12-minute anime be concise with the pacing and how well they animated it! I loved the cute moments between Byakuya and Mira and how each character helped play a part for both leads, whether they be the sleaziest and the worst character (Cat Familiar), or the cutest thing ever (Fomalhaut). From the beginning, Mira fell for Byakuya, so it was nice seeing her fall for him throughout the 12 episodes. I do like that all the characters have distinct personalities, even if they don’t appear much. I personally enjoyed Hibana and loved whenever she showed up on screen to give Byakuya a chiropractic adjustment and throwing f-bombs.

I like the world building with how there are actually multiple magical girls and familiars with the introduction of Hibana and her Bird Familiar and how the familiars are actually angels. The evil organization fight against the magical girls, but I do wish that we get to learn a bit more about them—we never even saw the Evil King. I guess my only issue with the worldbuilding is that I wish there was more to it. Why do the familiars need the magical girls? Who’s the actual villain? The fact that these will never get answered does upset me slightly.

The music was great! I really loved the songs used for the magical girl transformation! Hibana’s magical girl song was clearly the highlight with the constant blurting of F*ck in the background. I also loved the opening and ending songs as they were catchy!

The voice acting was really good! The two leads reprised their roles from the drama CD and I think they did a good job! I normally associate Yuuki Ono with cool roles, so it was nice to see him do comedy! Actually, I did like his role as Hori from Gekkan Shoujo Nozaki-kun! I feel like Ono amped up his comedy game with this anime! His outbursts were so hilarious, especially when he flips his switch from serious to down bad. Byakuya is voiced by Mai Nakahara. It’s nice to hear Nakahara not voice an anime mom for once! Two animes I’ve watched, she voiced an anime mom. It was nice to hear her go out of her usual comfort zone and voice soft-spoken and adorable Byakuya! I think she did a really good job making Byakuya sound young and convincingly young! The other cast did a splendid job with their characters! Other than Hibana and the Bird Familiar, I also enjoyed Hiro Shimono as Alcyone because I originally thought he was Natsuki Hanae, so I’m mentioning him here because he fooled me. Though, if I had to pick a stand out role, it’d be Ayako Kawasumi as Bellatrix. No one ever expected the stoic and aloof officer to be extremely perverted! I sure didn’t!

Overall, this is a quick watch but I totally recommend it if you want something cute to watch! It’s super cute! I do plan on getting the manga! What are your thoughts on the anime as a whole?

[ducktracy]

I love Popeye so much— the franchise is my current special interest, but I love the 1980 movie in particular. I get really pleased whenever you post about Popeye (partially because you're the only one really active in the tag) so if you could continue to post Popeye loud and proud that would be cool as hell

THIS IS SO SWEET OH MY GOSHHHHH!!! i saw this yesterday when you sent it in and meant to answer earlier, but i have to say i’ve spent both yesterday and today thinking about it because THIS MAKES ME SO HAPPY TO HEAR!! THANK YOUUUUUUUU!! i also had no idea i was really the only one active HAHA, amazing!! i assure you, the Popeye posting will always continue! i LOVE Popeye, and i’ve actually only seen a fraction of the shorts compared to those i haven’t. i’m so protective of the 1935-1938 sweet spot with Jack Mercer, Mae Questel and Gus Wicke that it’s really hard for me to move onto the shorts post-Miami move… but i gotta! because more great cartoons await! and so i’m sure i’ll be gushing about those when i discover them more and more :)

SPEAKING OF 1980 POPEYE!! i know i’ve had some followers curious about my opinion on it! I FINALLY WATCHED IT FOR THE FIRST TIME BACK IN JULY! i admittedly forget if i said my piece on it or not, but i will here anyway!

is it good? in an objective sense? probably not. did i absolutely love it and have an absolute blast watching it regardless? ABBBBBSOOOOLLLUUUUUUTELYYYYY!! i had so much fun watching it!! as a fan of physical slapstick, anything “cartoony” translated into live action, Popeye (of course), and many other specifics i’m forgetting but know the film included, i really enjoyed it. the almost obligatory physical slapstick and sheer amount of stupid pratfalls was giving me so much joy. i’m genuinely impressed at Robin Williams’ muttering and him keeping his one eye squinted the entirety of the film. Shelley Duvall is PERRERRRFECT as Olive Oyl! she was the best part of the film for me, she was so darling 🥺 and the songs were cute, VERY AMUSING, very campy, some i liked better than others but they were very catchy. the sound design was very baffling as well but i kinda loved it

i said this when streaming the film in a groupwatch and i still stand by it:

also, evidently copious amounts of cocaine were involved in the production of the film and i can absolutely believe it. SUCH A FUN WATCH THOUGH, very cheesy in the absolute best way! thank you to all who encouraged me to watch it, i’m really glad i did and will probably rewatch it again at some point :) but yes, that’s all to say that the Popeye posting will absolutely continue and i am SO GLAD to hear you enjoy it so much!! that seriously makes my day!! Popeye is really the cure for happiness in cartoon form

[merakiui]

MERA MERA HAVE YOU HEARD OF JUBYPHONIC'S COVER OF "LOVEIT?"??? the original song by biz is super cool but juby's english lyrics have me brainrotting like no tomorrow bc HELLO???? THIS SONG IS LITERALLY SO JADE LEECH CODED???

im going insane aaaaa i love him so much, especially sk! jade with this song!!!

:O YES YES!!!! That song is so Jade Leech. OTL Juby's lyrics are really amazing and catchy and I love the cover as much as the original song! Both are wonderful!!! >w< I listened to it and immediately thought of sk!Jade, especially the "I'm creeping into your flesh" line. AAAAAA IT'S TOO GOOD OMG...... funnily enough, I almost titled chapter three in DRU "meat-cute" as a reference to Reader coming home to find Jade in her apartment, but I wanted that chapter to focus more so on her interactions with Azul (hence the title "a warm, stifling sea"). But one of the future chapters will be titled "meat-cute" because I'm much too attached to the word play. (˘ ˘ ˘)

I adore how "loveit" (which can also sound like love-eat) uses cannibalism as a metaphor for toxic/abusive relationships. We all need food to survive, and so when you're stuck in an abusive relationship the world is so warped and everything you know is so twisted; you rely on the abuser because it's been engrained that without them you're nothing, you can't survive, etc. In a way, they are your food and sustenance. I think "loveit" portrays the horror of it very well: how with cannibalism you're losing parts of yourself (they're being devoured), and with abuse you're losing the ability to do things with those parts (you can't use your mouth to speak out, you can't use your legs to just walk away, you can't even use your eyes to cry sometimes).

Aaaaa I just love biz's music!!! It's so clever, and I like how they portray the dynamics of unhealthy relationships in their songs. There is also love eat -Dear Maia- (connected to "loveit") and recently they released another song: love cat! Both are very good!!! :D

Along with English covers, have you heard rachie's cover of "i am addicted"? It's so HBE!Azul vibes... T_T it brings back the pain tenfold... uuuwaaa,,, >_<

[otakween]

Digimon Adventure 02 Best Partner Series - Part 2

Lol why are the girls' butts so emphasized in this artwork. Seems sketchy, but okay (Tailmon's even pointing to Hikari's butt, as a YouTube commenter pointed out).

Questionable art aside, I definitely thought these 6 CDs were a little weaker than the ones in my first post, but I'm biased. I don't have a very strong connection with a lot of the 02 characters, so it makes sense that their songs wouldn't hit as hard for me. On the other hand, I really like Ken and Wormmon so their album slapped. Anyways, full thoughts below.

Daisuke & Veemon

Google Boy - Daisuke (Listen here - subbed)

Daisuke singing about being a hot blooded shounen boy and how his goggles are a mark of his coolness and Taichi's legacy. A very Daisuke song lol.

Pretty funny how goggles just became a signature fashion statement for Digimon MCs. At least they kinda had a purpose in Tamers (although it wasn't explained very well).

Go Ahead! - Veemon (Listen here & Translation here)

Veemon's song is very in-sync with Daisuke. Just talking about having courage and rushing into battle without thought (because your squad will back you up and everything will work out! LEEEEROYYYY JENKINSSSSS)

2-Top - Daisuke & Veemon duet (Listen here & Translation here)

Okay, this was definitely the strongest song on this CD. It's catchy, the boys sound great together and the whole thing's a soccer metaphor which is very on brand. (I tried to google and see if "2-Top" is soccer terminology and came up with nothing tho -shrug-)

I like the little banter breaks in this and then in the song they talk about how their bickering just shows how energetic they are haha.

They mention being a digimon tamer in this song but did they even use that terminology in 02? I don't remember...

Miyako & Hawkmon

Crash with Bingo - Miyako (Listen here - subbed)

The lyrics of this song are pretty nonsensical, but I get what vibe they were going for. She's basically singing about being a hot mess but being proud to be herself. Also mentions that she's not just here to look cute.

I feel pretty neutral about Miyako, but I did appreciate that she could be kinda tactless and brash at times. Traditional Japanese femininity usually means being quiet, submissive and agreeable, which she definitely is not.

Although I've never liked the "bingo" catchphrase, it's fun in a song lol

Knight of Love - Hawkmon (Listen here - subbed)

Man, out of all the digimon partners, Hawkmon's gotta be the biggest nothing burger of them all. I couldn't tell you a single thing about the dude. I feel like the bird digimon are the most sidelined for some reason? (Maybe they're like "little boys don't care about birds, they like dinosaurs and bugs!")

Hawkmon sings about being a "knight of love," but I never got "knight" vibes from him really. I guess he kinda talks like a knight, but nothing in his design says knight...he's supposed to look like an Indigenous person, no? Maybe I'm being to literal hahaha

Fly High - Miyako & Hawkmon duet (Listen here - subbed)

Yeah, I don't really buy Miyako and Hawkmon's partner chemistry. They sounds more like coworkers lol. I did like the part where Miyako was asking to talk to all of Hawkmon's digivolutions in quick succession, that was fun.

Miyako's just spiraling the whole song and Hawkmon's trying to comfort her but she seems to be kinda brushing him off for most of it haha

Iori & Armadimon

My Conclusion - Iori (Listen here - subbed)

This song was...not good. Not the worst of the bunch, but it kinda just felt like it had no melody and Iori was talk-singing the whole time. His voice is cute and the lyrics fit his character nicely, but I was thrown off by how janky the song itself sounds.

The song is about Iori's convictions and what evil vs. justice means to him. You can sense that his philosophy is coming from his kendo practice.

I enjoyed the gratuitous English in the final line lol

Omyaa to Let's Go! - Armadimon (Listen here - subbed)

This one had a good energy and I liked the "Let's go!" chorus, but there was still a lot of talk-singing going on

I hate that the song starts by mentioning that damn Chuu x2 Jelly...it's like the show forgot to give Armadimon any memorable qualities so when they wrote this song they were like "he liked jelly...I guess?"

Armadimon losing steam and kinda flubbing the lyrics was the best part of the song lol

A Message to the Future - Iori & Armadimon duet (Listen here - subbed)

Phew, finally a good one. I was a bit worried I'd dislike this whole album. I really liked the melancholy yet optimistic vibe this one had. It kinda feels like any two characters could have sung this, but oh well. It was a nice duet regardless.

Armadimon telling Iori that "no matter what kind of adult you become, you'll always be Iori" was sweet :)

Takeru & Patamon

Focus - Takeru (Listen here - subbed)

Okay this one made me MAD because it was so ship-baity!! What the heckk??? This song is clearly implying that Takeru has romantic feelings for Hikari ("Am I the focus of your heart?"), but the show led me to believe that his feelings were platonic and almost brotherly. Did I watch the same show as the song writer? I don't mind them as a pairing, but I feel like this is contradicting my interpretation of the anime so I'm just confused.

Aside from my grumblings, I think this song was great for the drama of it all lol. I also liked the callbacks to Hikari and Takeru growing up together and Hikari blossoming into a powerful young hero.

The comment section of the YouTube video I've linked have people arguing whether the song is about Hikari or Patamon lol. Ain't no way this song is about Patamon. There's even a hikari pun in there.

Don't Stop Patapata - Patamon (Listen here - subbed)

Not sure if this is cute...or just annoying. Sounds like a song written and performed by a toddler, which is fitting cuz it's Patamon.

This song captures Patamon's one braincell energy (which was on display in the new 02 movie). He doesn't really sing about Takeru much which feels a bit like a wasted opportunity.

Steppin' Out - Takeru & Patamon duet (Listen here - subbed)

I liked the theme and lyrics of this one but the vocals were pretty rough...It sounded like Patamon's VA didn't match Takeru's VA's energy very well and together they sound kind of off key.

Takeru singing about taking off his ripped shirt kinda made me laugh because I pictured like a sexy romance novel cover dude. So not Takeru's image.

Seriously Patamon just kinda sounds disinterested in this song

Hikari & Tailmon

Gentle Rain - Hikari (Listen here - subbed)

Kind of a boring, slow song, but I liked the overall theme. Hikari's showing her vulnerable side and talking about how she can't be strong/brave at all times.

I'm not sure I really understand the rain metaphor here...I think maybe when she's saying it's not an "intense rain" she's saying it will take a long time for her weakness to wash away, but that's okay? IDK, kinda clunky.

Getting up - Tailmon (Listen here & Translation here)

Pretty similar to Hikari's song, but more melancholy. I found this one kind of relatable because I can get existential pretty often. The lines "What can I do? I still don't know. Because I was born my journey continues" hit me.

Tailmon sings about, basically, how life as a digimon is tough and confusing, with all of the nonstop battling. Still, she wants to stay strong for those she needs to protect. (Tailmon kinda has similar vibes to Renamon...or maybe it's just that they both have deep voices.)

Shining Star - Hikari and Tailmon (Listen here - subbed)

This one felt kinda half-assed lol. I think I might just be getting burnt out with all these songs that effectively have the same message.

So yeah, just like a lot of other songs in previous albums, this was a generic song about Hikari and Tailmon being different but loving each other anyway and striving to be their best for each other. I guess it's nice to hear a more optimistic song at the end of the album since the first two were pretty downbeat.

Ken & Wormmon

ONLY ONE - Ken (Listen here - subbed)

Aw man, I'm disappointed that Ken's solo song is from the POV of his Kaiser days :/ oh well. It's still a fun song. I like his evil laugh at the end.

I think this song does a good job of illustrating Ken's internal struggle between good and evil, but always turning to the darkness in the end. I also enjoyed the rock n' roll vocals.

The Future You Dreamed of, The Future I Dreamed of - Wormmon (Listen here - subbed)

Lol Wormmon's such a simp for Ken, but I love him so much 😭❤️ This song was great!! The jazzy instrumentals, the back up vocals and the passion/love in Wormmon's voice were all on point.

This song is all about Wormmon not giving up on Ken and understanding he has good in him that he wants to protect. So pure and sweet <3

True Strength - Ken & Wormmon (Listen here - subtitled)

Omg I loved this one 😭😭😭 so precious! Sure, it may have the exact same theme as a bunch of other songs ("we're so different, but we love each other!") but it definitely has a greater impact considering Ken and Wormmon's baggage.

I loved the light and jazz vibe of this song, I was picturing Ken and Wormmon in tuxedos with tails doing a lil tap dance routine together.

"Your form reflected my heart" omg 😭😭😭

Ken had a whole mini arc in just this album lol

[perlukafarinn]

This has been done a million times before and no one asked but I decided to rank the songs from Nerdy Prudes Must Die.

Let's go Nighthawks!

15. Cool As I Think I Am

I actually do love this song but when I listen to the full album, it’s one of only two songs I sometimes skip. The sound of it is very sweet, just like Pete, and it’s a great song to establish his character and his conflict in stepping outside his set social role (also props for originating the “I’m not a loser” refrain that repeats several times throughout the show to great effect). It’s just maybe not as exciting as the rest of the songs on the list.

14. Bully the Bully

Very catchy and fun, and the “cool beans” verse holds a special place in my heart (as do Grace’s little spins). Half the fun of it are the (very cute) dance moves which makes this song a little less effective when just listening to it. I love the guitar riffs and hearing all the nerds teaming up and happy for the only scene in the entire show.

13. Bury the Bully

I don’t usually prefer the shorter reprise but this song is too unhinged for me not to love it. Some highlights: Grace’s immediate acceptance of the situation and detailed knowledge in disposing of a body (and the casual “how else he gonna fit?” like she’s not suggesting something absolutely psychotic), “oh god, she’s snapping again���, Ruth coming around faster than the rest of the nerds because she’s apparently only slightly less unhinged than Grace, the discordant slamming on the piano keys after every “hack all his limbs off”.

12. Dirty Dudes Must Die

Would be much higher if only it were longer. This was the heel-face turn I was waiting for and Angela absolutely kills it, the deranged energy is off the charts. Grace singing “who will pray for you” and pointing at the audience gives me chills as does that final “run”. It feels like another story is just beginning.

11. Go Go Nighthawks!

I love all the sounds in this song - the beats that sound like lockers closing, the school band drums and trumpets, the jocks grunting and the “caw caws” from the cheerleaders. They add so much and convey such a strong sense of the setting, a must for a show that doesn’t really have any sets lmao. Also, fuck Clivesdale!

10. The Best of You

This song is just super cute and it makes me happy to listen to - Lautski own my entire heart, I can’t help it. Many have pointed out the Disney channel sound of it but it also reminds me a lot like those mid 2000s pop punk British boybands (think McFly and Busted) and I think that was deliberate with the British accent Joey and Mariah put on a couple of the lines. Anyway, I love how overwhelmingly bright and happy this song sounds, because it almost rounds back to sinister as you just know this can’t be the end of the show - we don’t get endings this happy in Hatchetfield!

9. Just For Once

This is the other song I sometimes skip but only because it’s five minutes long and such a character piece that I’m not always in the mood for it. Lauren blows me away with her ability to perform in character. That switch from Ruth’s amateur acting in the verses to the more sincere chorus is so beautiful. And that ending, oof. “I used to dance”, gets me every time.

8. Hatchet Town

I love a good mob song and this is an all time favorite for me. The Hatchetverse has been successful in establishing a multitude of interesting side characters that make the world feel lived in and that really pays off here; the song works if you don’t know most of the characters but it’s so much better if you do. 

This is the first scene in the show that expands the story outside the school and the characters there, and it makes the danger feel all the more pressing, especially with how frantic and sinister it sounds. It’s also endlessly quotable; in a way, aren’t we all Dan Reynolds (with Action News, weekdays at 10 PM)?

7. Dirty Girl

Seems like I’m a much bigger fan of this song than many but I could never resist a musical theater song about sex. I love how weird and gross this song is while also containing some masterful lyrics. I love this bizarre look at sex through Grace’s warped, sheltered worldview. Most of all, I love that this is the first time we hear the line “will you pray for me” in the show and every time it appears after it’s in a wildly different context.

6. Cool As I Think I Am (Reprise) 

This song makes me cry and I’m not afraid to admit it. It's the way Pete starts the song being so brave and so gentle as he convinces Steph to make an impossible choice, how they come together in the middle of it, finally completely honest with each other about their feelings, and how at the end the song slows as they’re both overwhelmed by the tragedy of the situation. “I’d have to let you go” let me go curl up and cry for a week, maybe.

5. High School Is Killing Me

A killer intro (heh). This is how you set the mood for a show! The slow start with Richie and Ruth is perfect and then the beat kicks in and I ascend to a higher level. A really strong aspect of the songs in this show are the harmonies and we get some incredible ones here - they sound so good together. This may also be the catchiest song on the soundtrack.

4. The Summoning

Oh my god this song!! First the intro with the chant, the trio’s bright voices underscored by the creepy whispers in the background, and then the descent into immediate chaos as soon as the Lords enter. I guess this is more of a “theatrical” song in that it’s not really something you listen to out of context of the musical but it works so incredibly well in context. Hearing all five of the lords together and taunting our protagonists is so insanely good. And I love how this song works musically, too, with the guitars and drums in the louder parts almost battling it out with the piano in the slower parts. Jeff Blim really popped off with this one.

3. Literal Monster

God, the foreboding atmosphere in this song is unmatched. The incredible build-up to our antagonist, managing to make a believable threat out of a cliched high school bully. Kim Whalen belting “He roars, and we cry” lives rent free in my mind. And then Will Branner shows up and lives up to every single expectation instantly. 

2. Nerdy Prudes Must Die

Extremely basic opinion to think this song is great (the real unpopular take might be that it’s only number two) but what do you want me to say? That the similarities to the Halloween theme don’t make me wanna clap my hands with glee? That the music and lyrics don’t both absolutely slap? (“Will you pray for me” I will give you my entire life actually) That Jon Matteson belting “I’m not a loser” might not be the single greatest moment in the entire show? This is why they invented musical theater. I will take no further questions.

1. If I Loved You

Look I am Lautski trash, I will fully admit that, but this song is also just a bop. It’s the most fun song in the show to sing along to, by a mile. It is young, stubborn love boiled down to its most entertaining bits. It is two people almost coming together but missing each other by a hair and that hair is having too much pride to be the first to admit you’ve got a crush. This song has drama, it has fun, it has two characters vehemently denying their feelings for each other while insisting the other only deserves the best. “Don’t need a lover boy, need a lover man” marry me, Mariah Rose. How about that? Also, Joey Richter’s improvement as a singer has been severely underappreciated and this song shows his voice off perfectly. 

I am ranting but that’s because I cannot coherently express how much I love this song. In a soundtrack filled with nothing but hits, this one hits me right in the heart. 

[spelllingandthemysteryschool]

hello! what is your ranking of the rv title tracks, im curious to know, unless you've posted it before im sorry 😭

hi! 🌟 oh my goodness i spent quite a while on this because i am TERRIBLE at ranking things and i also had a lot to say... but here you go! disclaimer that i genuinely love red velvet’s discography to pieces and even the songs that are ranked lower on this list are among some of my favorites. i also decided not to include their japanese singles, solos, subunits, or sm station releases to make things a little easier for myself. you may notice that chill kill does not feature on the list & that’s because it hasn’t been out for long enough for me to ascertain my feelings towards it just yet! okay soooooo with all that out of the way . here are my thoughts 🦢

russian roulette - ONE OF MY FAVORITE SONGS OF ALL TIME. i got into red velvet immediately after hearing this back in 2016 & showed it to absolutely everyone i knew because i was so completely head-over-heels for it... i adore its playful synthiness and how bubbly and sweet their voices sound here, i LOVE its accompanying music video of course. when i think of kpop at its very best i think of russian roulette by red velvet!

automatic - i’m forever blown away by this song like it is literally perfect to me… smoldering, minimalist, effortlessly beautiful. i can’t believe they put this out so early in their careers, like genuinely what a feat. i love it so much

rookie - i feel like rookie is strangely underrated & i never understood why? it’s fun, it’s cute, it’s silly, it’s extremely loopable. really excellent instrumental imo and it shines even through their vocals… the strong bassline and brassy chorus in particular are highlights for me. also i think seulgi had a lot of fun this era in particular and it was so nice to see!

one of these nights - i absolutely love the creative direction of its music video & the song itself cemented rv as some of my favorite vocalists ever. easily one of their best title tracks, red or velvet. like it’s just perfect… melancholic and soulful and utterly magical

rbb (really bad boy) - i think this is one of their singles that best shows off their vocals… belting, shrieking, breathy whispering, chanting… the harmonization, the adlibs… so cunt, so interesting to listen to, so all over the place in the best way possible! no other group could have done it

umpah umpah - okay i personally feel that this is their best title track of the original festival trilogy in addition to their best summer single… never fails to lift my spirits, like it’s so joyful and unabashedly fun! i love that it sounds like it’s from a musical and i don’t mean that sarcastically at all

dumb dumb - literally one of the most unique kpop tracks like how many other songs can you think of that sound like this. still SO genuinely novel and exciting to listen to for its quirkiness and nonstop momentum that just builds and builds and builds

bad boy - very evocative of a particular moment in kpop but it aged like a fine wine! delicious to hear then & delicious to hear now… swaggering and silky and impeccably produced. i also think that the styling & sets for this music video were heavily imitated afterwards with songs of lesser quality from other groups. rv 🔛🔝

be natural - SO GOOD... sleek and sultry and understated. i also really love the way the music video is filmed and i think it belongs in the criterion collection. i’m ranking this a little lower than it deserves maybe by virtue of it being a cover rather than an original song and also because of taeyong’s rap

peek-a-boo - PEOPLE DIED. i feel like it’s almost impossible to listen to this without thinking of its music video—not at all a detriment because it’s a complete delight to watch. very catchy and clever and cool despite not being particularly upbeat. i feel like… again… it’s one of those songs where i can’t imagine a group other than red velvet putting out a comeback like this. it’s so them

feel my rhythm - love the structure of this song so much… brings together so many unexpected elements so elegantly. the noisiness caught me off guard a little bit when it came out but now i love the way they transition between the pots-and-pans quality of the verses and the orchestral ambience of the choruses. it really does feel like a frenetic, enchanting festival

power up - SO SILLYYYYY i’m a fan! i love songs with video game-inspired instrumentals & power up is one that’s fast and upbeat and summery and impossible not to dance along to. the japanese version in particular does something to my brain

birthday - i really did not like this when it first dropped but i enjoy it a LOT now… it feels like it’s building up to something it never really reaches but despite this i think it’s so catchy and bold & i love the sample the song is built around

ice cream cake - okay honestly very fun and i loved it back in the day but i don’t find myself listening to it a ton now... really enjoyed the collective blonde moment though & how ahead-of-the-curve they were with its noisy instrumentals!

queendom - i do think the lyrics can get a little corny and it’s not among their strongest title tracks, but it’s cute and easy listening vibes to me and there are some really wonderful vocal moments here and there!

psycho - good song but it was super overplayed a few years ago and it’s sonically not as interesting as their other singles. i know some people feel it’s their best but i don’t agree because i feel like i prefer songs with less muddied instrumentals. very quintessentially rv though, if that makes sense!

zimzalabim - was this a bad song… NO. do i like it that much… ALSO NO. the bridge is stunning though, one of their prettiest bridges ever, and i loved the satanism accusations that were flying around when it first dropped

red flavor - super popular, i know, and i do think it’s nice and nostalgic still, but i don’t feel it’s their best summer track and don’t actually listen to it all that much… oops. i love the twinkling sounds in the chorus but it has an empty and echoey quality to it at certain points that i find i’m not the biggest fan of

happiness - kind of a lackluster debut sorry... i do like the refrain and the pre-chorus though so the only time i ever seek out this song is when i wanna hear that bit... like yes joy! exactly joy!

[thewhizzyhead]

before I sleep, here is my definitive ranking on all the NPMD songs and some rambles on why I placed them there - also the ranking is based on how much I vibe with them (music production and lyricism have different rankings)

1. Hatchet Town (aka the hatchetfield trilogy theme song like this tune perfectly encapsulates the chaos Hatchetfield has to go through with every Starkid project pos-2018 and I love it - kinda wish it was a number that is more integrated with the plot with the kids tho BUT I REALLY DID LIKE that this melody was quite prominent in the other songs too)

2. High School is Killing Me (I've watched many teen centered musicals and believe me when I say that this song is one of, if not, the best introduction numbers out there for this genre - also it's a really great opening hook for a show)

3. Nerdy Prudes Must Die (FUCKING AMAZING HONESTLY - amazing way to REALLY re-establish a villain back from the dead and to establish the main theme for the nerds here: "I'm Not A Loser" (tho i fucking wish that motif was used a bit more))

4. Just For Once (everyone cheer for Lauren Lopez flexing not just her high tier soprano skills, but also how amazing of a fucking actor she can be like the concept of this song is quite layered and to pull it off both comedically and emphatically takes great lyrical and acting prowess)

5. The Summoning (a well-anticipated onstage introduction to all 5 of the LiB that balances out befuddling neon-entertainment with genuine fucking menace)

7. Cool As I Think I Am Reprise (A FUCKING GENIUS REPRISE I CAN'T STRESS ENOUGH HOW COOL I FIND THEM RECONTEXTUALIZING THE OG SONG AND IF I LOVED YOU TO FIT THE SITUATION AND BOTH OF THE CHARACTERS GROWTH. LIKE IN TERMS OF THEMATIC IMPLICATIONS WITH CHARQCTER DEVELOPMENT, THIS SONG AND ITS SCENE WOULD BE THE TOP)

6. If I Loved You (I think this song could be a bit more honestly like I know how much Starkid has explored Steph and Pete's relationship in their other projects and I was really hoping that they would have it more portrayed here - however the song is a bop nonetheless and it matches neatly with their themes and the harmonies are top tier. I placed this higher than the next just due to my personal bias like I really do like the song)

8. Dirty Dudes Must Die (A GREAT TWIST THAT MAKES ME WANT ANOTHER MUSICAL ABOUT GRACE CHASITY'S DERANGED SELF - also the new context of the song Grace is reprising here makes her a villain even scarier than MAX of all people but that's just me)

9. Literal Monster (A very catchy beat and well structured song that provides a good introduction to a jock-bully with the god complex. also kinda foreshadowing to nerdy prudes must die)

10. Cool As I Think I Am (the instrumentation reminded me of Dear Evan Hansen ngl fjsjd but it really does sound like an I-Want song from a teen-musical which is of course what they are going for - it sounds very nice and earnest though and I loved how it was utilised in the reprise. However I still fucking wish that the I'm Not A Loser motif was used more)

11. Dirty Girl (look I'm sorry for ranking this quite low on the list but like there is no fucking way I'm using this as bait to lure other people in like they'd be scared away I'm sorry fjdjs BUT I love how Will and Angela perform this though like top tier starkid performances ever - its not just what I would listen to on repeat personally jgjdjs)

12. Go Go Nighthawks! (This one gets plus points because of FUCK YOU CLIVESDALE GO GET FUCKED. otherwise its nice and cheery and perfectly shows how happy everyone is without Max but um I kinda wish it could be a bit more especially in terms of showing how happy the other nerds are now that Max is gone but that's just me)

13. Bully The Bully + Bury The Bully (Look I couldn't decide which was better like they both are the same melodies so like gjxjs these two are cute though and I liked seeing the 5 kids bonding in Bully The Bully since we don't get that many scenes with them)

14. The Best Of You (the pop-punk happy number is a staple of teen-centered musicals and it does really sound nice - just isn't that much of a standout compared to the others.)

[millepara]

himitsu no aipri episode 1 (a week late)

it's been so long since I've written about a priseries (or any other idol) show... I'm realizing that I legit didn't think I'd ever get the chance again. I got tired of doing it before because I felt like I was either complaining too much (planet) or just happy abt everything that was happening (primagi) and thus had nothing interesting to say either way, but ever since watching aipri on sunday I've been looking forward to this... I think I'm just happy about new idol anime content after such a long drought tbh but it's something good that aipri has already brought us, no matter what you or I think of anything else about it.

I missed the first 5 minutes bc I was reading bad fanfiction in bed to wake up (nigh daily routine) and totally forgot abt aipri... then I did remember and had to sprint to my computer, but the stream kept stopping so I missed some critical stuff throughout. I liked the ep okay, but maybe actually seeing all of it will improve it?

ohhh ok it starts off with those cute lemon coords in the op. actually this does help, those coords are easily my favs that I've seen in aipri so far. esp Mitsuki's blue one is sooo cute... I am saying this as a person that buys every single blue gingham item of clothing I come across though haha. I will say that the coord & dance totally don't match the sort of sweeping fairytale (just mistyped that as dairytale. hm) majesty that the bgm and voiceover is going for, but...

oh, I didn't know that Mitsuki had a snippet of performance in here. I've seen it in gameplay videos already, I like it ok---wow, it's already over.

the way Mitsuki is pausing for her viewers to answer is just like shows for preschoolers... they're really going after that age group, huh. (do actual streamers do stuff like that....?)

oh, I already saw Himari get a call from her sister. looks like I only missed 1 minute.

that is the ugliest anime dog I've ever seen, hands down, but Hiiro is cute. I'm sure she's well on her way to being the Non or whoever the prichan little sister was of aipri, in terms of popularity.

I do think it is very, very interesting that in this pretty series anime which is aimed at perhaps the youngest audience yet, they have put the mc in a dorm, away from her family. weird. actually I am for the first time realizing exactly how many anime have schools with dorms. you'd think japan is overflowing w boarding schools but idk of a single one lmao...

Mitsuki: it sure was the right decision to move into the dorm!

Himari: (completely ignores her statement to bring up aipri)

Himari's look out of aipri is really cute, I've finally decided. it's a shame that her twintails as an aipri are such a weird shape??? why do they curve up on the outside like that, all I can see is a large intestine when I look at them...... :(

the first time I watched this my internet cut out just as Mitsuki's face was approaching Himari's. I knew what she was doing bc of the comic in the aipri fanbook, but still it was like, oh! looks like it's gonna be another totally straight pretty series show!

oh man, the op. the song itself is cute and catchy, but this vtuber's voice is just too much, and it gets more too much as the song goes on. I get the appeal of her being a "real-life aipri", and presumably she's popular so her fans might be drawn to watch, but I hope she doesn't sing the next op too..... oh you know what would be kind of cool is if every op was sung by a different vtuber. that way if one sucked we wouldn't have to hear them again, and they'd showcase a lot of different people.

Meganee is especially exceptionally cute in her op cameo!!!

oh. A Crush. let it be insignificant 🙏 but if they become idol princesses too I'll allow it.

I like Chii's voice a lot, and her passion regarding aipri, but on the list of things I'm finding myself saying "oh. shame :( " about is her unfortunate hairstyle. also speaking of things that remind me of other things, her name Chii Mamiya sounds like "chi mamire" (blood-soaked) or "chi mame" (blood blister). surely I am not the only Japanese understander who hears this.

Yusa Kouji-sensei has by far my fav character design in this show. he is officially my favorite aipri.

wow, it's the classic post-covid tv broadcast opening ceremony... a chillingly real element in this fantasy rich kid school. irl this is the first year since covid we've had in-person opening ceremonies in many schools, it's a shame they don't get to at paradise academy yet lmao

I'm not even going to touch this whole welcome speech. I'm just going to slowly back away and pretend like I didn't see anything.

I love the aikatsu-level background character design in this classroom!! bicolor twintails is cute.

I wonder if these elementary schoolers are relevant or are just there to show how many people are watching Himari.

lmao despite what I said about Chii I think we were sharing the same braincell when she said "Her Victoria levels are out of control!!" they totally are!!

am I misunderstanding this or did Victoria not ban aipri? didn't she say "in moderation" only...? this is literally the same kind of thing schools say irl abt cutting down on screen time. just more dramatic.

so the elementary kid is relevant. Yuma... will he be an aipri too? if not, why would he even exist?

I didn't catch the first time around that this bracelet was the one uh, Candy Motif was fiddling with in the student council meeting. where'd she get it from?

this is the least amount of love I've ever seen put into a commercial break eyecatch.

are the aimus... cute? I can't see it...

it's very funny that the lipstick immediately disappears when they go 3d. they knew it looks bad, and they've still gotta cram it in there for that single second to sell toys.

this cgi. I think everyone's said it so far, but it's really not the best... I think I might like the game's graphics a little better, even. I do like seeing the coords lit up at least.

P.O.P.P.Y is a cute enough song. it's just barely on the listenable side of the line for me, but I do think it's a great match for what aipri is going for. also that is definitely a dance that was made for preschoolers to imitate.

buzzalyume... idk if anyone is aware or not, but buzz is a word that's in really common use regarding social media in japan atm. like you would say "that's buzzing" (literally I mean, figuratively it's more like "that's all the buzz" like the english use of the word) about something that's all over your timeline or whatever. so it's not totally out of left field for them to choose that word in particular, but it doesn't mean that it sounds any less forced, that's for sure!!

Bear Bear Bear's voice is cute.

I don't like these emoji reactions all over the screen. not cute.

the ed is cute.

...finally, I watched it all. whew. I have to say, I was not wowed by it! but it was fine. it's far better than having no pretty series at all. I keep thinking "I'll put off my opinion till I know more about it" about aipri and I'm tempted to say it again now--in this episode we barely met the main two characters in favor of worldbuilding. it kind of makes sense as the first ep of a little kid show, but will the rest of the show stay at this same level of character depth? it's way too early to say. but for me, that's what'll determine how much I like it.

[caluski]

@moldavite tagged me to post my current music faves (thank u kalli a big fucking MWAH goes out to u in this gloomy april evening) so yay!!! i love posting spotify links of course... more belowww. trying so hard for everyone to only post things i havent shared before... trying!!

obviously justice is on repeat - both incognito and saturnine, but im putting here incognito bc it does have the coolest intro and outro everrr like ouuughhhh like justice goes so fucking hard when they choose to have some retro synths................ actually have you listened to planisphere today? you should (talking to everyone)

i havent actually talked about my thoughts on khruangbins new album... which is obviously good but i simply didnt have the time to get into it :/ ive been hoping to give it a good listen, no skips no nothing, on a day off but work has been kicking my ass a bittt... anyway! Pon pón is fun. it came out as a single few weeks back and ive gotten really into it.... sooooo groovy

vampire by sholto is what some of you might recognize from love and food playlist? but ohhhhhh fuckkkkkkk its so good. i dont even know this guy and i didnt think much of it other than "yeah its cool" when i added it to my library. such a great and sinister feeling jazzy number.... AND WHEN THE SAX HITS!!!!!!!!! thats so good. please listen to vampire.

more radio pop!!!!! MORE MAINSTREAM KEVIN PARKER!!!!!!!! i do love tame impala's older/more niche sound just as much as i love him "selling out" (whatever, i will defend his minions and elvis tracks until i die and i will MEAN it) so i am STILL excited for this album even though the roll-out of singles has been consistently awful. but i guess dua lipa is a slow riser always (however long did it take her to peak on charts with 'dont start now'???). plus obviously DANNY!!!!!! YAY FOR DANNY!!!!!

its been a really good spring so far, with so many of my faves releasing music, and obviously that includes sebastian. i remember watching the runway show this was made for, but for some reason i didnt hear the whole track - maybe it was just highlights or something? i really love the synths in this one. its unusual for him to bring the choral singing in the start instead of the climax of the track, but its really well done (as always)! i wish, i wiiiiiiiiish there was something happening about the new album, too.

charli's really being weird recently about everything but goddddddd this slaps so good. im usually not that big on gesaffelstein but i do love ag cook so much. its going to be such a good clubbing record like literally.... its crazy she STILL gets labeled hyperpop. i also like club classics, but b2b is TRULY superior out of this double drop....

the beat of this one is just stuck in my head at all times. its cute! fun! perfect for spring. theyre soon to release their debut album, i need to remember to check it out. while its not SOTY material so far, its just cool and pleasant.

more dance sounds - i like this one a lot! really catchy. ive never really been into 1tbsp but yeahhhhh with this one, i get it.

ok i for sure posted this one before, but its ok bc it got like 0 or 1 likes or something. starwolf is a band im really hopeful for!!!! their 2020 album was pretty interesting, but its their three last singles that got my ears all perked up. some daytime disco vibes in them, and its really cool considering i was somewhat.... underwhelmed by poolside's last album. so, i feel good about starwolf now! fingers crossed for summer, as it would be a perrrrrrrfect record to replay over and over during hot sunny days.

and SUUUUUUUUUUUCHHHHHHHHH a spring favorite for the end. kind of getting lost in this one.... number one song i keep thinking of during sweet sunny walks recently. unbelievably cute. 10000% recommend.

[mikunology]

Mikunology Reviews #2: NX STARS (2022)

Alright, here is my second review! Today, I'm reviewing something much more recent and kind of obscure depending on your circles...the album NX STARS created by VOCALOEDM circle NEXTLIGHT!

Uh, so, like I said, I wanted to review mostly albums I'm interested in (someone did give me a suggestion I might follow up on though) and as a big EDM listener and a fan of several of the DJs in NEXTLIGHT, I figured I'd give the NX series some spotlight. I'd like to review some of NEXTLIGHT's other projects as well in the future. But anyways, let's get on it!

Star Theory - We start off the album with a song from Reno! This song is a bright, poppy electropop track, fitting to the album's star concept. I have to say, it's a good start: the song has a strong dazzling air about it, complemented by Miku's vivid and cute vocals. It definitely has this "sparkling" vibe with the way the synths are used, and it does a good job at getting you ready and excited for what's ahead. Pretty good!

Sono Koe wa Kagami no Gotoku (That Voice That's Like a Mirror) - OK, not gonna lie, this is probably my favorite track on the album and we're only on #2! I'm admittedly kinda late on hopping on the keisei fan train - I wasn't a big fan of "Singularity", to be honest. But this song is wonderful: the song's guitar and piano and the almost "soaring" feeling of the music is incredibly refreshing and addicting. Not to mention, this song uses Miku NT fantastically - she sounds nearly indistinguishable from V4, minus some light engine noise. I don't know how keisei does it.

Tenbinzu no Principal (Libra's Principal) - A dazzling pop/future bass track courtesy of colate! I don't think I liked this one overly much upon first listen, but relistening to it has made me like it a bit more. Like Star Theory, it has this very "sparkly" and "magical" feel to it, between the twinkling synths, dashes of violin and light, clean future bass drops. Still, I think this one is a bit on the forgettable side compared to the previous two tracks.

Candy Load - emon my beloved!! A sort of guest on part of NEXTLIGHT, he brings his typical fun and fresh pop to the album. It feels a slight bit different from his usual stuff, so to speak: Miku's vocals (which are provided by Miku Sweet) feel more subdued than usual, and it has some more chill parts to it. But, it is a good track! The chorus is as funky and catchy as only emon can bring, and I can easily have a good bop to it. If you like "Metamo-Ribbon", for instance, I think you're easily gonna love this one. Probably one of the more stand-out tracks.

Kashimashi Bischet - A new track provided by Twinfield! However, unfortunately…I kinda feel lukewarm on this one. Don't get me wrong, it is a fun track, but I feel like it has trouble standing out, with the only part that really got my attention being the drop before the final chorus - it leads into this really cool and fun-sounding instrumental section, and it makes the following chorus feel a lot more fun as a result! Basically, the song feels a bit like it takes too long to "get good". But eh, I'll give it a 5/10.

Magical Shiny Sky - This track is provided by picco, aka the current queen of Vocaloid future bass XD I have to say, though, this track is pretty good! I feel like during my first listen of this album, I didn't give it too much credit, but I think it's pretty cool. It has a great beat to it and it grabs you from the get-go, and it keeps that fun, jumping quality going through the whole thing. And again, this song has the signature "sparkly" element most of the album has been keeping! It feels pretty satisfying as a future bass track.

Ride the Light - This song is written by Capchii! This has a somewhat harder beat to it, making it kind of unique since this album has mostly been light electropop. However, I don't think I'm super keen on this track: the music itself is good, with the harder electropop beat working for it well and having a fairly catchy hook, but I'm kinda…lukewarm on Miku's vocals? I think Capchii uses her well on average, but she sounds kinda underwhelming on this track and it makes the song kinda so-so.

Ryuusei Empathy (Meteor Empathy) - This next track is by another "guest", Buono! This one is hard to describe…I can't name any traits from it that the other tracks on this album don't adhere to? This one has a sorta funky chorus, almost emon-like, but despite listening to it a few times I find this one mostly forgettable. Sorry, Buono :'D

Your Wish - A second track created by Reno! This one is good - admittedly not as strong as Star Theory, in my opinion, but with a nice uplifting and bopping vibe to it. I'm growing more and more fond of their way of tuning Miku as well :D The way she sings "Your wish come true" at the end of the chorus is super satisfying and definitely instilled a Feeling™ in me. High rec this one!

Outer Shelter's - Finally, our last track is brought about by Adomiori! This one is actually rather chill compared to the rest of the CD - it's more slow and emotional rather than perky and bouncy, but it still keeps the happy theme of the album. I really like it, actually?? The way Miku sings in this one is very nice, and I love the vibes here - it really gives that sort of "floating in space" feeling. The melody both for the vocals and the drop is great. It feels like a very suitable final track to end off such a starry tracklist.

And that's it! Overall, I'd say this album is pretty good - even if I say a song is sorta mid, I can't necessarily say any of them are absolutely worth skipping (i.e. really bad), and most of the tracks are very enjoyable. If you enjoy electropop or future bass when it comes to VOCALOID, I think you will enjoy most if not all of NX STARS. I highly encourage you to check out NEXTLIGHT if this album seems up your alley!

I'm thinking next week, I could cover my favorite from the NX series, NX ENCHANT, but idk, maybe I'll do something else instead. I hope you enjoyed my review ;v;