#this show was FUCKING PHENOMENAL

[gilly-moon]

talk to me about the long emotional road to recovery after experiencing Hadestown for the first time (im not ok)

[daddyduncan69]

something something the first time i truly felt pity for riko was his death and i think that fucking matters something something

[lovecolibri]

Brennan: *narrating* ...and third he gave him a sword named Wavebreaker.

Aabria: *gasp* SHUT UP! sorrysorrysorry

🤣🤣🤣 I love when the cast has the exact same reaction I do. What an exciting moment!

[cryptocism]

Here’s my thing about the twist at the end of IWTV season 2 (spoilers obvi)

The magic system that IWTV has is for flavour. It’s spice, it’s zest, it’s a lil bit of seasoning that gives the storytelling a fun supernatural kick. 

We are not given exact metrics or data for how exactly the Vampire Powers function, just examples of some that can manifest (pyrokinesis/telekinesis/telepathy/flight/mind control/etc) and that Vampire Powers get stronger as they get older. eg. Armand can walk in the sun – but is he immune or just resistant? How old does a vampire have to be before they can take a midday stroll minus immolation? Is there a time limit? An intensity where they could still be injured? Does the effect lessen if they have some shade like an umbrella or a large hat–

IRRELEVANT!!! The Vampire Powers are for SPICE and these kinds of nerdy-ass questions about scope and scale in this magic system does nothing for the characters or the story. You do not need to know the exact range or power of Louis’ Fire Gift in order to cheer and clap when he burns down the theatre. Lestat’s Cloud Gift doesn’t need a follow-up explanation on how high/fast he can fly in order to be devastating when he uses it to do a domestic violence. This isn’t Fullmetal Alchemist, this isn’t Mistborn. This magic system is SPICE, and getting into specifics about the powers and how they work distracts from the wonderful twisty soap opera of the gay vampires doing war crimes to each other.

So my thing about the twist is not that Armand was willing to let Louis die, and it’s not the reveal that Lestat was actually the one who saved Louis.

My thing about the twist is that it relies on a magic system that wasn’t built to support that kind of major end-of-season plot point. And the consequences that the resulting ambiguity has on Claudia, the greatest tragic hero of all time.

So the Mind Gift. 

Armand has that shit on lock. He’s shown using it extremely competently even before the San Francisco memory-alteration reveal. He’s the only member of the coven who clocks Louis’ recognition at Lestat’s name, he notices the “presence” in Louis’ mind when Louis hallucinates Dreamstat, he knows when Louis is lying to him about Claudia’s involvement in Lestat’s murder, when he tells Louis and Claudia to close their minds before his conversation with Madeline he says “I’ll know it if you haven’t.”. He’s able to knock out the entire coven in one scene, although it’s unclear whether that’s the Mind Gift or a combination of telekinesis and the time stopping(?) thing. Plus of course mind-wiping memory-alteration courtesy of the San Francisco saw trap.

Armand is the oldest vampire in the show so far, we know vampires get more powerful with age, and his previously shown competency with the Mind Gift means that when he says he compelled an audience full of people into banishing Louis, it’s a believable addition to his powerset. 

And, consequently, when he says “it took all my strength” we can guess that he’s lying his ass off. Daniel points out Armand saved Louis and not Claudia because he was trying to reveal the reasoning that everybody except Louis already knows. To quote Assad Zaman: Armand doesn’t give a fuck about Claudia.

Lestat on the other hand.

His one and only use of the Mind Gift (besides the generalized telepathy all the vampires share) is when he mindfucks 30ish soldiers out of his townhouse in the 1900s. His ears bleed about it – and we can pretty confidently interpret orifice-bleeding as a kind of catch-all for mind-powers being difficult. And then we don’t mention it again for a season and a half because the magic system is for spice and Louis is more concerned with other shit.

Until Daniel brings it up in his Big Reveal, and this piece of evidence allows for the truth to come out and Armand to be exposed as an opportunistic liar. Scene is played out brilliantly, Louis puts a crater in his wall via his ex-husband, good stuff.

HOWEVER

This twist has the consequence of shifting the focus of the story. The central question has changed slightly. Instead of the reveal being who killed Claudia, the narrative focus is now on who saved Louis.

And despite my love of Daniel’s reveal scene, despite my love of the Louis/Lestat reunion scene, “who saved Louis” ends up a weaker thematic question.

Claudia is the whole fucking point. Claudia and the way her fathers failed her. Claudia and the tragedy of her narrative doom. Claudia and the ways she never escaped that child’s body in that burning house, no matter how much she tried.

My thing about the twist is that it takes our previous understandings of Armand and Lestat’s respective power and agency in that scene from this:

Armand: Could’ve Prevented It (Chose Not To) Lestat: Genuinely Could Not Have Prevented It

To this:

Armand: Could’ve Prevented It (Chose Not To) Lestat: Could’ve Prevented It (Chose Not To)

And then doesn’t interrogate or explain further. There is no one that says to Lestat, “You saved him, but why didn’t you save her?” 

And look I can understand I’m meant to extrapolate that Lestat used all his strength to save Louis and therefore didn’t have enough juice to do the same for Claudia (his ears bleed about it and everything)

But they sprinkled so much doubt on Armand’s “it took all my strength” excuse and then immediately showed Lestat as much more powerful with the Mind Gift than previously assumed, and so I’m left with too many unanswered questions.

This is where the narrative puts too much weight on a magic system that wasn’t built to support it. The audience is aware, vaguely, that the older a vampire is the more powerful they are, but we aren’t actually given tangible comparisons between Armand and Lestats respective abilities circa 1949. Lestat is shown or said to have all of Armand’s same abilities by this point, but besides Armand being older, he’s never shown outmatching Lestat in power, and so we never get a real sense of Lestat's limitations.

I should mention that, on its own, this wouldn’t be a flaw. Like I said the magic is here for spice and zest and we don’t need Armand and Lestat to have a wizard battle in order to understand that Armand is probably nebulously more powerful.

But when you hinge a plot point on Lestat’s magical abilities and their limits, I would like to know for certain whether Lestat genuinely couldn’t have prevented Claudia’s death or, like Armand, simply chose not to.

If it’s the latter, it counterintuitively makes Lestat a much less sympathetic character, when (as far as I can tell) the purpose of the twist is to make Lestat more of a heroic figure, since post-reveal there are no further interrogations of Lestat's choices.

And I’ve read wonderful meta on Lestat choosing to let Claudia die and then regretting it forever: if he loved her more she would’ve suffered less, if he loved her less she might not have suffered at all, etc.

But none of this is given any focus in the show because besides Lestat’s single heartbreaking line about Claudia looking to him in her last moments. There is no illumination on whether Lestat’s inaction was due to personal choice or lack of ability. There’s no solid evidence in the show to swing it one way or the other, the magic system is too soft to support a solid conclusion about it.

And. Claudia was sentenced before Louis. So even if Lestat only had the ability to save one of them, he still made the conscious choice to save his strength for Louis.

Which is also not necessarily a flaw. Lestat making the choice to save Louis over Claudia would be an extremely compelling road to go down. My issue is that the show has changed the central question from who killed Claudia to who saved Louis and is now pretending that that road doesn’t exist.

There is no indication that Louis feels any kind of way about Lestat ostensibly choosing him over their daughter. There’s no indication that Lestat had any hesitation about his choice, despite his sadness at her death. I can interpret Sam Reid’s acting choices in the final scene as Lestat not realizing how much Claudia meant to him until she looked at him “like a child looking to her father” but by then it was too late – but that would still be speculative.

Giving Lestat the agency to save Louis and Claudia during the trial both puts too much pressure on a magic system that can’t support it, and puts wind-drag on Louis and Lestats reunion: what should be the emotional climax of the show.

And look to be clear: show good. I’m obsessed with show. 

But the structural integrity of the final twist makes me feel like an OSHA inspector in an otherwise competently made building that doesn't have railings on the stairs.

They don't establish enough information wrt the magic system so that Lestat’s sudden ability and subsequent assumed limitations can reasonably track. They don't interrogate the consequences of giving Lestat the choice to save his daughter and then him proceeding to Not Do That.

I don’t think it’s out of character for Armand to choose his coven over Louis considering his habit of clinging to the familiar even if it sucks. I don’t think it’s out of character for Lestat to choose Louis over Claudia considering both Lestat and Louis’ habit of doing exactly that.

But you cannot ask the question “Who killed Claudia? (or, through inaction, allowed Claudia to die)” the entire season and then answer it with “Actually, Lestat saved Louis!”

It shifts the focus, it muddies the theme, it relies too heavily on a magic system that is supposed to be vibes-based and most importantly it treats Claudia like an afterthought when Claudia is literally the entire fucking point.

Claudia isn’t even the main character in her own story, the most tragic of tragic heroes, only someone’s first choice in the moments before her death, and neither she nor the woman she loves can do anything to change their endings. Louis and Lestat’s realization of all the ways they failed her is meant to be the emotional catharsis of the show, but it rings hollow, because the consequence of the final twist serves to render her narratively and metanarratively another round in Louis and Lestat’s stormy romance and un-asking its own central question.

[six-improbable-things]

Black Sails is a masterpiece for dozens of reasons, but one of them is definitely the way that even though season 3 ends on a victory (albeit a bittersweet/costly one), you can just feel the impending doom looming over the characters. The narrative is whispering to you "This is a tragedy." despite the plot and character high notes that the season ends on.

[borgialucrezia]

Never presume that I will not act on my worst instincts.

[arrowpunk]

God damn it all. I want to like Arcane. I really enjoyed everything up to like. The final two episodes. But then they had to go and make. The disabled guy who was trying to make the world a better place. Into a eugenicist.

And the stuff Jayce said to Viktor about how Viktor always saw his disability and sickness as flaws to be fixed/cured/perfected or whatever. Was like really gross. Yeah. Viktor didn't want to fucking Die. That doesn't mean that he wanted to? Remove disabilities in general from the world. He wanted to make the world a better place for everyone. He grew up in the undercity, and because of that he got a terminal illness that was slowly killing him. He wanted to make life better for people in the undercity so they weren't Suffering.

That doesn't mean eugenicssssssss.

And making it so that Viktor has actually been the big villain/antagonist all along? And that apparently?? In Every Single Universe? He becomes a eugenicist? Unless Jayce saves him from that???

Dude what the actual fuck. What the actual literal fuck.

[sapphosclown]

Cynthia’s coming out scene was so heart wrenching, and so beautiful.

First and foremost, I love that it was done non-verbally. As a neurodivergent viewer who sees how neurodivergent Cynthia is, it made the scene that much more impactful. That she was feeling so many things and thinking so many things that all there was to do was shut down. I felt every emotion with her and Ari did an absolutely incredible job portraying those feelings. Not even to mention how Nancy did not assume Cynthia was ignoring her or being rude for a second and completely understood what Cynthia wanted to say.

When Nancy asks what’s wrong, Cynthia says she doesn’t want to talk about it. Nancy, being Nancy, keeps pushing, and starts asking more specific questions. When Nancy mentions Cynthia’s mom, that’s the moment she truly shuts down— which leads to a whole other concept— but easily establishes that Nancy and Cynthia have a trust that has been built that we the audience, haven’t seen.

Nancy tells Cynthia “You can tell me anything” and we can immediately see Cynthia’s thoughts, “not this.” as she shakes her head with so much pain and fear. She wants to trust Nancy so badly, but she’s not allowed to. Nancy assumes “You don’t want to talk about it” and Cynthia shakes her head, but Nancy knows this isn’t a no, she knows “You can’t talk about it.” Which hurts Cynthia even more because Nancy knows her so well but she’s so afraid of admitting to this part of her.

And then Nancy suggests writing instead of talking. Once again, from a neurodivergent standpoint, this was so important to me. But watching as Cynthia slides the paper to Nancy, but not loosening her grip in a desperate attempt to cherish these moments before her best friend turns on her and she loses the last thing she has. But Nancy reads it. The silence is long, the pencil scratching on the paper is taunting Cynthia. And Nancy slides it back. Cynthia doesn’t hesitate in reaching for it and with one glance, it finally all hits her.

The fear, the anger, the despair, the pain, the relief.

It’s so much to bear and suddenly, she doesn’t have to bear it alone. Because Someone accepts her. Someone has proved there is no circumstance in which Cynthia will ever go unloved by them. And in that moment, they are safe to feel it all.

[izthedemonwolf]

I'm sorry but no matter how you spin it, Kazuki and Rei are literal soulmates. Whether it's platonic, romantic, or some other type, those fuckers love each other. They truly have a special type of bond.

[bacchuschucklefuck]

caps from comic Im doing

[ravencromwell]

Fuck, just had a hell of a Holland realization, which everyone else probably realized years ago but indulge my horror: The Danes have their stone statue garden of traitors. And the only thing we've ever seen in WL that can turn people to stone is As Staro. The command Holland used to kill his fucking brother. The idea of him having to replicate that kill over and over with the traitors the Danes wanted to make sharpest examples of, and then walk past those kills every fucking day? I have nothing else to say except it's a fucking crime Holland didn't get the same sort of triumphant, bloody fight against the Danes Lila got against the earth mage who tried to kill her in the tournament, because to say he deserved it so much more is the flimsiest possible understatement.

[aimasup]

throws up my hands in mock resignation but also a hint of frustration Okay Valentino is a cool villain I guess

He's like. Genuinely unsettling. Wish the show struck a better balance with his character sometimes (like sometimes when he's onscreen I have to skip over because I feel queasy and sometimes he's so unsubtle he feels more like a prop than a guy who's going to be a Huge Deal in s2)

[lizzibennet]

kate looks SO REGAL, so classy, so distinguished!!! even by violet's side, who's always so classically beautiful and surely always in good taste, kate is just a PRINCESS!!! she looks so... RICH??? like she just LOOKS like not a viscountess but THEE viscountess

[redhoodie1723]

the imaginary carlos and charles beef that some fans are convinced is going on is giving Netflix DTS trying to convince us that charles and sebastian were mortal enemies that prayed on each other’s downfall nightly

[caspersscareschool]

he literally sews his kids stupid little outfits from scratch does anyone even fucking care

[simplegenius042]

Music Monday

Tagging @inafieldofdaisies @icecutioner @derelictheretic @shallow-gravy @voidika @socially-awkward-skeleton @shellibisshe @direwombat @strangefable @rhettsabbott @josephseedismyfather @josephslittledeputy @imogenkol @cloudofbutterflies92 @skoll-sun-eater @cassietrn @carlosoliveiraa @adelaidedrubman @g0dspeeed @wrathfulrook @afarcryfrommymain @strafethesesinners @aceghosts @turbo-virgins @raresvtm @softtidesworld @starsandskies @ladyoriza @la-grosse-patate @florbelles @titiagls @minilev @yokobai @thewanderer-000 @omen-speaker @justasmolbard @alypink @thesingularityseries @nightwingshero and @noodlecupcakes + anyone else who'd like to join.

Songs for The Silver Chronicles, Life, Despair & Monsters and Wings And Horns respectively. You can find the songs below the cut:

Elsa Omar is Silva's younger sister, they both managed to escape to America together along with an infant Persephone, where Elsa would have quite the reputation in Hope County, but they'd have around two or three years of peace before Elsa perishes in an accident. Ezekiel is Thomas Rush's future Captain in Security in Old Dusk, and has a rebel attitude towards authority he does not respect. However, back on the Archipiélagos, Elsa was the damsel-in-relative-distress lying and manipulating her piece of shit father as she shared info with the local rebellion about the Congregation's patrols and whatnot, while Ezekiel was an orphaned Tumultite street kid who looked up to the likes of Alvarich and Paul, despite being very anti-authoritarian in general. When these two first met... they hated each other. But hate turned to grudging respect. Respect turned to horrified crushing. Crush turned into deflecting by flirting. And that annoyed everyone else. Even 26 years after he last saw her alive, Ezekiel still yearns for his star-crossed love. And I think this song definitely describes how much their connection may as well have been fated, even if it was for a short time.

"I don't mean to be so uptight But my heart's been hurt a couple times By a couple guys that didn't treat me right I ain't gonna lie, ain't gonna lie 'Cause I'm tired of the fake love, show me what you're made of Boy, make me believe." "Whoa, hold up, girl, don't you know you're beautiful? And it's easy to see."

"If it's meant to be, it'll be, it'll be Baby, just let it be If it's meant to be, it'll be, it'll be Baby, just let it be So won't you ride with me, ride with me? See where this thing goes If it's meant to be, it'll be, it'll be Baby if it's meant to be

So come on, ride with me, ride with me See where this thing goes So come on, ride with me, ride with me Baby if it's meant to be."

"Maybe we do." "Maybe we don't." "Maybe we will Maybe we won't.

But if it's meant to be, it'll be, it'll be Baby, just let it be ("Sing it baby")* If it's meant to be, it'll be, it'll be ("Come on") Baby, just let it be." ("Let's go!")

[*Changed the word to "baby" instead of leaving it as "Bebe"]

Cecil Royce is the daughter of Daemon Targaryen and Rhea Royce, conceived after a drunk night of hate sex. Cecil, unlike her cousins, does not hold any admiration towards her father. Throughout The Thorned Crown Of Iron Thrones, Cecil is particularly hostile towards Daemon, and pretty much rejects the Targaryen name and practices in favour of her mother's. Though after the "accidental" death of her mother, she is put underneath Daemon's care... and he honestly tries his best. Through many trials, and many errors, as well as very slow-paced bonding experiences and the apparent mutual agreement that Rhaenyra should be heir to the Iron Throne, they manage to get along, and find in themselves an actual father-daughter bond suited for two rogue Targaryens. Until of course Cecil learns from him that he murdered her mother... and unlike Daemon, Cecil actually loved and looked up to Rhea. A bond fractures and there's just this uneasiness between them that stays long after the first fic ends and the second fic begins. How does "Summertime Sadness" fit into all of this? While the song itself is a yearning for the loss of a lover, here the context is Cecil's conflicted grief and yearning after the loss of Daemon, when he buys her time to fight the Court King, where he is knowingly severely outmatched and slain in the encounter. Despite the fractures in their relationship, Cecil can't really get over the fact that, while Daemon was no where close to perfect, he was her father, and the bond they had combined with the sacrifice he made is something can't help but grieve over.

"Oh, my God, I feel it in the air Telephone wires above are sizzlin' like a snare Honey, I'm on fire, I feel it everywhere Nothin' scares me anymore (One, two, three, four)

Kiss me hard before you go Summertime sadness I just wanted you to know That, baby, you the best

I got that summertime, summertime sadness Su-su-summertime, summertime sadness Got that summertime, summertime sadness Oh, oh-oh, oh

Think I'll miss you forever Like the stars miss the sun in the mornin' sky Later's better than never Even if you're gone, I'm gonna drive, drive, drive

I got that summertime, summertime sadness Su-su-summertime, summertime sadness Got that summertime, summertime sadness Oh, oh-oh, oh."

Wouldn't It Be Nice if Metatron and Xiang could just sit down and get along for a few moments while looking past their species prejudices and work on agreeing that something needs to be done about the Soulmate System, because it's definitely malfunctioning? Said by Azriel and Jezebel as they "fight" while their caretakers are getting deep into that steel on steel, sword on bullet action.

"Wouldn't it be nice if we were older? Then we wouldn't have to wait so long And wouldn't it be nice to live together In the kind of world where we belong?

You know it's gonna make it that much better When we can say goodnight and stay together

Wouldn't it be nice if we could wake up In the morning when the day is new? After having spent the day together Hold each other close the whole night through

But happy times together we've been spending I wish that every kiss was never ending Oh, wouldn't it be nice

Maybe if we think and wish and hope and pray it might come true And, baby, then there wouldn't be a single thing we couldn't do Oh, we could be married (Oh, we could be married) And then we'd be happy (And then we'd be happy) Oh, wouldn't it be nice

You know it seems the more we talk about it It only makes it worse to live without it But let's talk about it Oh, wouldn't it be nice?

Goodnight, oh baby Sleep tight, oh baby Goodnight, oh baby Sleep tight, oh baby Goodnight, oh baby Sleep tight, oh baby!"