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fushitoru · 2 months

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chapter 1: the debutante a bridgerton!au

pairing ⸺ duke!satoru gojo x fem!reader

summary ⸺ dearest gentle reader, a new season is upon us as the ton gets ready for a season filled with drama, heartbreak, and passion. after being crowned diamond of the season, heir to a dukedom mr. satoru gojo⸺only looking to marry just to secure his inheritance⸺has his sights set on you, the easiest (and most obvious) option. later, when you catch his saying unsavory things about you on a terrace when he least suspected it, you swear to never marry gojo. as london's fashionable set goes through yet another wedding season, will there be hope for scandalous gossip, hate, and thinly veiled insults, or will we witness blooming love and passion?

warnings ⸺ nsfw, enemies to lovers, bridgerton au, angst, fluff, eventual smut, jealousy, misogyny, regency era au, gojo being infuriating, reader also being infuriating, both of them are clueless honestly

chapter summary ⸺ you begin to get ready for your presentation for your debut this season, and satoru steels himself to find a wife. you don't get the reception you'd wanted from some, and satoru will soon curse himself for letting his tongue loose (6.3k)

a/n tired of keeping this in the vault lol so I’ll just post it even if my perfectionist tendencies are screaming at me. thank you so much to @/sinn-clair for beta reading and lexi (@/ayyy-pee) for helping me brainstorm 💗

next. the aftermath

general masterlist | series masterlist

Dearest reader,

Another season comes as the ton descends to London yet again from the countryside. Young ladies and their mamas flock to the modiste in an effort to fluff their feathers to find a match.

The Itadoris are by far one of the most prolific families in the upper echelons of society. The sight of all the children at once⸺Miss Itadori, Lord Choso Itadori, and Mister Yuji Itadori⸺is enough to catch the attention of mamas and young suitors alike. Miss Itadori, making her debut this season, has much to be desired. The debutante is a meek and demure girl, but with many talents indeed. The oldest, Lord Itadori, has a quiet countenance that has ladies and mamas on their toes, counting the days until he finally joins the marriage market. Mister Yuji Itadori is quite the opposite; his physical prowess on horseback riding has had quite a few ladies swooning after.

Furthermore, the heir to the Duke of Gojo is a most interesting character. Although he has not deigned to find a wife during any season yet, This Author has heard whispers that he will be looking for a bride during this one.

Lady Mei Mei can certainly be expected to be on the prowl, waiting to sink her teeth into the wealthiest….

⸻ LADY WHISTLEDOWN’S SOCIETY PAPERS

“Seriously?” Choso scrunched his nose in displeasure. “Why would ladies want someone who’s quiet? I use it to convey my displeasure, not to be charming.”

On the other hand, the other brother relaxed on the opposite couch, proud. “I knew I looked good on horseback,” Yuji remarked smugly. “You and my dear sister are clearly jealous of how appealing my muscles look while I’m grabbing the reins.”

“Those ladies clearly hadn’t seen you drop yourself in dung when you were younger. Or the face you make when you are so oddly concentrated. As if you just stepped into a chamber pot.”

Before Yuji could come up with a snide remark to his older brother, the two heard an incessant pacing leading up to the doors of the drawing room they sat in. The door slammed opened to reveal their mother⸺Lady Itadori⸺with a hand to her face in clear distress.

Choso and Yuji exchanged glances before Choso calmly set down the single-page newspaper he was reading. “What is the matter, mother?”

Lady Itadori moaned and sat down on a chair raggedly. “Your sister is the matter. I fear the queen will have reviewed every person in London before your sister leaves her room.”

Before Choso could get a word in, Yuji suddenly stood up. “This is a serious matter, mother. After all, she should be punctual to her debut. I will go fetch her.”

“Wait, Yuji!” Choso and Lady Itadori followed Yuji to the grand staircase of the Itadori manor. Hurriedly, they reached the foot of the stairs to see Yuji tilting his head back to take a deep breath.

“SISTER!” Yuji had his palms up to his face, as if to amplify his already booming scream. “YOU! MUST! MAKE! HASTE!” After the quite of bit noise he'd made, he cleared his throat, looking to the side to see his dumbfounded mother and brother, and shrugged. “Well, someone’s got to the job.”

Then, the brothers and their mother look up to see a peek of white and a “Miss, be careful with the hem!” You, at the top of the staircase, grab the front of your ivory dress, with your maids helping you with the train, as you start stepping down the staircase with an irritated frown. “Must you always be such a nuisance, brother?” Traversing down the stairs until your family members were visible, all you saw were dumbfounded and tense expressions. After enduring hours of painting your face and dealing with your maid Nobara’s fussing over your coiffure, you wished for a more fond reaction. Annoyed, you stomped your way past them to the exit, where the carriage was waiting for you four.

“Dear!” your mother exclaimed, rushing to your side and taking your hand as you reached the door. Her eyes, filled with concern, met yours as she nervously asked, “How are you feeling? I know this is a momentous day for you, but remember, you’ve always excelled in your lessons. It’s only natural that you’ll win the queen’s approval, dear.”

“Yes, Mother, of course,” you sighed. “It is just such a hectic day.”

“But you shall dazzle them.” Choso comes behind you, patting your back gently in his reassuring, elderly brother ways. With a proud smile, he says, “The gentlemen are not prepared for your entrance this season.”

“Indeed! They will be none the wiser to your snark, sister.” You see Yuji coming up on your other side, offering his elbow. You tentatively take it, eyeing him sourly as he continues, “I am simply elated that Mama’s attention will be on you, rather me.”

You reach to smack him on the head, eliciting an "Ow!" from Yuji just as your mother approaches next to him, frowning. "Of course, Yuji. But it won’t be long before I have to chase after you for your tutor’s complaints about your lack of proficiency⸺"

Yuji interjects hastily. "Well! Would you look at the time? The Queen is waiting!"

"I'm surprised the gossip pamphlet didn't mention how much of a rake you are," Lord Geto mused, taking a sip of brandy. At his right, Duke Nanami was stoic as always, focusing on the tastes the gin was bringing to his mouth rather than the two older men beside him.

"I'm severely offended you would even imply such a thing," Mister Satoru Gojo put a hand on his chest, feigning offense. Rather than a gin in his hand, Satoru preferred drinking water lest his mouth spilled something even more notorious than his signature calculative icy blue eyes.

He continued. "Honestly, I don't understand this whole Whistledown business. Some might even say the ton holds her words more in regards than the Holy Bible!"

"You're diverting the matter at hand, Gojo," Nanami took his tired eyes off of his drink to look at Satoru. "As the heir and first son, have your parents not urged you to cease your foolishness? There is a limit to the rakish behavior one can exhibit in your position.”

"Yes," Satoru sighed, "They have. That's precisely why I'm looking for a bride."

There was a silence in which Satoru looked up from his glass to see Kento and Suguru’s mouths agape. "What?"

Suguru leaned closer to Satoru, as if to inspect his countenance unsure if he was jesting or not. "So, is it actually true? You're going to get tied down?"

Nanami wrinkled his nose in disapproval. "Must you say it like that? Marriage isn't imprisonment, you know."

Gojo sighed. "Nanami, Nanami. It's clear that one year that separates us in age has also left a gap in experience." Nanami felt a vein pop as Satoru irritatedly continued in his know-it-all voice. "Marriage is an end. The dead end, in fact. It is when you are abroad in Paris, basking in all the fine entertainment and wooing ladies until you realize you are out of funds. Out of money. Marriage is coming home not to go out and drink, but to a wife that has endless needs of you and children that will have frustrating phases of life. An end to pleasure and an end of all jest."

Kento and Suguru exchanged a glance before Suguru asked, "So why are you looking for a wife?"

Satoru looked dejectedly at them, crossing his arms. "My parents insisted. Said they would freeze my funds and kick me out if I didn't get serious about my future." He continued on his desperate rambling, leaning back in his chair. "I don't understand. Must I have a wife to "get serious" in life? I’m serious about all the fucking mergers and dubious finances my father invests in! Look how well I managed his bets!"

"You know, Satoru, your outlook on marriage is awfully pessimistic," Suguru put down his glass to lean back as well, crossing his arms in seriousness. "Don't you wish for a love match?"

"That sounds ridiculous. Love matches are just a passing fancy young ladies have when reading their ridiculous romance novels."

"Well, of course you think that." Kento deadpanned. "No respectable lady in their right mind would fall for you and your attitude."

"Nanami, you wound me."

Suguru glanced at Satoru with concern. "My dear friend, you are making this harder for yourself than it ought to be."

Satoru groaned. "I came here for jest, not to receive words of so-called wisdom. I assure you both, all is well." He looked at both of his friends. "I do not need to be assured. I simply am looking for a woman fine enough to be my wife to appease my parents and their concerns of continuing on the line and handling the dukedom but for a woman so reserved that she'd respect my wishes and isn't so miserable. Or needy." Satoru shrugged. "I would believe these to be respectable requirements for a wife."

Suguru looked at him with mild displeasure. "It sounds like you are looking for a horse to ride, not a woman you would spend the rest of your life with."

Standing up, Satoru moved behind Kento and Suguru to give them a hearty slap on the back. "Trust me, my dear, dear friends. I will find what I am looking for and drink myself silly for the rest of my life!"

"You don't drink." Kento sighed.

"Never mind, you! Sir, more drinks!" Satoru grinned. "Here's to the bachelor life!"

The three men raised their glasses for the toast. Yet, only one of them contained thin water.

You restlessly arranged the feathers in your coiffure and adjusted the fabric essentially squeezing the breath out of your lungs to accentuate your bust. The palace waiting room was stuffy as ever as debutantes and their mamas fluttered across the room in an effort to catch the smallest of flaws on their person.

Before the Queen did, that is.

"Your feathers are fine, dear. Take deep breaths for me." Your mother raised her hands, prompting you to take a breath in and out as her hands lowered.

You gave her your practiced smile and curtsy to which your mother laid a hand on the small of your back in both approval and reassurance. With the other, she grabbed your own and rubbed comforting circles in the junction of your index finger and your thumb. "You have always excelled in your lessons, my dear. I could not be prouder of the woman you are becoming." She sniffed, and you smiled in appreciation. "The Queen will love you, I am sure of it."

You laughed. "Mama, that is what all these ladies think."

“But none of these ladies have poured in the determination you have, my dear.” Your mother holds your head gently by the cheeks. “Your character and proficiency⸺I am sure the Queen will see the promising young lady that I am proud to call my daughter.”

You felt a lump in your throat. While you appreciated your mother’s words, you could not help but think of the significance of this day. You almost felt dizzy thinking about messing up in front of the Queen; if you didn't find a suitable match as a result, what would become of you?

Suddenly, there was some fanfare from the main room. "Now, presenting Miss Itadori and the Right Honourable Lady Itadori." Your heart jumped out of your throat as you heard the call for you and your mother to walk up.

"Let's go, my dear." With a fond kiss to your temple, your mother led you by the hand to the center of the tall and ornate doors that opened to reveal the Queen and her audience. You couldn't help but notice that your mother's hand held a reassuring, yet tight vice.

When the doors opened, your vision blurred. Your heartbeat got faster, and all you could register was the stares. What felt like a million pairs of eyes blinking upon you, scanning your coiffure, garments, and carefully painted face. While the gossiping widows and mamas whispered amongst themselves, some gentlemen scanned you up and down in clear assessment of your constitution. A distinct smell of tobacco and vanilla wafted through the air, and you took an imperceptible breath in as you steeled yourself before putting your practiced, signature smile.

A memory from your childhood flashed before you.

"She is excelling in her studies," your tutor had said, discussing your performance with your mother in the drawing room. You, sitting beside them, had fidgeted nervously with your small hands clasped in your lap, sitting as straight as you could manage.

"What must she do to improve?" your mother inquired, her eyes sharp with concern.

"Madame," your tutor had said, turning his gaze towards you with a knowing look. "Your daughter is quite nearly flawless. She is of my most exceptional students; her obedience and composure are unparalleled, even at such a tender age." He then fixed his eyes back on your mother with an authoritative intensity. "But there is one element that will truly distinguish her as a diamond."

Your mother had leaned forward, abandoning her tea in anticipation. "What is it?"

"Her smile."

As you flash your smile to the room, you could feel the people in the room going silent. Your smile was what helped you focus and keep your eyes on the prize: impressing the queen. Smiling in the most innocent and demure way you could possibly muster, you straighten your posture as you advance towards the queen, your eyes serene and your expression a masterful display of delicate charm.

The stares of the ton were on your back, but all you focused on was the harmony of your countenance. Chin up, you reminded yourself. Everyone in this room is my prey, and I am the predator.

When you and your mother reached the foot of the Queen's throne, you dipped into the deepest curtsy you had to offer, keeping your eyes on the ground as you minimized your smile to a more polite and respectful one. You stayed there for as long as the Queen was silent.

Then, a rustling of fabric as the room silently gasped. The Queen was stepping towards you, and you felt a gloved hand take your chin. Not daring to breathe or rise from your genuflection by even an inch, you forced your body to stay in position as your face was raised to look at the Queen’s.

Her booming, yet regal, voice echoed throughout the room. “You, my dear. Perfect.” She then addressed the room. “I have found my diamond!”

The declaration sent a wave of murmurs through the gathered crowd. You could feel hundreds of eyes on you as you slowly rose from your curtsy, your heart pounding in your chest. Your eyes instinctively sought your mother’s, who looked at you with pride and a hint of warning.

“Keep smiling, my dear,” she whispers into your ear. “They are staring now, more than ever.”

Your mother was right, upon reflection. There were eyes observing you far more diligently than they had before. In particular, a pair of icy and brilliant blue ones.

“Choso, not today.” Your mother sighed. “I am not ignorant of your overprotective tendencies, especially towards your younger sister and brother.”

Choso was fully frowning in displeasure, arms crossed as he observed your mother, Yuji, and yourself board the carriage. “Mother. Sister is the diamond of the season. The men will be after her like hungry vultures!”

“Well, vultures have a tendency to eat freshly decayed carrion. When you get rid of those dark circles and don’t look like dead meat, you can join us.”

Choso protested further, stopping the doorman from closing the carriage door. “But, Mother⸺”

“Yuji, close the door. Your brother will join us when learns to get sleep and not work on those ledgers overnight.” As per your mother’s instructions, Yuji closes the door on him. As the carriage rolls out of your manor and into the London streets, you blow a mocking kiss to your brother, who is now brewing at the doorstep.

“Phew! Good riddance,” Your mother fanned herself. “I need this night with you, alone. God knows how many suitors will be warded off with that horrid glare of his.”

You laughed softly, leaning back against the plush cushions of the carriage. “I suppose it’s a small price to pay for a bit of peace.”

You and your mother were wrong; your brother should have been there.

Upon your arrival, you were followed by stares, whispers, and men. Bachelors appeared in droves, eager to engage in conversation, each drawn by your newly anointed title as the diamond of the season. After paying your respects to the Queen, you found yourself swept into a whirlwind of attention, each dance and conversation a testament to the allure your status had brought.

As you navigated the crowd with practiced grace, Yuji, ever the observant and cheeky sibling, leaned in close to you and murmured, “I must say, you’ve outdone yourself. They’re practically circling like hawks. Do you think we’ll need to hire a guard just to keep them at bay?”

You gave him a wry smile, barely concealing your exasperation. “Oh, Yuji, you’re so dramatic. They’re just eager to make their introductions.”

Yuji snickered and nodded towards a particularly earnest-looking gentleman who seemed to be making a concerted effort to catch your attention. “Well, if this is what the season looks like, I might have to prepare myself for a front-row seat to a parade of besotted suitors. Just don’t let them all think you’re here to catch them; we wouldn’t want them getting the wrong idea.”

Your mother, overhearing Yuji’s jest, gave a light laugh and shook her head. “Oh, Yuji, you and your theatrics. Just make sure you’re ready to fend off any advances that come your way.”

“What?” You’ve never seen Yuji’s smile drop so fast. As if on cue, there were mamas and maidens closer to Yuji’s age that were approaching, as if a pack, and he looked at you in panic. “Are they coming towards us? Sister, you’ve got to⸺”

“Mister Itadori,” It appeared it was too late. A pack of young ladies were right next to you, fluttering their fans and lashes and giggling. “Whistledown has praised you quite well in this last issue.”

Help, Yuji mouthed, but you merely winked in response. The young ladies had effectively formed a barrier around you, offering a temporary reprieve from the throng of eager suitors. Sensing an opportunity, you decided to seize the moment and discreetly made your way towards the punch table.

The cool, refreshing scent of the punch greeted you as you approached, offering a welcome contrast to the bustling, heated atmosphere of the ballroom. You filled a glass with the fruity, aromatic beverage and took a moment to savor the brief solitude.As soon as you took a deep breath in, savoring your newfound freedom, you felt a presence next to you at the punch table. “Miss Itadori.”

Upon turning, you were met with the infallible smirk of Naoya Zen’in. You had indeed heard⸺and read, in Whistledown⸺that his family adopted nontraditional ways of determining the winner of the family inheritance and leadership. While Lord Zen’in wasn’t guaranteed to be the heir, he definitely was one of the top contenders. You assessed him further, taking in his arrogant demeanor as he reached down to give you a kiss on your hand. Rather wet, you thought in disgust.

But you hid it well, fluttering your lashes up at him. “Mister Zen’in! I am flattered to be acquainted with you today. How do you find today’s ball?”

“Rather well, of course.” He reached to scoop some punch for himself. “I enjoy meeting all the young ladies and dancing with them, of course. Ever in search of my perfect bride.”

You forced an artificial giggle. “Of course. I’m sure all the ladies that have talked to you have been charmed, as am I.”

He swelled, exactly you expected, as you stroked his ego. “But none of these ladies are as valuable as you, my diamond.” To your displeasure, he took a step closer to you, discreetly tracing his finger from your upper arm to where your dance card resided. “May I have your next dance? I have been perfecting my dance skill to the point all my brothers are envious of my prowess!” He barked out a laugh. “In fact, I beat them in horse riding years ago, and…”

While Naoya kept talking, you merely fluttered your fan over your face in mock interest. You were really starting to mourn your short-founded freedom, wanting a respite from the self obsessed young man. For some reason, you could smell the same distinctive perfume of expensive tobacco and painfully sweet vanilla you had smelled in your presentation, like a warning. Realizing you were drifting off into space with the heady fragrance, you made sure to tune into his ramblings once more.

For some reason⸺that you were growing to find uncomfortable⸺he still had his hand on your dance card. You felt the previously faint aroma growing stronger by the second. “Of course, I am soon to be the heir of the Zen’in name⸺”

A flamboyant and mischievous laugh cut through the air. “Naoya, you amuse me.” To your alarm, a young man steps to the right of you. From what you can see on the side of his face, his head sports brilliant white hair and his eyes are focused on the bachelor in front of you, who is now displeased and openly glaring at the man beside you.

“Gojo, I⸺”

“Funny that you talk about the Zen’in inheritance, Naoya.” The man⸺Gojo⸺scratched his chin in faux puzzlement while cockily smiling. “Last time I checked, Naobito was discussing handing it over to Megumi over pall-mall!”

Naoya was clearly growing more and more distressed. “Father wouldn’t dare to hand that child with a whore of a mother⸺”

Gojo clicked his tongue, outwardly showing a nonchalant smile, but you could noticeably see his eyes darken. “That’s no way to talk in front of a lady, Naoya, and certainly not of a mother. Besides, Mister Zen’in, didn’t Megumi save your family from the edge of poverty?”

Naoya’s nostrils flared. Clearly at the end of his wit, he did a small bow towards you as he swiftly exited your proximity. You blinked, partially processing the conversation that happened as well as the fact that you were now alone with this Gojo. Turning, you prepared your signature smile, the act you had been presenting for countless of young bachelors today. However, what made you stop in your tracks was his eyes.

Even the pure Englishmen you had met in London didn’t possess eyes like his. They were intense and vividly blue, flashing with judgment and calculation. His face, though strikingly pretty and slightly more feminine than others, seemed carefully constructed to mask his true thoughts. His white lashes contrasted sharply with his hair as he blinked.

And then it hit you. This was the heir of the Gojo dukedom, Satoru Gojo. Known as a capital R Rake for reasons unknown to you (Nobara just insisted he was), you could see elegance and arrogance exuding off of him, yet another noble with an ego as big as his wallet. You recall, then, what Whistledown had wrote about him⸺that he has never shown interest in marriage before today.

It was only after he blinked once more that you realized he was waiting for some response to an introuction you didn't catch. In a panicked flurry, you curtsied and said, “My apologies, Mister Gojo. I fear I haven’t had the pleasure of making your acquaintance. Miss Itadori, pleased to meet you.”

Gojo’s smile widened, his blue eyes twinkling with an almost imperceptible amusement. “A pleasure indeed, Miss Itadori.” He returned your curtsy with an elegant nod, his voice smooth and teasing. “I must say, you handle yourself with admirable grace amidst such a tumultuous crowd, my diamond.”

“Thank you, Mr. Gojo,” you replied, attempting to regain your composure as you took a sip of your punch. “I do try my best to navigate these social minefields.”

He chuckled softly, the sound light and charming. “Indeed. Though it seems you’ve had quite the evening already, judging by your rapid responses to Lord Zen’in’s advances.”

You raised an eyebrow, trying to draw a hint of a smile on your lips. “It appears you’ve been observing closely. Are you always so keenly aware of your surroundings, Mister Gojo?”

“Only when I find the scene particularly entertaining,” he said, his gaze shifting to watch the guests around the ballroom. “And tonight, the spectacle is quite extraordinary. I must admit, you are a refreshing change from the usual parade of predictable manners.”

“Predictable?” you asked, your curiosity somewhat piqued. “Do you find most of the guests here lacking in originality?”

“Perhaps not lacking, but certainly not as intriguing,” he replied with a playful grin. “Take, for instance, Mister Zen’in. A man of considerable ambition, no doubt, but with a flair for the dramatic that grows tiresome rather quickly.”

You nodded in agreement. “Yes, he certainly has a penchant for self-promotion. But then, one could argue that every gentleman here has his own brand of theatrics.”

“True,” Gojo said, tilting his head slightly. “But what I find most fascinating is how you’ve managed to stand out amidst this display of pomp and circumstance. It’s not every day one encounters someone who seems so effortlessly poised, even in the face of such overt competition.”

“Flattery will get you everywhere, Mister Gojo,” you said with a light laugh. “But I assure you, my composure is a carefully cultivated skill, not merely a natural state.”

“Ah, then I must commend your efforts,” Gojo said, his eyes gleaming. “It is a rare talent to maintain such grace under pressure. If I may be so bold, might I request the honor of a dance with you this evening? I promise to provide a diversion from the usual pretenses.”

You hesitated for a moment, weighing the potential benefits of engaging further with this intriguing man against the immediate demands of the evening. Finally, you offered him a meek smile. "Of course. I shall be delighted to dance this waltz with you."

Pleased, he guided you to the center of the ballroom, your hand elegantly placed in his. You couldn’t help but feel a sense of triumph as you noticed Lady Mei Mei’s envious glances and the heated stares from other young ladies.

Gojo positioned his hand on your waist as you both assumed the proper stance for the dance. “So, how are you enjoying your night? I trust you’re finding pleasure amidst the horde of suitors the Queen has so graciously provided.”

You smiled demurely, carefully maneuvering around him. “Well, my lord, I am very grateful to the Queen for her blessing this season.” You took a delicate step, noting Gojo’s amused smile. “However, it is quite tiring to meet so many people. Repeating my preferences for the countryside or the city can become rather exhausting.”

Gojo’s smile widened as he guided you through a graceful turn. “And which do you prefer?”

“I would argue that the city is preferable when I feel lonely,” you said, gliding with him. “Yet the countryside is ideal for moments of solitude and reflection. Naturally, it also serves as a lovely setting for fond memories with a future husband.”

“What do you enjoy doing in nature?”.

“Embroidering or practicing the pianoforte,” you replied, making sure to display a wistful smile. “There is something particularly enchanting about playing the piano with the door open, letting nature's melody blend with the music.”

“Do you have any other talents or skills?” Gojo inquired as you both continued your dance.

“Yes,” you said, “I am fond of reading and immersing myself in literature. I also have a passion for the arts and languages.”

“Which languages do you speak?” he asked, guiding you through a series of intricate steps.

“I am well-versed in the classics⸺Latin and Greek. I’ve also picked up some French and Spanish, when I was yearning to follow my older brother through Europe for years.”

“What about literature? What do you enjoy reading?” Gojo pressed, his eyes never leaving yours.

Your smile grew slightly strained as you felt the conversation veer towards an uncomfortable territory. You felt as if the duke was interviewing you for review of your admission into an academic institution rather than holding conversation. “I enjoy Byron, sir,” you said carefully.

Gojo hummed in approval. “And here I was, thinking all ladies were engrossed in Whistledown.”

“Ah, well,” you feigned a sigh, your smile tight. “Gossip has its charm for a lady, sometimes.”

“For men, too, I must admit,” Gojo said, tilting his head towards his group of friends. “But I must confess, it is rather unpleasant when the gossip circulates that I am a rake.”

That's because they're true, you whore. "I guess it's up to the smarter individuals in society to discern the truth from the slander."

Gojo’s eyes twinkled with amusement as he guided you through the final steps of the dance. “Indeed, it seems wisdom and discernment are valuable traits in navigating the labyrinth of society’s gossip.”

You nodded. “Quite so. It is the discerning few who see beyond the surface and recognize the true character of a person.”

As the music swelled to its concluding notes, Gojo drew you closer, his gaze fixed on you with a calculative expression. “And what is it that you seek to convey through your own character, Miss Itadori? In a world full of pretense, what do you wish to be known for?”

You maintained your practiced smile. "Mister Gojo, in a world where appearances often speak louder than words, I find it best to embody grace and humility. I hope to be seen as a gentle and devoted companion, one who supports and uplifts those around her.”

Gojo’s smile only sharpened, and you couldn’t help but shake the feeling of somehow being calculated, observed, even hunted as he offered, “A noble aspiration. It is refreshing to encounter someone who values authenticity amidst the artifice.”

As the final strains of the waltz came to an end, Gojo escorted you back to your starting position. He bowed deeply, his eyes never leaving yours. “Thank you for the dance, Miss Itadori. It has been an evening of unexpected delights.”

You curtsied in return, your eyes meeting his with a demure and sincere expression. “The pleasure was mine, my lord. I am honored to have had this opportunity.”

With a final, charming smile, Gojo stepped back, giving you a nod. “Until we meet again, Miss Itadori. Enjoy the rest of your evening.”

After Gojo had taken his leave, you found yourself once again surrounded by a steady stream of suitors eager to engage you in conversation. You indulged a few with polite discourse, your smile unwavering as you navigated the well-trodden paths of societal pleasantries. Despite your best efforts, fatigue began to set in, and you soon reached your limit.

Deciding to take a brief respite, you excused yourself with practiced grace. You made your way discreetly to the veranda, seeking solace and a breath of fresh air away from the relentless din of the ballroom. As you stepped out into the cool night air, the sound of the revelry faded to a distant murmur, replaced by the gentle rustle of leaves and the faint scent of blooming flowers.

With your mind fresh and clear from the suffocating revelry, you couldn't help but reflect back on the night. With the Queen deeming you as the diamond of the season, you knew your mother and Choso had been appeased. Of course, tomorrow was going to be a long morning; judging by the sheer number of young men approaching you today, you knew many of them would be visiting your drawing room to converse with you and gain the approval of your brother.

There were some suitors that stood out. Lord Ino seemed to take genuine interest in what you had to say, but Mister Fushiguro had both interest and quiet respect that you couldn't help but think was ideal for a marriage. After all, you just wanted a peaceful life after securing yourself and your family. While brief, you had conversed a bit with both Duke Nanami and Lord Geto, but it had been interrupted by some of their friends inviting them onto the terrace. You were sure Naoya wouldn't bother showing his face tomorrow.

That left him. Blue eyes. You couldn't help but think you had heard about him somewhere.

Gojo.

Even though you couldn't recall much other than his rakish tendencies, the future title of Duke was certainly attractive and respectable. He wasn't so bad; with dashing looks, you couldn't help but simply think that a pretty face wouldn't be bad to look at for all those years. You snickered to yourself at your sheer display of vanity in your thoughts.

If you had to think of the most vain reasons to justify your suitors, Mister Gojo would definitely top your list of the most handsome of men. With a sturdy and healthy build, you could notice the years of dedication he must put in to maintain his athleticism. Perhaps archery, you thought. Those shoulders were definitely wide for days. Or maybe horse riding. He definitely seemed to fill in his pants with his thighs.

However, it was impossible to ignore his mischievous nature. You couldn't imagine a man such as the future Duke showing any outward display of affection, and all your interactions⸺from him outwitting Naoya, to interviewing you under the pretense of dancing⸺have always had him either besting or calculating the other converser. He definitely had a superiority complex, you rolled your eyes. Clearly, your display of the simple and stupid maiden pleased him. You wondered if he treated all the other ladies with the same level of disrespect and evaluation.

Deciding you were too far into the gardens, you turned the opposite direction to join the revelry once more in fear of attracting strange rumors about your presence in the gardens late at night. As soon as you got closer and closer to the ballroom, you heard voices.

"Ah, but there is the diamond, of course."

You perked up, interested in knowing who was talking about you. The voices seemed to be coming from the entrance between the terrace and the ballroom. "Of course, I understand why the Queen has deemed her so." Crouching, you aimed to discreetly hide behind a large trimmed bush in such a manner that if someone were to be passing by, you wouldn’t appear suspicious.

Another voice chimed in. “She is beautiful. Not in the salacious way Lady Mei Mei is, but in a more authentic and innocent way.”

“I fear the ladies nowadays are salacious⸺hungry for suitors with money and power⸺so it only makes sense that the ladies appear that way. But the diamond; she is different.”

A slap, as if someone was affectionately patted on the back for attention. “Yes, yes. But let the man of the night give us his assessment. After all, he is the one who is here tonight with us, finding a wife, when no one who had ever talked to him would ever think he would be doing such a thing.”

“Well, of course. It wouldn’t take a fool to know that marriage is basically imprisonment.” You could discern the speaker’s wry tone. “The goal here is to appease my parents, and my ticket to that is the diamond.”

“Well, get on with it,” a voice pressed, rather impatiently. “What’s your assessment?”

“A bit simpleminded.” Some feeling struck your lungs, as you recognized that it was Gojo’s voice that was speaking. You swallowed, your heart pounding as you waited for more harsh words to torrent upon you. “Has no opinions of substance that should cause conflict. She’s perfectly fine for a wife. I shall begin courting her and will soon propose⸺"

You didn’t hear the rest because you soon found yourself dashing in the opposite direction, towards an alternate entrance to the ballroom. You couldn’t bear to hear any of the more degrading and embarrassing things Gojo had to say about you as you slowed your pace to a fast walk.

With the main entrance to the ballroom in sight, you thought about the other gentlemen⸺if you could even call them that⸺that must be present, conversing with Gojo. How widespread are these assessments of you? Do all gentlemen think you stupid? However, your thoughts are interrupted when you bump into someone, rather hard.

“Are you alright?”

You look up, putting a hand to your bosom as you try to catch your breath. You see Duke Nanami’s face in close proximity, as he furrows his brow in light worry. You’re clutching your forearms as you are heaving, trying to get oriented. “Yes,” you heave. “Yes, Your Grace.”

Nanami clearly didn’t accept your assurance as he helped you stand to your full height. “Is there anything wrong?”

“No, no, I assure you; I am quite alri⸺”

“Sister! There you are!” Yuji comes up from behind Nanami, and both of you turn to look at him. “I’ve been looking for you! The punch here is terrible, some of the mamas here are horribly intoxicated. Do you know Mei Mei’s mother just admit⸺” he cuts himself off as he observes Nanami, who’s still touching your arms, with wide eyes. “Di⸺Did I interrupt something?”

“NO, you didn’t.” You burst out, not wanting yet another man leaving with an unfavorable expression of you tonight. You and Nanami both take a step back to distance yourselves, and he clears his throat.

“Good night, Miss Itadori. Mister Itadori.” He gives you both curt bows as he makes his way past to his carriage.

Yuji blinks. “Oookay. Anyways. Mei Mei’s mother just barfed on top of Naoya as she was buttering him up. I must admit, Mei Mei and Naoya make a formidable match in being intolera⸺”

You could feel yourself filtering Yuji out as you thought about the gentlemen’s gossip from earlier. While you weren’t exactly surprised that Gojo appraised you as a pawn, you couldn’t help but be a little offended that he could talk behind your back. Who’s to predict the other naive ladies that would be subject to his callous and calculative behavior?

There was only one conclusion to be drawn that you swear to remember for the rest of the season: Gojo was not a man of honor, and you were not going to be one of his victims.

next. the aftermath

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mobs-99 · 1 year

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thinking about emotional neglect and repression wrt mob please help

#i am so fucking heart broken rn #too sad to function help #and its like #i dont even dislike the kageyama parents!!! bc its so clear what they are #they are just so effective in the story theyre perfectly average well meaning parents who know actually basically nothing about their #childrens lives!!!!!#who show no interest in their childrens struggles to the point that mob doesnt even tell them good things that happen.#like joining the body improvement club they dont seem to be aware bc they seemed very surprised how well he did in the race its like they #didnt know he was training #but they still cheered for him!!! and thagt was a big moment #and i want to explode #but theyre so effective story wise they are perfect at what they are #and im just like theyre so real #jesus christ theyre not even important in the ending #the ending has every regularly reoccurring character EXCEPT his parents #nad like you can say what ever its cause its reigens birthday but like..............#goddddddddd its the end of the series theres a reason theyre not there!!!!!!!!!!!#theres a reason theyre not witnesses when we see mob laugh for real for the first time!!!!!!!!!!#im going to explode for real #theyre not even important to the story at all and thats the POINT!!!#because mob put in the work and he found other people who wanted to help him and care for him and thats the point and im so.#and its like........ I GET IT when ppl like wanna make reigen mobs dad #bc like i dont think mob thinks of their relationship like that at all #he sees reigen as more of a brother and a role model #but i think people see this one adult sticking up for this kid in a situation where he would be alone otherwise and i think thats so #relatable to so many people who WERE alone in their versions of this in their struggles where their parents were absent even just emotional #emotionally and they just want mob to be taken care of because its what we all want isnt it?#and goddddd...............#because reigen is not mobs dad hes not even equipped to be mobs dad but people see that hes trying to help and they just latch onto that #and I GET IT

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softtdaisy · 9 months

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🌲 a found family l max verstappen

summary. you and max can't spend Christmas together but a trip to his dad and the love he has for you make him realize that he deserves better. a better life. a better love. a better family.

words count. 2,596

a/n. and this is the last piece for this Christmas series. Thanks to all of you for sticking me through December. and a massive thanks to my favorite person @monzabee for encouraging me and for giving me this beautiful idea to end the series 🫶

a very angsty Christmas l masterlist

You looked absolutely gorgeous, wearing a dress Max had bought you this year during one of your holidays. One of the many gifts he did to you this year, because if there were one thing that could describe your boyfriend it would be his generiosity. That man could buy you the world if you wanted it.

And that was maybe what was making him the saddest tonight.

He could see you wearing it and neither could he offer you his gift.

Because you were not spending Christmas’ eve together. But in each other’s family.

“You know this look is a great excuse to skip the diner at my dad’s?” Max asked which made you laughed. He was still sit on your bed, his shirt barely closed and his hair absolutely not styled. He was the closest to his place, compared to you who had to drive for almost two hours.

He watched you as you walked to your phone, that you had put on your wardrobe to show your whole look. “You’re such a flirt, Maxie.” you kept laughing, specially when he started making his poutty face that you absolutely love. You always found it funny how most people saw him as this arrogant guy when he was such a sweetheart.

“Ain’t I allowed to flirt with my girl?”

“You are. It’s a shame you won’t enjoy the result of this flirt tonight.”

This hasn’t been an easy decision for either of you. It’s was only your first christmas together since you started dating on january. And you really wish you could have spend the evening together. But you learn one thing through this past year: never go against Jos Verstappen’s plan.

From the first race you attended, you got the feeling Jos didn’t really appreciate you. You tried to talk about it with Max without making a whole drama out of it but he didn’t really react. Or say anything, actually.

Not that Max didn’t care. It was even far from it. He just didn’t know what to do. He never talked about his personnal life with his dad and it wouldn’t be a first now. Specially not with these type of question. Max always assumed that his father only care about his racing career. It couldn’t be that bad if he wasn’t interested in his son’s couple. Right?

“I have to go” you told Max, who was lost on his thoughts. He enjoyed for the last few seconds to sight of you before you had to hung up. “Call me if you need, alright?”

“Even if I don’t need it.” he laughed before letting you go.

Every time he had to say goodbye to you, on the phone or because you couldn’t follow him for the next race, Max felt a little hole in his heart. He never thought one day he’ll met someone that could complete him like you did.

That’s all he thought about until he arrived at his dad’s place. All the thing he wanted to do with you before the new season starts, where he would take you during the holiday, which races you could be there and what places he wanted to show you during these weekend. More than just happiness for your couple, Max realised how important you were for his anxiety. Before he met you, most of the time he had to drive to see his father, he was anticipated all the bad things that could happen. The critics, the disapproval, the yelling if they really did disagree on something. And the worst part was that, in the end, he was just living the nightmare before it happened.

And maybe it was the fact he didn’t think about all these things before arriving, but Max felt good when he arrived.

“Uncle Maxie!” And being around his nephew was definitely a good help.

For many years, Max never consider having children. The anxiety he developped because of his own childhood was a perfect argument to avoid trying. How could he give a child what he needs if he doesn’t know himself what a kid should have? He knew what he shouldn’t do, that’s all.

But these past weeks, from seeing his nephews and calling them, he realized that maybe it wasn’t such a bad idea.

And maybe, you weren’t for nothing in this change of mind.

“You’re shinny, uncle Maxie.”

“Shinny?” he laughed, still playing with the little cars that represent all the Formula one drivers.

“Yep. You’re happy.”

Max didn’t know what to answer to that. But then he felt two hands on his shoulders and a kiss from Victoria on his hair. “He’s right.” He turned around to look at her. He guessed that the look she had was just another proof that indeed, he was lookier happier. “It’s for the toast, come.”

It was some kind of tradition. Everyone had to say what they were grateful for at the end of this year. Kids, health, career… each other always revolved around these subjects. Max was not going to break the circle. Not today.

“Well I’m grateful for the amazing year I spend. Winning the championship again was more than I could expect at the beginning of the season. So yeah I’m grateful for the team, for the work we did to win the races and create such amazing memories all together.”

Max stopped for a few seconds, thinking about what he could be grateful for. There was one thing, obviously.

If he met his father’s eyes, he wouldn’t have continued. But he didn’t. He looked at Victoria and her massive smile.

“And I’m grateful for my girlfriend. I couldn’t have go through this crazy year without her. She’s my rock, she’s my best friend, she’s without a doubt my soulmate and I’m glad I could finally found the person I want to spend the rest of my life with.”

Max heard all the lovely and loudly sound from his family. And before he could notice her, Victoria was already in his arms, telling him how proud she was that he finally found the happiness he deserved.

Again, he could have focus on the good thing, all the congratulations and excitement about this new family member that they all couldn’t wait to meet. But this time, Max did saw Jos look on him. One that he sadly knew by heart: disappointment.

At first, Max decided to ignore the situation and spend most of the evening playing with his nephews, pretending to be a car himself to drive them around the house. But he couldn’t escape the heavy atmosphere forever.

Max saw that Jos was sitting by himself in the living room, with a whisky in his hand. He hesitated, did he really wanted to break all the good vibes for a talk for his dad? And then again, he was too nice to avoid him. No matter if he knew he would end this conversation with some broken feelings, Max couldn’t escape it. Because if there was one thing he was sure about, it was that he never wanted to become like his father. A man that would rather ignore the people he love for the sake of disappointment. Silence was never the solution.

“So, how do we feel about new season?” Max asked, sitting next to him. If there was one subject they couldn’t really argue about was his career. Or at least, even if there was some disagreement, it wouldn’t end up badly.

“You have to leave her.” It was simple. Five words. Said with a hard tone. Like an order. “You’re already losing your man over that…stupid girl. You can’t let yourself fail for a woman, Max.”

Maybe he should have gone with the swerve, in the end. “What do you mean? I’ve been with her for a year and I still won.” He could have, maybe, understand if the season was a pure fail. But it wasn’t. The car was amazing and he won almost every races. There was not single doubt that not only you weren’t a burden but you were a motivation for him. It didn’t make sense. But still, Max knew where all of this came from. Because he knew his father.

“A woman is always a burden in a career.”

“This is why you got married thrice?” It left his mouth without Max had time to notice it. Truth is, he got tired as he grow older of the need to think about his words. What could he say what he mean to his dad? Why should he still be afraid? “Trust me, you terrible at giving relationship advices.”

“You should watch your mouth.” Jos replied, taking a stew towards his son. For many years, Max used to step back to avoid the confrontation. Not anymore.

Instead, he took at step towards too. “You should watch yours. I won that fucking championiship, again. And you can’t even congratulate me? All you think about is the woman that want to spend her life with me? Not you, me.”

He noticed the change, again, in Jos look. It was getting darker and darker, like his anger was taking over himself and he was close to not be able to contain himself. Usually, Max was scared of the moment he would explode. There was just one change in his mind. You.

Max could accept any criticism about his career or life choices, he didn’t care. It was his life. Sometimes he might be wrong and he could deal with his dad saying that he warned him. He was still young and could deal with some mistakes.

But there was one thing he could never let Jos critcize or give his opinion on it: you.

“I won’t let you ruin your career for some stupid woman.” Jos got the time to grab his wrist. Max hated feeling like a child, all over again. Looking for his dad approval.

Expect that this time, he didn’t want it. “Fine. It’s my career. I don’t need your opinion.” he managed to free himself and was already leaving the room. He couldn’t continue this without letting it become some shit show. No matter the situation, his family didn’t deserve it. Specially not on Christmas eve.

“If you don’t leave her, then i’m not supporting you anymore.”

Max stopped in the middle of the room. He heard the sound of a glass falling in the kitchen sink. He heard the sudden silence in the children’s playroom. This was the results of year of fighting for Jos seeing him as an equal, as a real driver and not a child who wants to grow older and be consider an adult. This was the results of feeling like his dad loved him.

Max was hurt. But he couldn’t fight anymore. “Fine.” he didn’t turn around, didn’t want to look at his father. It wasn’t the idea of seeing him. It was the idea of Jos seeing how bad he broke him, again. “I’ll do better without you.”

The silence was still everywhere when Max walked to his sister to kiss her and said goodbye to his nephew. It was for the better, he knew that he wouldn’t be able to fight if they asked him to stay. But Victoria knew his brother, and what he deserves was to be in a place where he felt loved.

And there was one where he knew he would never be ignored and rejected.

When you opened the door, you imagined different scenarios. But never one where you would see Max on your doorstep. “Baby?” you asked with confusion, almost like you were sure he was real.

“I’m sorry, I should have called, I know i wasn’t invited but…” he didn’t need to continue. Because you recognized the look in his eyes. One you sadly saw before. When he argued with his dad on the circuit and you couldn’t do anything than holding him in your arms. Telling me it would get better. That he wasn’t alone.

That was the only truth Max needed. He was far from being alone.

So you offered your hand to him. “Come in baby.” you noticed the little hesitation in his look, on that sadden you. It wasn’t that Max didn’t want to come in. It was a pur fear of opening his heart to you and losing you after. It didn’t last long, because he knew deep down that you were here to stay. But you were scared that this was a kind of thought that would never leave his mind.

You gave him a small and simple kiss on the lips, a kind of silent promise that you were supporting him. It wasn’t much, but it was more than Max even asked for. He was so not used of being understood and loved, this simple attention was enough to light up his heart again.

“Sweetie, who’s th… Oh Max! What a lovely surprise!”

You were interrupted by your dad who almost push you away to take Max in his arms. You weren’t surprised. First, because your dad was a very lovely and tactile person who couldn’t resist this type of greeting. Second, because he appreciated Max so much, he was probably the one praying every day for a wedding. Third, because he had been asking you all night why you didn’t bring him.

But Max, on the contrary, was more than surprised by that. Was he really that happy to see him? “Come in, you’re getting cold. Did you eat? We have…” you didn’t even hear the rest of the sentence that your dad had already pulled Max to the living room. Your boyfriend just had the time to turn around and give you a curious look. To which you replied with a smile. It felt right to see him being appreciated and treated like he should.

All your family spend the night talking to him, asking questions and making him feel like he was home. That was the truth, actually: this place was also a home for him. It was yours. And your family already considered him as a part of it. There was no reason for Max to not be a full member.

It wasn’t until you got to bed, in your bedroom, that he let his mind speak. You were laying on his chest while he was looking at the ceiling and caressing your hair. It was relaxing for both of you to stay in silence after the crazy night you had.

“I’ve felt much more at home here in a few hours than in all my life with my dad.” Max said slowly, in a whisper.

You turned your head just enough to look at him while he was still focused on his thoughts. You were making a whole speech in your head to make him feel better. You had no idea how he felt about this. This must be such a strange situation to feel more loved by your family-in-law than your own.

But then he put a kiss on your hair and started to smile. “Thank you.” he whispered, like he was scared to be heard by anyone else. “For finding me and for loving me.”

You could feel your heart melt at this confession. “Thank you for opening your heart to me.” you replied.

And you stayed like that for a good minute before you made a debrief of the whole evening here. When you both fell asleep, you realised you had the greatest gift you could ever dream of. Happiness in the arms of your loved one.

#max verstappen #max verstappen x reader #max verstappen imagine #max verstappen x you #max verstappen fanfic #max verstappen story #max verstappen fic #max verstappen angst #f1 #f1 x reader #f1 imagine #f1 fanfic #f1 fic #my writing

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creatingblackcharacters · 2 months

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How to spot a Stereotype: An Example

Okay, so I talked about this in my Lesson 6 Stereotypes series, but I feel like people haven't quite... Understood what I meant. So I'm doing a mini lesson/application. First, I'd really appreciate it if you take the time to read the links in my posts, because that will provide you the historical and social context necessary. If you lack it, you will never be fully able to understand this. Remember, all I do here is provide the beginning steps. You have to be willing to do the rest!

One thing I constantly emphasize is that it's not the description of a character that (always) reveals an existing stereotype, but the writing! And again, until you grasp why anti-Black stereotypes are what they are, you will continue to be frustrated with how to avoid incorporating them, both in your writing and in your mindset. I'm going to use one stereotype as an example.

The Mammy Stereotype

"[Black woman character] is very fond, doting, and protective. She's like the team mom of the group."

On the surface, people who are worried about this stereotype will worry, because Black readers have long rolled their eyes and said we're tired of seeing this as one of the Only Options for Black women characters. And we are. Here's the disconnect: the attributes are not what we're tired of, but how they were utilized in the writing- often by non-Black writers!

Mammy: put simply, the caricature of the Mammy is the Black nursemaid that would take care of the Master's white children and the Mistress, prioritizing them above the well-being of herself, her own children, and her own community. She is fat and homely (so as not to attract the Master from the Mistress), unthreatening, sweet and subservient.

In other words, the only value she held was to serve white people's needs (and quench their guilt).

While the image of the Mammy herself is a strong imagery that has faded from its specific origin, I would say the modern day fan archetypes that ring of the Mammy stereotype are the Black woman character that "holds the Braincell", the "begrudgingly fond mother of the group", the canon love interest now relegated to the "mommy/mean lesbian" whose feelings are erased altogether, her new role to help the two white characters get together without acknowledgment of her own potential. She has no real story of her own, or as mentioned, has her own story stolen because "it doesn't look good with her in it" (which is its own bag of worms).

Now, people often give these characters motherly (or what society deems motherly) traits: caring, sweet, protective, loving, self sacrificial. Because they want to defensively show that "they're a great person! Nothing bad! I still think they're good! I'm not racist!"

But upon learning of the stereotype, there appears this insecurity- "oh, my Black woman character has these traits, is she playing into this stereotype?" When you get to this question, what you really need to be asking yourself is:

What makes the Mammy a Mammy?

They are a tool, a utility to white people with more power.

They lack autonomy. How they feel is irrelevant, if it does not serve the white person.

Nonthreatening so as to feel "harmless" to white people who bask in her "selfless" care.

They are not allowed to show frustration or upset at their lot or at life; it is seen as a negative attribute because if they are not caring, they have no use (and may now even be considered a threat).

They will also disagree with anyone else, even to the detriment of themselves, to the benefit of the white person. This is considered "selfless", rather than sacrifice (consider that "real" Mammies were originally slaves. They probably hated every single day with the people they "cared" for, but God forbid they speak on it. To white people, they were supposedly so happy and grateful! Smile and nod!)

Notice, out of the things I listed, "strong", "protective", "intelligent", and "caring" weren't there! Because those aren't bad attributes for a Black character to have! Why would we ever suggest that?? Why would I be mad that a Black woman was any of those wonderful things to her peers? That's not the issue. The issue is that they are often used in service of usually white characters and their stories. They're a tool of the writer to coddle their white characters, versus a character that has their own inner workings and existence.

Knowing what you know now; things that would make your strong, protective, and caring Black woman character fit the Mammy stereotype can include:

If she is pushed to the side with no autonomy or inner life of her own, as the narrative centers the white characters and their needs.

If she is never shown to have any reason for acting outside of to the benefit of the white characters around her. That's the only time her presence counts.

If her disagreeing with, getting upset with, or refusing (or really, just not being "motherly") the white characters is deemed trashy by the narrative (whereas anyone else receives nuance or reason for their behavior).

If the white characters in the story treat her poorly, and it is treated as a good thing that she "stays calm" without any sort of reflection on her feelings.

You can come up with any sort of setting, plot scenario, and description of your Black woman character. But at the end of the day, what's going to make it the stereotype is how the narrative treats her, which you will only find out by writing it, and then reviewing your own work!

You're going to have to approach any stereotype this way. It's part of the *intent* thing I keep pushing 😅 if you don't intend to write a stereotype, you're going to have to actively understand what it is, which will help you actively avoid it.

#creatingblackcharacters #writing #ThatsJustTips #stereotypes

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im-subtextsexual · 4 months

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I’m glad so many people picked up on the vibes between Eloise and Cressida. Not a ship I ever considered before, but the tension was palpable. I’ve been a Queer Eloise truther since reading the books. Her portrayal on the show only made it more obvious in my mind. I didn’t think the writers would ever go there, but the set up is just so explicit, now I’m not sure. I don’t think they’d actually make Eloise / Cressida canon, but I do think they’re testing the waters for wlw Eloise. And it makes perfect sense.

First off, the character is queer (I’ll hold off from labeling her a lesbian outright, because there’s definitely room for other identities like bi, demi, ace…. etc.) Even in the books. I legitimately think Julia Quinn accidentally wrote a sapphic character and then didn’t know what to do with her. So what we got is “To Sir Phillip, With Love”, widely considered to be one of the worst in the series. Believe me, if there’s any story that could stand to deviate from the books, it’s this one. And the story could so easily be adapted to a wlw romance, it would be a wasted opportunity not to do it. Like… the story would be better if they tweaked it to fit a queer canon. AND it could be done in a historically accurate way to shut up the naysayers that “a lesbian storyline wouldn’t fit in this universe.” How? Allow me to explain.

*SPOILERS FOR BRIDGERTON SERIES BOOK 5*

In the book, Eloise strikes up a correspondence with Sir Phillip Crane. Yes, THAT Phillip, the one currently married to Marina from season 1&2. Marina kills herself because she can’t stand to be married to Phillip and deal with their children in the wake of her lover / his brother’s death. His initial interest in Eloise is to find a mother for his children. She is intrigued by his intelligence and decides she doesn't want to be alone, but isn’t necessarily eager to marry or have a family. Due to romance novel shenanigans, she runs away to Phillip's house and is forced to marry him. Even as they grow to kind of love each other, it's far from some grand romance. It’s the very definition of “settling”. The most interesting part is the narrative structure of their story being told through letters in the beginning. We could keep all that, but make it gay.

*Imagine*

Eloise meets some dapper gentlemen new to the marriage mart. We’ll call him Emmett. Very little is known about Emmett and his family as they keep largely to themselves at their estate in the countryside. The only thing that’s widely known is the family suffered a tragic accident where the man of the house and his oldest daughter died, leaving his son (the other twin) to take on the responsibility of rank and title very early. Emmet is making a rare appearance in London to find a wife (there are rumors of stipulations in his inheritance requiring a match). ALL the debutantes are fawning over him because he’s mysterious and extraordinarily good-looking. One might even say “pretty”… To everyone’s great surprise the season’s most eligible bachelor takes a special interest in Eloise after overhearing her talking about her disdain for the social convention of marriage, and how she would only consider it if it were an in-name-only, marriage of convenience. Emmett strikes up a conversation with Eloise and she is taken by his humor, wit and shockingly deep empathy for the limitations society puts on women. They continue to gravitate to each other through the first few events of the season, but Emmett has to return home suddenly because of a family emergency. Eloise is shocked to find herself disappointed, but they promise to write. Cue the correspondence romance.

Eloise grows more and more smitten with Emmett every letter she receives, but still has the same reservations about marriage especially when she thinks of the intimacy a relationship like that would require. When Emmett hints that he may want more than friendship, Eloise's feelings get the better of her and she goes to visit Emmett unannounced. He is shocked to see her, but let's her stay and she gets to know his mother and two younger sisters. The Bridgertons go looking for Eloise, worried something has happened to her. When she is found to have been staying for days in an unwed man's home without a chaperone, the potential scandal causes Anthony to force Eloise and Emmett to marry. Surprisingly, Emmett actually agrees so Eloise does too (all of this is essentially what happens in the book).

Eloise confesses to Emmett that she's nervous/resistant to physical intimacy, but he assures her they never have to be together that way. In fact, he would prefer the marriage of convenience they always talked about. Eloise is relieved until their kiss at the wedding sparks an attraction she wasn't expecting. They spend the first month or so of their marriage sleeping in separate rooms, enjoying each other's company, and letting the tension build. One night, Eloise's control and curiosity finally snaps and she goes to Emmett's room to initiate a physical relationship. She catches Emmett off guard in his sleeping clothes which makes it VERY clear... Emmett is a woman (cliffhanger of episode 4, and where we deviate from book canon to make it queer).

After the initial shock, Eloise allows her new "husband" to explain. Emmett is really Emma, the daughter believed to have died in a carriage accident with her father so many years ago. It was her twin brother that actually died, but since there were no other male heirs, Emma's family fortune would have gone to a distant uncle who is cruel and abusive. To save them of that fate, Emma's mother conspired with the local coroner to make it look like Emma was the one who died, so "Emmett" could inherit everything. Emma has been living as Emmett ever since, successfully keeping up the deception by keeping a low profile in society. The only reason Emma came to London that year is because her uncle died, and a cousin had come around asking questions hoping to inherit. She thought getting married would help secure her identity as Emmett and the cousin would back off. At first Eloise is outraged. She feels betrayed by Emma's duplicity, and is terrified if any of this ever got out everyone they know would be ruined forever. She agrees to keep the secret to save her family's reputation, but shuns Emma. Eventually, Emma (already aware that she's in love with Eloise) attempts to make amends and Eloise is charmed enough that she relaxes back into the relationship they had before the Big Reveal. The only problem is the attraction is still there, even more so now that Eloise knows the truth. Things come to a head, and they go at it Bridgerton style.

Emma and Eloise live happily in a true marriage for a bit until Cressida and Penelope come for a visit. They both find out about Emma, but are sworn to secrecy. Pen easily swears her loyalty (having already suspected Eloise), but Cressida is sickened. In a rage, she threatens to out them all, and storms back to London. Eloise follows her and begs Cressida to keep the secret, and tries to explain why the "wrong" feelings she has for Emma are very right for her. To Eloise's surprise, Cressida isn't upset about what she's doing with Emma, but who she's doing it with. She didn't know what they're doing was an option; that she was an option. Cressida confesses that if she'd known a life with Eloise was a choice she could make, it's the life she would have chosen. Eloise lets Cressida down easy by explaining they didn't have that choice. Everyone in the ton knows who they are. The only reason her relationship with Emma works is because of the ruse that allows Emma to be Emmett. Cressida takes this in stride, and vows to keep the secret, but her mother overhears and causes the biggest scandal London Society has ever seen.

The Bridgertons and a few friends (like Lady Danbury) are as understanding as possible, but the rest of the ton is rabid. Things escalate to the point where Emma and Eloise have to appear before the Queen. Emma pleads her case about pretending to save her family, and insists that Eloise didn't know until well after they were married so she's innocent. Eloise can't help herself and gets on her soapbox about the way society limits women, and that the Queen should understand their plight. Shockingly, she does. She annuls their "marriage" (because they didn't consummate anything... RIGHT?!) but she agrees to let Emma control her family's estate until one of her sisters produces a male heir. After that, she and Eloise will receive a pension from the Crown so they can live independently (the real Queen Charlotte actually did this for suspected historical sapphic couple The Ladies of Llangollen). Since Emma and Eloise would never be able to find husbands now, they decide that they'll just be two spinsters growing old together in their house in the countryside. You know... just two gal pals. No one believes that shit, but they rarely interact with the ton, so they're largely left alone to live as they please.

Happy ending, close to canon, historically accurate, and super gay. It's not that hard. You're welcome.

#did i really just fanfic a whole season of Bridgerton to prove a point?#of course i did!#GIVE ME WHAT I WANT!!!#bridgerton #eloise bridgerton #cressida cowper #creloise #eloise x cressida

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notjustjavierpena · 7 months

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you have returned! hope you’re doing ok! i miss husband!javi like i’m missing a limb!

this got me thinking about a request - husband!javi having to go away for a work trip for a few days - comes back and like cute family time. once the kids are in bed he just goes crazy about reader, she’s tired but she handled the kids no problem and is kind of like no big deal about it. and he’s just feral at that. she’s such a good mum and he’s so turned on and he missed her and just ugh smut

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A/N: This is a request from the 17th of October 2023. Anon, I hope you are still with us. I loved writing this for you, and I hope it lives up to your expectations. Thank you to proofreading as always @angelofsmalldeath-codeine !! thank you for hyping me @theywhowriteandknowthings and @pinkypromisepascal 💖❤️

Summary: Javier returns from a business trip after being apart from his family for three whole days.

Pairing: Javier Peña x f!reader (no y/n)

Tags: +18, domesticity, a happy family, javi having a baby in his arms and spending alone-time with his kids needs its own tag, i love yous, pregnancy, playful and teasing hubby, touch-starved, banter, dirty talk, finger-fucking, talk about female masturbation, pussy eating, loud reader, piv sex, riding, nipple sucking, lactation kink, javi gets off on you being the mother of his children, multiple orgasms, creampie, intense sex, bliss, pillow talk

Word count: 8k

Link to this work on AO3: https://archiveofourown.org/works/54409297

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The sound of the door has you sprinting towards it. You throw your arms around Javier’s neck before he even manages to put down his bag, causing him to drop it and make a noise of concern in case its contents may end up spilling out on the floor. If you have to be completely honest, you don’t give a damn right now because you haven’t felt his embrace for nearly three whole days.

“Hola, baby,” he says with a voice that tells you that he is smiling. He holds you close to himself, one hand reaching around your waist and the other one settling on the back of your head. He presses your body into his own, and you try to keep yourself from making a noise that reminds you of a schoolgirl.

Javier has been on a work trip out of state. It happens from time to time that some department of the state gets the not-so-incredible idea of hiring him as a motivational speaker to make their conferences look more interesting than they actually are. Javier hates it but the money is good and his boss always ends up encouraging him in a way that mostly sounds like he has no choice.

You hate it too. The act of sleeping in your bed alone, not feeling his body heat, and not being able to simply reach out for him if you need him, is torturous. Combined with taking care of three children alone, you find yourself slowly becoming a less-than-ideal version of yourself. It’s a stressfully romantic reminder that you can barely function without him.

“Hi,” you grin widely as you pull back to receive a kiss. You splay your palms on his chest, scratching slightly as he pecks your lips repeatedly for a moment. Your whole body feels like it is made up of butterflies fluttering around each other in a romantic dance.

“Thank God that’s over,” he reaches for the suitcase when you finally allow him to step out of your arms. He walks into the kitchen, “They were talking through my whole fucking presentation, and the meetings afterward… I was just daydreaming about coming home to you and the kids the whole time.”

“That bad?” You follow him around like a puppy. If you didn’t know that he would do the same thing had it been you arriving home, you would find yourself slightly pathetic for being such a fool for him.

“I should’ve said no this time,” he says as if it had ever been an option. You nod as he continues, “I do it every year and I feel like an idiot each time.”

“We need the money,” you argue, finally moving away from your husband to go to the living room where Sebastian is lying on a blanket. He squeals in delight at seeing you, and you pick him up with a coo.

“We don’t need the money, we’ve got enough money,” Javier says from the kitchen.

“Come say hi to your son,” you change the subject and hear Javier’s steps come closer.

“Oh, there he is,” Javier says and his voice switches to baby talk as you hand Sebastian to him. He settles him on his hip, bouncing slightly where he stands, “Te he extrañado tanto, mijo (I have missed you so much, my son).”

Sebastian gurgles happily up at his father. His eyes are full of recognition at the sound of the familiar voice. You swear that you can see a little bit of the exhaustion in Javier’s eyes disappear.

“He’s been really patient with his mom these past couple of days,” you say with a chuckle, “No fussing during naps or nothing. Almost like he knew I needed the extra sympathy.”

“Bet your momma handled everything way better than I could, huh? What do you think?” Javier shifts Sebastian to sit on his arm instead so he can blow a raspberry on his face. He smiles softly at you afterward, turning his head towards you so that he and his son are cheek to cheek, “Is that wrong to assume?”

“I still think you’re better with them than me,” you say simply.

He tuts, “Bullshit.”

Sebastian makes another happy noise at hearing both of his favorite voices. He swings his tiny fists, and Javier grabs one of his hands, “If this one wasn’t so fixated on playing peek-a-boo, he’d agree. Suppose we all have our vices.”

You move past him with a roll of your eyes and a smile on your face. You go to check the food on the stove, and from behind you, Javier sniffs the air. He walks to join you by the counter, “What are you making?”

“Tu favorito (your favorite),” you smile at Sebastian instead of looking at him, leaning in to bump your nose with his tiny one. Sebastian grabs at your face.

“No te merezco, mi amor (I don’t deserve you, my love).”

“We eat in twenty minutes,” you inform after lovingly shaking your head at him. He leans in to kiss you again and you know immediately that this is just one of many kisses you will get tonight.

“Where are the rascals?” He asks.

“In the garden,” you reply and open your arms, “Give him here and go say hi. Inés has been going on about you all day, so please save me from hearing more about her super-duper-awesome Daddy.”

Carefully, Javier hands over Sebastian, “I thought you liked her super-duper-awesome Daddy.”

“I think I might actually love him,” you grin and try not to feel silly at your sappiness because you do actually love him so much that it is stupid. Sebastian clings to you as soon as he smells you, resting his head on your shoulder and bunching his fists in your shirt.

Javier kisses you once more before heading to the door to the garden. You hear him leave it open, and watch him go outside and step off the porch with a hello.

“Hey there, gremlins!” He shouts. Inés and Lucas, both engrossed in their own activities, look up at the same time. Their faces light up at the sight of their father, but Inés is the one who makes a noise so loud that you can hear it in the kitchen as if she’s speaking right next to you.

Both of them come charging whilst shouting for him. you smile fondly at the sight of them colliding with their father who lets himself be knocked backward into the grass with a happy laugh. He wraps his arms around them and squeezes them tightly, “How’ve you been? I’ve missed you.”

They both look up at his face, speaking enthusiastically at the same time until he can barely tell what is going on. Their stories of the events of the last three days weave together until it is nonsense, and they don’t seem to notice that he cannot follow along with what they are saying. He ruffles their hair and sits up with them still cradled in the crooks of his arms, “Wow wow wow, uno a la vez (one at a time).”

“I made a tower of blocks that was taller than me!” Inés says proudly and Lucas seems to let her have the spotlight for a moment. He knows that she’ll get distracted and run away soon anyway, giving him his own chance at talking to his father. Inés talks loudly, “Mommy took a picture. She said that you needed the evi— evin— uhh… evindance.”

“Evidence,” Lucas corrects her with a superior smirk.

“That’s what I said,” she huffs.

“Nuh-uh,” her brother protests and ducks out from underneath his father’s arm.

“Ya-huh!” Inés removes herself from the embrace too.

“Alright, that’s enough,” Javier chuckles, “I’ll have to ask mamá for your picture. It sounds really cool.”

“Can we build one together?” She asks with a hopeful voice, “Pleeease.”

“Let’s save it for after dinner, mija (my daughter), okay?” He suggests, “And then I’ll build a tower that’s double the size of you before you gotta sleep.”

“Really? When?” Inés reveals that she still has no real concept of time.

“After dinner, baby,” he says again, winking at Lucas who grins, “Go ask Mommy when we’re eating.”

She is up in no time, running towards you in the kitchen. It leaves Lucas the perfect opportunity to have his moment. He gets up from the ground, his jeans covered in green patches, and starts walking towards the swing set that Javier built a few years ago.

“Dad, you need to see what I’ve learned!” He says.

“Alright, let’s see,” Javier pushes himself to stand with a groan and follows, crossing his arms over his chest and watching his son get onto the seat of the swing. By clutching the chains tightly, Lucas pulls himself to carefully stand up on the swing seat.

Javier finds himself about to protest, instinctively holding out a hand to be ready for a potential fall. However, Lucas seems to have everything under control as he holds the chains tightly with both hands. He speaks as he starts swaying back and forth, looking hopeful for approval from who he knows to be the bravest man in his world, “I practiced all day yesterday!”

“Eres increíble (you’re incredible)!” Javier cheers but then smiles smugly, “Does mom know you’re doing that?”

“She told me not to,” he admits shyly.

“Well, I haven’t seen anything,” Javier winks.

“Thanks, Dad,” it sounds genuine, happy to keep a secret. Lucas lights up, “Wanna see me jump?”

“Even your old dad has limits,” Javier laughs with a shake of his head, “Get down from there. No jumping.”

“Fine,” his son grumbles.

When he is on the ground, you pop your head out of the door to call them inside, “Dinner time, chicos (guys). Lucas, come in here and wash your hands.”

You smile as they approach, and when Lucas has walked past you, you stop Javier in the doorway and curl your fingers around his tie, “You better wash them too, Peña.”

—

The sun hangs low on the horizon when dinner ends. You start gathering the plates and glasses, and Lucas joins in without hesitation which gives Javier a glimpse of what happens when he isn’t home to take care of you. Maybe his son can sense your exhaustion too. He feels a pang of guilt in his stomach but decides to make up for it by getting his daughter ready for bed.

“Come on, mija (my daughter),” he says, picking Inés up from the floor and throwing her over his shoulder to make her laugh, “Pajamas first and then building blocks.”

He carries her upstairs to the bathroom and helps her into her pajamas, braids her hair the way she likes it, and then gets her toothbrush. She spends the whole time babbling about how she’ll grow taller like her mother and thus they’ll have to build a higher tower each day.

“Open up,” he says, sitting on the lid of the toilet with her standing between his legs. He holds her toothbrush in front of her mouth.

“Do you think I’ll be taller than you someday?” She asks with her childlike eyes, and Javier has to tap her chin to make her remember to open her lips.

“No, because I’ll just wear very big shoes, even if my head bumps against the ceiling,” he tells her with a grin, “C’mon, teeth brushing time.”

Inés grimaces but follows through and he has to shush her several times because she wants to keep talking.She even sports impatience on her face as her father wipes down her mouth with a damp flannel to rid it of leftover toothpaste. She looks ready to bolt out of the door, fidgeting slightly on the spot, “You promised we could build a tower before bed.”

“And we can,” he reassures, turning the flannel over to wipe the tip of her nose playfully. She crinkles it and reaches up to rub it afterward when he moves to hang it on the laundry basket, “But we’re getting ready for bed first. Hair okay?”

She nods, not entirely convinced that she gets to stay up longer after having brushed her teeth but when Javier has put her toothbrush back in its place in the medicine cabinet, she beams as he allows her to run off to her room. He follows behind, arms stretched out in front of himself, “I’m coming to get you, mija (my daughter)!”

“Nooo!” She squeals in delight, trying to barricade the door with her tiny body but he is too fast and manages to reach her before she can even close it. He picks her up by her middle and holds her upside down, shaking her gently while she laughs and laughs.

“Mi monita (my little monkey),” he laughs too.

They spend half an hour as the architects of a tall and colorful skyscraper, Inés too impatient to see the tower reach her own height to care much for aesthetics. Javier tries suggesting a storyline of a castle but his daughter shakes her head.

“Stop, Daddy,” she commands and he holds up his hands in surrender.

“So no princesses live here?” He questions, “Not even a dragon? Or maybe a—”

“No,” she deadpans, steadfast just like Javier’s father has told him he was. He smiles when she isn’t looking, not about to get scolded by a 4-year-old for not taking their playtime seriously. He enjoys the little moments he has like these, seeing the way his daughter imitates his own behavior in a way that would make your teasing never-ending if you saw it. At that moment, he despises himself and his job because he has to leave sometimes and thus misses out on things. He should have been here when Inés built a tower as tall as herself by herself, not see it in a photograph later.

Eventually, the construction gets too tall for her to build it even taller. Javier is put to work immediately after she realizes this, and she oversees his work with important nods and looks of assessment.

“Look, Daddy!” She exclaims with each building block that Javier places on top of another. She stands beside the tower because she needs to compare her height to it, and Javier has to keep a hand on her shoulder to steady her when she gets close to making it tumble down, “Do you think it will reach the ceiling?”

“One day I’m sure it’ll reach the moon,” he replies as if it is a fact, “I for sure am tall enough.”

“No, you’re not,” she furrows her brow, thinking, “But we will just have to get a very big ladder.”

Finally, Javier has built a tower double her size. It stands wobbly on the floor. He nods towards it, “There you go, mi amor (my love), do you want to put the last block on top? The triangular one?”

She nods and he notices the telltale signs of Inés’ tiredness because her eyes have started drooping. She rubs them with a little sigh, and then holds out her arms so he can pick her up and place her on his hip.

She places the block carefully on top after Javier hands it to her. It is like all energy reserves have been used up from one moment to another. However, he doesn’t want to risk the unsteady tower falling over in the middle of the night, so he whispers in his most mischievous voice, “Do you want to knock it down?”

“Can I?” She widens her eyes.

“Sí, pero no se lo digas a tu mamá (yes, but don’t tell your mom),” he confirms, “Perhaps a big angry monkey swung from it whilst roaring like this!”

He imitates King Kong the best he can and is thankful she has no clue what it is, and she repeats after him only to push on the stacked blocks until they tumble to the floor. He kicks the remaining pieces with his foot, and she roars again. They laugh together until she yawns.

“Alright, es hora de dormir (it’s time to sleep),” he announces then, and she doesn’t protest. He shifts her slightly in his arms so she can wrap herself around him with both her arms and legs, burying her face in his shoulder. It’s clear that she has missed him. He rubs her back with both hands before holding her in place, moving towards the bed in the corner of her room.

Gently, he lays her down and crouches down beside her afterward. He pulls the covers up over her head on purpose and earns a giggle, “Oh no, where did Inés go?”

“You’re silly, Papá,” she says.

“Go to sleep, baby,” he tells her after tucking her in properly this time, “You are so tired. I will see you tomorrow.”

“Thank you for playing with me,” Inés says with a yawn, turning on her side to look at him better. She softens a little as her eyes start to flutter closed, her father’s hand running over her head. Another yawn comes, “Te quiero, Papá. No me gusta cuando te vas y no me gusta extrañarte (I love you, Dad. I don’t like it when you leave and I don’t like missing you).”

Javier sucks in a breath. He rubs the spot between her eyebrows, trying to keep his composure, “Lo sé, mi vida (I know, my life). I love you too. Sleep well, okay?”

“Okay,” she slurs, and then her breathing slows. He tucks her in one last time, leaning in to kiss her hair softly before stretching carefully to his full height. He makes sure to turn on her night light before turning off the overhead lights, closing the door ever so gently afterward.

He lets out a deep breath right outside her room and smooths two fingers over his mustache. He hasn’t told you about this yet but he is considering quitting his job, has been considering it very seriously since Christmas when he promised to cut down on work significantly to be home a lot more with you and the kids. That and the fact that you are carrying his fourth child, and leaving you home alone with all four in the future just seems cruel.

However, it’s a comment like the one he has just received from his only daughter that sets it in stone. His search for other jobs is not a mere idea any longer but rather a necessity if he wants to continue being happy with his family.

He has to tell you and he is dying to already, but first, he wants to unpack and then tuck Lucas in too. He has three days of goodnights to catch up on.

—

He enters Lucas’ room half an hour later to the familiar sound of his son’s Game Boy, its rhythmic beeps and pings accompanied by the frantic tapping on its buttons. Lucas is sitting cross-legged in his bed, already wearing his pajamas and with his face illuminated by the screen of his console.

“Hey Dad, can you knock? I’m losing my concentration,” his son says without looking up from the screen, already sounding so grown up that Javier has to tighten his grip around the doorknob. Where did the time go?

“Ay, Lucas,” he tuts and crosses the room to stand by the bed, “Soy tu padre (I’m your father).”

“I just really don’t want to lose,” he explains and starts tapping away on the buttons again, his stare still fixed on the little jumping character. Javier waits for a moment, following his game by looking over his shoulder.

When enough time has passed and Lucas seems to relax a bit more, he interrupts again, “Alright, time for bed, muchacho (young man).”

“One more game!” Lucas finally looks up with pleading eyes. The boy sports the same puppy-look in them that you have said Javier does himself, and it was only when he looked into Lucas’ pleading face the first time that he realized what you meant. The look is damn near impossible to say no to.

“Fine, but I’m taking it afterward unless you promise me not to play all night,” he says firmly, “Even Mario has to sleep at some point.”

“I will!” He reassures quickly, “Only five minutes more, I promise.”

“But I want to talk to you about something first,” he holds out his hand for the gaming console, “Dámelo (Give it to me). It’s important you listen.”

“Am I in trouble?” Lucas reluctantly hands his most precious belonging to his father who places it on the nightstand.

“What? No, mijo (my son),” Javier gets Lucas under the covers, tucks him in, and then sits down on the edge of the bed, “How would you like it if I got to spend more time at home with you all?”

“What do you mean?” Lucas tilts his head in confusion.

“Can you keep a secret from Mom?” He asks with a gentle smile. Lucas nods. He continues, “I’m quitting my job soon.”

“Really?!” Lucas exclaims with pure shock on his face.

“Shh, your sister and your brother are asleep down the hall,” he shushes, holding a finger in front of his mouth.

“Really?” He whispers instead.

“Absolutely, really,” Javier whispers back and Lucas’ eyes sparkle with excitement. He sits up in bed, pushing the covers aside to crawl into his father’s arms. Maybe he isn’t so grown up after all. Javier hugs him back and kisses his hair, “I’ve been thinking that spending more time with you, your brother and your sister is what I’ve been missing. I don’t like leaving you here to be the big boy of the house when I’m not here.”

He continues when Lucas tightens his arms around him. He muses, “And even if I’ll still have a job, there’ll be more time for game nights and football in the garden. Would you like that?”

Lucas nods into his shoulder. Javier chuckles softly, "But remember, es nuestro secreto (it’s our secret) until I talk to Mom about it. We want to make sure she's on board with the plan, yeah?”

Lucas pulls back and nods eagerly, looking like he is already daydreaming of the extra time he'll get to spend with his father. However, there’s a tinge of anxiety in his excitement, and his voice is an unsure whisper when he speaks his concern, "Dad, what if Mom doesn't like the idea? What if she gets upset?"

“She understands how important our family time is. Trust me, te prometo (I promise) everything will be okay," he says with a reassuring smile.

“But what will your new job be?” Lucas continues, “Will it be something cool?”

“I think I might start teaching people how to catch bad guys like I used to do,” he shrugs.

Lucas grimaces, “You’re gonna be a teacher?”

“Alright, that’s enough,” he laughs, “Bedtime.”

“You said one more game!” He protests.

Javier gets up to grab the Game Boy off the nightstand. He holds it out for his son and yanks it away when he tries to take it, “One.”

“I promise,” he says and takes it when he is allowed.

“And your father is actually very cool,” Javier moves to turn off the lights. He can already hear the theme tune of Lucas’ game, “Buenas noches (goodnight).”

“Buenas noches, papá, te quiero,” Lucas beams in the few seconds he looks up.

“Y yo a tí, mijo (I love you too, my son),” he says and flicks the switch.

“They’re asleep,” Javier says as he enters the kitchen a few minutes later. He finds you leaning against the counter with a glass of alcohol-free red wine in your hand. The bottle stands on the counter behind you, its contents half-emptied as if it's been your only way of treating yourself in the evenings after the kids have gone to bed. You look tired from having been alone with all three of them - one of them still an infant - for three days and with a secret baby in your belly to top it off.

Chucho had offered to help you out but you had politely declined so as to not ask for too much of your father-in-law, not be too much of an inconvenience when he has so much to do at the ranch with getting ready for the Spring.

“I’m about to be too,” you say after a sip of your glass.

“When I’ve finally gotten you to myself?” Javier tuts and steps closer to you, stopping when he is right in front of you. He checks the baby monitor on the kitchen counter next to the wine bottle and then he takes the glass off your hand, setting it aside as well.

His hands find your sides afterward, cupping your waist for a moment before they slide around your body so he can pull you in for a long and desperate kiss. You rest your arms on his shoulders, cradling his head as he moves his mouth with yours. It is nothing but pure ecstasy to feel him like this again, so much that you forget to breathe and have to pull away too soon.

You know he is the same when he sucks a breath in at the same time as you. However, instead of kissing you again, he lets you catch your breath and hugs you close to his chest. His body feels warm, an instant smile forming on your face as he squeezes you.

“Hi,” you say, sounding drunk despite the wine having no alcohol. His arms are a harbor, the very definition of the end of unhappiness. They’re strong and enough to make your head swim, holding you with the promise of never being apart except for physically.

You feel his breath against your ear, “Hey, mamá.”

“I’m so glad you’re home with me again,” you close your eyes as you inhale through your nose, letting the scent of him flood your system.

Javier pulls back and stares at you for a moment. He smirks, a mischievous gleam appearing in his eyes. Then he lets go of you to reach up and teasingly pull down your top to look down into it.

“Ay, Javi,” you scold with a roll of your eyes.

“What?” He acts oblivious.

“You’re acting insane, and I’m trying to be genuine.”

“I haven’t seen you in three days, mi amor (my love), you can’t blame me,” he protests your accusation, “Besides, this is me being very genuine.”

“Missed you too,” you sigh.

“And I’ve missed you, Jesus,” he wraps his arms around your waist again, pulls you closer to his body, and uses every opportunity to kiss you after each sentence, “Missed these tits. Missed your gorgeous pussy. You gotta let me have it tonight, mamácita.”

“Take me upstairs then,” you lean your head back when he presses his lips to your throat, “We’re not doing it in the kitchen. Against popular belief.”

Javier snorts, “But we always—“

“I said against popular belief, baby,” you stress.

“Fine, c’mere then,” his arms slide down over your hips, and when they reach your knees, he scoops you up with his strong arms and lifts you over his shoulder. You answer with a yelp that turns into a panicked laugh but he simply smacks your ass and starts walking. In the middle of the chaos, you manage to reach for the baby monitor on the counter.

“You are incorrigible,” you say with a dramatic sigh.

“Yes, wife, yes, wife good, I like wife,” he replies in his best caveman accent and you snicker all the way up the stairs, legs dangling over his shoulder and ready to scold him each time he gropes your ass.

When he throws you down on the bed, you are having a full-on laughing fit and the bubbling in your chest feels so good. Even better, when he looms over you by the end of the bed while unbuttoning his shirt, only to crawl on top of you. He kisses your wine-stained lips, scooping you up into his arms and you return his embrace after throwing the baby monitor on the bed.

“I love your laugh,” he says softly when he needs a breath, bumping your noses together.

“You just kidnapped me from the kitchen, that’s no laughing matter,” you tease. He doesn’t hesitate to kiss your neck while you talk.

“Then why are you giggling like a schoolgirl?” He places a hand on your belly that still keeps a secret between the two of you. No one knows yet.

There is concentration on his face when his hand moves up under your top, smoothing the fabric up until you stretch your arms above your head to help him rid it off of your body.

“Hmm,” you think out loud, “Maybe because I have this terrible schoolgirl crush on you.”

“Really? I thought marriage was just a matter of convenience,” he chuckles and kisses your neck again. You lay your hands on his shoulders, smoothing them over the broadness of his bare skin that’s been missing underneath your fingertips and pushing him down towards your chest.

“This is pretty good too, most convenient,” you note with a grin as he follows your silent order, moving his mouth south on you until he plants kisses between your breasts. You reach underneath your back to undo your bra, and he peels it off of you and sighs with satisfaction as soon as he has your upper body naked.

“Look at you,” he groans, throwing the bra to the side and diving back into you. He kisses the swell of your right breast, “You make me so fucking horny.”

You throw your head back as he lets the flat of his tongue trail wetly from one breast to the other. He sucks a nipple into his mouth and earns his first moan, to which he presses his clothed crotch into your thigh to show you how hard he is already.

“I’ve been wet since I saw you at the door,” you admit, “Been thinking of your cock inside of me each night. So fucking lonely without you.”

“You should have called me,” he mutters, mouth going further down on your body until he reaches the hem of your jeans. He undoes the button and zipper, yanking them over your hips and pulling them off your legs.

“I was too busy screwing myself,” you tell him and he immediately finds your eyes. That clearly hit a spot, “You like that, huh?”

“Tell me about it,” he struggles a little with the jeans as they sit around your ankles, but the desperation has him yanking them off with enough enthusiasm to pull you along.

“If you weren’t trying to drag me onto the floor— oh, shit.”

Javier has dragged your underwear along with the jeans, and he is now sinking two fingers deep inside of your dripping cunt and pressing them upwards. It’s what you get for being snarky, you suppose, staring down at him as he fucks you open on his digits.

“Your mouth— ah, put your mouth on me,” you try to command.

“Quiet down, baby. I literally just put the kids to bed. You want them running in here?” He shushes you with an amused grin, adding a third finger to your squelching cunt to make you groan, “While I’m wearing you like a puppet?”

You rock against his hand with a chuckle that develops into a moan, “Imagine the conversation that’ll start.”

“I’d rather have a conversation about how filthy you’ve been while I was away,” he speeds up his fingers to make you cry out against your hand but he doesn’t make you come, changing his mind halfway there to follow through on your request, “No, actually I’ll have you monologue about it because I’m going to eat your pussy as you do it.”

You tremble as he takes your clit in his mouth, easing his tongue over the hard nub over and over again whilst timing it with the strokes of his fingers. You feel so full of his digits, and it takes you a moment to trust yourself not to cry at the ceiling the second you remove your hand from your mouth.

“Took a long shower the day before yesterday, after the kids had gone to school and Seb was napping,” you begin with shaking breaths. You need to start the sentence three times before you can make your words make sense, “Used the faucet on the bathtub and came so goddamn hard. You should’ve seen me with my legs up against the wall.”

Below you, Javier hums in approval and it vibrates through your throbbing pussy. You continue.

“I imagined you going down on me with your warm tongue, circling my clit— yes, just like that,” just talking about it makes you gush from how horny it makes you, wetness dripping past Javier’s lips and into his mouth. He groans against you and mouths at your pulsing clit. You find yourself much closer from how well your body remembers the orgasm you had in the shower; the warm water pounding rhythmically against your clit, your toes curling, and— and.

You grind into his mouth and fuck yourself on his fingers as you come, the hot and heavy feeling of an orgasm crashing over you and intensifying as it peaks. You have to bite your lip to keep from screaming, still not managing to keep the high-pitched ah! from reverberating through the room. Javier’s fingers feel so much bigger inside of you as your cunt strangles them, and when you look down at him, you see that he is crashing his hips against the bed to feel just a bit of relief.

You have lost all restraint in your noises as you feel the pleasure ebb out, leaving you a whimpering and panting mess on the bed that wants it all. Somehow you are deeply satisfied at the same time as knowing that this is not enough; you need all of him, and you need him inside of your cunt until you can barely move from the spot. The fact that your body still works when he pulls his fingers from you is an indication of not having had enough.

“Need to fuck you,” he says from below you, crawling on top of you. He has left a damp spot on the sheets from where his cock has dragged against them, and he looks like he is in pain at this point if he doesn’t get to feel you around him, “Now, mi amor (my love).”

“No,” you stop him as he tries spreading your legs with a gentle yet hurried hand.

“No?” His brows furrow, a protest on the tip of his tongue.

“Let me ride you,” you beg, already pushing on his shoulders and feeling how he is giving in in an instant, “Please, I want you so deep in me.”

“Yes, yeah, okay,” he breathes, moving to lie on his back with a pillow under his head. You shake as you lift yourself to straddle him, holding out your arms in front of yourself to signal that you want him to be close to you. He reads you without you saying anything and sits up in your bed so you can be chest to chest.

You reach beneath yourself to take hold of the base of his cock, holding him in place so you can sink down on his shaft until he is buried inside of you to the hilt. You are dripping wet. The motion of engulfing him in your heat is smooth and effortless, and the moans the both of you let out are closer to whines because you are so starved.

“It’s so good, you’re so wet, baby,” he mumbles quietly in your ear, nosing along the spot behind it. You arch into him, nodding without any words coming to your mind. Instead, you let out a soft gasp as he fucks up into you.

Nothing describes being this close to him after not even being able to kiss him for three days. Other couples would shake their heads if they knew how desperate you get from merely three days apart. You only feel sorry for them. They don’t get how your days are spent with taking every opportunity to lay eyes on each other, breathe and taste each other or even just being able to put a hand on each other’s shoulder, hip, the small of the back.

“Let me,” you pant as he moves underneath you, sending you into a state where you need to concentrate if you want to get out a proper sentence, “I want to fuck this cock. Please, let me.”

Javier stills his hips underneath you. He seems to be holding his breath as he watches you place your hands on his shoulders and then feel them slide behind his head to tilt his head backward. He looks up at you as you start moving on him, rocking in his lap so he barely pulls out of you.

“Come on, that’s a good girl,” he says when he finally sucks in a breath, eyes gazing up at you with a pussydrunk look in them. When they glaze over like this, you know his words will be ravenous and never-ending, “Fuck, baby. That’s it. There you go. Let me touch you so deep inside.”

It doesn’t take long for him to be distracted by your moving chest as you sensually drag your hips over his thick cock. He did tell you that he had missed your breasts but that had been in a slightly playful manner; you never thought that you would actually start to feel beautiful under his hungry eyes. It shouldn’t come as a shock to you because he always knows how to make you feel desirable.

“Attagirl,” he groans, holding your hip tightly with his right hand to help you keep your balance, “God, look at those pretty tits.”

You arch your back as he puts his other hand on your left breast, bending his head down to mouth along the swell until he reaches your nipple. He swirls his tongue once but it is too hard to keep going when you move more frantically on top of him to pleasure yourself, so instead, he wraps his whole mouth around the hardened, spit-slicked peak and sucks until your cunt clamps down in surprise of how good it feels.

“Fuck,” you pant, closing your eyes. The noises of him sucking on your breasts fill your ears and along with how it is making your belly swirl, it makes you impossibly wetter, coating his dick in a milky-white ring. A lewd thought enters your mind. Perhaps, he keeps knocking you up because of this; your cup size has remained the same for a while because you’ve been breastfeeding for months now, and with another baby on its way, you know that the months will keep adding up in the near future.

A drop slips into his mouth and spurs him on to give you a thorough taste. Your brows pull together as a more high-pitched moan leaves your open mouth and he pulls back to shush you gently. Then he sucks greedily again.

You had once asked him why he loved this, and he had replied that the very fact that you were producing milk so sweet to nurture his child went straight to his dick.

“Javi,” you whine to tell him just how you feel. He removes his mouth from your sensitive chest to talk, albeit reluctantly. However, when he notices the change in your sounds and your pitch, he doesn’t want to look away from your face again until he has seen you lose it.

“Oh, you wanna come, huh? Then fuck me,” he says with milk-stained lips. You move desperately in his lap as he spurs you on, feeling the head of his cock dragging back and forth inside of you, laying against your g-spot perfectly if you tilt your hips just a bit. Javier’s eyes burn as they stare up at you but he cannot help himself from occasionally glancing down at your bouncing tits. Your need to come grows, and when you press down slightly harder, you see stars behind your eyelids. A second orgasm tears through you, and one of the hands that has gripped your hip hard enough to bruise comes up to cover your mouth because you start screaming. It’s so intense to have missed him so much.

“There she is,” he growls lowly, watching your face contort with pleasure until tears slide down your face and underneath his palm that’s tightly secured over your whining mouth, “That’s my good girl. You know how to come on this fucking cock, fuck, you feel so good, mi vida (my life), choking my dick. Keep going— no no, don’t stop, ride through it, baby.”

You force yourself to continue moving and keep crying into his hand, wet from drool and tears by now. The oversensitivity is mind-numbing, toe-curling, and somehow still not enough.

“Almost made me come, mi chica sucía y desesperada (my dirty, eager girl),” he says through a breathless chuckle but then raises his brows as your pitch starts climbing once again. You have successfully bypassed your body and started building up another high, “You’re gonna come again? Díos mio (my God), my beautiful wife is insatiable.”

Any chance of talking back at him is lost because you would wake up the whole neighborhood if he dared remove his hand from your mouth. To put his filthy mouth in its place, you start bouncing in his lap to the point where his naked thighs crash harshly into your ass. The sound of skin slapping against skin is dirty but Javier’s desperate groans are obscene. He can barely talk now without his voice wavering, and with the way he repeats himself, you know he is doing everything in his power to let you come one more time before he bursts, “Use my cock, yes like that. K-keep going— you’re gonna make me come. Oh fuck.”

When he notices that you are trying to say something, he removes his hand and allows you a single sentence before clamping the hand down over your mouth again.

“I can’t do it anymore,” you whimper with exhaustion, thighs having started to tremble with the effort you are putting into bouncing in his lap. They hurt at this point, straining despite how much you also use your arms to steer yourself.

“Don’t worry about it, Go until you can’t fucking do it anymore and I’ll take over, yeah?” He nods at you when you make a mhm-noise into his hand, eyes encouraging and his breaths less composed.

When you come a second time on his dick, you falter immediately. The sensation of the pleasure that has built up so fast again crashes down and takes you with it in its fall. You are silent when it’s teetering on the edge, and then it makes your voice crack when you feel the first tug behind your throbbing clit.

There is only the feeling of your convulsing cunt making you believe in a higher power - in this case, Javier fucking Peña - and then said higher power wrapping his arm around your sticky back to lift you up and down. He snaps his hips upwards to use your body for his own pleasure, and after a series of frantic movements, he comes with a groan. The feeling of his warm spill inside of you has you whimpering, and you try your best to rock your hips the best your exhausted body can. If it weren’t for all the dopamine in your system, you are sure it would hurt.

“Yes, yes, yesyesyes. Oh, baby, fuck the come out of me, yes, that’s it,” he chants underneath you as he fills you up, moving to meet you halfway until he also has no more to give. When he stills, he grabs your face to smash your lips together in a messy, desperate kiss that is more teeth than anything else. It feels impossible to get close enough to him, even if your chests stick together from sweat.

A moment later, you fall down onto his chest with a chuckle, head swimming from what you have just done. Your arms lie on either side of his head, and your cheek is pressed into his hair. You can feel his nose dig into your shoulder, inhaling you and your post-sex scent, and his arms tighten around your waist as he hugs you close.

“That was fantastic,” you groan with him still inside of you. He gives you one more thrust, pressing his hips upwards, and you half-moan in oversensitivity and half-laugh in surprise, “Stop it, Peña.”

He laughs breathlessly, placing a kiss on your bare skin. Then he slips out of you with a grunt, and you feel his come drip from you already, down onto his cock and thighs. He rubs your sides with his broad hands, “I have missed you as well, you know.”

“I don’t ever want you to go again,” you demand sillily.

“You say that every time.”

“I mean it every time.”

There’s a pause between the two of you. It lasts several minutes where you just lie on top of his chest. 5, 10, 15 minutes pass. Javier says nothing yet you know him well enough to know that he is considering his words.

“I was thinking of something,” he finally says.

You sit up at that, “What?”

“You know how I said something about work during Christmas? That I wanted to be more home with you and the kids, that it would make me happier?” He begins, looking up at you and not hesitating in his eye contact with you.

You suddenly pay a lot more attention, “Yeah?”

“I was thinking that since I will have a bunch of kids to carry around a lot more years from now, I can’t be running around in the force anymore. My back is fucking killing me, and I also want to make love to my wife on the regular,” he tells you and you know instantly that it’s serious even if he says it with a chuckle, “I was thinking of teaching at the local college. They have a criminology course, and with my time in school with my head in the books - I mean, my bachelor’s degree - it shouldn’t be a problem to get a job there.”

“Are you serious?” You gape at him.

“Yes, of course, I am,” he furrows his brow slightly. Only now, he looks unsure but still keeps talking, “It would mean nothing of this sort either; me going away.”

“Babe, that’s amazing,” you fall down into him again, causing an umph-noise from your husband, and then you crash your lips into his. You kiss him as if your life depended on it, sliding your fingers through his dark hair and tugging slightly as if trying to get him even closer to you.

He looks drunk and disheveled when you pull back again, a goofy and satisfied smile on his face. His fingers scratch slightly along your back, “You’d like that, huh?”

“Yes, please,” you beam with happiness.

“Then you shall have it, mi vida (my life),” his hands travel down to your ass which he gropes obscenely, and when you make a noise, he smacks your right cheek. You feel his cock, hard again, poke into your thigh.

You look down between you, “This is a surprise. I thought you’d gotten old…”

“Like I said…” He grabs your waist and pulls you down to lie on your back. A yelp escapes your lips.

He is inside of you mere seconds after, causing you to longingly whine. He thrusts once then twice, and you throw your head back to take it, “…I’ve missed you.”

If you would like to follow my writing then go follow @notjustjavierpena-fics and turn on notifications 💖❤️

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kastalani123 · 3 months

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The Riordanverse is, ultimately, a children's series so it's expected that the nitty-gritty, darker details of certain things get omitted. Still, I think it'd be interesting to see the demigods, each raised for slaughter in their own way, be the soldiers, the victims, the prey that they grew up to be for both godly and mortal reasons.

Percy always keeps Riptide in arm's reach, always keeps his fingers curled around it, ready to unsheath it every waking moment. He sits and stands with his back flush against walls, eyes and ears always open to seek the slightest hint of danger. He trusts Paul, he trusts Chiron — he still watches every minute shift of their expression, of their body for warning signs. He keeps outside Dionysus's range, ensures he always has an open exit within reach. The smell of alcohol makes him dizzy, nauseous; his thoughts leave his body sometimes, when it gets bad enough.

Annabeth keeps a packed bag at the bottom of her closet when she stays at her family's home; she has places she can stay and her parents and Chiron have been good, but her feet still itch when they frown a time too many. Nobody knows she still sees spiders sometimes, feels her skin itch with their crawling. She makes Percy swear he'll never leave the room before she wakes up unless it's truly necessary. She puts boards on her bed's edges so she'll never fall while she thrashes from nightmares; falling would only make it worse.

Leo sits far from any open fires and leaves if people start roasting meat; Plan C is used sparingly once he isn't constantly fighting for his life. His tool belt can't make food, but it stores more granola bars than he could ever carry without it. He makes himself near-unnoticeable earplugs after New Year's and he avoids looking at himself; his body is too whole for being blown to pieces and half the time he's sure the chunks are rotting around Camp Half-Blood where they should've fallen. He tries to keep from unnecessary interactions; he can't have things tying him to some place, not when he's mapped out dozens of escape plans. He smiles longer and wider than ever before.

Hazel doesn't wear jewelry; the only exception is a wooden bead bracelet Nico gave her after she rejected a golden necklace. Walls close in around her, dust and liquid clog her throat, stones crush her bones– she comes back to the present. She clings to affection like a drowning man to a piece of wood, but keeps watch for signs that it'll turn against her. Silence haunts her every step; she keeps an MP3 player and headphones with her at all times to drive it away.

Frank gathers up his form and pours it into a mould of himself, does what he can to keep it from spilling through the cracks. His fingers are littered with scars and scratches, with a trail of broken mirrors left behind in their wake. There are always voices arguing in the back of his mind — not his father's, but not his own, either; just a phantom screech pulsing through his head. He drowns them by sinking into new responsibilities, new dangers, shaping himself to fit while trying to remain himself. The crackle of burning wood follows him everywhere he goes and he can do nothing to down it out — only stare at whatever he had managed to save from his suicide to remind himself he does not need to worry about it; he has already crumbled into ash.

Piper dives into Oklahoma, into mortality, like she'll suffocate without it. She remains far from everything, though not far enough to be out of the loop, because she needs to know about every prophecy, every end of the world, every step and challenge her friends face. She calls them on a bronze-infused phone, not a rainbow, even if the camera and the notifications and the everythingness of it blind her like a spotlight and the thrum of electricity runs through her veins like venom. She paints her face a bit misshapen here, a bit discolored there, a bit unsettling everywhere, and Shel understands. She understands and she loves her and she says it's beautiful not in aesthetics but in the potential protection it provides, as Piper intended.

Jason had learned every rule with the mere intention to break it, to tear through the chains of military life that had been clamped around his throat for as long as he could remember. He had chased life, rather than the survival he had clung to for so long — packed every second of his ticking down time with it. Finally with freedom, but so little time with it, he snatched every piece of it he could: a mortal highschool, a movie theatre, a mall shopping spree, a room of his own — all carefully documented in stacks of journals, ever breath of air and glimpse of the sun, with copies upon copies stashed away so that his memories could never again slip away like sand between his fingers, so that his friends had something of him left, after his life of nothingness.

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little-mari-on-a-roof · 11 months

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Along with finally airing the season 5 finale, Tfou released a version of the two last episodes commented by the writing team!! So, as I already did with the commented version of Evolution, here's an overview of what they said!! It’s quite long given that it was two episodes and they talked a lot so I will put the parts I think are the most interesting in bold!! Obligatory disclaimer, this is my own interpretation and translation so take everything with a grain of salt!

At the beginning, the writers recall that the first episode of the season 5 finale, Conformation, starts with Adrien and Kagami supposedly arriving in London "like rock stars". However, it is actually just an illusion made from the scanned version of them and the two teens are actually being sequestered in London. At this moment, Thomas says "talk about good parenting" in English, which I think is very funny. The team explains that they were first put in regular apartments in the previous episode but are now in rooms without windows after both of them escaped. This is also done to protect them from what will happen, as Gabriel is about to put his plan of akumatising the entire world into action.

The writers say that Gabriel had been imagining his plan ever since Animaestro when he was seen signing contracts with Tsurugi, and has been putting it in place since the second episode of season 5 (Multiplication). They say that he also tested the first part of his plan, to put nightmares in everyone's heads, in a previous episode.

The rest is under the cut!

Talking about previous episodes, they then say that as was the case with the Risk - Strike back - Evolution - Multiplication - Destruction series of episodes (aka the longest day ever), the 5 last episodes of season 5 (Collusion - Revolution - Representation - Conformation - Recreation) go together and there is a direct continuation between them. (However, one of their rules as Miraculous writers is that these episodes can also be watched and understood independently.) Therefore, season 5 both starts and ends with a series of 5 episodes (quintologies as they call them).

They note that Marinette's nightmare at the beginning is reminiscent of the episode Weredad from season 3. At this point, we can see that Marinette starts to understand who the villain is although she's not fully conscious of it yet. Thomas says that you can read it in two different ways: if you don't take the previous episode into account, she's starting to intuitively link things together but if you did see Representation, you know that she knows who Monarch really is. (They say that to highlight the fact that even though this is the 4th episode of a quintology, all episodes can be understood on their own as mentioned before.)

They then talk more about Gabriel's plan. He gives everyone nightmares on the same day and we can see the different characters suffering because of that (for example, Marinette's mom who thinks Tom is overprotective). He will then offer a solution which a sort of relaxation application directly inspired by the different yoga apps people have on their phones nowadays. This app helps them relax, but also makes people addicted since their nightmares come back as soon as they don't use it anymore. They joke about the relevance of this in today's world with people being "addicted" to their phones or people in positions of power spreading poisons and then monetising the antidote, or the corruption of capitalism selling things we don't need or causing mental illnesses to make people addicted. They ironise that nooo they couldn't possibly be referring to all of that, not in a children's show!!

During the scene that leads to Adrien wearing the Alliance ring after being reticent to it, they say that they had a conflit when writing it as they had to find a way for Adrien to not become his superhero self, cataclysm the walls and go help his lady in Paris. The end result is that Adrien is reminded of the devastating effect of his power by the nightmare and would therefore do anything to avoid hurting people, and so he wears the ring. Mélanie says that he "could become Chat Blanc" and the others add that even though he does not remember and has never lived it, Chat Blanc still has an influence on his actions.

Thomas mentions that Plagg (who he calls "Plaggo" and "Plagounet", which are sort of funny and affectionate nicknames) doesn't show up on cameras, and Sébastien jokes that there could be kwamis around them as they're talking but we just can't see them. Speaking of Plagg, Sébastien jokingly calls Fred the "queen of cheese" as she's the one writing the cheese puns and mentions that there are way more cheese jokes in season 5 than there were before, which makes him think that she is getting retributed by cheese industries in exchange for writing them. Fred then replies that she's getting paid directly in cheese.

The writers say that while the episodes are often narratively dense with science fiction elements, Plagg allows them to add humour in the scene and keep a lighter atmosphere for small children (you know, when he shows his butt to the camera while Adrien is having an existential crisis).

Anyway moving on lol, the writers then say that they had actually planned since 2014/2015 that Chat Noir would not be there to defeat Hawkmoth as they wanted a very particular power fusion to happen (aka Marinette wielding both the ladybug and black cat miraculous and becoming Bug Noire).

Fred then talks about how ever since the start of the series, they have incorporated the symbolism of fairy tales with the sleeping princess and the knight coming to save her. However, they're switching the genders in Miraculous as Adrien is the princess and Marinette the knight (while Gabriel is the evil dragon). They add that they already explained this in a previous episode (in season 4) but they're showing it again now in Marinette's nightmare.

In the scene where we can see that Tikki ate all the croissants, they joke that she did well given everything that is going to happen afterwards. They also jokingly tell the kids watching that they shouldn't do like Marinette and hide in trash cans but eating bananas and croissants is ok (trust me it's funny when they say it). They add that if Fred is the cheese queen, Mélanie is like Tikki because she loves cakes and anything sweet.

We then see Nathalie's nightmare in which Gabriel successfully makes his wish, and therefore manages to accomplish his evil plan which Nathalie knows about. We can see that she's looking very bad and the writers again jokingly give recommendations to the children watching, here to not use a damaged peacock miraculous.

They then talk more about Natalie's past, in which she was a treasure hunter. They say that someone should let them show the fabulous story of Nathalie, Gabriel, Émilie, Audrey and André when they were younger. Indeed, they already wrote what happened in their youth as it is the origin story without which they couldn't have written Miraculous. When Natalie looks at the picture of her in her "Lara Croft outfit", as they call it, from when they were chasing the miraculous and found the peacock and butterfly ones, they jokingly ask what they were chasing and why and say that you have to watch the rest of season 5 to know (basically, they're strongly hinting at sentiadrien).

They say that Gabriel/Hawkmoth and Tsurugi have been allies for a very long time, but it has only been revealed rather recently in the show and we can see it now in a scene where they're plotting together and rising the tension.

In the following scene, we can see all the kids ready for the "miraculisation", except Mylène who is not wearing a ring because while she is not fully anti technology, she is more wary of it and vigilant of its excesses. They then focus on Ivan, who would also like to resist like her but for whom it is too hard. They add that he has "things stressing him out" but that we will only learn about them in later seasons 👀👀.

They take a moment to appreciate the "exceptional" direction and lighting done by Wilfried in the scene where Nathalie threatens Gabriel with a crossbow. Thomas also makes a reference to Citizen Kane but I've never watched it so idk what he meant by that sorry I'm uncultured haha. The writing team says that while they are the ones writing the scenes, they need a director to make the scenes look like what they imagined, and that it's not always easy.

In the next scene, we can see Ladybug looking around in Nathalie's room to find hints about where Adrien could be and finding her tablet with all the information about the miraculous, which makes Marinette realise that Nathalie was Monarch's accomplice right before they enter in the room. They joke about how OMG THEY NEVER COULD'VE GUESSED that Adrien's father was actually Monarch the whole time. We can see Ladybug recording a message for Chat Noir where she reveals his identity, but she never ends up actually sending it.

They talk about how this scene is a huge climax as it is rare to see Ladybug in the Agreste mansion. It had already happened in season 1 during the episode Simon Says where they already played on the dramatic irony of Hawkmoth being Gabriel (which people did not know at the time). This is the second time that Ladybug is in the mansion, while Marinette has been there before a few times (including the iconic pancake moment). While they talk about Simon Says, Fred looks really smug saying that they had planned everything since the beginning.

They say that the scene during which Nathalie gives Ladybug her phone with the pictures and videos of Émilie explaining all of Miraculous's backstory is beautiful, and that if we as viewers had this phone, we would know everything about it (👀👀👀). In addition, they mention that since this is the final episode of the arc, a lot of things happen to get all the final outcomes of the different relationship between characters.

When Gabriel shows the video of Ladybug and Chat Noir kidnapping Adrien and Kagami on everyone's Alliances, the writers explain that people are so disoriented and stressed that they'll believe anything we tell them. They are therefore receptive to any controversy presented to them, just like how people nowadays will engage in numerous sterile debates on social media.

We can then see Monarch using things he obtained in previous episodes: the cataclysm dust from his deteriorating hand and the magical charm Ladybug gave him. We can see that Gabriel had been planning everything from a very long time but that because of the cataclysm he suffered from, he has no choice but to carry it out now. Coincidentally, it is this very cataclysm that allows his to have Chat Noir's quantic signature and put his plan into action. They jokingly compare what he is doing to making a dog sniff a sock, but in a cyberquantic version.

The quantic signature allows the miraculised people to find Ladybug and Chat Noir, and the team says that when they were writing the scene where they detect Ladybug in Gabriel's mansion, they were all going omg omg omg trying to figure out how they were going to get away with it. They say that while Ladybug is trapped in the villain's lair, the writers trapped themselves with the story.

They once again give a shout out to Wilfried's direction when we can see Ladybug getting attacked from all sides by the miraculised people, notably because of the camera motions. They also acknowledge SAMG's amazing animation especially in the scenes including a lot of characters.

My unculturedness shows again when they say that Marinette hiding in a cupboard under the sink is a reference to Jurassic Park. The reference I do get however is when they say that Plagg not being able to shift through the door with his ring was the plot of Mr Pigeon 72.

The action then reaches a maximum as Monarch knows that Ladybug is hiding somewhere in his house, detransformed. We now get to THE moment they had been waiting for since the beginning: when Monarch discovers that Marinette is Ladybug and she transforms into the fabulous BUG NOIRE!!! They keep talking about how cool she is and that they left the best for last: the final fight with Monarch does not happen with Ladybug, nor with Chat Noir, nor with Chat Noir and Ladybug but with BUG NOIRE!!!!!

Fred says the season has a particular taste of closure, even though there is still a next part, and warns to hold on because the latter will hurt a lot 🥲🥲.

🐞🐞🐞

Now, onto the the second episode, Re-creation !! (Yeah the first 2k words before that were on Conformation alone. I am bad at summarising. 😭)

At the beginning of the episode, when we can see Lila laughing when she sees Alec having an akuma induced nightmare on TV, the writers say that it is because she has known who Monarch is for multiple episodes now. They mention that it is because she read something on people’s lips in Evolution (episode 501) which allowed her to discover things. She also stole a case from Tsurugi so she knows who Gabriel really is.

Then, they focus on the fight we "had all been waiting for", and Mélanie mentions that her favourite lucky charm is the piano crashing on Monarch. They say that while they have spent multiple hours finding intelligent and sophisticated lucky charms for years, this one is just simple and exhilarating.

They then talk about how the resistance is fighting against the miraculised people, and how this happens all over the world (in China, Rio, New York) and includes a LOT of different characters. This explains why it takes a long time to deliver the episodes and they joke about how they’re blowing up their budget. However, despite all the superheroes fighting all over the world, it is still not enough.

Indeed, the outcome doesn’t play out in the giant arena outside, but in the KITCHEN. They joke about how they waited long enough to finally get it and that the resolve should therefore happen there, and even nickname the episode a « kitchen-two-room episode » (the joke makes more sense in french since we define homes according to their number of rooms, not just bedrooms).

They say that in the fight between Bug Noire and Monarch, both are so evolved in mastering their powers that neither of them have limits (Monarch can use as many powers as he wants at once thanks to his rings, and Bug Noire can use as many lucky charms and cataclysms as she wants). They lovingly say that our little Marinette from season one has grown a lot 🥺. She’s now super badass (they kept talking about how cool she was) and has learned so much.

They add that the scene where Bug Noire uses her handcuffs lucky charm is a reference to Kung Fu movies where characters fight while being chained to each other (once again, I’ve watched like zero movies so I’m gonna trust them on that lol). They once again mention the amazing direction and get very excited when Bug Noire slams Monarch through the wall.

During the fight scenes outside, they joke that Doorman (the USAmerican superhero whose power is to open doors) and Fang (a literal crocodile who knows Kung Fu) were essential in saving Paris. However, despite all the people fighting outside, the miraculised people remain too many and there is only one person who can save everyone from Monarch’s perfect plan.

Back in the Agreste mansion, Bug Noire is losing and her only escape is to cataclysm the floor which makes them land in the crypt (which was right under the mansion all along !!!). She then sees Emilie’s body and understand why Gabriel is doing all of this. When talking about his motive, the writers joke that if he succeeded, it would be hard to explain to Adrien why his mom, who has been dead for a year, is suddenly back and that while it would be unjust for Gabriel to trade her life for someone else’s, he doesn’t care and would just make Ladybug go away.

The team explains that in the following scenes, there is an alternance between the outside (in Paris) and inside (in the crypt) fights, with the dialogue happening inside continuing while we see what is happening outside on screen. They don’t do that often, which gives this scene all the more impact during the finale. They talk about how this kind of thing is a trademark of Miraculous: the episodes are quite dense despite their short length, thanks to the fact that the story continues when the action is taking place and the emotion continues to be conveyed. They oppose it to classical action movies where some scenes are dedicated to dialogue/story while fight scenes are just about fighting.

The writers say that from the moment Bug Noire gets her glue tube lucky charm, they are already working on the plot of season 6: when she manages to steal the butterfly miraculous from Monarch, she does not actually retrieve it because of how far away she is and it falls in the water below (cf Lila retrieving it which will be relevant in season 6).

At this moment, Gabriel loses and the resolution of the battle is not what we could’ve expected: we don’t have Ladybug winning by thrashing him, but she instead simply talks to him and even detransforms in front of him. It is not Ladybug who defeats Monarch but Marinette. This echoes to a message they have been trying to convey since the beginning : that in the end, it is not violence or strength that wins, but people talking to each other and opening up about their feelings. It is when people are not subject to their emotions, but instead try to understand them to think better and take the right decisions. And this is what Marinette is hoping for here by showing Gabriel the video of Émilie saying that she never wanted him to become evil, and instead just hoped for him to take care of Adrien (which he didn’t do lol).

In the end, Marinette and Gabriel’s main goals are the same : making Adrien happy. She takes a huge risk and detransforms to see how much he loves Adrien, or on the contrary how much he would rather bring his wife back. This is the only moment where we see Gabriel being truly emotional and understand why he has been doing all of that. Fred adds that he is a character who thinks love goes beyond good and evil, and oversteps every boundary, including moral ones. Therefore, Marinette is trying to solve a crisis of feelings by using feelings.

Back to the episode, we can see Marinette taking the biggest risk in her life and extending her hand to her nemesis, even the kwamis tell her that she’s insane. The writers joke that well, they were right, as Gabriel steals both miraculous and it does not end well (or at least not for now). Gabriel has now won as he can do what he has been wanting since the very beginning.

The team mentions that the next scene is one of the biggest reveals of the show, as we can finally see how the wish happens. We discover that the kwamis are not actually little plushies but take this appearance to avoid scaring their wielders, and the writers actually hinted to that in Dearest Family when Tikki ate all the galette des rois. One member of the team jokes that when the kwamis reveal themselves, they become a Swedish hit from the 70s : Gimmi (as a reference to Gimme ! Gimme ! Gimme ! by ABBA of course).

Moving on from the dad jokes, when Gabriel removes all of his miraculous rings, Marinette is released from the bee sting and can now witness her defeat. But the fact that Gabriel laid down his weapons shows that she has actually won, even though it is only shown and not said.

However, they say that there is still some doubt : we do not actually know what he wishes for as his words are cryptic and we only see the outcome of his wish. They do say that Émilie will not be brought back to life as Gabriel has finally mourned her death, which Adrien has already done for a long time. But Gabriel cannot live without her and decides to die with her.

In order to accomplish the wish, they explain that the world has to be destroyed and then re-created, which leads us to the aftermath of the wish a few weeks later and the pool party where everything seems to be going well. Then comes probably the most enigmatic shot of the episode with Nathalie and Amélie/Émilie. The writers say that they’re not telling us who it is but I think we can guess pretty easily based on what they said right before 😭😭. They also add that with Nathalie next to her we can guess what Gabriel’s wish was, but that it is "not what we think" and that there is a trick.

They say that with the final wish, they have arrived at the end of what they wanted to tell in this arc, which is a revolution of the minds. They said that each played their role, including the villain because he gave up on his power with which he could do anything to make his son happy. They add that the new world we are seeing shows the premise of season 6, which will have a "different taste" and in which they will talk about different things.

They say that at the end, some lies remain as Gabriel is presented as a hero. They say that Marinette gave Adrien the twin rings, in what frankly looks like a wedding proposal lol. Then they go insane because it’s time for LE BISOUUUU, and a real lovey kiss that they remember for once, not like in Oblivio, and not a desperate kiss like when Adrien left for London. However, even with all this cute romantic stuff, we can see some ominous butterflies flying around them…

In the next scene, we can see Marinette taking the miraculous that have been standardised and industrialised by Gabriel and putting them back in shape. The writers specify that this is a parabole about craftsmanship vs industrial production. The miraculous will now be adapted to every person, but we can’t see what they look like just yet! In this new world, the powers are all shared, among people who they trust and know will work for the common good. They joke that the "Avengers" shot at the end with all the heroes is something they’d been dreaming of.

In the last scene with Lila, they joke that it’s never really finished because there’s a bunch of epilogues one after the other. Thomas add that the school described at the end is how he thinks all schools should work!

And we’ve finally reached the end!! They don’t reveal anything in the scene where a weird flash appears in Lila’s room to keep the suspense, and just all scream going OMG WHAT’S HAPPENING!!!

🐞🐞🐞

I hope this was helpful to learn more about the writing team and some stories behind the episodes!! Don't hesitate to add stuff if you think I forgot something or ask questions if I wasn't completely clear :)).

#miraculous #miraculous ladybug #ml #mlb #ml s5 #miraculous season 5 #ml s5 finale

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yumeka-sxf · 6 months

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Japanese Linguistic Observations in Spy x Family - part 2

Part 2 - Anya's "Anya-isms"

I think Anya has one of the most interesting ways of speaking out of all the SxF characters. But like with Twilight's dialogue that I previously discussed, it can only be fully appreciated in the Japanese version. Probably the most noticeable thing about her dialogue is how it's written compared to the other characters.

Written Japanese is comprised of three different alphabets: ひらがな (hiragana) and カタカナ (katakana), which together are referred to as "kana," and 漢字 (kanji). Kanji are the characters that hold the meaning of words, while kana simply represent the various Japanese syllable sounds and don't have any meaning on their own (much like the letters of the English alphabet). There are only about 100-ish total unique kana symbols, however, there are over 2,000 kanji in common use today. So Japanese children will start out learning kana and then learn kanji gradually during their school years. This is why Japanese children's books are typically written only or mostly in kana. This is also why manga and books aimed at a younger audience will have kana "translations" of kanji written above kanji characters, which are called furigana.

With that in mind, it's not surprising that all of Anya's dialogue in the Japanese version of the SxF manga is written entirely in kana. Even though using kanji in her dialogue wouldn't necessarily mean she knows kanji, reading a character's dialogue only in kana definitely gives off childish vibes – it conveys feelings of youthfulness and innocence, like "they're speaking only in kana because they don't know the kanji for these words…they're just a little kid, after all." At least, that's the feeling I get when I read Anya's dialogue. Though I haven't read enough manga in Japanese to say for sure, it seems like this concept of making little kids speak only in kana is not unusual, as there's at least one other example I know of: a manga from the mid-2000s called Yotsuba also has a titular 5-year old whose dialogue is written only in kana.

What's also interesting is that all of the other Eden kids speak "normally," using kana and kanji properly in their dialogue. This helps to convey the fact that, despite Anya being roughly the same age as them, their "rich family" upbringing has forced them to grow up faster. In the below panel, you can see how Damian's dialogue uses kanji (with furigana translations) while Anya's uses only kana, even for words that have kanji.

Interestingly, I found at least two cases where Anya does use kanji in her dialogue: when she's calling out the name of her big "Arrow of Light, Seize the Star" move during the dodgeball game, and when she calls out her "Lighting Bolt, Deliver my Aid" move when she tries to throw Yor's weapon back on the deck in the cruise arc. As you can see in the below panels, the names of these "moves" is written in kanji (with furigana translations). This makes sense not only because this is parodying shonen series where the characters shout out the names of their moves, but because it emphasizes how determined Anya was at these moments.

But going back to how Anya's speech compares to the other kids, another thing that stands out is that she speaks very "plainly." Her grammar is (mostly) correct, except for a few mistakes you'd expect a little kid to make. But she uses pretty much no colloquialisms, almost as if she knows the language but lacks the experience for using it in normal social interactions. I don't think this is unusual for a kid her age who's still learning, but it definitely stands out when compared to her classmates. For example, in the below panel, Becky uses normal interjections and other colloquialisms in her speech, like "ne" (ね), "wa" (わ), and "yo" (よ), which are all standard Japanese linguistic devices for softening or emphasizing your sentences. However, Anya doesn't use things like this in her speech. Again, this makes her speech come off as very plain and abrupt, almost like she's not a native speaker.

She also refers to herself in third person all the time in the Japanese version. In fact, I don't recall her ever using an "I" or "me" pronoun. I don't know why the English version of the manga doesn't keep this characteristic of her speech. I think it's very important in highlighting the childish aspect of her personality.

Putting all this together – the fact that she doesn't use typical colloquial speech and refers to herself in third person – really emphasizes the childish, naive, and almost baby-like nature of her character. I'm curious if Endo made her speak this way simply to show what a little kid she is compared to her classmates, or if it will somehow tie back to whatever roots she has in classical languages that he keeps hinting at. Regardless, as I mentioned in my full Anya analysis, what she lacks in speech and school smarts, she makes up for in empathy and resourcefulness.

Besides all this, Anya does make typical speech mistakes a normal kid would make, like mishearing words or saying things wrong. She mostly uses casual speech, but does try to use keigo (polite speech) on occasion, though not always correctly. For example, she says "ohayaimasu" (おはやいます) for "good morning" instead of "ohaiyou gozaimasu" (おはようございます).

But the most consistent "mistake" she makes (though it's not really a mistake) is what she calls Loid and Yor – "chichi" (ちち) and "haha" (はは) respectively.

Japanese has many different words for relatives depending on whether you're talking about your own relatives or someone else's, and whether you're talking to them or about them. "Chichi" and "haha" are the general, neutral terms for "father" and "mother," and are also used when talking about your parents to someone else. However, they're not used when talking directly to your mother and father. There are many other words for that, the usual ones being "o-tou-san" (お父さん) and "o-kaa-san" (お母さん), or some variations of these with different honorifics. Damian refers to his dad as "chichi-ue" (父上) which is very formal, while Becky calls her dad the actual English word "papa" (パパ) which is very informal and normal for kids to use. But again, "chichi" and "haha" are typically only used when talking about your parents, not to them the way Anya uses them. This started from the very first chapter where Loid asks her to call him something that sounds "elite." He originally suggests the very formal "o-tou-sama" (お父さま), but when Anya says "chichi," he doesn't bother to correct her.

Hearing a little kid call her dad and mom "chichi" and "haha" is kind of like calling them "my father" and "my mother" even when speaking to them directly – it's not wrong necessarily, just strange. But again, this serves to further emphasize the childlike nature of Anya's character.

<- Return to Part 1

Continue to Part 3 ->

#spy x family #sxf #spy family #spyxfamily #anya forger #sxf manga #sxf analysis #sxf meta

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ambrosiustheunknown · 4 months

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Character Analysis - Severus Snape

No because I feel like people don't truly understand Severus Snape's character when they say that he's nothing but an asshole and Death Eater who bullies children and did horrible things.

Did he do horrible things? Yeah. And did he bully children? Yeah. Was he an asshole? Yeah. Did his death and guilt relieve him of blame and responsibility? No.

But he was more than just an asshole. He had his reasons, no matter how shitty they may be. And even though his reasons are shitty, I think he at least deserves some consideration. Why? He made most of his shitty decisions as a child. An abused, discriminated against child. Think of it like this:

Meets Lily after ten years of abuse at the hands of his muggle father

At 11, is separated from Lily and is put into a notoriously discriminated-against house

Is (unfairly) antagonized by James Potter and the Marauders (while I do admit that yes, he probably gave back as good as he got, he couldn't have done that until at least his 2nd year because he was raised without magic. he also did nothing to cause the bullying in the first place [as far as I know, correct me if wrong] )

Was bullied and abused up until 5th (?) year

Is humiliated and sexually harassed (because yes, threatening to take off a peer's pants is sexual harassment in my opinion) and lashes out at Lily during this time of intense humiliation and is promptly abandoned by her

Is almost murdered by Sirius Black who receives no consequences

Goes on to join the Death Eaters at after years of being an abused outcast and stereotyped as nothing but a slimy Death Eater

Is then forced to become the potions professor at Hogwarts

1-2 years later, he turns traitor against Voldemort (around 18-19)

The only person he's ever had care for him in his entire life dies

He's only 19-20 when Voldemort is vanquished. I'd say that it's safe to assume that he never got help/support/closure surrounding anything he went through. As far as I'm aware, there's not a single person within the entire series who is shown to support Snape, which leads me to believe that no one ever told him to get help after the first war, and considering his life up until then, he most likely didn't know to get help. He spent the rest of his life doing a job he hated and was forced into, was a spy, and was split between two powerful and dangerous masters.

With all this in mind, I'm unashamedly a Snape supporter (not an apologist, there's a difference). He was an ass who did horrible things but there's more to him then that. The students he taught didn't deserve his ire, and he did and watched horrible things be done, but he's so much more than a Death Eater, and his background and potential to be more than a spy is so interesting to look at and think about.

Edit: A reblogger has mentioned that in the books, James say's he'll remove Snape's pants. In England, 'pants' refers to underwear, and that we never actually find out if James did that. This definitely sexual harassment.

#severus snape #harry potter #marauders era #pro snape #professor snape #this man really is so interesting tho #severus snape is a complex dude #NOT a snape apologist #dude did some bad shit

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lc-holy · 8 months

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Conférence Masterclass 808 (Translation)

I've taken the liberty of translating the conference that took place last year with the writing director of Miraculous (Sébastien Thibaudeau). It was only made public when someone posted a video of the conference a short while ago.

In this conference, Sébastien Thibaudeau will talk about the creation of Miraculous and his work on the series. He is joined by Chloé Paye, a new scriptwriter working on Miraculous season 6.

Sébastien talks a lot and repeats himself a bit, so the summary can be a bit confusing.

I strongly advise you to go and listen to the video if you understand French. There are a lot of details I'm going to leave out, and Sébastien is very funny.

Photo belongs to mlbfanfr on twitter.

Please be respectful in comments or tags. If you want to debate on things related to this conference, please make your own post. I apologize if there are any mistakes, I'm French and I'm not fluent in English.

-12 years ago, Sébastien arrived at Zagtoon, a studio that was just starting out and had yet to produce and broadcast any series. The producer (Jérémy Zag) and Sébastien hit it off and decided to start working together. Zag decides to give Sébastien total freedom over his projects. Sébastien then decides to put the spotlight on scriptwriters, because in this profession they are unfortunately poorly paid and never stay on the same projects.

So they produced a cartoon called Kobushi. A little-known series that did rather well, even if it didn't stay on the "Gulli" channel for long. The scriptwriters and producer were happy with the end result, as it was produced in a very short time.

Jeremy Zag then proposed another project, which he thought was quite good, but which he was unable to sell to broadcasters. At the time, the project was called "Ladybug". No one was interested, as the project was aimed more at an adult audience than a children's audience. Sébastien had to make sure that the project could be broadcast on Disney and TF1.

There was only a "trailer" also called "Ladybug" (but you'll find the video under the title Ladybug PV) animated by Toei animation. At the time, Sébastien had not yet been hired by Zagtoon. It was Jérémy Zag who convinced Toei animation to work with them (no mean feat, since Toei animation doesn't work with anyone).

So Sébastien started working with Thomas Astruc (the man who wrote and created the "Ladybug" project). At first, he didn't want to work on this project because he found it complicated. Thomas wanted to make a series for adults, but at the time, it was very complicated to make a cartoon for adults. What's more, they didn't have enough money to take on such a project. Sébastien finally agreed, but there were some changes to be made, which Thomas accepted.

-What Sébastien appreciated most in this project was the romantic comedy, the love square between the two main characters.

To meet the requirements of the cartoon industry, "Ladybug" had to be set in a neutral universe, in other words, in an imaginary country or the USA, but Zag, who loves Paris, declared that the cartoon had to be set in Paris.

In the end, Thomas Astruc's entire project was discarded, leaving only the love story between the two heroes and the city of Paris, where the story was to take place.

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-Sébastien explains how he writes Marinette's first dialogues: He says he talks a lot in real life, so he writes Marinette like him. She says out loud whatever she's thinking.

For Chat noir, he makes him tell his father's jokes. Something TF1 doesn't accept. The TV channel went so far as to refuse to validate the Bible (a collection of information on the series and episodes) until it had removed the sentence: “Chat noir makes jokes”. Sebastien has therefore removed the sentence, but will continue to make Chat noir tell jokes.

-The writing director's job is to get the producer, creator and broadcaster to agree. The series broadcast on TF1 and Disney are very different. TF1 wants series whose story can be told in a single episode, unlike Disney, which wants series whose story spans several episodes.

Sébastien and TF1 agree that Miraculous will be a series with one story per episode, a "Formula Show".

He cites the example of Dora the Explorer episodes, where every episode is the same: Dora goes on an adventure from point A to point B, she has to find 3 clues, then she meets Swiper, she sings a song to make Swiper go away, she uses the talking map to get from one place to another, then Dora manages to get to point B and the episode ends.

This episode format is used for children, to give them a reassuring framework, as they build themselves up through repetition. That's why series like Dora work so well with young children.

So Sebastien sold the Miraculous series to broadcasters as a formula show. A person gets angry, is akumatized, then marinette transforms into Ladybug then frees the person from the akumatization and… The End.

It's also for this reason that Marinette tries to confess her love for Adrien in every episode, but is unable to do so.

But he tried to go against what he had planned with TF1, by slipping little extra stories into certain episodes. Audiences were receptive to these slightly hidden stories. The TV channel even asked Sébastien if there really were hidden things in the series, but he denied everything. Thanks to the positive reception from the public, TF1 agreed to develop the characters of Marinette and Adrien and flesh out the universe a little more.

------------------------------------------------------------------------------

-Once the bible is written, they have to write a script. But first Sébastien, as writing director, needs to know the mood of the series, and to do this he calls on Thomas Astruc, the series creator. Thomas is a great fan of classical painting. A single painting can tell a complex scene with lots of detail. He wants the episodes of miraculous to be like these paintings, there will be very few shots, but in a single shot a lot will happen.

-Sébastien explains that one of the things Thomas wanted to convey in the series was emotion. They didn't want to do what a lot of children's cartoons do, which is to beat the bad guys and win at the end of the episode. They wanted to tell kids that it's normal to have negative emotions. We can also become better people, learn from our mistakes and so on. It also reassures TV channels by setting up scenes that are repeated in every episode: people get angry, people akumatize then people deakumatize, end of episode...

Once the TV channels had been reassured, they set about writing a script.

-Sébastien asks Thomas to write the ending, as they're not sure the series will work. They also wondered what the aim of the series was, and what they wanted to say to the children. The two of them sat down in an office and wrote the ending, which turned out to be just the end of an arc. He even adds that now that they've written a lot more, it's important for them to write in advance so that everything is clear to them.

-The first season was written by 19 authors, from home. He found it interesting that the series was written by several different authors, even if some of them didn't quite understand the premise of the series. One episode that Sébastien particularly appreciated was written by two “autrices” (I think it's weird to say “two female authors”, so I'll use the French word): the refletkta episode, with the story of Juleka who couldn't get into the photos. (Note that all the episodes were proofread by Sébastien and Thomas).

After that, they kept a few people on to work together on the scripts for subsequent seasons.

Sébastien explains that he keeps a close eye on the production of the episodes, to make sure that everything that goes into the picture is as faithful as possible to what they've written in the script.

------------------------------------------------------------------------------

-The kwamis exist thanks to Toei, who wanted funny little animals to sell plush toys. So the scriptwriters had to find a way to integrate kwamis into the story.

-(Again, Sébastien advises people to check out the Kobushi series if they can still watch it somewhere, or ask the leaker who leaked the whole of season 5 to give them the episodes (that's a joke, of course)).

-Sébastien talks about the Ikari gozen episode, which could have been a total failure because the storyboarder didn't fully understand the scenario. Sébastien asks Zag to redo the storyboard, which will add 10 weeks to the episode's deadline. The storyboarder admits that he's always done storyboards mechanically, without worrying whether the episode is good or not, whether the jokes are funny or not. Eventually, the episode was redone by the same storyboarder, resulting in the episode we all know today.

- They still have a lot to tell with Miraculous, to the point where they're wondering if they'll have enough seasons to tell everything they want to tell. Sebastien says there will be a season 6 and 7, and probably a season 8 and 9.

------------------------------------------------------------------------------

- Chloé Paye met Sébastien when she was looking for an internship. She had never worked in animation, and knew nothing about Miraculous. She tells us how the scriptwriting team works. Each time, all the scriptwriters in the room have to be convinced of the script. They can sometimes spend hours on details to get everyone to agree.

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- The driving force behind the series is that there must always be a secret between Marinette and Adrien. The lovesquare can never be broken, otherwise there's no series. Sébastien knows that some people are worried about this. Will they continue the lovesquare for another 4 seasons or more? How will they evolve? Sébastien says not to worry, they know where they want to go.

-It takes them 14 to 16 months to produce an episode, but it's often much longer due to unforeseen circumstances. And they don't work on one episode at a time, but on several at the same time. One episode takes a long time because of the 3D animation.

One of the things that's complicated with Miraculous 3d animation is that they can only display 3 characters at a time on screen, whereas the series requires them to display many more characters. It's also very difficult to correct animation errors, as this takes a lot of time.

-The TV networks were very surprised by the success of miraculous. They didn't think adults and children alike would watch the series. The TV channels were a little confused because they usually make series for a specific age group, but since miraculous had people of all ages watching, they weren't sure what to do.

- Sébastien says he's very happy that miraculous inspires a lot of people to create things, like writing fanfiction, however he's not interested in it because he doesn't want to be influenced by certain fans who would love to see certain things in the series.

- Writing direction also means paying attention to how the characters speak. They all have their own way of speaking. For example, Adrien will never say "j’te parle", but rather "Je te parle".

- During the writing process, the writers sometimes act out scenes to make the dialogue more natural. This is what happened with the episode "Gang of secrets". They felt that, with the success of the show and the pressure it was generating, they needed to write something to relieve their stress. So they wrote about Marinette and the enormous pressure she was under to keep all her secrets. The final scene, in which Marinette tells Alya that she's Ladybug, came naturally when they performed it together.

#miraculous ladybug #ml writing team #Conférence Masterclass 808

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spider-stark · 6 months

Text

INFINITELY YOU

part three // spitfire

SUMMARY - In every universe, Peter Parker seems destined to fall in love with you. And, in every universe, he realizes it too late. When universes collide and two of them are granted a second chance at rectifying their biggest mistake, neither of them are willing to let the opportunity go to waste–even if you end up not being the person they thought you were.

WARNINGS - 18+, minors DNI

WORD COUNT - 4.5k

// masterlist // series masterlist // send me your thoughts // no way home fan fiction // rewrite

name key: tom!peter = peter // andrew!peter = parker // tobey!peter = pete

On the walk back from Peter Pan’s, it seemed as though Parker had managed to entirely escape the sputtering awkwardness that had ensnared him the night before.

And, after countless city blocks of listening to him babble about absolutely everything and anything, you realized that there was one very striking similarity between him and Peter.

Both boys had a fervent interest in all things nerd.

“New Hope takes place nearly two decades after the rise of the Galactic Empire, meaning that Leia is only nineteen when she's kidnapped and forced aboard the Death Star! Which is like, absolutely insane, right? Seriously! Imagine being nineteen years old and stuck inside of something that has the potential to obliterate an entire planet!”

Shoving open the lobby door to your complex, Parker hardly even waits for you to hum your agreement before continuing his retelling of the Star Wars film.

“And at the exact same time, Luke is finally beginning his Jedi training! Which, honestly, nineteen is actually super old for that, but-”

Moving towards the stairs, Parker close on your heels, you cut him off with a question. “Too old? Nineteen is hardly even an adult,” you argue. “What age do most Jedi start training?”

“About four or five, so obviously Luke was way behind,”

Not even a full three stairs up, you come to a grinding halt, leaving Parker to bump into your back. “Four?!” You cry out, wide-eyed as you spin around to face him. “That’s insane!”

Parker only lifts his shoulders, clearly not understanding the reason for your horror.

Furthering your point, you add, “There’s nothing ethical about taking a bunch of little kids and training them to be weird, intergalactic warriors!”

“It’s the best way to train them!” He lifts his hand defensively, explaining, “The earlier they start training, the less likely it is that the kids will have formed an attachment to their families! That way they learn to act out of logic instead of emotion!”

For a heartbeat, you’re rendered entirely speechless by the absurdity of his claim, left to stand with your mouth agape as you blink at him.

“That sounds like emotional abuse,” you finally huff, shaking your head. “Actually, scratch that—it doesn’t sound like emotional abuse, it just is!”

“It’s not abuse-”

You hold a hand up, stopping him before he can say anything else. “Give me one good reason why a group of adults should withhold love and affection from children if they aren’t abusing them.”

“Uh, how about the fact that love is basically what made Anakin turn to the dark side!” Parker scoffs, clearly unwilling to recognize how insane the notion he was pushing actually is.

“Or maybe Anakin turned to the dark side because he was indoctrinated and traumatized by some stupid space cult!”

The expression on his face is downright laughable.

It was as if you had just reached out and slapped him across the face. His jaw went slack, his mouth hung open in blatant offense. As a sputtering noise falls from his lips, trying and failing to come up with a good rebuttal, you smirk.

“Exactly,” you boast, taking his inability to speak as a sign of victory.

Twirling on your heel, you continue up the stairs, nearly all the way to the top before you finally hear him come stomping up behind you.

“The Jedi Order is not a cult!” He finally shouts after you.

Already traipsing through the hallway, fiddling with your keys, you sing-song, “Whatever you say, bug-boy.”

Reluctant to admit defeat, Parker continues grumbling under his breath as you unlock the door, spouting something off about your lack of respect for George Lucas.

“Look,” you tell him, pushing the door open, “if liking Star Wars matters this much to you, then I’ll gladly watch them with you.” A wry smile plays on your lips as you turn to look at him, standing in the doorway, “Maybe watching them will be enough to change my opinion on turning kids into galactic slaves.”

Eyes narrowing in a playful glare, he’s only able to hold the expression for less than a few seconds before a laugh causes him to break character. “I just can’t believe that Peter hasn’t made you watch them already,” he admits. “I had you watch them so much that you could probably recite the scripts from memory alone!”

His amusement dies off as soon as he finishes the sentence. Despite having been the one to bring it up, the mention of his world seems to cast a sullen shadow over him, ruining his sweet, boyish smile.

Curiosity instantly claws at you, begging you to ask him why his world seemed to have such a negative effect on him. Or, rather, why his version of you seemed to have such an effect.

This had happened last night too, when you had asked him if the two of you were friends in his world—and it was because of this that you assume that you’re somehow the common denominator in his discomfort.

Still, you don’t let yourself ask him about it. For as much as you’re starting to like Parker, you don’t know him nearly well enough to try prying into his life.

Not yet, at least.

“Well, you’re more than welcome to force me into sitting through them in this world, too.” You tell him sweetly, sweeping an arm out to gesture inside of your apartment, inviting him. “It’s not like I’ve got any plans for the rest of the day.”

You couldn’t even remember the last time you did have plans. Life had been so quiet since that last night with Peter and Mj—the night when everything went so horribly wrong.

Parker sucks in a breath through his teeth, a hand coming to rest against the back of his neck. “I should probably get back out on the streets,” he reluctantly says, sounding more like he was convincing himself of that than you. “But, I don’t know, maybe we can take a rain check on it, yeah?”

Disappointment washes over you, sudden enough that you’re sure it shines through on your face. It takes a shocking amount of willpower to stop yourself from trying to persuade him to stay, wanting to remind him that two other Spider-Men were already running themselves ragged in pursuit of the villains—so why did he have to go, too?

You had grown used to his constant talking, having found solace in the chatter that kept you from slipping too far into your own thoughts. Selfishly, you wanted him to stay so that you wouldn’t have to be alone; so that you wouldn’t have to risk thinking too long about Doctor Strange or the multiverse or constants or Peter.

The thought of admitting any of that out loud, however, felt incredibly humiliating.

“For sure,” you force a smile, trying to ignore the many thoughts swirling in your mind. Then, eyeing the slightly too-tight Ramones shirt that he’d stolen from you, you add, “But shouldn’t you at least come in and change?”

His nose wrinkles slightly as he shakes his head. “Nah—I think this city has more than enough spider-people swinging around it right now. I figure we might actually benefit from one of us patrolling on the ground-level, y’know? Maybe I can ask around for any giant lizards or blown light bulbs.”

It’s hard to tell if the last bit is meant to be a joke or not, but you laugh anyway if only to avoid knowing why you should be worried about lizards and light bulbs.

“Sounds like a plan,” you second his idea. “Well, I guess I’ll see you later then?”

A surprising sense of joy lights his eyes at the sound of your hesitance, unfitting of the simplicity of the moment, but charming nonetheless. He grins—a wide and endearing sort of grin—as he takes a step back, “I won’t be gone long,” he promises before reminding you, “lock the door behind you, alright? And if you need anything-”

He pauses, patting the pockets of his jeans only to remember that he didn’t bring a phone with him to this universe—and that, even if he did, there likely wasn’t a wireless plan good enough to support multiversal travel.

“If you need anything, call 911.”

“Got it,” you laugh, watching as he stumbles backwards towards the stairwell, cheeks red with faint embarrassment.

Turning to go inside, you can’t ignore the warmth that now blooms in your chest.

You could definitely get used to having him around.

A peculiar sensation prickles at your skin, curling along your spine like icy fingertips.

Something was wrong. Very wrong.

The usually comfortable atmosphere of your apartment had shifted. An eerie tension fills the space, a near-suffocating feeling that has the very walls holding their breath, humming a tune of warning as you inch further into the living room.

Your stomach twists as the sharp tang of exhaust fumes fills your nostrils. By the couch, a faint breeze rustles the curtains of a window, wafting in the nauseating scent of the city street below—a window that hadn’t been open when you left earlier.

A mere foot or so away, you notice that the picture frame Parker had been fiddling with before is now lying on its face, having been knocked off the end table and abandoned. Atop the table, you notice that the lamp is sitting askew, its base just inches from tumbling over the edge and joining the frame.

Someone had come in through your window—and it didn’t appear as though stealth had been very important to them, given that they had clearly stumbled into the table upon their entrance.

Adrenaline floods your senses, your spine stiffening as you take a series of slow, quiet steps.

Moving towards the corner, you carefully reach out a hand to grab the metal bat propped against the wall. The bat had been an unlikely housewarming present from when you first moved in, given to you by Peter’s mentor and your own reluctant renegade, Tony Stark. For nearly two years now it had sat in this corner, unused and gathering dust—until now.

You wrap your fingers tightly around the base, wincing slightly as the rubber grip pulls at the still-healing flesh on your palm, making you curse yourself for not properly bandaging the wound last night.

But you’re used to pain—and so you’re easily able to bite back against it as you ease through the living room, checking for any sign of the intruder's presence.

As you walk, gripping the bat like your life depends on it, you can’t help but hear Tony Stark’s voice echo in your mind.

If you’re gonna live alone, then you should have some sort of protection—he had told you, gently placing the cool steel into your hands for the first time, a ribbon tied sloppily around it—not that you need it.

Satisfied with your search of the living room, you start easing towards the hall. You’re good at sneaking around, having had a lot of practice at it—every movement you make is calculated, every footfall so purposefully gentle that it’s nearly silent.

Quiet as you were, you could do nothing to ease the sound of your blood thrumming wildly in your own ears, your heart pounding against your chest.

The incessant beating worries you—because you know that there are people in the world with the unnatural ability to hear such things. Peter, even with his enhanced hearing, had to be close to someone in order to hear something as soft as their heartbeat; but you had heard rumors that there were others who could hear a pulse from miles away, others like the Devil of Hell’s Kitchen.

The thought makes your blood run cold, though you try to push the worries from your mind. From what you know, the Devil doesn’t have a habit of breaking into apartments, nor was Queen's his usual jurisdiction.

No—what you were dealing with had to be no more than an average burglar!

An average burglar who, somehow, scaled up the side of a building to break into your apartment…

Alright—you think, approaching the end of the hall—perhaps it’s a not-so-average burglar, then! Still better than the Devil.

Peeling one hand from the bat’s handle, you curl your fingers around the doorknob to the guest room, Parker’s room. You ease the door open slowly, trying to keep the old hinges from crying out as you peer into the space.

The sweet scent of vanilla is the first thing that hits you, contrasted by the subtle bite of vetiver.

Parker—the room smells of him, even though he had only been here for one night.

On the bed, the quilt is rumpled and thrown about, pillows strewn about. The doors of the armoire are wide open, a few old shirts hanging over the edge of one of the shelves, no doubt from when he went digging through your clothes in search of something to wear.

The room was messy, but empty.

Your shoulders sag, half-a-breath loosing from your lungs. The relief is short-lived, however; as by the time you edge back into the hall to turn towards your own door, you’re overwhelmed with dread.

If whoever broke in was still here, then this was the only place they could be—save for the bathroom, though you seriously doubt any burglar would have much interest in scouring through your toiletries…

Easily, gracefully, you twist the knob, the metal yielding quietly to your careful touch.

The curtains are tightly drawn, eradicating any trace of sunlight and leaving the room cloaked in shadows. But, even in the darkness, you’re able to see the rough outline of a figure sprawled out across your mattress.

For a split second, you think of Parker’s advice to call 911, the weight of your phone suddenly heavy in your back pocket.

You think of how you should follow that advice.

You think about how fast you could run—if you would be able to reach the front door before they could catch up to you.

But then you stop thinking, disregarding all logic and reason as you take a step into the room, as if drawn in by some invisible force.

Remaining mindful of your surroundings, you slowly approach the edge of the bed. Squinting in the darkness, you try to study the body laid out atop your comforter. Watching the steady rise-and-fall of their chest, it suddenly hits you that, whoever they are, they’re asleep.

Slinking around the corner and coming to stand at your bedside, you’re finally close enough that you can see them in spite of the absence of light. Crimson and blue spandex clings tightly to their arms as they cling one of your pillows to their chest, and you feel your entire body sag with relief as you loosen your grip on the bat.

So this must be Peter 2.

The fabric of his mask is bunched up and resting along the bridge of his nose, which is somewhat smushed against the pillow he’s holding, no doubt leaving him to breathe in the scent of laundry detergent and your perfume.

Lower, you can make out the subtle contours of his jawline and the curve of soft, pink lips. Higher, you’re met with the impassive stare of then white lenses sewn into his mask.

The lenses shield his eyes from your view, and a curious feeling begins to tug at the furthest corners of your mind. Take it off—it seems to whisper, compelling you to move in closer, your shins pressing against the side of the mattress—take it off.

You grit your teeth and try to ignore the feeling, try to ignore the velvet-voice slithering through your mind; begging you to look at him, to touch him, to notice him, to-

Pain shoots along the side of your temple, likely in response to the sudden tightness in your jaw. It distracts you enough that you’re able to shake the strange feeling long enough to regain your focus—even if the remnants of it still linger.

You shouldn’t be interested in him—you should be pissed at him.

Not only had he broken into your house, which was already bad enough, but he had also climbed into your bed and made himself cozy! The absolute gall, the audacity he must have, has you allowing the tiniest sliver of rage to ignite inside of you.

Both hands still gripping the bat, you lower it from where it rests against your shoulder to swiftly jab its head into his stomach.

A cough sputters past his lips as the impact pushes the air from his lungs.

You’re actually shocked that you landed the blow—in truth, you had expected his spider-sense to kick in and detect the incoming hit, waking him with just enough time to dodge the shot. But, apparently, his instincts had made the mistake of assuming that you were of no threat to him.

“Morning sunshine,” you chime, your feigned cheerfulness set off by a sneer.

He’s scrambling into an upright position, knees sinking into the mattress as he presses a hand against the sore spot you’d created on his stomach. “What the fu-”

His voice is hoarse—from sleep or pain, you’re not sure—and he doesn’t finish the curse spewing from his mouth once his head shoots up towards you, as if finally registering the sound of your voice.

“I don’t know what things are like in your world,” you muse, swinging your bat back to rest against your shoulder, “but in this one, breaking and entering is considered a crime.”

He’s still catching his breath, and while those damn white lenses covering his eyes give so little emotion away, you assume that he’s going to apologize. It’s what Peter would do, and Parker, too.

But not him.

“Your friends said I could stay here,” he defends himself. Taking another deep breath and extinguishing the burning in his lungs, the lower-half of his face transforms into a defiant smirk. “It’s not breaking and entering if you were invited.”

“And did they tell you to sleep in my bed, too?” You shoot back, brows rising in annoyance. “Word of advice: next time you’re invited to stay in a total stranger’s house, maybe try not to repay their kindness by crawling through their window.”

He mocks you without missing a beat, “Word of advice: you live in a shitty neighborhood—if you don’t want people coming through your windows, you should try locking them.”

“Ah, right! Cause the average person is definitely willing to scale the side of a building for the prospect of an unlocked window!”

“You’re a pretty girl in a dangerous city,” he drones, lifting a shoulder as he meets your sarcasm with purposeful calm. “You’d be surprised what people would be willing to do for a chance at getting you alone.”

The insinuation sends a shiver down your spine, but you mask your unease, flashing a smile that’s more predatory than sweet. “Aw,” you coo, “so you think I’m pretty?”

He returns the expression, skillfully avoiding your derisive question. “I think you’re irresponsible—and a little cocky.”

“Better to be cocky than a felon,” you remark. “Just spare my neighbors the acrobatics show next time, would you? Maybe try knocking on the door like a normal person! Preferably when you’re not dressed like… that.”

It’s not that his suit wasn’t nice, because it was. But it lacks the advanced Stark-tech that makes Peter’s suit so uniquely sleek, meaning that it was likely safe to assume that no one in this world would mistake this boy for the real Spider-Man.

Unless they were to catch him scaling up the side of your building…

“I tried knocking.” he sounds exasperated, as if you are testing his patience. “You weren’t home.”

You snort a laugh, wondering if he truly believes that is all the reason he needs to break into someone's home.

“Then you should’ve waited until I got home,”

“I hadn’t slept in over twenty-four hours. I was too tired to wait.”

“Then you should’ve slept in the alleyway with the rest of the strays,” you hiss at him, fingers tightening around the bat as your frustration builds.

The sheer ferocity in your voice gives him pause, stunning him into silence.

Then the corner of his mouth begins to twitch upwards, lazily grinning at you as if he actually enjoys the verbal onslaught.

You can tell that he’s watching you through those white lenses, and his tongue darts over his bottom lip, you feel your breath catch in your throat. “Fine,” amusement dances in his tone as he raises his gloved hands, “fair enough.”

For a moment, no sound comes from your parted lips, leaving you to stand there gaping at him until you remember how to speak. “Fair enough?” You echo, shaking your head slightly. “That’s all you’ve got? No apology?”

He moves, forcing you to take a step back as he shoves his legs over the side of the bed and rises to his feet. He’s not as tall as Parker, but he still stands an inch or so higher than you, making it hard to not feel intimidated as he stares down at you, your own face staring back from the reflection of his lenses.

“Better not push your luck, Spitfire,”

He’s baiting you—he has to be! Using a stupid nickname to get under your skin, to try and prod further at your short temper. And it’s working—god, you hate how much it’s working!—because you find yourself contemplating putting his superhuman durability to the test by whacking him over the head with your bat.

“By the way,” he says before you have a chance to act on your intrusive thoughts, pointing at your hands, “you’re bleeding.”

As if his words switch a flip in your head, you’re suddenly aware of the acute throbbing in your palm. You loosen your grip on the bat, letting it clatter recklessly to the floor as you hold your hand out to examine it.

Unsurprisingly, the rubber handle managed to tear open the barely-healed cut on your palm, courtesy of your too-tight grip on it. You hiss through your teeth, watching as blood oozed from the cut, dripping down towards your wrist.

Slipping past you, the boy only half-manages to stifle his laugh. “You should probably take care of that.”

He’s already slipping out into the hall by the time you regain enough awareness to follow after him, gritting your teeth against the pain.

“And where do you think you’re going?”

“To the other room,” he calls over his shoulder. Once he’s standing in front of Parker’s door, he spins back around to face you, his snarky expression still in-tact. “Where I’m hoping you won’t follow me.”

Everything about him causes your blood to boil—his grating voice, his insolent attitude, his stupid soft lips.

“Would it kill you to be nice to me?” You exclaim, your voice strained with pain as you try to wrap your hand in the lower half of your shirt.

It takes no-time for blood to start seeping through the thin material, and you certainly don’t look intimidating like this—the lower half of your abdomen on display as you try to apply whatever pressure you can to the wound—but you don’t care.

“I don’t have to let you and Parker stay in my house—I’m doing it because I’m nice, alright? And, so far, you’ve been nothing but a dick!”

The thin fabric of his mask shifts, brows furrowing at the mention of Parker. Unlike Peter, however, he doesn’t bother commenting on the nickname. “Nice isn’t exactly the word I’d use to describe you. Especially since you’re the one calling me names.”

The levity in his tone makes you want to scream—what was his deal?!

You press harder against your bleeding palm, your breathing turning shallow. You’re not sure if it’s frustration or pain or what, but you feel like your head is spinning. “Look, I don’t know you, alright? But this? Isn’t gonna work,” you bark at him, chin lifted defiantly as you stare into his mask, unrelenting. “If you plan on staying in my house, then you’ll get your shit together—got it?”

His head tilts, curiously watching as you continue your frantic speech.

“No crawling in through my windows or sleeping in my bed or smarting shit off! And take off that stupid mask!” You huff, shaking your head. “Or, I don’t know, pull it down the rest of the way! Just do something because you look stupid like that!”

The words are spewing from your mouth like a torrential downpour, fueled by the rage swirling in your stomach and the throbbing in your hand and—

He laughs, a genuine laugh that isn’t born of derision, and you feel your racing thoughts slow to a halt. “You should work on your insults,” reaching for the nape of his neck, he tugs his mask off. “Because that was pathetic.”

It’s no longer just your thoughts that have slowed, but the entire world. Everything around you feels like it has come skidding to a stop—leaving you staring up at him like a dumbfounded idiot.

He’s beautiful—a commonality among Peter’s variants, it seems.

He’s smirking, an infuriatingly charming smirk that lets you know he has no intention of listening to your demands for him to silence his quick wit. But you’re not focusing on that—no, you’re focusing on the features that had been hidden from you this whole time; his dark hair, tousled from removing his mask, falls in a chaotic halo around his face, contrasting the vibrance of his eyes.

His eyes.

They leave you breathless, and you hate it. Colored with the deepest cerulean you’ve ever seen, his eyes feel like staring into the depths of a crystalline ocean. You can almost feel yourself getting swept up in their tides, feel them enveloping you in a feeling of familiarity, as if this wasn’t the first time you had been pulled into their ebbing waters.

“Have we–” your mouth has gone dry, your voice cracking. “Have we met before?”

It’s a ridiculous question, and you recognize that even as it’s spilling from your lips. You couldn’t have met him before—not when the two of you weren’t even from the same universe!

He seems to be thinking the same thing, and you’re already preparing to take the full force of whatever smartass comment he’s about to fling at you. “I’ve met you,” he says simply, taking you by surprise. Then he inclines his head towards your still-bleeding hand, “You should patch yourself up before you stain the carpet.”

You look down at your hand, at the hem of your shirt, soaked in blood.

“But just so I know,” you look back up, his body half-turned towards the door, his fingers resting against the knob, “if Peter and Parker are already taken, then who does that make me?”

You have to force yourself to take a breath. “What did I call you in your world?” He’s silent for a moment, staring at the floor and chewing on his lip. Then, pushing the door to Parker’s room—their room—open, he smiles.

“Pete.”

a/n - ayyy, pete's finally here! and, ofc, lots of other little important details sprinkled around as well.

also, i really wanna say thank you to everyone who has been reading and enjoying this story so far! it truly means the world to me to read all of the nice comments and to know that you guys are interested in this story! so, again, thank you 💖 as always, please comment/like/reblog and let me know if you wanna be added to the taglist!

part four, titled "blooms of subterfuge", to be released april 29th

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