#this screenshot will be VERY useful

[cuubism]

dream: *expresses one genuine desire for himself in a fanfic*

fandom:

[snekky-arts]

oops i did it again~

still can't sleep so i'm making it into a series for the whole of HTTYD1

i need to practice water more. and rock

1 - 2 - 3 - 4 - 5 - 6

[spicyvampire]

AFFAIR (2024) EP. 6

[choccy-milky]

part 3 to my modern AU 💞🍺 (part 1 / part 2)

[accirax]

(Whit did, in fact, gaf, but he wasn't about to let anyone know that.)

[haunted-xander]

Pixie princess*⁠.⁠✧

I think Ryne would become one of the pixie's favorite humans

[aq2003]

has anyone gotten the idea that odysseus' storyline in hades 2 is a depiction/exploration of trauma over his SA and how he's blaming himself for things that were out of his control? because that's the impression i'm getting from what i've seen. he talks about "goddesses" as his "greatest weakness" and that "he's not one to say no to them"...

when mel invites him to the bath, he brings up mortals having different standards for intimacy than gods and how it usually has a more romantic/sexual connotation. she then asks if he's uncomfortable and he has a startled reaction and brings up circe and calypso again (but never actually by name)

(this isn't ship/romance bait btw. odysseus knew mel as a kid and they're stated in-game to have a sibling/uncle-niece relationship)

also he grew apart from penelope after his return, but the game makes a point of showing that his love for penelope and telemachus is what drove him on at all so that element of his character isn't brought into question

[cursedthing]

.doodled an ivory,,

[lovexmemonster]

Irumeanie in the PASWG style !!

[asterixer]

[leavemetoplaythesims]

camilla and alec for my life and death gameplay save <3

[veryberrybad]

wanted to try my hand at a vintage vox design! i was REALLY inspired by 2013 baby vox and his black and white screen (and by vox in @mothballmilkshake ‘s Competing Frequencies, just write that fic on my tombstone at this point)

so here’s vox in his debut!! an upstart who’s a bit less confident but a bit more passionate

and more orange!

i wonder where the orange went

base lineart of the sketches !

[secriden]

I thought I was done talking about Style in THK's episode 2, but jokes on me, no I'm not.

I keep thinking about Style and Bison's first interaction and how pure and sweet it was. In the middle of the mess that is this 4-way whirlwind of lies and deception, it felt like a refreshingly honest conversation between two people who are only accidentally lying to each other.

Style seems incredibly earnest when he tells Bison that Fadel is "down bad" for him. It doesn't feel like Style is 'wingmanning' Kant here; or if he is, it isn't meant to be malicious or to mislead Bison. It feels like someone being friendly with his bff's crush and hoping that they can get along because he thinks this one's going to stick around.

Similarly, when Bison tells Style to go for Fadel for real, it feels very honest and earnest. Setting aside whatever games Bison is playing with Kant, Bison seems to genuinely want someone for his big brother, and not just so he can date who he wants or as a distraction.

It's also interesting how Style's protest is that he can't see himself actually gaining feelings for Fadel because in a way there's nothing to recommend Fadel to Style at this point. As far as Style is concerned, Fadel is arrogant and condescending, rude and ungrateful (after all, he did replace a bunch of parts in Fadel's car for free), a stick in the mud about his brother dating, and can't seem to take a joke.

We see the polite, pleasant and reasonable Fadel, but Style doesn't.

Which is why I've been obsessing over Style's expressions immediately after the conversation with Bison. Bison's parting insight is "He's rough on the outside, and on the inside," and I think he accidentally piqued Style's curiosity with that line. Because why does Bison still want his brother to have a "real" relationship, then? What makes Fadel worth loving, despite (what Style thinks is) nothing to recommend him?

Ugh I wish I knew how to make gifs because Dunk goes through a whole sequence of expressions here that suggests a shift happens in the way he's thinking of Fadel. There's a pensive and thoughtful look and then almost like, "Oh what the hell, might as well see where this goes" kind of amusement at the end. And I think the reason he has this shift is because he's realised that Bison clearly loves his brother and that must mean that there's more to Fadel then his initial impression of the man.

It's interesting that his next attempt at messing with Fadel actually invites Fadel to play along with it. It's so much tamer and more private than the previous attempts because he isn't actively trying to humiliate Fadel this time. And it works?? Fadel engages in the roleplay, indulges Style's ridiculousness, actually chops faster (whilst the most hysterical series of minute expressions play over Fadel's face <3). Perhaps this was Style testing the waters: can Fadel engage with something playful and not take everything way too seriously? Huh, turns out, he can!

The next time Style shows up around Fadel, he's circled back to that playful over-the-top flirting that characterised the garage scene. This is the first time in this episode that Style is actually flirting. Every other time was just to frustrate/humiliate Fadel but notice how he's actively trying to look attractive to Fadel now? He's putting all his best (ahem) assets on display, and poor Fadel has no real protection against this. And, oh, Style is loving this! He's gleefully lapping up every single time Fadel fails to completely hide that he's affected by him.

This, though. THIS precisely is the point I think Style decides that he really does want Fadel for himself. There's so much playing out over Style's face: the determination to push things further, the delighted surprise to see Fadel so rattled, the razor sharp focus, and then desire. Style has finally broken through Fadel's "roughness" and he loves it.

If that uncle hadn't walked in, I'm convinced Fadel would have let Style do anything he wanted, and I think Style knew that.

It's the first time Style immediately chases after Fadel when he walks away from him, and he's absolutely delighted when Fadel all but chokes him against the lockers because that means he still has Fadel within reach.

The whole conversation about "love at first sight" is breathtaking because it feels like Style is discovering what's going to make Fadel crack as he says it and realising just how much he wants this. And no, I don't think he's in love with Fadel yet (not by a LONG shot), but I think he realises that he wants Fadel to fall in love with him. This is such a shift from what he expressed in the diner to Bison. In the diner, there was no hope, no chance for this.

The kisses catch Style by surprise too: you can see that he's just reacting, pushing to see where Fadel will finally draw the line. Because Fadel kisses back in the first kiss and actually fails to push Style away for quite some time in the 2nd kiss (the camera purposely lingers on the way Fadel's hands hover over Style's waist without shoving him back). The third kiss is the point Fadel finally starts fighting, and in the immidate aftermath you can see Style watching so carefully again. And Fadel nearly kisses him again, you see the way Fadel's eyes drop to Style's lips, the way they both freeze and linger in the moment for that one second. The way Style registers that moment and it leaves Style shaken himself.

It's so interesting that this is how we leave Style in this episode (we only see Fadel's fantasy version of Style after this point). I've got two possible interpretations for this line:

Style possibly catches on that Fadel is more dangerous than he seems. Maybe just from vibes, maybe from something in the way Fadel threatened him that kicks off some kind of fearful instinct. This could be what makes Style start questioning if Kant told him the full story and lead to whatever scene it is where Style demands answers in the episode 3 preview.

Alternatively, perhaps Fadel is starting to become real to Style in ways he wasn't before. Fadel was almost a caricature of a man, one which Style didn't like very much before, and that made it easier to fool around with him. But this? This almost tortured man who clearly wants Style but can't seem to give into that desire? Something is going on and Style isn't sure it's worth the game to either of them anymore. Because maybe Style recognises that he's more affected than he should be. And that has implications that Style was not ready for.

[callsign-coolsquirrel]

The General's Daughter

@g-backto505

[lunian]

Thats it

I dont play this game seriously anymore😔

When you are full on armored, ready to fight an army and gods, covered in blood of the enemies and then theres your wizard boyfriend taking all sl*tty work on himself

[dandelion-roots]

[ID: a digital redraw of the scene where chuuya shoots dazai in the shoulder. on the top of the drawing is chuuya holding a guy to dazai's head in the red and grey hallways of the prison. on the bottom of the drawing is dazai's pained face. the gunshot is shown stylistically as hectic lines behind his bloody shoulder. over the image is half a quote from goncharov that reads 'if we really were in love you wouldn't have missed.' the signature says dandelion-roots. end ID]

This quote from Goncharov (1973) in relation to soukoku has been haunting me from before I even got to that scene in the anime (the full thing is: Katya- Of course we're in love, that's why I tried to shoot you/ Goncharov- If we really were in love you wouldn't have missed). Violence as a tool for communicating emotions, especially love and hatred, especially love and hatred makes me go feral- how could I not think of the iconic quote that says that katya's miss was a sign of a lack of love/a fake love when chuuya didn't miss? Just... losing it over here.