#this scene destroyed me on first watch

[mikimeiko]

Arcane | 2x09. The Dirt Under Your Nails

[hothammies]

i don't know if any show will ever gag me as hard as jaw's delivery in this scene or the al-anon monologue did

[theimpossiblescheme]

Staging concept: Ophelia carries around a book that she uses to press different flowers and plants. At one point we see her actually pressing one of the flowers Hamlet's given her before, and we get the impression that she wouldn't part with this book for the world. During the "Get thee to a nunnery" scene, Hamlet rips the book out of her hands, and she goes diving after it to make sure he didn't damage it. And during her final "mad scene", she starts tearing out the relevant pages (rosemary, pansies, fennel, columbines, etc.) to give to everyone present. Laertes is the only one to get the significance of his sister giving away parts of her prized possession, and it adds an extra layer to his grief.

[smuggsy]

i just watched all of us strangers and um, that shit hits hard

[cerealbishh]

"Maria and Rhett knew each other way back when, they went to high school together. (...)Yeah, I think the spark is immediate because I think they maybe, secretly, always wanted to be together."

"I think that it's one of those relationships that never happened and never was but it was almost. And, I think, spending so much time apart, one can tend to fantasize what could be. (...) All of that ease of them seeing each other again is right there and it's almost as if they never left each other's side." - Isa and Lew on Maria and Rhett in an interview with Down and Nerdy(x)

"I also love that I get to tell a story about love in this really crazy, scary world(...) and we really want to root for them!" - Isa in an interview with SciFi Vision(x)

[todayisafridaynight]

whatever og text i had in mind for this post about ko shibasaki looking like sayama in this movie is completely cancelled on account of utsumi (this character)'s first name being kaoru and i only found this out cause i was looking up her name just to be sure when making this post

like jesus christ i legally have to make this post now

[acourtofquestions]

Rowaelin Chapter 41 Kingdom of Ash:

She'd rebuild it—what she had been.

Perhaps one last time, perhaps only for a little while, but she'd do it. If only for Terrasen.

Rowan swooped from the mast, shifting as he reached her side at the rail. He surveyed the night-black sea beyond them. "You should rest." She slid him a glance. "I'm not tired." Not a lie, not in some regards. "Want to spar?" He frowned. "Training can start tomorrow."

"Or tonight." She held his piercing stare, matched his dominance with her own.

"It can wait a few hours, Aelin."

"Every day counts." Against Erawan, even a day of training would count.

Rowan's jaw tightened. "True," he said at last. "But it can still wait. There are ... there are things we need to discuss." The silent words rose in his animal-bright eyes. About you and me.

Her mouth went dry. But Aelin nodded In silence, they strode into their spacious quarters, its only decoration the wall of windows that overlooked the churning sea behind them. A far cry from a queen's chamber, or any she might have purchased as Adarlan's assassin.

At least the bed built into the wall looked clean enough, the sheets crisp and stainless. But Aelin headed for the oak desk anchored to the floor, and leaned against it while Rowan shut the door.

In the dim lantern light, they stared at each other.

She'd endured Maeve and Cairn; she'd endured Endovier and countless other horrors and losses. She could have this conversation with him. The first step toward rebuilding herself.

Aelin knew Rowan could hear her thundering heart as the space between them went taut. She swallowed once. "Elide and Lorcan told you... told you everything that was said on that beach."

A curt nod, wariness flooding his eyes. "Everything that Maeve said." Another nod.

She braced herself. "That I'm-we're mates."

Understanding and something like relief replaced that wariness. "Yes."

"I'm your mate," she said, needing to voice it. "And you are mine."

Rowan crossed the room, but halted a few feet from the desk on which she leaned. "What of it, Aelin?" His question was low, rough.

"Don't you..." She scrubbed at her face. "You know what she did to you, to ..." She couldn't say her name. Lyria. "Because of it."

"I do know."

"And?"

"And what do you wish me to say?"

She pushed off the desk. "I wish you to tell me how you feel about it. If…"

"If what?"

"If you wish it wasn't so."

His brows narrowed. "Why would I ever wish that?"

She shook her head, unable to answer, and stared over her shoulder toward the sea.

It seemed like he would close the distance between them, but he remained where he was.

"Aelin." His voice turned hoarse. "Aelin."

She looked at him then, at the pain in his words.

"Do you know what I wish?" He exposed his palms, one tattooed, the other unmarked. "I wish that you had told me. When you realized it. I wish you had told me then."

She swallowed against the ache in her throat. "I didn't want to hurt you."

"Why would it ever hurt me to know the truth that was already in my heart? The truth I hoped for?"

"I didn't understand it. I didn't understand how it was possible. I thought maybe ... maybe you might be able to have two mates within a lifetime, but even then, I just ….." She blew out a breath. "I didn't want you to be distressed." His eyes softened. "Do I regret that Lyria was dragged into this, that the cost of Maeve's game was her life, and the life of the child we might have had? Yes. I regret that, and I wish it had never happened." He would bear the tattoo to remember it for the rest of his days. "But none of that was your fault. I will always carry some of the burden of it, always know I chose to leave her for war and glory, and that I played right into Maeve's hands."

"Maeve wanted to ensnare you to get to me, though."

"Then it is her choice, not yours."

Aelin ran a hand over the worn wood of the desk. "In those illusions she spun for me, she showed me variations on one more than all the others." The words were strained, but she forced them out. Forced herself to look at him. "She spun me one dreamscape that felt so real I could smell the wind off the Staghorns."

"What did she show you?" A breathless question.

Aelin had to swallow before she could answer. "She showed me what might have been—if there had been no Erawan, if Elena had dealt with him properly and banished him. If there had been no Lyria, none of that pain or despair you endured. She showed me Terrasen as it would have been today, with my father as king, and my childhood happy, and..." Her lips wobbled. "When I turned twenty, you came with a delegation of Fae to Terrasen, to make amends for the rift between my mother and Maeve. And you and I took one look at each other in my father's throne room, and we knew."

She didn't fight the stinging in her eyes. "I wanted to believe that was the true world. That this was the nightmare from which I'd awaken. I wanted to believe that there was a place where you and I had never known this suffering and loss, where we'd take one look at each other and know we were mates. Maeve told me she could make it so. If I gave her the keys, she'd make it all possible." She wiped at her cheek, at the tear that escaped down it. "She spun me realities where you were dead, where you'd been killed by Erawan and only in handing over the keys to her would I be able to avenge you. But those realities made me ... I stopped being useful to her when she told me you were gone. She couldn't get me to talk, to think. Yet in the ones where you and I met, where things were as they should have been ... that was when I came the closest."

His swallow was audible. "What stopped you?"

She wiped at her face again. "The male I fell in love with was you. It was you, who knew pain as I did, and who walked with me through it, back to the light. Maeve didn't understand that. That even if she could create that perfect world, it wouldn't be you with me. And I'd never trade that, trade this. Not for anything." He extended his hand. An offer and invitation.

Aelin laid hers atop his, and his callused fingers squeezed gently. "I wanted it to be you," he breathed, closing his eyes. "For months and months, even in Wendlyn, I wondered why you weren't my mate instead. It tore me up, wondering it, but I still did." He opened his eyes, and they burned like green fire. "All this time, I wanted it to be you."

She lowered her gaze, but he hooked a thumb and forefinger around her chin and lifted her face.

"I know you are tired, Fireheart. I know that the burden on your shoulders is more than anyone should endure." He took their joined hands and laid them on his heart. "But we'll face this together. Erawan, the Lock, all of it.

"We'll face it together. And when we are done, when you Settle, we will have a thousand years together. Longer."

A small sound came out of her. "Elena said the Lock requires—"

"We'll face it together," he swore again.

"And if the cost of it truly is you, then we'll pay it together. As one soul in two bodies.

Her heart strained to the point of cleaving. "Terrasen needs a king."

"I have no intention of ruling Terrasen without you. Aedion can have the job."

She scanned his face. He meant every word He brushed the hair from her face, his other hand still clasping hers to his chest, where his heart pounded a steady, unfaltering rhythm.

"Even if I had my choice of any dream-realities, any perfect illusions, I would still choose you, too."

She felt the truth of his words echo into the unbreakable thing that bound their very souls, and tilted her face up toward his. But he made no move beyond it.

She frowned. "Why aren't you kissing me?"

"I thought you might want to be asked first."

"That never stopped you before."

"This first time, I wanted to make sure you were ... ready." After Cairn and Maeve. After months of having no choices whatsoever.

She smiled despite that truth. "I'm ready to be kissed again, Prince."

He let out a dark chuckle and muttered, "Thank the gods," before he lowered his mouth to hers.

"You're my mate." Her words were a breathless rush. "And I am yours."

The world might have been burning around them for all she cared, all he cared, too.

"Together, Aelin," he promised, and she heard the rest of the words in every place their bodies joined. Together they would face this, together they would find a way.

Together we'll find a way, their mingling breaths, the crashing sea, seemed to echo.

Together.

[punchydraws]

"It didn't make sense! NONE OF THIS MAKES SENSE!"

[greenmenace]

DAVID CARAVAGGIO I OFFER YOU MY HEART AND SOUL AND ENTIRE BEING

[rearranging-deck-chairs]

rewatching 13s era for me is not so much diminishing returns as it is something opposite and eviler...............increasing losses? increasing losses

[wutheringmights]

On my quest of watching LOGH, I have finished episode 82 today, and have boo-ed my little hoo out all day. ;_; Thank you again for the recommendation!

You're already in 82??? Christ, it took me forever to watch all of LOGH and here you are powering through

Anyway, sorry that I introduced you to a guy only for that guy to make you suffer. Doesn't just thinking about him make you insane? Don't you want to chew your arm off? Don't you just want to go a little crazy???

[cosmorom]

they really made him say "and for the first time i had the impression that we wouldn't have been just friends, but something more." in the italian sub. i know the context of the sentence but-

[bronzetomatoes]

bobby nash....... bobby nash...

[lovieku]

ORDINARY THINGS ⋆ 정국

𐙚 ordinary things, as long as i’m with you.

after a lost match, jeongguk’s only source of comfort is you.

from the grande series ୨ৎ

pairings: soccer captain!jk x fem!reader

genre: fluff, established relationship

warnings: lower case intended, i wanna say that i know very little about soccer, even more about what goes on behind the scenes, but of course i had to put jeongguk in bellingham’s iconic holey socks hehe 😻, it’s a bit angsty at first just bc ggukkie is an angsty boy, but then all of it is just fluff really! hints at mental illness, heavy use of the pet name baby, they’re so funny i love them, theyre also horny! only mentions of sex tho, and sexy kisses and touches keke

word count: 6990

a/n: waaa omg i managed to keep this under 10k words who’s proud of me! this is so slow but im in love w their domestic dynamic 🙁

────୨ৎ────

the piercing whistle cuts through the air.

it marks the official end of the match, sealing the loss of your boyfriend’s team. the sound feels sharp, final, not only to the game.

you knew this was fairly important. it wasn’t too decisive on the team’s position in the ranking, but you knew it mattered to him. like every other game, regardless of stakes.

whether it was a friendly or a tournament, jeongguk had no other mode but all in.

that dedication shows in every tense line of his body now. the weight of defeat begins to sink in, and you can see it on his face, the way it affects him.

you can already sense what’s swirling around in his mind, behind the quiet exterior. you’re sure of it from how he still stands there, avoids his surroundings, keeps his eyes glued to the ground, the green field suddenly more captivating.

you don’t need words to know. he’s retreating inward, locking away his disappointment, and likely taking on more than just the burden of his own loss.

he’s probably thinking of his teammates, feeling like he let them down too. allowing it all to crash on him, the single outcome of this match unraveling everything he worked hard for.

his confidence shatters with the referee’s whistle, and it shuts down the noise of the crowd, makes him unresponsive to the comforting pats on his back from his friends. it’s all a distant hum to him now.

jeongguk is deliberately slow as he almost mechanically leads his exhausted self out the pitch, body moving without his mind’s consent.

he doesn’t care if it’ll take him forever to take these steps. if he’s the last one leaving. he just needs a moment to figure out his next move.

but can he? can he face his team without this ugly feeling gnawing at him? can he keep lying, tell them they did well, that they’ll do better next time, while his own mask suffocates him? is he even deserving of the captain title?

he doubts it, his legs moving as if the world has time to offer him, body struggling under the weight of a lifeless feeling creeping in.

your heart clenches painfully. from the sidelines, watching him like this breaks something in you.

you grip the hem of your tennis skirt, fingers twitching as you fight the crazed urge rising in your throat to just run to him.

it’s hard to find your breaths when witnessing your boyfriend destroying himself as if that’s the only treatment he thinks he’s deserving of. but you also know the last thing you want to do right now is to draw more attention to him when he’s so raw, vulnerable. when every eye in the stadium strips him bare.

and you just want to put his every piece back, cover him in warmth. your mind is made up when you abruptly stand up, hastily making your way toward the locker room before he can get there, offering polite smiles to the players who are already getting inside.

you settle outside the door, waiting.

jeongguk drags behind the others, eyes still casted down. he’s so absorbed in his escape, so lost in the act of avoidance, that you’re certain he won’t notice you, with your beating heart held out to him in your cold hands.

yet, he does find some sort of answer in the ground he keeps staring at, asking for solutions.

amidst the worn, muddied football boots, he spots your shoes. dr. martens platforms, the ones you pair with white socks that ruffle at the top.

the sight is enough to pull him out of his daze, and he looks up.

the door to the locker room closes behind the last player, the heavy thump echoing in the long hallway. it startles you, just as jeongguk’s sudden awareness startles him, and you search for some sort of stability in each other’s eyes.

his own are glossy with unshed tears, and they glisten under the harsh fluorescent light. it doesn’t help the way his vision gets blurrier and pulls you farther from him.

but he needs to see you— the comfort in your face, the one that he feels as though he can’t breathe without.

jeongguk squeezes his eyes shut, the tears slipping free, but the moment he flutters his eyelids open and meets you clearly, he doesn’t care.

his wide, tear-filled gaze takes you in. brows drawn up, your expression seems to mirror his. you’ve always absorbed people’s emotions to an almost extreme degree. when others cry, so do you. and when jeongguk cries, it feels like the whole world is falling apart.

but you can’t afford that happening, and you’ll hold its full weight on your shoulders to prevent such thing.

this time, you need to be stronger for him. swallowing the lump rising in your throat, you blink back your own tears and take a hesitant step toward him.

jeongguk, so much taller than you, seems to shrink before your eyes. right now, he’s the smallest, most fragile boy.

“baby,” your voice is a soft whisper, arms stretching open in a subtle invitation, one that he doesn’t need to be asked twice.

the moment you speak and break the quiet, the dam he’s been holding up crumbles. he crashes into you, hands wrapping tightly around your waist, his nose buried in the crook of your neck.

the impact makes you stumble slightly, but you hold him just as tight in return, focusing on his sharp breaths against your skin, wet with his tears, body trembling in your embrace.

your arms wrapped around his neck, you squeeze him hard, as if he’s a sponge that you’re trying to empty from all the dirty liquid. all the exhaustion, the anxiety, the guilt.

with the way he downright drops his full weight on you, you guide him to sit on the bench just outside the locker room. he slumps beside you, heavy and limp against you, seeking your warmth and comfort the way an addict seeks for the drug that’s able to keep them going.

you sit like that for a while, and you think it’s better this way. he has time to let it out against your chest, and you have the time that you need to compose yourself before you’re met with the full extent of his brokenness.

the second you see his tear stricken face, you think all of the effort was useless. you’re so, so weak.

jeongguk hiccups, lifts his face, his wide eyes flitting between yours like one would follow a tennis match at his peak point, searching for something, the smallest indicator of victory.

the tears make his cheeks red, and it adds to the frantic pleading he trips on, “b—baby, please. i don’t— i’m tired. wanna— home—“

“hey, gguk. ggukie, breathe,” you’re gentle when you cut him off, taking his face between your small palms to try and steady his panic, and mostly yourself. you’re fighting hard to not break too, to try and be the anchor he needs.

you take exaggerated deep breaths, hoping he’ll mirror you, and after a few moments his chest rises and falls in sync with yours, warm breath fanning over your lips.

imperceptibly, you feel his panic begin to ebb. his brows relax and his eyelids blink slower, regaining consciousness of his surroundings.

his hands reach up, covering yours as they rest at his jaw, squeezing them, and he exhales shakily, still not fully over his agitation, “i’m sorry. i wanna go home. i don’t— don’t wanna do interviews, don’t wanna see anyone. don’t wanna talk to coach. i just wanna be with you, please.”

his speech is hushed, pleading, his words slurred as if afraid you’re going to stop him, force him to go through the motions of what’s expected of him before he can beg further.

you brush his cheek with your thumb in a slow motion, moving him closer to you, your voice as careful as possible, “but, jeongguk… we can’t disappear without at least telling the others. coach will want you to answer—“

“please, love. please,” he cuts you, words trembling, “don’t make me go through this. i’m too weak now. i can’t.”

you’ve never seen jeongguk like this before.

it’s been over two years since he asked you to be his girlfriend. that night, he scored a goal for you. you knew it the moment the ball hit the net.

even with his teammates swarming him in celebration, his eyes searched for yours, locking on the moment he found you in the stands.

wrapped in your wool scarf, your face almost fully hidden, the way your eyes turned into crescents and your cheekbones so prominent was unmistakable.

the smile that you shared was sheepish, but brimming with meaning. carrying all those emotions you had both been tiptoeing around for so long.

for a while, your feelings had been caught in a slow dance, never fully picking up, but nonetheless comfortable with the motion.

jeongguk always found a reason to have you near, inviting you to practices and matches, because only your presence could give him the strength needed. and you always found a reason to show up.

even more when you easily fell into the routine that followed every encounter, evenings spent at your apartment, on your couch.

it was a schedule you soon came to love, with him making you laugh, an arm draped over your shoulder, your leg casually resting across his lap. the movies you would put on would quickly become background noise as his playful jokes turned into shared glances, quiet giggles, and stolen kisses.

kisses that felt like the ones teenagers share when they’re crushing on someone for the very first time.

kisses that didn’t evolve into anything more until that night, when he scored for you. it was unashamedly sweet, the feeling he gave you.

back at his flat, his face lit up with a grin so big it was infectious. the rush of adrenaline from winning the game and the joy of finally making you his girlfriend radiated from him.

it’s a stark contrast to his expression, now. it’s drawn with helplessness, clouded with a desperation that makes you ache.

he looks tired of fighting, of holding it all together. and it’s not just that— there’s a deep yearning, a frantic search, a needy plea to be understood, to be seen by you.

there’s nothing that truly comes more innately to you. it’s second nature, caring for him. knowing him. looking after him. tending to his physical and emotional scars. and you don’t want him to scrape his skin further.

you try to reason, “what— what about your things, don’t you at least want to—“

“i’ll ask taehyung to take my bag with him or something,” for the state he’s currently in, he still looks willing to do anything if it means getting out of here. and so, he begs again, “please. can we go home?”

you know you can’t say no to him. that’s not something that comes as good to you. not in your nature.

“this is not the way to your house.”

still in his soccer jersey, the uniform’s shorts touching his knees and holey socks high up his calves, muddy boots hurting his feet, jeongguk sits quietly next to you in the backseat of his car.

his chauffeur drives steadily, away from the hurt, and each mile puts more distance between jeongguk and the weight of the loss, the field, the pressure. he feels himself leave fragments of disappointment behind, back there.

it’s been a long time since it was just the two of you in his car. jeongguk would be the one driving, his left hand steady on the wheel, the right one always reaching for yours, a quiet confirmation of his love.

now, someone else takes care of the driving, especially after games, or in moments like these when jeongguk’s mind and body are too exhausted to handle anything more.

ever since the goal that changed everything between you two, jeongguk’s life took off. a big team recognized his potential and signed him, a moment that marked his breakthrough as pro in the football world.

then, it became a whirlwind. constant games, media attention, opportunities flooding in, and money pouring from every direction.

he bought a house — a mansion, really, — just outside the city, the kind of place he dreamed of as a small kid with big ambitions. everything about it is luxurious, grand, all jeongguk thought he wanted.

but there’s been something left behind, back in the quieter days when he was just a young player fighting for his place on this planet.

you met him before the fame, before his name was on the backs of jerseys and his face on billboards. you fell in love with the boyish version of him, the one who lived in a cramped flat, working tirelessly to make a name for himself.

you’ve been there through every step, enough to recognize the struggle in his eyes.

you so easily catch that flicker of awareness in him. the jolting confirmation that all of this is real, his orbs trembling. and when it hits, he retreats into himself, lets anxiety creep in.

he may not voice it, but you know the root of it. the fear of losing himself, of becoming someone else, of forgetting the version of him that’s grounded in simplicity and love.

jeongguk fears intertwining himself with what he always wanted will inevitably erase what he’s always been, the son of hardworking parents in busan, raised on sacrifice and dreams.

what he always had with you. quiet, uncomplicated. happy with the ordinary things, eating ramen on the floor of his tiny apartment, driving around just to talk about anything and nothing, reading quietly next to each other in the cafè you’ve introduced him to, your presence a comfort to him long before he realized he loved you as more than a friend.

jeongguk wants to hold onto that simplicity, and he wants you to be part of that. he wants you to stay by his side, to be the reminder of who he is beneath all the noise. what he wants to keep being.

because you’re his constant, unwavering, never changing. you’ve never needed him to be more than who he already is. you never look at him with the kind of judgment or disappointment that seems to follow him after every missed opportunity. there’s no pressure, no expectations of success.

in your eyes, he is just jeongguk— the same boy that approached you with a bad pun only to clumsily blame it on his drink. the one you built a familiar rhythm with, ordinariness always just enough for you. for the two of you, together.

you don’t need mansions, fancy restaurants, designer clothes. you don’t need grandeur. you’ll stay the way it’s always been, and the way you both want it to stay.

he quickly scans your face, letting your words register. your brows are furrowed slightly, pouty lips parted as if you’re about to tell the driver that he’s going the wrong way, headed somewhere other than the house he now calls home.

before you can speak, jeongguk interrupts you, his voice soft and suddenly self aware, “oh, i— sorry, i gave directions to your apartment. i just really wanted to be there with you.”

you blink at his fragile honesty. he had begged to be home, and now here you were, on the way to your own.

warmth spreads through you, and you can’t help but break into a big smile, one that eases the tension in his forehead, and mirrors softly in the grin that tugs at his pierced lips.

leaning in, you place a peck on his cheek, “it’s okay, baby. i’ve got so many of your clothes in my closet, there won’t be a problem.”

his low chuckle is comforting, and he scrunches his nose in that familiar way, shuffling closer to nuzzle into your shoulder. for a moment, the world outside fades. you’re hopeful as you think you can feel the weight on his heart lifting.

looking up, a teasing smile spreads across his face, “i wonder why.”

his playful shift surprises you, though you try not to show it. you want him to feel normal, like there’s nothing you should keep being sad over. your brows raise ever so slightly before you roll your eyes in mock exasperation, the fond amusement clear on your features.

it’s enough for jeongguk’s giggles to fill the car, an arm snaking around your waist, “it’s because you always steal my clothes.”

feigning shock, you gasp dramatically, swatting him lightly. he only laughs more, soft sounds bubbling up again, and you can feel love rushing through you, swarming frantically in your chest.

you play along with him, “no, it’s because you always leave your stuff behind after we— we…”

you trip on your words and pause when you realize what nearly slipped out, sheepishly averting your gaze to glance at the chauffeur, who seemingly looks too focused on the road to hear what you’re saying.

jeongguk’s eyes light up, his smile widening as his fingers teasingly pinch your sides, “after we what? say it, baby.”

you flinch at his ticklish touch, breaking into a grin and stubbornly shaking your head no. his laughter mingles with yours, bodies pressing tighter as he leans his weight into you, his nose brushing your jaw.

being this close to him, you inhale his scent. he still smells like adrenaline, mixed with exhaustion, sweat pearling his back. the feeling grounds you.

he hums lowly against your skin, his lips trailing wet pecks along your throat, “i miss doing that.”

your chuckle turns into a frenzied groan, and you steady yourself with your hands on his arm still squeezing around you, feeling your face heat up, “that was three days ago.”

”too long,” he mumbles, kisses slowly becoming more languid, savoring you.

when he pulls away from your neck, he doesn’t give you a moment to breathe before his lips find yours. the kiss is simple, sweet, but you can feel each beat of his pulse against your mouth.

you break the contact first, your hand slipping into his damp hair, gently brushing the long strands out of his eyes. you think out loud, admiring his perfectly framed face, “you need to cut these.”

but jeongguk isn’t currently interested in haircuts. he ignores your suggestion, his focus entirely on you, and his whispered words hold a kind of raw vulnerability, “i missed you.”

you hum, threading through his locks, “missed you too, my boy.”

that’s all he needs to close the gap between you again. this time, his kiss is more intent, deeper, as if trying to communicate what words can’t. his hands pull you closer, your chest arching into him, and in between the wet sounds of your lips meeting he lets a moan escape him.

you’re quick to swallow it, your own quiet noises vibrating against him before you put distance once again, softly tugging at his hair and finding his eyes lovingly, “let’s get home first, yeah?”

but he protests, a childlike groan reverberating in his throat, eyelids fluttering shut as he basks in the feeling of you against his lips. he attacks your cheeks next, trailing down, and down, and down, kissing you through your shirt.

then, it’s his fingers touching you under it, hand traveling up and kneading your breasts through your bra, only to slide around to trace the curve of your spine.

the sudden contact is overwhelmingly pleasuring, head thrown back on the headrest as quiet whimpers leave you. jeongguk is as hungry as ever, seeking for proximity no matter your bodies already molding with one another, his teeth scraping against your most sensitive spots, almost digging, eating, tasting.

and you want to let go, allow him to give you every last thing he’s holding onto, be selfish and take it all for yourself.

but you can’t when you know this is just another one of his escapes. he’s using this moment to drown out the chaos in his mind, to run from his pain, to bury his burdens and get high on a dopamine rush.

“baby, wait—“ in between gasps, you manage to get your voice out, but its whisper doesn’t seem to reach jeongguk’s ears, his long digits boring holes in the flesh of your bare thighs, prickling with goosebumps at his feverish touch.

in your own daze, you carefully take a hold of his face in your palms, lifting him up from the devoting motion of his lips on the edge of your shoulder, and the look in his eyes is hazed, inhebriated on the the burning of your skin under him, but it’s tinged with desperation.

behind his orbs there’s no other thought but to chase you, his only refuge, and your sweet smile only aggravates his crazed desire, trying to catch your mouth with his before you open it to speak, “i don’t want us to do this while you— you’re still mentally fragile.”

your worry is laced with love, it’s clear from the way it spills out of you, seeps from your delicate touch on his cheeks. but jeongguk’s eyes still widen in shock and shame, orbs shaking with panic.

his brows furrow in an attempt to conceal his turbulent emotions, but the city lights continuously flashing through the car windows only accentuate the glistening under his eyelids. he stammers, “i— i’m not— i’m… please. don’t reject me.”

the plea is shaky, and it makes your pulse race with agitation, fingers grasping his jaw with more intent as you’re quicker on your words than your own thoughts, “oh, honey, i’m not. look at me, please,” the way he flickers his gaze down only makes more panic flood in your veins, and you frantically search for him.

you manage to sound stable, whispered words fanning over his lips, “i just want what’s best for you, okay? do you trust me?”

he seems to lean into your touch, looking up at you through his lashes, brows still betraying him with the way they’re drawn up in sorrow. he hums in agreement.

you smile reassuringly, “perfect. then, i’ll tell you what we’re gonna do, hm?” when he nods, you continue, brushing his hair back through your calm words, “we get to my flat. take a hot shower. i make us something warm to eat. and then, if you still want to, i’m all yours. in our bed. sound good?”

our bed. the flicker in your boyfriend’s face doesn’t go missed. it’s fond, it softens his eyes, and it rushes down to his lips, struggling not to break into a grin. he pouts to hide it, and you can see he’s still ashamed by his earlier rush, his response muffled, “okay. i love you. i’m sorry.”

you coo, pulling his head to rest on your chest, drawing comforting strokes along his damp back, “i love you more. you did nothing wrong, baby.”

the both of you stay like that for a while. his cheek is squished against your breasts, lips parting to release quiet huffs, and your soothing motions run down his arm.

the quiet moment is interrupted by jeongguk’s phone ringing once again, loud and persisent, for the nth time in less than half a hour. he doesn’t even glance at the device when declining the call, and you catch the name flashing before the screen goes black.

it’s his coach calling. you stay quiet as he shuts off his phone completely, tossing it onto the empty seat next to him.

only a few moments pass before he looks up at you, his expression hesitant, a timid smile trying to mask the uncertainty in his eyes. you return his gaze with quiet confidence, nodding subtly, letting him know that you’re here with him— no matter what.

right now, all that matters is that jeongguk feels safe in your arms. you don’t care about the consequences he might face tomorrow. you’ll be there for him, just as you are now, when he needs you the most.

the moment you both step in your apartment, shoes messily discarded at the entrance (you’ll make sure to take care of his boots later), he trails after you like a lost puppy. he becomes your shadow, mirroring your every step with big eyes and a natural pout.

“take your uniform off, baby,” you gently instruct him while letting the water run from the shower head, adjusting the temperature until it’s hot enough for the both of you.

he slumps over on the toilet lid, eyes never leaving you as you move around the bathroom. when he lets them travel down your figure, a low groan escapes him.

you look so good in your skirt, the high socks triggering a weird, primal instinct in him, stirring dark fantasies that have him wishing you’d let him take you right there on the sink.

but he knows better than to mess with the plan you set earlier in his car for the both of you to enjoy the night, so he only allows himself to play with you a little, “can you do it for me? i’m tired.”

he really does seem tired, the exhaustion visible from the way his hands tremble slightly and his eyelids drop, but the look only adds to the lazy smirk spreading on his pierced lips. he knows what he’s truly asking for.

you narrow your gaze at him only to roll your eyes when he doesn’t look like he’s going to surrender any soon, grin only widening, and you pull him up by the jersey.

he complies, brows wiggling in teasing disobedience, looking down at you from his taller stance, “woah, commanding. i like it.”

“shut up,” you only murmur as you hastily strip off his sweaty uniform, throwing it right in the laundry bin. you leave him in his high socks and boxers, smacking his round ass playfully, “take these off yourself, mister.”

he’s ready to protest, to demand your touch back on him, but you shoot him a look with your raised eyebrows, “ah-ah. c’mon, and get in the shower, i’ll bring your change.”

before he can respond, you leave the bathroom. he whines childishly, slipping off his underwear along with the uncomfortable socks, adding them to the pile in the basket under the sink. he yells over the sound of running water, “you’re coming too, right?”

“yes!” you quickly call out from the bedroom, voice raised to reach him over the distance.

you know how difficult your boyfriend can be— if he hasn’t come to drag you in yet, you’re at least hoping he’s taken off the rest of his clothes. you foolishly hope he’s already in the shower, though the chances are slim if he’s not completely sure you’ll be joining him.

that’s why you move fast, grabbing his change of clothes from the drawer where you keep all his left-behind things. in your rush, you take one of his oversized t-shirt and a pair of boxers for yourself, too.

when you return to the bathroom, you’re not surprised to find jeongguk standing in the middle of it, bare and waiting for you. his eyes light up when he sees you, taking the clothes from your hold and placing them on the counter, “i was about to come and get you.”

you scoff lightly, trying to fight the smile tugging at the corners of your mouth, but it’s no use. especially when he reaches out to pull you closer, fingers working at the zip of your skirt and sliding it off with ease, his own grin warm on his expression.

you gently push him toward the shower, pretending to scold him, “i can do this myself, thank you. now get in, silly.”

with a disappointed, and very adorable huff, he finally obeys, stepping under the hot steam of water. you can tell by the subtle way his shoulder relax that the heat soothes him, but the tension doesn’t completely ease from his muscles.

he tracks your movements attentively, taking in the way you strip yourself completely bare, and only when you step in the small cabin and close the sliding window door behind you he sighs in relief.

jeongguk engulfs you immediately, positioning you both directly under the cascade of water. it blurs your vision slightly, your bangs flattening on your forehead.

you push them out of the way, your hands then finding his own hair to slick it back, allowing you to see the fondness in his eyes clearly.

you look up at him through wet lashes, chin placed on his toned chest, and his own is dipped low to meet your gaze, take in the smile spreading and making your dimples show.

it grows bigger when he sheepishly scrunches his nose, the love seeping from your orbs suddenly overwhelming, and you press a gentle kiss to his adam’s apple before pulling yourself away, voice a whisper, “let me take care of you.”

jeongguk doesn’t argue, complying when you ask to hand you his shampoo. you’d originally bought it as a joke during one of your grocery runs together, picking it off the shelf with a laugh and pointing out the label— johnson’s baby shampoo, made with honey and wheat extracts, and on sale too. you’d exclaimed how it was so jeongguk, and he’d let you try it on him as soon as you got home.

the joke had stuck, and to your surprise, he ended up liking it more than you did. now, it was the only shampoo you used on him whenever he stayed at your place, a small tradition between the two of you.

as you work it into his damp hair, jeongguk’s eyelids flutter shut. he eases into your touch, body going loose as your fingers massage his scalp with the perfect amount of pressure, the kind that always seems to make him melt, the one that could immediately put him to sleep.

you wash it off and repeat the motion once more, taking your time. only when his hair is thoroughly cleaned do you reach for your vanilla body wash, moving on to carefully lather it over his skin.

tracing every line of his body, you watch the way he softens more with your touch, unconsciously swaying closer.

you’re slow, deliberate in your motions, letting your hands run over his shoulders, down his arms, across his chest. his skin is warm and slick under your palms, and every now and then he lets out a contented sigh.

the sounds get fuller when you finally reach his back. you press a little harder, working out the knots you can feel lingering there. he groans softly, his head falling forward slightly, droplets of water dripping from his hair onto your face.

“feel good?” you ask quietly, your voice barely audible over the sound of the water.

he nods, his voice low and drowsy. “yeah, feels amazing.”

his moans grow unrestrainedly louder, eyes rolling back, and you would tease him for it if the sight of him like this wasn’t having its own effect on you.

biting your lip, you press your fingers deeper into his muscles, and suddenly his hands grip your waist, tight enough to startle you.

it has your mouth opening unconsciously, brows furrowed at the sensitivity. you almost give in when his palms slip further down, resting on the curve of your ass, and for a moment you consider the temptation, but the triumphant smirk on his face immediately pulls you out of your daze. your own fingers work to move his hands to rest at your shoulders.

you manage to sound stable, but you can feel the slight shake in your voice, “hands up here, mister.”

“oh, c’mon,” he has the audacity to whine, the sound muffled by his pouty, and so inviting lips.

you almost cave at the sight of him, his eyes wide and pleading. but you know better. if you let him push the boundaries now, things won’t stop here, and the careful rhythm you’ve set will be forgotten.

it’s not just him you’re trying to hold back— it’s yourself too, especially when his gaze almost breaks through your resolve.

you shake your head, trying to gather your composure, suddenly turning off the water and sliding the shower door open.

jeongguk groans in protest at the contrasting cold air hitting his skin, but you promptly step out to reach for your bathrobe and wrap it around him.

pout stubborn on his lips, he follows you out the shower, but instead of arguing further, he surprises you by engulfing you both in the same robe, pressing his chest against your back.

his arms circle you, and he starts rubbing the spongy material of his sleeves against your body, trying to dry you both at once.

you snort, amused by his antics, “what are you doing?”

“i’m drying us.”

“this will take us forever—”

“no, see? i’m already done,” with ease, he slips out of the robe, laying it over your shoulders and tying the belt snugly around you.

then he casually walks over to grab his change of clothes, pulling the t-shirt over his head despite the fact that his hair is still dripping with water.

you roll your eyes at the sight of it soaking into the fabric and gently push him to sit on the toilet lid, “don’t move. you’re still wet, god.”

“that’s what she said,” he wiggles his brows, eyes gleaming with immature delight as he grins mischeviously.

you sigh, struggling not to laugh at his pun. instead, you wordlessly grab the hairdryer and start running it through his damp locks.

he obediently leans into you, closing his eyes and resting his head against your chest as your fingers run along his hair. the warmth from the device makes him nuzzle even closer, his posture fully relaxed between your legs.

once his hair is dry and his clothes no longer clinging to his skin, you finally shut off the hairdryer, giving his now fluffy locks a final pat.

the time it took to dry jeongguk allowed the bathrobe to work its magic on you too. you quickly slip into his boxers and one of his many stussy t-shirts you picked randomly, tying a towel around your hair.

you prepare to head out of the bathroom, but before you can his hand gently stops you, gripping your forearm, suddenly towering over you when he stands up, “where are you going?”

“to make us dinner.”

“i’ll do it. you should dry your hair, or else you’ll get a headache.”

“but—”

“no but. you already did enough, baby. i’m okay, i swear,” his voice softens, and the fond look in his eyes makes it clear he won’t let you argue further. he doesn’t even let you respond, stepping out of the room and heading to the kitchen.

a smile tugs at your lips, and you take a deep breath, the comforting scent of vanilla and honey still lingering after he leaves.

you’ve always appreciated jeongguk’s attention to detail. he knows how long it takes you to care for your thick, long hair and also remembers the countless nights you complained about your head hurting from leaving it damp. he always listens, even to the smallest things.

twenty minutes later, you’re warm and dry, stepping into the kitchen where the delicious smell of soup greets you. jeongguk is behind the stove, stirring a pot and softly whistling as he tends to another pan on the burner.

when he notices you, his eyes brighten, trailing over your legs and the way his t-shirt sits just above your thighs, revealing glimpses of his boxers. as you approach, he grins, “what’s a pretty woman like you doing here, alone?”

you’ve been with him long enough to know this is just the start of one of his playful roleplays, so of course you instantly know your line, “i have a boyfriend, actually.”

“oh, really? is he here too? can he fight?” his voice drops lower with every step you take towards him, with the last words coming out as a growl as you stand in front of him, looking up into his eyes.

you snort, “you’re so dumb.”

he stays in character, raising his eyebrows, “no, tell me. can he?”

you hum thoughtfully, pursuing your lips as you pretend to consider, your eyes wandering before settling on his again, “yes. he’ll break your nose.”

he chuckles, feigning surprise, “god, he sounds tough.”

“he is.”

with an arm snaking around your waist, he pulls you closer, his lips brushing your ear, nose tickling your lobe, and he whispers, “but i just want you so bad, young lady. don’t tell him, hm?”

his mouth is on yours next, molding together in a sickeningly sweet, lingering kiss, and you let him find your tongue with his own, your front arching against his.

with your arms wrapped around his neck, you part slightly, your eyes jumping on every corner of his face. your voice is thick with pure love, “do you feel better, big boy?”

jeongguk smiles, presses it against your forehead, “so much better, thanks to you. i love you.”

“i love you more,” you momentarily lose yourself in his expression, and you have to blink harshly to pull yourself out of the daze before you fall too deeply into your emotions and start waxing poetic, letting your heart run as wild as the love in your veins.

you move from his hold, busying yourself with setting the small table in your kitchen, grabbing the usual pink glass for yourself and the yellow one for him.

he chose them himself a long ago, said pink reminded him of the way you blushed at his every action, and the yellow symbolized a sunflower always turning toward its sun, because, “that’s how i’ve felt ever since i met you.”

as you arrange the glasses, you almost forget what you were about to ask, but the faint ring of your phone from the bedroom reminds you, “is your phone still off? coach has been calling me.”

his brows knit slightly, betraying his otherwise calm demeanor, but he doesn't meet your eyes, focusing instead on plating the soup. “can we— not talk about it? just for tonight?”

a small gasp escapes you at his quiet plea, and you rush to his side to help him, taking the plates from him and placing them gently on the table, your words hushed, “of course, baby. i was just worried you might want to hear from him. i don’t care about all of that, i only care about you.”

a sheepish smile breaks through his composure, his front teeth worrying at his lip piercing. he looks up at you, lets himself be coddled by the warmth of your gaze, and he sounds just as timid as he looks, “hm. that’s what i wanted to hear.”

you shake your head fondly at his vulnerable side, motioning for him to sit with you, “silly. come, let’s eat, and then we can get some sleep.”

even after swallowing the burning soup, jeongguk still finds a way to tease, nudging your foot under the table with a mischievous grin.

"you’re not getting any sleep tonight," he quips, his voice low with playful intent. you roll your eyes and kick him lightly, making him yelp in exaggerated shock.

it becomes a game of back and forth, his dirty jokes pushing boundaries just enough to make you question if he’s actually serious. there’s a part of you that selfishly hopes he means it, but the side of you that knows him inside and out knows better.

sex for jeongguk isn’t just a casual thing, especially after a night like this. for the two of you, intimacy is more than physical— it’s an act of devotion, a way to connect deeply when words can’t express everything.

it’s never about distraction or escape, but about grounding one another, the flicker of something real and tender at the core of it.

tucked under the covers, waiting for him after he convinced you he could handle the dishes himself — arguing that picking a movie was just as much work — you’re not surprised by what he says when he finally enters the room.

“baby… i think i’m happy with just cuddles for tonight. that okay with you?”

you break into a big grin, brimming with unspeakable feelings for the man standing at the foot of your bed, for which you spread your arms open, “of course, sweetheart. come here, you big child.”

he doesn’t need to be told twice, instantly burrowing himself against the warm sheets, intertwining his limbs with yours. he nestles his head on your chest, sighing contentedly as if he’s found the safest place, “i love you. have i said that already?”

“a million times. and i’m never sick of it.”

“say it back.”

you snort at the insistence in his tone, words muffled by the fabric of your shirt, and your fingers unconsciously play with his straight locks as you swing one of your legs around his waist, your voice a whisper above the shuffling, “i love you more.”

he tilts his head up, chin resting on the softness of your breasts, “no, you don’t.”

brushing his bangs away from his eyes, you smile fondly, “i do. believe me.”

he huffs in faux protest, narrowing his eyes. but he gives in as quickly as he tried to argue, his cheek settling back to rest just where your heart beats, its steady beat lulling him into calm along with your gentle strokes along his nape.

jeongguk doesn’t resist it, doesn’t fight your love. accepts it as the purest form of closure he can get for himself, “hm. okay. i love you.”

[creatingblackcharacters]

“The bulging eyes and the twisted mouth” - Violence, Violent Imagery & Black Horror

TRIGGER WARNING: mentions of death, violence, blood, hate crimes, antiblackness, police violence, rape

Note! I am going to be speaking from a Black American point of view, as my identity informs my experience. That said, antiblackness itself is international. The idea of my Blackness as a threat, as a source of fear and violence to repress and to destroy, is something every Black person in the world that has ever dealt with white supremacy has experienced.

There are two things, I think, that are important to note as we start this conversation.

One: there is a long history of violence towards Black bodies that is due to our dehumanization. People do not care for the killing of a mouse in the way they care about a human. But if you think the people you are dealing with are not people, but animals- more particularly, pests, something distasteful- then you will be able to rationalize treating them as such.

Two: even though we live in a time period where that overt belief of Blackness as inhuman is less likely, we must recognize that there are centuries of belief behind this concept; centuries of arguments and actions that cement in our minds that a certain amount of violence towards Blackness is normal. That subconscious belief you may hold is steeped in centuries of effort to convince you of it without even questioning it. And because of this very real re-enforcement of desensitization, naturally another place this will manifest itself is in how we tell and comprehend stories.

There are also three points I'm about to make first- not the only three that can ever be made, but the ones that stand out the most to me when we talk about violence with Black characters:

One: Your Black readers may experience that scene you wrote differently than you meant anyone to, just because our history may change our perspective on what’s happening.

Two: The idea that Black characters and people deserve the pain they are experiencing.

Three: The disbelief or dismissal of the pain of Black characters and people.

You Better Start Believing In Ghost Stories- You’re In One

I don’t need to tell Black viewers scary fairytales of sadists, body snatchers and noncoincidental disappearances, cannibals, monsters appearing in the night, and dystopian, unjust systems that bury people alive- real life suffices! We recognize the symbolism because we’ve seen real demons.

Some real examples of familiar, terrifying stories that feel like drama, but are real experiences:

12 Years a Slave: “This is no fiction, no exaggeration. If I have failed in anything, it has been in presenting to the reader too prominently the bright side of the picture. I doubt not hundreds have been as unfortunate as myself; that hundreds of free citizens have been kidnapped and sold into slavery, and are at this moment wearing out their lives on plantations in Texas and Louisiana.” – Solomon Northup

When They See Us: I can’t get myself to watch When They See Us, because I learned about the actual trial of the Central Park Five- now the Exonerated Five- in my undergrad program. Five teen Black and brown boys, subjected to racist and cruel policing and vilification in the media- from Donald Trump calling for their deaths in the newspaper, to being imprisoned under what the Clintons deemed a generation of “superpredators” during a “tough on crime” administration. And as audacious as it is to say, as Solomon Northup explained, they were fortunate. The average Black person funneled into the prison system doesn’t get the opportunity to make it back out redeemed or exonerated, because the system is designed to capture and keep them there regardless of their innocence or guilt. Their lives are irreparably changed; they are forever trapped.

Jasper, Texas: Learning about the vicious, gruesome murder of James Byrd Jr, was horrific- and that was just the movie. No matter how “community comes together” everyone tells that story, the reality is that there are people who will beat you, drag you chained down a gravel road for three miles as your body shreds away until you are decapitated, and leave your mangled body in front of a Black church to send a message… Because you’re Black and they hate you. To date I am scared when I’m walking and I see trucks passing me, and don’t let them have the American or the Confederate flag on them. Even Ahmaud Arbery, all he was doing was jogging in his hometown, and white men from out of town decided he should be murdered for that.

Do you want to know what all of these men and boys, from 1841 to 2020, had in common? What they did to warrant what happened to them? Being outside while Black. Some might call it “wrong place wrong time”, but the reality is that there is no “right place”. Sonya Massey, Breonna Taylor- murdered inside their home. Where else can you be, if the danger has every right to barge inside? There is no “safe”.

It is already Frightening to live while Black- not because being Black is inherently frightening, but because our society has made it horrific to do so. But that leads into my next point:

“They Shouldn’t Have Resisted”

Think of all the videos of assaulted and murdered Black people from police violence. If you can stomach going into the comments- which I don’t, anymore- you’ll see this classic comment of hate in the thousands, twisting your stomach into knots:

“if they obeyed the officer, if they didn’t resist, this wouldn’t have happened”

Another way our punitive society normalizes itself is via the idea of respectability politics; the idea that “if you are Good, if you do what you are Supposed to do, you will not be hurt- I will not have to hurt you”. Therefore, if my people are always suffering violence, it must be because we are Bad. And in a society that is already less gracious to Black people, that is more likely to think we are less human, that we are innately bad and must earn the right to be exceptional… the use of excessive violence towards me must be the natural outcome. “If your people weren’t more likely to be criminals, there wouldn’t be the need to be suspicious of you”- that is the way our society has taught us to frame these interactions, placing the blame for our own victimization on us.

Sidebar: I would highly suggest reading The New Jim Crow, written in 2010 by Michelle Alexander, to see how this mentality helps tie into large scale criminalization and mass incarceration, and how the cycle is purposely perpetuated.

You have to constantly be aware of how you look, walk and talk- and even then, that won’t be enough to save you if the time comes. The turning point for me, personally, was the murder of Sandra Bland. If she could be educated, beautiful, a beacon of her community, be everything a “Good” Black person is supposed to be… and still be murdered via police violence, they can kill any of us. And that’s a very terrifying thought- that anything at any point can be the reason for your death, and it will be validated because someone thinks you shouldn’t have “been that way”. And that way has far less to do with what you did, than it does who you are. Being “that way” is Black.

My point is, if this belief is so normalized in real life about violence on Black bodies- that somehow, we must have done something to deserve this- what makes you think that this belief does not affect how you comprehend Black people suffering in stories?

Hippocratic Oath

Human experimentation? Vivisection? Organ stealing? Begging for medicine? Dramatically bleeding out? Not trusting just anyone to see that you are hurt, because they might take advantage? All very real fears. The idea that pain is normal for Black people is especially rampant in the healthcare field, where ideas like our melanin making our skin thick enough to feel less pain (no), an overblown fear of ‘drug misuse’, and believing we are overexaggerating our pain makes many Black people being unwilling to trust the healthcare system. And it comes down to this thought:

If you think that I feel less pain, you will allow me to suffer long before you believe that I am in pain.

I was psychologically spiraling I was in so much pain after my wisdom teeth removal, and my surgeon was more concerned about “addiction to the medication”. Only because Hot Chocolate’s mom is a nurse, did I get an effective medicine schedule. My mother ended up with jaw rot because her surgeon outright claimed that she didn’t believe that she was in more than the ‘healing’ pain after her wisdom teeth were removed. She also has a gigantic, macabre (and awesome fr) scar on her stomach from a c-section she received after four days of labor attempting to have me… all because she was too poor and too Black to afford better doctors who wouldn’t have dismissed her struggles to push.

As a major example of dismissed Black pain: let’s discuss the mortality rate of Black women during childbirth, as well as the likelihood of our children to die. When we say “they will let you bleed to death”, we mean it.

“Black women have the highest maternal mortality rate in the United States — 69.9 per 100,000 live births for 2021, almost three times the rate for white women, according to the Centers for Disease Control and Prevention. Black babies are more likely to die, and also far more likely to be born prematurely, setting the stage for health issues that could follow them through their lives.”

Even gynecology roots in dismissal (and taking brutal advantage of) Black women's pain:

“The history of this particular medical branch … it begins on a slave farm in Alabama,” Owens said. “The advancement of obstetrics and gynecology had such an intimate relationship with slavery, and was literally built on the wounds of Black women.” Reproductive surgeries that were experimental at the time, like cesarean sections, were commonly performed on enslaved Black women. Physicians like the once-heralded J. Marion Sims, an Alabama doctor many call the “father of gynecology,” performed torturous surgical experiments on enslaved Black women in the 1840s without anesthesia. And well after the abolition of slavery, hospitals performed unnecessary hysterectomies on Black women, and eugenics programs sterilized them.”

If you think Black characters are not in pain, or that they’re overexaggerating, you’re more likely to be okay with them suffering more in comparison to those whose pain you take more seriously- to those you believe.

What’s My Point?

My point is that whatever terrifying scene you think you’re writing, whatever violent whump scenario you think you’re about to put your Black characters through, there’s a chance it has probably happened and was treated as nonimportant (damn shame, right?) And when those terrifying scenes are both written and read, the way their suffering will be felt depends on how much you as a reader care, how much you believe they are suffering.

There’s a joke amongst readers of color that many dystopian tales are tales of “what happened if white people experienced things that the rest of us have already been put through?” Think concepts like alien invasion and mass eradication of the existing population- you may think of that as an action flick, meanwhile peoples globally have suffered colonization for centuries. The Handmaid’s Tale- forced birthing and raising of “someone else’s” children, always subject to sexual harassment by the Master while subject to hate from the Mistress- that’s just being a Mammy.

There’s nothing wrong with having Black characters be violent or deal with violence, especially in a story where every character is going through shit. That is not the problem! What I am trying to tell you, though, is to be aware that certain violent imagery is going to evoke familiarity in Black viewers. And if I as a Black viewer see my very real traumas treated as entertainment fodder- or worse, dismissed- by the narrative and other viewers, I will probably not want to consume that piece of media anymore. I will also question the intentions and the beliefs of the people who treat said traumas so callously. Now, if that’s not something you care about, that’s on you! But for people who do care, it is something we need to make sure we are catching before we do it.

“So I just can’t write anything?!”

Stop that. There are plenty of examples of stories containing horror and violence with Black characters. There’s an entire genre of us telling our own stories, using the same violence as symbolism. I’m not telling you “no” (least not always). I’m telling you to take some consideration when you write the things that you do. There’s nothing wrong about writing your Black characters being violent or experiencing violence. But there is a difference between making it narratively relevant, and thoughtlessly using them as a “spook”, a stereotypical scary Black person, or a punching bag, especially in a way that may invoke certain trauma.

The Black Guy Dies First

The joke is that we never survive these horror movies because we either wouldn’t be there to begin with, or because we would make better decisions and the narrative can’t have that. But the reality is just that a lot of writers find Black characters- Black people- expendable in comparison to their white counterparts, and it shows. More of a “here, damn” sort of character, not worth investment and easy to shrug off. The book itself I haven’t read, just because it’s pretty new, but I’m looking forward to doing so. But from the summaries, it goes into horror media history and how Black characters have fared in these stories, as well as how that connects to the society those characters were written in. I.e., a thorough version of this lesson.

Instead, I wrote an entire list of questions you could possibly ask yourself involving violence or villainy involving a Black character. Feel free to print it and put it on your wall where you write if you have to! I cannot stress enough that asking yourself questions like these are good both for your creation and just… being less antiblack in general when you consume media.

Black Horror/Black Thriller

We, too, have turned our violent experiences into stories. I continue to highly suggest watching our films and reading our stories to see how we convey our fear, our terror, our violence and our pain. There are plenty of stories that work- Get Out, The Angry Black Girl and her Monster, Candyman, Lovecraft Country (the show) and Nanny are some examples. There’s even a blog by the co-writer of The Black Guy Dies First who runs BlackHorrorMovies where he reviews horror movies from throughout the decades.

Desiree Evans has a great essay, We Need Black Horror More Than Ever, that gets into why this genre is so creative and effective, that I think says what I have to say better than I could.

“Even before Peele, Black horror had a rich literary lineage going back to the folklore of Africa and its Diaspora. Stories of haints, witches, curses, and magic of all kinds can be found in the folktales collected by author and anthropologist Zora Neale Hurston and in the folktales retold by acclaimed children’s book author Virginia Hamilton. One of my earliest childhood literary memories is being entranced by Hamilton’s The House of Dies Drear and Patricia McKissack’s children’s book classic The Dark-Thirty: Southern Tales of the Supernatural, both examples of the ways Black authors have tapped into Black history along with our rich ghostlore.” “Black horror can be clever and subversive, allowing Black writers to move against racist tropes, to reconfigure who stands at the center of a story, and to shift the focus from the dominant narrative to that which is hidden, submerged. To ask: what happens when the group that was Othered, gets to tell their side of the story?”

For on the nose simplicity, I’m going to use hood classic Tales From The Hood (1994) as an example of how violence can be integrated into Black horror tales. Tales From The Hood is like… The Twilight Zone by Black people. Messages discussing issues in our community, done through a mystical twist. Free on Tubi! If you want to stop here before some spoilers, it’s an hour and a half. A great time!

In the first story, a Black political activist is murdered by the cops. The scene is reflective of the real-world efforts to discredit and even murder activists speaking out against police violence, as well as the types of things done to criminalize Black citizens for capture. The song Strange Fruit plays in the background, to drive the point home that this is a lynching.

The second story deals with a Black little boy experiencing abuse in the home, drawing a green monster to show his teacher why he’s covered in wounds and is lashing out at school.

The fourth story is about a gangbanger who undergoes “behavioral modification” to be released from prison early. Think of the classic scene from A Clockwork Orange. He must watch as imagery of the Klan and of happy whites lynching Black bodies (real-life pictures and video, mind you!) play into his mind alongside gang violence.

Isn’t Violence Stereotypical or antiblack?

That last story from Tales From The Hood leads into a good point. It can be! But it does not have to be! Violence is a human experience. By suggesting we don’t experience it or commit it, you would be denying everything I’ve just spoken about. We don’t have to be racist to write our Black characters in violent situations. We also don’t have to comprehend those situations through a racist lens.

Even experiences that seem “stereotypical” do not have to be comprehended that way. I get a LOT of questions about if something is stereotypical, and my response is always that it depends on the writing!!! You could give me a harmless prompt and it becomes the most racist story ever once you leave my inbox. But you could give me a “stereotypical” prompt and it be genuine writing.

Let’s take the movie Juice for example. Juice in my honest to God opinion becomes a thriller about halfway in. On its surface, Juice looks like bad Black boys shooting and cursing and doing things they aren’t supposed to be doing! Incredibly stereotypical- violent young thugs. You might think, “you shouldn’t write something like this- you’re telling everyone this is what your community is like”. First- there’s that respectability politics again! Just because something is not a “respectable” story does not mean it doesn’t need to be told!

But if we’re actually paying attention, what we’re looking at is four young boys dealing with their environment in different ways. All four of them originally stick together to feel power amongst their brotherhood as they all act tough and discover their own identities. They are not perfect, but they are still kids. In this environment, to be tough, to be strong, you do the things that they are doing. You run from cops, you steal from stores, you mess with all the girls and talk shit and wave weapons. That’s what makes you “big”. That’s what gives you the “juice”- and the “juice” can make you untouchable.

I want to focus particularly on Bishop, yes, played by Tupac. Bishop, the antagonist of Juice, is particularly powerless, angry, and scared of the world around him. He puts on a big front of bravado, yelling, cursing, and talking big because he’s tired of being afraid, and he doesn’t know how to deal with it otherwise. So when he gets access to a gun- to power- he quickly spirals out of control. His response to his fear is to wave around a tool that makes him feel stronger, that stops the things that scare him from scaring him.

Now, that is not a unique tale! That is a tale that any race could write about, particularly young white men with gun violence! If you ever cared for Fairuza Balk’s character in The Craft, it is a similar fall from grace. But because it is on a young, Black man in the hood, audiences are less likely to empathize with Bishop. And granted, Bishop is unhinged! But many a white character has been, and is not shoved into a stereotype that white people cannot escape from!

Now would I be comfortable if a nonblack person attempted to write a narrative like Juice? Yes, because I’d worry about the tendency to lose the messaging and just fall into stereotype outright. But it can be done! The story can be told!

“But if Black violence bad, why rap?”

The short answer:

“In order for me to write poetry that isn’t political, I must listen to the birds, and in order to hear the birds, the warplanes must be silent.”

Marwhan Makhoul, Palestinian Poet

First, rap is not “only violence and misogyny”. Step your understanding of the genre up; there are plenty of options outside of the mainstream that don’t discuss those things. Second, every genre of music has mainstream popular songs about vice and sin. The idea that Black rappers have to be held to a higher standard is yet another example of how we are seen as inherently bad and must prove ourselves good. We could speak about nothing but drugs and alcohol and 1) there would still be white artists who do the very same and 2) we would still deserve to be treated like humans.

That said, many- not all- rappers rap about violence for the same reason Billy Joel wrote We Didn’t Start the Fire, the same reason Homer first spoke The Iliad- because they have something to say about it! They stand in a long tradition of people using poetry and rhythm to tell stories. Rap is an art of storytelling!

Rap is often used as an expression of frustration and righteous anger against a system built to keep us trapped within it. I’m not allowed to be angry? Why wouldn’t I be angry? Anger is a protective emotion, often when one feels helpless. Young Black people also began to reclaim and glorify the violence they lived in within their music, to take pride in their survival and in their success in a world that otherwise wanted them to fail. If I think the world fights against me no matter what I do, I’d rather live in pride than in shame with a bent head. Is it right? Maybe, maybe not. But if you don’t want them to rap about violence, why not alleviate the things leading to the violence in their environment?

Whether you choose to listen to their words, because the delivery scares you- and trust, angry Black men scared the music industry and society- doesn’t make the story any less valid!

Conclusion

I am going to drop a classic by Slick Rick called Children’s Story. I think listening to it- and I mean genuinely listening- summarizes what I’ve said here about how Black creators can tell stories, even violent ones, and how even the delivery through Blackness can change how you perceive them. Please take the time to listen before continuing.

I’ve been alive for 28 years and have known this song my whole life, and it just hit me tonight: not once is the kid in this story identified as Black! My perception of this story was completely altered by my own experiences, who told the story, and how it was told.

That’s what I’m trying to tell you. You can tell stories of violence that involve Black characters. I love and adore a good hurt/comfort myself! But you need to be cognizant of your audience and how they’ll perceive the story you’re telling, and that includes the types of imagery you include. It’s not effective catharsis via hurt/comfort for the audience if your Black readers are being completely left out of the comfort. “I wrote this for myself” that’s cool, but… if you wrote racism for yourself, and you’re willing to admit that to yourself, that’s on you. I’d like to think that’s not your intention! You can write these stories of woe and pain without mistreating your Black characters- but that requires knowing and acknowledging when and how you’re doing that!

@afropiscesism makes a solid point in this post: our horror stories are not just fairytales full of amorphous boogiemen meant to teach lessons. Racial violence is very real, very alive, and we cannot act like the things we write can be dismissed outright as “oh well it’s not real”. Sure, those characters aren’t real. But the way you feel about Black bodies and violence is, and often it can slip into your writing as a pattern without you even realizing it. Be willing to get uncomfortable and check yourself on this as you write, as well as noticing it in other works!

If you’re constantly thinking “I would never do this”, you’ll never stop yourself when you inevitably do! If you know what violent imagery can be evoked, you can utilize it or avoid it altogether- but only if you’re willing to get honest about it. You might not intend to do any of this, but it doesn’t matter if you don’t change the pattern, because as always, it’s the thought that counts, but the action that delivers!

[thatswhatsushesaid]

don't leave the gold buried in the tags OP

my actual biggest MDZS unpopular opinion might be that excessive amounts of glee in what happens to JGY/delight in NHS's ~~master plan~~ makes me super uncomfortable