#this post was actually mean to be a series

[gardens-light]

I always look forward to seeing these types of posts on my feed, as it gets me thinking about what writing goals I'd like to achieve or set. As well as, see the goals/accomplishments of other fellow writes.

My answers are below, and keep reblogging with yours. :)

💖 Might be a tad small, but I'd like to achieve at least 50 fanfics by the end of this year. Weather they're requests/prompts or ideas of my own.

🛳 Maybe dive more into platonic ships. As I do favourite romance.

🤔 I would like to write one shots/series for under rated characters. Such as Crosshairs, Hound, Bulkhead (and more) from Transformers, Abe Sapien from Hellboy, etc.

🥸 My sister knows, and has read a couple of mine. As we often share ideas, inspiration, character/fandom ideas etc, since she also writes fanfics. My husband is aware that I write fanfics, but he doesn't quite know exactly what kind of things I write. But I don't plan on telling anyone else.

🥵 100% yes.

👻 Maybe more in depth the with action genre. And step out of my comfort zone by exploring horror or dark elements.

🦄 I do prefer 2nd person. But might write a fic in 1st or 3rd.

🐌 May not be writing goals exactly. But organizing my drafts better, as there has been a few fics that sat there for months collecting dust.

🦖 I'd like to get back into Hellboy, as I realize that I abandoned a series idea years ago. And my attempt at it really needs to be re-written, as I don't like how it sounds anymore. I might also do more anime fandoms, but the faze tends to come and go for me.

🍄 DC Comics/Universe. Although I'm mainly a Marvel fan, there has been a few ideas I've had, that would better suit DC characters.

🌈 It may not be research, but I do tend to read a few fanfics or orgianal fics of fandoms I'm new/returning to. As well as, binge watching TV/movies of that character/fandom.

But I also do research on writing. (Sub-genres/plots. Kinks/fetishes. Cliches. Building motivation, organization, writing goals. etc.)

✨ I'd say my use of deceptive language and onomatopoeias. And how I try to use other writing techniques to immerse readers that little more.

🥕 Certainly my grammar, as I've noticed a few spelling mistakes over the time. And my sense of scale and anatomy, I appreciate people telling me how way off I've been in my past fics and how it affected their reading experience.

🫘 I'm actually planning on writing a young adult, fantasy novel with OCs. And I've recently started up on Fiverr for writing commissions.

🥳 I'd probably just give myself a cheat day from my diet and exercise. Or buy that thing I've been eyeing up for ages.

🎃 I've actually been meaning to write seasonal fics. But the time I have a moment to write, or the idea comes to me, the season's over. But certainly gonna try and give those ago this year.

🐾 Another thing that's been on my 'To Do List' for a while, and would like to try to participate at least one or two this year.

✍️ Honestly it would have to be comments. Not the amount of comments, but just comments in general- even if it's just one or two. As that's the main way people have given me valuable feedback, and it helps me grow to be better writer.

👾 I'm honestly not sure what 'bad' writing habits, that I may have. There's bound to be a good few that I don't notice, and would try and break them if they're pointed out to me.

🤖 I mainly use my laptop or phone for writing for convenience. As I do tend to do a bit of writing on my breaks at work, but I suppose having an area dedicated to me writing at home wouldn't be too bad.

🦷 I'm currently working on two different series for the Transformers fandom. One is for the character Knockout in TFP, I love this character and have many ideas for the series, but he's mainly seen as asexual in the fandom. I agree and respect the views of this character, but since I don't really have anyone in my friends/family that identifies as asexual, I'm honestly worried I may accidentally misrepresent the character and/or those who identifies as such.

💥 I have an idea for a one shot for The Joker from DC- Suicide Squad. As the one-shot I've got planned is an semi original idea, and many dark elements that would challenge me, and get me out of my comfort zone.

🍕 Due to my part time job, and personal commitments. I do only write/post things whenever I have a free moment to dedicate an hour or two to this hobby. But I'd would like to try and post more per month, but also not to flood anyone's feed.

🛏 I'm sure there's a few tropes/cliches that I've already written for. But I'd like to write 'bed one' or 'cuddle for warmth' cliche, as they're surprisingly the ones I don't write about. Yet they're my favourite.

🪩 Might be a little controversial, but don't be afraid to give your reader a nickname or codename in your fics. For example, in my Transformer fics, Reader is an military officer so they have an nickname such as 'Lieutenant Echo' or 'Private Valkyrie.' As to me, these give the Reader a little more depth and personality to their character, and doesn't take them out of the reading experience by reading 'Y/N' over and over.

🎉 In all honesty? Probably not, as just like anyone. I'm my own worst critic.

💌 Yep! Those sort of things keeps my motivation going, and gets me out of writer's block sometimes.

Writer Goal Ask List for a New Year 🎉

These writer asks are always so fun to both ask and answer. Fanfic or original fiction writers, reblog away! These are asks based in new goals for a new year.

💖 What is your primary writing goal for this year?

🛳 Are there any new ships you want to write for? (Platonic, romantic, or anything in between.)

🤔 Are there any new characters you want to write about?

🥸 Does anyone in IRL know you write fanfic or original fiction? If not, do you plan on telling anyone this year?

🥵 Any plans to write steamy or spicy content this year?

👻 Is there a new genre you'd like to write?

🦄 Is there a new POV you'd like to try writing?

🐌 What is one of your smallest writing goals?

🦖 Are there any fandoms you wrote for in the past that you'd like to return to?

🍄 Are there any fandoms you've never written for but want to try?

🌈 What research do you plan on doing for your writing?

✨What's one area of your writing that you think needs the least amount of improvement?

🥕 What's one area of your writing that you think needs the most amount of improvement?

🫘 Spill the beans. What's a new project you're doing this year?

🥳 How are you going to celebrate when you achieve one of your writing goals?

🎃 Do you plan on writing any seasonal fics?

🐾 Do you plan on writing for any fests or competitions?

✍️ Which stat matters most to you (if at all!): subscriptions, kudos/favorites, comments, bookmarks, word count, or hits?

👾 Do you have any "bad" writing habits you want to break?

🤖 Are you looking to change your current writing setup? (Or establish one, if you don't have one?)

🦷 Is there a chapter, scene, or WIP you're dreading to write (but is necessary to your plot)? Share a snippet or tell us about it!

💥Is there a chapter, scene, or WIP you're most excited to write? Share a snippet or tell us about it!

🍕Will you be making any changes to your posting schedule (if you have one)? (Or do you want to establish a posting schedule?)

🛏 Is there a new trope you'd like to write this year?

🪩 Do you have any "good" writing habits you want to cultivate?

🎉 How are you going to be kind to yourself if you don't meet your goals?

💌 Are you willing to take requests or prompts for writing?

[thequeenofthedisneyverse]

How to NOT write like Vivziepop guide!

Writing tips:

1. Don't treat SA/Rape as a joke. Seriously, it shouldn't be that hard. EX: In Helluva Boss; Spring Broken, Moxxie goes to talk to Verosika and her crew in hopes to get them to move her car. He gets SA'd as a result and we're supposed to see that as a joke.

I don't specifically remember the episode name, but Sir pentious asks Cherri if she wants to have sex with him but he then gets scared/nervous and says "BECAUSE I WANT TO HAVE SEX WITH EVERYONE!!" or something like that. He then gets taken by a bunch of people into a room and he CLEARLY looks uncomfortable. Again, I suppose we're supposed to see that as a joke for some reason.

SA/Rape isn't funny, and you can offend tons of people writing it so carelessly. DON'T DO THAT!

2. If your characters come from a certain era, RESEARCH THAT ERA. Ex: Alastor was supposed to be a famous radio host in the 1920s (seeing as he died in 1933) when he was alive despite being a mixed (Black and white) man. Jim Crow laws existed in those times so Alastor couldn't have become a popular radio host unless he was white passing, which we don't know. Also, from what I got from @bump-inthe-night the first black radio personality in Louisiana was Vernon Winslow, known as Dr. Daddy-O, in 1949.

Also, from @bump-inthe-night - (her words were pasted here because I couldn't have said it better myself) Despite dying in 1947, Angel overdosed on PCP. This drug was discovered in 1926, and it started being utilized as a general anesthetic in the 1950s. PCP became a street drug in the 1960s and gained popularity in the 1970s. It's impossible for Angel to have overdosed on this drug when he was alive. RESEARCH. BEFORE. YOU. WRITE. THE. CHARACTER.

This is also from @/bump-inthe-night. Sir Pentious died in 1888, but he’s wearing a shoulder-padded suit. Shoulder pads, invented in 1877, were used in football uniforms. They didn’t cross over into fashion and become popular until the 1930s. Sir Pentious shouldn’t be wearing a shoulder-padded suit, and neither should Vox, who died in the 1950s, when this started falling out of style.

3. Don't victimize characters that obviously shouldn't be victimized. Example: Stolas.

I will tag the people who inspired this post and paste their stuff here because they say these things better than me.

@flower-boi16 says "So fucking what if Stolas was neglected as a child or had a mean wife? How does that relate to ANY of his actions he takes throughout the series??? It doesn’t excuse SHIT. Granted, the “this character’s trauma is not an excuse” argument is a kind of argument I’ve grown to be annoyed by due to how often it gets misused. Yes, a character’s backstory or trauma doesn’t excuse or justify their actions.

The issue arises though when the character’s bad actions are a direct response to that trauma and so it can make it look like your just ignoring major context for what lead to the character doing these actions just so you can label them as irredeemable. With Stolas, however, I have no hesitation in saying that whatever backstory and trauma he may have I genuinely don’t care because that trauma doesn’t matter to ANY of his actions.

The “his daughter doesn’t like him” defense doesn’t work because 1. Octavia is shown to still care for her father and is actually shown to be excited to spend time with him in Seeing Stars and 2. Octavia has a perfectly valid reason to dislike Stolas given how shitty of a father he is to her.

The “Stolas is well meaning/believes that Blitzo likes being treated like a sex toy” defense also doesn’t work when Stolas can very clearly see that Blitzo does NOT like being treated that way. Ffs Blitz was completely shocked and disgusted by Stolas’ sexual remarks on him on the phone in Loo Loo Land, Stolas can clearly see Blitz DOESN'T ENJOY THIS but continues flirting with him anyway. Anyone who is well-meaning can still see when they fucked up."

@floralcavern "Stolas is the epitome of writers thinking they wrote a deep character when they actually created the most shallowly written character of all time. Stolas receives no consequences, no call outs, no growth, because he gets the excuse of ‘he’s abused’ to not have to face anything bad happen to him. It’s infuriating how shielded he is by the writers."

4. Understand what your writing! This is also from @/floralcavern and I couldn't agree more. "And Helluva Boss didn’t need extremely deep characters. It started off as a comedy, where characters could do messed up, edgy shit because nothing is meant to be taken seriously. But then suddenly the show decides to become a super serious, soap opera drama?? It completely derails its original premise to be something completely different. The beginning of Helluva Boss and what we currently have are 2 completely different shows. And I’m not saying comedies can’t have depth. One of my favorite examples is Dan Da Dan! It’s literally a show about a guy whose dick was stolen by a ghost. And yet, the show writers know how to balance ridiculous comedy and storytelling with genuine, human moments. But Viv’s shows don’t have that balance. The show is hardly a comedy anymore and takes itself way too seriously, while also refusing to acknowledge actual things that need to be acknowledged."

5. This should be obvious but don't make male characters (or any characters for that matter) that are supposed to be gay call their sisters "hot" or "Sexy". Example: Andrelphus or whatever his name is. It comes off as extremely gross and really unnecessary. Vivziepop said he does that to make others think he's straight?????...Andrelphus was literally in the pride parade art. WTF VIV?!

So yeah, don't do that unless it's relevant to the plot. Like the characters have a secret incestual relationship or the incest is being pushed/forced onto the other sibling character or SOMETHING! And no, before you say it, Stella never looked comfortable being called attractive by her own brother.

5. Don't fetishize rape or have/hire people that work under you that do. It's as simple as that.

6. When writing serious topics such as SA, TREAT THE TOPIC SERIOUSLY!

7. Be mindful of stereotypes. I've learned (with the help of others pointing it out) that Angel Dust is a stereotype of gay men.

8. Call out your characters for their actions. Angel is shown to sexually harass other male characters with no call outs or apologies. Same can be said for Stolas.

I'm not sure of what else to add. If anyone else wants to add something, feel free to comment or reblog. Your words will help others a lot!

[idstilldancewithu]

Forbidden Request | S.R

Pairing: Spencer Reid x Fem!Hotchner Reader

Summary: Spencer Reid always thought of every single outcome of his actions, but he did not, when Y/N Hotchner showed up to his door asking for something he couldn't refuse.

Warnings: Talks about being a prude, reader ask Spencer to take her virginity away (kind of) but doesn’t confess her feelings towards him and tells him to do her a favor as a friend, sitting on Reid’s lap, and age gap (20/30). Sorry if I accidentally missed anything.

A/N: Hi! This is the first time posting any of my work. English is not my first language. I’m sorry for any grammar mistakes. I’m still debating whether or not I should turn this into a series, but I hope you enjoy it!

Word count: 938

Part 1 | Part 2

•••

I could feel my heartbeat thumping in my chest, my hands shaking from anticipation as I knocked on Spencer's door, waiting for him to answer.

He opened the door with a hint of surprise in his eyes. "Y/N, is everything alright? Did something happen?" He worriedly asked opening the door wider signaling me to come in.

I walked towards the couch seeing files spread all over the table and books all over the floor. "I'm sorry for the mess. I didn't think I would have any company over."

I shook my head placing my hands in between my thighs. "It's ok and I'm really sorry for showing up unannounced."

He quickly shook his head, smiling reassuring me that he didn't mind. Spencer sat beside me and began stacking up the files in the table trying to clean up. "Do you want anything to drink?" He looked up at me.

"No thank you. Actually, I have to ask you something."

"Yes, of course what is it?" He moved closer to me placing his hand in mine.

Which is something he did every time I was anxious and needed comfort. I was his only exception, because he wouldn't do that with anyone else being a germaphobe. But, it always made my day better. That's why he let his walls down and made his brain stop thinking about the germs that could be transmitted through holding someone's hand.

His boss always failed to notice my state because, over the years having to grow up with a dad who was a profiler, I had to learn to lie and put on a facade when I was around him.

But, Spencer always noticed. No matter what I was hiding, he would always find out. Which is why once I would leave his office, Spencer would walk me out to the elevator.

Once the door closed, he would hold my hand, giving me much needed comfort.

I layed my head on his shoulder as he traced different shape on my hand. "Do you remember the boy I was going out with?"

"Yes, Jeremy Miller he goes to your college, and is majoring in law and criminal justice. He's twenty years old and asked you out a month ago, and you agreed. You also said the boy I was going out with. What happened? Did you break up?"

"Sometimes I forget you have an eidetic memory." I chuckled, trying to ease the nerves that were bubbling in my stomach.

"But, yes he broke up with me. Apparently he thinks I'm a prude, because I didn't want to go further than making out with him. Like, who even says that word anymore?" He squeezed my hand lightly.

"You deserve better than him Y/N and you're not a prude." He quickly reassured me again placing his hand on my chin making me look at him.

"He's not worth your time or attention. Do you understand?"

I nodded in response. "He's wasn't lying though. Spence, I've never gone farther than making out, and I'm twenty years old."

"Pretty girl, there's nothing wrong with that. The first time I did anything with a girl was when I was twenty four. Trust me there's no rush."

The nickname made my heart skip a beat. He had never called me that only Morgan did.

But coming from him, it only encouraged me to ask what I've been meaning to this whole time.

"Spence, can you change that?" He let go of my hand, and moved further from me his cheeks turning red.

"What? Y/N I'm..." I interrupted him.

"I'm tired of guys breaking up with me, because I can't bring myself to sleep with them. Just because I'm terrified of not being good enough. I'm also tired of telling guys that I'm a virgin, and them making it their mission to be the one to change that, like I'm some sort of task."

I got closer to him and placed my hand in his like he had done with me minutes prior.

"I trust you, Spencer. You're my friend, and I wouldn't want anyone else to do this with. I'm not asking you to be my boyfriend." He didn't respond but never let his gaze wonder anywhere else but my eyes.

"I'm asking you as a friend to help me. But I don't want to make you uncomfortable. I totally understand if you say no, and you want us to forget that his conversation ever happened."

I remained silent letting him process everything that I told him, my heart beating faster than before. But, I could already hear his kind rejection making my chest tighten.

Leaving me to wonder how I could ever get over him. The guy that I've loved since I was eighteen.

But I was tired of only being able to imagine how his hands would feel on my body, and biting my lip everything time I would touch myself to the thought of him.

Even thought, this could only happen once. I was willing to risk our friendship, and my pride to get to feel his lips on mine.

I got up, understanding that his silence meant no. As I began walking away, he spoke up.

"Wait Y/N, come here."

He placed his hands on his lap and patted it. I took that as a sign to sit on his lap. Once I did, he wrapped his hands around my waist pulling me closer to him.

Spencer tucked a strand of my hair behind my ear. "How could I ever say no to you pretty girl?" He whispered filling my body with excitement.

•••

Part 1 | Part 2

[luniviravosshipper]

I used to be hesitant to accept this interpretation of his character arc’s ending. But I was looking at really old posts from way back when the fandom first started to emerge and apparently people have longggg speculated that Viren was depressed. Those analyses were definitely eye openers. And even though I’m not sure I agree with this interpretation still, the fact that you can so easily draw comparisons between his death and an attempt to ending one’s own life, and not only that by itself but alongside the evidence pointed out by fans of Viren actually wanting to possibly make such an attempt from the get go of the series… it might be telling of a lot of things the writers may have failed to consider or had simply ignored when making the final decision of how his death should play out.

(In case anyone is curious, I’ll try to find the specific posts I’m talking about later and reblog them.)

​At the end of the day, I think it’s just insane how hard the narrative seeks out to punish Viren (even at the expense of taking away a chance for real closure with other characters he’s wronged) and after giving us such a rushed complete 180 with his character in season 4.

What was it for?

Like for a show all about breaking cycles and such, Viren would have been and most certainly should have been the absolute, most perfect opportunity to explore that theme in depth and they completely threw it down the gutter because of some insistence that he was undeserving of a second chance when that’s literally contradictory to that one specific, central theme to the show that happens to fit him so much.

Anyways, but yeah. I’m still sour about the handling of his arc and his death. I’m only reblogging this now because season 7 didn’t help relinquish any of my hard feelings regarding him.

…And especially with how comfortable the fandom’s gotten with shitting on his character after the creators did.

(Yes, you don’t have to like him. No, I’m not a Viren defender or a defender of his past wrongdoings. And of course I don’t think all the choices made in writing him or his arc were bad or poor. I don’t mean this to sound targeted or bitter to any fandom member in particular because it’s not. But I still get agitated regardless when other people use their hatred of his character to refuse to look deeper into him and his writing at all angles.

Your hatred of a character and the narrative affirming it doesn’t mean it is deserved for the character to be relentlessly treated like garbage by the narrative to satisfy you. Please just don’t excuse poor writing or refuse to examine and consider—whether you end up agreeing or not—how some writing is poor just because you personally like and enjoy it.)

I mean, you can literally see how it’s clear the fandom has used their contempt towards his character to completely stand by the writers in how they decided to handle his arc with the example of the person speaking up in this reblog chain. (For the record, I’m not even saying that what the person above is saying is right. I’m not sure it was intended by the writers to prove that “karma is a bitch”. Rather, I just think that they made the mistake of accidentally writing it in such a way it could be very easily used by the fandom to fuel their misinterpretations of the show’s biggest lessons and ideals it otherwise argues in support of. And… that’s a problem. A really big one if you were to ask me.)

Okay, I have to get it out of my system. The thoughts I had on what The Dragon Prince did and why, deep down, it repulses me on a profound level. (I’ve shared these thoughts elsewhere but here’s my analysis on Viren’s arc and ending in season 6.)

The season begins with Viren waking from what was teased to be death (and viewers were left thinking he died for a year). He feels free and unburdened and has hope. Maybe things can be better, maybe he can change, maybe he can fix what he has broken.

Spoiler alert: He doesn’t even get off the starting block. From there it is a descent towards despair and his self-inflicted death.

After he wakes, he encounters his bloodied daughter Claudia. This shock smacks back to reality and he sees what he has caused. He realizes the cold truth: his daughter is better off without him so he leaves her despite her cries for him to stay. It is worth noting as he leaves, he openly acknowledges it may kill him—and he doesn’t much care if it does.

He goes back home to Katolis searching for anyone to talk to. He begs to speak to King Ezran and is denied and told he deserves “no mercy.” He reaches out to his son Soren in an attempt to reconcile, to apologize, and Soren accuses Viren of trying to manipulate him. Viren realizes he will receive no help or solace here as he’d hoped, and despairs.

His feeling of hopelessness is symbolized by the show panning to a fly trapped in a spider’s web about to be consumed. The abject image of being trapped with nowhere to go except death.

Next we see him, he is alone in his cell, penning a letter of his regrets, which is not that dissimilar to one's final thoughts in a suicide note. But he reconsiders. After all, this is self-indulgent pain to burden the living, so he burns it. His last thoughts and words gone.

It isn’t much after this moment Soren tells Viren the only thing he has of value to offer is his ability to do Dark Magic—the thing Viren has been running from, the thing he now hates, the thing that ruined his life. Throughout the show, dark magic can be allegorically read as a form of self-harm, done out of fear and trauma while causing lasting scars to the user. And Viren succumbs to it. He agrees. With the biggest expression of it: offering his own body to feed the spell. He stabs a knife into his own chest (reminiscent of Shakespearean suicide). And he dies.

What happened here wasn’t just a blaring example of a heel-face door slam where a character vying to change their life around and be better is coldly denied. It was also a suicide—a glorified one at that.

For a show supposedly about hope and forgiveness and breaking cycles, having a character who for three seasons is striving to walk a different path take his own life in an act of despair when he has nowhere else to go is... well. Sure is something. Nothing good in my world.

[milkoomi]

⋆˚࿔ a new canvas means a new you 𝜗𝜚˚⋆

a mini series on the art of becoming a better you

previous chapters + masterlist

final chapter — THE ART OF OVERCOMING

i know there’s a lot of us who struggle with anxiety or fear or even the anxiety of experiencing failure. there’s so much in our lives that we worry about, and there’s this feeling of struggle that we have from it that makes it feel like it’s impossible to overcome any hardships we come across. but the truth is: we can overcome the hardships. we can overcome anxiety, fear, stress, failure; everything that life has to throw at us, we can overcome it!

ᥫ᭡. understand your emotions

a lot of those “i can’t do it” moments stem from us not understanding why or how we’re feeling the way we do. it’s important to understand what you’re feeling and reflecting on those emotions or thoughts. when we experience stress or anxiety, our minds are filled to the brim with overwhelming thoughts that are just spinning and mixing around in our heads. that feeling makes it even harder to really think about things logically and to even understand an ounce of what we’re feeling.

let it out.

let out your frustrations, in a healthy manner of course! if you feel like crying, do it! just let it out. even if you’re just brain dumping into your journal, it allows you to spill all the thoughts that are running around in your mind out. release your thoughts and emotions.

take time to reflect.

journaling is an on-going topic within this community on tumblr and on my page, but it’s talked about so much because it’s one of those things that really works and shows actual growth within ourselves! so take the time to write down everything that you’re feeling, let yourself process your emotions that overwhelm you!

consider the “why” when it comes to your emotions.

why are you feeling anxious? why are feeling scared? why are you feeling stressed out? it’s important to figure out why exactly you’re feeling the way you are because without that understanding, it can lead to even more negative thoughts and emotions.

once you understand why, then consider going back to the reflection bit. just take as much time as you need to process your thoughts and feelings!

ᥫ᭡. reassurance

remind yourself that it’s going to be okay! i believe i mentioned this in one of the previous chapters or in one of my other posts, but you have gotten through 100% of all your worst days, so who says you can’t get through one more? you will get through whatever situation it is that you might be going through! it’s so important to give yourself that reassurance.

also, it’s absolutely okay to ask for reassurance from others! being reminded by the people who love and care for you that things are going to be okay can be such a calming feeling. it’s okay to ask for reassurance, we all need it from time to time!

getting this reassurance just puts our minds at ease and, at least in my own experience, it has given me motivation to work through whatever it was that i was dealing with. having reassurance shouldn’t feel burdensome, it should feel relieving!

ᥫ᭡. juno’s rules

i, personally, like to follow a small set of rules when it comes to overcoming something like anxiety about starting a new semester or stress from financial hardships or fears of creating new relationships with people:

rule 1: believe that you can overcome the feeling

there’s a lot of people who manifest, me included, and we see a lot from different posts/sources about manifestation that we have to believe that what we want is already ours. so use that same idea and believe that you can or already have overcome whatever it is you’re going through!

when we put ourselves in that mindset of believing we can’t do it, the more and more we’ll manifest that whatever it is we’re struggling with will only continue to make us struggle. you have to believe that you can overcome the situation/issue/feeling, otherwise those negative thoughts will overpower your want and need to relieve yourself from the stress.

rule 2: have a support system

we can’t always do things on our own, sometimes we need that extra help, and that is okay! i mentioned this earlier, but seriously, asking for help/reassurance is 100% okay. you should ask for help especially when you need it!

your support system could include your family, friends, mentors/teachers, partner(s), and/or a therapist! there are people willing to help you or even just be there for you to lend you their support!

rule 3: take action

when we become overwhelmed by a situation that we know we need to overcome, sometimes we’ll reach a point where we might feel stuck. it’ll sometimes feel like we’ve given up as a whole, and we have to stop having that kind of mindset!

if you’re stressing about an upcoming exam, take action by putting in the work to study and review notes or reach out to your teachers/professors/peers for extra help!

if you’re stressing about talking to a loved one about setting boundaries, take action by writing everything you want to say and gathering all your thoughts together to get your mind situated and more organized!

whatever it is that’s causing you to feel negative emotions like stress, anxiety, or fear, take steps towards relieving that feeling! sometimes taking action may be practicing more self care or changing your lifestyle or even breaking bad habits! whatever it is, you have to be willing to take action and you have to remember who you’re doing this for: yourself.

ᥫ᭡. final notes

it’s important to remember that overcoming something, whatever it may be, is for the betterment of ourselves. i talk a lot about self care on my blog and i will always advocate for that! whatever it is that’s bringing us down or adding a lot of stress in our minds, we have to be able to overcome those obstacles or feelings! getting ourselves to work through challenging situations or difficult emotions is the best form of self care and it allows us to grow even more as individuals! there’s so much strength in putting in the work to overcome something and there’s even more strength we gain from doing so! self improvement and becoming that girl/person can become easier when we learn to overcome what life has to throw at us. life isn’t easy and i know a lot of us can attest to that, but life also has a very special way of showing us what it’s like to live our lives to the fullest.

with lots of love, juno 🌷

[mask131]

I have seen someone say, to accentuate the fact a certain book needed a basic knowledge of Greek mythology to fully understand all the references and jokes in there, "You better have read the Percy Jackson novels, else you will be lost".

You guessed it: it bothers me (every time I begin a post like that, you can expect me ranting about something)

I don't know if this was said as a jest or not. If it was said as a sort of joke or as a light-hearted comment, I fully get it and I have nothing to say, because of course that's a funny nod. However I fear this was said in all seriousness. And even if this person was not serious, I have seen a LOT of people treat mythology... out of fictional works. Especially the Riordan novels (a similar thing is happening with Norse mythology where people start using God of War as a reliable source but that's a discourse for another day).

I get how popular and beloved the Percy Jackson novels are. I myself am a big fan of them. It was my butter and jam in middle-school. I never was a Harry Potter fan, but I WAS a Percy Jackson fan. So I get it, I get how it can be... But it doesn't mean these novels should be treated as a source of reliable and certain info on Greek mythology. People seem to forget that these novels are rewriting, reinventions and adaptations of Greek mythology. Back in the days, nobody would have went around claiming Saint Seiya or Ulysses 31 were reliable sources about Greek mythology, and yet today people treat stuff like Blood of Zeus or Wonder Woman Historia as almost primary sources when it comes to handling the Greek gods...

I guess it is due to a change of generations, and a change of point of view as time goes on. Today Greek mythology is treated, handled and accepted more as a source of narrative material, as a host of characters, as a compilation of folktales, rather than an actual culture, or a literary corpus, or a set of beliefs and rites linked to a religion. Probably because people are getting more and more used to Greek mythology being used for entertainment and narrative purpose - Disney's Hercules, God of War, Class of Titans... People don't have their primary contact with the Greek myths through classrooms and school lessons, they have it through movies and animated series and novels. And so for them, Greek mythology becomes "fiction" before "study".

Before, to make the point that you needed to know the basics of Greek mythology, someone would have said "You need to have read at least a Greek mythology encyclopedia". There's a SHIT TON of these around. Today it's just "You need to at least have read a Percy Jackson novel". I mean, again, if it is for humoristic purpose or for a light-hearted comment, okay, it's funny - but if it is serious, than it is as stupid as to say "You need to know about witches and witchcraft... so you need to at least have read the Harry Potter novels".

Again, I don't want to spit on the Percy Jackson novels. I adored them, I still love them, and I think it is great and amazing how it boosted and popularized Greek mythology and made it such a casual topic. But I always thought the series was much more enjoyable when you knew already a bit about Greek mythology BEFORE reading the books, instead of learning things from it. The reason I fell in love with these novels was because I was a HUGE Greek mythology fan as a child and unfortunately as a result the range of media exploring my interests was limited (Mission Odyssey, the classic italian Odyssey movie, The God Beneath the Sea). Until the Percy Jackson came along and I had a blast seeing how they reinterpreted, reinvented and reused things I was already familiar with. That was the fun of it, see their interpretation of mythology.

Because I am sorry, but if you try to learn Greek mythology with the Percy Jackson novels, you will learn a LOT of misinformation. You will learn that Athena can have kids, that Poseidon is one of the coolest Olympians, that Demeter basically has no role whatsoever in anything, that Venus and Aphrodite are one and the same, that the demigods all inherit the powers of their parents like super-heroes... In fact we do see today a lot of the effects the popularity of the Riordan books had (like the overblown and excessive villainization of Zeus). But that's something endless and eternal: as I pointed out, after the OvertlySarcasticProductions video about Dionysos with them having horns as part of his design, EVERYBODY on Tumblr and the friggin' Internet started putting horns on Dionysos. It wasn't just something that spread slowly, it was a real boom and fashion.

I was NOT expecting this rant to go that far, as usual I got carried away X) But here's kind-of my point: people originally brought forward the idea that "There is no "real" canon to Greek mythology because there's tons of conflicting versions and alternate tales" to defend the idea that fictional takes and adaptations could deviate from the dominating versions. It was nice and a needed reminder. Except... people of course used it wrongly and started use it to A) just allow themselves to do anything and everything while B) not bothering to do any research by pointing out how since there's no "canon" and not a set of defined clear-cut legends, they don't have to justify their adaptation choices.

Yes, there is a lot of variations, alternate continuities, rivalizing characterizations and conflicting elements in Greek mythology, as in all and every mythologies, from Norse to Indian. It doesn't mean however that the modern fictional works about Greek mythology have as much importance as the actual original texts of ancient civilizations... I get that you love your Song of Achilles and your Epic the Musical, but it doesn't mean that I won't judge you if you never bothered doing any research about what Greek mythology was about outside of seeing other people adapt it. (And don't even get me started on the so-called "devotees" of the Greek gods who aren't even true neo-pagans and are just fad-following pseudo-poets who bring forward random ideas as facts and literaly have "headcanons" about gods as if they were OCs... Random personal take but I have never seen any dog-loving "devotee" of Hekate ever question or mention how THOUSANDS of dogs were killed in the name of their "patron")

I guess it is because how people have a hard time getting what a "mythology" is about... I mean a lot of people really don't know the difference between a "mythology" and a "religion", and yeah, in mythology the gods are as much figures of worship/centers of cult as they are literary characters and narrative archetypes, so it's this weird in-between... I don't know, this rant literaly leads to nowhere so I'll just stop here and leave you to your own thoughts :p

[rekino2114]

Pet names headcanons with brave danganronpa girls

A/n:first bdr post since it's won the poll

Anko hibana

Unironically calls you pookie

Ok, it kinda started as a joke. She thought it was funny, so she called you that to make you laugh. But you both actually liked it, so it stuck

You eventually ended up calling her pookie, too, so you two just purposefully come up with the most cheesy and over the top pet names you can think of and call each other them endless to the annoyance of everyone else

"Oh, hi anko, how are you?"

"Better now that my super adorable and sweet pookie bear is here~"

"Thanks, I'm glad you're here too cutest pookiest hottest best girlfriend ever"

"Awwwww that was soooo cute but I should have expected that from my precious, wonderful and amazing pookie"

"........can you two shut up?"

Rei tsuji

She might not know what a pet name is

Listen, this girl is like the most not used to a relationships person ever. Every day she's with you, she discovers something new she didn't know couples did, and pet names are a part of it

The first time you called her honey she was like "....do you want some?" And literally went to grab you honey

You just call her by her name or some variation of it now so she doesn't get confused

"Hey rei-rei how are you?"

".....ehm good but why did you repeat my name?"

"It's a cute nickname, you don't like it?"

"No.....it's fine.......y/n-y/n"

"I....don't think it works quite as well with my name"

"O-oh I see.....sorry"

"It's fine"

Stella hoshinari

She's very classic with pet names, she likes to call you dear, darling or love.

She especially uses them when she's jealous. She knows you're really hot (she tells you that so often) so she has to make sure everyone knows you're with her, even if a lot of people already know it due to how famous she is

You call her classic nicknames too but your absolute favorite to call her is star or my star because that's what she is (and also that's what her name means)

"Oh sorry darling, was I interrupting something?"

"Oh no sorry Stella, that girl started flirting with me but I told her I had a girlfriend"

"Don't worry my love, I heard everything, I'm not surprised she tried to flirt with you, you are very attractive if I say so myself"

"Aww thanks, you're beautiful too my star"

Urara amemiya

She has many pet names for you, she basically calls you by nicknames more than your actual name

Her favorite one is snookums, though. Don't ask her why she just thinks it's cute, even if it's kinda weird you like it since it fits urara's vibes

She also sometimes calls you names from manga series (mainly those she creates) even better if it's the love interest of a character she likes or of the protagonist. You don't always get the reference, but when she explains it, it becomes one of your favorite names

"Hellooo, how's it going snookums?"

".......what's that?"

"What?"

"A snookums"

"To be honest, I have no idea, I was told it's a pet names for partners though"

"Oh I get it, it's cute"

"Hehe, I'm glad snookums"

Honoka onizaki

Definitely calls you hottie, hot stuff, and anything like that, it's a pet name and a compliment at the same time, what more could you want?

She is also a very frequent pet names user, she also comes up with them on the fly, like she changes how she calls you basically every day for absolutely no reason

You like to call her bombshell for obvious reasons. She's hot, and she likes bombs that nickname is literally made for her

"Yo! Wazzup magma, having a good day?"

"......m-magma? What does that have to do with anything?"

"It's you.....get it? Cause you're hot....like magma"

".....oh"

"Nah, I get it it's stupid....how about....."

"Honoka, it's fine, you can call me babe or something like that"

"And where's the fun in that? I need to be more creative"

".....whatever at least they're cute"

Hana kongou

She actually doesn't use pet names that often, preferring to call you by your name, but she still likes using them once in a while

Her favorite ones are sweetheart, sweetie, my sweet, anything to imply how nice and kind you are to her, cause that's one of the main things she loves about you

You like to call me princess, or my princess because that's what she reminds you of, especially when she puts on some dresses she made. And she always blushes whenever you call her that but she still loves it

"Hey y/n, do you mind hanging out later?"

"Oh definitely not, I'd love to princess"

"D-don't call me t-that it's embarrassing"

"You don't like it?"

"N-no I do......it's just....in front of other people it's kinda.....nevermind...I really like it"

"I'm glad, my princess~"

"T-thanks sweetheart"

Ume omori

She is probably the least pet name forward girl here, it's not that she doesn't like them she just uses your name more often

She genuinely doesn't know what to call you. If she really feels like calling you something else that isn't your name, she'll just use a shortened version of it

You call her cutie, and she always blushes and tells you to stop. Sometimes, you even say ghost cutie. She's a bit more accepting of this but still doesn't really like it

"Hey ghost cutie, what are you doing?"

"S-shut up, don't call me that"

"Why thought? You are really cute and like ghosts"

"But I'm not one, if you call me that, they might get angryyyyyy"

"Oh OK.......can I call you just cutie then?"

"*sighs*"

[spocks-husband]

✨Axel's Ultimate Batman Video Game Play Guide and Reviews

You guys seemed to enjoy the previous version of this I did with all the Batman Animated shows, and now that I'm done with all the Batman games I thought I'd post my thoughts on those too! I decided to do this one in just like. Regular text format. Bc I didn't feel like editing all these into images like I did for the last one. So uhhh lemme know which format you prefer lol.

Anyways, please enjoy my comprehensive thoughts and feelings on (almost) every modern Batman game, five months in the making because I have no life. Enjoy!

🦇

Batman: Arkham Asylum (2009)

My Personal Rating: 7/10

My Total Hours Played: 17.1 

Steam Rating: Overwhelmingly Positive (96%)

Description: The first game in the Batman Arkham Series. Based off the iconic Arkham Asylum: A Serious House on Serious Earth comic from 1989 (aka the only good thing Grant Morrison has ever produced in his entire feeble life). The inmates at Arkham Asylum have begun a violent riot, and as Batman goes through the hospital to stop them, he uncovers a sinister conspiracy involving his greatest enemies.

Play If You're Looking For: An intro to the Arkham Series, a very different interpretation of Arkham Asylum compared to other versions of Batman, and some really dark aesthetics. Also, this isn't explicitly canon, but according to this series’ timeline, this game takes place in the space between Jason's death and Tim’s arrival, so if you're interested in a very dark, brooding, traumatized Bruce, playing this game with that information changes it a lot. 

Things I Liked:

Genuinely really scary

Incredible atmosphere 

Both Kevin Conroy and Mark Hamil are featured in their iconic roles

Really well written

Birthed a bunch of really iconic Batman memes (go to the r/Arkham subreddit, it's so funny unfortunately) (OFFICER BALLS.)

This was actually my introduction to Oracle and I love her more than anything in these games

Things I Didn't Like:

The graphics aren't fantastic but to be fair it was 2009 so

THE FUCKING BANE BOSS FIGHT. GOD. FUCK YOU BANE. THAT SHIT TOOK ME SO LONG.

The Killer Croc boss fight wasn't super difficult but it was so scary that I cried the first time I played it so. Keep that in mind.

Batman: Arkham City (2011)

My Personal Rating: 9/10

My Total Hours Played: 27.5

Steam Rating: Overwhelmingly Positive (95%)

Description: The second game in the Batman Arkham Series. After the riot at Arkham Asylum, Sharpton ascends to the mayor's office and cuts off about 6.4 acres of Gotham as ‘Arkham City’; a walled off portion of the city where crime runs rampant and mostly untethered. 

Play If You're Looking For: Agonizing Brutalia angst, a fight with pretty much every Batman villain who's ever existed (except for Scarecrow but that's for AK), a tiny sprinkle of Brucie Wayne right at the beginning, and an INCREDIBLE story that is generally agreed to be the best in the series. 

Things I Liked:

TONS of collectibles

Taliaaaaa my angelllll <<3

The side missions are really great

If you get the DLC, there's a special game section focused around Harley where you play as Tim’s Robin and it's super fun

The story is just. My god. It's so good. It's SO good. 

The map is massive and there's so much to do, I was still playing weeks after I finished the story

Things I Didn't Like:

As much as I loved the collectibles there's like over 400 of them in the game and I couldn't get all of them and it still pisses me off 

You have to play as Selina a few times in order to progress and she's like super weak compared to Bruce (not in a misogynistic way on my part I mean like she genuinely dies after like two good hits) and her dialogue annoys tf out of me. Sorry I'm a hater. 

Batman: Arkham Origins (2013)

My Personal Rating: 9/10

My Total Hours Played: 27.2

Steam Rating: Very Positive (89%)

Description: The third game in the Batman Arkham Series– but this one is a prequel! I actually played this one after Arkham Knight but. Shhh. Anyways, this game is based loosely off the world presented in the Batman: Year One comics, and follows a younger Bruce in his early days as Batman, including the origins (lol) to many of his greatest enemies as they try to hunt him down, with their efforts spearheaded by a certain someone behind the scenes. Also it's Christmas!

Play If You're Looking For: Little baby angsty Bruce being a problem child, a game where you get to punch cops, and tiny tiny tiny baby Babs being adorable (she's like twelve and she's so cute).

Things I Liked:

I don't usually care about the soundtracks for video games but. FUCK the music is good. It's all based on Christmas/Nutcracker music and it's really really cool

This game genuinely helped me get over a lot of really deeply ingrained trauma surrounding Christmas /gen

Fun little Mad Hatter side mission!

Batman and Riddler argue like teenage boys (because they are)

Alfred and Bruce's relationship has some genuinely really beautiful characterization in this and their arch is really enjoyable 

Things I Didn't Like:

FUCKING. BANE. HE HAS LIKE THREE SEPARATE BOSS FIGHTS AND THEY'RE ALL SO HARD AND SCARY AND AND AND AHHHH 

The graphics are a little iffy but to be fair my view was skewed bc I played this right after finishing Arkham Knight

Batman: Arkham Knight (2015)

My Personal Rating: 8.5/10

My Total Hours Played: 47.9

Steam Rating: Very Positive (91%)

Description: The fourth and (kind of) final installment of the Batman Arkham Series (not counting Arkham Shadow because idgaf). Scarecrow is back, and threatening Gotham with a new fear toxin compound, resulting in a mass evacuation… but something else is going on here too, and Batman has a new enemy who may be his most dangerous yet. 

Play If You're Looking For: agony, pain, suffering, nightmares, tears, emotional exhaustion, etc. 

Things I Liked:

Really well written story (it's just really traumatizing)

Some of the most beautiful graphics in any video game like. Ever.

The DLC suits are SO COOL, you can play as Flashpoint Batman….

Really really great fighting mechanics that make combat actually really enjoyable even though that's not really what I'm here for

Amazing side missions; there's basically a side mission for every mechanic in the game, so whatever your favorite part is there's a little section where that's pretty much all you do

Things I Didn't Like:

This game took me WEEKS to get through because the story is so painful it was genuinely not fun half the time 

The ending isn't very satisfying (to me)

You know the concept of the “all is lost moment” in story telling? Yeah, this game’s “all is lost moment” is like 80% of the game. Everything is lost like. Most of the time. 

Oh we're just not gonna talk about Talia. After all that shit in Arkham City. Okay. Cool. 

Selina is so annoying in this game, there's this whole side mission that's basically just her and it's really irritating

FUCK YOU EDWARD NYGMA THAT DRIVING COURSE WAS BULLSHIT AND I COULDN'T GET THROUGH IT NO MATTER HOW HARD I FUCKING TRIED

I actually just kinda hate driving games generally and there's a LOT of driving in this game but you get used to it eventually and it becomes easier

Gotham Knights (2022)

My Personal Rating: 10/10

My Total Hours Played: 46.9

Steam Rating: Mixed (68%)

Description: Batman is dead, leaving Dick, Jason, Barbara, Tim, and Alfred to pick up the pieces and finish what he started. 

Play If You're Looking For: Batfam content, a perfect mix of “holy shit I haven't cried this hard in years” and “this is the funniest thing anyone has ever produced ever, goofy dialogue and one liners, and casual queer rep.

Things I Liked:

The map is HUGE and genuinely feels so unbelievably alive in a way that I don't think any other Batman game even comes close to in its depiction of Gotham– like I could write ESSAYS about how well this game captures the experience of living in a big city like Gotham (let me know if you want me to make a post about that actually lol)

Collectibles that are actually reasonable and fun

Super fun side missions

Absolutely gorgeous graphics 

The characters can emote and all the Batkids have their own dance moves :( and Jason dances like he's 70 years old it's really cute :(

Even after completing everything in the entire story it's STILL fun to go patrolling because it keeps generating new crimes– premeditated or otherwise– for you to fight and it's really fun

The Batkids have a pride flag in their house ☹️ and Dick has a bi flag mug ☹️

Things I Didn't Like:

Literally everyone hates this game for NO FUCKING REASON it's genuinely fantastic you guys are just losers

Talia is unfortunately characterized kinda shitty and it makes me sad bc her design is incredible but she does some OOC stuff :(

You can customize your suit but not as extensively as I would've liked 

This game gets kinda hard to play at points because it's really hard to see your screen through all the tears (cough cough the last boss fight cough cough)

Batman: The Telltale Series (2016)

My Personal Rating: 5.7/10

My Total Hours Played: 9.1

Steam Rating: Very Positive (86%)

Description: A 5 episode point-and-click adventure following Bruce Wayne as he faces some of his biggest challenges, both as Bruce and as Batman. 

Play If You're Looking For: Minimal combat and story-centered gameplay.

Things I Liked:

I love love love the character designs in this game, this is actually one of my favorite versions of Bruce possibly ever

You get a lot of opportunities to make Bruce and Selina kiss in this game and I said no every single time and it was very gratifying for me 

Alfred and Bruce have an incredibly sweet father-son relationship (if you play your cards right, anyway) and it makes me really emotional because Bruce literally loses EVERYTHING over the course of this game and Alfred is there at his side the whole time

The ending was really satisfying overall and actually made me enjoy the game a lot more

Things I Didn't Like:

Chapters 2-4 are INCREDIBLY stressful, especially for me because A) there's an involuntary psych ward commitment and B) there are a lot of themes around the Wayne's developing a bad reputation and being hated, which are massively triggering for me personally and because I don't have the spoons to play through the whole thing at once I had to sit in that stress for a while before it concluded in-game

Batman: The Enemy Within (2017)

My Personal Rating: 4/10

My Total Hours Played: 10.2

Steam Rating: Very Positive (91%)

Description: The sequel to “Batman: The Telltale Series”. John Doe is let out of Arkham and seeks to take you up on that favor you promised him.

Play If You're Looking For: BatJokes, Angst, and a lot of “Is Batman Good For Gotham?” Stuff.

Things I Liked:

The opening chapter with Mori was kinda fun

I think Amanda Waller was written pretty well overall

Things I Didn't Like:

Fucking any of it lowkey 😭

Same as the other Telltale game tbh

For me, it was emotionally exhausting and really upsetting, but that's just kinda because I HATEEEE the “impossible choice” trope in any almost any media, I just never enjoy it, and there's a LOT of it in here

The ending made me wanna kms because there's literally no good option here what the fuck

Like I get that's the whole point but. Okay what if I kms what then. 

[bylrndgm]

AND IT FELT SO NICE, SO PEACEFUL AND QUIET.

independent el | there's more to life than just stupid boys.

[silent-silver-slip]

Unsurprisingly, ADV has won, so I will certainly be doing work for that as well. But there's a rundown of the additional work I did for the other poll options (see below the line). Info on A Dragon's View (ADV) can be found at the bottom of the list.

Started with farmer!Shika (i.e. no one knows what lies beneath) and gave myself a target of 6 sentences. Didn't think to count and remembered a few minutes later with a total of 146 words and the start of the next short story.

I hadn't worked on Prime Crime Time series in eons, but I opened up the document, found that there's already the majority of a plot there and got to work. My aim was 9 sentences. 233 words later and a bit of a roll, I think I know how the next story starts (and how Madara and Izuna enter a life of crime... on the other side this time, that is).

The urban fantasy uni collection (which I've mentioned here before) needed 24 sentences. Continuing the theme of starting another short story, this one also needed to start another short story. There's about four stories left until I call the collection complete, but we'll get there when we get there I suppose. Anyway, because I kept looking at the paragraph number rather than sentence number, I went a bit longer than necessary. Thankfully, I noticed before I hit 24 paragraphs, but anyway, there's a handful of extra words written now. But 403 words later (and 36 sentences), I can move on.

The royal/commander story was a lot easier, on account of the fact I've been working on this recently and am partway through a scene. 11 sentences were written, with a little extra since it's a fun angsty scene.

Twice-born souls is now 17 sentences into the First Actual Story, but it's not something I'm likely to continue anytime soon. I did add a few hundred words to the plot when I thought about writing it though, which is something.

All that's left to do is ADV...

Technically, ADV is actually a completely written work - but that just means I'm moving onto officially editing not just that work, but the entire series going along with it.

So as a result, I got to work shifting my reverse outline and notes into a new document, colour coding things that I want to change or adjust, and also doing a few other notes along the way. This brought me to a whopping 1768 words and... 142 sentences (give or take, there was some work in another document I'm also counting). This meant I was 16 sentences short. Do you know how annoying that is? I'm quickly realising that 158 sentences is Many More than I thought it was. Naturally, this led me to a topic that I had been fiercely debating in my head for a while: dragons, gender, and pronouns, and the problem of my conlang. Thankfully, I have a partial solution in place that now just needs to be added in.

In conclusion, ADV (well, the entire series) gained 2,369 words and because I am an overachiever I wrote an additional of 1,431 (or around that) words.

Needless to say @dragons-locator, I hope you're happy with yourself. There have been many words and I'm much closer to the stage of preparing to get beta readers for my dragons series now.

(For those curious to see where ADV and its series started, here's a post on when I started rewriting it. This series is a decade in the making, technically.)

tagged by @librarylexicon -- thank you for the tag!

Rules: Make a 24hr poll listing the titles of every WIP you want to work on. (It’s fine if you only have one, still make a poll for the vote count). Whichever WIP title gets the most votes, write 1 sentence for every vote received.

Because I'm not silly enough to do All my various projects, I'll do the ones I've currently been rotating in my mind.

As always, absolutely no pressure to do the same, but gonna tag @adragonhoardingstories, @limetimo, @juliaandthephantoms and also anyone else who wants to join in!

[sergle]

pink carnations for the floral portrait series + detail (pls do not tag as "me", thank you!!)

[liquidstar]

look this site really is awful for ppl with OCD so i just wanna reassure anyone that you are not Tainted Forever for consuming a piece of media with questionable content. the fact that youre able to recognize it speaks to your critical thinking skills, which is good, certain depictions should be critiqued. but you dont need to ruminate on it to the point where you begin to feel guilty for simply witnessing gross or creepy writing choices. you dont have to vindicate yourself to the fictional tumblr discourser inside your head, saying that youre now a bad person bc you watched the wrong anime. your actual response to it still matters of course, but thats that and this is this. just seeing it is neutral, you didnt commit a thought crime. its literally fine.

IF YOU ARE USING THIS POST TO ONLY FURTHER YOUR STUPID PEDANTIC BLACK-AND-WHITE DISCOURSE TO GET A "GOCHA" OVER THE OTHER SIDE YOU ARE THE PROBLEM. DON'T USE OUR DISORDER TO VINDICATE YOUR BEHAVIOR. THOUGHT CRIMES ARENT REAL BUT ACTIONS STILL MATTER. PEOPLE WITH OCD ARE CAPABLE OF THINKING CRITICALLY ABOUT OUR ACTIONS AND RESPONSES, EVEN WITH INTRUSIVE THOUGHTS AND RUMINATIONS. TREATING US AS IF WE CANNOT, ONLY TO FORCE US TO USE YOUR STRINGENT UNNUANCED DISCOURSE OPINIONS ABOUT "PURITY CULTURE" (TRIGGERING TO THOSE WITH OCD) AS THE ONLY REASONABLE GUIDE DOES MORE TO EXACERBATE OUR OBSESSIONS THAN HELP US. YOU ARE THE ISSUE AS WELL. YOU ARE ALSO THE TUMBLR DISCOURSER INSIDE OUR HEADS. DO NOT USE US FOR YOUR DISCOURSE. WE ARE PEOPLE, NOT HYPOTHETICALS TO USE TO EXPLAIN IF YOUR FROZEN INCEST FANFICTION IS OKAY OR NOT. TREATING US AS IF WE CANNOT AUTONOMOUSLY HAVE OUR OWN OPINIONS ON WHEN MEDIA IS TANGIBLY HARMFUL IS ABLEIST. FORCING US TO ABIDE BY YOUR IN-GROUP'S SET OF UNEQUIVOCAL MORALS IS ABLEIST. ACTING AS THOUGH THE ONLY SOLUTION FOR US IS MINDLESS MEDIA CONSUMPTION IN WHICH "EVERY DEPICTION OF XYZ, NO MATTER HOW POORLY DONE OR EXPLOITATIVE, IS ALWAYS OKAY AND IF YOU DISAGREE YOURE ACTUALLY AN EVIL 'ANTI'" IS ABLEIST. THOSE ARE THE SAME BLACK-AND-WHITE MORALS THAT SEND US INTO OBSESSIVE SPIKES, BUT FLIPPED. A SET OF MORALS IN WHICH QUESTIONING THE IMPACT OF A PIECE OF WORK MAKES YOU AN "EVIL CONSERVATIVE PURITAN "ANTI"" DOES NOT HELP MORAL OCD.

YOU ARE THE DAMN TUMBLR DISCOUERSERS MAKING THIS SHIT WORSE FOR US! YOURE THE EXACT SAME BUT WITH FLIPPED BUZZWORDS! YOU'RE MISSING THE WHOLE DAMN POINT!

[mar-im-o]

Taking HRT to transition from Scarian yaoi shipper to Gempearl yuri shipper

[buckydeservesthebest]

I really blame TFATWS' poor writing for essentially making the narratives of many of the characters inconsistent. I mean, they retconned the well known canon that the Winter Soldier wasn't activated until the 1960s, to now tell us he was at least since '51, for the sole purpose of introducing Isaiah to the story. I think with a little more thought, they could have found another more believable way to introduce him without having to change canon.

Not only was the entire script of the series written in a rushed manner, but the showrunner and writers did not have a clear understanding of the entire lore surrounding the characters. If I remember correctly, Spellman himself said in an interview that to prepare for writing the script, instead of devoting himself to watch and read about all the history of the main characters, he simply read a summary of their arcs in one of those wikis pages.

**Already in this post, it was explained very well why the plot holes and inconsistency in the narrative, especially Bucky's. But in the end, the ones who pay the price for the lack of production preparation are the characters themselves, because unfortunately they are always going to be at the mercy of what the writers want to do with them.**

But even with all the narrative inconsistencies, I think Bucky's action of assisting Zemo in his escape from prison is justified and was the right thing to do (according to the nonsensical plot), and in fact, the canonical book The Art of The Falcon and the Winte Soldier states that. Let's see:

The Flag Smashers were already a criminal rebel group involved in terrorist acts, and on top of it all, some of their members exhibited superhuman abilities, which made them even more dangerous. Bucky and Sam used the orthodox methods of tracking and investigation to capture them, without going to any extreme. It wasn't until they both realized that the FS were actually super soldiers, which meant that someone had recreated the serum, the biggest suspect being HYDRA, that the situation led Bucky and Sam to resort to more extreme measures.

I think it's important to talk about how once Bucky discovered that the existence of more super soldiers, and believing HYDRA was behind it all, he took the issue more personal, because believing it was HYDRA “his people”, he feels responsible over all the harm they may continue to cause.

In fact the Marvel Studios' The Marvel Cinematic Universe An Official Timeline book, talks about how ending the legacy of the other Winter Soldiers (evil super soldiers), was already a duty Bucky had self-imposed as part of the redemption he has always sought.

So the same applies for the case of the FS, a group of criminals born out of HYDRA's actions, something Bucky believes he has a responsibility to fight and stop.

I think some of Sam and Zemo's lines reference this as well:

Sam: I know why this matters to you, but it’s pushing you off the deep end.

Bucky: Someone recreated the super-soldier serum. I need to find out who. Zemo: You are assuming HYDRA has something to do with this, which is why you came to me, *which means you are desperate.* 

So considering that neither the government intelligence organizations nor the military have any information that would be helpful in figuring out how the serum was recreated (which was Bucky's main mission) nor about the whereabouts of the FS, that Bucky had no choice but to turn to Zemo.

Something interesting about this, and something that wasn't mentioned in the series, but was in the canonical book The Art of TFATWS. Is that before looking for Zemo, Bucky and Sam had already exhausted all available resources for their mission, with Zemo being the last and best card available to find out the origin of the serum and to stop the FS.

Another thing that is important to clarify is that before resorting to freeing Zemo, Bucky first tried to get useful information from him WITHOUT having to release him from prison, but he refused to help from behind bars, leaving Bucky no choice but to assist him in his escape.

One of the many inconsistencies in the handling of the characters by the production, was precisely Zemo, who was originally a ruthless criminal who did not mind killing innocents in order to fulfill his mission which was to separate the Avengers, now the plot of TFATWS makes him look like a kind of misunderstood anti-hero someone who always wanted to stop the creation of the super soldier serum, because he wanted to rid the world of more supremacist groups like the Avengers and the Nazis. When that was never his purpose in CW, he simply wanted to get revenge on the Avengers and break them apart, there was no interest there for the good of society like the version of him they wanted to sell us in TFATWS.

The point is that just as the plot tried to make Zemo a slightly more sympathetic character, who actually seeks the common good supposedly, very different from what we saw in CW. The nonsensical plot also made him the greatest super soldier expert in history, so in effect making him the only person in the entire series who would actually be helpful to Bucky and Sam in dealing with the FS problem, as well as figuring out the origin of the serum. So according to the canonically inconsistent and nonsensical plot, Bucky did do the right thing by assisting him in his escape because Zemo would be the only one who could provide help.

Another thing in Bucky's favor is that it is undeniable that he always intended to return him to prison, and I can bet it was always his intention to specifically return him to the custody of the Wakandans.

It's because of all this that I've always been against the idea that formed in the fandom that Bucky had betrayed Wakanda, he did NOT, because his intention literally NEVER was to harm them in any way, NOR much less benefit Zemo, which are the definitions of the word 'betrayal'.

And I mean, everyone talks about what Zemo's release meant for Wakanda, but no one talks about what having to team up with him meant for Bucky himself, how hard it must have been for him to have to interact with the one who was his abuser, who framed him for a crime and almost got him killed on more than one occasion, who reactivated the mind control that subjugated him to his will and forced him to hurt others.

For whom the release of Zemo from prison was hardest and most difficult was for Bucky himself, because he was literally the one who ended up being most harmed by his actions in CW. Yet Bucky jeopardized his conditional pardon, his friendship with Wakanda, as well as his own health and mental stability for the greater good. Because again, the plot made Zemo the only person who could help in the capture of the FS, as well as to get to Nagel and find out how the serum was recreated and stop him.

So, at the end of the day, Bucky always did the right thing for the good, even though the one who sacrificed the most and had the most to lose in all of this was himself.

"I don't ship T'Challa and Bucky".

Nor do I. You don't have to...

What do all close bonds have to result in ships anyway? There are other kinds of love than romantic/sexual and there are other kinds of bonds.

Why can't two characters have close emotional bonds without being romantically in love with each other? I say they can! I say we need more extremely close platonic/sibling- like relationships which do not involve who wants to sleep with whom.

Lol, sorry I am ranting. I love how you never pass up on a chance to shit on TFatWS though. It deserves it. Someone even theorized that the reason the scenes with the Wakandans are framed like that in the series is to insinuate Bucky betrayed them.

He would *never* have betrayed them. Bucky is not a betrayer. i'm not saying that to woobify him or because he's without flaw, but its just not in his nature to betray or backstab people. He's a protector by nature like you suggested. Not if he's able to exercize free choice and consent anyway. What he did as the Winter Soldier.. well can that even be counted as betrayal when it wasn't done of his free consent or choice?

Which all goes to show how little the writers of that series understood Bucky/just literally wanted to undermine and subvert everything about his established personality and nature. Why don't the writers just go ahead an kill him off already? Permanently this time. They clearly couldn't care less about his character at this point so they might as well. Just at least give him a heroic death....

Yeah, honestly Bucky breaking Zemo out isn’t my gripe, it’s that he’s not given a justification that matches his character. Say if the super soldiers were a threat to Wakanda, or even a direct threat to Sam (instead of them just doing their own thing and it’s really Sam and Bucky trying to stop their quest to provide vaccines for the refugees), and Zemo was once working closely with Nagel and had a direct line in, I would think that might be sufficient justification for Bucky to break Zemo out. As it stands it’s like three degrees of separation and it made no sense for Bucky to go that far, for something that had minimal returns.

I heard that Cap 4 will contain a scene where Isaiah becomes “possessed” in the manner of a brainwashed Winter Soldier and fights against Sam. I would be interested to see whether they treat that as Isaiah’s fault and something he needs to make amends for, or as something beyond his control and the fault of the person who controlled him — as it should be. Although, if they take the correct stance, given the writer is Spellman, I would question that divergent treatment of two similar characters. 

There is a subsection of series fans who believe any direct acknowledgment of Bucky’s extensive trauma or purporting he is a man with strong moral goodness is woobification. Pointing out that he is a good man who would not fucking do that is not what woobification is about.

I think there’s also a subsection of fans who prefer to characterise Bucky as morally ambiguous. It’s not the characterisation I see from movie canon, and I think it’s more in keeping with the comics Bucky who’s a very different character.

[secriden]

*cracks knuckles* Okay lets talk about the elephant in the room: Style going to the support group for those who've suffered loss and telling what appears to be a fake story about losing his pet dog.

I'm going to point out a few things that I think provide a framework for Style's actions here. Not because I think it excuses what he did, but because I think a nuanced read is what the character deserves.

Point 1: An irresistible opportunity

The subs put the "Support Group for Loss" on the image in the notebook, but I'm not sure there's anything to suggest that Style would've known that was what this image represents until he showed up and saw the sign on top of the door.

In episode 2, Bison says, "He plans everything down from years, months, weeks to days" and then tells Kant:

So Style is literally just going to addresses/locations at given days and times, potentially not knowing what to expect. And as much as Fadel is certainly attending this meeting as a response to having that heartbreaking flashback (😭), this is also something he attends regularly and has planned to attend way in advance. So Style has no reason to think Fadel is attending this meeting because of a recent resurfacing of his pain.

What we, the audience, and what the characters know are very different things.

Now, should Style have turned his cute ass right around once he realised what this meeting was? Of course he should. But that wouldn't have been true to Style's character. We've been told by his best friend that he is "crazy" and been shown repeatedly that he lives right up to that description.

Style is impulsive. He's all base instinct and he acts on his desires without thought or contemplation. And by this point he is desperate for a deeper connection with Fadel. He's fascinated, captivated by the mystery that is Fadel and this is an excellent opportunity to finally see behind the wall Fadel so carefully maintains.

When Style sees the sign above the door, Style looks at the notebook (which, again, shows nothing but people sitting in a circle with the words RISE UP) like he's just realising what it means. He then gets this amused, almost rueful look on his face (like he's thinking "am I really going to do this?") before it shifts to determination and he walks through the door.

(My soul for the ability to once again gif something because FUCK Dunk is doing SO MUCH in this show!!)

To Style, this is just too good of an opportunity to give up.

Because let's be real, Fadel is so clearly lying and hiding something:

Fadel is shady as FUCK. He is simultaneously actually a really good cook (Style finally tries his burger so he knows, now), and also has the skills to work at a strip host club, and also can take on 3 guys in a fight, and also can break a man's arm with his thighs. Can you honestly blame Style for losing his mind just a little bit about wanting to get his hands on something, anything, to figure this man out?

Style is being absolutely consistent in his persistence to understand Fadel. This isn't about the car or about finally 'winning' the fight (thank you @airenyah for giving such a detailed framework to understand what Style's been doing until this point) anymore. This is about Style wanting to know Fadel himself.

Point 2: The potential implications of the setting

Now, what might give us a bit of insight as to why Style is this way? I have a theory (albeit one that could prove to be very wrong, but hear me out). I think this whole entire show is set in what could potentially be quite a small town/suburb.

There's a few things that make this theory plausible:

(1) Fadel and Bison are in hiding after Bison blew their previous cover. They're probably on the run from some section of the authorities and so it makes sense to settle in a quiet/out of the way place.

(2) Style seems to be really familiar with the people in the area. Like he grew up there and its the kind of small town where everyone knows everyone and everyone is in everyone else's business.

(3) Style is clearly the darling of the market aunties and uncles.

Style just lost her a sale and potentially a loyal customer, and she's still rooting for him? In episode 2, when Style asks the uncle to let him borrow his cart, it takes nothing but his word for the uncle to give Style his entire cart of produce for his ridiculous scheme.

Style is so clearly someone they all know well and have great affection for, and a very plausible explanation for this is that they all watched him grow up and the entire market (town/village) is fond of him.

And honestly?? Yeah, we see the way Style is actually quite sweet in that careless, guileless, thoughtless way. He goes the extra mile to fix his mistake with Fadel by replacing his car parts for free in episode 1. He helps out by taking orders in episode 2 without being asked and takes it seriously. In episode 3, he tries to drive more business to Fadel's store (bless him, he so clearly does NOT understand how restaurants work, but he MEANS well!!), and can we all acknowledge that it works?? He understands how to appeal to potential customers in the area because he knows the people there. It's not (entirely) his fault that Fadel wasn't remotely prepared for an actual rush crowd and Bison was off getting kinky with Kant and not doing his (fake) job. He is so clear about not judging Fadel's host job and tries his hardest to help him (to absolutely NO effect, but still) when the 3 guys gang up on Fadel.

Style is so loved and more importantly so very loveable.

Point 3: What this could mean for Style's character

So, potentially, Style is someone who grew up in a small town, who has been well loved, potentially spoiled and coddled, but also very much kept within the confines of the narrow viewpoint that a quiet, country town places on you.

It's in the way his dad scolds him as if he was still a child when he's at least in his mid to late 20s. It's in the way Style was so mad at Fadel for scolding him ("thanks for the lecture, dad"), like that hit a sore point for Style. It's in the way no one in the market takes him seriously; they're fond, but he's still a kid in their eyes. It's in the way he has an abundance of free time like he doesn't REALLY need to work at his dad's shop. It's in the way he sees Fadel beat 3 guys up with ease, starts wondering if Fadel is an assassin or a hitman, and is completely unfazed like he doesn't quite have a handle on reality.

It's in the way his best friend is a man who has no qualms about lying to him and putting his life in danger, and how Style seems to have no other friends or people (aside from his dad) in his life.

@wuxian-vs-wangji made a comment to me about Style being desperate for a meaningful connection, and I think she hit the nail on the head. Because along comes Fadel, a mysterious stranger with a suspiciously versatile set of skills who is also very hot and keeps giving Style these wonderfully complex reactions? Who sometimes wants nothing to do with Style, but at other times seems to be at war within himself about desperately wanting him? Who treats Style with anything but apathy?

This is catnip to Style; he never had any hope of resisting this.

Breaking news: Style is a complex and imperfect character...

Here's the thing, though: he was never going to try. The show has been incredibly upfront about who Style is as a person. Regardless of whether I'm correct about why he is this way (ie. that he is very much the product of the environment that didn't know how to handle a kid with Style's personality), episode 3 shouldn't have surprised anyone about Style. He's been incredibly consistent and true to himself.

He wants Fadel and he's "crazy" enough to go all in, no holds barred about it, and the Support Group was the biggest doorway to finally discovering something REAL about Fadel.

And its not just about sex or to prove his superiority anymore. Because if it was just that, then Style would have reacted very differently to their first time.

In this scene, Style is pleased and evidently enjoying himself, but he isn't exuberant. He isn't overcome with joy. If anything, he was more happy and excited when Fadel let him help out in the diner (I mentioned this in the tags in this post too) than he was when Fadel is literally fucking him. He lets Fadel set the pace; barely moves to touch Fadel except to hold him close. Almost like he doesn't want to accidentally mess this up, like he's worried he'll take too much, so he'll take what Fadel gives him and no more (please appreciate @braceletofteeth's amazing tags on this post). For a character that has been so aggressively on the offensive, this is shocking until you realise that sleeping with Fadel - while it's a step in the right direction - isn't Style's end goal anymore.

And he makes that abundantly clear in this episode:

Does Style even fully realise the weight of this desire? I doubt it. But I do believe that Style is in earnest. He doesn't fully understand his own feelings, but he also doesn't really care to either. All he knows is that he wants Fadel, wants his attention and his passion and his focus and his heart.

...but Style is also kind of, sort of, perfect.

Because he's exactly, precisely, breathtakingly exactly what Fadel needs.

Because Fadel is hurt and broken and bleeding inside. Because Fadel is barely holding it all together for Bison's sake, but has already given up hope for any true happiness for himself. Because Fadel can't trust anyone or anything in his life, when he's been used and used and used by the family who should've loved and cared and protected him.

Because it's going to take nothing short of this kind of unwavering, unshakable, uncomplicated determination to give Fadel even a chance of healing and opening his heart to love again.

[rosesradio]

You're the only person i follow who posts about thomas sanders

And i only watch him for sanders sides, i'm not really in the fsndom online, so i guess you are the best person to ask this

Why does thomas take so long to upload new sander sides?

ten questions scientists still can't answer, anon