#this one’s kinda old but I never posted it so

[vypridae]

"he's going to watch something dumb, xanzen do you want some content??" "SOMEBODY SEDATE ME!!!!!"

[ilkkawhat]

I know I've mentioned the Journal before, but this Saturday marks the one year anniversary of the day that I decided to play Alan Wake 2 for the first time, and my life changed for the better. I've used this journal to keep track of various gameplay stats (not pictured is the AW2 page where I'm literally keeping a tally of how many times I've played it which I'm in my tenth full playthrough); notes such as the stash puzzles, deer heads, etc though I still gotta finish the list of nursery rhymes and maps beyond cauldron lake; dreams I've had involving alan or anything remedy related; doodles and drawings (which is huge for me on a personal level cause I have this like. slightly traumatic experience with drawing early in my life that I won't go into detail here); and even a few poems I wrote...and I hadn't written poems since maybe high school.

This year has been rough on a personal level especially with work but like other cornerstone obsession's I've had, Alan's journey resonated with me on so many levels and gives me strength to keep going. The night I bought and played AW2 on a whim just because I saw a meme that "friendship ended with Silent Hill now Alan Wake 2 is my best friend" will go down as a tremendous turning point in my life. I was on a creative dry spell, I had stopped everything and never thought I'd start again, I had exiled myself from any sort of fandom space/interaction thinking I was poison, isolated myself to such a terrible degree from my family and friends, I was in such a deep depression and a new level of hopelessness than I had ever been in before, and I can just go on and on forever on how much this game means to me but the most important thing Alan Wake taught me is the beginning of the final draft, that realization that all is not lost, that my life is not just a loop of depression then fleeting joy then depression then fleeting joy then depression then fleeting joy (yes, sometimes I wonder if I'm bipolar) and his monologue sums it up best:

A fictional poet once said "Beyond the shadow you settle for, there is a miracle, illuminated." I will not settle for a shadow. I will find the miracle, through the night. It's not just victims and monsters; I see now, there are heroes as well. We can find our way through the darkness. We will break through the surface and crash into the light.

[gnomewithalaptop]

Batfam Time Travel Fic Recs

Because @clarenceislazy requested it on my last fic rec compilation, here's a list of my favorite DCU time travel fics! They're all pretty Batfam-centric, but eh niche is niche what can you do

Damian fics:

A Good Place by LemonadeGarden - Damian gets sent back in time to a Batman who's never had a Robin. Very sweet, very fun.

The Rule Stands by Engineerd - After Dick's death, Damian has to deal with a time-displaced ten-year-old Dick Grayson. Love a good Dick and Damian bonding moment, PLUS this gets a happy ending <3

to stay in one place by Jezebunny - Injustice!Universe Nightwing!Damian time-travels/dimension-jumps to a timeline where Dick Grayson is still alive and his counterpart is still Robin. Ugh this is so angsty -- I have an unreasonable amount of love for Injustice Damian

looking for the shapes in the silence by popsunner - In a world where Dick died on the job, Damian falls through a hole in reality where Dick is still alive and finds that some things don't fit the way they used to. SUCH an amazing representation of complex grief -- literally every time I read it, I cry

Steph fics:

time slip by almondrose - A mistake in time leads to six Robins meeting. Honestly, this one is kinda cracky, and only barely qualifies as Steph-centric, but I still like it a lot

and we'll never be the same by almondrose - Steph and Tim go on a road trip to figure out the post-universal-reboot anomalies. This is more of a post timey-wimey-bullshit fic than a real time travel fic, BUT I think it's real cute regardless

Tim fics:

Tractors by lieu42 - Ooh this one is honestly so so fun! In a reimagined universe where DC's heroes operate out of the UK, Red Robin Tim finds himself right back in the year before everything went to hell. He has a duty to get back to his correct timeline so he can find Bruce, but with Bart and Kon still alive, there's a part of him that doesn't want to leave. Literally SO well written and trippy as hell -- this fic deals a lot with addiction, drug use, and grief, so definitely go into it forewarned. TimKon

not for very much longer by CreamOfTomatoSoup - ugh what CAN'T I say about this fic, apart from the fact that it's one of my favorite time loop fics of all time. Post Cult of Dionysus Bernard Dowd finds himself reliving the worst day of his life -- the day Darla got shot. Featuring identity porn, Steph as Robin, Original-Personality!Bernard, the grief of a childhood you can never return to, and the weirdness of having to interact with your significant other when he's currently a sixteen year old who doesn't know he likes dudes. Don't look at the incomplete warning -- it's not abandoned, just a wip, and I legitimately cannot recommend this fic enough. This fic made me read War Games. This fic made me a Darla Aquista stan. This fic made me ship timbern. Please read this fic.

Jason fics:

The View From Jade by lowflyingfruit - Jason Todd accidentally travels back to before Bruce took Dick in. I feel like this is on every time travel rec list, but what can I say: I'm a basic bitch

Two Dead Birds by InsaneTrollLogic - Jason Todd wakes up in the middle of his Mob Boss Era and immediately decides to rewrite his own history. This is very funky fresh of him, just in my personal opinion.

Dick fics:

So It Goes by 60sec400 - Bruce from Dick's Robin era receives a troubling call from Nightwing. Be warned -- this fic is angsty as hell. Implied major character death. Don't look at the incomplete warning -- it's a lie (the author has specified they intended it to work as a oneshot)

In This Or Any Other Universe by wildsofmarch - Dick-as-Batman ends up in Battinson-era Gotham. Again, I think this counts more towards the Dimension Travel pile than the strict Time Travel variety, but I'm still putting it here because I enjoy the hell out of it

a million dreams by CaptainOzone - In the seconds between the trapeze line snapping and their bodies hitting the ground, John and Mary Grayson find themselves transported twenty years into the future. SO GOOD I honestly can't stand it.

If you think I missed a fic you love (or if you've written any yourself and want to self-plug), feel free to drop a link in the reblogs! Especially if you know of any that center around Steph, Cass, or Duke -- istg I've scrolled through fifteen pages of the AO3 Time Travel tag, and I've found like maybe two fics that center around any of them. It's honestly a little ridiculous

[frauleiiin]

Thank you so much to all of you for the likes and reblogs! I never expected y'all would love this post this much, I'm very touched! Now, let's dive into the lore behind these two scenes..

Parallels

The Gravestone scene has always been important to me, it showed me where Maverik'a was in her journey. Only a few years ago, she was that Padawan in awe of her Master's will in the force. Aspiring to be as good and as strong as him, not knowing then that she already had that power within herself. Maverik'a wasn't raised like most Jedi. She was found by a Jedi colony slightly before Satele Shan rediscovered Tython and made it the new heart of the order. The Jedi masters of the colony knew she was no average force user, they tried to slow her training so she could feel like a normal child. One might say they didn't prepare her enough for what was about to come but she wouldn't have had any childhood if not for that decision. When she arrived on Tython, she was 17 years old and all she cared about was to become a good Jedi. She was excited to learn more, excited to be in the presence of great Jedi, excited for her future. Throughout her journey as a Knight, things started to get sour. She realized she was becoming an asset to the Order, also that they were using her compassion for their own goals (like forcing her to bring the Emperor to the light, we know that didn't work). After defeating the Emperor for the first time and becoming a Master, it kinda made her reflect on who she was and who she wanted to be. She started being more like an unconventional Jedi, not following everything to the letter and the Jedi Order didn't have a word in that because they NEEDED her. At that point, Maverik'a was more powerful, more confident and more serene than ever... Then, she was put in carbonite for 5 years and everything she had learned was to be reconsidered.

The Gravestone lifting scene was there to remind me how much Maverik'a had changed but also to show me there was more waiting for her ahead.

I actually have her backstory written over here if you're interested! [RefSheet].

''I want to be able to do that someday..''

''And you will, Padawan.'' - Orgus Din.

[macaroonff]

The photobooth- Park Sunghoon

Where two strangers, in their desperation and vulnerability, take a picture together. One to create a lasting memory, the other to remove the old one.

Genre: Strangers to lovers (kinda)

Pairing: Non-idol Park Sunghoon x gn!reader

Content warnings: Mentions of a breakup, mentions of enlistment, none imo

Word Count: 1.2k approximately

In his mind, what he would do next was stupid, extremely stupid. Park Sunghoon stood solemnly in front of this hole-in-the-wall photobooth he travelled past on the way to uni. He wasn't sure what exactly led him here- whether it was his desperate need to capture a memory, or whether he was driven by pure insanity. He knew a few things had changed since the last time he stopped by. His hair was shaved short, military style as was required of him. There was an increasing sense of foreboding of the future. His heart had never felt this heavy before. Not even when he almost didn't get into the university of his choice. He was about to enlist- only that it didn't help that he'd be leaving in a week. He felt short on time, as the announcement barely gave him enough to physically or mentally prepare himself. His friends had suggested taking a cool polaroid picture for the sake of memories. For a keepsake for the man he was to become, and as a memory of the boy he would leave behind. His heavy feet therefore brought him here,to a last-minute decision after hours of contemplation. He draws the curtains of the tiny photobooth and hesitantly sits on the bench. Unfortunately for him, and to add to his embarrassment, he fails to notice the other person seated right beside him.

"Excuse me?" you squeak, surprised by the appearance of the man next to you.

Sunghoon is pulled out of his thoughts, and he finally acknowledges your presence. "Oh-" he can barely apologise as the click of the automatic booth interrupts you. He notices that he is captured in the second of the four films. Before he is able to process what happened, another click prints the third film. He jumps out of the booth in a second as you're left bewildered there. The bewilderment enthusiastically captured by the last film. As you look at your ruined pictures, Sunghoon find the need to apologise desperately for interrupting you. He peaks his head back in to the booth, in an attempt at apologising. Instead what he sees are teardrops falling down your cheeks, the films balled up in your fists.

"Oh my god, I'm so sorry, i really didn't mean to interrupt you," he rambles, "I didn't reali-" before he could finish you push past him, exiting the booth. Before you're able to get up again, you're wrist is tugged on by him.

"Let me pay for you, please. It's my fault, please don't cry" he begs. You're too scared to say a word. It really wasn't that deep for you, or it shouldn't have been. it was just a set of photos that you could take again. Unfortunately for you, you'd put too much meaning into this set of pictures. It was after you saw your ex post a set of pictures with his new girlfriend, in the exact same poses he'd once taken with you did you feel the rage erupting from within. You'd come here to re-write or erase whatever that poor memory was. You'd just have to do it alone. It wasn't this stranger's fault for your outburst. In fact you were happy he disturbed your gloomy little photoshoot.

"I-," you look up to meet the stranger's eyes, his eyes ridden with concern. In that small moment of surprise, you didn't really realise how handsome he was. It led you to an idea, a pathetic and selfish idea, but one that'd make you feel better.

"In that case, can you take another set with me. I don't want to do this alone," you request, your voice small as you begin to fidget with your hands.

"W...Why?" Sunghoon asks taken aback. Were you also scared of taking a picture alone like him? Did you also find it pathetic to take pictures alone in a world where mainly couples come here? Why come here alone if you didn't want to do it alone?

"I want to make my ex jealous," you say bluntly. You don't look at him, afraid of judgement at your request. Instead, you hear a small chuckle.

"Sure, I don't mind," you hear the kind boy say. " I might need the company too right now."

You're curious by what his last statement means,but choose to follow him into the booth quietly. He drops some change into the booth, and then looks at you before he presses the button. You nod and move closer to him, knees grazing gently. The both of you seem awkward but try to smile nonetheless. A click disperses the silence briefly, before he puts his shaking hands on yours. "I'm actually enlisting next week," he announces randomly. You look at him in surprise. "I don't know what to say," you can barely reply, when he brings his arms around your shoulder, just in time before the next picture. "Yeah, this is probably my last picture before I leave," he turns to you, smiling at your surprised face. "Good luck," your eyes soften as you pose for the next one, putting out a "V" awkwardly. He follows you, a somewhat shy smile gracing his lips. "Let's do a silly one" he offers to which you nod enthusiastically. You stick out your tongue, a little shy as he winks at the camera, the set of pictures coming out after the last click. The two of you examine the set of pictures, the two of you looking somewhat confused

"I like it," he says. "You look cute in this one," he hands you the last two pictures. You smile, earnestly. Compared to what you expected, you looked happy. Happy enough for you to forget why you'd come here. You realised neither of you had budged an inch, and you didn't feel like leaving.

"I... thought I'd achieve some sort of petty revenge if I could look happier in these pictures than the ones my ex took with his girlfriend."

Sunghoon raises an eyebrow, partly curious, partly in pity. His fingers gently rub against your palm. "In the thirty minutes I know you, I can say with confidence that you're too beautiful for the guy you're worried about. Don't fret it."

His words paint your smile wider as they sink into your soul. "Well, in the thirty minutes that I know you, I think you're so brave and kind that I wish we'd met sooner," you confess.

His smile now mirrors yours as he finally holds out his hand for a handshake. "I'm Sunghoon, by the way," he introduces.

You shake his warm hand, your palms tingling as they meet. "I'm y/n." you reply. After what seemed like an eternity, the both of you finally get out of the cramped booth, the chilly evening wind caressing your face. Sunghoon graciously waits for you to leave first, his eyes following you until your back fades into the city. The encounter felt bittersweet, more sweet than bitter as part of his solemn heart dissipated with the wind. He examines the first polaroid set left with him, where your initials are scribbled hastily at the back. He places it in his pocket, with the realisation that he had a new person, a new memory to bury into his wallet.

[ravers8fantasy]

once you open hc request again can you do doc Louis plezz

Wahey doc louis lets gooo, so sorry if these lwk suck I got major writers+art block and my creativity has just disappeared 😭 also i was tired when I made this so if you see any mistakes then IM SOSOOS SORRY!! anyway uh i hope u enjoy my....

☆Doc louis head canons!!☆

Owns a small boxing gym that he opened after he retired from professional boxing.

Also spends most of his time there its like a second home for him, he even sleeps there sometimes.

I dont think he would be in a relationship with anyone, I like to think that because he was focused on his boxing career he could never find the time for that kinda stuff.

Theres a bunch of old commercials with doc when he was in his prime. He is a little embarrased about them because the humor is outdated and cheesy.

Hates the one where he had to sing about chocolate flavoured milk. He only did it because he thought he would get the brand's chocolate milk free for life (spoiler he didnt😔).

I headcanon that he got into boxing because he used to see the matches with his dad as a kid and it inspired him

Hides his chocolate bars in the most obscure places so people dont go eating them (mac...also hippo, dont think you can sneak out of this one.), he also keeps one on him at all times.

Speaking of Mac, Doc see's himself as a farther figure for him and sees himself in Mac. (father and son duo frfr) studied all the boxers move sets so he could teach Mac better.

Before Mac came along, he used to go and watch a couple of matches and reminisce about old times.

Still has unresolved beef with some of his 'enemies' he made during his time with the W.B.V.A, sends hate paragraphs via fax machine whenever he is bored.

He literally can say anything and it will sound like an inspirational quote. Like imagine one of those silly inspirational facebook posts and its just "whats your favourite flower... Mines chocolate🤤"

Mainly listens to a mix of blues jazz and 80s hip hop, but is open to listening to other genres as well.

One time tried to show Mac his old bboy skills but straight up just collapsed in on himself on the floor.

Instead of reaching for the bottle after a hard day he will treat himself to a chocolate cake.

Doc first invented the star punch as an emergency move he would pull out from when all seemed lost. The version Mac was taught was a refined and changed version which better suited the new generation of boxing.

☆ *:..｡o♬**:..｡o♬**:..｡o♬**:..｡o♬**:..｡o♬*ﾟ ☆

Okok thats all!! I really wanted to do smth with the star punch, this headcanon is probably just a lil idea i will work on😭😭 I hoped you enjoyed!!!

[puckpocketed]

hello i was tagged by @18minutemajor for WIP Wednesday. it is not Wednesday but i am also not a cop so . here we gooo!!!!!!! tagging my esteemed colleagues (very politely and with no pressure!!!):

@neonfretra @oensible @sorrellegiance @moregraceful @stereax

@wheelsnipecelebrini

@korshrimpski (EDIT: it won’t?? let me tag you. unless these are on separate lines <3)

what's in-progress in your life <3 writing? art? recipe? skill acquisition?

if any crafty people see this - if ANYONE sees this - and would like to join in, feel free and consider yourself tagged <3 (and tag me back so i can see your stuff!!!) link to 18minutemajor's post if yall curious :3 my VERY long wip dump + ramblings under the cut!

its christmas soon and i like to paint gifts for my friends + and i'm finally revisiting my anime/lineart/inking era (here you are K!! my lineart past, present, and future!! <3) so here are some things i've been working on/coming back to/MAY NEVER FINISH: hockey related:

this is juraj slafkovsky and his dinky little middle part which he can absolutely learn to style into something a little less dinky but never does. i am so charmed by him. i imagine he just rocks it because his pretty privilege supersedes dinky middle parts . LMAO!!

here is Sasuke from my Naruto Hockey AU. I am a little stuck on jersey mockups lol. here he is. our haunted little 1OA who is absolutely normal and regular about his captain (LOUD incorrect buzzer):

personal oc art

wanna know some puckpocketed deep lore? i've never been one to make OCs. i was just not a very creative kid tbh. spent all my time drawing sailor moon instead. i still go back to her sometimes because she is one of my favourite shapes in the WORLD!!

in my 20s i took up playing d&d because of the. uh. plague. <3 and got pretty close to having OCs!! those count right? anyway. here is my tavern-wench-turned-wizard!!! i think i painted this 2 years ago? <- put dates on your works guys it saves lives. her name is Mel (short for Melins (pronounced like melons. on account of her knockers. can you tell i never grew out of my 12 yr old booby/cock joke era?) i revisited Mel recently and have started painting her in earnest again!! :3

I briefly dated someone who was very into streetwear and fashion, and I fell down a techwear/gorpcore/cyberpunk rabbit hole for a couple days out of curiosity. i remember literally zero salient info on any of it except the broad strokes of silhouetting and Vibes. what i emerged with, however, was a ?? sorta OC?? im not sure what to call them. they dont rly have a name or gender. I did this little sheet ages ago + the aborted attempt at a portrait later:

Here are my most recent explorations (i have been doing SOOOO much art. <3) which include:

unfinished character sheet + chibi art. I played with their jacket (much more structured/square/tailored thing) and added a lotta random buckles and belts. i took textiles class years ago and have a little experience in garment construction. and i know for a fact this thing does not make any sense. it hurts me to look at a little bit LMAO so i've paused it while i go draft patterns (badly. i was never good at drafting. i think i may have to break out my scrap fabric stash and hand sew a real life mock-up. HELP!)

here is me having fun with them and imagining them as some kind of cyber-fisherman. the best part of every game is the fishing mini-game to me. i love fishing mini-games so much. I made their hair really big because i wanted them to have big unwieldy hair and the vibes told me i should add more movement to the piece aside from the fishing line. I messed with their jacket AGAIN because i can't stop thinking about what kinda jacket they'd wear. gorp-core ? idk. it sure is something!

gifts for my friends :3

back in my weeb era for real YAYYYY!!! up til now i'd been making hockey art using a zero pressure sensitivity pen brush because i simply did NOT want to deal with that. it is and has always been a barrier to me making art that uses line art. <3 easing my way back into it though!

I used to paint gifts for my friends and then get them printed into lil posters and mount them on nice backing :3 i am now ready and back to painting.

Here is my girlbestie's OC. just a rough pose sketch. i think im pretty unsatisfied with the gesture of the head/hand. i wanted to include her gun in some way. i fear i may have to rework the pose entirely <3

For the genshin girlies.. here are some of my friends fave characters.

Yelan - this one i started many holidays ago and put on the backburner because the colouring was wigging me out. you can see where i started rendering stuff + got sidetracked and started on something else (the crystal choker IM LAUGHING @ past me...)

Ayaka - I reaaally like what i did here with the perspective + foreshortening. I don't know if the pose or expression is in-character or not, but i had fun :3 got stunlocked looking at references of genshin weapons so this is where i left off:

if you made it all the way down here hi... <3 ice hockey really cracked the ketchup bottle open for me when it comes to making art again. i love the communities i've found, and i'm inspired by every artist on here every day. thanks for being so cool + have a great day :)

[merp-blerp]

Gaylor/Kaylor and Oz: Parallels and Theories Vol. 2 🌼🌈❇️

CW: Spoilers for L. Frank Baum's Oz book series (books 1-15). And this post is very late-stage-Kaylor-specific, so if that's not up your alley, that's chill.

Vol. 1 Here (I recommend reading Vol. 1 before this one)

Overblown Analysis Under the Cut ↓

AH! I'm so ecstatic that I get to make another one of these so quickly! I was so proud of Vol. 1 and I'm so happy there's new material to explore! Thank you very much for the reception to Vol. 1, I'm so glad people liked it. It's cool to see other people who probably didn't even see my post seemingly make the Return To Oz connections as well. It makes me feel "smart". 😅

Part 1: The Tin Woodman ❤️🌈

Let's start out with something small and old news. A theory that's new to me is the Tin Woodman's role in gaylor theories (He's very specifically called "Tin Woodman" in the books, not Tinman, so I'll call him by his book name so as to not blur the line of exactly which version of the character I'm talking about). This collage by iateallthecat2 on Twitter (from this post) brought it to my attention:

I'm not sure if there's already some in-depth theory that goes beyond this collage out there, so I'm gonna wing it from here based on my own Oz knowledge.

In the "ME!" MV, Brendon Urie's character is a suitor that Taylor rejects. They fight when inside a house and she rejects his proposal, but when he gifts her something with no general romantic meaning, a cat, they spend the rest of the MV having a good, platonically-coded time. Brendon plays someone who wants to play the role of Taylor's partner, but they seemingly work better as buds in their rainbow haven.

I have wondered if Brendon is supposed to be playing a beard who Taylor tries to take to freedom with her in this MV, but I'm admittedly slightly apprehensive about the idea. It would be kinda cool if one or more of Tay's beards also came out with her whenever she does. This plotline seems very similar to the suspected "she ghosted but kept the castle" narrative. In both Taylor rejects a proposal, except here Taylor and her beard seem more connected. It makes me wonder, if everything had gone to plan, would the narrative in 2019 have been that presumably Joe would've proposed and Taylor would have rejected it but they would've been on friendly terms. Or maybe all of that would've happened to Karlie and Josh in a way since they were married in 2018. Or maybe it would've happened to both of them. Then they would've been able to build a narrative for Kaylor as a couple that didn't involve saying "We hid this from you for this long". But that's spitballing.

Either way, Brendon is definitely someone who helps Taylor along her "story" as he infamously put himself:

Everyone knows that the Tin Woodman helps Dorothy on her journey, but he also helps out Ozma/Tip on hers in the second book and so on.

In the first book, the Tin Woodman's backstory is that he was once a human named Nick Chopper, who was engaged to a Munchkin girl named Nimmie Amee. While Nick seems to respect and love her, he also seems to only be engaged to her because he doesn't want to be lonely after the death of his parents, at least to me. But the Wicked Witch of the East curses Nick to chop off his limbs whenever he tries to chop wood. He gets these limbs replaced with tin parts until he is fully tin. But his body no longer needed a heart and therefore he felt no romantic love for Nimmie Amee, so their relationship fizzled out.

Whether he ever romanticly loved her in the first place is debatable in my opinion. I personally don't think he did, especially since long after he's gotten the realization that he had a heart, Nick never really tries to romanticly pursue Nimmie Amee again, but he does tie loose ends with her in The Tin Woodman of Oz. However, my point is that Nick seems to only want Nimmie when he thinks she can fill a void. Once he thought he was too broken for her to fix he subconsciously realized he didn't actually love her, but interpreted it as though he just "stopped" loving her.

To put it simply, I see Nick as practically going through comphet before finding true fulfillment in the things that come after he's un-rusted. My personal interpretation of Nick is that he is a gay man, unbeknownst to him, who tries to find love in a woman, but it inevitably doesn't work. He loved Nimmie because he hoped she could fix his pain. There's no way to prove Baum meant Nick to be seen this way, but queer interpretations of Nick are common in modern Oz fan circles. Somewhat like Taylor and Brendon in "ME!", Nick and Nimmie try to play the roles of a couple, but being a couple just isn't in the cards for them, so they keep things platonic.

In comparison, Nick loves the Scarecrow for the actual companionship he gives. The Tin Woodman states that he no longer needs Nimmie's love, as he has the Scarecrow's. The Tin Woodman and the Scarecrow are pretty similar to Dorothy and Ozma in terms of being queer-coded in their relationship. They live close to one another because they're sadder apart, cordially debate philosophy, rule Winkie Country together, and are often depicted comfortably in each other's physical space, among other wholesome details.

The physical representation of the Tin Woodman's heart is made of a velvet pouch and sawdust in the books, but in the '39 film Tinman's heart is a ticking clock with daisies stringed to it. Of course, daisies have a great significance to Kaylor because of the Big Sur trip. And clocks have been having a significance in Taylor's art since "The Man" and the Karma wall.

I don't necessarily think Karlie, Taylor, or Brendon are represented through the Tin Woodman, Nimmie, and the Scarecrow in Taylor's art in a literal sense. I see it as just another queer piece of the puzzle. Brendon might not literally be the Tin Woodman in Taylor's art the same way Karlie is Dorothy, but I think he at least played him during the Lover era. Brendon/Tin Woodsman helps Taylor/Ozma through her journey to where she belongs like a queer friend helping another queer friend.

Also, I'll leave this section off on this reach cutesy note:

Part 2: Ozma and the Wizard 🌺🪄

Back in Vol. 1, I suggested a theory that if Karlie Kloss was represented as Dorothy Gale in Taylor's music, then Taylor was more subtly represented as Queen/Princess Ozma. I've been seeing another theory around about Taylor being the Wizard, aka Oscar Diggs. I also really like this theory and I think it can make sense for both theories to exist simultaneously.

The Wizard is an illusionist. In the first novel, when appearing to each of Dorothy's friends individually he appears as something different to all of them. To Dorothy, he is a giant floating head, to the scarecrow he is a fairy, to the tinwoodsman he is a beast, and to the cowardly lion he is a ball of fire. He is able to change himself into anything he pleases, but he has no real magic. In order to rule over Oz unrightfully, Oscar Diggs stole Ozma away as a baby and gave her to a witch named Mombi, who transformed Ozma into a boy named Tip, disguising Ozma from everyone and herself; in the second book, Ozma is transformed back to her true form and takes her place as ruler of Oz, eventually ruling with Dorothy by her side. To make a long story short, Ozma and Dorothy eventually forgive Oscar for his crimes.

I see Oscar/the Wizard as representing Performance Taylor, while the real Taylor is Ozma. The Wizard is from Kansas in the '39 film and performance Taylor is currently associated with the Kansas City Chiefs. Performance Taylor, just like Oscar, is able to change himself when needed and isn't the unstoppable being his citizens once believed in despite never meeting him. Just like Oscar, Performance Taylor is an illusionist who appeases the citizens with theatrics to hide the truth for the time being. Performance Taylor/Oscar hides the real Taylor/Ozma away. Real Taylor/Ozma, when seen, is forced into the shape of a boy, Tip/James, Peter, the Man, etc. But soon Ozma reclaims her land and keeps the castle Oscar took, and so might the real Taylor.

If you believe Post Malone is playing a side of Taylor in the "Fortnight" MV, Taylor seems to be depicting herself as coming together with both the public and private parts of herself. Previously in MVs for songs like "...Ready For It", Taylor was always at odds with her clone, but in "Fortnight" they team up to get out of the asylum. Ozma and Dorothy make amends with Oscar and Taylor makes amends with herself.

Part 3: The Yellow Brick Road and The Emerald City 🟨❇️

I think a lot of us know about Taylor's Instagram grid currently aligning with yellow outfits from Eras at the moment:

Typically when Taylor's Instagram grid aligns like this it means something. The most common theory as to what this might mean is that Taylor is creating a yellow brick road. Yellow is often seen as the closeting color in gaylor circles for various reasons, such as the Evermore closet in The Lover House being filled with yellow clothes. Some fun estimates I've seen are that soon the alignment will be broken by some type of photo of Taylor in a green outfit post-Eras, like maybe a green outfit from tour in her Toronto thank you post or even her birthday post. The big hope right now is that this hypothetical post in a green outfit will signify Taylor's coming out being near, having reached her destination to the Emerald City, or that this green outfit post could even be a coming out post. My Oz-ian brain loves this idea! The yellow road to being free in the green, the color right after yellow in the rainbow.

In the first Oz book, the Emerald City is a huge hoax. It's not Emerald at all, but white. In order to trick the citizens of Oz into thinking that the city is emerald, the Wizard forces everyone to wear green-lensed spectacles that lock on; they are what make the city look green, the Wizard lying that they wear them because the brightness of the city would blind them if they didn't. Dorothy is given a "green" dress when she arrives in the Emerald City, but when she leaves it reveals itself as actually being white. After the first book, the Emerald City becomes truly emerald; from what I can remember there is no exact canonical reason as to why this is, so I theorize that the citizens just made it emerald after the wizard floats away in his balloon. The Emerald City truly being white represents the fakeness within the rule of the Wizard, but by the time Oz has its rightful ruler, Ozma, the city is truly Emerald. For TTPD and most if not all of Tay's discography, the colorless world represents the abusive music industry and closeting, but color represents Taylor's freedom, reclaiming the land. Also, the fictional Emerald City was inspired by the real-life White City Amusement Park that was once in Chicago, so there's that connection to white too. Green and White together remind me of Taylor's green band jacket in the "ME!" MV and her white band jacket in the "TSMWEL" performance from Eras. Symbolism-wise, Taylor thought she was close to reaching her destination when creating Lover, but the smallest man ruined it all and the emeralds were fake. Now she's about to go down the yellow road once more to get back to her emerald kingdom.

To expand on the colors of Oz a bit more, let's look at the house from "ME!"

Here's an official Oz map in case anyone finds it helpful:

This house in "ME!" is the starting point in the MV and the first room that we see is blue. Blue is the color of Munchkin Country in the Oz books, as every Oz region has a color. Munchkin Country is the first land of Oz we ever see and the starting point of "ME!" is blue just like it.

Then Taylor walks through a hall with blue walls and blue and yellow tiles on the floor. On her first trip to the Emerald City, Dorothy exclusively walks through Munchkin Country to the Emerald City, so the tile being blue and yellow signifies that this is only the first journey to the Emerald City.

The next room is a large green one. The Emerald City, right?

But when Taylor makes it out the front door, the house is white with some purple. Not the true Emerald City. Purple is for Gillikin Country. When Ozma is kidnapped by the Wizard of Oz and given to Mombi she lives in Gillikin Country as Tip. The Emerald City is (partly) white, Taylor's in her closet yellow, Ozma/true Taylor is dressed as a guy, and Ozma/true Taylor is yet to rule.

But finally, later in the video when Brendon and Taylor are on platonic terms, they run up to a massive green building with a rainbow beaming in front of it as they wear green clothes. I think this was intended to be the true Emerald City. The pink soldiers around it even look like the poppy field. I think it's notable that in the MV Brendon and Taylor run up to the Emerald City, but we never see them enter. I take that as acknowledging that Taylor wasn't there yet. "ME!" was not a coming-out video, it was a sprint toward that goal. So she wasn't inside the Emerald City quite yet, she was on the way, ever so close. However, as stated before, the smallest man ruined things, so this was retconned through Eras. However, if Taylor got to come out during Lover this would've been the final stop.

I was thinking that it would also be crazy if instead of a photo in a green outfit, we got one in red. In relation to Oz, red is Quadling Country. In the first book, it's the last place Dorothy journeys to before making it home. It's also where she meets Glinda for the first time (Glinda is the Witch of the South in the books and a different witch is the Witch of the North). Glinda is the only one who knows the real way to get Dorothy home, her silver shoes. So red would also be an interesting choice in this scenario, but green is definitely the more culturally recognizable choice.

I want to acknowledge the "Goodbye Yellow Brick Road" connection I've seen around, even though I don't think I have much to add to it. The idea is that Elton John's song "Goodbye Yellow Brick Road" has thematic parallels to gaylor. This idea that Taylor could leave behind a toxicly ritzy world for something better. Elton is an openly gay man in Hollywood who had to deal with a lot of silly Hollywood games regarding his sexuality. The way "GBYBR" is used in his film Rocketman definitely depicts Elton deciding to fix his issues brought on by the industry's abuse. Could this be what Taylor's about to do herself in her own way? Leave behind the yellow cedar closet for a life that's true to her? Taylor wore this outfit that already had plenty of Kaylor tie-ins like the twinning Carolina Herrera fit and the panther necklace, but her shoes match the ones Elton wears in the "Goodbye Yellow Brick Road" album cover as he steps in or out of the Ozian picture.

As an extra fun tidbit, let's work some Oz history into this! It is a commonly told story that L. Frank Baum's inspiration for the yellow brick road comes from a real road in Peekskill, New York. The myth is that Baum asked for directions to the military academy and was told to "Follow the yellow brick road." Even though this exact story is likely just a myth, it's certainly not unlikely that Baum saw those yellow bricks. While Peekskill is not New York City, of course, New York City has a big significance in Taylor's music. In "WTNY" she views it as a place where anyone can be free. New York City could be its own character in her music. If New York City is freedom it could be seen as an equivalent to Ozma's Emerald City. Peekskill isn't where the city is, it holds the road to it and freedom.

Conclusion 🌼

Again, it's so cool to have more to add on to this Oz theory. I admit that it feels a bit vindicating that I made Vol. 1 and in due time we got more Oz crumbs. Wow, can't believe Taylor saw my post. In all seriousness, this has been so much fun. I know there's the possibility of yet another part to this. If you feel like I've forgotten anything, let me know! Can't wait to know what's on the horizon!

[mean-scarlet-deceiver]

I agree with you on a lot of points here. The RWS narrative does Gordon dirty in some ways, and I don't think he's being rude or mean every time he's painted as such (although sometimes he really is and I don't want to minimize that).

And Gordon definitely comes to see himself as a protector or sort of alpha leader to the rest. I don't think he fulfills that role as quite well as he thinks he does, but he does frequently make the effort and his willingness to see himself as part of the group (even if it must be as the leader) is a definite and huge improvement from his initial role as a not-really-malicious but as a hilariously egotistical engine who had not one thought rattling in his smokebox except "meee! meeeeee! MEEEEEEE!" So, growth. I respect it.

"[W]hen big things happen, especially to "his people" and they are no longer in a position where he can look out for them, he feels irritated and upset" <- I think this is very rosy, probably gives him too much credit! He doesn't like being separated from "his people" because they are his friends and he feels bereft when they're gone. He seems to have a hard time expressing that, normally finds some excuse that (as you say) allows him to claim irritation instead of vulnerability. (He doesn't miss Thomas, he's overworked. He isn't overwhelmed and homesick and just doesn't wanna, it's that the trucks are uncouth and the job is impossible. He isn't hurt that Henry now has a different shape and they can't be mistaken for each other anymore, he's irritated that Henry is so noisy.) But even Gordon himself has never tried to excuse his vulnerability as concern for his friends' safety or well-being! His reaction to loss and change is totally human and understandable, but not noble. He just needs the support of familiar faces and his usual routine as much as anyone, indeed more than most. Gordon's a bit high-maintenance.

We can only guess on Annie and Clarabel's respect for him. I have a feeling it's simply because Gordon's at the top of the railway hierarchy and that's what they respect. They don't share Thomas's gadfly delight in thumbing his nose at that hierarchy, his shining confidence that he's worth infinitely more than "his place." I don't think Annie and Clarabel, as branch line coaches, necessarily know much of Gordon's character; they're just nice conventional old ladies.

I agree with you that I don't think "Hullo, fatface!" would have got lodged quite so deep in Gordon's smokebox if it hadn't come from Henry! It is kinda fascinating. Like, Gordon doesn't normally overreact to insults or teasing. He ignores it if he thinks it's beneath his notice (like the first howevermany times Thomas called him "lazybones" and ruined his nap, lol!) and if it merits a reaction he plans a very targeted punishment to get his own back (dragging Thomas on the Express, blocking Duck from the points to the shed the way he did to the big engines, etc.) But yes, Henry says that and he starts to immediately stew and spiral. I once wrote a post that included an analysis of how Gordon seems to regard most engines (including James) as "little" - he can patronize and condescend to them. One exception is Henry (the other is Edward). Which is all just to say... yeah, it's very interesting. Henry really pushes his buttons there - but Gordon lets him. He doesn't start thinking up a plan to punish Henry and put him in his place. Best he can do is retreat to self-aggrandizement, lol.

Oh, Gordon... I think he is a great representation of how the word "condescending" has changed in connotation over the course of the 20th century 😉 He clearly is of the old-school upper-crust view that condescension is a virtue!

Forever and Ever... Even in the 1920s-1960s

Started going down a long digression in the 2+4 essay. Gonna follow this breadcrumb trail over here instead...

One of my arguments is that Gordon actually behaves well and graciously way more often than he is usually given credit for (and starts doing this way earlier than often credited, too).

Along the way, I realized that his spots of bad behavior are not random. When he starts acting all Ass, it's almost always in the period of some sort of major change in his life:

The Three Railway Engines - *waves hand vaguely* all of it -> he's just transferred from the GNR to Sodor

Troublesome Engines - *waves hand again* y'know, all of it -> Thomas moved away :(

Henry the Green Engine - harrumphing about how Henry has let the side down in like three different ways directly after Henry's major reconstructive surgery -> the horrible wreck where Henry, his best friend, could have died, and instead was in hospital the rest of the damn winter

Gordon the Big Engine - "Mind you keep on the rails today!" and then, when he gets pushback, retreating to old friend "boasting" -> is he mother-henning Henry?? he's explicitly referencing the Kipper accident! I would not be too shocked to learn that Gordon gets twinges of unease that he never examines every so often whenever he sees Henry with a train

Percy the Small Engine - "Quack quack quack!" and trying to bully Duck (lol. lmao, even) -> Percy is gonna move away :(

Main Line Engines - getting on his high horse about "Branch Line Diesels" and then getting into a huge spat with Edward that results a brand-new beat-down of a dead horse named "Edward is Weak and Useless" -> We learn in "Wrong Road" that his fireman is new. Presumably his old fireman advanced to fill the role, leaving the vacancy... which means that Gordon recently lost his old driver to retirement.

You might be thinking "well yeah, stressors are stressful, most people's outbreaks of bad behavior have to do with some sort of Big Life Thing" - I certainly thought so, for a mo'. But this isn't true of the other major characters? James's worst behavior in the Wilbert books comes when he is slightly delayed sometimes during his work day and when Toby just, erm… exists. Thomas's worst behavior is because he… doesn't like his snowplough, and has a careless cleaner.

No, only Gordon's poor behavior can so consistently be linked to big changes. Indeed, not many RWS characters have been seen with quite as much of an interior life as we learn Gordon has in "Tenders for Henry." By that point, Gordon has matured enough that he doesn't express his feelings in this emotionally-stupid make-it-everyone's-problem sort of way. But we can see clearly that the end of steam seems to affect him more deeply than anyone else at Tidmouth.

So yeah, I think there's something real and insightful in the above pattern. Once again, my friends - Galloping Sausage with Feelings.

[i-fell-in-a-hole]

girl with one eye

[kettlefire]

Prepare for the unexpected. (DPxDC)

Everyone knew about the reign of Pariah Dark. Even those who did not dabble in those realms have heard the tale of the tyrant. A power-hungry man who ruled over the dead with an iron fist.

Following the rise of Pariah Dark, his realm had been effectively cut off from communication. Many mystics and magic users knew better than to open the door of nightmares that could arise if Pariah Dark's reach went further than his own realm.

Except, the universe had plans to bring the realm of the dead back into the cards.

A new opponent, one that had all of Earth's heroes scrambling for options. A being with powers of a god over weather, destruction was on the horizon. A world ending threat.

It's the only reason the Justice League was doing this. In a deep bunker, far from close civilization as a precaution, the heroes looked on with grim expressions.

The world was already being threatened. It would be destroyed regardless of what the league did. So it only made sense to make the last ditch effort. To summon someone strong enough to defeat the threat.

No one wanted to do it. No one wanted to be the one to pull the realm of the dead back to the living. The consequences were untold if this succeeded. If Pariah Dark was freed and defeated the threat, whose to say he won't want control?

That was a problem for later. For the aftermath. For now, the league could only watch on with bated breath as Constantine completely the summon ritual.

They watched on as the shadows in the room seemed to darken and grow. As the sigil sputtered to life with a glow that was growing increasingly brighter. A sudden gust of wind rushed through the room, the temperature began to drop with eaching ticking second.

And then it was all gone.

The room stood perfectly still. Just as it had been moments before. Nothing changed. No giant king standing before them, no sign that the ritual worked.

The room stood deadly still for another beat before the murmurs started. The team trying to make sense of the situation, figure out what went wrong.

Constantine swore up and down that this was the correct ritual, taking offense that they would even think the problem was on his end. It only made it better when it finally happened.

A loud sound ripped through the room, pulling everyone's attention back to the summoning circle. Just in time to see a tear appear in the space above the circle.

A thin tear that ran the length of eight feet. The fabric of the dimension seems to curl at the edges, pulling back to reveal a deep glowing swirl of greens. A dark gloved hand reached through, fingers curling around the edge of the tear, stretching it even further.

A portal. The ritual had worked, but there had been a delay. A delay that had every hero nerves on edge. Each team member tensed, weapons at the ready as they watched the being stretch the portal to the right size.

Then, a foot stepped out with a heavy thud. A dark boot that looked otherworldly despite its similarity to mortal clothing. A deep black that seemed never-ending. A second foot quickly followed before a full body emerged from the portal.

Not many people in the room have ever seen Pariah Dark, let alone know what to expect. Based on what Constantine and Zatara had said, this wasn't Pariah Dark.

A man had stepped out of the portal, standing at almost seven feet tall, and built like a brick house. One glance at the glowing white hair, deadly red eyes, and shard teeth was enough to know this being was not to be messed with.

But there was no giant show of armor or royal garbs. There is no large crown at the top of his head or jewelry from the infinite realms laced around his neck.

Instead, the man stood before them in combat boots, worn-in ripped jeans, a graphic t-shirt, and a spiked leather jacket. Despite his almost normal clothing choice, the man's jacket seemed to be a never-ending depth of the dark night sky. If one was to look closely enough, the cosmos could almost be made out in the sea of darkness.

None of that would have prepared them for when the man spoke. His tone sounded more bored than anything as he took a step forward.

"Oh, so now you need the help of the dead." The man had spoken, running a hand through his hair. When Batman took a step forward to speak, the man raised a hand. Immediately commanding silence in the single gesture. "I'm on babysitting duty and have yet to have a cup of coffee. I'll be right back."

Just like that, both the man and portal vanished into thin air. Leaving behind a group of stunned heroes. Not only was the man not Pariah Dark, but he was also supposedly babysitting.

"Did that just-"

The Flash had been the first voice to speak up, his eyes trained on where the man had once stood. Except he had barely made it through the first few words before the man was suddenly back.

The man that now had a child hanging off his shoulders and another teen being held up by his scruff. Unlike the man, these kids looked human.

Too human for Bruce's liking. The dark black hair and bright blue eyes had every heroes eyes flickering to Batman for just the briefest moment.

"This isn't fair! I'm not even the king. Why do I have to be here!" The teenager had been complaining the moment the man had reappeared. Arms crossed tight over his chest and seemingly used to being held dangling. "Besides, who brings kids to a show down! Wait til I tell mom about this."

"Aw, come on, Danny. This is gonna be fun!!" The younger girl seemed in much better spirits than the teen, Danny. She had climbed up the large man, sitting on his shoulders and resting her arms on the mess of glowing hair. "It's like take your kids to work day! Ooo, Dan! Can we fight too!?"

Unlike the two kids, the man looked purely exhausted and annoyed. The man, Dan, dropped Danny like a sack of potatoes as he took a long drink from the travel cup in his hand.

It didn't take a genius to recognize the look of an exhausted parent in Dan's expression. A look many of the league members were well acquainted to. A look that even had Batman grimacing with sympathy.

"Can it, little shits. You two were grounded, remember." Dan had growled at the kids before shifting his focus back on the team of heroes before them. His glowing eyes set in a deadly glare. "Pariah Dark isn't coming, and he never will. He's been dethroned and banished. We're the best you've got."

A summoning that started with a group of on edge and scared heroes looking for the ghost king, ended in a way no one expected.

No one was even sure if it made any sense. They weren't sure if they should feel hopeful or in despair.

Because truly, what was a ghostly man with two seemingly human children against a godlike foe with the control over the weather?

The unspoken question of power and ability seemed to vanish following Dan downing the metal travel cup of coffee, and crushing it in his fist.

He tossed it to the side, straighting up his posture as he looked over the heroes. Dan might not be a hero, but he's been playing family for too long.

An almost feral, bloodhungry grin spread across the man's face, sharp fangs on full display. The look made the man suddenly look even less human. He looked closer to a demon from the pits of hell rather than the exhausted parent he looked just a few seconds ago.

"Point me in the direction of this bastard. It's been too long since I let loose and had some fun."

[harriertail]

riverclan’s forest

[mellosdrawings]

I just realized I forgot to post this one?

[suitsofarmour]

mixed assortment of art i’ve never finished/posted

[beatcroc]

what kind of frivolity would you engage in, mecha?

<

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[wonder-worker]

I've been thinking about the tragedy of Elizabeth Woodville living to see the end of her family name.

I don't mean her family with her husband, which lived on through her daughter and grandson. I mean her own.

Her sisters died, one by one, many of them after 1485. When Elizabeth died, only Katherine was left, and she would die before the turn of the century as well.

All her brothers died, too. Lewis died in childhood. John was executed. Anthony was murdered. Lionel died suddenly in the peak of Richard's reign, unable to see his niece become queen. Edward perished at war. Richard died in grieving peace. For all the violence and judgement the family endured, it was "an accident of biology" that ended their line: none of the brothers left heirs, and the Woodville name was extinguished. We know the family was aware of this. We know they mourned it, too:

“Buy a bell to be a tenor at Grafton to the bells now there, for a remembrance of the last of my blood.”

Elizabeth lived through the deposition and death of her young sons, and lived to see the end of her own family name. It must have been such a haunting loss, on both sides.