#this one goes out to MEG i love you MEG

[noctude]

getting to know at least one professor is so important. not for networking reasons or whatever but because it makes you feel like their special little henchman & gives you a terrible motivation to impress them and say stuff like "you tell em boss"

[lord-squiggletits]

Something I keep seeing when I speak to others about MTMTE Megatron is basically the idea that he's going on a personal journey to become a better person, that the point isn't for him to be "redeemed" but for him to get a chance to do good and die as a person he can live with again. That MTMTE presents a unique take on this because being away from Cybertron gives Megatron a chance to be a person rather than a political figure and this is how it gives him more depth as a character. Or just generally pointing out in a narrative sense that Megatron being in MTMTE limits his story options so of course his story is going to be more focused on a personal journey than on politics of him dealing with the Decepticons/Earth/etc and that just because JRO made a choice to take that path with Megatron doesn't mean that it's inherently bad.

And I'm just, mmm like I understand all of those points and acknowledge that they all contributed to the MTMTE Megatron we got. I even think that without JRO writing Megatron we wouldn't have had his lore be as fleshed out and 3D as it ended up becoming.

(Post starts out as a sort of meta analysis or at least me giving a reasoned explanation for my interpretation of the story, ends up being petty bitching in the last 1-2 paragraphs)

I just..... I just personally don't agree with the "he's becoming a better person by getting a chance to relax and experience happiness and trust after a life of trauma" as being the best choice for his character? Because the problem is that maybe if he were a random Decepticon foot soldier that would be appropriate, but he was literally the leader of the Decepticons that made them Like That and has political/cultural/societal responsibility for why things are the way they are? To be completely frank, I don't care about him going on a personal journey for self-peace, I think that he should become a better person by helping to un-fuck all the things he actually screwed up???

Like idc about the debate of whether he can be "redeemed" or if he should've been killed/imprisoned/etc at the ending. It just comes down to the fact that for me personally, I feel that since Megatron's wrongdoings were at a social level, him "being a better person" would've been better shown by him engaging with those people who he wronged instead of just going on a frigging personal journey for his legacy and self-peace???

Especially since in other series (exRID, possibly Windblade) we literally got plots like "the neutrals hate Autobots but they hate Decepticons even more" and "the Decepticons have been taken over by Galvatron and are now invading earth 2 electric boogaloo" and "yeah the Decepticons are literally living in slums because people hate them so much and won't give them any work." It just leaves me wondering why in the hell people are like, "oh Megatron got to be happy and have a chance to be a normal person." I don't want him to be normal! I want him to repay his debts to the people he actually wronged! Like if you want to cast Megatron as a hero of the people so badly (which so many of his stans do as if he actually cared about the Cons) then how do you reconcile the fact that Megatron just fucked off and left the Decepticons to suffer on Cybertron? Including some of them attacking during his trial and getting killed and Megatron is basically like "sorry, I'm not coming with you and this isn't going to work." And then Megatron complains about "toxic Decepticon loyalty" as if he didn't literally make them that way? Like I get that MTMTE Megatron is still an asshole but if you've read something besides MTMTE and know what the Decepticons are going through, it just ends up being really grating.

I just don't see Megatron as being a particularly good hero or having a particularly fulfilling story if he's completely isolated from all the bad things he did on Cybertron/the way the Decepticons are suffering until LL#25 where it's like "ah damn I'm going to trial now, well this is what I deserve so it's fine." Why could we not have seen something like Megatron trying to deradicalize the Decepticons or change their public image so they could integrate into normal Cybertron again? They were living in SLUMS and getting gunned down by Starscream's badgeless enforcers!

The best we got was the Functionist Universe but like.... I'm sorry, but JRO inventing a whole alternate universe for Megatron to save doesn't do jack shit to save or fix the people he left behind in this one. It was especially grating to read because JRO literally wrote in someone saying "you saved billions of lives from the Functionists" as if he was trying really hard to show how good Megatron is because he saved people (and also if not for Megatron existing Cybertron would be even worse and half of your faves would be enslaved or dead, also the Functionist Council was going to genocide organics too so technically they're WORSE than Megatron since they hate organics AND want to enslave their own race).

I read Barber's, JRO's, and MScott's series concurrently using the omnibus + a release order list for phase 3, and after all that I'm kind of puzzled why the fandom seems to ardently love MTMTE Megatron and think he's so well written but then also shit on Optimus for things that he did during the same points in the story? Because, and I know this is a blazing hot take, I honestly think that Optimus makes a better hero of his story than Megatron does for his, and Optimus' personal journey combines his personal and political identities into a narrative that's a lot more gruelling and questioning of his goodness than we got for Megatron in MTMTE. Which is fucking saying something considering Megatron committed crimes against sapient species and Optimus is the guy who tried to stop him from doing that and has always been pro-equal rights for all beings. But people pretty much just cherrypick things like Optimus annexing Earth or beating up Prowl and go "he's bad" and I'm like no??? IDW OP isn't a bad person or a bad character??? It's just that unlike MTMTE Megatron he's placed in a narrative that actually suits the nature of his actions and has themes that match. To the point that IMO sometimes Barber's narrative shits on Optimus excessively or paints him mainly in the most unflattering ways.

But like. It's just funny to me because Optimus spent his entire part of the story doing things like trying to stop Earth from being invaded/colonized yet again. Grappling with his identity as Prime and dealing with the fact that people literally worship him vs. the fact that his upbringing made him see the Primacy as nothing more than a facade of authority/leadership. Having people get mad at him for prioritizing politics over friendship/relationships with other people. Even getting shit on for being a cop a decent amount so people can STFU about IDW OP being "copaganda" or "not held responsible for his actions". The problems that Optimus dealt with were personal because they had to do with his self-doubt, culpability for the war as a leader of one of the armies, distance from his soldiers, etc. But all of these are also POLITICAL struggles. Because Optimus gave up on the chance to just be a normal person having personal struggles when he chose to become a LEADER, which also means that he's held to extremely high standards that he regularly fails at in the eyes of others.

That's why, to me, MTMTE Megatron falls flat in comparison and really as a "hero" or heel-face character in general? Because he also made a decision to be a leader, and IMO once you do things like become the commander of an army and start your own galactic empire, you lose the right to prioritize your personal problems and instead are obligated by the power you've chosen to wield to focus on your POLITICAL problems. If Megatron's power, influence, and crimes are of a social-political nature, then his heel-face turn arc and ways of showing that he's a better person/helping to heal what little damage he possibly can should have been shown with actions that help on a social-political LEVEL. That's why I'm not particularly impressed with his character arc and feel as if it was overhyped by other people in this fandom: sure, the extra character depth and emotion is nice, but I'm not really going to see him as extraordinary or even particularly good when the extent of him "becoming a better person" happens entirely on a random road trip to fuck-off nowhere. Especially not when the ending of LL tried to sell me a "they lived happily ever after" ending while basically leaving the freaking MUTINY as just Rodimus going "oh it's okay you're forgiven, we're all together again" and I guess everyone was fine with Megatron and wanted to spend an eternity on a ship with him just because Getaway died.

This is why I like (the concept/themes of) exRID/OP and the way Optimus' character arc was handled a lot more. Because for Optimus, the personal and the political were as one. He was held accountable for his actions towards others and the disruptive effects they had on a social level, sometimes to a ridiculous extent (the fucking "oh Megatron is an Autobot so now that makes the Autobots colonizers" plot and that stupid colonist screaming about how Optimus is "literally fascist" my beloathed). Even his very personal issues like his relationship with Zeta were still cast in a wider lens of, yeah this is a personal struggle that Orion faced, but he was still part of a Society TM and his actions were sometimes ill-informed or harmful to others. Even if I had a lot of problems with the way Optimus' story was written by Barber (plot holes, little meaningful character interaction, forced conflicts), at least the BASELINE of it was way better than Megatron's in MTMTE. Especially since Optimus' struggle was explictly about things like struggling with responsibility and how he feels he HAS to intervene in political affairs because has to save people/make up for his past mistakes. That's something that a good leader/good person actually does, so I found Optimus to be a better hero (even if his actions weren't all "good") because he was trying to be a good person by actually getting involved with Cybertron/Earth and subjecting himself to something he hates (leadership, war) and dealing with a shitload of criticism instead of just going on a fuckin "personal journey" lksdlkfsd.

Which just makes me extra salty that people hold up MTMTE Megatron as the pinnacle of Megatrons and literally the best Transformers writing evar! while turning up their nose and ignoring or outright despising IDW Optimus. Like okay. I guess since Megatron got handled with silk gloves on while Optimus got put through the wringer of being shit on by every other person in the story, it's easier for you to pretend that Megatron is a poor uwu boy who just needs friendship and love while Optimus is literally the worst bastard to ever exist. Or maybe it's just that since Optimus' story involves him sometimes fucking up, being criticized, or making things worse, that makes him morally bad. As opposed to Megatron who disrupted a lot of other characters' stories in MTMTE, had to have an entire alternate universe invented so that he could "save lives," and got to sail off on a quantum Lost Light happily ever after, so since he's happy and the story says he saved people that means he's a good hero.

[palms-upturned]

[image description: all eight photos are of Astarion from Baldur’s Gate except for the fifth, which is of Preminger from Barbie: Princess and the Pauper. End description]

Still can’t get over how beautiful Astarion is. Like goddamn

[xxcrystalinerose]

Going back to Zag's romantic relationships from Mel is extremely hilarious to me because of how comparatively well-adjusted he was.

Sure he done fucked up with Meg in the past and they had to kill each other as part of the job description, his sudden leaving seriously hurt Than while also having communication issues w/ each other, and there's the matter of Dusa being a lowly servant of the House. But in the end, he sorted everything out with 0 grievances from all parties involved (that one dialogue where Than admits Meg is the one who tells him to finally pursue Zag seriously warms my heart). Got the Mom(s) Seal of Approval™ even, and from Achilles too!

Meanwhile I look at Melinoë and she has a frankly criminal amount of situationships. Her rizz level is insane and she goes straight for the throat when flirting yet somehow her dating life is simultaneously a mess and nonexistent. Nemesis regularly kicks her into the dirt verbally AND physically but is the only person to acknowledge how fucked up it is that Mel is sent out alone in the hopes of killing an all powerful Titan that took SIX gods to kill in the past. "Fuck you and fuck your stupid frog in particular" then turns around and gives free Death Defiances. Her and Moros try to flirt with each other but they kept missing the mark because sometimes one of them says something totally unhinged like it was normal (I don't think watching people die is an appropriate bathtime conversation topic, my man). Her and Eris are a hot mess—literally with all those rounds she shot at Mel AND without a basis of workplace professionalism. Icarus is one shot nerve away from accidentally proclaiming his undying (literally) love to her but his guilt complex is hanging on to that nerve. And then there's Arachne and her not so little crush warring with the fact that said crush is family with and is helping the gods who cursed her.

Never have I realized how important it is that Zag has become a minor god of relationship counselling until I look at his baby sister and think, "yeah girl you definitely need help for all that shit".

[kawareo]

Transformers Animated is so funny because specifically Megatron doesn't seem to be aware of the fact that he is in a kids' show. This man is taking everything so seriously. He goes for the kill all the time. He ignores all the 'this show is for kids' things around him. He spends an entire season as a cut off head and tries to kill the main cast at every moment anyway. Starscream betrays him again and he kills him. Starscream keeps coming back from the dead like a cartoon character? Megs kills him again. And again. Dumps his body out and goes back to serious business. Heroes keep attacking him? Fuck you he's bringing out a wholeass sword and a gun and he will use them. Never gonna forget the one time where Optimus saves him and then immediately after Megs picks him up and uses him as a shield. Everyone around him keeps doing and saying silly stuff for the funsies and he ignores them. Amazing. Irredeemable. He does not deal with cartoony stuff and mostly ignores anything that is like a kids show.

Like you could pick him up and plop him into TFP or IDW no problem, he's straight up a genocidal dictator. I love him and his non-silly ass

[lemonlover1110]

can we get Toji reacting to reader's pregnancy

Pairing: Toji Fushiguro x f!Reader

Warnings: Pure Fluff

Discord +18 - Twitter - Ko-Fi

Ever since finding out that you’re eating for two, you’ve found yourself distressed. Not because this isn’t something that you were planning– Well partially because of that, but mainly because you don’t know what your boyfriend thinks of having more kids. You don’t have the heart to tell him that you’re expecting.

You don’t know how you’ve never had this conversation before, especially since you’ve started to talk about getting married. You know that he has a teenager, and probably he’s done with that part of his life. You also know that you’d be delighted to have kids, but if Toji wouldn’t want to have a child, you’re okay with that too. Your pregnancy changes everything though.

“Aren’t you two here early?” You ask, staring at the front door as Megumi and Toji walk in. Toji has a frown in his face while Megumi walks ahead, not a care in the world. You notice a stain on his school uniform and you tell him, “Put it in the washer, I’ll take care of it, Megs.”

“No, he can deal with the consequences of his actions in his little vacation.” Toji quickly speaks up, making you cock an eyebrow. You look back and forth between Toji and Megumi, hoping someone is going to fill you in. “Go to your room, Megumi. I can’t stand to look at your face anymore.”

“What happened?” You direct your attention to your husband since Megumi listens to his father and goes to his room. Toji sighs, walking over to you and pressing a kiss on your forehead. “Don’t tell me he–”

“Got into a fight. Got called in the middle of work to deal with his ass– Hey, at least he won.” Toji can’t help but chuckle because even though he’s mad, part of him still feels oddly proud. His kid is somewhat of a troublemaker, but hey, at least the kid can fight. He says something that makes the thoughts of worry that you pushed to the back of your mind, come back and even stronger. “Just glad I don’t have to deal with this much longer.”

“Right.” You awkwardly laugh. You follow Toji to your living room, and take a seat beside him on your couch. It’s nothing out of the ordinary, you do this all the time, but Toji immediately knows that something is off. Your face wastes no time in telling on you.

“You okay? You look a little off.” Toji comments, throwing his arm over you and bringing you closer to him. You’re a little far today when you’re usually all over him. The man loves his personal space, but not when it comes to you. 

“Weird day… Weird week.” You mutter the last part, but Toji hears it loud and clear. He kisses the top of your head before asking,

“You know you can tell me anything, right?” He proceeds to kiss the top of your head, and you bite down your lip. You have to tell him eventually, and you know that maybe this isn’t the right time to tell him, but he senses something is up.

“What do you think about having kids with me?” You speak a little fast, and if he wasn’t listening closely, he would have to ask you to repeat yourself. Toji takes a moment to think about it, acting perplexed. His silence is killing you and just when you’re about to repeat the question, he speaks up.

“Is this about the pregnancy test I found in the bathroom?” Toji mentions, and your eyes go wide. He’s known? He’s known all this time? He ends up kissing the tip of your nose before pecking your lips, “I’m happy with anything as long as I get to do it with you.”

“What about the comment that you made–” You begin and he interrupts you. 

“Was about Megumi, I’m making sure this one isn’t a troublemaker.” Toji clarifies as his hand goes to your lower abdomen. “I’m excited about this. I was wondering how long it’d take you to share.”

“Next time, speak up, I was scaring myself to death.” You lightly slap his chest, and he chuckles. You’re glaring at him, while he smirks at you. “You’re in so much trouble right now. Why didn’t you tell me immediately?”

“Where’s the fun in that?”

[emmyrosee]

I neeedd you at some point write uni au Toji proposing to reader and megumi helping out in the background somehow

NOOOO BC IMAGINE TOJI TRYING TO GET THE WORDS OUT, AND MEGUMI IS PLAYING WITH THE BUTTERFLY THATS FLYING AROUND SJDJDINEKEENE IM UNWELL- also i had to go with a western approach for proposal im sORRY-

Like, Toji has practiced this speech before. A lot. He’s trying to keep his declaration of love for you concise but meaningful, simple but sweet, but what he does know, is he wants Megumi to be the one holding the box.

Because you haven’t just accepted toji for all he is. You’ve also taken megumi as your whole world, and he never can say just how grateful he is for that.

So, he works it all out. He’s going to propose in the courtyard, and his buddies are going to help him decorate it up slightly, so your friends can take pictures of the event. He’ll have Megumi bring out the small box with the ring in it, give a short but sweet speech about how much he loves and needs you in his life, only to pop the question there.

Your friends spend the week prior to pamper you, and toji makes it a point to compliment you on your updates- the small kiss you press to his cheek in appreciation is enough to make it worth it, but he just hopes you don’t catch on to anything until the end of the week.

“Geez,” you giggle. “The girls are getting me buttered up for something,” you say one night. “Every time I ask about it, they tell me it’s self care week, but we’ve never done this thorough before.”

“You have been extra busy lately, maybe they’re just trying to take care of you,” he defends.

You open your mouth to say something, only to completely change your demeanor as megumi appears in the doorway, stuffed cow clutched to his chest and a soft “daaaaad?” falling from his lips. He’s grateful for the topic change, not wanting you to ruin your own proposal with your damn questions.

The day of the proposal, you’re kept far away from campus, last minute touch ups and errands while Toji’s friends help him set up the perfect decorations and ambiance for pictures that your friends are scheduled to take.

Everything goes to plan. Everything is perfect.

And when you finally come up to him, a knowing smile and tears in your eyes, he wastes no time in kissing your cheek, then between your brows, your nose, and-

There’s a soft giggle behind him. One from megumi. Your eyes leave Toji’s to turn to the small boy, laughing as you watch. When toji also turns to see his son, there’s a large monarch butterfly that’s fluttering around, delicate wings brushing against the small boys cheek, only to then land on it moments later. Instinctively, Megumi goes to wipe his cheek, and when the butterfly tries to land once more, tiny hands bat at it away, causing everyone watching to coo in adoration.

“Kid’s stealing my thunder,” toji chuckles, and you laugh as a tears finally fall from your eye, and his big hand comes up to swipe the drop from your cheek. “Megs, c’mere.”

“Pretty butterfly,” the small boy hums, but he does toddle over to his dad with the small box in his hand, and you let the floodgates open. You’re trying to wipe the tears from your eyes, freeing your sight from the blur, and you watch as Toji gets down on one knee, flips open the box and reveals the ring. Toji sighs, “I couldn’t afford a bigger one, but someday, I promise you, I’ll-“

“Don’t,” you say softly. “It’s perfect. It’s the most beautiful ring I’ve ever seen, Toji.”

“I helped,” megumi says shyly, rocking back and forth on his feet. You laugh around your tears and gently grab his cheeks, placing a big kiss to the swell. He giggles and smiles at the affection, wrapping his arms around your neck. You scoop him up, but leave your left hand open for his father to slip the ring on, a final seal as you truly become a family.

[princesssarisa]

As I've read different people's views on Little Women, I've realized that for different readers, it's a fundamentally different book.

When I see someone describe the "universal" experiences of identifying with Jo, wanting her to marry Laurie, and disliking Amy, I remember all the proof I've seen that these are far from universal. The latter two weren't even my experiences: identifying with Jo, yes, but shipping her with Laurie and disliking Amy, no!

Even people with equal amounts of knowledge of the historical context and of Louisa May Alcott's life seem to come away with vastly different feelings about the story and characters.

I suppose there are a wide variety of reasons for this. First and foremost, which of the four March sisters you personally admire or relate to the most. Then there are other factors like your gender, your age when you first read the book, your relationship (good or bad) with traditional femininity, whether you read Parts I and II as a single novel or as Little Women and Good Wives, your relationships with your own family members, your religion and ethical values...

The list goes on.

That post from @theevilanonblog that I reblogged recently about the different interpretations of Frankenstein makes me want to write out a similar list of ten different views I've read of Little Women. Here it is:

Little Women is about the March sisters learning to be proper virtuous women of their time and place. With Marmee as their role model (a role later shared by Beth as she becomes increasingly angelic in her illness), they learn to conquer their flaws, give up their wild ambitions, and settle down as good wives and mothers. This is especially true for Jo, whose character arc is a slow taming from a rough tomboy to a gentle nurturer. It's a conformist and anti-feminist message, which Alcott probably disliked, but she wrote it to cater to public tastes. (This reading seems mainly to come from critics who dislike the book.)

Little Women is about Jo's struggle to stay true to herself in a world that wants to change her. She struggles with whether to stay a tomboy or become a proper lady, whether or not to marry Laurie despite not loving him romantically, and as an author, whether to write what she wants, write what earns the most money, or give up her writing altogether. In the end, she changes only in ways that make her happy, e.g. by learning to control her temper, and later by embracing romantic love. But in more important ways, she stays true to herself: always remaining slightly rugged, clumsy and "masculine," finding success as a writer, and marrying Friedrich, a man just as plain and "unromantic" as herself, but whom she loves and who respects her as an equal.

Little Women is about learning to "live for others." That phrase is used often and could well be the arc words. Beth is the only March sister to whom a selfless life comes naturally, but the other three master it by the end of the story (as does Laurie). They learn to conquer their moments of pettiness and selfishness, to live in better harmony with each other and with their friends and love interests, and to give up their self-centered dreams of fame and wealth, building lives that focus on service instead.

Little Women is about growing up. The first half is mainly about the March girls' maturing by surviving hard times and learning to be better people, while the second half is about reaching adulthood and bittersweetly parting ways to start new lives. At the beginning, Jo is a girl who doesn't want to grow up: she wants to always be a wild young tomboy with her family (and Laurie) by her side forever. But of course, she can't stop time or womanhood, and is eventually forced to accept the loss of Meg, Amy, and Laurie to marriage and Beth to death. After grieving for a while, she lets go of her old life and willingly builds a new one with Friedrich.

Little Women is about family bonds and the fear of losing them. We meet and become attached to the wonderfully close, cozy March family, which gradually expands through friendships, marriage, and new babies. But throughout the story, the family is in danger of breaking apart, whether due to conflict (Jo and Amy's sibling rivalry, Meg and John's marital problems), or separation by distance (Father going away to war, Amy going to Europe, Jo to New York), or death (the danger of losing Father and Beth in Part I, and the ultimate loss of Beth in Part II). But in the end – unlike in reading #4 above – the family doesn't break apart and never will. Conflicts are resolved, travelers eventually come home, the surviving family members always live near each other and stay as close as ever, and even Beth isn't really gone, because her memory and influence live on.

Little Women is about femininity and each March sister's relationship with it. Meg and Amy happily conform in different ways: Meg to "domestic femininity" as a housewife, Amy to "ornamental femininity" as a society lady. Beth pressures herself to conform to self-effacing domestic femininity, until sadly, it kills her – either because she's too selfless and nurturing when she cares for the fever-infected Hummels, or because she has anorexia, as Lizzie Alcott might have had. But Jo strikes a successful balance in the end, conforming just enough to fit into society, but only on her own terms, and otherwise living a happily unconventional life as a writer and schoolmistress.

Little Women is about Jo's unlearning of internalized misogyny. At the beginning, she's a "Not Like Other Girls" tomboy, who wishes she were male, disdains feminine girls (especially her sister Amy), doesn't care enough when "her boy" Laurie behaves badly toward women, and is afraid to be vulnerable. But gradually, and without losing her strength of character, she learns to embrace the sweeter and more tender aspects of herself, sees that Amy's ladylike manners have practical benefits, and learns to say "no" to Laurie when he turns his childish, unhealthy romantic attentions to her. Then after Beth dies, she realizes how precious Beth's utterly domestic, feminine life was, and embraces a more domestic life herself. Yet by doing so, she becomes a true feminist, as she enters an egalitarian marriage and devotes her life to teaching boys to be good, respectful men.

Little Women is only what US Americans know as the first half. It's just about the March sisters getting by and learning moral lessons over the course of the year their father is away at war. Nobody gets married and nobody dies. Everything else is in Good Wives, which is a sequel with different character arcs and different themes, and which should be published separately, as it originally was and still is outside the US. Trying to tie them together into one narrative never feels quite right.

Little Women is Alcott's idealized version of her own life and family, where no one suffers quite as much as they did in real life, everyone is slightly less flawed, and Jo ends up happily married to a man very much like Alcott's lost love Henry David Thoreau. She wrote the life she wished she had.

Little Women is just a semi-autobiographical slice-of-life that Alcott wrote quickly for money.

Which is the truest to Alcott's intent? I don't know. But while some of these readings I like better than others – and some of them I despise – I'd say they're all understandable and reasonably valid. Some aren't even mutually exclusive, but can be used together... although of course, other readings are mutually exclusive, like whether the story is feminist or anti-feminist, or whether the March family ultimately breaks apart or holds together. And they're all worth using as springboards for discussion.

Alcott wrote more books than she ever realized she did, because Little Women can be many different books to different people.

@littlewomenpodcast, @joandfriedrich, @thatscarletflycatcher, @fictionadventurer, @fandomsarefamily1966

[not-neverland06]

hi!! Given my obsession for Hugh jackman I am CRAVING for some Leopold X reader (from Kate & Leopold)! Maybe with some little angst but happy ending??

I love your blog!! Have a wonderful day 😽💐💓

Leopold Mountbatten x fem!reader a/n: I don’t know how controversial this is going to be and I don’t care. I could never finish the movie because I hated Meg Ryan in it so much. It’s so odd, I’ve loved her in everything else she’s been in but she made it such a hard watch. Maybe it’s because she reminds me of my grandma in the worst way lol, but I finished it for you anon sorry this was a little rushed Anyways, hope you enjoy lovelies Summary: Your neighbor went back in time and dragged someone back with him. He's irritatingly polite and far too interested in your way of life. What are you meant to do when you fall for a man who was never even supposed to meet you?

“Hello, madam, please I need your help!”

You’re used to crazies, it is New York after all. But they’re not usually shouting at you through your window. Especially not when you’re on the sixth floor. You look away from your coffee and glance towards the fire escape. 

There’s an oddly dressed man with red eyes waving at you through the dirty glass. You offer him a tentative wave back and he nods aggressively. “Yes, hello, I need your assistance.”

“Um,” you shake your head, “Sorry, I don’t have any drugs dude.”

“No,” he places his hands pathetically on the glass and shakes his head. “Please, I have been kidnapped.” Finally, you take a step closer to him. You can tell now that his eyes aren’t reddened from any medicinal fun, he probably got pepper sprayed. 

Your friend did it to you once when you tried to surprise her on her birthday and you’ll never forget just how awful you looked afterwards. You can see him a bit more clearly now. Whatever odd costume he’s got on, it looks good. Genuine and clean. 

Not like most of the street performers you see in Times Square. Besides, he doesn’t have that maddened look in his eye that makes you worry he’s going to come inside and kill you. Tentatively, you open the window. 

He’s leaping through in a second and you jump back with a yelp. He turns towards you and his eyes widen before he quickly turns away. “My good lady, where are your pants?”

“Uh,” you glance down at the oversized shirt you’re wearing and the tiny shorts underneath. Admittedly, it’s a little skimpy, but you’re not walking around naked. You’ve heard of committing to the bit, but this is a bit much. “On,” you tell him, walking around him and trying to stand close to the phone. 

“Ma’am-” He’s cut off as someone slams their fist on your front door. You keep a weary eye on the man while you unlock your door. 

“Hey,” Stuart smiles at you. His eyes drift slightly past your shoulder and he goes barging into your apartment. “Leopold! What did I say?”

You huff and glare at Stuart’s frantic back. “This is yours?” Stuart nods and rushes Leopold out the door. You don’t miss the pleading, while slightly scandalized, look he sends you. 

You slam the door closed behind them, shaking your head and going back to your morning paper. You doubt you’ll be seeing him around again. 

You know, it’s just your luck that your upstairs neighbor is a scientist, one who happens to dabble in the art of time travel. And it’s just your luck that he had to fall down a damn elevator shaft. 

Now, according to him, you have to care for someone from a different century so he can make it back to his time portal in, well, in time. This is fucking ridiculous. “I’m going to kill you, Stuart.”

“Look, they’re going to take my phone but he really cannot-”

It goes silent on the other end. You shout his name a few times but hear nothing in response. You assume the hospital staff has finally gotten sick of his shenanigans and has taken his phone. You slam your handset down with a huff and look towards the living room. Leopold hasn’t sat down since you walked in and it’s unsettling. 

“So,” you start and his attention snaps towards you. “1876, huh?”

He nods and you roll your eyes with a scoff. “Oh, this is insane. This is insane,” you mutter to yourself, walking towards Stuart’s door. Leopold gives you a concerned look before quickly following after you. There’s a part of you, and you hate that part, that actually believes some of this. 

Stuart is a brilliant, though flawed, scientist. You don’t doubt that he might have actually unlocked the secret to traveling back to the past, but it’s such an insane idea to try and wrap your head around. 

“Come on, we’re leaving.” You know that Stuart doesn’t want him out of the house. Tough. You’re not going to just stay inside and wait until he can supposedly go back to the past. You don’t give Leopold any time to process your answer, already out the door and heading towards the stairs. 

“You know,” he starts as he catches up to you. “You are quite rude.” Your first instinct is to snap back at him. But you take a breath and stop yourself. 

You’re desensitized, ridiculously used to just how awful New Yorkers can be to each other. And whether this man is truly from the past or not is up for debate. But he is polite and earnest, and you have no reason to be a bitch to him. 

“I’m,” the words are hard to come by but you force them out anyway, “I’m sorry.” He looks genuinely surprised by the apology and it only makes you feel worse. “This is just an insane idea to try and grasp.”

He chuckles softly, smiling as he glances down at his feet. “Yes, how do you think I feel?”

You’re sure it’s not his intention, but you only feel like more of an ass. If this is hard for you, whatever he's going through is a hundred times worse. You weren’t forcefully ripped out of your own time and shoved into another you don’t understand. He’s still trying to comprehend the television.

Though, you’re sure being a scientist has helped him in marginally understanding how all of this is possible. “How do you like the future?” It sounds awkward and stiff, but you haven’t had to talk to anyone in a really long time. 

Your interactions are pretty limited at the book shop considering no one ever comes in. They all order online nowadays and all you really have to worry about is organizing shelves. You’re embarrassingly rusty when it comes to conversing. 

And his propensity towards eloquence only makes you feel worse. “I must admit, some of your inventions have been quite fascinating. I’m especially fond of your showers.”

Your face scrunches slightly at the mention of hygiene and you nod, “I bet.” Before either of you can attempt to salvage this horrible attempt at conversation your phone starts ringing. “Hold on one second,” you tell him. You walk a few feet away from him but you can still feel his eyes boring into your back as you move away. 

“Hello?”

There’s a frantic shout of your name down the line and then the distinct jingling of keys. “I need you to cover the shop. Marcy just went into labor and I’ve got to go!” Paul doesn’t give you a chance to respond before he hangs up. 

Your jaw gapes and you stare down at your phone with shock. You know Paul and his wife had been expecting, but had it really already been nine months? Has your life become so monotonous and dull that nine months doesn’t even register for you?

It’s a depressing thought. One you’d rather not linger on. “What was that?”

You scream, though the people passing by don’t pay you any mind, and jump away from Leopold. “Jesus, where the hell did you come from?”

Leopold flinches away from you and his face is just as aghast as yours. “Good heavens, what is the matter with you? Do you respond to anything as a sensible woman might?”

“I resent that.” You tell him bitterly. Though, he does make a good point. You’ve been on edge constantly. You always seem to be more anxious than you are happy. It’s not a good state to perpetually exist in. “I need to go into work.”

You don’t want to outright say that he needs to go back to the apartment. It feels a little mean, but you’re hoping he’ll catch onto your tone of voice. 

His entire demeanor perks up and he smiles at you. “Wonderful, I am dreadfully curious as to what you do.”

You open your mouth to correct him, let him know he’s not coming. But he’s staring at you with such hopeful eyes that you cannot find it in yourself to turn him down. He seems so excited, you’re sure he won’t be when he gets to your cluttered little bookshop. You let out a weary sigh, “Fine. Okay.”

You walk towards the curb, hoping to hail a cab. But Leopold’s hand gently wraps around your elbow and tugs you in the opposite direction. Your eyes widen in response to his boldness. You thought touching a woman he wasn’t courting would cause someone like him to combust. Seems he didn’t mind breaking the rules sometimes. 

You make a mental note of that for later. You don’t know what you’re going to do with the information, but you find it intriguing. Maybe the modern world was rubbing off on him more than he’d like to admit. 

“We should take this,” he stops you in front of a horse-drawn carriage and you immediately begin to shake your head. 

“No, Leopold, these are just tourist traps-”

He doesn’t let you finish, opening the carriage’s door and gently nudging you inside. “Nonsense! This is far more enjoyable than those yellow monstrosities.”

“Taxi,” you correct. You turn towards the carriage driver and give him directions to your bookshop. “Ink and Tea on Fifth.” He nods and the carriage rolls forward with a lurch. You grip the cushioned seats and pray you don’t get motion sickness. 

“Ink and Tea?” Leopold inquires. “Are you a journalist?”

You smile and shake your head. “No, nothing so fancy. I just help take care of an old bookshop. They were supposed to extend the shop when it first opened. They were going to build a space for people to get pastries or drink tea, but it never happened and the owner was too lazy to change the name.”

It feels a little humiliating to be talking about your minimum-wage job to a renowned scientist. He’s invented or is going to, elevators. He doesn’t care about your stupid shop. But he doesn’t look particularly judgy of you. If anything he seems to be endeared to you the more you talk. 

Normally, you’re oblivious to these sorts of things. But it’s nearly impossible for him to hide. He’s not shy with his attraction, never taking his eyes off of you and hanging onto your every word. You’re not used to such outward attention. 

You look out of the carriage, pretending to take in views you’ve already seen a thousand times. “This city is incredible,” he wonders aloud. His awe is palpable. 

Your nose wrinkles and you shrug. “It’s dirty and the people are intolerable.”

“Must you always be so pessimistic?” You snap your mouth shut and feel embarrassment creeping around you. You’ve never had someone point out when you’re being negative, but he has a point. 

You used to view the city through the same rose-colored glasses. Something’s broken inside you in recent years that has just taken the joy out of life. Everything is grey to you now, until Leopold, nothing spectacular has ever really happened to you. 

The carriage comes to a stop outside the shop before you can respond to him. You want to deny what he says, but you can’t. Your attitude is almost always unnecessary. You think sometimes you might just be trying to see if everyone feels as miserable as you do or if there’s just something wrong with you. 

“Come on,” you tell him, getting out and paying the driver. He wanders towards the shop, eyeing the displays in the window curiously. 

“These are wonderful,” he tells you, pointing to the way you’d made the books look like they’re floating above the shelves. It was just some silly little thing you’d tried to get more people in the shop. It’d worked for about a month. 

“I did that,�� you unlock the door to the shop and open it for him. But he doesn’t walk in immediately, instead, he lingers in the doorway. He offers you a soft smile and you can’t help but return it. 

“You’re more creative than you give yourself credit for.”

Your eyes widen as you watch him walk inside. He keeps making these oddly astute observations about you and it’s throwing you off your game. You barely know this man and you’ve always been good at keeping yourself aloof and vague. Yet, he seems to read you like you’re wearing your heart on your sleeve. 

“Feel free to…” he’s already made himself comfortable somewhere in the back and you trail off. “Look around,” you finish lamely. His form is lost somewhere in stacks of books and cluttered shelves. 

You know most of the classics and history books are kept towards the back. You wonder if he’s reminiscing or getting a headstart before he gets back to his time. You smile at the thought and walk behind the counter, sitting on the stool and preparing to finish off the rest of the day.

Leopold is still somewhere lost to you an hour later. Occasionally you’ll hear a page flip or the clatter of a book being reshelved, but there are no other signs of life. Not until the bell above the door rings. 

“Clark,” you smile, sitting up straighter as your friend walks through the door. “What’re you doing here?”

He gives you a crooked grin and shrugs. Just over his shoulder, you can see Leopold’s head pop over a shelf, he looks between you both, eyes narrowing with disdain. “Paul told me you’d be here, figured you might want some company.”

“Actually-” you start, but another voice cuts you off. 

“Leopold Mountbatten,” he comes around the corner, hand outstretched as he comes in between you and Clark. “And who might you be?”

Your brows furrow in confusion at the interaction. Leopold seems oddly hostile and Clark looks strangely caught off guard. “Um, Clark. Nice to meet you, man.” He shakes Leopold’s hand but his grip is weak and it only lasts for one awkward half-second. 

It’s uncomfortable to watch them try and interact and it only gets worse when they turn towards you. Clearly, they want you to tell them who the hell the other guy is. But you feel like that might just make the situation worse. 

Besides, you were pretty content with it just being you and Leopold, you don’t need Clark coming in here and riling things up. “You know, Clark, I’m set here. You can just go home.” Your tone leaves no room for argument but you know he wants to. 

“Alright, I’ll just call you later, I guess.” He throws one last skeptical look at Leopold before finally slinking back out of the shop. 

“Neither of you should be alone without a chaperone present.” Leopold bluntly scolds you without even waiting a second before Clark is gone. It catches you off guard and you scoff. 

You motion between the two of you, “We don’t have a chaperone.” 

Leopold shrugs, “Yes, well, I’m not courting you.” It shouldn’t, because he’s right, but that stings. He is attractive, surprisingly so. You have this odd belief that anyone from his century had to be at least a little ugly. But he’s near perfect. 

Hearing him tell you so bluntly that you’re not courting hurts a little. Though, you can’t blame him. You must be dramatically different than the women he’s used to. From your manners to how you dress, you’re practically an alien. 

You stand up from behind the counter and walk towards the cart of books that need to be shelved. “Clark is a friend. Nothing more.” You’ve never once been romantically interested in your friend. He’s attractive, but he’s not really your type.

Apparently, British men from the nineteenth century are. Which does not bode well for your romantic prospects once Leopold is back home. “It is plain for anyone to see how he wants you. Don’t let yourself be blinded by naivete.”

“Naivete?” you scoff and turn around to glare at him. “Don’t pretend to know anything about me, alright? I’m not some maiden in a frilly dress who needs a chaperone.” You can see that your words affect him. He looks a little taken aback by your anger and so are you. 

It’s misplaced. You’re not mad at him, just mad that you even like him. “Just go read or something, Leopold.” You dismiss him more rudely than necessary and hide yourself behind a few shelves. The rest of your workday is spent in a tense silence that makes your stomach churn. 

You’re nearly ready for bed when something slips under your door with a slight whoosh. You turn towards it, frowning when you see a little envelope with a wax seal on the ground. You pick it up and let your finger slip under the paper, opening it to find a letter with your name on it inside. 

The handwriting is impeccable, with a gracefulness to it that you’ve never seen before. You don’t have to read for very long to know who it's from. Leopold writes poetry about the color of your eyes and the way your lips curl when you smile. And then he ends it with a vague, nearly ominous, invitation to dinner. 

You can’t help but smile to yourself, changing out of your pajamas and slipping into something a little nicer. A few minutes later you’re climbing out your window and taking the stairs up the fire escape to the roof. 

You don’t believe your ears at first, thinking the music must be coming from another apartment. But when you make it up to the roof there’s a violin player there waiting for you. He smiles happily at you as you approach. 

You spin in a slow circle, taking in the sheer amount of flowers littered around the roof. You don’t know how he managed to afford all of this. He transformed the barren and empty rooftop into your own little paradise. Candles lit and a live musician playing for you. 

You’ve never had anyone do something like this for you, ever. It’s a little hard to accept that someone would be willing to put this much effort in for you. “I wasn’t entirely sure you would come.”

You turn around and Leopold is waiting behind you, that familiar smile playing on his lips. You aren’t aware of the grin forming on your face in response. You don’t have much control over that when you’re with him. 

“Why wouldn’t I?”

He looks like he wants to respond but at the last moment thinks better of it. He instead pulls your chair out for you, helping you into your seat. “This is nice,” that feels too underwhelming a word for such an incredible gesture. 

You sigh and frown as you try and find the right words. You don’t notice him sitting down across from you. You only look up when you feel him placing his hand on your own. “It’s alright,” he assures you. 

It’s still so odd how he can know you so well after such little time. “This is incredible,” you tell him, undeterred by his attempts to soothe you. “No one’s ever done something like this for me.”

He looks like he takes personal offense to that and it makes you laugh. “You deserve far more than this. Sadly, it seems Stuart’s pockets do have limits and I’m afraid I would have put him into debt if I’d gone any further.”

You have the perfect mental image of Stuart coming back from the hospital only to find his science project has robbed him. It makes you laugh and you squeeze his hand once before drawing it back into your lap. He lets his touch linger on you for a long moment, seemingly reluctant to pull away. 

“No,” you tell him, “this is perfect.” 

You fall into a comfortable silence for a little while. Conversation mostly drifting toward what his life was like as a duke. You don’t have much to say about your own life. It’s been incredibly normal and you’re a little sad to find that you don’t have one good thing to share with him. 

Nothing comes to the front of your mind. 

Inevitably, you drift into the topic you’d both been so adamantly avoiding. “Has Stuart said when you’d need to return?”

Leopold’s grip on the fork tightens and for a moment he refuses to meet your eye. “Monday, I’m afraid.”

“Oh,” your eyes widen and you feel something burning at the back of your throat. Monday, the same Monday that’s two days away. 

“Dance with me,” the suddenness of the demand catchers you so off guard that you forget the tears. He stands, holding out his hand to you. You almost say no, you can’t remember the last time you danced and you doubt it’s going to be pretty. 

But he whispers your name and something about his tone tells you to take the chance while you have it. You slip your hand into his, letting him pull you to your feet. He doesn’t sweep you off your feet and dance the night away. 

Instead, he holds you close and you sway together. Like moving even an inch away from each other would hurt. “You could come with me,” he tells you. And you know immediately what he’s talking about. 

You also know it could never happen. Going to the nineteenth century is insane. Even considering it should be enough to have you sent to a psych ward somewhere. Especially not for a man you’ve known for less than a month. 

You try and tell him that you can’t, but he stops you. “I know, a preposterous idea. I just wanted to think about it.” You look up at him and find that you can’t take that away from him. There’s nothing wrong with imagining what it could be like with him. Even when you know it can never happen. 

You dance like that for a little while longer, swaying against each other while the violin plays in the background. He whispers your name and when you gaze up at him this time, there’s a certain look in his eye that you know is reflected in your own. 

He dips down, lips caressing yours gently before he’s pushing more firmly against your own. The world stops. Cliche, you’re aware. For the first time in years, though, you’re alive. You feel something other than the dull monotony of life. You feel excited and terrified all at once. Because you know you can never have this feeling again. 

You will never meet another man like Leopold who ignites this spark of life and passion within you. Never has a man been able to make you doubt every decision you’ve ever made with just a kiss, but here he is. 

Your arms lift like you might try and draw him in closer. His hands come up, taking yours in his gentle hold and squeezing. He pulls away from you and reality comes crashing back down. You’re not in love, you can’t be. You’ve only just met him a few days ago. 

Yet, here you are, wondering if you might actually want to leave everything behind to be with him like the great romances authors write about. He smiles at you and there’s a bittersweetness to it, a final farewell that you know will break whatever is left of your heart. 

He lifts your knuckles to his lips, pressing his lips against them like he never wants to part. “Goodnight,” he whispers your name and backs away from you. You watch him go, watch him leave, unable to muster up any words for him. 

You can’t think of anything that would ease this gnawing ache inside of you. Nothing to soothe the pain for either of you. You let him go because you know if you asked him to stay he would. And how selfish of you would it be to let history unravel simply because you fell in love? 

Monday. It is Monday. You’ve been coming to terms with that all weekend. You don't want to think about the fact that Leopold will be gone tonight. Your time together was so brief but you feel like you’re never going to get over losing him. 

Before the night was over on Sunday, a note was slipped under your door. This handwriting was messy, it made you think someone other than Leopold had written it down, but you don’t know who it could have been. 

It was a date and time, jump off the Brooklyn Bridge at this time on Monday night. Only an idiot would jump off a bridge because of an ominous note slipped under her door. But you haven’t been able to take your eyes off of it, not since you first picked it up. 

Leopold had invited you to go with him. And while you might not have said no, the insinuation was clear. Your eyes dart to your clock. If you left now, you could still make it in time. What an absolutely ridiculous thought. 

So, why are you running out the door without locking it? Why do you not care who slips into your home now? There’s this sense of finality within you that lets you know you’re never going to see that place again and that’s okay. 

You never truly felt comfortable in your life. You always thought a part of yourself was missing. Or that you were always running late for something. You think you understand what you were feeling now. 

The thing you’ve been searching for your whole life wasn’t halfway across the world, a hundred thousand miles from you. He was on the wrong side of time, or you were, at least. 

You manage to snag a taxi to get to the bridge but there’s a traffic jam. You’re forced to jump out of the car and run through the different lanes of blocked traffic. People shout at you. Your cab driver screaming after you about your fare. You don’t care, the only thing you can think about is the note crumpled in your hands and the clock counting down how long you have to jump. 

You’ll either be on the news tomorrow as an unfortunate suicide. An idiot who accidentally threw herself off the wrong side of the bridge. Or, you’ll see Leopold again. 

You reach the ledge and you can’t hesitate. If you do, you won’t jump in time. You close your eyes, holding your breath like you’re jumping into your neighbor’s pool. Air rushes around you, whipping at your hair and skin violently. 

It’s not until you hear someone shouting down at you that you realize you’re not dead. You’re lying in the middle of a dirt road, a group of people staring down at you with concern in their eyes. 

You only have to take in the clothes they’re wearing to know you’ve made it. Before they can react you’re leaping to your feet and running off. You know you’re near the Brooklyn Bridge, or where it’s supposed to be at least. You know enough about the area to remember where Leopold’s house is supposed to be. 

You’re covered in sweat and red mud. The people you pass by in the streets hide behind their hands and whisper about you. You’re not making a good impression on your future neighbors, that’s for sure. But, honestly, all you care about is making it back to him. 

You see people congregating outside his uncle’s home. You know there’s a party inside, that he’s supposed to be announcing who his wife will be. You barrel through the people outside, shoving through the crowd and running up the steps of the house. 

You can hear Leopold’s voice as you run, “The woman I’m going to take as my wife is-”

There’s a loud gasp as you come panting into the room. You can’t catch your breath long enough to speak but it doesn’t matter. The crowd is parting around you and Leopold is smiling down at you. He says your name and there’s nothing else that matters about the world around you. Not when you finally found each other. 

end. — I do not own the characters or the movie Kate & Leopold, but this writing is my own all rights reserved © not-neverland06 2024. do not copy, repost, translate & recommend elsewhere.

[batmanisagatewaydrug]

Do you have a list of good sex ed books to read?

BOY DO I

please bear in mind that some of these books are a little old (10+ years) by research standards now, and that even the newer ones are all flawed in some way. the thing about research on human beings, and especially research on something as nebulous and huge as sex, is that people are Always going to miss something or fail to account for every possible experience, and that's just something that we have to accept in good faith. I think all of these books have something interesting to say, but that doesn't mean any of them are the only book you'll ever need.

related to that: it's been A While since I've read some of these so sorry if anything in them has aged poorly (I don't THINK SO but like, I was not as discerning a reader when I was 19) but I am still including them as books that have been important to my personal journey as a sex educator.

additionally, a caveat that very few of these books are, like, instructional sex ed books in the sense of like "here's how the penis works, here's where the clit is, etc." those books exist and they're great but they're also not very interesting to me; my studies on sex are much more in the social aspect (shout out to my sociology degree) and the way people learn to think about sex and societal factors that shape those trends. these books reflect that. I would genuinely love to have the time to check out some 101 books to see how they fare, but alas - sex ed is not my day job and I don't have the time to dedicate to that, so it happens slowly when it happens at all. I've been meaning to read Dr. Gunter's Vagina Bible since it came out in 2019, for fucks sake.

and finally an acknowledgement that this is a fairly white list, which has as much to do with biases with academia and publishing as my own unchecked biases especially early in my academic career and the limitations of my university library.

ANYWAY here's some books about sex that have been influential/informative to me in one way or another:

The Trouble With Normal: Sex, Politics, and the Ethics of Queer Life (Michael Warner, 1999)

Virginity Lost: An Intimate Portrait of First Sexual Experiences (Laura M. Carpenter, 2005)

Virgin: The Untouched History (Hanne Blank, 2007)

Sex Goes to School: Girls and Sex Education Before the 1960s (Susan K. Freeman, 2008)

Bonk: The Curious Coupling of Science and Sex (Mary Roach, 2008)

Transgender History: The Roots of Today's Revolution (Revised Edition) (Susan Stryker, 2008)

The Purity Myth: How America's Obsession with Virginity is Hurting Young Women (Jessica Valenti, 2009)

Not Under My Roof: Parents, Teens, and the Culture of Sex (Amy T. Schalet, 2011)

Straight: The Surprisingly Short History of Heterosexuality (Hanne Blank, 2012)

Rewriting the Rules: An Integrative Guide to Love, Sex and Relationships (Meg-John Barker, 2013)

The Sex Myth: The Gap Between Our Fantasies and Realities (Rachel Hills, 2015)

Come as You Are: The Surprising New Science That Will Tranform Your Sex Life (Emily Nagoski, 2015)

Not Gay: Sex Between Straight White Men (Jane Ward, 2015)

Too Hot to Handle: A Global History of Sex Education (Jonathan Zimmerman, 2015)

American Hookup: The New Culture of Sex on Campus (Lisa Wade, 2017)

Buzz: A Stimulating History of the Sex Toy (Hallie Lieberman, 2017)

Histories of the Transgender Child (Jules Gill-Peterson, 2018)

Revolting Prostitutes: The Fight for Sex Workers' Rights (Juno Mac and Molly Smith, 2018)

Ace: What Asexuality Reveals About Desire, Society, and the Meaning of Sex (Angela Chen, 2020)

Pleasure in the News: African American Readership and Sexuality in the Black Press (Kim Gallon, 2020)

A Curious History of Sex (Kate Lister, 2020)

Boys & Sex: Young Men on Hookups, Love, Porn, Consent, and Navigating the New Masculinity (Peggy Orenstein, 2020)

Black Women, Black Love: America's War on Africa American Marriage (Dianne M. Stewart, 2020)

The Tragedy of Heterosexuality (Jane Ward, 2020)

Hurts So Good: The Science and Pleasure of Pain on Purpose (Leigh Cowart, 2021)

Strange Bedfellows: Adventures in the Science, History, and Surprising Secrets of STDs (Ina Park, 2021)

The Right to Sex: Feminist in the Twenty-First Century (Amia Srinivasan, 2021)

Love Your Asian Body: AIDS Activism in Los Angeles (Eric C. Wat, 2021)

Superfreaks: Kink, Pleasure, and the Pursuit of Happiness (Arielle Greenberg, 2023)

[luffysprincess]

LIE DETECTOR TEST : RENSUKE KUNIGAMI 

⊹ summary : the blue lock boys are invited to take a lie detector test, but they’ve got to answer twitter’s unfiltered questions

⊹ pairing : rensuke kunigami x reader (established relationship)

⊹ wc : 740

⊹ warnings : fem!reader with she/her pronouns, reader is referred to as a “girlfriend”, unedited, suggestive/nsfw. MINORS DNI

⊹ a/n : kunigami was highly requested and I’m sorry for such a long wait but I finally got the motivation to write his part!! lmk who should be interviewed next <33 ALSO if anyone has a reblog of bachira’s version pls send me the link. I never saved it before I deactivated my previous acc TT

⊹ isagi’s version | bachira’s version

Kunigami’s never been hooked up to a polygraph before. He’s never been in an interview like this before either. When the team’s PR manager introduced the idea to the team, Kunigami was rather excited for something so fun and unique. It’d definitely get them more attention and hopefully expand their fan base. Not to mention, he used to love watching those ‘answering your tweets’ interviews so he was looking forward to being on the other end of the screen this time. 

He, however, did not expect the fans to be so dirty minded. 

“Twitter user @/rensuckmyclit asks ‘How do you feel about breeding and how do I get myself a rensuke creampie??’”

He shouldn’t be so surprised, not after hearing what Isagi and Bachira had to answer but he was hoping he’d get some tame questions. How in the hell was he supposed to answer this?

It didn’t help that he could hear the two men beside him laughing at his expression, one of shock, confusion and embarrassment. But he’s made his bed and now he’s gotta lie in it or however the saying goes. 

“Yeah breeding is…nice, and uh you can’t?” his statement coming out as more of a question. 

All heads in the room turn to Milo, the polygraph examiner, curious to hear his verdict but are met with an old man frowning at his machine. “Inconclusive.”

“Maybe try saying more than just two words, idiot,” Isagi sarcastically adds as he punches his arm. 

“Don’t bother lying, Milo’ill catch ya,” Bachira adds, grinning mischievously at the ginger. 

“I’ll repeat the question for you: ‘How do you feel about breeding and how do I get myself a rensuke creampie??’”

“How are you even saying that with a straight face?!” Kunigami questions. “Ugh nevermind.…Breeding is uh…a yes for me.”

“So you’re into it?”

“Yes I’m into it,” he sighs.

“Milo?”

“Truth”

“And as for the second part of the question—god I can’t believe I’m about to say this on camera—,” Kunigami drags his hand down his face and mutters out the rest of the answer, “only Y/N gets a ‘rensuke creampie’.” He uses his free hand to form air quotes for the embarrassing term. 

“Y/N?” the interviewer questions.

“My girlfriend. Now can I get the next question before these two pass out? Megs looks like he forgot how to breathe– dammit its not that funny!” Hearing their usually collected teammate lose his temper over this only released another wave of cackles from the boys, contagious enough that even the polygraph examiner and the interviewer couldn’t hold back their chuckles. Kunigami can only huff in embarrassment as he waits for what’s next.

“Okay, okay… our next question is from twitter user @/kunigamisrightasscheekhairs.”

“What the fuck are these handles?”

“I think they’re creative,” Bachira snickers.

“They ask ‘What’s the weirdest thing you’ve been asked to sign?’”

Kunigami takes a second to reflect on all his fan interactions. Frowning, he hums in thought and just when he thinks he’s got answer he remembers an even odder instance. On the outside he looks like a fish opening and closing its mouth with nothing ever coming out until finally he sits up straighter to respond, “Someone once asked me to sign her tits.” 

“What’s the verdict Milo? Is he telling the truth?”

“Yup.”

“Well did you do it?”

“Do what?”

“Sign the girl’s tits.”

“I don’t need to answer that so I won’t” Kunigami smirks at Isagi feeling smart but the blue eyed man just smirks back, “Well that just makes it seem like you definitely did. I wonder if Y/N knows about this. Should I tell her?”

Isagi is met with Kunigami’s playful glare and a series of curses thrown at him, all of which will be censored out when this episode is posted on BlueTube. 

However, the room is silenced when Kunigami goes serious. He turns to the camera with a straight face, “I’m only admitting this because I don’t want any false accusations of me cheating or anything going around. Yes I signed her tits. And yes Y/N knows about it. They were her tits. And because I know one of these two idiots will ask, yes we were dating at the time.”

“All true,” the examiner confirms but one look at Kunigami’s face would be more than enough to know if he was really telling the truth. Afterall, his face was turning redder than his hair. 

taglist:  @kazuubaby @satanblessing @saiki-enthusiast @nnasv @nymphsdomain @mitzukichan18 @celestair @ilovechuuyaa @mortallytenaciouskoala @tsumu-senpai @hweartiish

[samantitaswrld]

gryffindor characters modern! AU

according to me….

description: silly modern! AU head canons of the main gryffindor characters :)

pairing: harry, ron, fred, george, ginny and hermione x reader

contains: mentions of substances, alcohol and weed. mentions sexual acts (i think…)

|an: bored and decided i’d made something a little silly. literally just my thoughts lolll don’t take this too seriously

modern AU! harry potter who…

— definitely has a flip phone and refuses to be on any form of social media bc he thinks it’s awful for you

— i think being around his friends who do have social media would give him the spiel on most things tho

— oh he loveeesss house of dragon omg

— only listens to 70s 80s 90s music and some jazz tbh

— i feel like he’s just very old fashioned and he’s happy that way

— such a loving and caring bf since he’s hardly ever even touched the internet he’s pure lol

— def a lil goofball he’d say a little slang term the twins taught him and repeat it back to you…”harry who taught you that…”

— don’t ask him to do no substances i think he’d be kinda against them..not a smoker…occasional drinker.

modern AU! ron weasley who…

— is a stoner! thru and thru. i think he’s a bong rip typa fellow but a blunt or a joint would do it too. doesn’t strike me as a cart of eddie guy.

— big female rap supporter imo…def into latto and maybe dabbles into some meg that’s his girlll lol

— definitely a twea/seltzer guy oml cannot take shots is my hc

— heavy on the lowk himbo boyfriend

— not stupid at all but not super street smart i fear, more of a book smart type of guy.

— super cute and adorable bf overall, he’s a big boy. for sure.

—armmmmssss…. gymrat imo he loves to blow off steam at the gym

—i feel like isn’t a social media person as well…has an insta but doesn’t post on it nor have a lot of followers..no tiktok maybe twitter

—luv him but he was def on drakes side of the beef…definitely a champagne papi

—kinda a video game nerd imo but he’s definitely into the sports ones like FIFA

— buys you n him the crumbl cookie lineup every week and you review them tg in the car pretending to be those tiktok crumbl reviewers😭🫶 (he’s so cute)

modern AU! hermione granger who…

— is 100% on booktok

— do not ask her about the summer i turned pretty or bridgerton unless you wanna listen to her talk for hours.

— don’t play with her and noah kahan…

—or taylor swift

— or chappell roan..

—she’ll have a cute little mixed drink or perhaps a seltzer but do not give this girl no shots she don’t want none!

— her and colleen hoover….

— brings her digital camera everywhere and is most def the camera girl friend….”hermione pls send me the pics from last night”

modern AU! ginny weasley who...

— does not play about female wnba players at all.

— don’t even mention paige bueckers…that’s her girl.

— is a party animal just like her brother.

— loves her chappell roan too.

— always on social media u cannot get this girl off her phone. she’s like an ipad kid u couldn’t rip it out of her cold head hands.

— such a good girlfriend, definitely so protective over her s/o, especially on social media.

— “ginny why’d you respond to every comment under my post complimenting me with ‘& she/he mine..so’…”

modern AU! fred weasley who…

— definitely asks u “english or spanish?”

—definitely goes to too many parties…like at a function every weekend he loves the party scene.

—treats his girl RIGHTT i would compare the relationship to don toliver and kali uchis, flowers all the time, handsy. posting/supporting his girl allll the time

—“i❤️mygf” typa fellow, all his posts on socials are her! all his stories, his highlights and his posts.

— also a weed demon, doesn’t strike me as a beer or seltzer guy but ooooo that liqah….

— dress to impress demon. his gf definitely got him to play it and he got hooked and now he’s a fashion maven.

modern AU! george weasley who…

— is every girls dream man…im talking flowers, boo baskets, burr baskets, easter baskets, omg you say the word and he’s massaging your feet and feeding you grapes.

— always posting his girl just like his brother she’s on his absolutely everything and he has a highlight for her.

— type of guy to post those tiktoks of his girl on his account appreciating her all the time and the comments are like “omg on his account too!” and it’s so cute and adorable.

—isn’t much of a party guy like his brother…will go to a few but i feel like it’s not his thing at all and he’d rather be hanging out with friends instead of at a big function with strangers.

—literally the ken to your barbie and yes he took you to see the movie and yes he got into costume with you. and he did it happily.

— always hanging out with his girlfriend and wouldn’t want it any other way.

[literaila]

I seriously love the relationship between Megumi and reader. He is in fact, a mama's boy lol

But Dadgojo and Megumi moments are cute as hell too

So herw you go a small oneshot: Little Megs would always go to reader's or Tsumiki's bedroom when he has nightmares. He already trusts you enough to see him vulnerable and goes to seek for your protection, and of course you never complain and comfort him.

But this time is different. He had a nightmare and you were on a mission and Tsumiki is staying at a friend's house.

There is only one person left in the house: Gojo.

So, with the greatest shame and irritation in the world at having to depend on his annoying and childish dad, he goes to Gojo's room because at moments like these he can't stand being alone. So he eats his shame and goes to seek for him.

You can imagine reader's surprise when she comes back home in the morning and finds Satoru and your son cuddling together on the bed, Megumi's hold on Gojo's shirt tight as both sleep peacefully.

You swear you are not like Satoru, but you can't help it but to pick up the phone and take thousands of pictures of this rare moment, knowing it wont happen again (because Megumi won't do it twice after Satoru didn't stop mocking him about it.)

honestly you might as well just write the series for me. like do you wanna look in my inbox? you can write all of the one shots currently rotting away (i’m not asking im pleading)

this is so correct though.

megumi’s just not used to not having you home. when this arrangement first began you took some time off, let satoru handle everything (as per usual) so you could take care of the kids. adapt.

when you resume your former busy schedule, both of the kids are slightly thrown off. and satoru too—because he misses you. he’s known the caress of your absence and isn’t fond of the feeling.

and now it’s megumi’s turn.

but the boy doesn’t start having serious nightmares till around seven or eight (despite the…lack of an upbringing, the rotting apartment and cuddling with tsumiki in bed so neither of them froze in their sleep).

when it happens the first time, he sits there, waiting for some answer to come. he’s a quiet, stoic kid—and he doesn’t get scared. he’s not like his soft, kind sister. he doesn’t even flinch when others would jump.

he lays there until he falls asleep again. and he won’t mention it. megumi doesn’t need to worry you or satoru (mostly you) with this.

then it happens a second time.

this time he’s woken up on the verge of tears—already passed that breaking point—and he can’t stay in bed. he can’t lay there and recall images of monsters no child should understand.

so he gets out of bed—but just for a glass of water. he’s still not scared.

though it just so happens that you’re already in the kitchen when he gets there, and it just so happens that you know things about him—just because you know—so there’s nothing he can do to hide any of it.

still, you’ll only tilt your head at him, giving him a half-sleepy smile. “hey, megs. you okay?”

“i’m thirsty.”

so you get him his glass of water and you watch while he takes tentative sips.

again, somehow you just know. the same way that megumi knows that you know.

“are you having a hard time sleeping?” you ask him, after a minute of silence.

megumi shakes his head on instinct.

you’re still smiling. “bad dreams?”

and he could lie—he’s so very used to lying about things like this. megumi doesn’t want people to see him as this little boy who needs their help. he wants an equal playing field, and he doesn’t want to be scared.

but he is.

and when it comes to you, and only you, megumi is a terrible liar.

so he nods, and your smile remains—sure as always.

“i get ‘em too,” you whisper to him. “even when i was a kid. especially then.”

“you do?”

“yup. all the time.”

“what…” megumi furrows his brows. “what do you do?”

“hmm…” you go and stand beside him at the counter, leaning your chin on a hand. “well, it depends on the dream. sometimes they’re… smaller. and i can usually sleep through those ones, but i always remember them in the morning.”

megumi nods; he has all sorts of dreams.

dreams of running around with tsumiki, of going on missions with gojo. he dreams of you in the kitchen, you telling him to keep going. and he dreams of the dark. of a house that could never be a home.

he dreams of being all alone, and when he wakes up, it feels so real that he can’t help it.

he begins to believe that it’s true.

“when i have bigger ones, though, that i can’t sleep though… well, usually i just wake satoru up.”

megumi frowns. “why?”

“he’s so irritating that i forget all about the dream.”

“oh. yeah.”

you laugh. “or i just ask him for a hug. he always says yes. or i wake him up and we steal a car and drive around for a bit,” you add, almost absentmindedly.

megumi blinks, about to interrupt, but you continue.

“sometimes i just lay in bed until i fall back asleep. or i get up and do something else—get some water,” you give him a pointed look, “so that it feels less real.”

“does it work?”

“most of the time,” you answer, so softly. and you’re right there next to him, still smiling. “wanna watch a movie or something? i’ll let you pick.”

megumi frowns. you don’t like to let them stay up late (despite satoru’s many attempts to go out for gas station ice cream at three in the morning). “really?”

“sure.”

and you sit with him on the couch, not cuddling, but close enough.

megumi listens to you laugh at the random movie he put on—something tsumiki likes—and it feels a little bit better. he feels a little less alone.

and later on, just when he’s falling back to sleep, almost slumping on you, you’ll whisper to him: “the thing about nightmares, megumi,” your hand is in his hair and your voice is almost a lullaby. “is that you can always wake up.”

so megumi gets in the habit of looking for you when he’s had a nightmare—the bad ones, like you mentioned. he doesn’t ask you for a hug, or ask you to sit with him, but you do anyway.

and somehow the two of you will end up on the couch, or in his bed, so close together that megumi can’t have another bad dream (because he’s suffocating).

but on this night—the one night where you’re not home—megumi isn’t sure what to do.

because he doesn’t want to be alone. he doesn’t want to feel trapped in his room, and there’s no way he’s falling back asleep now, and why did he forget that you weren’t going to be home tonight, and—

“psst,” a voice says, a little bit amused. “why are you awake, kid?”

almost immediately megumi straightens. his arms cross like it’s a habit. and when he looks to gojo, he’s already expecting the grin. “why are you?”

“i was calling y/n. or she was calling me. it’s hard to be away from me, you know,” gojo is sprawled out on the couch, taking megumi’s spot.

“it can’t be that hard.”

gojo shakes his head, pouting. “are you awake because the guilt from all of the cruel things you say is keeping you up?”

megumi rolls his eyes. says a curt: “no,” and then pauses.

if you’re not here then what…

“what else could it be?”

“nothing,” megumi answers, immediately defensive.

gojo purses his lips, considering megumi. “why do you look weird?”

“why do you?”

“is that the only insult you’ve got?”

and finally, the boy gives in. he steps over to the couch, sitting down next to gojo (ten feet away) with his arms still crossed. “it’s late.”

“that’s no excuse, young fushiguro.”

they both sit there for a moment, staring off.

then gojo speaks up: “you know y/n would kill you if she knew you were awake, right?”

“no. she would kill you.”

“that’s…” gojo huffs. “true.”

at this, megumi lets out a grunt—it could be a laugh, could be a cough.

he doesn’t want to tell gojo about the dreams, he decides. because he doesn’t want to be ridiculed, and he doesn’t want gojo to tell you and then—

he’s not even scared. you’re gone, tsumiki is sleeping, and gojo is… staring at him.

“are you going to answer my question?”

megumi merely grunts again.

“c’mon, don’t make this awkward.”

“can’t. you already have.”

gojo scoffs, leaning back again, crossing his arms in a poor mimic. “we’ve been letting nanami watch you too much,” he says, but continues. “fine. don’t tell me. i can call y/n back right now and you can talk to—“

“no,” megumi looks over to him, wide eyes.

“then speak, kid.”

he sighs, annoyed. at least you’re right about one thing. it takes a moment, but megumi relents because he has to. “i had a bad dream.”

gojo’s face goes slack. “oh.”

megumi feels like crawling into himself, for just a moment, and then: “do you want to talk about it?”

blue eyes meet blue, and megumi frowns. “what?”

“do you want to talk about it?” gojo repeats, but… weirdly, this time. awkwardly.

“um..” is all the boy says, feeling like he should move away. like to his room away. like he should probably find someone else to live with, a random stranger, even, because that would be easier.

“i don’t know, okay?” gojo blurts out, like it was killing him not to. “that’s just what y/n asks me when i have a nightmare.”

“you have nightmares?”

gojo is running his hands through his hair, looking like he’s about to go on a tangent. but when megumi asks his question, gojo pauses. he gives megumi a look. “doesn’t everyone?”

megumi scowls. “i don’t know.”

“huh. well, i have them. sometimes.”

“and you tell y/n?”

gojo snorts, shaking his head. “there’s no telling y/n anything. she just—“

“knows.”

gojo nods, giving megumi a small wink that makes the little boy want to throw up.

“so…” gojo taps his fingers on the couch. “do you want to talk about it?”

“why would i want to talk about it with you?”

“well you came out into the living room looking all… surly.”

“surly?” megumi repeats, with a face.

“down. upset. sad.”

“i’m not sad.”

“people who aren’t sad don’t need to deny that they’re sad.”

“y/n isn’t here,” megumi says, shaking his head. “i could hit you and be fine.”

gojo laughs, again, relaxing once more. because the man cannot be serious for any longer than three minutes. it’s biologically impossible. “i’d like to see you try,” he whispers, and it’s just enough.

megumi falls asleep on the couch that night. he spends another half hour arguing with gojo about whatever he says—forgetting about his dream, the reason for coming into the living room in the first place.

and when you get home, you open the door to the sight of two boys, both drooling.

megumi has his head pressed against satoru’s shoulder, hair smushed against his face. satoru is crossing his arms, face tilted towards the ceiling as he snores.

…it’s pretty obvious what happens next.

[revelboo]

I actually really like your star-soundwave-reader dynamic💌 if you introduce megs to it later somehow thats cool too, but its still so so perfect as is💜💜

I might still go that way, I haven’t really decided

Everything is Alright Pt 60

IDW Starscream x Reader, Soundwave x Reader

• Still more asleep than awake, you murmur a protest when Starscream shifts against you, an arm tightening around you, servos splayed possessively against your spine as he vents against you. Still recharging as his chin brushes against your hair. It’s nice to wake up like this with his arms curled around you. Holding you instead of his servos draped across you as you lay on his much bigger frame. Just sleeping in his arms is so bittersweet because it’s the first time he’s really held you. And it’s only because he has no choice. Head turning when something brushes your ankle, you see Soundwave. His helm resting on his arm outstretched across the berth, a servo curled around your ankle as he recharges, sitting on the floor to let you and Star have his berth. Taking care of you both when he doesn’t have to. That tenuous warm feeling in your chest expands as you watch him and as if sensing your stare, his visor brightens.

• You’re awake, your warm emotions sinking into him where he’s touching you. Head lifting, he has to resist the urge to try and pull you away from Starscream. But the way the Seeker has wrapped himself around your smaller frame, there’s no way to do it without waking him. Reaching out, he tugs your blanket back in place to cover your naked lower body since you’ve kicked it off in your sleep. Freezing when you reach to touch his servo. “Thank you. For everything.” Like you need to thank him for tending to you. Do you really still not understand what you mean to him?

• “Always, little one,” Soundwave rumbles, reaching to touch your cheek and you’re aware of Starscream shifting against you. Breath catching as you wait for him to get angry about Soundwave touching you. But it doesn’t come. Instead Starscream presses his face against your shoulder, venting as his denta and lips graze you.

• “Any thought on our energon problem?” Starscream growls, raspy voice deepening before he deliberately nips against the soft skin of your throat while staring down Soundwave. “I can’t exactly retrieve more like this,” he adds as you make that little noise he’s come to love, shifting against him. Tempting him to mount you again with Soundwave watching.

• Rumbling in annoyance as Starscream’s palm slides down your spine to grip your butt and tug you more firmly against his frame while glaring at him and smirking in challenge. Trying to provoke him. And that little breathy sound you make in response goes right through him. Feeding hunger and need. Because he knows the Seeker will be inside you as soon as he leaves. Primus, help him. “I’ll return,” he growls, ignoring Starscream’s antics to reach and stroke a servo over your cheek, letting his touch linger as Starscream’s optics narrow. Leaving you to the SIC so he can steal from their already limited supply of energon.

Previous

Next

[transformers-spike]

(Not a request)

I’ve been like honestly thinking, what would certain bots call their little human partners? Like I could imagine TFA megs being “my darling” but like at the same time I don’t. Just a random ramble I hope you could help me out here bc it’s been on my mind for a while🥲

I've been discussing this question with @drunkeninlovesailor this morning and we've brainstormed a bunch - so keep in mind we've also come up with a bit of extra worldbuilding (since we don't always vibe with official sources) Honestly, it depends on how well a bot is acquainted with/willing to use human terms. TFA Megatron for example would only use "my darling" if he knows it terribly flusters the human. He obviously looks down on humanity (and this includes everyone but his human - whom he still looks down upon to a degree but shhhhh). If his planet's terms don't have the same impact, then "darling" it is. But if he were to use a Cybertronian term, he would go for "my spark" (meaning "person I cannot live without"). TFP Megatron always goes for something that's a thin line between affectionate and demeaning. Things like "little one" where you're really questioning if he views you as someone he loves or a glorified pet. To be fair he's weird with everyone - any affection he has is mixed with murderous intent. TFP Optimus would call you something that shows his respect and appreciation for you. Not big on nicknames, but I'm sure you can get him to adopt something - be it Cybertronian or human lingo TFP Bulkhead and Breakdown are well-acquainted with human media (thanks to Miko and Knock Out) - but the nicknames they choose are either obscure references or sickeningly sweet to a point it gets ridiculous. Are they aware of this? Mostly Bulkhead - Breakdown would call you cotton candy with a straight face because it's sweet so it must be affectionate, right? TFP Ratchet would refer to you as his associate and later friend until he finally figures out his feelings and admits to himself he's been pining for so long it's starting to take a toll on him. Then he'll start calling his human "my spark" in private, because he's old as balls. But also "sweetspark" if he's feeling playful. Although he's willing to adopt some human terms as well and lovingly mock you by using the most grotesquely cute nicknames when you're alone. TFP Starscream? Absolute disaster. He tries so hard but he's too self-aware about how weird it sounds to call you anything affectionate. Usually everything he uses sounds demeaning even if he starts them with "my" - ie: my fleshbag. Unless you're in private and he's feeling particularly generous, at which point he's going to see if he can use some of the human lingo he learned while scouring the internet. He's testing them out to see which ones work - this can either make or break your boner. He's trying to seduce you not call you his "honey bear" TFP Smokescreen is a virgin who's never been with anyone before (you can pry this headcanon from my cold dead hands) so he's navigating the land of pet names with even less experience. Don't let him use the internet though because he'll probably end up calling you his bitch and see nothing wrong with that. Cybertronian terms tend to be easier. He says sweetspark and acts smooth to impress you, but all it takes is a sultry voice and his entire system needs to reboot. TFP Knock Out has a good grip of human lingo and is the best at mixing human and Cybertronian nicknames. He can easily switch between sweetspark and love - my spark and darling. Heck if he wants to be a smug bitch he'll call you kid/kiddo by saying Newspark.

[sunshineandspencer]

Miscommunication

A/N: Headaches are a blight upon humankind and I wish all of you with headaches and migraines a swift recovery or a cheap lobotomy. Have this, the headache created it with its own grubby, pudgy toddler hands.

Pairing: Aaron Hotchner x Fem!Assistant!Reader.

Summary: Miscommunication should be everyone’s least favourite trope, and she refuses to fall victim to it.

Word Count: 353

Warnings: fluff

be added to the taglist!!

“Of course I don’t like her, she’s my co-worker. You can’t date co-workers.”

Her heart kind of squeezed, and she felt like leaving, cancelling their dinner, and drinking alone all night. So what, he didn’t like her but he’d take her on dates, and introduce her to his son?

It’s not fair, and she shouldn’t have to deal with it.

But.. she’s watched enough shitty romcoms to know that walking away before the conversation is over never goes well for the main character and the love interest.

She doesn’t know which one she is right now, but she isn’t walking away. Pressing closer to the wall to hear Penelope teasing Aaron again, one of the only people that is actually able to do so.

“And what about your pretty little assistant?”

There was a moment of silence and she held her breath, hearing him shut the file and drop it onto his desk.

“She’s different.”

Oh.. now that’s the kind of thing that could make a girl smug. And it does. Pushing open the door to deliver the files he asked for, giving him a bright grin that immediately told him that she’d heard every word.

Penelope found a very good excuse to leave the room, giggling to herself the whole way - which meant Derek was absolutely going to get ambushed with this.

Meeting Aaron’s eyes, she played with the necklace he’d gotten her just last week, for their tenth date - really, she never should’ve been worried in the first place. The man got her a gift on the tenth date purely because it was number ten.

“Careful there boss, someone might think you’re picking favourites.”

“Watch yourself, or I won’t let you stay over tonight.”

Giving him a smug little smile, knowing every jab towards her means absolutely nothing, his every threat is empty because Jack adores her and there would be a riot if she didn’t come back again.

“Oh? But then I won’t do that thing you like sweetheart.” Leaning up, she pecked his cheek, smiling brightly as she walked out, giving him a coy little wave. “See you at seven.”

Want more?! Good!

taglist ( ˘ ³˘)♥ @peliides ║ @peachsodameg ║ @angelinajolie0213 ║ @jiggly-puff-12 ║ @khxna ║ @kennedy2156 ║ @trulycayla ║ @none-of-your-bullshit ║ @alexxavicry ║ @meg-black ║ @princess76179 ║ @chicken-fifi ║ @averyhotchner ║ @punkyghoulz ║ @anotherpassiongirl ║ @princessjax ║ @gghostwriter ║ @pear-1206 (if your tag is here and not working check out this reblog to see if any of it could hopefully help!!)