#this one gets intense sorry not sorry
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delicourse · 10 months ago
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i miss them a little if im gonna be honest
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batbabydamian · 7 months ago
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Jorge Jimenez C2E2 2024 Commission!
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bertoyana · 3 months ago
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X-MEN: DAYS OF THE FUTURE PAST (2014)
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blueskittlesart · 3 months ago
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*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?
tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.
#i really do have a love-hate relationship with this timeline#because it's FASCINATING lore. genuinely. and i think it carries over the themes of certain games REALLY well#but i also think it's indicative of a trend in loz's writing that has REALLY annoyed me for a long time#which is this intense need to cling to oot#and on a certain level i get it. that was your most successful game probably ever. and it was an AMAZING game.#and i think there's definitely some corporate profit maximization tied up in this too--oot was an insane commercial success therefore you'r#not allowed to make new games we need you to just remake oot forever and ever#and that really annoys me because it makes certain games feel disjointed at best and barely-coherent at worst.#i think the best zelda games on the market are the ones where the devs were allowed to really push what they were working with#oot. majora. botw. hell i'd even put minish cap in there#these are games that don't quite follow what was the standard zelda gameplay at their time of release. they were experimental in some way#whether that be with graphics or puzzle mechanics or open-world or the gameplay premise in its entirety. there's something NEW there#and because the devs of those games were given that level of freedom the gameplay really enforces the narrative. everything feels complete#and designed to work together. as opposed to gameplay that feels disjointed or fights against story beats. you know??#so I think that the willingness to allow botw and totk to exist independently from the timeline is good at the very least from a developmen#standpoint because it implies a willingness to. stop making shitty oot remakes and let developers do something interesting.#and yes i do very much fear that the next 20 years of zelda will be shitty BOTW remakes now#in which botw link appears and undergoes the most insane character assassination youve ever seen in your life#but im trying to be optimistic here. if botw/totk can exist outside the timeline then we may no longer be stuck in the remake death loop#and i'm taking eow as a good sign (so far) that we're out of the death loop!! because that game looks NOTHING like botw or oot.#fingers crossed!!#anyway sorry for the game dev rant but tldr timeline good except when it's bad#asks#zelda analysis
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absolutely-not-my-main-blog · 6 months ago
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Holes. Keys. What Have You.
I have full analyses I've been wanting to actually do and gather images for over the entire past year, but in the meantime, have this <3.
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emotionalsupportrodent · 3 months ago
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im so sick im so ill
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supercalime · 8 months ago
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Just thought about sharing this frame right here
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Do with it what you will
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llemon-soda · 2 months ago
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makoto yuki
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fondcrimes · 5 months ago
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I genuinely feel like I’m taking crazy pills
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honeycreammilkshake · 2 months ago
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Hey so idk if you know about this, but in Japan the politicians are going ham on trying to get BL and GL censored and illegal (???)
And with how gege likes bl, gl, and a lot of queer romances in general, do you think if he didnt play it safe, sukuita would have been canon?
i think i've read about the recent backlash on yaoi/yuri/etc in japan. and i'm really happy gege came out in support of queer series. i feel like it means a lot that they did that.
i also have a feeling that gege knew exactly what they were doing when they made sukuna and yuuji so shippable, but i'm also sure that jjk being a shounen would have prevented sukuita from being canon either way, only because then the series would technically be classified as yaoi or bl instead. and since this was marketed as shounen, it's highly unlikely that the publishers will allow it turn into bl (especially now that there's more censorship of yaoi).
however, gege still (so unsubtly) went out of their way to give us some of the most bl-looking scenes between yuuji and sukuna.
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i mean just look at this!!! sukuna is like some kind of lovesick kitten, trailing after yuuji the whole time, yet insisting he's nothing more than an intimacy-hating stray who can't stand any kind of closeness or warmth. but if that's the case, why cling so much to yuuji, who (may i remind you) was the only guy to treat sukuna as human??? i don't know, kinda looks like you're a bit needy for that affection, sukuna.
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then there's them constantly taunting each other like boyfriends that can't stop being competitive for one moment. (over the literal smallest of stuff, too. you know the infamous king of curses couldn't care less what kind of crayfish he got if he wasn't with yuuji... he constantly has to show us - so painfully unsubtle - just how much yuuji gets to him.)
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but at least he gets to one-up yuuji during archery... though of course the brat isn't as impressed as he should be. (you can just sense the hurt pride dripping off of sukuna's words after yuuji said playing with him wasn't enticing.)
i mean, this whole chapter just made me feel like sukuna is like those tsundere guys in yaoi who can't tolerate having feelings for the cute protagonist everyone loves, so they have to be as edgy-looking and rude as possible whenever their crush comes around. (and then their crush is just 10x nicer to them because of it, which only makes them even more insecure and angry.)
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sukuna, it looks like you're repressing lots...
... especially with whatever you got going on here—
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(do you think gege drew this with a nosebleed?)
and just when you thought it couldn't get any gayer... these two are pretty much canonical soulmates whose fates have been chained together since before they even met.
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(i think i'm noticing a trend with how gege draws them like this —back to back, two parts of a matched set, all but fused together.)
it reminds me of those yaoi manga where the protagonist becomes an unwilling (at first) bride to the monster guy everyone else hates but then slowly starts falling in love with him despite everything because oh maybe he isn't so evil after all.
and though the most recent chapter have really made it seem like yuuji has been pursuing sukuna in this way, let's not forget that sukuna was also the biggest flirt with yuuji before all the feelings hit him far too hard.
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sukuna, you've known yuuji for only a few days and you're already feeling up his heart? isn't that usually not until the 3rd or 4th date?
so he does something like that but then has the nerve to act all coy with yuuji later on...
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"it's annoying" he says but he's smiling. he looks almost excited. (yes, we know you like yuuji looking up at you without permission, sukuna, we get it already. you don't have to spell it out for us so obviously.)
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and yuuji, honey, you know he's into that, right? stop falling for his thinly-veiled traps; you know he loves to bait you like this, you're just feeding his ego. (and also i can't forget to mention just how frustrated sukuna gets when yuuji does ignore him!)
oh and remember that fighting is how sukuita flirts, just in case you didn't pick up on that already.
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they look so excited to be doing this right now — yuuji's unhinged grin, sukuna's "fight me" eyes... (mappa, it's a crime that you didn't animate this ;-;)
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i'm crying, they could have done comedy together.
also... why are they grinning at each other like this?
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sukuna's sitting on top of you, yuuji so why are you looking up at him with that completely unhinged look on your face? (i would say get a room but isn't that what innate domains more or less are?)
and again. if we didn't understand it perfectly well enough already, gege doesn't want us to forget that sukuna just loves it when yuuji fights back.
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just look at his feral grin at the idea of yuuji trying to take him on... he loves messing with this brat.
and although sukuna and yuuji are never officially married, the fate they're forced to is almost exactly just that. in sickness and in health (mostly sickness) they are bound to each other, and only death does them part.
crazy how they got divorced TWO times...
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.... yet they still can't escape whatever threads them together
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even if it's not explicitly stated, it's still heavily implied that yuuji was the one to set sukuna on this different path, to remind him of whatever humanity he had left.
he was the one to connect with sukuna as the king of curses was dying.
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to hold him gently and remind him that the monster he is was a matter of chance, that they could have shared that same curse if yuuji hadn't had his grandfather to provide him the fulfillment he needed while sukuna didn't have that in his own life.
to even propose that they could live together, even if he alone would accept such a thing.
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it's like something straight out of a doomed romance story. i've never seen such romantic dialogue even in actual bl romance.
and if the heartbreakingly, over the top romantic dialogue wasn't enough, this is their official art, too:
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like does any of this look straight to you? (also sukuna can't stop trying to get his hands all over yuuji, it's insane.)
i think it's pretty clear that sukuita is essentially canon already. and short of gege drawing them violently making out with each other (which, technically, that's what fighting is like for them) that crazy one-eyed cat made it nearly transparent that sukuita is actually a thing.
gege, you're THE shipper. to think they got away with inserting the most wonderfully messed up and fascinating yaoi story into a shounen series about a boy who literally sticks his enemy's fingers in his mouth is just crazy.
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shyguygubbs · 6 months ago
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I was thinking about kotlc recently and how the Black Swan originally wanted to wait to bring Sophie into the Lost Cities until way later, probably when she turned 18, and how different of a person Sophie would have been if that were the case.
Like at the start of the series, she's this child prodigy who has to go to community college in the fall at the age of 12 because her parents won't let her go to Yale (a totally valid parental choice btw), and the thing is I think she would have THRIVED in that environment. Like at first she would be scared and hesitant because in all other school environments she has been bullied for being as smart as she is, but now she's going into a school that people choose to go to in order to learn. Community college doesn't just have mean, jealous teenagers who attend, there are people of all ages and all walks of life who are ready to learn. Sure, Sophie would still be the youngest one there, and I doubt it would be super easy with the whole mind reading thing, but she would be in a much more supportive environment when it comes to learning than anything else she's experienced.
She'd be able to make friends with her peers, being able to bond over a shared love of whatever they're studying, and these friends don't think she's too smart or too weird. She maybe finds some way to muffle the voices in her head better than her earplugs did. Yeah, she still gets headaches, but she can manage it. I can see her taking as many classes as she can, figuring out her passions and what she might want to do as a career. She'd be in a fantastic place academically to transfer to any school she wants when she turns 18. I can even see her parents letting her graduate when she's 17 and allowing her to transfer to a four year college to get a bachelor's in whatever she wants to study, whatever she finds her passion for, because she worked hard for this, and doesn't hate school now, and has found a path for herself in life that feels right.
And then the Black Swan shows up and whisks her away from all of that, and she's heartbroken because she doesn't need to be taken away from everything she's worked so hard for. Yeah it feels nice to finally have the whole mind reading question answered, but she doesn't need a new place to belong, she has one. I imagine this Sophie being a lot more confident in herself, but a lot angrier too. She's fascinated by her new world, but desperately wants to go back home, to just live out the life she's been working towards. I can see her working side by side with the Black Swan from the jump, because she's in a world with injustice and she can't just sit back and let this slide, but constantly fighting back this resentment for them and how they took everything from her. I think of how canon Sophie had a brief moment of hesitation when it came to training her Telepathy, and I think this older Sophie would be conflicted between wanting to know more about this abnormality that she's been dealing with her whole life, and wanting to cling to her human identity and her old life as much as she possibly can. Because she's been ripped away from it, and no matter what her genetics say, this Sophie still views herself as human.
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bow-wow-wark-wark · 5 months ago
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Cw// suggestive content, loud audio
Just a casual day in the akatsuki hideout
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astrodances · 6 months ago
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As the cabin came into view again, Goldie couldn’t stop thinking about how this had to be the coldest night they’d had in weeks and her feathers were turning into little icicles. With the small amount of sunlight left, she could see her breath on every exhale. It was so cold she was getting exhausted much faster than she should’ve and Goldie knew she’d be sick in the morning...if she made it there at all.
May I present...the Ice Queen of Dawson. ❄���
This has been a long time coming, but I finally finished this set of three drawings last week that I've been wanting to draw for the longest time for @lettheladylead's running in circles (the above drawing specifically comes from chapter 4 - it's the exact moment that Goldie sees the cabin again on the way back from trying to get back to Dawson). (Will also say that these are a very happy belated birthday gift to you! :D)
There were a few moments from the Klondike chapters that weren't necessarily major story moments, but the descriptions of them (and especially of the environments/lighting) caught my eye and my heart, and made me want to highlight the beauty of the Klondike, and so here we are.
For this scene in particular, her walk back to the cabin, I got a very vivid image of it while reading it, a sort of tragic twist on a "winter wonderland" and on Goldie looking all icy-pretty, and the angst of the Ice Queen naturally came in to play.
Will post the other two drawings over the next two days - up next: a king in the morning light.
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icantalk710 · 7 months ago
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Quick compilation to show that I'm, for all intents and purposes, still alive in one way or another, hi 😳
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petrichorium · 2 months ago
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I think when shanks is like rlly into sex he’s actually kinda quiet btw
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skyrigel · 4 months ago
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I don't feel loved
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