#this my last post for the day trust

[gradient-jeremy-asks]

First round of Regretevator designs i’m making for an au based on Dracula ☝️

[raticalshoez]

Fiercely loyal girls when the narrative hits them and alter their relationship with their alliances forever

[beeqisch]

spelling concerned was unnecessarily hard

[iamespecter]

Sorry for being such a poopyhead and letting my negative emotions take ahold of me and control my thought process for nearly 3 days guys anyways self-esteem has been recovered (somewhat) and now I'm just doing a colorblind challenge using Caine to test if I can still paint

(I disabled colors on my screens and therefore CANNOT see any of the colors even in this screenshot, I'm relying purely on values and all I can see are black and whites) (EDIT: Okay, I forgot the exception to this challenge was Caine's eyes because I wanted it to be the same as his original palette just in case this attempt's palette was too unrecognizable.)

I also discovered I like cooking as a hobby during those 3 days of self-reflection. I should stop being terminally online more often

[fevekko]

yaya sketch from a few days ago

[triglycercule]

i love that the murder time trio all have dangerous little greetings. horror has his little hand drill thing. killer puts a knife up his sleeve and then does a little switcharoo. dust INSTINCTIVELY shoots whoever he sees with a bone. no greeting whatsoever. so just imagine how things go on a first meeting or whatever. immediately horror and killer have to dodge bones from dust and horror's like hey wtf man. mildly irritated but he just met these guys so he's willing to forgive. he's not gonna lose his cool in front of these two random ass guys even though one just tried to kill him. killer just has that dumbass smile on his face like always (but he was intrigued when dust did that. like who tries to kill someone on first sight?? he's curious now :3)

and then theyre all just standing together and staring for a moment and horror sticks out his hand. killer takes the bait but then he just points a knife to horror's stolen eye once he realizes that he got duped and his other hand is now currently being drilled into. dust didn't shake either of their hands because he could see the drill and tell that killer had something off about him in general. but he does give a tiny smile when he sees the state that the two r in rn with the drill and knife. it's an eensy bit funny in his eyes

least violent mtt interaction

[sun-e-chips]

I'm sorry for sending another ask so quickly! But I just thought what if the Waterpark AU had Restaurants that are Tiki/Luau theme?

How cool would it be if it was a dinner and a show where the tikis would perform fire dances (if too dangerous, they could still do the dances without the fire). It would be nice to see Sun and Moon occasionally join every once in a while for fun. Also, I thought it would be hilarious if the restaurant had crowd interaction shows where they would pick some people from the crowd, bring them up on stage to do the "grandma and grandpa dance." This dance is where the selected audience has to match the dance of the hula dancers while keeping to the beat of the drum, and of course, as dance progresses, the drum gets faster and faster. The goal of the dance is to move the bottom of the body as fast as possible, while the top remains as still and graceful as possible. I can picture y/n just watching this completely enthralled, idk if anyone can get them on stage, though. XD

Anyways, just some silly thoughts. But I just really wanted to share them with you.

No absolutely not silly thoughts!!!

Having a luau dinner show is exactly what I had in mind for this au!

I’ve only been to two luau shows so I definitely need to do more research of what acts the show would entail but I definitely want to have the tikis performing the traditional dances and guest participation being pulled up on stage!!! Oh I think I remember a dance where a guest tries to mimic the performer I didn’t know what that was called I’ll definitely look up more about it I absolutely adore your description!

Oh! And for the fire acts because the tikis don’t have mouths (or robotic lungs) I was envisioning Moon and maybe Sun performing that section. They would be able to do those “fire breathing” tricks! Besides that the Tikis would handle most of the show’s performances but of course the boys can’t help but involve themselves into the guests portion, dancing along with kids and pulling up members from the audience to join in on the fun!

(As a fellow shy person nothing could get me onto a stage but let’s just say the water boys are very good at what they do and have their ways of getting people to step out of their comfort zone while still having a very fun time :))

[starpros-sunshine]

Eichi gives away the mask so easily because it was never meant to be an "engagement ring" like you delulu wataeis imagined it to be lmao. It was wataru saying that he will continue playing tsumugi clown role in fine and won't leave it for hokuto's mother troupe after graduation. Do you dumb fucks even read the stories? Eichi didn't even understand tf that mask meant when wataru gave it to him and wataru referenced fucking tsumugi in his "proporsal". I dunno why the f you think it's ok to lie about "! EnDiNG wItH wAtAeI EnGaGeMEnT" when the chapter it happened wasn't even close to the end of ep:link. Cope

PS: how do you live with the fact that Eichi clearly admitted to never being in love in his life and Wataru said that even though Eichi likes him, he still can easily discard him for the sake of his objectives?

I love you anon thank you for giving me a nice reason to ramble again beautiful ask 10/10 I'm sorry this is probably not how you hoped this would go but this is such a funny block of text delightful really thank you for the enrichment please marry me

But okay yes now to get down to the actual ask just to disclaim I am solely relying on translations seeing as I do not speak japanese well enough to understant the original text so if anyone has anything to add to this or to correct me on please feel free to do so.

Now to get started I'm not sure if one could say Eichi gave away the mask "So easily" seeing as he claimed that it was "a hard choice to make"? Which, as one might know, implies unease with an idea and pondering and debating and a general amount of thinking behind a decision so? I know this isn't really the main focus of this ask but I'm just a tad miffed with the semantics of it is all. And in either case giving the mask back to Wataru while expecting it back still shows a certain degree of trust in their relationship it wouldn't have been such a big deal for him (as it apparently was) if the mask didn't have a lot of sentimental value to him (the both of them really if we look at the whole exchange).

Now to the claim that the mask was "only" Watarus promise to stay with fine and "continue playing Tsumugis clown role". This is not entirely incorrect. Regarding the acting troupe and staying with fine bit at least.

I'm assuming this bit in EP:Link Deadend/7 is what you are referencing, and I see where you're coming from. But the bluebird line

from literally three dialogue lines further down, which references this line of dialogue (notorious Eichi line everyone should be familiar with)

kind of somewhat really recontextualises that? Because you see this is a reference to a fairytale about a pair of siblings and they get sent out by a nice fairy to find the bluebird of happiness for her sad daughter to make her happy again so they both go on an adventure and travel far and search and search but they can not find the bluebird of happiness and then when they return home again, disappointed because they couldn't find the blue bird, they realise only one night has actually passed and the journey was probably just a dream. But then their eyes fall upon their pet dove in it's cage which appears blue all of a sudden and so they gift it to the fairies sad daughter which becomes happy again and sets the bird free. The real bluebird of happiness is a dove. At least in the version of the story I'm familiar with but I mean everyone sees the symbolism right? It's. very hard to miss.

And then dropping this?

I'm not sure how to say this properly but in the overall context this makes it pretty clear that Tsumugi has nothing to do with this anymore this is Fully between Wataru and Eichi. And I am the last person to dismiss Tsumugis significance in the course of Wataeis relationship as characters I will be among the first to protest when someone dismisses the importance of Tsumugis and Eichis relationship in favour of some image they have of Wataei but he has nothing to do with this one.

Yes Tsumugi gets namedropped but - again - I don't really see how that would lessen the sentiment Wataru is triying to convey here? Because. Yes. Why wouldn't he mention Tsumugi?

The entire conversation pretty much boils down to "Yes I was initially only in this because I thought I could replace Tsumugis role in your life and then I wanted to leave but we have spent so much time together that I realised that that is definitely not working out because I really do love you. I love you as a teammate; I love you as a friend; I love you as a person and I am very angry at myself for not managing to get that into your head. So please allow me to stay with you for as long as you'll have me." And then also Eichi not understanding because he has the emotional self awareness of a very emotionally unaware loaf of bread and also because he hates himself that is a very big thing about his character huge part of his character arc actually that he. you know? Hates himself? And feels guitly for his actions during the war? And doesn't think he deserves love and companionship? Which is why Wataru wanting to stay with him for him and not for some twisted form of revenge is such an alien concept to him? Because he is projecting his insecurities onto Wataru? As one is wont to do when they hate themself? "EiChi Didn'T eVen UnDErStanD WhAt tf ThAT Mask MEAnt" Yeah. That's. That's the point? So he can think about it and come to that conclusion himself which works as a keymoment in his characters journey from hating life and himself to enjoying being alive and wanting to live on because of the people he's surrounded with? He literally explains why he didn't immediately understand the mask during the EP:Link Epilogue/4

And to get back to the "I dunno why the f you think it's ok to lie about "! EnDiNG wItH wAtAeI EnGaGeMEnT" about which I have two things to say:

"Lying" implies further intent and an effort. Neither of which exist in this case.

He literally went down on one knee while making a big proclamation of offering himself to Eichi with a very personal item that works as a symbol for their commitment to each other on a starlit rooftop. The comparison writes itself.

3. https://en.wikipedia.org/wiki/Joke

And then I expected there to be a proper reason given and instead you proceed to follow that up with "when the chapter it happened wasn't even close to the end of ep:link". I know the shame is on me for expecting something sensical from an ask which has been near constant in it's lack of correct statements but such is human nature I suppose. And you are not wrong. Deadend/7 isn't very close to the end of EP:Link. That is true.

But do you know what Is very close to the end of EP:Link? The Epilogue Chapters 3-5.

Do you know what the content of those chapters is? I do. Very well actually :)

(Eichi literally explains why he didn't get it)

So if this answers your "Do you dumb fucks even read the stories?" questions, Yes. And I think I'm a lot better at it than you. So I'd say I'm coping quite well over here :p

PS: Regarding your PS, I take the "I've never been in love before so I wouldn't know" comment with a lot of humour actually as an aroace person who's emotional self awareness also ends at "good" and "Not good" I think it's very funny all things considered especially because he mentioned the loving Wataru thing several times before that and I'm generally of the belief that actions speak louder than words and also am in a happy long term relationship with the concept of "Reading Subtext". So please excuse me for not breaking down in tears everytime someone reminds me of that one singuar line of text in one of my favourite all time enstars stories that came out three years ago which also brought us the single best card set in the entire game

as well as absolute banger dialogue such as

Among others <33

And there are soooooo many other examples of wataei dialogue that simply make me swoon but I have already had to take out so many of the one's I wish I could put here so this wouldn't get "Do you love the colour of the sky" long

And also, regarding your "Wataru said that even though Eichi likes him, he still can easily discard him for the sake of his objectives" I'll just say that no he absolutely could not. I mean he'd say that and if pull comes to shove and he has no other option then he might seriously consider it but may I mention that Wataru was gone for a few days at most but really not that long of a time during Sanctuary and Eichi stopped considering being a normal rational person that doesn't leave helpless 17 year olds in the midst of a construction site. Very different situation but I feel like it's worth mentioninh here. Another example is Eichis almost not being able to go through with the war because of Wataru. Wataru had to actively come and tell Eichi to go through with it. Wataru isn't the reason Eichi started the war, that is wrong, but he is the reason Eichi almost didn't finish it. and during the war era that was his Main objective. Again I'm part of the fraction "actions speak louder than words" Show don't tell and all that, but even the words are pushing it.

And that concludes my essay :)

[thetomorrowshow]

just when i was getting to know you

TRUST AU

yeah yeah i'm posting a lot of trust au. i have a backlog ok

~

Joel wouldn’t say he was the closest person to Scott. Sure, they know each other. They’re friends. They've been in House Blossom councils together for the past ten years, and Scott's been joining in on family night, and the elf's engaged to his brother-in-law and best friend, so they have to at least be acquaintances. They happen to be friends.

Friends or no, they certainly aren’t best pals.

To suddenly be possibly the closest person to Scott at the time of his death is more than a little pressure.

Well, Katherine's there, too, but she seems even more shellshocked than Joel.

It's—well, the whole thing is . . . incredibly violent. Xornoth throws Scott around with tentacles, kicks him into the ground, breaks his wing. . . .

Katherine covers her eyes. Joel watches, flinching at every knock of Scott's head against the stony ground.

When Xornoth drags Scott up for the final time, Joel gets one last look at him—dusty, hair tangled, scraped and bleeding and eyes barely open, limbs dangling helplessly—and then he's thrown off the edge of the cliff.

Joel doesn't run with everyone else to peer over the side.

Joel flicks open his elytra and takes off into the sky, heading the opposite direction.

Xornoth watches him.

Joel doesn't know why, but Xornoth lets him go.

And that's terrifying, just a little bit.

Xornoth doesn't think the massive armies of Mezelea are enough of a threat to kill him here and now, like he did Scott.

Scott's dead.

Goodness, Scott's dead.

Rivendell has always been a force to be reckoned with. Ancient and up in those frozen mountains, Joel hadn't even considered that such a country could fall so early in a war that hadn't yet reached its borders.

The Codlands had fallen in one bloody day.

Now, in a reflection of its deceased lover, Rivendell has too.

Joel soars across the ocean, wondering just how long it will be until Rivendell is forced into servitude. Mere days, like the Codlands? Or maybe more gradually, a months-long process designed to make the elves feel in-control of their descent.

How many are left to fight the evil? Him, Lizzie. Shubble's certainly been conquered as well, seeing as Grimlands army would have marched through the Undergrowth to reach Rivendell. Katherine has thus far declared neutrality, as has Pearl. Pix hasn't been heard from since the war began. And Gem—

Gem's down, too. Possibly dead. And her students aren't really built for war, try as they might.

So it's just him and Lizzie.

Goodness. And they're supposed to win this fight, let alone survive?

It isn't exactly black and white, of course. There are likely fugitives leaving Rivendell and the Overgrown as he flies, and he has a small army of Rivendell soldiers in his forces that Scott sent over several weeks ago, and he and Lizzie have already been strengthened the slightest bit by dissenters from the enemy armies. They aren't as alone in this as he feels.

Still. The loss of Rivendell is a terrifying, war-changing blow. Rivendell gone, Scott dead—

Joel feels like nobody ought to be able to blame him for feeling a bit hopeless.

He needs to get back to Mezelea, reorganize his armies, inform his support from Rivendell that they cannot return home, contact Shubble and see what they can do to help. He needs to do all sorts of kingly matters that really shouldn’t wait.

But he stops at the palace rising out of the depths of the ocean, landing on one of the towers and hitting the ground running, elytra flapping in the wind behind him.

He sprints through the doors, down the hall, takes a left, Lizzie's probably in some sort of important meeting so he takes another left toward her war room—

There's a soldier standing guard outside of the room, and when Joel approaches, he shuffles to block his entrance.

"Her majesty is not to be disturbed," the guard says, blocking Joel from entering. "She is in a meeting with—"

"I'm her husband and I do what I want," Joel tells him, before shoving him aside and going in.

Lizzie is standing at the opposite end of a somewhat large, square table, pointing at a map, a gnome amongst three other advisors (one the Rivendell ambassador, another clearly fae) gathered with her. When Joel enters, they all look up.

Lizzie isn't wearing grey.

Her dress is purple, the sleeves billowy and light. Her hair is down, neatly brushed and falling into her face, her crown set upon it.

Her mourning period has ended.

"Joel?" she says, brow furrowed. "I asked to not be interrupted."

Joel strides across the room, stopping at the other end of the table. "Right, right, but—"

"These plans are only to be known between those of us present, it's frankly a war crime for you—"

"Scott is dead," he says loudly, and Lizzie freezes.

"I—what?"

"Scott is dead, and Rivendell surrendered," he says, and the elf in the room (Elif, if he remembers correctly) actually staggers back.

"The king?" Elif demands, his hands shaking. "King Scott? You—you jest!"

Joel shakes his head. "I saw it," he manages, the shock of it all really hitting him. "He's dead."

"What happened?" Lizzie asks, rushing around the table.

Joel shrugs helplessly. "He just—the demon killed him. Scott—he tried to do something, something with magic or whatever, but it didn't work, and the demon just. . . ."

He doesn't want to tell them everything he saw. He doesn't want to tell them of how Scott's body lay crumpled on the ground, his mourning clothes torn and bloody, while Xornoth towered over him, declaring victory.

He doesn't want to tell them that at no point in the battle did Scott have the upper hand.

That it was hopeless from the start.

That he didn't even try to help.

"He's dead," he whispers.

Lizzie's eyes are wide, horrified. She almost seems to search his face for any sign of a lie.

"No," she breathes.

Joel only nods once.

Tonight, he'll tell her what happened.

Tonight, as they get ready for bed, he'll recount in a whisper the demon appearing, the way ice had seemed to burst out of Scott in jerky and uncontrollable ways, the way Xornoth had broken free nonetheless and beaten Scott to the ground and cast him to his death.

He'll hold Lizzie close to his chest as she cries, and a year ago she wouldn't have cared if Scott lived or died but now it's almost like he was the last living piece of Jimmy other than Lizzie herself and with him gone, everything is lost.

He'll lay awake in bed, wondering what on earth will happen now that Rivendell has fallen—will the elves be hounded out of their lands, forced to find homes elsewhere? Will they be forced into servitude? Will Katherine declare loyalty to a side?

Will there be a funeral for Scott?

But right now, as Lizzie turns away, as Elif collapses into a chair, as the gnome mournfully asks Joel what has become of the Overgrown, Joel can't say anything.

He can only stare at the table (with maps and figurines and inkpots) and think of all he must do.

-

"I'm going to mourn," Joel tells Lizzie the next morning.

It's a senseless decision. He should be in gazillions of meetings, preparing his country for refugees and attacks, deciding how to divide his forces, proportioning what to give to those in need. He doesn't have time, in the wake of everything, to spend three days secluded in his quarters.

"You shouldn't do that," Lizzie advises, pinning her hair behind her ear. "You have too much to do."

Joel shrugs. "I'm gonna do it anyway."

"Why?"

"Just feel like I should."

Lizzie sighs. "Joel, you really can't. I need your help with this, your country needs you, you can't just—"

"It's only—"

"—other mourning periods, it would be fine, but Mezelean—"

"—without me for three days—"

"—total isolation, you have—"

"Who else is gonna do it, huh?"

Lizzie falls silent, arms folded. She raises an eyebrow, and Joel struggles to come up with the words.

"Who else is gonna mourn him?"

"His people," Lizzie is quick to answer.

Joel scoffs. "They've just been conquered by the archenemy of their dead ruler—you think the demon will let them?"

"Katherine."

"Katherine doesn't mourn, it isn't a part of her culture."

"Gem."

Joel remembers Gem, lying on the ground, hair entirely white, and shudders. "I don't think she can. She was . . . injured, yesterday."

"We're all mourning him," Lizzie waves him off. "We may not be wearing black, but we all miss him. We're all thinking about him. It's basically the same thing, just without any outward sign."

Yes, but that's part of mourning, isn't it? Scott, at some point last week (it's just like Jimmy, Scott was fine last week and now he's gone forever), had mentioned that his clothing is designed to be as similar as possible to his betrothal clothing, to remind him at every moment of his loss.

The outward signs aren't for others, aren't proof of how sad you are. They're a tool in grieving, in memory.

"You weren't even that close," adds Lizzie. "Would it even be proper to take the mourning period?"

Propriety doesn't matter. Not anymore.

"I know that we've got different beliefs on what happens with death and all that," Joel says awkwardly, trying to figure out how to word this. "But for us, we believe that . . . that there's this, like, waiting period to get into the afterlife. So the three days—it’s like you're waiting with them."

Lizzie nods. They've talked about this before.

Joel looks down at his boots, suddenly unwilling to meet his wife's eyes. "Nobody else will be mourning," he says quietly. "I don't want him to wait alone."

He and Scott weren't that close, it's true. But Scott had intended to marry Joel's best friend and brother-in-law, and that basically makes him family.

Lizzie doesn't argue any more. She only nods, then takes the pin out of her hair and ties it up into a tight bun.

And Joel goes back to Mezelea, and shuts himself in his quarters for three days, despite the contrary advice from his chamberlain.

When he comes out of the mourning period, he's resolved to save everyone he can.

-

And then Scott isn't even dead so it doesn't matter anyway.

But when Joel sees him—because the demon had blasted him to the side, and he'd heard a lot of shouting and chaos while blacked out and trying to regain his bearings on the floor, so it isn't until he stumbles out of the building that he sees him—, his heart actually leaps with joy.

He's alive.

Scott is alive, and he's right there, his back turned away and Joel has never seen him in homespun, brown peasant-like clothes before but it's definitely him, from the shock of blue hair on his head to the familiar satchel hanging from his shoulder.

When Scott turns around, Joel can't help the smile that breaks across his face.

He rallies the troops, claps Scott on the back (he wants to hug him, he wants to pull him in tight and never let go which is weird but whatever), and does his best to act normal.

"I don't know how you're alive," he says, breathless with—with wonder, or something. And maybe Scott isn't really alive, maybe this is some ghost version of him sent back to help them win this (but he feels awfully solid beneath Joel's hand). "But it's good to have you, for however long it'll be."

Scott only stares at him for a moment before asking (that's definitely his voice, his thick elvish accent, his funny-sounding Es and As, so inimitably Scott), "Why does everyone have weapons?"

And Joel just wants to laugh and laugh.

And later, when Scott's asleep in Rivendell's infirmary and Lizzie's some giant axolotl monster thing and Jimmy's also, somehow, alive (Jimmy’s alive Jimmy’s alive Jimmy’s alive), Joel laughs.

He sits on the front steps of the palace, exhausted and bloodstained and with aching arms from carrying bodies, and he laughs.

As his laughter dwindles into chuckles, he looks around at the reclaimed capital of Rivendell, the moon and stars illuminating torn palace grounds and those collecting the dead, and he sighs.

"I'm gonna claim this as my own country," he jokes to himself. "Who's gonna stop me? Rivendell's mine now."

"Good lord, your majesty, please do not," comes a tired voice behind him. Joel glances back to see Ilphas stepping out of the palace, easing the door shut behind themself. "I don't believe I would be able to restrain myself from attempting regicide a second time."

Joel snorts. "Right, wouldn't want to inconvenience you. A different day, maybe." Then, after Ilphas doesn't respond, he adds, "How is he?"

Ilphas offers a small, strained smile. "The king has not yet woken," they say, "though his majesty Pix believes it will not be much longer."

Joel had carried Scott to the infirmary after he had collapsed, the no-longer glowing sword under him. He'd hurried forward, while armies on both sides had remained frozen, and he'd dragged Scott out of the center of everything, laying him beside Jimmy's (Jimmy?) body, because Joel hadn't even known Jimmy was also here and now he was dead again?

None of it made any sort of sense, but as the soldiers of various armies tried to sort out whether or not they should continue fighting, Pix had pushed through the crowd and hefted Jimmy's limp body over his shoulder, before leaving without explanation.

Joel had stared after him for a long moment, wondering if maybe he had hallucinated the whole thing.

Then, gathering strength beyond his normal, he had heaved Scott up and carried him to the palace, where he had been met by several elves who quickly took over.

He'd really just hoped that Scott wasn't dead. Then he'd pushed it out of his mind and set to resolving this war.

Now, here he is. Jimmy is, somehow, alive, sleeping off a life-ending wound.

And Scott is also alive, asleep in the Rivendell infirmary.

Joel kind of feels like he missed a chapter somewhere, because nobody has explained to him how they're both here in the first place (and some part of him still believes that they are spirits, brought back by some ritual to help them defeat the demon), but they're here and they're alive and that's what matters.

And Ilphas, judging by the way they finally seem to be relaxed enough to let their shoulders drop, feels the same.

"It's good to have him back," Joel comments idly, and after a moment, Ilphas nods their agreement.

"It is," they say softly.

Joel's still exhausted. He's still confused. He's got no idea what's going to happen next.

But Scott is back, and Jimmy is back, and the war is over.

So he gets up, and claps Ilphas on the shoulder (the elf starts in surprise), then returns to the fields.

He has to help Rivendell rebuild if he's going to conquer it, after all.

[magicwithineleteo]

eleteo 🤝 zutara

fighting together awesomely,

supporting each other,

their iconic moments from their respective finales <3

*i couldn't find the gif i wanted but the olaball gif from elena is supposed to be her being super duper smart and outsmarting ash during the match by losing

fun bonus, some buzzworthy moments <3

oh, and mateo & zuko being gagged with elena and katara respectively <3

okay guys thanks for attending my brainrot seminar

[laurrelise]

ive been doing an anatomy study lately to try and actually improve at art and it’s been boring but using tua screengrabs as references has made it much more fun and i’m pretty happy with how the page turned out even if it’s pretty rough so im dropping it here :)

also one point to you if you can guess which photos / scenes these reference !!

(also the little stars mark my favorites)

[all-pacas]

Would you guys have taken the job? I don’t need the money.

(chase's sad little outfits in every episode: dnr + histories)

[belchka]

Resident Evil 5 remake “wish list”:

IF capcom ever remakes Resident Evil 5 (begging on my knees) i really hope they’ll make it as disgusting as RE7:BH. Actually no, they can make it even worse.

Legit nothing about RE5 is scary and it’s disappointing. It just throws everything at you (talking about that damn Licker laboratory) and you’re so stacked that it brings the scare factor down to zero.

BUT I believe RE5 remake has the potential to be hella creepy, mayhaps with a redesign of some of the minor enemies and most boss fights. Like, how cool (and sad) would it be to hear Excella wailing in the form of the mega uroboros monster??

In addition, we need harder Wesker boss fights. COME ON he’s THE main villain of the game, if not of all the whole series, and his boss fights are more meme material than anything? Don’t get me wrong, I had a lot of fun fighting against Wesker, but I wish he was more frustrating to deal with. Paradoxically, I had more trouble with the solo Jill fight as you got to be careful not to shoot her too much before it’s game over.

I’m really not hating on RE5, I still go back to it to play mercenaries, and I have yet to attempt professional difficulty in the main campaign (did the DLCs already). I like the game, but it could be so so much better and I wanna believe capcom knows that already.

And please give Sheva more personality/importance. I love her design and she has cool attacks but she’s so… boring? (I’ll be lynched for saying this). I feel like no one in the game really gave a shit that she was there other than that one cutscene on the airplane- but even there, it seemed to me like Chris was more focused on not repeating what happened with Jill back in Lost in Nightmare rather than worry about Sheva because they’re good buddies. So yeah, capcom, give Sheva more love, and have Wesker try to actively kill her instead of ignoring her for most of the time!!!

[jadeoru]

[sydney-carton-of-sour-milk]

The Many Illustrators of A Tale of Two Cities 18: [ Illustrator of the "Bordesley Edition" ]

...& a mystery so timeless, it can't even be dated...

Sometimes, we don't get all the answers or information that we want.

These illustrations come from an edition of A Tale of Two Cities with neither a credit for the illustrator nor a publication date. All the book calls itself is the "Bordesley Edition" - even the illustrations themselves are unsigned.

And they're beautiful.

In the spirit of attempting to restore and regain what can get lost to time, I also took it upon myself to manually edit out the color misalignment in the first illustration - it's a rough and rushed job, but I think it gets the job done as much as it needs to.

Hopefully, one day, the creator of these illustrations will reveal themself along the backroads of the Internet, but for now, I quietly file the book on my shelf and this post under the label "Bordesley Edition" as we marvel at an amateur approximation of the gentle expressions they gifted Darnay and Carton.

& the standard endnote for all posts in this series:

This post is intended to act as the start of a forum on the given illustrator, so if anyone has anything to add - requests to see certain drawings in higher definition (since Tumblr compresses images), corrections to factual errors, sources for better-quality versions of the illustrations, further reading, fun facts, any questions, or just general commentary - simply do so on this post, be it in a comment/tags or the replies!💫

[lornasaurusrex]

I miss you Lorna… this is such a mess

This is an old message and I had several other similar messages, but I miss you guys and hope you’re all doing well!! I’m sorry to see nothing has improved.

I saw I was kindly mentioned by @awesomefringey and some other commenters the other day, so just wanted to log in and say hello and log back out for a few more months. 💕

Sending so so much love to all of you. Take care of yourselves and each other, please.

The video is still on YT.