#this might also be a neurodivergent thing idk

[lynxindisguise]

okay now I’m thinking about sirius black being the kind of smart that makes you look really fucking stupid sometimes. because when you pick up skills and process information really quickly, it involves your brain making a lot of assumptions about the “how” and “why” in the background. and it’s often right but sometimes it’s completely wrong, and then you go and apply that logic to other things without really considering it, and you can make some absolutely ridiculous decisions. and I just know remus is staring at him sometimes like “you’re the smartest person I know how did you do this”

[devildarlindumbass]

Fucked up dog

[ohmigoshiloveu]

Okay so like. I still haven't managed to get myself to finish episode 9, so I don't fully know how Theo's glow up finishes, but regardless I fucking love relistening to Emizel's section of episode 1 and like. Fuck man Theo does a lot of growing. Like he's a little bit pathetic at the beginning of the series. He's so, so brave during the alleyway fight, but he sounds shaky and scared and like a sopping wet pathetic baby the entire time. Charlie specifically describes him as not very alert, not a great fighter, and gives him this little moment where it takes him a second to manage to crush a soda can. He botches the check to beat Emizel in Smash Bros so there's a chance he sucks at the related skills (dexterity and computers I think?), but also after he loses Charlie specifically has him sound super frustrated and conclude that he should've 'stayed in his lane'. When Emizel says 'We'll do what we do best,' and Theo immediately responds with 'drink soda?' so fast that the other players notice it. Charlie might've had that as a predetermined character thing. Theo drinks soda. There's not much else to him.

Which creates this interesting dynamic between him and Emizel, because Emizel is so much better at him at all of these skills that the people around them (a FUCKING GANG) value. Emizel's perceptive, and agile, and strong, and a great fucking fighter irl and in videogames AND he always sounds badass. He's the top dog, the apex predator in their social circle. And I think that colors their relationship a lot? Like Theo has to look up to Emizel. I bet that Theo's looked up to Emizel since they first met, maybe Emizel came crashing into his life doing something epic and Theo thought it was the greatest shit ever.

On the flip side, I was getting a few hints of resentment? Hear me out! It's that 'should have just stayed in my lane' line. He's painfully aware how great Emizel is, compared to how much he's (from his perspective!) just a one trick pony. He's here to drink soda and say funny things, that's all most people want from him and he fucks up whenever he tries to do anything else!

And later in the segment Theo snarkily brings up a medicine check that Emizel had just fucked up in like this super backhanded, super passive aggressive way. That could be him wanting to rub Emizel's one singular fuck up in his face (especially because Theo was having a Moment about how he feels like people only see him as the soda guy, so any feelings of inadequacy would've been dialed up to eleven, so if there was any time for him to resent Emizel it'd be then), but it could also be that he was frustrated with Emizel being an ass (Emizel had just guessed that Theo's dream was to be a nurse, which was flat out wrong, and that's literally what set up the backhanded comment. Theo was saying something like 'thank fuck you don't wanna be a nurse cuz you sure fucked up with nursing that guy earlier.' It could also be that Emizel literally almost forgot Theo's name. Theo literally gave him the 'th' sound, it might've just been a bit Charlie was doing or it could've been Theo being AWARE that Emizel almost forgot his name. Or! It could be that in this moment, where Theo was confiding in Emizel about feeling like being the soda guy was all anyone ever saw in him, Emizel said something to the affect of 'well yeah Soda's the fun one.' Emizel doesn't think before he speaks and literally has a 1 in empathy. Just because he loves Theo doesn't mean he's not gonna blunder into being a complete and utter asshole to him. I'd hazard to say Emizel accidentally being an ass to people he cares about is a running theme).

But also all of that might come down to Charlie still getting the character down. Or, because I've theorized before that Theo might not've been supposed to survive the first Gabriel fight, the little hints of bitterness might've been intentional (even if they were completely improvved and Charlie didn't mean to add that to Theo's character) because Charlie was trying to shove as much character into this character before he was gone, but once it became clear that Theo was going to stick around longer he dropped it. As far as I remember, that bitterness is completely gone in all later interactions we see with Theo. OR! It could be that the bitterness drops because they've both got bigger fish to fry from that point onward, what with Theo's Shilo Incident TM, Emizel's vampirism, the Weylin twins. He doesn't have time to be bitter, he's too busy worrying about losing a cornerstone of his identity or helping his best friend adjust to being a fucking vampire now. And then after he learns to live without soda that basically negates his feelings of inadequacy- like, getting over the idea that he's nothing if he's not the soda guy would be required for him to give up on being the soda guy. And then Emizel would drift back into JUST being a guy to aspire to instead of also being a reminder of Theo's short comings, and then drift even further down into being 'guy who is actually going through it and has to overcome his own demons just like I had to overcome mine'. Like, I think we got to watch Theo slowly start to take Emizel off this pedestal in real time (he still definitely thinks Emizel's hot shit tho. Emizel's his boy, after all.)

Regardless, even if Theo did resent Emizel a little in the beginning, it's so fucking clearly overshadowed by how much he fucking loved him. And like, how could he not? Imagine you're Theo, critically low self esteem, and the literal coolest guy you know fucking LOVES you. Like, Emizel keeps consistently going out of his way to pull Theo up to his level and to treat him as an equal (mostly. Sometimes protectiveness bleeds through, like in his hypothetical fang scenario in ep 1 where he predicts there being five Fangs to fight and he says he can take three and Theo can take two (which in itself is still incredibly kind to Theo. Like, boy, you thought Theo was gonna be able to take out two whole guys? Hell no.) But that could also be chalked up to Emizel just being a cocky ass who wants to show off). Like dude, c'mon. Emizel might be a reminder of everything that Theo's not, but he's also probably Theo's biggest cheerleader. He wholeheartedly thought he was being supportive when he said he thought Theo'd make a great nurse! In all seriousness, though, even if it ultimately discourages him, Theo playing that Smash game against Emizel was at least a little bit of proof of him decidedly not 'staying in his lane,' and Emizel seems to inspire that! Later in that segment he challenges Theo to see which of them can break one of the Fangs kneecaps first! I bet Emizel challenged him to stupid competitions a lot, and that got Theo fired up and competitive in return!

And even when Emizel's not building Theo up, he's still giving Theo special attention, or readily receiving any attention Theo gives him. If nothing else, even at his lowest points that might've made Theo feel cool by association.

On Emizel's part, I think he's like, possibly completely oblivious to any turmoil Theo's going through? Like he thinks Theo's the shit and genuinely sees him as an equal. I'm 99% sure that Theo being his right hand man happened because Theo would've put himself into the role (in episode one before he gets all of his character development he's pretty much always looking to Emizel for what to do, and still more or less does whatever he says up to where I'm at in the series, with refusing to leave the alleyway being the only exception I remember). I think if Theo'd had higher self esteem or been less eager to defer to Emizel, Emizel would've happily gone about his business slotting Theo into more of a partner role. He tells Theo to run from that alleyway because Theo'd taken a fucking devastating hit and Emizel was sure he could handle himself, not because he knows Theo sucks at fighting. He tries to turn Theo into a cool vampire. He convinces Shilo that Theo'll be a valuable asset to raiding the Weylin warehouse and they take Theo with them instead of having him stay behind with the car like Grefgore, despite Theo being the one who actually knows how to drive. He tells Theo about being a vampire even though he keeps it a secret from everyone else, confides in Theo that 'yeah he might absolutely be susceptible to going into a frenzy like Shilo did.'

When you get down to it, Emizel pretty much tells Theo everything he would think is relevant, with two notable exceptions. Maybe three if you count him not telling Theo he has nine lives like a cat but tbh I think he might've just forgot. Or maybe he gets to it later, or maybe he did tell him and I forgot! idk man! But! Those other two things. First off, he like. Pointedly does not tell Theo that he's a prince. Like when they were doing the recap on the way to the Weylin warehouse, there's like. Charlie gives Condi an opening to say it, a little 'is there anything else?' and Emizel just. Doesn't. And the second one is that (at least where I'm at) Emizel never comes clean about bloodbonding Theo. Maybe it just hasn't come up yet, but still. It fits a pattern of Emizel not wanting to admit something that makes him, like, ABOVE Theo somehow. He sees Theo as an equal, and a precious one at that, he doesn't want things to get weird between them because he's literal royalty, and he doesn't want Theo's life to literally revolve around him like it would under a level three blood bond- and doesn't want to admit that he even considered it, even if he did it without really understanding what it was.

And Emizel backing off from ghoulifying Theo after Arthur explains what it actually entails kinda leads into a far more headcanon-y relationship analysis thing so um. Feel free to skip the next paragraph.

So! Like. Why the fuck was Emizel so attached to Theo being Soda. Like he gets over it decently quick, cuz that's his buddy and it's what Theo wants, so like. Whatever. But like, if I'm right about Theo always looking up to Emizel from the moment they met, there might've been some wiggle room between when they first became friends and when Theo became Soda. And like, before Theo became Soda, being Emizel's buddy would probably be the only thing he'd feel he had going for him? Which would've made it even harder for Emizel to get them both on equal footing, and I think that's just... really unappealing to him. Like! Don't get me wrong, I'm sure Emizel loves having people kiss up to him and respect him and blah blah blah, I just think Theo being his boy and Emizel treating him like a partner go hand in hand. Either they weren't best friends yet or Emizel was just. Kind of uncomfortable and eager to push Theo into growing into something more than a hypeman. And then the soda incident occurs, and it gives Theo SOMETHING to define himself by, something people like him and know him for that's got nothing to do with Emizel, and maybe the initial soda incident was bad, but having that sense of identity and falling into what kind've feels like a class clown kinda role might've helped get Theo over his self esteem issues long enough for Emizel to go 'oh you're actually super cool. sweet.' and then blah blah blah they get super close like they are in canon. And then whenever Theo seems like he's backsliding into what he was before the soda incident, Emizel tries to course correct not because he doesn't think Theo's any fun without soda, but because he's made the mental connection that Soda without soda turns into less of a best friend and more of a follower, which as stated before he probably really doesn't want from Theo specifically. but idk. pure conjecture here.

Anyways, above all else, Theo's important to Emizel. I really, really like the idea that Theo was supposed to be like a brother to him (which. Again pointing at my 'Theo was supposed to die in episode 1' theory, can you IMAGINE the angst Emizel could've had about that? Lose one brother and then someone else claiming to be your brother shows up? It would've felt like some hellish, not-worth-it trade. Like a betrayal, like accepting Shilo might mean replacing Theo, and how could he ever?)

And Emizel's important to Theo! But unlike Emizel (who I'm 99% sure is gonna have some kinda moment with Theo but I genuinely cannot see him loving Theo in any other way than the way he does now), Theo has the bonus of having his view of Emizel have a clear trajectory to evolve over the course of the campaign. Like I said, he seems to be getting more confidence in himself and like, not gonna get into the stuff I've had spoiled beyond episode 9 but it seems like Theo's gonna get a lot more comfortable being a proper leader and not just a number two. He's gonna have an easier time seeing Emizel as an equal, and I think that's fucking awesome!

I could be completely off base, but if I never watch another episode then I'll never be proven wrong. So. Ya know.

[gemini-queen42]

Batb: Other Than Human - Themes stuff (& why I Called It That)

That's right folks, the self-indulgent "throwing any concept I like at the wall and haphazardly mixing together what sticks" au rewrite Thing has Actual Themes! That kind of happened accidentally but they are so real for that so let's get into it.

The Main Narratives Themes Trio of the story now all also embody expanded themes about being an "Other", when being a person is not enough to be properly considered human- more specifically of a neurodivergent/queer girlhood type flavor.

Summary is that it's called "Other Than Human" because the prominent theming is about being considered something other than human due to not fitting the mold of the 'norm'.

[This is a long one so details & specific character stuff are under the cut<3]

Amalure has the greatest departure from her original counterparts thematic placing, so we'll start with her. Amalure retains Gaston's social standing, reputation, etc. But it's of course not quite the same- because she is a woman, and she is not revered for being the picture of ideal womanhood/femininity. Instead, she excels in masculinity, but remains firm that she is and always will be a woman. So, to justify the desire & awe people have for her, they dehumanize her: She doesn't need to follow the Rules because she is outside of them. Amalure is not a person: she is a symbol, a figure, an object. A legend, a folksong, a modern myth. Her skills are not skills they are blessings, inherent, a mundane magic or supernatural. Despite having grown up in Villeneuve for her entire life, she is considered exotic, and is practically, if not actually, fetishized. And through all of this, the status quo and social order gets to be retained without question, and she gets to exist as the exception that proves the rule, rather than the Undesirable that she'd be marked as otherwise.

Amalure is fine with this, because this dehumanization is her status quo: She doesn't really view herself as a person either, she is defined by her relationship to other people, by who she is to them. Amalure has never been a person to anybody: Growing up she was never just a girl, never just Amalure: She was a girl with a mans brain, an embodiment of her fathers greatest achievements, an embodiment of her mothers worst mistakes, she is her fathers daughter or her mothers daughter, but not her own. (and she never both, it is either or, mother or father, never both, never parents.)

Princess Eve/The Beast is the other end of this, of operating through her dehumanization. Upon being cursed, she adheres to what societies have oft wanted to happen to their Undesirables: Hide away and never be seen by the public again. It is entirely self-inflicted, as most of her suffering truly is. She operates not through others dehumanizing view of her, but her dehumanizing view of herself and its warping of how she believes others view her. Because, well, the servants still view her as a person. I mean, they're still human- under the new object forms. And the separation of humanity that is easy to slip into on matters of royalty is awfully minimal as well; they watched her grow up, and she grew up among them.

The girl's bratty, spoiled, temperamental, and is a ball of horrid consequences of the shallow views and ideals learned from surrounding nobility. But she's also the girl that fell asleep listening to Cogsworth explain the many technicalities to managing servants; because she was stubborn in asserting her authority as the mistress of the castle, and thus she Must have say over its goings ons. But the majordomo's voice can be awfully soothing when he's not high-strung on anxiety, and it's hard to pay attention when you don't understand what's being discussed, so its all going in one ear and out the other. And She's Lumiere's 'Evie', who was so amused when Lumiere would draw on a little mustache when dancing the male roles so the princess could learn some duo dances, or because she didn't look very "waiter-like" (because Eve wasn't entirely sure what a maître d' did, but it seemed to have something to do with waiters), and who got annoyed every time the dance teacher/maître d' would warn her not to hurt her body in her pursuits, because it seemed so silly, why would anyone do that? And she's the girl who dragged Mrs. Potts to have tea with her, because she made the best tea and as princess she would have only the best; and if you're going to have tea you may as well have a tea party, and you can't really have a party of one, but two isn't much of a party either so she's going to drag Babette away from her duties too, since the maid was so elegant and thus would be perfect.

Honestly, the girl probably would've turned out fine if she was raised by just the servants. But they weren't the only forces in her life: she's a princess, so she's got to host and interact with important people and learn how to Be noble which isn't something any of the servants can teach her. And it is under the pressures and eyes of nobility, is in mixing and learning their social rules, that learns the lessons that will lead to her curse: That to be considered human and treated as such, one must look human. And to be such as a woman meant to look beautiful, like the ideal. As a woman, to be worthy is to be beautiful and vice versa. And even if she does not, she must have some way to serve men. Otherwise, she is nothing. Eve met these requirements well, and where she did not yet her authority as princess covered. So when a beggar woman is at her doorstep, the princess turns her away: because she is old, ugly, so long past her 'prime'- there is no worth to her anymore. There is no point caring for her future.

Helene stands as both the middle ground and inverse to the other two. She is an Other by virtue of her mind, she is Objectifiable by virtue of her beauty. She sits on the precipice between Undesirable and Desired, seeming nearly apathetic to where she lands despite popular encouragement to embrace or smother aspects of herself. Helene is quite sure she's a person like anyone else, thank you, and is frankly frustrated and a bit weirded out that others seem to have a hard time getting the memo- she doesn't like or want to assume the worst, though, so maybe she just missed another confusing untold social rule or something. I mean, the local triplets really do seem to be advising in good faith- they really do think of her as one of them to an extent (for reasons Helene is yet to know); they just don't understand her.

When Amalure pursues her, there's an unspoken aspect to the deal of marriage she proposes: Helene will get a secured place on the in of the community, a secure standing the promises people no longer questioning or trying to encourage her to no longer be herself. But Helene just isn't interested in Amalure like that, and she also sees what the real trade-off of that security is; that uncomfortable dehumanization that is exactly what Helene doesn't want to deal with anymore. If Amalure is fine living with it than she is free to do as she pleases, but the huntress doesn't seem to understand what Helene could possibly have a problem with- and it's not like they can discuss it, because it's unspoken, and you're not supposed to speak the unspoken things, because they're unspoken for a reason- even if you don't know what that reason is. Helene knows that rule, at least.

When Helene meets the Beast, she regards her as she does any other. It's plain as day that the Beast has a humanity to her, whether she's really "human" or not- she thinks and she feels, and that's enough for Helene.

Because Helene grew up raised by a single dad who she got most of her brain workings from, and he is a man of compassion and science. Off he'd send his beloved daughter to go and question and figure out the world for herself, to experiment and learn and become whatever she desires. Off to bed he'd send her to tell her fairy tales and have their lessons of love and compassion and humanity understood as she drifted off to sleep. Helene was never Odd with her father, never Other, in fact they were so easily two of a kind. It was so jarring, hearing people imply Tyndare less than sane; his logic paths were so easy to follow- but apparently his voice gruffs enough that others have a hard time understanding what he's saying sometimes, so that's where things seem to get lost in translation she guesses. People became jarring in other ways as she grew up too, because suddenly there seemed to be lots of social things she was supposed to know or be but didn't and wasn't, and it became very apparent very quickly that she was an Other among her village.

Overall: Eve & Helene get to go through these themes through the main plot, and post curse-breaking is when Eve gets to properly deal with the internalized issues and whatnot. Like she's learned beauty doesn't matter when it comes to love, and shouldn't decide whether or not someone should be cared about, and Helene loves her despite her having been beastly and despite her being a failure of a woman- (because she no longer fits the feminine ideal after the curse is broken, and frankly she never will again.) But she's still a Failure Of A Woman and Helene deserves Better Than That! So there's still work to do.

Amalure remains static on this aspect of the narrative until after the battle at the castle, where she does survive! .. barely. and it's later, in an argument with her mother that same night, bleeding out on the kitchen floor, when she asserts that she's her daughter too, not just her fathers. she has always been her daughter, always will be, she is the daughter of both of them, because that's not something that just switches or turns on and off- and it's an entire rant that I will not recite here, but the important part is the assertion that she is, always has been, always will be, the daughter of both her parents at once- that's the first little step for her arc of recognizing her own individual personhood and whatnot.

[daydream-the-demon]

I'm the [tumblr] person who overuses comments in tags.

[tumblr] autosaved my tags even though I used them once.

Look in the tags and have a laugh.

(Possible tag game?) @author-of-the-year @jenumarts @thonethatflies620 @iamunabletothinkofablogname @ all my mutuals

[kasumingo]

So tired of mfs going "everyone wants to be lgbt/neurodivergent now!! stop using our language!!"

it's as if the internet gave people ability to explore themselves and realize there is something going on, especially when they congregate together in groups that share those traits

It’s as if these words describe their experience and helps them in one way or another

[toytulini]

you know whats more annoying than dems calling vance and trump weird is all the condescending posts justifying it actually. like im a bit annoyed about "weird" being used this way but also like man if it fucking works i guess

but do i have to keep seeing daily posts exhaustively justifying how normie midwesterners use weird different or whatever the fuck man just shut up and call them weird then, stop justifying it to me

[bitter-sweet-coffee]

Do you think Espio took drugs before he met Wave? Or did he take them after meeting Wave? Did Wave give Espio drugs for the first time or introduced him to new ones.

hm… that totally depends on if you consider weed a drug lmao.

like, listen. YES, marijuana is a drug. sorta. well it is, but it’s not real to me <- canadian who forgets the whole world isn’t pro-weed. espio is, though. 100%

wave however, she’s a wee bit more ambitious lol. mainly your club drugs and some psychedelics (which to me, aren’t real drugs, i know i’m biased!) but you could slide some narcos in there for some flavour and she wouldn’t be opposed.

i’m not saying wave would force espio to do anything, but he IS an arrogant prick who thinks he’s invincible. they’d probably do shrooms together, but that’s some spirituality shit right there so it’s not out of character for him necessarily.

honestly, wave likes that espio’s more stable than her in this department. she wouldn’t want to ruin him, she already likes who he is! espio is an intellectual adrenaline junkie who listens to her rant unconditionally and loves spending time with her. she couldn’t ask for a better match! even if he’s kinda into the darker lifestyle of the rogues and isn’t opposed by any means, wave puts a boundary there since he has a lot more to lose than her.

TLDR: they’re weed smoking girlfriends for the most part! espio isn’t as pure as people may think, and wave isn’t that much of an enabler either… not for drugs, anyways. she WILL enable him to stand up for himself for instance, or encourage him to set work boundaries, but not drugs hehe

[the-acid-pear]

It's not easy to be a guy with a weird gender and complicated relationships with its sexuality and romantic attraction and fat and autistic and traumatized to the bone but someone has to do it

[weirdlizard26]

grbrggbfrgbbffbrg

[pantestudines]

having a "former gifted kid" type mental spiral

[scarlet-bee]

I was thinking about my OC Molly, but I accidentally thought the name Wally instead, so my thought ended up being "Thinking about making ADHD Wally canon," as if I have that power.

[seawitchkaraoke]

Everyone rec me your organisational apps pls?

Specifically things that will send me push notifications are good bc I tend to get an app and then just never open it... Even better if those notifications are really customisable, have a snooze option etc.

[realboutfatalfury]

it might just be bc it's late and i get sad sometimes when it's late but i'm sad i like feeel soooo bad about several things and i feel like i want to cry but i can't ughh idk...

[normalonside]

As an white autistic who unlearned several prejudices and stereotypes:

Idgaf how autistic you are, stop being racist.

idgaf how autistic you are stop being racist😭😭

[bxdtime-ceai]

Not saying I'm autistic but resources for autistic ppl suspiciously help me a lot......