#this just turned into a rant

[sunflowersred]

do ya have an specific type of dynamic for shankslu? like a simplified version of how they should act with eachother (and then intricate it depending on events and such) or just work with the flow?

I never think in terms of “should” when considering ship dynamics. I’ve developed this attitude for two reasons.

first, let me try to explain how this relates to shankslu specifically. for me, part of the fun of shipping shankslu right now in this very moment is because they have not yet met again. so, we don’t know precisely what their relationship will be like when they do. to me, that makes this ship a sandbox where I can imagine and create whatever I want. it’s a very unique ship, in that sense, and I just love it.

I’m still working with the sand Oda has put in the box and the little buckets and shovels he’s given me, but even so the nature of their relationship and their bond in the canon, and how important they are to each other, lends to so many possibilities. Shanks is very special to Luffy, and when writing this ship it’s with Shanks that I personally find I can explore emotions with Luffy that we don’t usually see much from him, like shyness (as is (and will be) the case with my fic “for i am love-sick” sigh). on the other hand, at this moment Shanks is still quite mysterious, which makes him a very flexible character to work with. I find write explore possible dynamics with them to my hearts content—because shanks and luffy haven’t met yet, anything is possible! so:

🌈✨imagination✨🌈

to explain it a little more broadly: whenever I am creating, when I start thinking in terms of “should,” I find it mostly stifling. I write fanfiction to explore themes and emotions, and when I think in terms of “could” instead of “should” it frees me up to, basically, do whatever I want! as a fanfiction writer, while a lot of what I write about stems from moments in the canon, or are expansions of themes and emotions that are already there, as a creator I very purposefully don’t let my own love for the material I’m working with hold me back. I am already being irreverent toward the source material by making Mr. Oda’s protagonist and his self-insert smooch, etc. why then would I not push myself to my own creative limits and write something, say, like “heart shaped bed”?

as for the other reason: having this attitude helps me be a good member of my fan community. there is a long and repetitive history in fandom writ large of shippers who even ship the same ship arguing over “right” and “wrong” interpretations and ship dynamics, how ships and characters “should” and “shouldn’t” be written. frankly, I hate that shit. I hate how I’ve seen it tear shipping communities and whole fandoms apart. I love shipping shankslu! when I started shipping shankslu, it felt like I was the only one in the world who shipped them. now, three years later, there are more shankslu shippers than ever—I just hit 400 followers on Twitter, which I’m not saying as a brag, I’m saying as in, I never imagined there would be that many people interested in shankslu. we have the server, I get to chat with other shippers—it’s more than I ever dreamed. each one of them are different and they each create their own works with their own visions and interpretations.

I’m not gonna turn around and say to any one of them, “no, you’re doing it wrong. this is how it should be.” you know? like. imagine if I did that.

(and to go back to not letting anything hold me back, whenever other fans try to push their “should” on me, I block them, simple as that.)

it’s not to say I don’t have my preferences while writing and dreaming over shankslu; I personally tend toward headcanons and I usually write fic where they are the type of tender for each other bards have been singing of for centuries, of all the facets of his character I often focus most on Luffy’s emotional intelligence, and whenever I’m writing Shanks I usually write him as a good man or at least a man who wants to and/or is trying to be good. that is just what speaks to me. but I know there are fans out there who are, for example, more into a version of Shanks where he is a bad man, and does not feel bad about not being good, and that’s fine! I live by “lushanks agenda” and some shippers I chat with see Luffy as a fixed bottom, and that’s fine! I often read those works, and whether or not the interpretation is something I would write, I still talk to the fans who make those works about their thoughts and interpretations, and as a fellow fan I support and encourage their creativity. my version of these characters and what I’m writing is not any more important or valid than that which anyone else has.

so yes, to answer your question! I just go with the flow—both when writing out my own works and ideas, and when talking to other shippers about theirs. while i certainly have preferences and enjoy some things over others and have themes and dynamics and characterizations I return to, I leave “should” out of it. and I think I’m a more neighborly fan and a happier and better creator for it.

[bixels]

In the past, people in the Animal Crossing community would make fun of Tom Nook as a sleazy landlord. Since then, he's really rehabilitated his image as this 'heart of gold' businessman (he's the one who puts bells and furniture in trees for you to find! he adopted orphans! he donates to charity!), but New Horizons genuinely paints the most devious version of him.

He's successfully privatized settler colonialism: you pay HIM to move to a "deserted island" (which apparently the oceans in the AC world are just full of) and start a colony that he is directly invested in. At best he's running a weird vacation package scam (you arrive on the island with no money and in debt for "using his services"). At worst, he's using you to set up company towns. For god's sake, he literally has his own fake currency that he forces you to use to pay off your debt. But don't worry, he's repackaged it in a way that definitely doesn't sound like an MLM scam: the Nook Mileage Program!

You're no longer just his tenant or his temporary part-timer, you're his business lackey. The entire tutorial section of the game has you spending actual weeks running around completing tasks and doing hard labor to set up his colony. You're even tasked with preparing his properties and finding buyers for them. No, you aren't a tenant anymore. You work for the landlord. You are directly responsible for finding tenants for him. And he doesn't even fucking pay you. Not for setting up town hall and museum, or his nephew's shop –– which is the ONLY store on the entire island that sells necessities –– or bringing KK Slider to town, or helping populate his town. Not a single cent. No, actually, you have to pay HIM to BUY infrastructure like bridges and stairs and park benches. And all the while, he's telling you're the "resident representative"; you get to call the shots! That the reward is the community's progress. That what you're doing is in everyone's best interest (but most importantly, his).

Since NH's release, people have done a lot of legwork to say that Tom Nook isn't a capitalist while the game shows him at his very worst. He owns the only general store in town. You're forced to use a phone that he modified and branded as his own. Buy Nook-branded furniture and merchandise at the self-serve kiosk in the town hall, a governmental building! There's no conflict of interest here!

But hey, if you're tired of being the landlord/business mogul's goon, you can also find work as a deluxe resort home designer for a company that also pays you in their special company currency that can only be used to buy their products instead of a real salary! Because that's what the Animal Crossing franchise needs! More vacation homes!!!

[ps1demodisk]

Sorry I'm not low empathy autistic in the "mysterious loner boy who secretly cares about his friends and talks in a monotone voice" way and I'm actually just completely indifferent to the suffering of people I don't know personally and help strangers out of a sense of "this is the right thing to do" and not "I feel so bad for this person" or guilt.

I sit and listen to my friends even though I don't really care about hearing about their problems because I know they'll be upset if I don't, and despite the fact I honestly can't genuinely care about the issue itself, I care about the impact it's having on my friends and that's enough to make me want to help them through it.

Did you know that's actually an expression of empathy all of its own?

It will absolutely happen again I literally am not even sorry

[morrriigan]

beautiful games i've played ➤ final fantasy x

"Die and be free of pain, or live and fight your sorrow! Now is the time to shape your stories! Your fate is in your hands!"

[sariphantom]

Rise April 2024 Days 1, 2, and 3: Trick, Fashion, and Crossover

Technically... Usagi counts as crossover, considering he's from a different show.

[terraco-07]

My current Homestuck hot take is more people need to like Kanaya and actually think about her and until then you need to stop writing her. Girl who has so much going on but gets reduced to Rose's wife, passive observer, or hot violent alien girl. I need a special Bechdel test. Can you write Kanaya doing something totally on her own away from Rose while talking to someone without mentioning Rose. You can substitute romantic interest in for Rose if you write her with someone else.

[bagginshieldfamily]

Something I need the fix it AU writers who use Frodo as Bagginsgields child to focus more on:

Gimli meeting a hobbit that looks strangely like Thorin Oakenshield but has the last name Baggins before connecting the dots:

[secretsimpleness]

Sometimes I want to bring Morrigan but then I remember I play as a face-tanking rogue and I bring Wynne. Warden Cousland, Morrigan, Wynne / Dragon Age Origins (c) Bioware

[sweetieviktor]

jealous! viktor x reader (headcanons + tiny scenarios)

summary: viktor sees you talking with a friend and get jealous.

content warning: idk if it counts as a cw but jealousy?? also, i made with s1 viktor in mind!

author notes: heyyy, so sorry this one is little, im still trying to find motivation after the end of the series but i think it turned out cute! thank u for the request and hope u like it!! :)

» it was a common sight to see you walking up and down piltover’s academy, working or just chilling on lunch breaks, but every time viktor would approach you, you were already with someone. sometimes an unknown person, other times with a friend, laughing and joking, touching them in such a sweet way, side by side in the aisles.

» he looked at you both, blood boiling and shaky hands. if you looked at him, it was possible to see his lips forming a thin line, brows furrowing, his left eye almost twitching. oh, he was jealous.

» he felt angry at himself to feel like this, he didn't mean to be jealous at all, but he wanted to steal you away, just for a second, and be the one by your side, be the one you smiled to, the one you’ve been touching so sweetly.

» he wanted to reach for you, to interrupt your silly conversation about whatever you two have been talking about, he wanted to share his new discoveries with you, he wanted to be in their place so bad.

» but he couldn't complain, not when you waved a goodbye at your friend, and turned your body, recognizing viktor, eyes lighting up immediately, smiling from ear to ear.

“viktor!”, you shouted, voice echoing in the aisle while you walked to him, “i’ve been looking for you all day. you wouldn't believe what happened!”

he looked at you, expression softening, eyes shining, mimicking yours, his thin lips now turning into a little smile, “yeah? tell me."

» soon all the jealousy melted away, now, he is the one walking by your side.

[coulsons-band]

pedro pascal doesn’t owe you shit.

it is absolutely fine to be disappointed by his absence at cannes. i am too. but he does not have to be there.

for whatever reason he’s pulling away from the attention. the esquire article talked about how guarded he is and his socials have really slowed down. maybe he’s unprepared or overwhelmed by all the tlou hype. i mean his follower count went up by the tens of thousands the day after the premiere. that’s insane.

but some of you have lost the plot. the ones wearing d*ddy’s little girl shirts in fucking public and yelling d*ddy at him at events and trying to convince everyone whether he’s queer or not and complaining there isn’t an explicit scene of him fucking in the strange way of life. it’s not a gay porn made for your fetish. ‘oh but narcos!!’ that’s called characterization. read literally any article from almodovar and understand why sex isn’t the point.

interacting with paparazzi content and making cute little edits - jfc. that’s creating demand and supply and paparazzi know no fucking boundaries. man’s got anxiety and no doubt the paps and fans watching his every move are probably making that worse.

let him make movies and rotate through his four shirts in peace. pedro pascal doesn’t owe anyone shit.

[emloafs]

we may watch the same show but i watch it gayer

[theimpurelily]

My new ship just launched and one of them doesn't even have a fucking name

For real tho, this un-named Wan Jian Disciple is such a snarky bitch. I love him.

Kudos to @grubus for making such enjoyable OCs

[arrowheadedbitch]

New idea: Shinsou is supposed to be babysitting Eri but he has to do something so he leaves Denki in charge for a little bit, he comes back expecting the house to be burnt down but instead he finds Eri begging Kaminari to let her re-dirty up her room so they can clean it together again

[14dayswithyou]

Hi, Howdy! Hey! I really love your novel!! I got a little confused by the 4 day, may maybe you help me please? who is it? why we got the bad end staying the night in Ren’s apartment and he disappear of the home screen? I can’t understand “unset memory” game, sorry if I wrote smth wrong or smth sounds rude, I swear that I didn’t mean it if happened, I’m really a fan of the novel, I’ve been playing the game since day 1 or 2 I guess, probably day 1, english isn’t my first language, but I tried lol

⌞♥⌝ I hope you don't mind me answering these as bullet points!! ^^

"It" will be revealed later in the game! So I won't reveal too much right now.

You can only get the Dead End in Day 4 by staying at Ren's apartment — the rest of your choices before that don't matter. I'd also pay closer attention to the black smoke and Ren's reaction towards it!

Ren disappears from the home screen because he promised to help the player out (and stop them from getting the Dead End again). Try replaying the game again from the beginning for a surprise!

"Unsent Memories" was another visual novel (initially being written by @10chimes / @unsentmemory, though the project has since been dropped and handed back to me /pos) and is set in the same universe as 14 Days With You. Its storyline and characters are completely separate from 14DWY, so you don't have to worry about them while playing 14DWY.

[spearxwind]

i think every game that makes flying the focus (and theres veeery few of those) should have a map with a lot of verticality to it. Yes we all wanna fly a dragon over a vast landscape but when youre high up everything is indistinguishable, the sky is empty, and that gets boring real quick. A flying game should have verticality in a way that lets you explore heights that are really high and places on the map that are overlaid with each other would feel more alive and give you so much more space to work with. In a way, itd be like the inverse of the subnautica map. The original map was amazing because it made the ocean feel so huge. "What do you mean theres five biomes underneath the earth?? what do you mean theres just vast caves under here?" and everything felt super interconnected too. There should be more things in the sky than just you too. Enemies, prey, companions.... etc.

my fave flying game is called 'aer memories of old' and it doesnt really have that verticality but its a good flying game imo because its got a map thats so rewarding to explore, there is a PURPOSE to flying around just beyond what the game wants you to do. The lore of the world is out there for you to find and piece together, and the map is filled with life and details. And recently theres been an uptick in developers trying to make flying dragon games but none feel like flying has any purpose at all other than be really showy and yeah it looks awesome but without a purpose for flying its gonna get boring for the player!!

"This is the dragon game you've always wanted" and its another purposeless multiplayer mmorpg with an insanely huge completely empty map and they focus so much on the five fucking billion dragon cosmetics (and god forbid theyre all free btw) instead of making a game that is fun to play and just put the responsibility of having fun on the shoulders of the player. "omg u can make any dragon in this game the models look so cool!!" ok but what about the game. can you tell me if you game is fun? is there anything to do? oh, just material gathering shit and crafting? and an mmo where you have to play with others for there to be any semblance of life in the world? ok

idk im just sick of seeing games advertised as a dragon survival game where the only survival aspect is like. 'find food' 'find water' 'find a mate to have an egg' repeat. repeat. repeat. surely theres other things?? what about migration? territorial disputes? becoming the apex predator? being a local tyrant or a benevolent protector? there is so much that could be done with dragons but all every dev wants to dip their ass in is multiplayer nonsesne with the most basic hunger and thirst and a basic as fuck combat mechanic and call it survival so that people can choose to kill each other. its so lazy

[bixels]

Splatoon 3: Side Order is good, but not great. I still highly recommend it, but if you care about the story, you're going to be disappointed. Quick review: spoilers ahead.

Side Order was the devs experimenting with Splatoon's gameplay loop. The campaign is a rogue-like, and it works amazingly well. Super fun, super challenging, building my deck and fighting through challenges with the stakes of resetting really scratched an itch in my brain. They did a great job with it.

Unfortunately, I feel like priority went to game design rather than story. Much of the mysterious artwork we saw in the first teaser trailer was completely unused; turns out, all of that was just concept art that never made it into the final product. Side Order failed to make me care about what was happening. I don't know why the protagonist had to be Agent 8; it could've been anyone else and the story would've worked the same.

Octo Expansion was the absolute peak of meshing story and gameplay. The campaign's hook is insanely strong; we immediately empathize with Agent 8 because we know from previous lore that octolings like her have been trapped underground for all their lives. We care about her fight to the surface because it's a fundamentally ideological fight for freedom. The plot stuff about Tartar and the Thangs is just nice set dressing; 8's fight for freedom is the real story.

There's none of that in Side Order. I don't particularly care about Marina's metaverse, even if it's tied to Octo Expansion's story. I don't know why Acht is there other than backstory stuff. It really feels like 8 is just told to do something and she does it because she's the protagonist; she has zero personal stakes or motivations in the conflict. This is a story blunder the devs did in Splatoon 3's default campaign––forgetting to give the protagonist a personal reason to fight––that I hoped would be fixed here, but alas.

What makes it worse is that the gameplay and story progression are completely out of sync. I beat the entire game on my third run in 4 hours. With each run, you get up to two keys to potentially unlock bits of story. That means you'll get about one piece of the story every two runs. There are twelve pieces of the story; I got the first and then beat the whole damn game. Now I have to go back and grind to see the remaining story when I've already beaten the final boss and resolved the conflict. I missed the entire story because I never had to reset because I blazed through the gameplay! It's just a real shame that I experienced everything without knowing... why it's happening. The final boss had me asking myself what the hell is going on because I don't know the backstory at all.

Again, I still really recommend. The devs did a great job, but Side Order remains in the shadow of Octo Expansion's incredible success. Like the default singleplayer campaign, there's just a lot of lost story potential here that, while not necessary, would have really elevated this DLC into something amazing.