#this isn't my normal style but I will be trying to do more art in this style?

[fried-trash]

do not let me write angst rps or get ideas for them. I can and will draw something to go along with it.

[egophiliac]

Ego how do u draw the shroud bros hair? Its so hard 😔

Atp i might as well draw them bald😭🙏

I don't draw them at all consistently (let alone anywhere near on-model), so I'm not sure how helpful this will be. :') but I can share how I break it down, if that helps at all!

standard disclaimer that this is just how I draw them, take from it what you will, et cetera and so on and so forth. I really don't draw them close to canon at all, so this is sorta specific to my process, I guess? (and I am SUPER bad at putting things into words, so my apologies if this all comes off as a bunch of incomprehensible "you just, you know, ~*~*draw it*~*~" nonsense. 🫠 I can make no promises, but I'll try!)

I always start by establishing the shape of the skull and roughly where the hairline is -- the Shroudbros especially don't look anything like themselves without their hair, it's terrifying. :(

really can't overstate how much drawing hair is helped by thinking about it as different sections! even you have a less cartoony art style, it helps a LOT to start out with it as big, simplified shapes and then breaking it down more and more as you go.

the thing about their hair in particular is that the closer it is to their face, the more hair-like it is, and then it gets progressively more fire-y as it goes back. so their bangs pretty much act like regular hair! Idia has long, downward-and-outward-swooping bangs in that classic Yana M-shape, while Ortho's are shortier and spunkier (they kinda, uhhh, "lean" more to his right in general).

Idia also has these little short spiky sections that cover his ears and ring around the back of his head. these also act more like regular hair than fire.

them they have these big sections that are brushed back from their bangs and stick up -- this is where their hair really starts acting more like fire, so it doesn't have to be super consistent, just getting some nice flame-reminiscent shapes. I think of it as being in three sections: a bigger center flame, then two sections of smaller flames that kinda frame that center one. (I tend to treat this bit as being kind of flat/frond-y, although that's probably not really how it's supposed to be. ( ᐛ )

then I kinda just...fill in the back of their heads with more flame-y shapes that layer over each other. Idia does consistently have this one longer curvy bit that sticks out on his left; otherwise I just try to keep his hair feeling brushed back and with that sorta downward swoopiness he has in general, with just the little flame-ends sticking up. Ortho, meanwhile, has shorter clumps with an upward swoopiness (and note that his hair is under his headphones, so it gets a little compressed by them).

Idia's longer hair is where it gets to be, like, just pure fire, so it's all about whatever Shapes I feel like doin'! it kinda just...flows down from the back of his head, if that makes sense? sorta like a cross between water and a stream of fire. (length-wise, it goes down to either the back of his knees or down to his feet depending on which reference you're looking at...it really isn't super consistent, so I'm not either. :')

and that's how I draw their hair! I don't usually shade it beyond that just 'cause I'm lazy, but the shading does help sell the fire effect a lot -- their hair shading uses a lot of curvy and weird shapes that darkens from the center of their hair clumps out, with highlights/transparency on the tips (and just a little bit where hair highlights would normally be, to get the feeling of the curve in there).

SO yeah, hopefully you're able to get something helpful out of all this! 🙇

[jadenvargen]

If I want to study someone's art or style, how do I do that? Like where do you even start when looking at an illustration that they made 😭thank you!!!

Here’s stuff i think about. i don’t do that many style studies, so idunno how helpful it is! pls sound in tha comments if anyone has tips:) 

Pinpoint what stuff you like, and focus on that. Focus on technique rather than exact replication, for example ( just first thing comes to mind) if you like rostov’s disco elysium cover art and want to study it, don’t just repaint the image, find what’s key in the style. looseness, maybe? then, instead of copying the image with your technique, try to apply the same looseness. (feat. shitty 5 min sketch plz dont judge example of how i normally approax paintings, versus a study. ALSO not to say u CANT do this it's just how i would study, myself. )

That being said, don’t force yourself to make art decisions that feel unnatural to you. a lot of the time artists make decisions based on their weaknesses as well as strengths. I do very shaky, hatchy lineart because my hands are very shaky. I focus on painting what I* feel is important and fun. 

Instead of copying a style from a picture, look at a variety of pictures and find technique. For example a lot of people redrawing a screenshot in “sailor moon style” or “ghibli style” will draw… let’s say, an old man, looking like a usagi because that’s the screenshot they looked at, instead of watching what stylistic choices for example takeuchi made when stylizing an old man. So the “studies” end up homogenous. I personally find it unproductive to replicate a painting for purposes of study, but like focusing on individual elements. say you like egon schiele, replicating whole paintings at a time IMO isn't gonna do much, but maybe you can set out on a series where you sketch copy his hands or feet from different paintings, and then try stylizing your own hands the same way? Or maybe your fave artist draws moonlight like a blue stream, or a red one? Try applying only that light to your paintings.

You could also color pick or look at the colors they make and paint whatever you want with those same colors, to understand how they work together and what can be done with them.

Also, if you can, look at their influences! Everyone learns art by seeing others art. Chances are they saw art they liked and picked from there what elements they enjoyed. Looking at the inspiration can help make some of the techniques more obvious.

Basically focus less on copying(not that copying is bad- but not always helpful for studying), and more on what you like. If you find what you like, you can work from there and try to think about your own art from the same perspective.

IDK if this helps as i said, feel free to add onto^_^

[adorkastock]

So I don't know who to ask about this, and since it's your profession, I figured you'd know most! I like to use Magic Poser to help me draw my characters' poses, but I feel like I always wind up altering the proportions to fit the models rather than my style without meaning to just because I'm drawing what I'm looking at. It feels less like looking at a reference and more copying a picture, and it makes me feel really bad, like I'm cheating at art. Do you have any thoughts or word of advice on this? I'd greatly appreciate it. Thanks!

Hey Nonnie! Hmmm there's I feel like kind of two questions here. One, using Magic Poser or any other legit reference to make your art is not cheating. It's just using a tool the way it's meant to be used (as a reference). There's nothing at all wrong with that. ♥ However, if you are getting Not The Results You Want from this process that's another issue entirely. So, two: what do I do if the art I'm making from reference doesn't look like *my* art? If you find that working from a reference is changing your style in ways you don't like, I have suggestions: 1) do a sketch from the reference just like you normally would in whatever style comes out naturally using the reference 2) look at the drawing you did and put the reference away 3) draw another drawing from the drawing you did but try to make adjustments towards the stylization you prefer (your first drawing is your reference for your second) OR, if your brain will do this for you: 3b) after sketching from the reference (maybe a few times for good measure) put the reference away completely and try to draw the pose from memory* and see what happens. If you think you're overly reliant on references to the point you think it's holding you back then you can start to wean yourself off of them but doing more and more drawing without them. Maybe start with a 20min warm-up on my Sketch App drawing a bunch of poses really fast from reference, then pull up a new pose, look at it, and try to draw it without checking back in at all. Honestly the best way to get to a style you like is to just draw A LOT. Draw lots of different ways. Mess around with line weight and shapes. Make things swish, make them pointy, make lines that cross over a lot, make a mess, make it neat, keep going. Do a lot of drawing and investigate what feels and looks right to you. And if a tool isn't serving your goals, you can let it go. It might be hard at first but you will find your way. ♥ * Side note: I have aphantasia which means I don't have head pictures. If I look at a reference and walk into the other room, I am not going to be able to replicated it very well from memory. That being said, if I sketch a pose over and over and over a bunch I will retain it somehow, somewhere (I don't know how brains work). The next time I go to draw that pose it will be easier. Just popping this in here in case you have the same trouble.

[genericpuff]

Webtoons Is Making Moves - So Should You.

We all saw it coming ages ago and now it's finally here. There's no more beating around the bush or doubting if anyone is "reading into it too much", Webtoons' use of AI in its more recent webtoons is not an accident, not an oversight, but by design, it always has been. And I guaran-fucking-tee you that the work that already exists on the platform won't be safe from Webtoons' upcoming AI integration through scraping and data mining. Sure, they can say they're not gonna replace human creators, but that doesn't change the fact that AI tools, in their current form, can't feasibly exist without stealing from pre-existing content.

Plus, as someone who's tested their AI coloring tools specifically... they're a long, LONG way away from actually being useful. Like, good luck using them for any comic style that isn't Korean manwha featuring predominantly white characters with small heads and comically long legs. And if they do manage to get their AI tools to incorporate more art styles and wider ranges of character identities... again, what do you think it's been trained on?

Also, as an added bit that I found very funny:

Um, I'm sorry, what fucking year is it? Because platforms like WT and Tapas have both been saying this for years but we're obviously seeing them backpedal on that now with the implementation of in-house publishing programs like Unscrolled which have reinvented the wheel of taking digital webtoons and going gasp physical! It's almost like the platform has learned that there's no sustainable profit to be had in digital comics alone without the help of supplementary streams of income and is now trying to act like they've invented physical book publishing!

"The future of comic publishing, including manga, will be digital"??? My brother in christ, Shonen Jump has been exclusively digital since 2012! What rock have the WT's staff been living under that they're trying to sell digital comics as the "future" to North Americans as if we haven't already been living in that future for over ten years now?? We've had an entire generation of children raised on that same digital media since then! This isn't the selling point you think it is LMAO If anything, the digital media market here in NA is dying thanks to the enshittification of digital content platorms like Netflix, Disney+, and mainstream social media platforms! That "future" is not only already both the past and present, but is swiftly on its way out! Pack it up and go home, you missed the bus!

Literally so much of WT's IPO pitch is just a deadass grift full of corporate buzzwords and empty promises. They're trying so hard to convince people that their business model is infinitely profitable... but if it were, why do they need the public's money? And where are all those profits for the creators who are being exploited day after day to fill their platform with content? Why are so many creators still struggling to pay their bills if the company has this much potential for profit?

Ultimately even their promised AI tools don't ensure profit, they ensure cutting expenses. The extra money they hope to make isn't gonna come from their content generating income, it's gonna come from normal people forking over their money in the hopes that it'll be turned around, and from Webtoons cheapening the medium even further until it's nothing but conveyer belt gruel. Sure, "making more than you spend" is the base definition of "profit", but can we really call it that when it's through the means of gutting features, retiring support programs, letting go editing staff, and limiting resources for their own hired freelancers who are the only reason they even have content to begin with? That's not sustainable profit or growth, that's fighting the tide which can and will carry them away at any moment.

I'm low key calling it now, a year or two from today we're gonna be seeing massive lawsuits and calls to action from the people who invested their money into WT and subsequently lost it into the black hole that is WT's "business model". This is a company that's been operating in the red for years, what about becoming an IPO is gonna make them "profitable"? Let alone profitable enough to pay back their investors in the spades they're expecting? The platform and its app are already shit and they're about to become even worse, we are literally watching this company circle the drain in the modern day's ever-ongoing race to the bottom, enshittification in motion, but they're trying to convince us all the same that they're "innovating".

Webtoons doesn't want to invest in its creators. We as creators need to stop investing in them.

[pyrosomatic-metamorphosis]

rough art tips to learn and then break at your leisure.

the distance between your eyes is roughly one eye. the corners of your mouth dont extend past the middle of each eye. ears are roughly in the middle of the tip of the nose and the eyebrow. the eyes are in the very centre of the head. the neck is just a Little slimmer than the width of the head (varies with fat distribution, but fat tends to build up under the chin). hair is easier to draw when you plot out the hairline and then where it parts. leaving appropriate distance on the side of the face (cheekbone area and back to ear) contributes to making characters look more realistic/hot as hell. i dont know specific tips for that so use reference. an amazing reference/study site is lineofaction.com . if you think of the face in planes it makes it easier to construct (look up tutorials). if you draw a spiral like a tornado it can help you figure out awkward perspective for extended limbs (look up foreshortening coil technique). tangent lines are when two lines intersect and cause visual confusion (when it looks like a line that defines an arm is part of the line that defines a building, for example) and avoiding them makes your art way easier to comprehend. quick trick to good composition: choose a focal point (where you want your viewer to focus), detail that area the most, and make sure various elements of the piece are pointing to that focal point. you can use colours to contrast hue, saturation, and brightness and make certain elements of your drawing stand out. drawing in greyscale can help you figure out values. using black in a piece isn't illegal but you should know what you're doing when you do use it- it desaturates a piece and if used as a shading colour can desaturate and dull whatever youre shading too. if you use almost-black lineart and then add black to darken the very darkest areas it will do a lot to add some nice depth. the tip of your thumb ends just above the start of your index finger- your thumb also has two knuckles and all your other fingers have three. if you see an artist doing something you like (the way they draw noses or eyes or hair or anything else) you can try to copy that and see if you want to incorporate it in your style <- this is ENCOURAGED and how a lot of us learned and developed our styles. there are ways to add wrinkles to faces and bodies without making the character look a million years old, you just have to keep experimenting with it. The smile wrinkles around your muzzle dont connect to your mouth or to your nose; there should be a small space in between smile or nose and the wrinkle line. eyes when viewed in profile are like < aka a little triangle shape. think of the pupil like a disk and apply foreshortening to it (it looks like a line when seen from the side instead of a full round dot). subtle gradients can add a LOT to a piece. texture can also add a LOT. look up Tommy Arnold's work (his murderbot pieces are some of my FAVOURITE) and zoom in. find those random little circles he added and try to figure out why he added them there. light bounces. there's lots of way light bounces. sometimes it even spreads through the skin. i do not know these light tricks yet but i want you to know that they exist. draw a circle to indicate hand placement, draw a straight line between that circle and the shoulder, and then (normally at a right angle) draw a straight line on top of that line to find the placement of the elbow. elbows are normally placed Just above the hip when standing and your arm is at rest. there are no bad colour combos if you're brave enough about it, just fuck with the saturation and brightness until it works. keep playing. try new things. add your own tips to this post if you want or even expand on some ive mentioned here. good luck go ham etc

[pixelatedraindrops]

RAINCODE 4KOMA COMIC PROJECT

Next page

This is another project that I'm currently working on with @kazinsblog! We adore makoyuma and they're our number one faves.

So we decided to make a little 4koma style side special of Kazin's mini series "The Kanai Ward Case Files"

This intro is the only normal comic in this story.

Prologue: Flu season hits worldwide, and Makoto calls Yuma one day and gives him the warning. Yuma notices his congested voice so he wants to head to to Kanai Ward to check on him. But meanwhile, Yuma is trying his best to hold his cough as he talks on the line. Only to suffer the fit after Makoto hangs up. He isn't well either.

When Yuma arrives in Kanai Tower finding Makoto completely disheveled and passed out at his work desk, he ushers the stuffy CEO to bed. The two were shown pushing themselves while being sick alone. But now that they're together, these stubborn workaholics will finally rest and break from their duties in order to take care of each other. (for the most part anyway)

further information below

Of course since I'm involved in this project, they're obviously not going to be doing well... XD But this story is going to be a lot more fun and lighthearted than others I have written. (It's essentially written in a silly sick filler episode of a cartoon kind of vibe) meaning less whump, and more sick comfort and hilarity. There may be a few somewhat whumpy ones here and there (I can't resist) but it won't be as common.

Full Story Summary:

This RainCode fan side story revolves around slice of life comedy 4koma style strips with scenes of Yuma and Makoto being sick together and spending time with each other in Kanai Tower for about a week or two. They both have different halves of cold symptoms, Yuma with throat based, and Makoto with nasal based. (hence the title) Various cute and wacky stuff happen between the two and their bond grows stronger spending this time off together away from their duties as detective and CEO. They may be sick and miserable, but at least they're in it together! What could possibly go wrong?

The comic strips will be drawn by Kazin, but there will be some bonus art that the two of us will work on together (similar to the title which was a collab by us both)

Also, both of us agreed that these strips should be posted on my blog rather than Kazin's. Reason being is that this story is based on illness and my blog is half an illness blog so it makes more sense to share it to mine. You all likely expect this sort of thing from me at this point anyway… XD (I’m also the director so I write the descriptions of them.)

And this series will continue to be ongoing so long as Kazin and I have ideas. (we currently have almost 100 strips planned)

I will update this in separate posts whenever more strips get fully digitally drawn by Kazin whenever she can work on them. With the tag #kanaiwardcasefiles h&h. Some strips will be random, some will be two parters, and some will have a timeline or are connected to others.

We both hope you look forward to this project! There will be a lot of funny and cute moments between these two, so we hope you makoyuma enjoyers are excited!

Also bit of a fun fact: This was inspired by when my mother and I had covid late April 2024. Something similar happened to us, and we each had one cold-like symptom more than the other. (her with coughing and me with congestion) So I thought of this idea for these two!

[elliespectacular]

Any tips on how to correctly credit clips used in YTP? I'm very lost when it comes to finding copyright info and stuff like that.

The stakes are pretty low for YouTube Poop and crediting clips in the video/description is not standard practice - but it's a good thing to do! That said I am not an authority on this and even my method has some blind spots. These are just some generally good ideas for being a slightly-more-courteous-than-average shitposter.

The acknowledgement is the most important part, stating outright what the names of the sources are. Pay attention to the official titles of what you use and try to trace them to their original form - for example in The Price is Rice COMPLETE I wanted to credit the gamer-themed Dust-Off commercial I used in The Price is Rice Jr. Usually ads are more difficult to track down than other kinds of televised media, so often "___ TV Spot" does the job, but a quick peek at the official YouTube channel reveals that the ad's actual name was How to properly clean your gaming computer.

Then there's an acknowledgement of the owner. I try to list composers for music, directors for film, and of course artists for art. You aren't required to give an exhaustive list of every single contributor to the art you've sampled, but make sure you credit the person/company it belongs to at the very least. Going back to the Dust-Off example, the YouTube video contained a link to dust-off . com which now redirects to falconsafety . com - I lucked out because the top of the page indicates clearly that Dust-Off is a product owned by Falcon Safety Products Inc. but this info is often in the About section of a website or at the bottom of the page.

I like to throw the year on each YTP credit as well. Academic citations usually require a more precise publication date if available. Among other benefits it helps distinguish between things with the same name/owner that were rebooted later - for example there are multiple games called Sonic the Hedgehog owned by SEGA from different years (In fact in this example there are two games from 1991 so it's also important to note what system the game is for!) Generally your source credits should communicate to a viewer where to start looking for a specific thing or who to ask.

You can use Wikipedia to orient yourself if you need a lead on where to start tracking down copyright information for popular media, but make sure you cross-reference what's there with other sources. For Movies/TV I usually just look at the very end of their credits which usually has the copyright info. For music I use Discogs. Sometimes for more obscure or less-documented things I have to do some search-engine sleuthing.

If you're stuck, ask a friend for help! It can be fun and rewarding to track down something that isn't answered by a quick google search, and like most things turning it into a collaborative effort makes it less of a slog.

Copyright acknowledgement is tricky to do correctly and not every Best Practice applies to each situation. There may come a day when MLA-style citations become normal or required even for shitposts and your due diligence will become greater. Do your best, give credit where it's due, and you'll be fine :)

[rangercorpstherapy]

There is a post about ableism in the sorcerer/siege of Macindaw books. I'm not going to reply directly to the poster because I don't necessarily think they're wrong, but there's a bigger problem I want to touch on without derailing their post.

The post by @bronze-oakleaf Sorry, but John Flannagan isn't an ableist for describing disabled people as disfigured, Will is. John, although in his usual hit-and-miss style, goes out of his way to show us that the people Will and others are afraid of are not monsters. It's been a while since I read these books, but I can remember there being a few backstories and instances in which it's made clear that Malcolm’s people are just very normal people who have fun, interests and hobbies and love each other deeply.

Will's apprehension of disabled people is very clearly presented as a character flaw. John is a children's author and cannot go into depth about how monstrosity isn't physical but something that manifests in the soul a la Victor Hugo's Hunchback of the Notre Dame. Still, I don't think any child (at least I didn't) finished reading Sorcerer and Siege thinking that disabled people were any less deserving of respect and love than others and Will kinda had a point there in the beginning.

I think the only example of bigotry where there is a high chance of it reflecting John's real-life views is the way he characterises Romani and Sinti in that horrible short story. Without going into depth the key difference here is that not a single person in the story thinks that Alyss and Will are doing or thinking anything wrong. Nuance, even if it wasn't much, visible in Sorcerer and Siege is missing.

Now I have that out of the way, this post is actually about character flaws. I'm not trying to be smug by pulling the historical accuracy card, but honestly, Will's views of disabled people are one of the few ways John established the world of Ranger's Apprentice as a Medieval society. I don't know how to say this without sounding kind of like an asshole, but if you want to critique Ranger's Apprentice flaws you also have to apply the same critique to the characters within Ranger's Apprentice. Separating art from the artists in this case doesn't really work because the art exists within the context the artist created. I don't think we have to be overly critical of characters because otherwise we're bad people and not woke, but viewing your favourite characters as flawed makes them inherently more interesting. I think viewing Will as an enforcer of feudal oppression (cop), extremely privileged (has an education and can bear arms) and classist with a very obvious disdain for those who are below him (this man should be nicer to farmers who can't read) is way more interesting than a perfect boy who fell victim his author's bigoted world view. Will, and all Rangers tbh, think they're better than other people. Rangers are smart they aren't like the uneducated masses who think wizards are real and the devil will claim your soul if you sleep lying down. But are they really?

Will is confronted with the fact he is like everyone else. He's also afraid of the “dreadful caricatures of normal people”, but why? The treatment of disabled people in Medieval society was very complex, and without getting into the nitty gritty, most of the cultural feelings towards them weren't because they were 'just ugly' but relied heavily on superstition. Will might be educated, but he still grew up in a society where disabled people were viewed as cursed, their ailment a deserving divine punishment. Him not being confronted with his hypocrisy in these books is the true moral failing of John to be honest.

Now to my final statement: pleasepleaselpleasepleaseplae let the Ranger's Apprentice characters be bad people. Because they ARE. I guess this post was a very elaborate way of saying Will isn't an UWU soft boy but a grown man with hairy balls. So are Halt, Gilan, Horace, Crowley (I didn't forget the time you enslaved a man king) and Duncan (Truly truly sick a twisted individual for sitting back and doing nothing as his daughter was sold into slavery because 'We need everyone here'. That wasn't a convenient plot point so Halt could save the day but misogyny). This doesn't mean Will isn't/can't be trans (because he is) or Cralt isn't canon (it is) for the sake of historical accuracy. I just want to say that these characters are all very privileged and classist individuals with many flaws thanks to the society they were raised in, which makes them more interesting. Remember be gay AND do crime.

[thescarlettbitch]

Worshipping Inanna / Ishtar

This is an informative post about how Inanna was worshipped, or believed to be worship, back in her time, and at the end I'll share how I worship her.

Ritual sex - her high priestess would have ritual sex (whether it was true sex or symbolic is unknown) with the new king to ensure his fortune.

Gender non-conformity - her cult was primarily composed of those outside the binary, and shows men and women adopting the opposing dialect and engaging in sex with each other.

Music and art - most of her myths are in the form of Hymns, and most of her followers were artists, musicians, or dancers. Specifically, war dances would be done in her temple.

Libations - a libation is the ritualistic act of pouring a liquid offering straight from a container onto the earth. In depictions, the person doing the offering was naked.

Unfortunately, due to the passage of time, many specific rituals have been lost. I've scoured and this is really all I can find about her ancient original worship, and a lot of it is disputed because no one knows what was a metaphorical ritual or an actual ritual.

That being said, here is how I worship her in the modern day.

Self-confidence - Inanna was not one to be meek, it is said by many experts and proven in her myths that she was headstrong and didn't care how she was perceived. To honor her, I wear whatever I want. I have a very alternative style and I used to fear people looking at me. She has helped silence my worry and in turn, helped me gain confidence.

Non-conformity - I'm nonbinary, and although my femininity is a major part of my identity, so is masculinity, and so is androgyny. Learning that she had a queer cult following was so liberating, as before learning that I felt like it was wrong of me to work with her. So every little thing I do that isn't in the social construct of the gender binary is for her.

Libations - lucky for me, this is one area of her ancient worship that can be done in a modern setting. I don't have a "proper" container, I just use a normal glass. I've done it with water, coffee, tea, lemonade, and even kool-aid.

Honey/Butter cakes - in, I believe, Inanna and The God Of Wisdom, Enki welcomes her with honey/butter cakes and alcohol. I have only made a honey cake once before and it was shit, but I plan on trying again soon to combine both into a honey bourbon cake. I know they didn't have bourbon back then, but it's a local good I can find and adds a personal touch.

Self love - my fiancé lives across an ocean, so some things we can't do together (both living with family and thin walls), so to honor and worship her, self love is a great way for those in similar situations and she enjoys it from what I've seen.

Offerings - usually dates, sometimes cherries, often lemonade or tea, and more recently honey whiskey. These offerings might not be "traditional" in style, but they work for me and her. I have a small glass from an old Costco tiramisu and an iridescent bowl I got half off at our local grocery, both have an 8pointed star on them. Usually I sit them out for days at a time, or at least over night, and then either ingest them or just toss it in the trash (any other alternative isn't doable in my current situation)

Music - I listen to a variety of music with her, songs about sex, love, anger, fighting, injustice. She loves it, and if you want more detail on this I have a post about the songs on her playlist here.

Driving with the windows down - I love driving, and I feel like doing so with the windows down is an easy multitasking way to cleanse myself and invite good vibes in. Usually I do this while playing her playlist.

Making posts - it may seem a little silly, but a way I honor her is keeping her and her family alive. They are old deities, their civilizations and worshippers lived about 6,000 years ago, and some of her family have had their names lost to time. Making posts about them helps get word out, and keep them "alive".

Digital temples - I play the sims 4 and I saw someone talk about how they wanted to make a temple to their goddess in the game, so... I'm making my own. And will probably have my sims "worship" her via a club. Some people don't see this as an act of worship, but I do. As @thrashkink-coven said in this post, the gods are as modern as they are ancient. I know she enjoys it.

I will go through and make a full post detailing specific UPGs (personal practice things not backed in historical fact) with her, for anyone interested.

[ardienothesieno]

SPECULATING ABOUT THE WATCHER

Wanted to make my own analysis post, as I've seen some comments on other sites pointing out things but nothing here so far... AND I AM TOO DEEP IN THE BRAINROT TO NOT ANALYZE THIS EVEN JUST A LITTLE BIT. SO.

I would like to mention that I have not played any modded regions! So if there are certain details that I make note of in the screenshots that have explanation in their original mods, please feel free to correct me!!

STARTING OFF WITH THE TRAILER:

Rot tendrils. Rot tendrils on the ceiling... just casually... that's totally not concerning...

The blue lizard only has two toes on each foot!

The background of this first shot looks like it might be on an iterator structure? There are some support beams but other then that it's just clouds.

The spears that the scavenger is carrying are kind of weird... for one, they're white. And one of them has a large, almost pinecone-shaped tip.

Also they have a crack in their face/mask.

what the pole plant doin

The Watcher doesn't seem to have a nose? That's probably just an art style thing, but I thought I'd mention it. Also their eyes are glowing.

Even the title font has implications. whoa.

For one, more rot. The rot has now made a double appearance and that probably guarantees its significance here...

And plants... Leaves and some vines.

The way that the black screen transitions to a white one is very rot-esce to me. Rot triple appearance...

There seems to be some graffiti on the right side of the final shot? It's obstructed by the visual effects in the foreground, however.

Once again Watcher is depicted without a nose BUT THAT'S NOT IMPORTANT BECAUSE THIS SCREEN HAS IMPLICATIONS

Watcher is floating. Normally I'd mark this off as "cool title screen choice" but they're also surrounded by ECHO PARTICLES.

And the warping around the Watcher and the title? THE OUTMOST RIPPLES HAVE GOLD VEINS RUNNING THROUGH THEM. THE VOID IMPLICATIONS...

And this might be a stretch but the palette of this final image is black and gold... void colors...

OKAY THATS MOST OF THE TRAILER

ONTO THE STEAM DESCRIPTION:

Rain World: The Watcher is a DLC expansion of Rain World. Journey beyond to something, somewhere only ever glimpsed. When the world beneath your feet cracks and crumbles, will you hold on to all you once knew? Or dive into the unknown? The wilds that await will be unlike all that's come before. Unknown creatures stalk and climb and dive and hunt. New breeds rip and pluck and burrow and hide. Predator and prey redefined. And through the middle of it all, a lonely lost slugcat trying their best to outlast the ravages of a warped world.

Do... do I even have to say anything?

THE VOID IMPLICATIONS!! HOLY MOTHER OF SCUGS THE *VOID IMPLICATIONS!!!!*

"Journey beyond to something, somewhere only ever glimpsed. When the world beneath your feet cracks and crumbles, will you hold on to all you once knew? Or dive into the unknown?" YOU READ THIS AND TELL ME THIS DOESN'T HAVE VOID SEA VIBES. Journey BEYOND to something, somewhere only ever glimpsed... it feels very void-y to me. And the talk about the world beneath you crumbling-- holding on to what you once knew or diving into the unknown?? If this somehow ISN'T related to ascension I would be shocked

"And through the middle of it all, a lonely lost slugcat trying their best to outlast the ravages of a warped world." This line about the world being warped, as well... I'm thinking this DLC might either have to do with Rubicon, or have to do with the encroach of the void sea consuming the world from below.

Other then the void implications, it sounds like we'll be seeing some new creatures that could completely redefine the game. I'm excited to see where that goes.

OKAY. SCREENSHOTS. LETS GO.

I know these are from pre-existing mods, but I'm completely unfamiliar with said mods and don't know if any of this means anything. Just wild speculation, pretty much.

Gonna start with these two because they're kinda visually similar. On the left we have desert!!!! Cacti!! Cactuses!!!!! I've seen lots of people calling the image on the right snow, but that doesnt feel right to me. We saw snow in Saint and I do not remember it looking like... that. The first thing that comes to mind for me is Kingdom's Edge from Hollow Knight, and the drifts of ash that pile up there? If this is the case then it confirms several of my lore theories and I would so love that to be the case. There's also a collapsed structure in the back of the "snowy" image, which looks to me a bit like a train car?

Also I've now seen several people calling these milk... and I can't unsee it now...

I've been told by several sources that these screens are from preexisting mods! I think these are from Stormy Coast, Coral Caves, and Aether Ridge? At least that's what I've picked up from searching through other discussions. I don't have too much to comment on here! I think these rooms are cool, and I really like the fans in the Aether Ridge room!

...oh no... acid region..? I don't know why, but this room gives me Shoreline vibes. Also I do not think bubble fruit are supposed to grow that perfectly--

And finally... what I think has the possibility of either being a huge lore thing, or a complete false alarm. Well for starters it's purple

But there are no iterator cans in the background. We're above the clouds here; in every above-the-clouds show from the base game and Downpour, you can see iterators and communication towers off in the distance. There's nothing here. And I don't think this takes place near or after Saint, because there's no confirmed snow. And I think a lot of these structures would be far worse for wear if this were so far in the future that the planet has warmed again. So. Uh. That's pretty odd.

Again, these all might be from mods that I am unfamiliar with, so please correct me if I'm misinterpreting anything!!

AND THAT CONCLUDES MY ANALYSIS FOR NOW!

tl,dr-- This DLC is gonna be crazy. Also void

[girls--complex]

I just came upon your blog and it's given me Lots of Thoughts, even though I don't particularly believe in any God (that is to say, I think there might be something more out there, though I don't think it's God as it's portrayed by any religion and I need some sort of tangible evidence before I can confirm or deny that something like that exists. All that to say I'm agnostic lol), but I do think you have some very good points about a lot of things.

I find it kinda hard to understand some of the things you write since you use a lot of long and complicated words that aren't in my vocabulary since English isn't my first language and I've never left my home country, but I'm doing my best! (With the help of an online dictionary)

Either way, I really love your art and I'm taking some inspiration from your style to practice, if that's okay with you! I just really like how flowy, creative and loose it is and I really need to loosen up a bit about making things instead of constantly adding more detail and perfecting it until I lose interest because it becomes stressful instead of enjoyable to create something.

I also wanted to ask, since according to your comics you've done shrooms before, how would you recommend going about shrooms to someone who's not used to doing much of any substance? (I barely drink alcohol and I smoke weed so rarely every time I do it I end up extremely disoriented until I manage to calm down no matter how little I smoke).

I'm asking cause a friend of mine whom I've known for years recently told me they have some, and that he'd be willing to share them with me, and I'm curious about trying them out and seeing if I can learn something from that experience, but I wanna stay safe while making the most of it :3

Hi thank you for a long & thoughtful message

YOU ARE ALWAYS ALLOWED TO COPY OR "STEAL" OR WHAT EVER FROM MY DRAWINGS seriously this is so normal and allowed. I do this with other cartoonists and all the cartoonists I know also do this. We do it to each other. "I like how she draws eyes" or whatever and we absorb it into our own style. Or just copying drawings/ paintings/pages. This is good. Do it.

Thank you for taking the time to decipher my words. I know I use lots of large/obscure words N trying to get better at making me language accessible (& maybe use my beloved obscure words in enough context that a reader can figure out the meaning).

I think using psychedelics is something better to talk about with people who know U in person and can respond to your needs and goals. Maybe your friend can give some guidance or knows someone who has a shamanic streak that can. Or you can always go on erowid or reddit whatever kids are using now to do a lil research.

I don't really feel comfortable giving specific advice or even general advice that might color the experience in a certain way, hope u understand...

Thank u for saying Hi

[genericpuff]

Genuinely I would give anything to hear your thoughts or read more critical analysis of yours on other webcomics writing (*slides you Marionetta* I like the webtoon but there are some things in the writing that I'd like to see be discussed critically more often but the fandom focuses way too much on shipping. sighs..)

Anyway, you probably have been asked this before but are there any webtoons in particular you would recommend? :D

Oh lord, you don't know how many times a week I get asks in my inbox asking for my opinions on webtoons they're reading. It's really sweet that people wanna hear me talk about other works outside of LO, but unfortunately I just don't have the time to read as much as I used to, even keeping up on LO lately is getting really difficult 😅 I'm definitely keeping a list though of works to check out!

That said, I try not to read series on the basis of criticizing them because frankly I just... don't want to spend time reading something if people are only looking for me to rag on it? 😆 Of course I know that's not the only reason, I know there's also just the element of seeing me talk extensively about other works the way that I do with LO, but it's not really something I can turn on and off like that, I have to get really into a series to want to talk about it to that extent. So it often comes down to just luck of the draw :'0

Right now the series I'm keeping up the most on (or have completed and would absolutely 100% re-read):

Alfie (18+, it's porn with plot but the plot is REALLY GOOD , I SWEAR LMAO the art is gorgeous, the characterization is IMMACULATE, and it ironically tackles the subject of purity culture way better than LO ever has lol)

Theia Mania (the creator is often in my comment section / neck of the woods, she's been working on an Abduction of Persephone retelling for a long while now and has also tackled other myth retellings in her style! I always love seeing new pages of her work in my feed :' ) <3)

Tales from Alderwood (if you like fantasy and comedy, this one's great, the plot's really starting to get interesting and it's just got this really great sense of humor about it)

The Black Parade (this one's REALLY interesting, it's a comic-stylized version of My Chemical Romance's The Black Parade, using the songs as narration and sometimes even dialogue to tell a visual story, it's really cool and the art matches beautifully with the lyrics and style of MCR!)

A Tale of Two Rulers (this is a Legend of Zelda fancomic that poses the question, "What if Zelda and Ganondorf got married to solve their political crisis?" It updates a lot slower than most of the other comics I follow but the art and writing is so worth it <3)

Dogs of Future Past (and p much all of Lynx's Undertale comics which can be found in the link, seriously, THESE are the comics you wanna read if you wanna get into Undertale fanworks, they are PEAK)

Tamberlane (this one's an anthro comic, I normally don't read anthro but this one actually gripped me by the throat, the art is gorgeous and the character arcs so far have been great!)

The Mafia Nanny (okay it's legit so funny that I'm including this one here but I've been reading it the last couple days after seeing it basically beat out LO at the top of the trending tab for a couple days, so I figured I'd give it a shot, at first I was like "great more tropey shit" but the more I read it the more it's actually started to get pretty good, I'm holding out and hoping to god it stays that way LOL it's not especially deep or anything like that, but it's really fun and cute to read and the shipping of the main character within the narrative isn't too self-absorbed which I can always appreciate, I'd honestly be 100% fine with it if it didn't turn into a romance)

City of Blank (I talk about this one a lot here, but it's one of my favorite Originals right now, the art is super polished and the writing has gotten INTENSE, go check it out if you want some fun action / sci-fi storytelling!)

Time and Time Again (a time-travelling vampire and his werewolf boyfriend get into all kinds of misadventures, what more could you ask for?)

Touch of Divinity (like the Mafia Nanny, this is one I just started reading, it's got a very interesting premise so far and I'm looking forward to seeing where it goes!)

[adobe-outdesign]

Pteri or grarrl review when you have the time? Whichever out of the two you most feel like doing

(I can do both in two parts, but for right now I'll do the Pteri.)

The Pteri is one of several bird Neopets, but surprisingly all of the other birds are specific, distinct species (penguin, owl, etc.), making the Pteri surprisingly unique for just being a normal songbird. Another thing that's unique is that the Pteri has a long non-feathered tail, almost like a Zafara; a very unique addition for a bird and one that gives it a lot more flavor than it would have otherwise.

In terms of design, the Pteri uses a simple three-color palette; base color on top, creamy accents on the underbelly and inside wing, and a complimentary shade of yellow for the beak and feet. The eyes also have these unique fire-y markings to them that accent the underbelly. My only real issue with the design is that the two head feathers don't share the same shape as any of the other feathers, and look both too long and too thin to be read as just fluff. Otherwise, it's a solid design.

The Pteri hasn't changed much through conversion, outside of gaining more distinct chest fluff and slightly longer, fuller wings. I like the overall rounded shape of the original a bit more, but I also really like the 3/4s few the converted is in; having it be front-facing in the older artwork makes the details of the design harder to see. (Also, a moment of appreciation that they just subtly cupped the converted Pteri's wing instead of trying to give it hands or something. Hissi, take notes.)

Favorite Colours:

Faerie: The Faerie Pteri is simply beautiful, and everyone knows it. Instead of having butterfly wings tacked onto it, it instead runs with the bird idea by adding extra feathers to the tail, kind of like a mini peacock, and also adding more to the head and wings. It uses a gorgeous yellow as its primary color and accents it with white, orange, red, and purple, with the colors radiating outward in layers. The design also compliments the natural eye markings with additional markings around the entire eye as well as on the head and tail, and adds some lovely eye spots on the tail as well.

The converted version technically follows the same design as the original, minus the additional eye markings, but honestly the UC/styled pose shows off the markings better and has more flow to boot, making it far superior by default.

Darigan: Unlike Faerie, the converted Darigan Pteri doesn't look that great. The design is technically accurate to the original, but trying to make those features work on the default body shape just isn't happening, and a lot of detail got lost in the shading and highlights in the process.

However, the UC/styled version is really cool. It's one of the few tan Darigan pets that I don't wish were purple, with black accents for the finest feathers and red eyes for contrast. The long feathers and more raptor-like body shape really work well, and the talons on the hind feet are accented by the beak and various spikes. I also appreciate the subtle spotting.

Valentine: Not as fancy as the other two, but the Valentine's Pteri is quite nice; a mostly pink body with a subtle white gradient that transitions into heart markings. Like most good Valentine pets, it subtly integrates hearts into areas like the chest feathers, head feathers, and eye markings, and doesn't feel overly cluttered. I do think that the tail should've also been a heart, and something about the face reads as faintly sunburned to me, but it's still a nice color overall.

BONUS: The mutant Pteri is one of those mutants that's just a little too busy to be one of my all-time favs, but I do like it a lot. The cockatrice-esq body shape is super distinct and looks appropriately mutant-ish, and the teal, yellow, and red palette works great; not to mention the actual art quality is really good as well, with some lovely shading and linework. I do feel like the details should've been trimmed back—lose the long arm fingers, lose the red things on the tail (maybe just keep the final cream segment red instead), drop the patterning, maybe even make the wing feathers cream to break up the design a bit. Still, pretty good overall.

[omens-for-ophelia]

I love your art! Would love to know about your process if that’s something you’re interested in talking about!

hello! i am so sorry it took so long to respond to this 🩷

(...i suppose this means the first step in my art process is to faff about and procrastinate and dither for ages 🤭 oops)

i am so flattered that you are interested! 🥺🩷

i wish i had a truly substantial answer for you - unfortunately i don't know if i would consider myself as having a standard "process", per se. i tend to play around with something new each time, as i am still very much getting back into my art and still learning.

i will put my current "process" under the cut for those who may be curious? 🩷

so i guess my first step is to gather inspiration & references! i have a bunch of boards on pinterest for poses clothing inspo, things that are just 'vibes'... there are a few life drawing sites i like, as well as (of course) the Good Omens Reference Library discord, which is a genuinely brilliant community-built resource (praise be to @orayart & @patibuart 🩷) once i have my references and a few ideas of how i want to work them together, i start with the sketch - i usually work on a square canvas in procreate with a neutral toned bg (white hurts my eyyyyes) and normally i'll throw a paper texture over it (there are a lot of great resources like that on gumroad to download both for free and in paid packs)

i am clearly attached to sketching aziraphale in blue and crowley in red to begin with hehe (background is usually in green), using the procreate HB pencil or the cube brush, as it lets me visually see which lines are which - my sketching is very very messy in the early stages! and i don't usually like to do proper linework - instead i just duplicate the layer, lowering the opacity on one and then refine the sketch down in stages... then colouring the sketch to a more neutral dark grey or brown

i am aware this isn't necessarily good practice, since it can make some of my work seem stiff and flat - but even when i try and leave the lines messy i just can't seem to leave well enough alone

at this point, the 'process' really just becomes a game of 'what am i in the mood to do, what suits the piece, am i painting this or am i done, etc'

for the most part, i will use a solid cube brush to lay down the flat colours, then use ink wash brushes, spatter brushes or watercolour brushes to add texture and shading or colour - experimenting along the way for the most part! then some different layer modes to play with lighting etc if needed!

i have NO idea if any of this is interesting... i am hardly an artist with a refined style or process as of yet, but i am getting there. i've been making art since i was small, but before GO i hadn't drawn seriously for years and years beyond doing D&D character art for me and my friends!

anyway! thank you for getting this far if you managed it! so grateful for you all 🩷

[buggmintz]

MURDER DRONES ART DUMP

Most of this is simply trying out style stuff and whatnot

Sorry if the camera quilty is kinda bad, the light in my room isn't the best for pictures haha. I'm also adding descriptions for these! I'm not really good at Image IDs but I'll try my best here.

A pencil drawing of Cyn and Uzi from murder drones. The two are smiling at the camera and leaning their heads on their respective sides. (Left for Uzi and Right for Cyn) Uzi has one eye closed and a more sheepish expression on her face Cyn has an open mouth smile and seems very happy. (NOT A SHIP. i REPEAT. NOT. A SHIP. think of it like two seperate situations.)

2. A pencil drawing of my oc 7! Their face is glitchy and their is oil or drool dripping from their wide sharp grin. they seem to be blushing as well. their expression is slightly crazed, or over excited for something. they are breathing heavy, which is innfered by the coulds of breath.

3. An anatomy and height practice of N and J. J is on the left while N is on the right. They are both standing and facing the camera. J has her right(Camera's left) Hand on her hip. N has his left(Camera's right) hand waving at veiwer. This was mainly drawn for height and anatomy practices.

3. Another Pencil drawing. This time of N standing pigeion toed and slughtly hunched. his right arm is lifted up and his hands are swaped for bladed fingers. his blades are dripping with oil and he looks rather menacing. his hair is ruffled. Instead of his normal eyes, his screen displays a large '><' his mouth is contorted into a wide, sharp toothed smile.

4. Notes! I'm not going to try and make an ID for this one (Sorry!) But if anyone would like to try their hand at it Please do! these are just overall notes and how-tos on drawing. Kinda a personal reference.