#this isn't for the weak.

[windstir]

i am planning ...

[poorly-drawn-mdzs]

Cite your sources.

[First] Prev <–-> Next

[seasononesam]

Come on. They don't really know what's going on. We're all alone on this. I mean, if we're going to find Dad we've got to get to the bottom of this thing ourselves.

[morebird]

Now it's her turn to kill

[undertheredhood]

bruce 'tired single dad' wayne: *lecturing jason once again on something he did during a fight*

jason 'theatre kid extraodinare'' todd who immediately starts fake crying on the spot: do you just not love me anymore?

[authorafterhours]

We see Hannibal calming Will, especially in the earlier seasons where he was spiraling, and later, he stops him from shooting the social worker. I want to see the roles reversed, where Hannibal is in a bloodlust frenzy, and Will gentles him like he is one of those feral dogs he finds on the side of the road.

Pinning Hannibal down, cupping his face if he can, forcing Hannibal to look Will in the eye if he won't, hissing "look at me." Maybe Will biting him in the neck to shock him out of it, resting their foreheads together, exhaling calmness as they share breath. Will petting his hair, whispering things like, "I got you," "we're okay," and "you’re mine."

[cherryinterlude]

thinking about josh's massive arms and hands and giggling and twirling my hair

[nightingaletrash]

Viago and Teia: *forever maintaining the balance of will-they-won't-they, always keeping the other Houses guessing if they're actually a united front or if it's all an alliance of convenience, meant to disrupt the confidence of their rivals and ensure their own strength* Lucanis and Rook: *declaring their undying love for each other within five feet of Morrigan, who has already proven to be a horrible gossip*

[embroid-away]

Thunderbolts (2016), No. 7 Variant Cover by Marco Checchetto

a Marvel Trumps Hate ( @marveltrumpshate ) 2021 commission created with embroidery floss, watercolors, fabric, and fine glitter paint on aida cloth in a 10" bamboo hoop frame

A lot of life happened between the commission date and now, but I'm very proud of how this turned out, and I know that 2021 Rebecca wouldn't have been able to create this, so the time was worth it. (No offense 2021 Rebecca, we've just grown as an artist.)

Bonus for details and ✨sparkles✨

[liauditore]

iykyk

sequel to this

[poorly-drawn-mdzs]

hope you feel better soon!

I am riddled with ailments, but I stay silly!

[wellofdean]

Here's what sticks in my craw: why ON EARTH does fanon imagine that Cas has 'self-esteem issues' and experiences his love for Dean as a wet, miserable kind of yearning? What is it about any part of anything that happens on Supernatural makes anyone think that Cas, a cosmic, Eldritch being, a warrior of god, who literally hung the stars and has existed for a bazillion years, is reduced to teenage angst by Dean's pussy?

Like, when Cas says "the one thing I want I know I can't have" why do y'all think it's a piece of Dean's ass? Why does ANYONE think Cas doesn't know Dean loves him? Dean has shown Cas he loves him with literally everything he has again and again and again. Even the way Dean feels like Cas can absorb his anger is Dean showing Cas love and trust. Cas and Dean have chosen each other, forgiven each other, and been the only reliable thing in each others' lives over, and over and over again. Cas fucking knows that Dean loves him. Cas can literally hear Dean's thoughts, and feel his yearning. Cas was only saying the quiet part out loud when he said he loved Dean, because it was already obvious! If there was anyone feeling wet and lovesick, it would be DEAN, if he ever had a break in the battle to fucking feel things, which he did not.

Like, hear me out: what if the one thing Cas knows he can't have is the one thing he knows he signed over to the empty? His happiness, and by extension, Dean's, because he knows Dean loves him? What if Cas is saying: I know I can't have this thing I want for myself: to be the one to MAKE YOU HAPPY, but I can save you, and maybe Cas's belief in Dean is such that he still hopes and believes Dean will find a way to make himself happy if he lives.

After Cas's death, Dean is trying to live for him. Trying to be what Cas believed he was. It's what CANONICALLY gives Dean the strength to defeat Chuck by not killing him! And, after Dean's death, he CANONICALLY goes in search of happy endings. Like... THAT IS EXPLICITLY STATED.

I AM HAVING AN ALL CAPS MOMENT, SO SUE ME.

Guys, Cas is not a wet, yearning baby who needs Dean to say or do ANYTHING to validate his love. HE KNOWS. He is a being of unimaginable age and power. He is not beleaguered by self-esteem issues, or the need to tongue-wrestle Dean. Like, he might WANT TO, but he CANONICALLY does not need to in order to experience a happiness so complete that it puts paid to his deal. His happiness is THAT NOW DEAN ALSO KNOWS, and he can tell Dean why, and show him who he is in the mirror of that love.

Also, he is not dead, he is just on another plane of existence, and neither is Dean. Cas is a profoundly unselfish badass. He is not fucking PINING. He made a play, the best one he had. He is a strategist, and he knows Dean BY HEART.

[mildarka]

waiter!!!! waiter!!!! more reapermare please!!!! <33

they dancin'

[lostfanboyarts]

Idk I just think they deserve to dress up and feel pretty y'know.

Bonus doodle under the cut

They're on a date! <3

[bonefall]

i really like how in your curlfeather conversation, she talks about Mistyfoot/Mistystar like they're two separate entities and not the same cat. Is this because of her dedication to be a "warrior" in the way the tags are described, or is it for other reasons?

It's her commitment to her sense of honor in the way described in the tags, and a reflection of the way she feels RiverClan (and her bloodline) had declined.

Mistyfoot had been strong enough to defy the code, when it was necessary. Leopardstar was a frothing mess in the Battle of the True Eclipse, so the great reveal that she had been assassinated to protect the Clan wasn't a shock to her-- it made sense.

It was clear to Curlpaw (age shuffle, she is slightly older in BB) that killing her had been a practical, rational choice.

The Code, to her, is a guideline and a tool. Honor doesn't come from the law; the law comes from honor. Good leaders can, and should, bend it when the future of the Clan is at stake. MistyFOOT was willing to make those tough calls when MistySTAR would work with the impostor, so her respect lays with a version of her grandmother she never met.

Curlfeather isn't quite a Traditionalist, but she isn't quite a Thistle Law supporter either. I understand her as a sort of Neo-Traditionalist, someone who greatly respects the law and the "old ways" of cultivating strength within the Clan, but believes that it these traditions must sometimes be broken in order to protect them. Functionally, she's standing with the Hard Traditionalists.

(Like Mudclaw many years ago, ultimately your personal beliefs don't mean much if you're willing to empower fascists.)

[bumblingbabooshka]

-crawling out from under an abandoned house- B'Elanna Torres who has been denied the chance to feel feminine and small and protected and cherished (as everyone around her constantly portrays her as 'strong, angry, loner, explosive, mean, bitch, standoffish' which obviously heavily colors her perception of herself and makes her less likely to feel she can be vulnerable or she literally just can't be because she has to do her vitally important job and survive and help everyone else survive) to the point that even though she desires it she feels it's silly to even want let alone pursue or expect X Seven of Nine who has been denied the chance to explore her own relationship to gender because ever since she became aware of the concept it has been her tied (and monitored, chastised when deviating) strictly to the most traditional and sexualized definition of femininity imaginable - discovering that she's butch. Are you hearing me? B'Elanna Torres who fantasizes about being wanted gently by men, loved and yearned for by them [looking at her daydream of Chakotay, her classically romantic novels] and Seven of Nine who is not a man but is not a woman - who loves and yearns for her in a way she can't quite express through the narrow lense of heteronormative womanhood that she's been given. Seven of Nine who wants to kiss B'Elanna's hand and protect her and B'Elanna who's never once been protected by anyone, not even her parents. Her own father wouldn't protect her from bullying, saying she was too sensitive. That she should have been stronger. Tom saying he 'didn't think' she cared about romantic gestures because she's so strong and independent. [In this way she is expected, even as a child or in an intimate partnership, to take on everything stoically and to react to anything at all is an 'outsized reaction', out of character, shocking and dangerous - there is no time and no relationship no matter how intimate where she can be vulnerable and soft and wanting without it being 'too much'] Is this thing on???? Can you imagine Seven telling B'Elanna that she sees how scared she is, how fragile she is, and that she'll protect her with her life if necessary??? Can you imagine Seven, injured in some way [calculated yet foolhardy on her part], being tended to frantically but skillfully by B'Elanna who's scolding her with a furrowed brow and a voice so drenched with worry it dulls any harshness in her words which Seven isn't listening to anyway because she's too busy looking at her face and hearing the sound and cataloging how fast her heart is beating and thinking back to all those old movies Tom showed them all with scenes of women tending to their men and being rewarded for it with a kiss and an 'I'm sorry darling' and those holonovels Janeway goes through where a woman in a silk nightgown meets her monstrous lover in the rain or a darkened hall after finding out some terrible secret and nearly drops her candle upon seeing him but remains brave, holding onto her love. Everyone else might be afraid, but not her, she understands him ['we difficult patients have to stick together'] and Seven never saw herself as the tending type or the bleeding heart but B'Elanna is. B'Elanna loves machines, loves people so desperately it makes her miserable, and she never drops her candle. B'Elanna's beating, bleeding heart is pouring over her and Seven realizes she wants it for her own. She wants her for her own. Her love. Her woman. Seven - She's a scoundrel, a stately figure with a terrible secret written all over her face, a brute who doesn't deserve the tender touch he's being gifted and she raises her hands to cup B'Elanna's face and kisses her. And it's the only experience she would privately characterize as perfect. And something clicks very neatly into place.