#this isn't as accurate as it could be

[tinylilemrys]

(x)

[yangjeongin]

SKZ as DND CLASSES: WARLOCK FELIX

warlocks are seekers of the knowledge that lies hidden in the fabric of the multiverse. through pacts made with mysterious beings of supernatural power, warlocks unlock magical effects both subtle and spectacular.

[javelinbk]

Elliot Mintz facebook post, November 2024

That's a seagull, Elliot.

[shepherds-of-haven]

Could you rate the male ros on a scale of most pathetic to least pathetic?

Most pathetic -> least pathetic

Halek

Blade

Chase

Red

Trouble

Riel

[moongothic]

Rereading Dressrosa for the first time in quite a few years, after having become a Crocodad Truther specifically, was a really interesting experience, mainly due to the relationship between Kyros and Rebecca and Luffy's very strong feelings about those two in particular

Starting with the latter point; watching Luffy get really passionate about making sure Rebecca reunited with her father, instead of the two never seeing each other again as Kyros had planned, was just really facinating to me.

Now there ARE layers to this; Luffy saw first hand how much Rebecca and Kyros love each. Even if he didn't know or understand all the details, he knew these two were family forced to live apart due to Doflamingo's rule and that, even though Rebecca didn't know Mr Soldier was her father all those years, he still looked after her and did all he could to protect her. Luffy understands how much they matter to each other. Luffy also gets that Kyros was trying to make a sacrifice out of self-loathing; Kyros saw himself as a bloodstained monster who did not deserve to be by his daughter's side, thus his insistence on them going their separate ways. But not only is that "sacrifice out of loathing" not a thing One Piece rewards within the narrative*, but Luffy emotionally understands what Kyros was trying to do was stupid as hell. *(See; Robin trying to save the crew in the CP9 Saga, Sanji trying to offer his head to Kuma to spare everyone else (because he saw himself as the "least worthy", compared to Zoro who believed he was the only one who could actually tank Kuma and survive), Sanji again during Whole Cake Island, etc)

Adding to that, in what I feel also harkens back to Alabasta (vaguely important since Dressrosa in many ways is a reflection of Alabasta); Vivi made her decision to stay in her home because that's what she wanted deep in her heart, because she loved her country. Just the same way, dethroning Doflamingo, getting revenge for her mother and reuniting with her extended family were all fine achievements. But all Rebecca wanted deep in her heart was to stay with Mr Soldier (regardless if he was her father or not). That's what mattered the most to her.

How could Luffy even think about leaving without making sure Rebecca was able decide on her own if she wanted to stay with her father, instead of him making that decision for her, not because it was truly "for the best", but out of Kyros' own guilt and self-loathing.

All of that to say; Luffy becoming so emotionally involved in Rebecca and Kyros' father-daughter relationship is perfectly normal and on-brand for him, it's not strange at all.

...At the same time. I could not help but to wonder if those two's relationship could somehow reflect Luffy's relationship with his estranged parent(s), and more importantly, kind of debunk the fandom idea of Luffy as someone who 100% does not care if people are related or not and has ZERO interest in Dragon etc

Like I have discussed this before but I've been meta posting for so long on here I'll repeat myself just a lil; I feel like it's less "Luffy doesn't care Dragon is his father" and more "Luffy doesn't know HOW to feel about Dragon". We don't know what Garp told Luffy about his parent(s), presumably and based on the conversation post-Enies Lobby it just seems like Garp never mentioned ANYTHING to Luffy? Like he didn't even tell Luffy a white lie about why his parents weren't there for him? We simply do not know. But what we do know is these three things: 1. Luffy hates being alone, even more than "being hurt". Being alone is his worst fear 2. Although Garp was responsible for raising Luffy, he wasn't always there, meaning other townspeople and Shanks' crew alike were equally "responsible" for looking after Luffy. 3. Meaning Luffy was essentially an orphan. Fans will joke about Luffy's surprise at him having a father being because he's stupid, an asexy and doesn't know where babies come from, and while I may not be fully able to debunk that conceptually. Like. It's just as possible that because Luffy was raised like an orphan, he might have assumed that either his parents were dead or had abandoned him because they didn't want him. And I'm going to argue that if that's what Luffy always assumed was what happened, yeah, it'd contribute to his fear of being alone. It'd explain why he'd be surprised to find out he actually does have a father out there somewhere. And yeah, Luffy might not know how to feel about Dragon if that's the case. Should he hate Dragon because he wasn't ever there for him (from Luffy's POV)? Why wasn't Dragon there for him? Did he really not want Luffy, or did he have some reason for leaving Luffy? What is he like anyways, is he nice or cool or a dickbag?? Should Luffy even care about any of that stuff??? All of that to say; I don't think Luffy is completely disinterested in Dragon, I think he doesn't know how to feel or think about Dragon, and it's not relevant to Luffy right now anyways because Dragon's like, out there somewhere while Luffy is on his journey. Where as, if Luffy were to meet Dragon, get to know what he's like, why he wasn't there for Luffy and most importantly, how he feels about his only son (does he care about Luffy and his wellbeing? Is he a Kyros or a Kaidou?)- yeah, I think then Luffy COULD learn to be interested in Dragon and care about him Not out of obligation (because of their blood) but out of Luffy's own will, out of Luffy's acknowledgement of Dragon's love for him

And yeah, then we get to add the ever-delightful layer of Crocodad Trutherism to this mess.

You know how my personal theory goes; that Crocodile's been trying to find a way to overthrow and nuke the WG (potentially with an Ancient Weapon) to make sure his long lost child would be able to live freely and do whatever the hell he wanted without having to fear the WG would ever target him because he has Evil Revolutionary Leader Blood coursing through his veins. That's what makes the most sense to me as Crocodile's ultimate motivation. To protect his child, no matter the cost, even if he had to become the devil himself.

And hey, what was the story between Kyros and Rebecca again? Kyros trying to overthrow a corrupt government (a fallen Tenryuubito to boot) to protect his child so she could live freely without having a target on her back?

I don't need to explain how One Piece does have repeating themes and motifs, surely. (Also there's something to be said about fathers in One Piece who would go to hell and back for their daughters, Kuma being another example, but that's a whole different essay. But Oda's Girl-Dad Agenda is showing)

But yeah, what's even more interesting here is how Kyros believed he didn't deserve to have a reunion with Rebecca. He commited a murder decades ago, and although everyone else seems to have forgiven him for that crime, Kyros himself still thinks of himself as a horrible murderer with bloodstained hands. Not helped by how Kyros thought him teaching Rebecca self-defence skills was a failure on his part as a father (instead of him doing all he could in the horrible situation they were stuck in; teaching Rebecca how to defend herself was absolutely justified, and Kyros shouldn't have blamed himself for anything there).

Kyros didn't think he deserved to be with his daughter because he wasn't a good father, because was a monster. And Kyros could not believe anything other than that until Rebecca essentially forgave him, by explicitly telling him she wanted them to stay side-by-side. That she wanted him, and no one fucking else, as her father.

And I once again repeat myself just a little as I ask; how would Luffy feel if he found out Crocodile was his father? How would Luffy feel if he found out the reason Crocodile was going to destroy Vivi's country was because he was trying to protect his son from the WG? And that son was Luffy himself? How would Luffy feel that the asshole who stabbed him through the gut, mummified him and poisoned him was his very own family? Who also saved Luffy's life the second he learned of their blood connection? How would Luffy feel in that situation, if he found out Crocodile cares about Luffy, and wants him to be okay? And how does Crocodile feel? After stabbing Luffy through the gut, mummifying him and poisoning the brat, does Crocodile feel like he has any right to call himself Luffy's parent, let alone father? He knows Luffy rightfully hates him for all the horrible things he has done, how could Luffy ever accept him?

The past is in the past and it can't be changed. But you always have the choise, the free will, to change yourself and become a better person. You can choose to do better things, to help others and be kinder. You can have a second chance.

Robin was given a second chance. Hacchi was given one too. Kyros was given that chance to become better. So why not Crocodile?

[jurygarroth]

aaron may be the single most misunderstood mcd/mystreet character and it’s not even funny it’s actually really stupid and baffling

[necrotic-nephilim]

@sasheneskywalker i love when you enable me to ramble about things because oh my god do i have thoughts.

so recently, i made a post discussing the phenomena of DC x DP and DC x MLB crossovers and why they exist and part of that post was discussing how largely speaking, at least half, if not more of the Batfamily fandom doesn't read the comics. if they interact with canon DC material, it's adaptations that are their own sequestered universes and oftentimes not remotely comic accurate or seeking to be. the most obvious example is the Young Justice cartoon. i'm adding a cut to this post because it just got so long i'm so sorry.

a lot of times, when people are discussing the "why" of this oversaturation of fanon-only fandom, they blame Wayne Family Adventures. and i think, to a point, i agree WFA is responsible for a boom in this fandom. but as someone who's been in the fandom long before we had WFA, to me it's the other way around. WFA was DC's way of meeting the demand for this easy-to-get-into, easy-to-consume content about the Batfamily that predicates itself on the comics just enough to be vaguely the same characters, but has a more sitcom, slice-of-life sort of vibe so DC could profit off of this section of the fanbase that otherwise wasn't consuming its primary material. and well, it's definitely worked. not only that, but i have a weird theory that the decline in the MCU also led to the rise in the Batfamily fandom. when you consider the fan content that made the MCU popular within fandom, it's that 2012 "they all live in Avengers Tower and Thor is eating poptarts and Clint is in the vents and there are movie nights every Friday" sort of vibe. those were the fics that were a hallmark of the fandom. and as the MCU has strayed from well... quality content in general, but specifically well-thought-out crossover content where characters can have their own arcs but also exist in a wider story where they clearly care about each other, that fandom was sort of homeless. so where do you go, if you like a superhero found family where you can have villains for angst but also stick them all in one big family-like home for silly crack and have a plethora of options for gay ships? well. you go to the Batfamily. if you write a crack/fluff Batfamily genfic with silly vibes and low stakes instead of say, a fic about a very specific comic issue even if it's a popular comic, you're *going* to get more traction for the former. because the fanbase largely just isn't reading the comics.

and i feel... complicated about this. because on one hand, Don't Like Don't Read has been a tenet of my fandom experience. i'm very pro-fandom and that includes fandom content i don't like. and to an extent, i do think this sort of should apply to Batfamily fanon. i enjoy having my moments with other comic purists, giggling over exceptionally painful OOC headcanons or even facepalming in pain over some content but it is on me to not interact with that content. you don't make fandom a better place by being hostile to fans who engage with canon in ways you don't approve of. and frankly? we as comic readers are not going to get non-comic fans to read the comics by being asshats to them. no one is going to want to pick up any comic if we get a superiority complex about it. and also, i feel like we're all lying to ourselves a little bit insisting comics are so, so easy to get into. they're not. we can just all agree, they're really not. i've been single-handedly helping my sister get into comics, specifically Wonder Woman and no matter how simple i make it, i watch her get frustrated trying to understand what pre-Crisis and post-Crisis and New-52 and Flashpoint and all these things mean and what a retcon vs a reboot is and what a Crisis Event is and what the hell Diana's current backstory even *is*. sure, you can give someone a beginner list of comics to start with and slowly dip their toes in the water but sooner or later, *something* is going to confuse them. comics as a medium straight up aren't going to be everyone's cup of tea. and if someone *just* wants to read silly fluffy fanfiction about the Batfamily, i can't entirely begrudge them for not wanting to take the hours and hours out of their day to understand this medium. it's not an accessible medium to get into. "read this and this, but this run is out of print and this run wasn't collected in trades at all but also make sure you read that event in order and this is a good comic but the backstory in it is retconned and you *have* to read this it's so important but it's also really bad because the author kind of sucks" sounds. ridiculous for someone who like. just wants to read some stuff about Nightwing. sometimes, we all make reading comics sort of sound like a chore, not a hobby.

so my point is, i do extend some grace to Batfamily fanon for existing. i think my biggest gripe is, as i said in my other post, misuse of tags (if you're not creating content about comics, maybe you don't need the comics fandom tag on Ao3, just the all media types umbrella tag) and my far bigger gripe: when panels are taken out of context to support fanon only headcanons. if i could impart *anything* onto the Batfamily fandom as a comic fan it'd be this: if you haven't *read* the comic, don't spread the panel. if you don't even know what comic it's *from*, don't spread the panel. it's fine to use comic panels to discuss your headcanons, but so often i see someone spreading a comic panel from a comic they haven't read, and when asked where it's from, they can't source it. a silly example that comes to mind is a post going around, taking a panel where Dick, in his internal monologue goes "here comes the sun. do do do do." and the post is claiming it's from him getting buried alive. when that panel comes from Nightwing (1996) #140, and he gets buried alive in Nightwing (1996) #127, two completely different moments frankensteined together. if you're going to not read the comics, that's completely fine, but unless you're sure of the source and the context, panels shouldn't be spread around. i'm sick of this specifically happening to Red Robin (2009), with ppl claiming Tim has totally killed people because he blew up some of Ra's' bases, when those panels within context, make it clear he gave everyone time to escape. and in a later arc in that very comic, Tim grapples with the idea of murdering Captain Boomerang, and *specifically chooses not to*, because he doesn't agree with murder, even against the person who has hurt him the most. if you'd like to write fanfiction where Tim is pro-murder and has done some sketch things, i'm totally on board and would probably like to read it. but there's no need to pretend it's canon from a few panels you saw out of context.

beyond that, i think it's not *entirely* correct to say that fanon is harmless. whenever i see very WFA-positive posts, they often default to the argument that WFA is fun and silly, and comic fans are killjoys for not liking it. which. i think is complicated because the issue is, WFA and fanon don't exist in a vacuum. if you like WFA power to you, i don't think it's the worst thing ever, but i do think it's degrading to these characters because honestly? they feel incompetent in the webtoon. it's one thing if WFA was solely a slice-of-life sort of deal, just having silly episodes where Bruce is taking on a PTA mom or they're all fighting for the last cookie. but when WFA attempts to take on more serious plots with these characters, it *fundamentally* falls flat in understanding them. i get it, Bruce comforting Jason having a panic attack because a noise reminded him of the crowbar felt cute in a microcosm, but i'm so serious when i say that storyline destroyed how like. half of this fandom understands Jason Todd's relationship to his trauma. it doesn't understand how he reacts when he's triggered, what coping mechanisms he seeks out, and how he would handle Bruce comforting him. even if i can believe for a brief moment Jason *would* be triggered by something like that, him running and trying to hide and then getting a hug from Bruce to make it okay is just. painful. WFA needs everything to be wrapped up in a nice, neat little bow. so even when it starts to tackle interesting concepts, it makes them fall flat with its need to be soft, low stakes, hurt/comfort. there was a two-parter episode that dealt with the complicated mutual hatred/jealousy between Tim and Damian that *almost* really interested me because for once, it felt like the webtoon wanted to explore canon messy dynamics. but of course, it had to be fixed with one conversation and a hug. you don't mend the *years* of issues these characters have like that. WFA isn't in character because these characters are hyperbole cartoonified versions of themselves to fit within the medium and be a cute happy family.

because that right there, is the crux of it. the Batfamily fanon seeks to simplify the Batfamily and force them into a nuclear family. there are so many fantastic posts on here discussing how the nuclear family-ification of the Batfam is eroding decades worth of complex histories so i won't go too far into that. but what i will say is that there's this need, in the Batfamily fandom, for the Batfamily to exist as a unit. they are a *family*. (honestly i think calling it the Batfamily is a misnomer and has been for years but we're in too deep now.) they exist to each other first, and any teams or friends they have come secondary to this family unit. you can *specifically* see this demonstrated in what headcanons are becoming popular these days. i have an entire lengthy meta in my drafts about how i *loathe* the "the Batfamily meets the Justice League" genre of fanfic because it makes no *sense*. in order to have this genre of fic exist, you must operate under the assumption that no one in the League, or adjacent to the League, knows the Batfamily exists and are thus utterly shocked to discover Batman has kids. and to make *that* work, you have to strip *every single Batfamily member* of such important dynamics and friendships so you can lock them all in Gotham for their whole lives. Dick can't have the Titans, Tim can't have Young Justice, Duke & Cass can't have the Outsiders, Jason can't have the Outlaws, Damian can't have the Supersons, Babs can't have the Birds of Prey, and so on. because if they had these relationships, they would be known to the League. the Batfamily fandom doesn't care about this, it's just "silly fanfiction", it's not trying to be serious. but how can you say you like Dick Grayson as a character if you don't understand the Titans *are* his family? at some points of his life, moreso than the Batfamily even is. it is constantly repeated to us in most comics with Dick how much the Titans mean to him. he *needs* them to be who he is. the same extends to every other Batfamily member, most of which have been full League members at this point. but in fanon, that doesn't matter. the Batfamily are a sequestered unit first, and all of those side relationships are secondary and easy to toss away, if it makes your fanfic work better.

and because they have to be a unit first, you have these forced relationships that dump years of actual canon material for the sake of making them get along. the Batfamily fandom has its favorites and well. it's no secret it's usually the boys. Jason and Tim by *far* stand out as fandom faves so, their dynamic is a heavily explored one. it does matter that in canon they don't tend to get along and especially don't see each other as family. what matters is that you can push dynamics onto them. and so fanon gets all twisted up about which Robin Tim actually idolized as a kid (Dick) and what member of the Batfamily is pro-murder but still an older sibling figure to him and looks out for him (Helena, or if you want the dynamic of once tried to harm Tim but they've reconciled, Jean-Paul) in favor of who's the most popular. Dick, Jason, Tim, and Damian are always going to be the standouts for popularity, but it's specifically Jason and Tim who are getting fanonized the most. and that's because really, we don't have much canon content of Tim that *isn't* the comics. for Dick you've got Young Justice (tv), for Damian you've got the DCAMU, for Jason you've sort of got the Under The Red Hood movie, but Tim sort of lingers in this limbo. (yes, he's in Young Justce (tv) and Titans (live action) but in neither is he the main character nor given much depth) so, he gets a *lot* projected onto him and has become fanonized. and even with Jason's animated movies, you don't see him interact with Tim, so people build it from the ground up how they want to see it, disregarding of canon comics. i think it's what makes him so popular in the first place- he's malleable into whatever you want or need him to be.

and of course, the fanon ignores other characters in the Batfamily it doesn't know about. i feel like you could create a tier list of Batfamily characters by their popularity, going from the fandom main characters: Tim, Jason, Bruce, Alfred, Dick, Damian. to the underrated: Steph, Duke, Babs, Cass. to the forgotten about unless they're convenient for a story: Kate, the Foxes, Helena Wayne, Carrie, Selina, Harper Row, Maps, Minhkhoa Khan. to the absolutely unknown: Helena Bertinelli, Jean-Paul Valley, Onyx Adams, the Clovers, Julia Pennyworth. it's not lost on me that the ignored characters tend to be women and people of color. which is both a canon and fanon problem, DC will continue adding interesting characters to the Batfamily, play with them for a few years, then drop them to default to the "Batboys" again. and it's a vicious cycle of the fandom only caring about the "Batboys", and thus people entering the fandom via fanon osmosis won't have content about the other characters, therefore, they won't be interested in those characters enough to create it, and it's just this ouroboros consuming itself, no matter how much canon content we have of these other characters. and it's ridiculous just how large the Batfamily is becoming because of this, which is why i'm a pre-Flashpoint fan, because then the Batfamily was contained enough to actually feel like a family with every character having nuances relationships with each other, but i digress because those thoughts could be their own post.

and the thing about fanon is it doesn't exist in a vacuum. DC has started turning the comics to accommodate for what fans are asking for, because fans will beg and beg for content they're not going to consume. Tim Drake: Robin had Tim as a coffee drinker because that's the fanon accepted headcanon. and the resolution of the recent Gotham War arc was for Bruce to buy this new manor for everyone to move in and call him. nevermind that most of these characters have their own homes and have zero reason to be moving in with Bruce. Tim had his marina in Tim Drake: Robin, Dick has Bludhaven, Cass and Steph have their little side of town in Batgirls (2022), and so on. these characters are being forced together as a unit, as one big happy family living together, to appease what non-comic fans want and it's damaging comic relationships. Robin: Knight Terrors saw Jason and Tim team up and working together, which i've seen varying opinions on but i personally despised. their interactions made zero sense for any of their canon history, but it appeases them being this close sibling relationship that fanon acts like they are. also the fears they faced in their respective knight terrors didn't make sense for either character and *only* worked as a moment of bringing them together so they could reassure each other and have this weird dreamscape bonding moment. the canon is bending itself to the will of fanon rather than building on the pre-existing complex relationships. Tim barely even gets along with his most important team in Dark Crisis: Young Justice because it seems the only important relationships the Batfamily can have is with each other. and when we do see them outside of the Batfamily, it only seems to be to relive the glory days like with World's Finest: Teen Titans, instead of developing them as they currently exist. this isn't recent in the comics, it feels like you can trace it back to the New-52, but it does feel a *lot* worse over the recent years. WFA is fine when it exists in its own bubble, but the simple truth is, DC content never exists on its own. the adaptations will reflect back onto the comics. (the damage the Young Justice cartoon has done to some characters should honestly be studied) and so it does frustrate me a bit when fanon-only or adaptation-only fans act like we're being nothing but killjoys for being frustrated with this. since they don't read the comics, they don't see how the comics are suffering as a result of this.

people argue about what's out of character for the comics they don't even read. i'm sorry, but "bad dad Bruce" is consistently canon. that man is just kind of shitty. when you take someone who has the drive he has, who has this need for the Mission first, who needs a teenager in spandex next to him to keep him off the ledge, that guy is sort of going to be a shitty father figure. he just is. not on purpose or with malice, but when you compare him to any other dad in a big DC family, he sure takes the cake. it's why characters like Oliver Queen tend to *really* fucking hate Bruce for how he treats his kids. Bruce loves fiercely, but he doesn't do well with putting that love first. and his love is a controlling one, he is very particular about controlling how others in the Batfamily are "allowed" to operate. it's what drives the wedge between him and Dick, it's why Steph is never a true daughter to him. (besides the reason of her needing to be a love interest to Tim first, anyway-) i've never understood the massive outcry of people reacting to Bruce kinda being shitty in comics they're not reading. there are some moments that get ridiculously OOC with how cartoonishly evil he is (the whole Gotham War arc and that... complicated mess with Jason) but largely if you want sitcom loving nuclear father Bruce, you have to accept that is a fanon thing, not a canon one. the Batfamily being a nuclear family in *general* is fanon. most of the "Batkids" don't actually see Bruce in a particularly fatherly light and begging for moments where he calls them his kids or they call him dad outside of incredibly specific circumstances is just OOC.

it's getting harder and harder to exist peacefully in this fandom it feels like, if you don't comply to the standard fanon has set. i'm happy people are having fun with their blorbos, even if in ways i dislike, but that "harmless fandom fun" does ripple it's way back to canon, eventually. so i end up pretty tangled with my feelings because are fans at fault for DC making these poor decisions? probably not, but it certainly feels like an unfortunate cause-and-effect situation whether at the end of the day, nobody is happy. and of course, i know some fanon-only fans are striving to be more canon accurate and care about canon dynamics more than others, but for them it's always going to be an uphill battle with the above-mentioned out-of-context panels thrown around and ever-pervasive fanon overtaking anything that's truly seeking to be canon compliant. so really, it sometimes feels like we're all losing.

[r0semultiverse]

How Homestuck Beyond Canon Candy Timeline has/will have parallels with Homestuck proper around and during the events of [S] Game Over

Jane Crocker heavily aligned/influenced by with Crocker Corp. Notice how her neck accessory looks very similar to the Crocker computer tiara. There's also the circuits surrounding the button, which are reminiscent of Crockertier Jane's visual mind control effect by The Condesce.

Jane also kind of looks like The Condesce with how she's silhouetted here.

The head of Crocker Corporation on a large Crocker space ship. A ship which I would like to point out looks eerily similar to the ship that The Condesce flies around in except the forks/sporks are facing the opposite direction and it's got black on it instead of mostly red.

Jake dying at the hands of Crocker influenced Jane and coming back to life parallels with this Jane coming close to killing Jake, but stopping right before death. Same green text too.

The cast of characters surrounding this time in the comic are also similar.

We also got the whole Crocker laser beam of death being hinted at which we've absolutely seen before.

I talked about this in one of my previous theories, Jake is getting a better grasp of his hope powers; so, I think we could see another hope explosion again in some capacity out of Jake's concern for Tavvy.

I could also totally see Jake being held hostage by one of the Crocker Clones A.K.A. the Brig Boys and Kanaya cutting them up with her chainsaw (hopefully avoiding Jake).

This is more of a little side detail, but Vriska is once again on the sidelines while this massive important fight takes place because she's trapped in her own personal Hell this time.

CHARACTER DEATH FLAGS - I don't know how to organize this post and there was a lot more potential evidence to this than I thought there was going into it.

Let me preface this with the fact that the existential split between Meat and Candy sometimes seems to try to course correct itself and much like certain peoples DNIs, it doesn't want any doubles. We see this with Dirk, Dave (he died even if he ascended to ultimate self afterwards), June/J/John, Terezi(seemingly), Meenah (her other self is in the black hole with Lord English so we can't necessarily confirm death but yknow), Aradia (is just Aradia), Gamzee, Calliope (that is a whole complex situation), and Rose (if her future sight is correct, but we'll get to that). Those are the only examples I can think of at this time, but it's absolutely a repeating pattern of the universe sort of course-correcting to have only one of each of our main characters exist at a time. This, at least in the cases of Dirk, Dave, & Rose seems to be related to the ascension to ultimate self, but we can't really say if that's why the other characters only get one existence at this time.

Karkat has has at least 2 deaths from around this time, one involving Crockertier Jane as well which could be a sign of things to come.

Rose's death flag is that she has literally foreseen her death in her future sight. She is thinking about Kanaya and Roxy in the same thought process while seeing her own death, feeling full of regret (even though she's trying to repress her own feelings) about her relationship to Roxy and Kanaya. Very similar to her being regretful as she was dying in Roxy's arms. I'm also guessing the bullet that hits her will be from Jake's gun, just throwing that out as a possibility.

ROSE: What... ROSE: Happened to me? ROXY: the witch got u ROXY: with her fork ROXY: but youre gonna be ok ROSE: Oh. ROSE: That's nice. ROSE: *Cough.* ROXY: maybe you uh ROXY: shouldnt try to talk now ROSE: You saved me, didn't you? ROXY: ... ROSE: Thanks. ROSE: But, ROSE: She's gone, isn't she. ROSE: For good, I mean. ROXY: ? ROSE: I saw her die. ROSE: And. ROSE: It's a shame how... ROSE: *Cough.* ROSE: A shame that I never even... ROSE: Got to tell her... ROSE: I loved her. ROXY: who?

ROSE: Kanaya. ROSE: But... ROSE: You too, mom.

Kanaya also has a death flag here in getting hit by The Condesce's laser beam of death, but it's more of a maybe given that we see Rose's future vision of Kanaya holding her body in her arms. Keep in mind though we also had this bit of dialogue about the reliability of future sight right before we saw that vision.

JADE: dont forget im more than a little versed in future sight myself ok JADE: i dont care how credible it seems, you cant depend on that information!

Jake and Jane are also on the chopping block potentially, but I can't think of a way at this time, unless Kanaya mistakes Jake for one of the clones amidst her rage and ends up cutting through him along with the Crocker clones. The one pictured below was done by Aranea who is out of the story. Maybe Meenah's trident hits Jake somehow or something, I don't know. We also have meat Jake and Jane who are doing more okay.

On top of the parallels to the doomed timeline that was [S] Game Over, we also had Vriska say that this reality was fake and didn't matter. I'm paraphrasing and I don't know if we'll get a doomed timeline situation yet with the 4 kids still in it, but I just thought the amount of parallels was interesting & worth pointing out.

I also wanted to get this out before the next update in case it's related to the flash animation and any of my predictions come true.

Alternatively I think the flash animation will be Ultimate Dirk kick starting his SBURB home brew session on Deltritus. He probably has all the tech and narrative powers to do it based on what we've seen, they just need a species they'll both be satisfied with as the players for the session.

[ialwaysknewyouwerepunk]

harry, as venus by botticelli

the birth of harry finally come to life, thanks to the incredible visions depicted in de amore ex tempore, a fic by @persephoneflouwers that has me dreaming like i haven't in a while. thank you <3

[trans-leek-cookie]

chewing on my hands no curly did not need to fucking murder jimmy to protect Anya. He wouldn't, not Just because of the fact murder even in self defense is deeply distressing and therefore. Y'know a last resort (and Jimmy is his friend. I am curious how long Jimmy's weird resentment has existed and if it was ever obvious before the events of the game but I'm getting off track) but also. Anya LITERALLY SAYS "I have to believe our worst moments don't make us monsters" like I'm not saying she's at all okay w what jimmy did but like!!!

She's VERY OBVIOUSLY conflicted and coping! She DOESNT want him dead (well maybe she does but I don't think it's something she thinks would actually be an easy fix. She doesn't want it Logically bc the situation is. Y'know it's a spaceship w 5 ppl and he's the fuckin co pilot)

CURLY COULDVE STILL DONE MORE AND HANDLED THE SITUATION BETTER!!! Personal opinion he didn't realize it was SA and/or didn't realize how traumatic it was for Anya until she brought up pregnancy and its a mix of genuine and willful ignorance (which Logically Makes Sense but is still not an excuse) but like. He says himself she doesn't get psych evaluations!

Murder is not an easy solution! Some survivors/victims want their abusers to die and that's its own discussion, but even beyond morality and ethics: thats 20% of the fucking staff on this stupid ship!

There's a longer post to be made about the fact capitalism is the ultimate enabler of these issues and dynamics, because the combination of isolation, small crew size, complete abscence of support, disregard for employee safety and physical danger all contributed to the fact this Could Happen and the fact this Is Such A Fucking Hard Situation even if you always prioritize the victim bc. Anya's safety is threatened either way- letting Jimmy do Whatever is obviously dangerous, but also HES THE CO PILOT! The events of the game are literally an example of why you NEED A CO PILOT (though in game he's fucking. Shit at his job which y'know) because you need redundancies to make sure you arent Completely reliant on one person (like. Imagine if Anya got seriously injured. There goes the medical staff. Maybe the others have basic training but Jesus Christ being the ONLY medical expert on staff. And even then iirc she's a nurse which not to downplay the work that goes into that but it is fundamentally one of MULTIPLE medical jobs and only having A Nurse is. FOR OVER A YEAR OF TRAVEL GOOD LORD THIS IS A NIGHTMARE) anyways. Longer post by someone smarter Abt how even though jimmy is an awful person a lot of the harm he does is only possible bc of a combination of The Situation (isolation + small group) and His Power (social power as a man over the One Woman and power as the second in command)

This post got away from me bc this game makes me think a lot but what I actually wanted to say is: Curly could have done more by being more present for Anya and being more Aware of Jimmy's actions (and intervening to make sure he isn't able to interact with Anya in isolated settings). Like I also think straight up murder isn't an ideal solution but like. There's a lot of fucking THINGS YOU CAN DO TO SUPPORT VICTIMS THAT ARENT MURDER

In the end I think it's a consequence of basing the approach on punishing the aggressor rather than supporting the victim, because like. It's less important to Kill Jimmy (no matter how much you want to) and way more important to KEEP ANYA SAFE

[serpentface]

Do psychotropic drugs and/or ritual play a role in any of the blightseed cultures? A pretty broad question, lol

Yeah that’s a very broad question, the answer is about as much as it tends to play roles in real history. Alcohol is pretty ubiquitous (outside of cultures that abstain from intoxicants) and used for a variety of purposes, opioids are commonly used in some parts for pain relief or recreational purposes, stimulants (usually in mild, natural forms) are used to provide extra energy, and hallucinogens are most commonly used as part of a larger religious framework (rather than for recreational purposes). Any more elaborate answer kinda has to be case by case in a certain culture or part of the setting.

I'll just take this as an opportunity to talk about the one established sect that pretty much REVOLVES around psychoactive use. This is the Scholarly Order of the Root, which is a sort of mystery religion + elite community of scholars who currently occupy the Ur-Tree and its forest in the far southern Lowlands (southeast of Imperial Wardin, on the same land mass).

The Ur-Tree is the obligatory Huge Fucking Fantasy Tree (and its surrounding forest). It’s a mass of vegetation about a mile tall and almost as old as Plant Life Itself, its upper branches are primeval plants, which become more modern the nearer they get to the ground (and each 'level' holds tiny ecosystems, some containing descendants of LONG-extinct arthropods/other small animals). Its lowest branches and the surrounding forest are contemporary plant life, and all is connected and protected by an incomparably MASSIVE fungal mycelium network (which is itself a living god).

A lot of the Scholars' more secretive practices revolve around experimentation with substance use with the goal of expanding the Mind and transcending the body to fully connect to the Dreamlands, and they have a supply chain of traders and mercenaries called Rootrunners who traffic substances into the Lowlands. Most of their psychoactive use is in a very intentional capacity and not just like, for fun, but a LOT of them are just straight up addicted to cocaine (in the form of alchemically refined bruljenum, which is used for practical purposes of its stimulant effect during long hours of work).

All known psychoactives are desirable for experimentation (particularly hallucinogens), with each having properties that either allow expansion of the Mind, transcendence of the body, or outright divine communion. Their effects are logged in great detail and interpreted to form the basis of the Scholars' understanding of the natural world and reality itself.

The most important substance is Ur-Root, which is root matter from subterranean levels of the Ur-Tree that have both their own intrinsic psychoactive substances and a very, very high concentration of living god mycelium. The tree root contains DMT and the mycelium has its own wholly unique effects (being an actual living god). They alchemically refine it into a purer, more potent form, and use it to expand beyond the body and directly commune with the Giants, a group of entities they have identified as the only true gods.

An Ur-Root trip starts off with minor visual distortion, which turns into shifting fractals that slowly obscure the vision. Eventually the senses are entirely taken over by a 'tunnel' of rapidly shifting fractals and geometries. In a complete trip, the experiencer gets a sense that they have been pushed through a membrane and entered another realm, finding themselves in a distinct experiential Space.

At this point they may encounter entities which communicate to them in a language impossible to describe but wholly understood. These beings are understood to be the Giants, or at least aspects of the Giants that mortals are capable of comprehending (they often take familiar tutelary forms of the Mantis or the Snake, or appear resembling the same type of sophont that the experiencer is, all composed of ever-shifting geometries). The experiencer often feels a sense of unconditional and endless love from these beings, though the Giants may be more hostile and may appear in the form of the Trickster (usually a cultural figure regarded as malicious, be it an animal or otherwise) in a bad trip.

(^Up until this point, this has mostly just been a DMT 'breakthrough' experience ft. 'machine elves' and the like).

They are then removed from this space and returned to something that feels like the real world, but is nearly unrecognizable. They have a sense of rapidly moving through time, and will usually see 'the spires' towards the beginning, which just so happen to look like this:

(source + some context via Implication- the spires are exactly what this art is depicting)

The experiencer continues to move across an unfathomable amount of time, occasionally 'seeing' other such flashes of unfamiliar landscapes and creatures, and yet also being devoid of all their senses, the 'seeing' is pure, unfiltered experience. There is a sense of interconnectedness with all life, and that one has become the forest (or even Life) itself. The sense of time is wildly distorted, the trip lasts only about 5 minutes but feels like an eternity and is understood as literal hundreds of millions of years.

The experiencer has usually lost any remaining sense of Self and individual consciousness during this phase (in which case this time distortion is usually a neutral or even peaceful experience), but some retain a fraction of their identity, and find themselves trapped and conscious while experiencing what feels like eternity (which can be LIFE-CHANGINGLY distressing, even after the fact).

(^This latter part of the trip is the effects of the Ur-Tree fungus).

The trip ends with a sense of rushing through the ground and back up into one's body, at which point they will abruptly return to their senses and consciousness. The details are then immediately retrieved via interview and recorded in immense detail. The whole experience is understood as having been full comprehension of the Dreamlands, communion with the Giants, and then a tour through the act of creation.

This is done as part of the initiatory practice into the inner mystery-religion of the scholars, and as needed for study by high scholar-priests. It is not taken lightly, both as it is absolute communion with the gods and reality, and in that it can be a very, very difficult experience. People who have gone through this often walk away with a permanently shifted perspective, often in a positive and/or comforting way- a sense of interconnectedness with all life, a peace with the concept of death, seeing less of a point in individual ego and the concept of Self, and comfort in the sense of divine love they (may have) experienced. This heavily influences the philosophy of the Scholars and has had effects by proxy in the religious worldviews of the region.

Details of this experience are closely guarded, and initiates are given absolutely no prior knowledge and expectations for their trip. This is seen as a necessity- their naivety will allow for a true, unfiltered experience, and can be used to gauge whether they should or should not be accepted. Those that have a distinctly bad trip upon initiation may be assumed to have been 'rejected' by the giants and thus denied full priesthood, though this largely depends on How they interpret their distressing trip- those who identify this as a test and harsh lesson in a journey to enlightenment may be accepted (as this is how fully initiated scholar-priests interpret and handle their bad trips).

This inner priesthood is only a small fraction of the Scholarly Order, and its greater function is as a hub of education and repository of knowledge, and Scholar-trained doctors can provide some of the best medical care available in the setting ('best medical care in this setting' only means so much but it's pretty solid, relatively speaking). Only a chosen few Scholars ever get to commune with the Ur-Root, and most of the divine secrets revealed in the process are kept hidden (though they indirectly influence the politics and worldview of the entire order).

[eggsistential-breakdown]

HE FUMKIN SNAPPED

Seized by this scene from chapter four of @dril-cipher 's rb fic !!!! !! ! !!! ! ! !!

Video version and transparent gif??? flipaclip lets you do that??? version under the cut for all your transparent Ian gif needs if you have those. If you do please consult a doctor first

[shop5]

We just saw Gladiator. Denzel Washington ate up every scene in the best way, Joseph Quinn was also great and there was inexplicably a senator reading a newspaper at one point, what a wild time.

Unpopular opinion but they should make a third one and lean hard into these things just being alternate history - make it about Marcus Aurelius' grandson restoring the Roman Republic I want to see where it goes. Maybe let some of the women live this time.

[tweltchy]

Jurassic Park Movie: Scientifically accurate dinosaurs in a theme park run by a nice old dude who just wants to make a fun place. Things go wrong.

Jurassic Park novel: Dinosaurs that are genetically modified Frankenstein science experiment freaks of nature that cannot and shouldn't exist. Things go really, REALLY wrong.

And the old dude that runs that park would gladly feed his own grandchildren to the dinosaurs if there was money to be made in it.

[godsfavoritescientist]

well hold on, if we define a character flaw as any limitation a character deals with, regardless of whether it's something Morally Wrong With Them or not, then Ford's paranoia counts as a character flaw since it does in fact negatively impact him and the people around him. Let me use better wording here: I will die on the hill that Ford's paranoia is not a moral failing.

[hazellvsq]

frank and piper are interesting counterpoint narratives to me. both of them have relatively mundane problems compared to the rest of the cast yet their parent's domains represent the heights of human passion as defined by the series, despite piper and frank both being (outwardly) dispassionate and (inwardly) mopey. the good end of these domains is love and protection (selfless), the bad end is heartbreak and bloodlust (selfish), which both of them try to resist. they both get claimed last out of their trios and had beforehand assumed that they were the children of someone else. both also experience perceived rejection from their mortal family directly before the series begins - both express anger and hurt at being "sent away". their rejection and unexpected claiming, back-to-back, results in discombobulation for them both, and feelings of humiliation brought on by both sets of parents.

they also both go through forced physical transformations by their parents to fit an ideal they don't want. all of the characters experience issues of identity and self-esteem but i think its the most pronounced with these two in the series. neither of them really knows who they are, and are pessimistic about their own capabilities. they are also counterpoints in that they feel disconnected from their own looks - both are very self-conscious people, but, based on how they're described by other characters, piper is probably the most beautiful member of the 7 and frank is probably the least. piper is frequently harassed and objectified, whereas frank is teased constantly about his looks. he neither feels as childish as his face is nor as grown as his body is, and he doesn't understand how to move through the world. both of which are common experiences throughout puberty - suddenly being treated differently on the basis of a body that's changing faster than you want or understand.

(discourse alert) i don't have a lot to add to the piper transformation discourse except that i do think its interesting that her blessing was temporary within the book and her love interest actually self-reflected on his reaction to it and realized that he should not have told her that she looked hot in that instance. rick did reverse frank's transformation five years later and i'm curious about his thought process about both writing it in the first place and in reversing it, and what feedback he received, if any. piper's transformation was a makeover whereas frank's was a puberty, which later rick walked back with "actually frank is still going through puberty". piper's was cheesy, sure, but frank's falls so flat bc that's just not how it works. its too much of a stretch. i don't even think it was in rick's og plan for frank, maybe he just watched captain america and was like "hell yeah i should do that" and flipped a coin between frank and leo, bc again frank was already initially described as physically grown in his debut book. and i can't even talk about hazel's reaction to to it bc its not real to me and i can't read suddenly. idk frank's plotline in general was too rushed in that book and he should have gotten another pov chapter set at least bc rick was trying to do too much too fast and relied on idiocy like the transformation to support it in the place of real character work when it wasn't even necessary for anything he accomplished in the book. he could've just walked around with better posture and achieved the same effect.