#this isn't about any specific person or post it's just a thing i Keep Seeing and i Really Don't Like It.

[whatever-you-can-give-me]

maybe i'm just biased because of my specific analytical read, but every time i hear something to the tune of "xyz thing knives did to vash wasn't actually quite as bad as you think it is" my hackles go up. Maybe I'm Just Biased. but i think if you cannot emotionally confront the way that knives' entire character is based around ignoring the consent or wishes of. everyone, but especially his siblings, in a myriad of extremely loaded ways, you should probably have a think about how your knives apologism starts to sound.

[taylor-titmouse]

hey i want to talk about how you should be promoting your work as an erotic author/illustrator

i'm writing this up because the marketing aspect of my work as an erotic author/illustrator is a science to me, and also because i'm the guy who gets unreasonably annoyed when i see other creators not properly advertising their work. you presumably want to make money off your work. this post will be written under the assumption you want to make money off your work but are doing a bad job at it. it will be very confrontational. if you read this and feel attacked you're right and i am attacking you.

this is geared toward selling erotic comics/writing/books/art as products. i will probably write more than one post about this subject so if i didn't touch on something you want to know more about, comment/send me an ask and i'll keep it in mind for the next one.

i will start with my first and least specific but most important point:

DON'T GET FUCKING CUTE

hi are you paying attention. i'm gripping you by the sides of your face. do not get fucking cute with what you are trying to sell. you are not a big enough property to get cute, nobody LIKES it when big properties get cute, and you are selling porn. you have to own this. you have to be up front about this. don't be tongue in cheek, don't be all teehee i wonder what this could be~, don't be secretive. you are selling a product. you have to fucking act like it. you are an adult selling pornography to other adults. i am GRIPPING your HEAD you NEED to understand this.

and to be clear when i say 'cute' i mean coy. i don't mean cutesy, as in the aesthetic. you can be as hello kitty pastel ten emojis a post uwu as you like when you're building your audience and generating hype. but when you start trying to sell, don't be vague, don't be sarcastic, don't mislabel your work as a joke and assume everyone is on it. because they're not.

you must always assume 75% of the people seeing the thing you are advertising have no fucking idea who you are. and that includes a huge chunk of the people who already follow you. they do not know who you are or what you've been working on for two months or why they should care about it. they just got here. somebody just reposted it. they are seeing it for the first time. most people are only looking at social media for a tiny chunk of their day. they are not keeping up with you. you cannot get cute about what you are trying to sell because nobody knows what it is until you tell them.

okay are you still with me. we are going to talk about clarity now.

YOU GOTTA TELL ME WHAT IT IS

good lord the amount of times i have gone to buy somebody's comic or book and had no idea what's actually in it or what it's about. who are the characters? why should i care about them? what do they do in it? what is the premise of this thing you want me to spend $5 on? why would you not tell me? i'm shaking you again. please i have to know what i'm buying i only have so much money to spend on porn.

porn, arguably more than any other genre, relies on knowing exactly what is in it. you do not want to surprise your readers with a kink they were unaware of! and on the flip side, you do not want to miss out on your target audience! if your book contains a hot spider babe laying eggs in an elf, you have to say so. not just so people who don't want to read about eggs know it isn't for them, but so the people who are egg crazy can see that and go "oh fuck YES i love EGGS here is my $5 and an extra $2 tip for catering to me specifically". a contents/features list is as much an advertisement as it is a warning!

as for re: who the characters are and why should i care, i'm sorry but you need to learn how to write sales copy. you have to write blurbs. you have to get good at the shit that goes on the back of a book. we all hate it but we have to do it. i want to know who the characters are and what the context is. i, personally, am not interested in contemporary stories as much as fantasy and historical. please tell me what genre this porn exists in so i know if it aesthetically appeals to me. pull some books off your shelves and see how they do it. hell man go look at mine.

while you're there, note that every single book of mine has a sample of what's in it. this feels like such a no-brainer to me but again! the amount of times i have gone to buy somebody's work and they don't show me what their work looks like! you gotta give me the first page or two! just enough that i know if i like the way your writing sounds, or the way you draw your comics! i don't know you! i am not going to trust that you're good at what you do just based on a cover. the cover is to get me to this step, it is not the only step. you have to show me that you're worth spending my money on!

to put it less cynically, you want to catch my interest. you want me to go 'oh i want to see more of this', you want me to go 'ahh i want to know where this goes!' you need to get me invested and craving more. earn my $5!!!

YOU HAVE TO MAKE IT EASY TO GIVE YOU MONEY

hey go look at your bio right now. go look at your pinned post. do you have a link to your patreon there? do you have a link to your itchio/gumroad/whatever? do i have to click more than once to get to the places you want me to go to give you money? why? why are you making me click twice? have we learned nothing from every website making you click an extra time when they make some stupid UI update and how much it pisses us off? i have already given up, i have forgotten you, i am not giving you my $5 today. put your links in the easiest places to get to them.

god literally as i was writing this post i went to go find somebody's itchio to see how they described their work and it was not anywhere on their profile. grabbing you and shaking you PUT THE LINK WHERE I CAN FIND IT. don't make it hard! make it easy! i am a dickhead sitting on the toilet scrolling, saw your post, and was interested enough to read further. but you made me go to your bio to find your linktree and oops i have already gone back to my timeline to look at the boobies in the next post. stop wasting precious bio space on DNIs and put your fuckin links there!!!

this is more for the twitter people, but: just put the link in the damn post. just say the word commission. just say it's for patreon. "wuh wuh the algorithm" it is not the damn algorithm it's that everybody hates advertising and nobody wants to retweet ads. putting slashes in the words doesn't do anything and you look like a fool. i have posted so much art that says it's 'a commission for ___" and it did exactly as good as any other art despite having the word commission in it. and by doing the slashes you just made it impossible for anybody to search your account for your commission information (which should be at the VERY LEAST in a post under your pinned tweet if you're not actively posting about them being open).

okay that went on a tangent i'm going to back to the point of putting the link in the tweet. put it in the first post. not in the first reply. don't tell them to go to your bio. put it in the post people are actually going to share. it's fine to put more information in the thread but people are only ever going to share the first post. so put the link there. you have to make it easy. putting links in tweets can hurt you algorithmically, even in the replies. so you're better off having it in the post that actually gets seen and shared. i don't want to open the tweet and scroll to get to your sales page where i ASSUME you will have put all the information anyway. put it in the tweet that just got retweeted by itself onto my dash!

also you have to share it a ton of times. i repost my shit every few hours when i'm trying to push a new product. as i said before people are not 24/7 looking at their timelines. they missed it the first time. they missed it the second time. they didn't get paid yet that week but they were after the eighth time and you reminded them again so they finally bought it. that i will still get sales every time i repost a book ad weeks after release says there are always people who missed it, or who only just showed up.

abandon your pride and shill. shills pay their bills. anyone who gets annoyed about it isn't giving you money in the first place. don't worry about looking like a sell out. don't apologize for plugging your own work. post about it often, post about it in different ways. post about it. post about it. you are not going to make money if people don't know you have something to sell them. if you want to make a career out of it, you need to act like it.

I DON'T HAVE A FOURTH POINT

kisses your forehead. i'm sorry for yelling at you. i've been making and publishing and selling adult art for the past two-three years and have got myself to the point where it pays my rent, and i got there by paying attention to what does and does not work.

please do your best to make money. i want you to make money.

as i said above i plan to write more posts on this subject, such as cover design, how to actually write sales copy, and best practices with running a patreon, but if there's things you would want to hear more about leave a comment or send an ask! i will probably be less aggressive on future topics. these are just things that have grinded my gears for a grip.

[diamondcitydarlin]

Just fair warning- I said on my personal post about this that I wasn't going to talk about Neil Gaiman anymore, but as it's becoming clear that him and his publishers and anyone else who makes money off of him is circling the wagons and trying to bury these allegations, as well as some fans still defending and trying to 'rationalize' this information, I feel like, actually, we need to keep talking about him (as much as I cannot stand him and feel physically disgusted now when I so much as see his face somewhere). Specifically, the fact that he's a liar, master manipulator and should not, under any circumstances, be given access to his fans like he has in the past. At the very least. (And if you need to blacklist his name or even unfollow me so as to not be triggered, I completely understand, but I will always try to tag these posts accordingly and I think it's crucial right now that the truth be put where people can see)

This post specifically is in response to those 'rationalizations' I've seen, some that have gone as far as to blame the young fans/groupies that hooked up with him for being 'golddiggers' or just making a mountain out of a molehill for something they now regret. It's not that simple, yall. (And, again, this requires some amount of completely ignoring the story about him extorting his tenant for sex under threat of eviction of her and her three young children, I'm not sure how you 'rationalize' that under the best of circumstances)

So let's be clear here. What we know is that NG has routinely, for possibly an upwards of 30 years, pulled sexual 'partners' from his fan groups, most of whom are 18-22 year old young women (though possibly younger, accounts are coming forward of 16 year olds having allegedly been inappropriately touched/flirted/propositioned by him, which ig is the age of consent in the UK but still?? 16 year olds!!). This wasn't one or two times in the course of three decades, this was a constant pattern of behavior for him and for a very insidious reason.

This isn't to try to infantilize those fans or young women/young people in general or try to suggest that they couldn't have consented to sex with an older person or famous person. In fact, the onus isn't on them at all. This is about an older guy with a lot of fame, power and wealth choosing to sleep with people that he had already conditioned to idolize him and using that power imbalance to coerce them into doing things they didn't want to.

Regardless of one's age or gender identity, it can be difficult to impossible to say 'no' to someone like that. After all, you've been 'chosen' by the chosen one, you're special and not like everyone else, and if you don't do what the popular person everyone trusts is telling you to do you could end up ostracized. Alienated. Or worse. And you know what? Gaiman knew that! He knew it when he was crafting his 'approachable dad' persona on tumblr. He knew it when he was cultivating a fandom of personality. He knew it when he was having huge meetups to try to ensnare more victims. I hate to even think it, but I'm starting to believe he knew it when he was writing children's books too.

It's been talked about again and again in separate issues, but needless to say something not being strictly illegal does not make it inherently, morally okay. It does not erase the fact that this man has been essentially grooming his fandom to feel safe meeting/speaking with him so he can coerce those he can snare into sexual acts they're not comfortable with. That is predator behavior, whether strictly 'illegal' in the eyes of a court or not (but ofc I think he should be criminally punished even if I'm not naive enough to think he actually will be, because this IS rape and rape should be criminally punished)

I'm not personally advocating for anyone to give up being in his related fandoms, but what I am personally advocating for is that people don't forget who he is and what he's capable of, especially when he tries to crawl back to where he was (I'm almost certain he will eventually, as I've said).

Again, at the very least, we need to use what little influence we do have to keep him from infiltrating fan spaces again. He should not be on tumblr yukking it up with young people, he should not be at public appearances hitting on teenagers, he should not be given the unrestricted access to fans that he's 'enjoyed' for the past 30+ years because he is not a safe person. While I wish there was more in the way of restorative justice that could be done, I think at very, very least we should do what we can to limit his proximity to people he could hurt in the future. Make sure no one forgets, because sweeping this under the rug means Gaiman gets to hurt more people.

Lastly, no one is the wrong for having been manipulated by him. Let's make that very clear. What we're NOT gonna do is blame ourselves, each other, the victims, etc, for evil acts that Gaiman chose to do himself, time and time and time again. It doesn't help the situation and it certainly doesn't protect future potential victims. We were all duped because we're human and we attach and a lot of us want to believe there are good people out there, particularly those who make art that means so much to us.

And there are. But let's also use this a teaching/learning tool about how much faith we place in famous people in the future, regardless of how 'approachable' and 'safe' they might seem. Let's remember to have a healthy suspicion of creators/famous people that are oddly immersed in fandom spaces- yes, even the ones you still currently like that seem fine, as difficult as that may seem.

At the end of the day, we don't know them or what they're capable of doing or what they might be plotting to do to us. Support victims. Amplify their voices. Don't forget.

[pyrettawychwiggin]

Nanami Kento Relationship Headcanons

(Nanami through the phases)

Warnings: none. This post is SFW, and is mostly full of fluff.

Acquaintance (I'm just another face in the crowd)

• This isn't a love-at-first-sight type of situation. Romance is so far from his mind in general, and as far as he's concerned, it's off the table, no matter who it is.

• If you're another sorcerer, you're just another colleague - his only concern is whether or not you're competent. If you're a non-sorcerer, you're just another stranger in the world trying to make your way however you can. Nothing more.

• He treats you no different than any other person, with painful indifference and total professionalism. Short responses - no longer than is required to get a point across.

• Any time you'd try to have some form of friendly chat or banter with him, you're met with little more than a 'hm' or an ' I see' before he would return to what he was doing.

• His responses would only be a little longer if it pertained to work or if it were absolutely necessary.

Friend (If you slip and fall off-track - I'll carry you on my back)

• It took a long while to get to even this point with him, but he's less guarded around you - only a little. It's not that he doesn't trust you; it's just how he is with people. The difference is that when he asks about your day, he genuinely wants to know - it's no longer an obligatory means of the bare-minimum 'polite conversation between strangers/colleagues' type of situation.

• You're one of the few people he'll ask out for drinks after work. He's a good drinking partner, and he always tends to buy the first round. This is around the time you realize just how well he can hold his liquor. The man can drink like a fish, and it takes him an insane amount before he seems to show any subtle signs of inebriation. That being said, he's a pretty quiet drunk; he'll sway a bit more when he stands, and his ears/cheeks will turn a little redder, but he tends to stop before he even gets to that point.

• He has genuine respect for you (even if you're also a Jujutsu Sorcerer).

• You get to see him crack a small smile on occasion. Even though he's not typically one for jokes, you're one of the few people who make him chuckle.

• He knows how you take your coffee and/or tea (or what you prefer if you don't drink coffee or tea). If you're a colleague, he'll sometimes bring you something from the coffee shop if he'd happened to stop by to pick up a coffee for himself.

• (If you're a sorcerer) He trusts you to be able to handle yourself, and doesn't feel the need to babysit you on missions. He knows your style pretty well, and is able to adapt his own to better compliment yours if needed. Still, he's always looking out for you in his typical 'Nanami' way.

• (If you're not a sorcerer) He keeps an eye out for you when he happens to be around; making sure you're not stuck dealing with some unknown minor curse. If you do happen to catch the attention of a curse, he'll go out of his way to deal with it for you - though you'd never know it; he doesn't want to bring you into his messy world by telling you things you don't need to know.

• All in all, Nanami is a fiercely loyal friend. He has your back through anything and everything, even if that means giving you a scolding for doing something foolish.

Crush (I've got my eye on you)

• Once you catch his eye, he almost seems to become a little less talkative around you than he was before. At first, you're worried that you did something wrong.

• If anything, he's kind of in shock. These feelings just came out of nowhere for him, and he's not really sure how to handle it.

• He specifically did NOT want to be romantically involved with anyone while he's in this field of work. In fact, he's fully intending to keep his feelings to himself and just hoping that they go away over time, even if you're also in the same business of fighting curses.

• Any signs of affection are extremely subtle - almost imperceptible - but they are there.

• When he brings you your coffee/tea/etc. he now always pairs it with some sort of sticky note message. Nothing cutesy - just a simple 'have a good day' or 'stay safe.'

• When you're around each other, he seems to stand a little closer than usual - especially if it's crowded, he takes the opportunity to stick almost shoulder-to-shoulder with you (but he always says a quick 'apologies' when he does).

• You have your own ringtone and vibration pattern, now - though he hasn't brought it to anyone's attention; not even yours. Your ringtone changes from his usual default to something different so he can hear if it's specifically you contacting him. Your vibration tone is a subtle 'bzt-bzt' that he noticed sounded like a heartbeat. Whenever he hears that tone or that vibration, he tends to stop what he's doing to check his inbox.

• You've never noticed, but if someone seems to be eyeing you, be it a creep or just some would-be troublemaker, he's able to subtly put on that scary-dog aire which never fails to deter them from coming anywhere near you. In fact, one time, he happened to notice some creep was following you home after work while he was driving by, so he pulled over to the curb beside you and got out of his car to greet you. 'It's not safe to be out alone in this area this late. Let me drive you home.'

Before you can say anything, he's gently leading you to the passenger's side door, opening it for you to let you in before carefully closing it behind you. As he's moving around the car to get into the driver's seat, he's sure to flash a death glare to the stalker (and no one - and I mean NO ONE - can death glare like Nanami).

Once he's arrived at your place, he suggests carpooling with him after work. Even if you decline, he requests that you text him when you get home. Either way, this starts a trend of you two either carpooling home or texting each other most nights.

• You have noticed that his usual habit of buying the first round of drinks has turned into him picking up the entire tab basically every time.

• You are the only person that has ever seen this stoic man flustered. The first time you saw him remove his glasses, you complimented the amber colour of his eyes. He cleared his throat and scratched the bridge if his nose, flushing with a 'thank you.' You heard from Gojo later that day that Nanami seemed to be in a better mood than usual for the rest of the day.

• He actually compliments you, now - and not just for work-related things. He keeps it simple, but one day he notices you'd changed something small - maybe the way you parted your hair, the way you did your makeup, maybe you shaved, or he noticed the perfume/cologne you were wearing, maybe a new accessory you bought - and he makes a point to say something (ie; 'Ah, you changed your hair part. It looks good.')

Dating (What would happen if we kissed? Would your tongue slip past my lips?)

• This was not what Nanami was intending to happen. You either had to make the first move, or once you noticed the hints he was unintentionally dropping, you practically had to pull it out of him. He was convinced, without the shadow of a doubt, that his feelings were completely one-sided.

• If by some chance he were the one to make the first move, however, he had originally decided to confess to you in hopes that his feelings would pass once you'd inevitably turned him down. You could imagine his surprise when you returned his feelings. He decided it would be best to take you out for lunch at a coffee shop you both liked to frequent. After you'd taken your seats, you noticed that he seemed nervous. That's when he tells you.

• Either way, once you both decide to start a relationship, he turns out to be a textbook-perfect boyfriend. He holds doors open, buys you gifts, plans great dates, gives great massages, and he's a shockingly good kisser. He's also unsurprisingly great at communication; he likes to talk things out, and is very solutions-oriented, so the two of you may disagree on occasion, but you rarely 'fight.'

• His only real failing as a boyfriend (at least early on in the relationship) has everything to do with his habit of being a workaholic. It can be hard to make time to spend time together outside of work, and when you do, he's often rather tired, though he tries not to show it.

• You two didn't share an official 'first kiss' until the end of the third date. You'd hugged, held hands, cuddled, and you'd both even come close to kissing a couple times, but neither of you wanted to make the other feel rushed or uncomfortable. He'd kissed your hand, fingers and forehead before, but at the end of your third date, as he was dropping you off at your place, he asked you to wait a moment before getting out of his car. He started to lean forward and gently slipped a hand on your jawline, holding intense eye contact for a moment before asking if it would be alright for him to kiss you. You basically just managed to get a 'yes' out and his lips were on yours in the blink of an eye - as if he'd been unable to think of anything else for his entire life. All too soon, he pulled away an inch, letting out a deep sigh of relief. He drifted his thumb gently over your bottom lip and smiled. 'You have no idea how long I've wanted to do that.'

• He seems to exhibit many forms of the love languages, but his most prominent are acts of service, gift giving, and physical touch.

Long-Term (Come with me, my love, to the sea - the sea of love)

• Nanami always enjoys his dates with you, regardless of what you're doing, but he specifically loves dates where the two of you get to learn something together. Taking classes, be they painting, cooking, dancing, learning a language, etc. he finds them to be the most interesting.

• Nanami asked you to move in with him about a year into your relationship. The first day you came 'home' after work, he'd made a point of being there first so he could set up a 'welcome home' banner and prepare a nice in-home date night for the two of you.

• Coming home to you is easily the highlight of most of his days. His favourite post-work ritual is to slide off his tie, unbuttoned the top few buttons of his shirt, and to fall into you to cuddle on the couch together.

• He loves when you read books out loud while he's curled up with you, feeling your fingers running through his hair. It never fails to put him at ease.

• After having taken many cooking classes together, the two of you can flawlessly work around each other in the kitchen - something many couples seem to struggle with.

• It was about 3 years into your relationship when you realized he has a shockingly nice singing voice that he rarely uses. One evening, the two of you were slow-dancing in the living room when he started humming a song in a low, smooth tone that took you by surprise.

• Nanami's always had pretty good fashion sense, but he enjoys coordinating his outfits with yours, and low-key revels in getting to show you off a little when you're out together.

• He never forgets anniversaries - ever. He remembers that during your first anniversary, you bought him a midnight blue silk tie with a simple wave pattern that he adores, and makes sure to wear every anniversary without fail.

Married (After all this time, I'm still into you)

• The two of you take at least a one week long vacation together every year; but for your 5th anniversary, he pulled out all the stops. We're talking a first-class flight to a private villa by the sea with a balcony and an ocean view that boasted some of the most incredible sunsets imaginable. After spending the week getting absolutely pampered with amazing meals, couples massages, and anything under the sun that the two of you wanted to do, he presented you with an envelope.

You opened it to see that he had purchased the ocean villa so the two of you could come back any time you wanted; but that's not all.

He had signed it under both his name, and under a 'Mrs. Nanami Kento.' You looked at him in shock as he rose to his feet and dropped down on one knee beside you to offer you a ring with your favourite stone.

• The wedding was, in a word, perfect. He had a blast planning it with you, and the entire event went off without a single hitch. It was small, beautiful, elegant, intimate, and perfect for both of you. You like to joke that the two of you had a future in event planning if Jujutsu Sorcery stopped being an option.

• It's not long before he (and you, if you were also a sorcerer) decide to retire from Jujutsu Sorcery to open your own business together - be it event planning, a restaurant, a bakery, etc. which goes on to be incredibly successful.

• This man never stops trying to win your heart. Even decades into your marriage, he's always trying to find new ways to charm you and sweep you off your feet.

[disabirbity]

What are some things other psychotics do to differentiate between hallucination and reality? And what are ways some of you hold off symptoms? Looking to get a nice thread for people to help each other going here, this stuff isn't posted about enough.

Ways we prevent symptoms/stop them from progressing:

Make background noise to prevent auditory hallucinations. Most of ours start by hearing something that we can't identify the cause of in the background, and our brain starts the spiral from there. So we listen to music all the time and sleep with a fan on every single night, even in the winter. We just point it away from us if we don't want it making us cold.

Blame the cat (or other pets). Any weird movement, scratching, crunching or thumping? That's just Jerry, don't worry about it. He's a silly cat that does cat things even while we're sleeping. Any noise can be blamed on pets or the wind, which stops the paranoia from setting in and making everything bad.

We also tell ourselves that if there was an actual issue like an intruder or monster, the cat would hiss or scream, and the dog would be barking or making noise. This can be applied to many pets.

Stay busy. Focus on something--art, video games, tv shows and films, craft, gardening, anything that keeps you thinking. Don't let the anxiety get to you, just stay focused on your regular life.

Laugh at it. You're hallucinating a monster in your peripheral vision? Name it Fred and tell him to pay rent. You hear weird noises? Tell them to come back with a warrant. For us, treating symptoms like they're jokes or not serious makes us less anxious and therefore makes it easier to get back to a point where we're okay.

Having a friend or a pet near you can help. We feel safer and less alone when we see another living thing near us that's safe. We don't feel as much like we're trapped in another dimension that way.

How we differentiate between reality and unreality:

Touch it. This one only works for things you're not scared of, and if you don't have tactile hallucinations. It's not foolproof! But when we're seeing things like bugs and stuff, reaching out to touch them causes them to fade away so we know they're fake.

Ask friends and other trusted people if they "heard that" or "saw anything". If they're psychosis friendly, feel free to explain and be specific. If not, be vague and keep it to simple things like "hey did you hear anything? I couldn't tell what it was", if that will be safe enough. Having people to ground you can be great.

Look at how others around you are acting. Are they running or interacting with the thing in question in any way? Do they seem to look at it or no? If no one is noticing, it's less likely to be real.

These won't work for everyone and some of these might be harmful to others, but they're helpful to us. You know best what will help you!

Please feel free to add your own! We need more discussion around psychosis that isn't "scary evil person disorder and how to deal with people who have it".

[the-bees-patella]

ok, well now what.

My fellow Americans: hello from your local pissed-the-fuck-off former community organizer.

You're probably seeing a lot of calls to support each other right now, and that's all well and good in principle. Where we tend to stumble is largely practical: we're not sure where, how, or when. The same way it works to make a plan to vote, make a plan to help. A few key points:

Please do not get impatient if the organization's response to you is late or generic at first, or if what you're asked to do isn't what you offered. A lot of local organizations—where your impact will be the greatest—are very small and 100% volunteer-run. You're here to help. Don't be one more thing they have to manage.

Be honest with yourself and the organization about your capacity. If that's a couple hours on a weekend from time to time, that's great. If that's driving people places once a month, if it's a small, regular donation—whatever it is, it's one more person helping who wasn't before. The point of doing it all together is that none of us can do everything, and it isn't on any one of us to do it all. It's much easier to scale up your participation than it is to take on a big responsibility and back out.

Stick with it. Everybody's fired up right now, and many organizations won't be lacking for personnel or funds...for now. They'll need you when it gets boring, when people get tired and busy. Whether it's recurring donations or one shift a week, stick with it for as long as you can, which is why see point 2 above. The need will not stop. The help can't either.

My aim with this brief list of organizations/funds is not to be comprehensive, it's more a starting point of both actual orgs and the types of opportunities there are out there. I highly encourage you to look around in your local community. There are people out there working on creative solutions in innovative ways to problems you didn't even know existed.

I know it might sound small or facile, but I promise, going out there and talking to real people will help. Just go to one meeting, on Zoom, in person, anything. Start there. Everything you're able to do is more than there was before.

Fascists thrive on despair and isolation, on mistrust and fear. But there is good in this world, it's worth fighting for, and you're part of it. The time is now. Let's fuck them up. (List below the cut).

If you're on bluesky, here is a much more specific list of organizations. If you're not, reply to this post or send me an ask with your region and I'll respond if I can. Everyone else, please feel free to add your local organizations in the reblogs. Make sure you do your vetting first; please link to a direct source/person/means of contact if you add something to the list.

Trainings and support for leaders to run for public school boards

And library boards

Black and brown youth organizing

Labor organizing in the South/Southwest

Mutual Aid in NYC/Donate to keep that mutual aid active

Mutual aid/volunteer orgs in DC

Supporting and training young progressives to run for office

Collective action against medical debt

Climate action

[lonicera-caprifolium]

Body-swap theory!!

okay, just putting this all together for ease of access, since it's been spread out across several posts now--

The day after it aired I watched the ending like actually 30 times and I became fully 99.999999% certain they switched places. I was initially thinking during the kiss, cuz of how the camera angle changes, but after watching an additional 20 times a few days later, I'm personally leaning much more towards them stopping time in the instance after "no nightingales".

Before the kiss, Aziraphale is saying "nice" things about the Metatron, but his face and voice keep switching to broadcasting distress, and they make it a point to show in ep 1 that Crowley can read him just from tone of voice

As they're pulling away after the kiss, they lock eyes and "Aziraphale's" expression shifts in the teeniest tiniest way, like a confirmation glance, before they shift back (and Michael Sheen is a master, so no chance it's not on purpose)

---(Like really, go back and watch how Aziraphale's expression shifts literally *a second* before "I forgive you" cuz the change is SO minute, but entirely different emotionally.)

Also the way he moves his jaw right after he pulls his hand away from his lips, is a bit from MS's Crowley (you can see it in the very last two seconds of this vid- link)

Aziraphale's hands -stay by his sides- after that, he doesn't clasp them at all, and it's particularly noticeable while he's walking to the elevator with Metatron. The way he walks is very stiff and precise, similar to after the swap in S1.

We don't see the underside of Crowley's jacket collar after the kiss, at any point (it is for sure red at the beginning of the ep, you can see it right before he changes in Heaven)

The Bentley drives away SLOWLY, which is how Aziraphale drives, and we're specifically shown that it only plays other music for Aziraphale

the seats in the Bentley are black as it drives away. They're usually brown, and the only other time they're shown to be black is when Aziraphale drives (@picturesque-about-it broke down the times so you can see-link)

---extra pic for anyone saying it's "cuz Aziraphale is lighter"-- the seats are still brown behind Crowley when he wears white

there's people wearing yellow in -every- part of the scene showing the Bentley both before and while it drives away! (link for pics/credit)

Aziraphale's smile in the elevator looks more like MS's Crowley. It's very similar to the trial during S1, but also (link)

This also explains why they're on opposite sides than they're usually shown while the end credits roll

Extra points--

many good points made by other folks here, about cues and snakes in beehives and swap motifs throughout the season-- link

The clock! Someone mentioned how the scene is so quiet you can hear it ticking, so I watched the ending a further 50 times to double check----I need to preface this by stating, I don't think this is a working clock, mainly cuz the hands aren't 100% where they should be between the minutes and the hours, like -a person- moved them to that time manually

When they're talking, the clock is at approximately 9:25 (?, again the hour hand isn't precisely set), then they walk across the room, and kiss, and immediately after that the clock is set about 15-ish minutes later (link to timestamps)

thanks to these bts shots, we can see that the clock on the opposite side of the room registers the SAME time difference before and after the kiss (link)

the first time Aziraphale looks "towards the window", I'm petty sure he actually looks further back towards the clock, *focuses on it* as Metatron walks up to him, and then spends the ENTIRE REST OF THE EXCHANGE blocking the Metatron's view of the clock

we're shown earlier in the season that Crowley can localize his time-stopping to a certain extent, like when he stopped the doctor and the rest of the room kept going, so it is possible he only stopped everything -outside- of the bookshop

---I KNOW Neil said it's a continuity error, but he also fully said "No" about there being a season 2 just days before they announced it was already written and in production, so. Take him at his word if that's what you wanna do.

---also I DID go back and look it over, and the clock IS consistently specifically set the entire rest of the episode as far as I can see. From the shots when you have a clear view of the clock, the angels and demons enter the shop at around 6, Maggie and Nina leave at around 7, the Metatron comes in at 8-ish, Aziraphale comes back in at that approximately 9:25

(insight from someone who works in production- link)

the music right before the kiss scene is the same leitmotif (Life After Death) used when they originally started formulating the swap in season 1! (link)

the movie Stairway to Heaven (1946) is featured as a poster in both the opening credits and in Maggie's shop (link)

the climax of the film has one of the leads willing to "take the place" of the other in heaven

(they also used a time-stopping mechanic, and the chess book Gabriel tests gravity with also plays a key role in the film)

and one last mention, extra food for thought--- the season's focus on their trusting one another, their history of performing "death (and heaven/hell) defying" feats together, and how they always get the trick right when it truly counts the most

that's what I've got so far!

If I'm right, they're apart now, but are actually more together then ever, and I find that terribly exciting. (And if I'm wrong, that's okay too! I'm just here to have fun.)

I'm not particularly concerned with very specific reasoning (that's for season 3 to tell us!), but I do think this theory is extra fun cuz pretty much any of the others could be the "why" driving it.

I'm not trying to convince anyone, or put down any of the other theories, so if you're not feeling it, that's okay! I'm just sharing what clues I'm seeing, so you can check if you see them too. 💕

[mr-ribbit]

this isn't meant to soften or reduce the objective transmisogyny + additional hate action going into this, but since the people running these harassment campaigns are acting like they're literal baby children who need their hands held to understand anything, maybe this needs to be said:

what you're doing and how you treat trans women on this website is fucking MEAN. if you want to sit there and honestly convince yourself that you're *not* a transmisogynist or a transphobe or a misogynist or any other type of bigot - like if you genuinely believe that and are confused why people are calling you these things - then maybe we need to start from little primary colored building blocks and tell you that you're being fucking mean and rude and actively harmful to real people who read the things you say. im not sure why we need to start off with "trans women have feelings" - just kidding I know exactly why we need to - but maybe you don't.

no matter who you're talking to, do you honestly think accusing someone you do not know of being a pedophile, en masse, behind their back /and/ in a public forum, is a reasonable way to treat someone for making a tumblr post about video games or political opinions? even if you strongly disagree with the post, you think someone deserves to be treated like that by people they don't know? take a second please and sincerely imagine how that would feel. wouldn't it be scary? wouldn't you wonder who the people were who thought this about you - if they're people you know - if they're just a few people that will continue saying mean things to you forever or if there are thousands of people who choose to dedicate their time and energy specifically to making you feel bad? if you accidentally write a post in the wrong tone or unknowingly interact with a shitty person, that there are uncountable people that will keep track of that just to hurt you later? that's fucking horrifying

and to zone in on what's specifically happening here: do you think randomly accusing people of being pedophiles or sexual abusers has no effect on them? like a lot of you tend to excuse yourself in these discussions by saying "I didn't actually see the context of what they were saying" or "I didn't see that they apologized already" or "I didn't actually understand the post was a joke" or whatever other kneejerk response to make sure *you* aren't seen as a bad person. do you realize that makes you look even meaner? you didn't bother to actually follow up on a thought you had about someone before sending them hateful messages or making public accusations about them? those actions are harmful whether or not you like the victim at the end of the day.

believe it or not some people you send this shit to are survivors of abuse themselves, or have their own historical personal reasons to be weighing in on a touchy subject. when you baselessly decide it's ok to call someone an abuser of any type, that person is probably *also* disgusted by whatever horrible shit you're accusing them of. as someone that hates these things as much as you do in order to attack someone for them: what do you think it's like to have complete strangers think that about you? how many eggshells would you walk on if random people thought so little of you that they were ok doing this?

it's mean. it's heinous, cruel bullying, and if you genuinely think you are not doing it from a place of transmisogyny or hatefuk bias over the victims' identity, then you need to understand that that's not an excuse. "i didn't even know she was trans" ok, it was still mean to call her a pedophile with 200 of your closest friends in public. "im trans so it can't be transphobia" ok it was still mean to assume someone was endorsing abuse when they were talking about being accused of abuse. "i didn't see the post where she said it was a joke" ok it was still mean to actively harass someone without bothering to look into the full context.

at the end of the day, yes, obviously I still think you're all transmisogynist assholes who are clearly willing to gang up on a woman who has nothing to do with your problems simply because she dared to speak on them. i think you're bigoted and unwilling to examine that if it means giving up your vitriol against someone who doesn't like your favorite video game or whatever excuse of the week. but like even if you were just doing it for love of the hate game, it's fucking weird heinous shit and i hope you're happy having that be a central part of your life

to be clear: im not transfemme and if I'm overstepping or talking over anyone please let me know. im not speaking for anyone's actual experiences except my own, which is the experience of being angry at how much literal bullying and harassment I see excused on this so-called progressive queer blogging website

[eff-plays]

Veilguard's lamppost problem

So I was doing a quest in DATV, as one does in video games, when I stumbled upon this here conundrum.

It baffled, amused, and enraged me in equal measure, which is to say: enough to write a snarky post about it.

Gaze upon this lamppost. It is one of many in this area. Really think about the essence of a lamppost.

Why do we have those? Why did people invent lampposts? Well, to be able to see outside when it's dark, correct? To provide light to the general populace, to illuminate spaces without relying on people having their own sources of light or real flesh guys standing around holding lanterns. But why are the lights ... on top of the posts? 🤔 why not just put them on ze ground? Well, pilgrim, because when the light is high up, it can spread farther and cover more of the area, so you can put fewer lights over a greater distance! It also protects the light from people or other things snuffing it out, by keeping it out of reach!

So in summary, a lamppost must fulfill the following criteria:

spread light in the dark

support the light source

protect the light

And with this in mind, you might now wonder -- why is this lamppost floating?

What is the point of this lamppost floating? Someone, presumably, enchanted it, yes? Somebody enchanted the post to which the lamp is affixed. Somebody affixed a lamp to a wooden post, lit the lamp, then enchanted the post to hover, so as to fulfill the requirement of a lamppost, which is to hold the lamp aloft, upon the post. The magic exerts no power over the position of the lamp, only over the post, which is enchanted. Are we in agreement? Good. Now please draw your attention to the end of the post:

We can see that this post has been designed with the floating enchantment in mind. Should the magic fail for whatever reason, this lamp post will be incapable of standing upright and fulfilling its intended purpose. Of holding the light up and out of reach.

Based on this design and function, we can assume the process of creating this post: elaborately carve a large piece of wood (upon closer inspection it might be stone, which is even worse) > elaborately design and create a piece of metal (and glass??) > affix upon this a lantern > light the lantern > enchant the light post to float > enchant the lamp post to float firmly in one location.

So now we come to the big question: Why? Why is this designed this way? Why would they do this? If you have the power to make the lamppost float, why not just get rid of it entirely? Why not just make the lantern float separately? Why go through the trouble of gesturing at mundanity by using a post at all? Why waste time, money, and resources?

I can think of a few theories as to why people might think this works as a design.

Let's say the lampposts float, and are thus able to be manipulated to move where they're needed. This is fair, but makes no sense, because then any passing mage (and there are many in Tevinter) would be able to move them around at will, which rather defeats the purpose of illuminating one specific area for public use. Remember, one of the purposes of a lamppost is to keep it out of reach of bad actors or accidents in general. Controllable lampposts would be just as unreliable as everyone having their own lanterns.

Okay, then let's say there's a specific mage that can move these because of some personalized ritual or binding, so that keeps the lights safe. In that case, what happens if that mage isn't available? Are these lampposts stuck in one place now? This would defeat the purpose of them being movable, if you need to go through one fucking guy to get them where you need them to be.

But alright, let's assume this is the intended use, their flexibility. This still doesn't explain why they need the lampposts to begin with, and don't just use floating lanterns. Why is there a lamppost when a lamp would suffice? Well, you might think, if the enchantment fails, you'd want the lamp to still be up high and lit, so it doesn't shatter, right? But once again, I draw your attention to the design of the post: if the enchantment fails, that post will not be a crutch, and it will not be there to catch and save the lamp. It will fall, because it is designed only to float.

(This is a subjective note, but the lamps did not float or animate or move when I looked at them in-game. They were entirely static. Just like regular-ass lampposts.)

Now, if they could be moved, in theory, why are there so many, and why are they placed so evenly throughout the area? It's almost as though their placement and distance from each other was meant to maximize the light from each lantern to cover bigger ground. Which would be pointless to do if they could be moved.

Okay okay, fine, let's say the lampposts snap back after a certain time! That would explain why they can be in a certain spot and need to be placed out evenly, but also why they can float. Cool. But what if there's something in the way. This is a harbor with bighuge cargo boxes and fuck-off stone statues. What if you need it for a longer period than you have before it snaps back? What if somebody needs it back in its origin point? It's far more reliable to just use your own light, which defeats the purpose of it floating, and it's too unreliable to light up a specific area, which defeats the purpose of a lamppost.

This screenshot up here also illustrated the only other "defense" of these posts that I can think of: Well, it's Tevinter!! Those guys will enchant anything just to flex on people!

First of all, who are they flexing on? Fereldans? Orlesians? "Hey, we also have stupid mundane lampposts, but ours float, so fuck you?" Sure, I guess, but look where these particular ones are. A drab, dirty, empty-ass dock, where there was only a handful of enemies and one minor friendly NPC. There was NOBODY ELSE there. No workers, no traders, nothing. But the lights were lit. For whom? Who is meant to be impressed by this? If you have enough magic to waste it on frivolous shit, why is this the only way you can express it?

Do you see my fucking issue?

And yeah, I know. It's just a fucking lamppost in a video game. But I want you guys to understand that this lamppost went through at least one concept artist, one art director/lead artist, one 3D modeller, and a level designer. None of those people went "hey this is fucking stupid," or if they did, they were incomprehensibly vetoed by somebody higher up the ladder.

This fucking lamppost encompasses so many issues with Veilguard. Like hey, this sounds pretty cool, right? And it's plausible in the world, right? So just do it. Don't think of the implications or impact of these things at all. Just do it! It's cool, right? Floating lampposts? Those are unique and cool and show off how magic-y Tevinter is! That's all you need! It's Tevinter, so they do normal stuff but with magic! Yes they use very mundane ways of illuminating an area but!! It floats!! So it's magic! Like in Tevinter? With the mages?

Environmental storytelling isn't just putting skeletons on toilets and leaving bloody notes next to a pile of gore. It's shit like this, too. And Veilguard just went "well this could totally happen and if it's cool then it should be in there!" and just didn't bother thinking a single step ahead of that.

Blech.

[pigswithwings]

Hi! My name is Pig. And I'm here to tell you about being objectum!

Well, "objectum"? That's a bit of a weird word, isn't it?

You might associate it with stories of people marrying robots or computers, or maybe people talking about having sex with inanimate items. These are all parts of object sexuality, but they don't demonstrate the full breadth of the community.

It's understandable to find this behaviour strange or want to question its authenticity. Many people are, in fact, joking when they say "I find this object attractive" or "I would have sex with that object", but objectum people can often have these feelings in a genuine fashion. And while these attractions can go against the conventions of society, those who are objectum shouldn't be harassed for it.

This post isn't about why you shouldn't harass objectum people, though. People who feel very strongly about the subject probably aren't going to be convinced over a singular post, so I'm not going to waste all my effort to talk to a wall. You don't have to entirely understand an identity to support it, but I'm going to assume that you want to learn about what being objectum is, and I'll try tell you to the best of my own knowledge.

What is Object Sexuality?

Like any sexuality or orientation, objectum identities can vary infinitely. The different labels can range from objectophilia to objectsexual to to objectromantic to os/or, so it's important to keep an open mind. In a very broad sense, being objectum means being attracted to objects or items in some way.

While the common misconception is that being objectum means only feeling sexual attraction to a specific object, this is a very limited view of the identity.

For example, I am romantically attracted to vintage computers. This is only me, though; other people can be attracted to other objects in any other way!

Another person might be romantically and sexually attracted to cars and trains, someone else might be only sexually attracted to electrical towers and wires, another person might have platonic affection for objects, and even more people might not have a specific label but know they're attracted to clothes or heavy machinery in some way. Some people may only be attracted to one type of object or even just a single object, others may be attracted to multiple types of objects. Object sexuality isn't limited to just sex, and the objects of that attraction depend on the person.

Another misconception is that objectum people will be attracted to any object they see - this is not necessarily true. As seen above, many objectum people tend to have "types", similar to how people who are attracted to other people have their own "types".* This isn't applicable to everyone under the objectum label, but for a good part of the community it's true.

Some people may view every object they see as being alive, but this is not necessarily an indication of attraction. Not every objectum person will be attracted to the same thing, and not every objectum person is attracted in the same way.

What is POSIC / Object Sentience?

Being objectum may also be related to believing in object sentience. Generally, believing in object sentience means beliving that an object is conscious, or alive in some way. POSIC, which stands for Perceiving Object Sentience, Intelligence, and/or Conciousness, is a commonly used label but doesn't apply to everyone who experiences this (For example, some people may just use the phrase "object sentience").

Some people's object sexualities can be influenced by whether they perceive objects as being alive or sentient (for example, a person might be more or less attracted to an object if they believe it can respond to them, see them, hear them, etc). Not all people who are objectum also believe in sentience, but the two labels are usually closely linked.

What Is Your Experience With Being Objectum?

Personally, I knew I was POSIC (though I didn't know the word) long before I knew I was objectum. I liked talking to objects as though they were alive and I often made art expressing my interest and (platonic) affection towards computers. It wasn't until my art began to enter a somewhat romantic area that I realized I could be attracted to computers romantically.

Looking for "object sexuality" online was somewhat intimidating, however, as many discussions of it were centered around the shock value/sexual content of being objectum, with little explanation of what it was or what it could be. (This is where my urge to create a post about it began.)

I only discovered the labels "objectum" and "POSIC" from a friend of mine, and had to ask them for the loose definition to figure out whether it fit me or not.

After some consideration, I realized that I was both POSIC and objectum, and decided to come out to a group of supportive friends. This was apparently not a surprise to them - as you will remember, my art had been becoming more and more romantic towards computers, and they were very good at picking up on that. But I was glad that I had realized this fact about myself, even if it was later than most people. I also learned that I had already made friends with several other people in the objectum community, and that the identity wasn't as uncommon as most people would believe.

I Think I'm Objectum or POSIC / How Would I Know If I'm Objectum or POSIC?

Some signs of believing in object sentience could include the fact that you:

- Speak to objects (Ex: complimenting a tool on the work it does, telling a computer about your day, etc.)

- Believe objects can hear, feel, or see you (Ex: apologizing to an object if you drop it, believing an object knows whether you're hugging it or not, etc.)

- Would enjoy it if objects could respond or had conciousness (Ex: enjoying the thought of having a conversation with an object, etc.)

Some signs of being objectum could include the fact that you:

- Enjoy expressing affection to objects (Ex: you enjoy/would enjoy kissing or hugging objects, or otherwise demonstrating how you care for an object)

- Experience romantic or sexual attraction to objects (Ex: you would like to go on a date with an object, you enjoy the idea of kissing and/or having sex with one, etc.)

For all of these, though,  I use the word "could" because human identity is very confusing and spans a huge galaxy of variants. Not all objectum people will feel the same or identify the same way, and that's pretty neat. Your specific attraction to an object or type of objects is up to you to figure out, and the community is much larger than you might guess.

Fin.

Despite controversy or use of the identity for public shock, being objectum is not inherently harmful. In a way, it demonstrates the love that humans can have for seemingly mundane or ordinary things in life, and I think that can be very charming.

If you have additional questions or anecdotes to add to this post, please go ahead! I would like to open the discussion on objectum identities to be widely accessible and more known. Thank you for taking the time to read this.

----------

*Also, being objectum doesn't mean that one only experiences attraction to objects. A person can be gay and objectum, bisexual and objectum, heterosexual and objectum, aromantic and objectum, asexual and objectum, etc. Whether the label "objectum" counts as queer/LGBTQIA+ depends on the person using it, as it's only a word and its interpretation will vary.

[mysticheathenn]

Is Your Next Partner a Karmic, Twin Flame, or Soulmate?

Hi, Hexlings!

This pick-a-card reading is for my Patreon All Tiers. This pick-a-card reading is all if your next partner is a karmic, twin flame, or soulmate.

This is a general reading, remember to take what resonates and leave what does not. This reading does not supplement your need to seek professional help.

Take your time when choosing your pile. Ask yourself the question and choose the picture that you can’t stop looking at. Listen to your intuition.

Extended Patreon Includes:

What can you do to avoid or bring this person in?

What will you learn from this relationship?

Extra Messages

MasterList

Patreon Link

Ko-Fi Donations

Pile l: 

What label is your next relationship? Tarot: Knight of Swords, Queen of Swords, 7 of Cups, Queen of Wands, 8 of Pentacles (all Reversed), The Chariot (Upright)

KARMIC. Pile l your next relationship is showing up as a karmic relationship. Now before you start denouncing the devil back to his corner office, just know that karmic isn't always a bad thing just like everything in life has a polar opposite of good and bad karmic is the same...except when it comes to this person. I hate this energy for you. I pulled a few more cards from an oracle deck and this person will disguise themself as your soulmate I'm hearing Taylor Swift "I'm a nightmare dressed as a daydream." At first, you are going to believe that this person is the one and will be over the moon but slowly over time this person will start to do the "Breadcrumb method" on you. For those who don't know what the breadcrumb method is "when you give an individual just enough morsels of attention to keep them or hooked into the relationship (or situationship), without any intention of really committing." for those who want more in-depth here's a video from TikTok https://tinyurl.com/4688bus3 . This person just wants your attention as well as the idea of being with you but does not want to be with you for a long-term commitment that goes anywhere. The Song Keep Me Hanging On by Kim Wilde is this situation "Set me free why don't you baby..you don't want me. You just keep me hanging on." I see a few of your friends will point this out to you or some of you won't mention it to your friends because you know what they will say but your guides want you to reach out to your friends and let them help you see the light to get out of this situation. Patreon Post Link

Pile ll:

SOULMATE. I love the energy of your cards pile ll. It's very peaceful, calm, and healing about this energy. You're next relationship I don't know why but for a lot of you this is something that was a long time coming. Maybe you have been used to karmic after karmic, aka lesson after lesson and now life has seen your growth because the sun is coming out to shine a blessing over your next relationship. This next person coming in for your love life will be about healing what other people have broken in you. For some of you, your previous relationships may have broken your trust in specific genders or even the types of people you tend to go after. You can relax your head with this person coming in because that is all they want you to do is relax, trust in them, and heal what I am hearing your feminine energy. If you are the masculine reverse the role of your next partner all you want is for someone to relax and trust you without you having to apply to boot camp to even get a name out of them. Your heart chakra will be singing with nothing but pure love with this person. You may have trouble opening up at first but when you do you will look in the mirror not sure of who the person is in the mirror you're looking because this person is meant to transform your life, mentally, emotionally, and for a few of you financially.  Patreon Post Link

Pile lll:

What label is your next relationship? Tarot:   The Tower, The Hermit, 9 of Cups, 8 of Swords (reversed), The Chariot, 10 of Cups. 

TWIN FLAME. Britney Spears - Chaotic popped in my head as I looked at your pile's cards. This energy is beautiful but also a bit intense in a way like most twin flame connections are. I just kind of hate how TikTok has made Twin Flames out to be. It's not this lovey dovey relationship, even though it can be but twin flames you are basically walking mirrors to each other. I am hearing this quote from Twilight movie: Eclipse (3rd movie) from Bella's mother when she meets Edward and she says

"Renee: The way he watches you. It’s like he’s willing to leap in front of you to take a bullet or something. Bella: Is that a bad thing? Renee: It’s an intense thing. You’re different with him. He moves you move, like magnets. Bella: I don’t know, we’re just… Renee: In love. I get it." Link to clip https://www.youtube.com/watch?v=o6bWmjbXpiw 

Twin Flames are chaotic. They show you parts of yourself that you didn't even know existed as well as the parts of yourself that you may hate about yourself because technically you are one split from the same soul. But don't let this scare you because this connection is actually beautiful overall you know this person is your 10 of cups, your fulfillment, your person, your "everything" It's going to feel as if there is no one else in the world who is meant for you and other days you are wanting space you will second guess things but not enough to where you think about breaking up for good maybe a small break but leaving each other alone isn't an option because this person is it. They are your Yang to your Meridith Grey from Grey's Anatomy. Patreon Post Link

Thank you for liking and reblogging my readings. I always appreciate you guys on here and on Patreon.

Stay safe and be blessed

[mavcancees]

how to adapt into dtblr culture for twitter refugees

so you've decided to move here from twitter. welcome and congratulations. this post is basically a big warning that goes THIS ISN'T TWITTER, DON'T BEHAVE LIKE IT IS, LEAVE THAT AT THE DOOR

i'll be teaching you two things, how the site works, and how to adapt your behavior to tumblr ( and really, normal human being ) culture. believe me, it's not that hard and it will actually feel very productive

let's start with the basics and frequent questions

your username can be anything, don't stress about it

your picture can be anything. a lot of us don't even have dteam related stuff up on our profile

your display name doesn't have to be your name. nobody is going to see it when you post, only usernames are visible

check your settings. do it. get familiar with them. turning on and off asks, turning anon off, turning submissions off. click on your blog, go to blog settings, check things there, go to account, your muted things will be there, go to dashboard and customize that. use your settings !!!

yes, pinned posts are fairly important and they tend to be pretty extensive. name age what you post about ( a lot of people here are multifandom !), just don't overshare ( no locations no trigger lists i beg you ). they also usually have a breakdown of your tags at the end

tags

it's a whole thing. some are actually useful. some are just passive commentary

the tags you put on posts ( both when you made the post and when you're reblogging something ) are both global and hosted on your profile. it's why you'll see things like "nameofperson art" rather than just "art". using just "art" will put you in the promoted tag, in this case

you can use spaces on your tags

usually you will tag what type of post you're making ( art, text post, ask post ), and then the contents keep in mind this is how people often mute things, some people tag the current situation, people use and mute ship tags. but this is also how people find things, like the specific asks from one person to another, so "username ask" is commonly used, "irl person ( dream, dnf, etc )" is also seen a lot just watch how others tag things and copy them. nobody will get offended you took their tag formatting, most of us will appreciate properly tagged posts

you do tag when you reblog people. you use tags to comment on things. don't really use replies unless you're, saying thank you to someone or pointing out a spell mistake or asking to add an option to a poll, etc. we don't do replies, just rb your reply

quick reblog and like deets

post popularity is measured in "notes" which is the sum of replies, reblogs and likes. we don't really care much about numbers here and if you start getting crazy about it people will not like it. this is more of a talking and showing site

you can reblog without tags, feel free to

you can hide your likes. you can and should like as many things as you want. they don't alter any algorithm, since there's none. a like is a "i saw this post" notification to the poster

actually posting

people talk a lot. a fucking lot, and it's something you will have to get used to, because it's very different from twitter

there are no qrts. callouts are looked down upon. breathe. if you don't like something MUTE IT DON'T POST ABOUT IT, because no one is going to listen to any callouts. you will have to learn to live with the fact people like things you don't. this will, with time, make you feel very free

the bulk of posting here is asks, as you might notice soon. asks are fun and encouraged. just don't name drop if you're talking about drama please ?

don't be scared to send asks off anon, this is how people will find you and get to know you really. people are also more likely to reply to you

block bait anons. yes you can block anons. yes it will block every blog they make

culture time

i've said this. tumblr is unserious. drama here is approached very differently and with several less layers of panic. you will see death threats. you will see slurs ( said in non derogatory ways ). you will see jokes about serious topics. you will see people say "i didn't like this" and nobody will care

tumblr is a community of individualism. you will like your own things within the thing we share we like. you might not like dream's music, you might not find irl streams entertaining, as long as you're fucking normal about it ? nobody will care and you're free to express your opinions. people will even come ask you about it and just have a chat. we're here for the same content to some degree

tumblr is also a bunch of people who understand they like another bunch of people. that none of the streamers have stopped being human. so you might see people defend things that, maybe, you'd not have thought to defend before. maybe you're even uncomfortable seeing them defending it. this is something you will experience a lot, and you'll learn to properly deal with it as time passes

because again. no one does callouts here unless it is extremely bad. no one cares if you don't really like them. and they also accept people might and will not like them. and that is fine. and that doesn't make either person horrible. you're just different people. and you don't even have to interact

you want to make friends ? ask people things, compliment people's work, genuinely attempt to make conversation. this is not an impersonal website the way twitter is. people don't care about your opinions because they care about you, and you are more than what you don't like

the more positive and jokey and interactive you are the more people will talk to you. there's no "hitting the algorithm", there's no "engagement", it's just people talking to people. so don't be a neg posting bot, and be a person

you will learn to be less miserable. you learn to stop giving a shit and just do what makes you happy. they cannot get you here. there's no qrts. the few antis you'll find can be blocked and you'll never have to directly interact with one. don't be mean to the people in your own community, even if you disagree

again, you are more than what you don't like. learn to be what you like instead. and leave the dooming at the door

[yumeka-sxf]

I try to stay away from negative topics, but after hearing talk on social media yesterday and seeing this post from @such-a-downer, I just had to give my two cents about the complaints regarding yesterday's chapter being "another short mission" and that Endo is somehow being "lazy" or whatever.

I honestly don't understand this mentality of criticizing manga-ka, or any artists really, because they aren't delivering by whatever standards you personally think are appropriate. To me, it just seems like entitlement because Endo has no obligation to cater to any specific fan's wants. This is his story to tell the way he wants, and his characters to develop at the pace he deems fit. This isn't a business contract where we're paying him to deliver content we want every two weeks without fail. If I'm consuming the fruits of someone's creative labor for free, I certainly feel no right to complain if sometimes their content isn't what I wanted or expected. I'm fine with that because 1) I know it's what they (the creator) wanted/needed at the time, and 2) even if a particular chapter wasn't my cup of tea, I know other fellow fans out there somewhere are enjoying the heck out of it, and that's cool!

We also have to remember that SxF is basically a one-man show. If Endo is busy or sick or whatever, it's not like he can have someone fill in for him to write and draw the series. That's what a hiatus is for, that's what making a short chapter instead of a longer one is for...that's how artists should be treated so they don't get burned out and stressed. Plus, art shouldn't be rushed. Any artist knows that there are times when you have trouble coming up with ideas and maybe need a little extra time to develop a more complex section of the story. To immediately jump to conclusions that he's lazy or doesn't know what he's doing is ridiculous. Maybe he didn't feel good for a few days, maybe he's been busy with other SxF events, maybe he just needed more time to get a particular future arc developed, or maybe he just has basic IRL obligations to take care of like we all do...you don't know what's going on in his life, so don't make assumptions.

Another thing to keep in mind is that it's literally impossible to please every fan. One of the comments I read for example, someone was ready to drop the series because we haven't seen much of Yor in "a while." All I could think of was "didn't she just have a pretty big role only four chapters ago when they went to the ski resort?" Plus she was the star of chapter 91, which was less than ten chapters ago. So according to this person's standards, four chapters without seeing a particular character is "too long"? What if it was only three chapters, would that be acceptable? It's not right to push our own personal standards of a series' pacing as the "correct" way: some people want to see more of character X while someone else wants to see more of subplot Y, so should both complain that the manga-ka isn't doing right whenever they focus on something else? I'm not saying you shouldn't make criticisms of a manga-ka's work, but the criticisms should come from within the narrative itself, not superficial things like chapters focusing on subplots/characters you don't want to see or not having enough "plot-advancing" content when it's not a plot-focused series.

People who have read SxF up to this point should know the general flow of the chapters: mostly slice-of-life episodic, with more plot-heavy, intense arcs once in a while, like the cruise arc and bus arc. It's an ensemble series that spends most of its chapters focused on at least one of the Forgers, but occasionally other characters here and there. That's how the series has been for years and will likely continue to be. So if you keep complaining because you only like the dramatic story arcs and not the "nothing happens" episodic chapters, then maybe the series just isn't for you. It's totally fine if that's the case, but don't act like Endo is doing something wrong because he's not providing the particular thing you want in his story.

To summarize, Endo has no obligation to cater to particular fans' standards, just as we have no obligation to keep reading his work if we don't like it. But being a fan to me means respecting the creator's pace and vision even if it's not always what I personally want. I can find something to enjoy in every chapter because I'm a fan of SxF, not a fan of one particular aspect of it. But I also will not complain every time my tastes aren't being catered to and will simply occupy myself with other things while I wait. What's the big hurry, after all? I'm in no rush for SxF to wrap up its plot and I'm glad Endo isn't rushing either.

And that's all I'm gonna say about this topic, lol. On a happier note, I'm going to finally see Code White on Thursday! 😁 More to come later~

[cosmossystem]

running list of things i've learned from making my patch pants:

if you use canvas for your patches, the edges will start to fray. this is inevitable. i'm sure there is some way around this but i haven't figured it out yet. i'm thinking maybe a glue stick or fray check along the edges right after cutting the patch could work. of course, that might be part of the look you're going for, so it might not bother you too much (personally idc lol)

don't bother with fabric markers. they bleed and they won't show up on black fabric and they look like shit. acrylic paint markers are a GODSEND, use them. some are better than others, so try around to see what works for your fabric. i use top notch in white and it works for me.

also, if you use acrylic markers, be careful of it seeping through your material and onto the surface behind. i've ruined my desk this way.

no markers? try just regular ol' acrylic paints. works pretty good too, just keep in mind that it will make your patches stiffer and crack a lot more. also might not be waterproof--but who cares, really.

don't want to freehand all that text? USE STENCILS!!! you can make your own with tape and an exacto knife (apparently, i've never tried) or you can do what my lazy ass does and just buy a bunch of premade letter stencils. it also makes working with acrylic markers much easier.

if your material is black, or if you have a lot of black areas, you can use a sharpie to fix any mistakes. i usually do this to make my edges sharper. go over the area several times if you need to. it smells horrible but it works.

your patches will inevitably start to come off, especially around areas that crease (for pants, that's hips and knees.) that's part of life. there's a few things you can do to make them last longer. if you use a sewing machine, try using something other than a straight stitch, like a zig-zag stitch. if you stitch by hand, try doubling up your thread or double-sewing the edges using a combination of different stitches. i've had the best luck with a very close whipstitch. of course if the patch is beyond repair, you could always just take it off and replace it with something different (ship of theseus that thang!) you could also maybe get away with using embroidery thread but depending on your patch material, it may make it harder to work with.

also, i know this is kind of cheating, but you don't have to just decorate with patches. i added a bunch of safety pins and it adds a bit of Flare. that also means i have a free safety pin whenever i need it! (often)

these rules are not set in stone and you should experiment to see what works for you!!!

if you have anything to add on please feel free :)

edit for the love of GOD stop mentioning hemming in the notes. like i said, i specifically didn't want to include it in this post because hemming is A) a pain in the ass, and B) not accessible to everyone. i mentioned alternatives to hemming in my reblog, but here they are again:

a lighter or fray check (be careful with this and make sure you won't accidentally ruin your material or set something on fire. also please research how to do this correctly. don't blame me if you set your jacket on fire)

glue stick or liquid glue (this one might depend on what kind of glue and fabric you use as well)

interfacing (thank you to someone in the notes for mentioning this because i totally forgot about it and interfacing isn't my specialty)

liquid stitch or other forms of fabric glue (i actually had no idea this existed, thank you to the notes again)

again, stitching the patches on very closely. i use a close whipstitch for mine.

similarly, a blanket stitch on the edges before sewing the patch on (technically this is a form of hemming, but i'll allow it)

[pippin-katz]

Alright, I have mostly restrained myself, but I cannot stay quiet any longer. There is a question that has been eating at me...

Whose fucking idea was it to have Henry (Nicholas) constantly grabbing Alex's (Taylor's) hair?!

Note: I'm adding this in after finishing writing this because this was supposed to be a relatively short post, and then it spiraled out of control, so if you want to listen to me gradually lose my sanity over this question, feel free to keep reading, cause it is admittedly funny lmfao

Another Note: This is me being overly sarcastic and hyper cause it’s funny for me to think about that situation. This is supposed to be a funny post. I said that at the end, but I’m adding it here too.

Listen, remember what they said about the intimate scenes: they were planned down to every detail. Remember what Nicholas said about having conversations with Taylor, Matthew, and Robbie about boundaries, what was okay, and not okay. Remember that they have A LINE IN THE FILM ABOUT HENRY GRABBING HIS HAIR (iconic).

Do you see it? Do you see where this is going?

The hair pulling/grabbing is not random. It doesn't happen in just the New Year's kiss to set up a funny line later.

It happens all the time.

Even in soft moments, Henry has a hand in his hair.

The hair grabbing gets its own shot in their love-making scene.

Consistent small actions (twisting a ring, biting nails, drumming with fingers, etc.) are character habits. They're things that they do all the time, subconsciously or for a decisive reason, usually if you know that action causes a specific response that you want for any reason.

There's a coworker that drives you crazy, so you purposefully hum really loudly whenever they're in the room to piss them off. Your friend has a sensitivity to the color red, so on days you know you're going to see them, you avoid wearing it. Your partner has muscle cramps, so you massage their shoulders whenever you're standing behind them.

These habits usually start as conscious decisions, then gradually become subconscious, hence the term "habit". You've been doing something for so long or for frequently enough that you do it while on "autopilot".

I think it's pretty obvious why this action happens. It's because A: Henry likes feeling of his hair, and/or B: Alex likes when someone touches his hair. Note: This could be in any context, not just sexual; running fingers through it, washing it, styling it, etc.

Either you figured out what I am going to say, and you're wondering why I'm blabbering on so much, or you're just confused about where I'm going with this at all, so here's where it all clicks together.

When you have a character, habits are something you give them to give them more personality, more insight into their mentality through subtle things they do. It's something the director/writer/actor chooses to give to the character.

BUT - nothing in the intimacy scenes happen without being discussed and agreed upon.

This isn't like Nicholas fidgeting with the signet ring to show Henry's nerves. This isn't like Taylor frequently making little hand gestures (peace signs, finger guns, tapping the side of his glass, etc.) because Alex has undiagnosed ADHD and that's one way to physically imply it.

They can do those things without being told or given "permission" because it's their portrayal of the character, it doesn't effect anyone else, and small details like that are typically up to the actors, unless the director is incredibly strict.

BUT - AGAIN WITH FEELING - NOTHING IN THE INTIMACY SCENES HAPPEN WITHOUT BEING DISCUSSED AND AGREED UPON.

That means that someone, one of the four of them, brought up grabbing his hair as a suggestion, and further more, Taylor (and Nick, but obviously Taylor's consent is more important in this specific case) was fine with it.

Think about it. Think about them sitting around a table discussing the kinds of stuff that Matthew and Robbie would want to see, and what Nick and Taylor would be okay with. Think about the fact that one of them was sitting there, and looked at the other three, and said: "What if Henry grabs Alex's hair a lot?"

And then the four of them had to sit there, and talk, in depth, about what that would mean.

*inhale*

Who... the fuck... said it?

WHO SAID IT?!

Did Matthew and Robbie present it as part of the initial planning?? Or did one of them look Taylor and Nick in the eye and say it?? Did Nick throw it out there as something he thought Henry would do?? Was it Taylor??? Since it's his hair???

Cause it's not just like, running Nick running his fingers through it, combing it during some tender moment, like when Alex talks about his father being an immigrant.

HE FUCKING GRABS IT.

What the fuck were these conversations like?! I cannot think of a single way to have that conversation where someone wouldn't have to say something that would make me make me go UHHH-

What? So - Matthew's like "how do you guys feel about touching each other's hair?" -and they're like "what, you mean like running our fingers through it?" -and he's like "nah yanking it while you're making out"

Like... what do you say to that?! - "oh which one of us would do it to the other?" -and what, did Taylor fucking volunteer?? Just like - "he can pull my hair, it's chill" - WTF?!

Or did he suggest it in the first place, like they were discussing things that would that could be part of Alex and Henry's dynamic and he's just like - "he could pull my hair?" -and the other three just stared at him for a second, because wtf that's a intensely intimate action to suggest?!

Hair touching in general is really intimate, in like, every context, at least I think to most people, and definitely to me. Most people wouldn't just let someone, even someone they were friends with, start playing with their hair or touching their head. I wouldn't even let my best friend randomly touch my head; I would instinctually try to bite their hand off (not a joke). Maybe I'm a slight bit more touch-repulsed than most, but I feel like it's safe to say that the majority of people don't want their hair and head being touched, grabbed, or played with unless they say so.

And again, they do it CONSISTENTLY. It's not a one and done scene. It is an actual dynamic between Alex and Henry they chose to establish.

SO I ASK AGAIN: WHOSE IDEA WAS IT?!

I'm looking at you four, Matthew, Robbie, Taylor, and Nicholas. I know it was one of you cheeky bastards that suggested it. One of you brought it up, and the rest of you were like "sure".

I will be forever haunted by this mystery, as I doubt I will ever get an answer.

Note: Please don't take this super seriously. I'm not trying to imply anything; I'm literally just joking around cause the concept of having that conversation boggles my mind lol

Thanks for reading!! If you enjoyed this essay & would like to support me, you can give me a tip on my Ko-Fi! ���️

[doctorcurdlejr]

Niko!! what'd you think of I saw the tv glow. I finally saw it last night and noticed you posting about it so I wanted to know your thoughts :)

Levi!!! I was JUST wondering what you were thinking about the movie after I saw you posting about it as well... we are so media discussion pilled in this way, it's awesome. ANYWAYS I've had so many thoughts since I first saw it and I've been trying to turn them into something coherent for a little bit now.

Ummm okay I have written 1k+ words about this movie, the suburbs, and escapism via teen TV.... clearly I was dying for somebody to ask this I guess so thank you for indulging me <3

First and foremost, I absolutely loved it! I've seen it twice now and the first time I watched it I got to see Jane Schoenbrun talk about the film right after. I already really liked it from that first watch alone. I found it so deeply relatable to my experiences - both in terms of growing up gay and trans, but where I am now in my 20s trying to navigate adulthood. Hearing what Schoenbrun had to say really cemented my feelings and thoughts about the film.

Buffy the Vampire Slayer was a big influence on the movie (it's why Amber Benson makes a cameo as Johnny Link's mom). Even though I don't have the same emotional link to Buffy since I never watched it, I recognize it as the same type of warmth I experienced growing up with Riverdale. When Owen says he feels like his insides have been scooped out but that he's too afraid to look and have that wrongness everybody knows is there be confirmed, Maddy simply responds "Maybe you're like Isabel. Afraid of what's inside you." Tears forming but not falling, breathing shallowly, I grabbed the paper and pen the theater keeps at the seats for people to order food with and wrote that line down - the slip of paper is still somewhere in my car. Writing it now almost feels lame in its simplicity, but it felt like my insides were being flayed open.

During the director discussion, Schoenbrun talked a little bit about this idea of how truly fucking bizarre it is to grow up in the suburbs. Like, when we think about the pinnacle of normality in American culture, it's the image of middle-class cis-hetero-white suburbia. At the same time, despite this cultural dream of normality, everybody is hyper-aware that the suburbs are one of the least normal things ever. So, the ACTUAL cultural understanding of it is that it's where we go to, like, passively kill ourselves (*George Costanza voice* WE LIVE IN A SOCIETY YOU KNOW!). This idea isn't new, I mean there are so many films and shows about navigating that specific bizarre dissonance from Rebel Without a Cause to Heathers to Twin Peaks. Probably half the pre-teen to teen TV I watched obsessively growing up, stuff like Strange Days at Blake Holsey High, Making Fiends, Truth or Scare, and eventually Riverdale, were never shy about being weird and morbid and saying "yes, the suburbs are exactly as bizarre and lethal in the ways you can already feel in your bones at 13." I Saw the TV Glow does a really good job of keying not only into that mental dissonance but more specifically into how those of us who have felt so intrinsically weird and different and wrong fell back on these shows like they were capable of doing the emotional version of a rescue breath maneuver after being drowned.

In high school, if there were two things about me that any person who even vaguely knew me could list off it was that I watched Riverdale, and I was a lesbian - and I was mocked more for the Riverdale. At that age, I was, without a doubt, the most miserable I have ever felt in my life. I rarely left the house because my family lived in a development that made me want to scratch my skin off when I walked out our front door. Owen didn't leave the house for days, afraid Maddy could somehow force him out. I sobbed constantly and frequently to depressing indie rock on the floor of my closet while hoping my family would just once read the (honest to god) KEEP OUT poster plastered on my door since I didn't have a lock on it. Owen didn't leave his room for days, afraid of what Maddy recognized in him. I didn't go on dates and kept my chest binder shoved to the bottom of my bookbag while wearing dresses that could've come from a how-to-be the perfect 50s housewife manual. Owen didn't leave his bed for days, afraid of Maddy touching his neck and Isabel's dress. I also watched Riverdale with the kind of zeal you see in a Pentecostal who has found God and started speaking in tongues to let you know it. I own a button that says, "Don't Make Me Go Dark Betty On You," I cherish it in a way that is only achieved by knowing exactly how corny and trite it is and then moving straight past that because well actually, and most people wouldn't get this, she's holding back something deeply dark and wild and- and disgusting. something painful yet intrinsically her. but i get it, obviously. or maybe not obviously! hopefully not obviously, but- basically, I'm just saying I get it: the experience of reflection and recognition through the other and all that.

Whatever, the point is that this movie is one big glaring trans allegory about how it sucks dog shit to live in the suburbs, and even at our most repressed we find these little snow globes of actualization in the glow of a tv screen that isn't afraid to show you the world you see. I've seen some people say that, like, in this context accepting or coming into your transness is this monumental death of self, which I get, but I feel there lacks a nuance in that because either way Owen is dying. Unlike Maddy who buries herself alive only to come out renewed, Owen doesn't kill himself upon facing the reality that the world is constructed to keep him miserable and the only way out is to take back what it is that the world wants to keep scooped out of him. Instead he just passively lets it drag him to a much more permanent death. This lack of suicide sucks in the kind of way that forces you to sit in your car on the midnight drive home and think to yourself am I letting myself suffocate because at some point knowing the misery became less scary than admitting I've been capable of doing something about it the whole time?

Clearly, I’ve been enchanted by the film’s narrative and meta-textual language. If you're familiar with it, you can see how Schoenbrun built this movie like a long-form dream episode of a canceled teen show filmed in Vancouver. Lynchian? Yeah, sure. Riverdalesque? THIS we cannot possibly deny. Schoenbrun said they included Amber Benson as an act of healing the inner rage experienced at Tara’s death in Buffy. This is a Roberto Aguirre-Sacasa ending Riverdale with a bisexual polycule after his gay Archie play got ceased-and-desisted type move. There’s probably more I could say about the soundtrack and the visuals, but I’ve hit over 1k words on this, so I’ll leave it at I enjoyed this movie a lot. :)

Maddy is an out lesbian who left town to escape the misery and found it strapped to her ankles. She slinks out, an animal pressed against the gymnasium floor, and says "I'm not telling you anything you don't already know." Owen looks into the camera and narrates. He cuts himself open with a box cutter, fully acknowledges what's there, and the movie ends with his suffocating apology parade for the unremarkable inconvenience of his excruciating suffering. You can be gay and trans, you can know it and you can stop repressing it, but you're not going to stop suffocating until you can find a way to destroy the part of you that truly deeply does want to die, reaching for the comforting euthanasia of normalcy. Stop visiting the dream of the life you want and make it into your reality with the same kind of unrepentant conviction seen in some underfunded but wildly ambitious teen television series. In other words: you must try to survive the ego death of being weird. A weirdo, who doesn't fit in and doesn't want to fit in!