#this is why i never read current popular novels

[narutosfrogwallet]

trying not to judge this book by the first 20 pages but goddddddd the author is pulling every single stereotype out right from the start and i'm internally rolling my eyes already

[valyrfia]

RE: This ask on fanfic, fandom, and lestappen

(preface with, I love fanfic and fandom, and I've written for very big and small)

I have never experienced such bad fandom etiquette as I have with 1633. I wrote one multi chapter fic for the ship and 99% of ao3 comments I got were people asking when I'd publish the next chapter, which has always been a big no no in fandom. I deleted the fic because it felt bad that people didn't want to engage with what I had written, but, just ask about my update schedule. Also, people changing the date of their published fic to be more recent, so, it appears at the top of the 'recently updated page'! I have never seen this in any fandom before now! AO3 isn't Instagram! If you tag correctly, people will find your fic if they want to read it.

People are pushing 1633 constantly in very public spaces like Twitter, Insta and TikToK, where we know these drivers have accounts and look at comments/posts about them or on their own posts. Just today on Twitter I see Dan Howell (which what a fucking weird intersection of my past and current interests) being asked at a public panel about lestappen, just because he's mentioned liking F1 in the past. I know it gets easy clicks and engagement because it is popular. But, it's so far removed from behaviour that was ever considered acceptable in fandom.

I remember, back in 2013/14 there was a huge backlash to people bringing up fictional ships to actors/writers. There was discourse after every Supernatural or Teen Wolf fan forum/con panel when someone would inevitably ask about Destiel or Sterek. People would argue whether fanon and ships were appropriate to ask the real people behind the show about.

RPF is fine, I have written, currently write and will continue to engage in RPF spaces. But, there are boundaries that you must keep if you are going to engage with it. Tumblr and AO3 have always been considered locked fandom spaces. If a person goes onto these sites and searches themselves out, that's on them. But, it's implied in fandom that you keep to just these spaces or private chats

(personally, I'm sad I just missed out on the livejournal days... I got into fandom when everything was being moved over from there and fanfic.net onto ao3)

I understand younger social media users are used to an algorithm finding content for them. And on sites like Tumblr where the algorithm sucks or ao3, which doesn't have one. You have to search out the content you want yourself. Liking and kudos isn't enough, you actually have to engage in meaningly conversations and comments if you want to make friends. That can be scary! But, it's a soft skill that is slowly getting lost and with it fandom etiquette is going down the drain.

This is like...one of the last big serious ask I want to reply to on this topic because not everyone agrees with me (which, fine), but OP you put a lot of time into typing this up so I will honour that.

I think fandom, much like a lot of other things nowadays, have become less about fun and more about hitting a certain number of likes and interactions. That's why people push Lestappen on other social media even though most of us have explicitly said "can you not, thanks". The changing the date of the fic to push to an 'algorithm' infuriates me and is a personal pet peeve of mine. There's one that's doing that now on the Lestappen tag and I've point-blanked refused to read it literally BECAUSE of the date changing. People will read your fic if they want to, constantly pushing it to the top of the 'Date Updated' list does nothing except piss people off.

I will say I think the fictional ship discourse of 2014 was maybe driven in part by the fact that being gay was still seen as something much more 'novel' than even now. If we think about when marriage became legal in the US and all that...I still think though that it shows a level of self-awareness and self-regulation that we've lost in fandom. As my partner and I often to lament to each other, we've become so individualistic that people have lost the concept of shame. It's an idea that YOU are the exception and something should cater to YOU, instead of the other way round. In the case of fandom, this comes out as people acknowledging fandom etiquette in an abstract way, but still logging into their twitter account (WITH THEIR FACES ATTACHED! WHICH! THIS IS A TANGENT BUT IT BAFFLES ME! WHAT HAPPENED TO DIGITAL FOOTPRINT!) and posting about RPF. Fandom is not an abstract entity, fandom IS the people that interact with it–from authors to artists all the way to those who consume the content.

Also, I also JUST missed out on the lj days–the great migration was happening just when I was getting involved in fandom and I can't help but feel like I missed out on something special.

[theonekrafter]

Hey! I just recently found your Magneto fic and I am absolutely obsessed. Any updates coming in the future?

i’m super glad you enjoyed magneto! this ask has gotten me to finally put a discontinued in the description of magneto. it’s not at ALL because of you in particular, but i’ve realized by putting off adding it to the description i’ll keep giving people false hope. forgive me if i use this ask for a tediously long post describing why exactly i will never update magneto, so i can link it easily for anyone with similar questions in the future. 😭

so. short answer? no. magneto will probably never be updated. i’m really sorry for that. my interests have changed since graduating high school and i don’t really want to write bnha anymore.

long answer?

i started writing magneto pre-pandemic during my junior year of high school. i had seen there was only about a 100 self inserts for bnha at the time and thought “well, if i post something it’ll probably get a lot of attention, since the fandom is growing in popularity a lot and there’s a scarcity here!” 2019 was an interesting year for fanfic in bnha, since it didn't have enough content for the growing eyes looking for it.

i ended up being very correct. too correct. i actively updated magneto over the course of half a year, roughly, and in that time it rapidly climbed in attention. since 2020 ive only updated it about twice(?) and that hasn’t deterred the new readers it’s gotten. i get comments every other day asking about updates.

magneto is currently the most kudo-ed bnha si-oc on the entirety of ao3. which is fucking insane. i don’t think it deserves it, but popularity is rarely about deserving. usually it’s about being just good enough, just novel enough, and being posted at the right time.

but i digress: it doesn’t feel possible for me to update magneto for a variety of reasons.

1) my disinterest in the setting would make any future update disingenuous.

i haven’t been actively into the bnha fandom in about four years now. i don’t really read bnha fic aside from the very occasional si-oc, nor have i kept up with the manga or anime. the only fic i’ve ever written for the fandom is magneto, and it’ll probably always be my only fic for the fandom. (watch me say that and be wrong in the next few years LMAO)

it would be really rude of me to stomp into a space i don’t even like anymore and post something lackluster and lacking in passion. especially with the express intention of gaining more engagement from readers. like it or not, magneto IS the most popular si for bnha, and i think i drive attention away from better books by updating and inadvertently preserving that position in the ranking.

I can't believe no one has written any "self-insert as Bakugou" fanfics yet what a bunch of cowards by the_incidental_author and i have jostled back and forth for that #1 kudo-ed spot for the past five years. which i admit has been fun, but i would very much like for them to overtake me. it’s clear (to me, at least) that they actually enjoy writing bnha more than me and update more often to boot.

i fully welcome ANY fic to take magneto's position at this point, if only so that less people comment how poorly written it is. which leads me into my next point.

2) my writing style has SIGNIFICANTLY changed over the past five years.

when i do my yearly reread of magneto i actively cringe and have to resist the urge to rewrite every chapter in a separate google doc. in any hypothetical world where i do add to magneto, i do a complete rewrite. in no particular order, the things i would change are:

kenzo being defined by three character traits and nothing else. her exhaustion, her mild spite for her father, and her aimless wandering through the plot

better grammar. dear god the grammar errors. dear god the SPELLING ERRORS

the pov characters being more developed and feeling more like Individual People with their own personal motivations and histories that are not defined by what the plot needs from them (cough, reacting to how cool kenzo is)

not just recapping each anime episode and stating what kenzo would do in that situation

placing greater focus on the way quirk society discriminates against those with undesirable quirks and backgrounds. what does it really mean to be the child of a criminal in a world where people assume that sort of thing is hereditary?

kenzo's classmates should've been more classist in general, especially in relation to quirk discrimination. UA is a school only the most wealthy and powerful get into, there's no way there wouldn't be social disconnects that create tension between a dead eyed daughter of a villain and more than a few nepo babies.

if you have any interest in naruto, skyrim, asoiaf or dragon age you've probably read my more recent fics. fluffy clouds and a tinge of wonder, the fic i have updated the most this year, is a really good example of how significantly my writing has evolved since starting magneto in 2019. my technical skill and style have changed enough that it just would be tonally jarring for me to update magneto without outright rewriting everything.

like. im being so fr with you right now, i didn't learn how to start outlining until about a YEAR AGO. magneto was written on a chapter by chapter basis with little idea of where exactly it was going. i implied that there would be a future confrontation between kenzo and her father, but i didn't have any idea of HOW that would occur or even what the consequences of it would be.

adding to magneto as it is would be like trying to add a sleeve to a shirt that's missing it's entire back panel and most of it's front. i'd be playing catch up with the plot and end up having to rewrite previous chapters anyways.

3) bnha commentors have been kind of really mean to me compared to other fandoms i've written for LMAO

ok. please don't draw and quarter me for this. MOST commentors have been extremely complimentary, and kind. besides the occasional bomb of like seven comments in my inbox of ten hearts from one user (which, sweet, but please don't do that) the bnha fandom has been totally fine.

but a very small minority have been really pushy about making me update a fic i have clearly not touched in two years, and realistically haven't actively updated in four. from comments just saying "wow this is great. update soon." to DETAILED reviews of how bad my fic is and how they can't believe how garbage like magneto is so popular.

which like. i don't feel personally attacked by? i fully agree that magneto is bad for the previously stated reasons. i wouldn't read magneto if i were a casual reader and hadn't written it. usually the second kind of comment really annoys me because of it's presumption of importance and for how soul crushing it would have been for sixteen-year-old me to read.

bnha as a fandom, especially in recent years, has felt more and more like they treat fic like something that is created in a vacuum. souless content that exists for readers to consume. the comments don't go to an inbox, they go to a void, so really it doesn't matter if i say something really belligerent to an author i don't know about a Self Insert Fanfic They Wrote In Between Rehearsals For Their High School Play.

but whatever. if it had just been me experiencing that i would've written it off as like just my fic, but a close friend and frequent cowriter of mine Reavv has dealt with this a lot more than me.

they wrote It's a like a time travel comedy, without the comedy, another very popular bnha fic, and had to private it because people were going to their other UNRELATED fics and badgering them to update it. people still go into their comments insisting they unprivate it, oblivious to the fact that every time they ask it adds another year to reavv's internal timer for when they will.

a combination of my own experiences and reavv's have completely put me off of writing bnha i'll be fr. even if i was still in the fandom, the majority of my fics will always be about fucking dragon age and skyrim. i do not want random bnha fans coming into my dragon age fics and, AFTER NOT READING THE FIC, saying that since im active i should clearly update my bnha fics. that's a nightmare scenario for me.

in conclusion

i am so glad that people like magneto, i'm glad that i wrote magneto. the initial jump in readers i got from magneto gave me the confidence to write other fics, and the alternating pov format is a staple of most of my writing now. some of the comments i got for that magneto when i was a teenager were the only things that kept my ass going.

but magneto is never being updated. i don't even think it's gonna be rewritten. i really am sorry about that, but it is what it is. thank you for reading it, thank you for loving it, thank you for feeling ambivalent about it. good talk.

btw to the original asker, again. this is NOT a rant directed at you, you just inspired some Thoughts in me and i had to let them loose.

[zahri-melitor]

Is Zdarksy’s Batman run actually bad, or is it just messy?

I actually like Zdarsky's current Batman run and don't think 'bad' or 'messy' are actually the right words to characterise it at all.

There's a tendency when a writer gets handed one of the Big Name Titles (Batman, Detective Comics, Superman, Action Comics, Tom King's currently attempting it over in Wonder Woman) to want to produce a Genre Defining, Intellectual Run on the the title. I don't entirely blame it on Jeph Loeb and Hush, but it's undoubtedly become a lot more common since Hush sold approximately one squillion copies and has never been out of print since 2003.

Writers want to make their mark on the title and so they get caught up in interrogating Bruce's psyche rather than focusing on writing entertaining stories based in Gotham characters.

(This is also why I suggest if you want a fun Scott Snyder Batman run you read Gates of Gotham or All Star Batman rather than his Batman run, because he's trying less hard to write his Great Batman Graphic Novels and more focused on telling a good story).

At the moment we have both Chip Zdarsky and Ram V focused on writing Great Defining Batman Runs, rather than what is more common to happen, which is one of the writers on Tec or Batman is trying this and the other is focused on writing entertaining Gotham stories. Ram V's is, from all accounts, probably the one of the two that is going to end up entering The Canon.

However I certainly see more people talking about Zdarsky's run, probably because it's the more accessible of the two to pick up casually for for a run.

What ALSO doesn't help is that Ram V. is currently writing a Barbatos-based run and Zdarsky is writing a Zur-En-Arrh-based run (extremely generalised), as they're two overlapping Basic Batman Plots about forces controlling Bruce.

Why I think people are currently complaining about Zdarsky's run:-

It's based around an interrogation of Zur-En-Arrh Batman. ZEA is probably one of the least liked 'Bruce has crossed the line and is trying to be All Batman, All the Time' plots around here, because it revolves around a concept essentially invented by Grant Morrison, and people on tumblr don't like Grant Morrison's Batman.

Zdarsky is writing about Joker. People on tumblr don't like Joker and think he's overused.

Zdarsky's run has leaned quite heavily into multiversal concepts so far, but what he's looking at is different depictions of Batman The Character across different media adaptions, particularly older adaptions, and what they have to say about the central truth of Batman The Character. He's picking blokey and reddit-popular sort of titles to reference, not tumblr-popular ones.

The primary character in the run is Bruce. The secondary character in the run is Tim. Every other Bat character who passes through the run is brought in to serve a purpose to the narrative, using an aspect of their personality, and if you're a fan of another character, the fact that they're appearing as a side character or an obstacle in the story can be annoying, as the story isn't focused on the thing you cherish most about your blorbo.

I think everyone is busy blaming every aspect of the plot of Gotham War they don't like on Zdarsky, despite the fact it was written by a trio: I don't see Tini Howard or Matthew Rosenberg catching nearly as much flack for Gotham War, even as aspects of the event were pretty clearly steered by them (The Selina parts of the plot were obviously Howard. The Jason parts of the plot including the conditioning look pretty clearly to be a Rosenberg requested part of the story, given he had been consistently writing most of the published Jason content for the last 3 years).

Really, I think at its base it's that Zdarsky is digging into an aspect of the Batman mythos that tumblr doesn't particularly like, and that Zdarsky's main focus in terms of characters are Bruce and Tim. It's fashionable to complain that Tim's getting love and support by a writer for a whole lot of fanon rather than canon related reasons, PLUS Zdarsky is using the wider Gotham cast sparingly and only when he specifically wants them to work within the narrative he's telling.

Plus, it's pretty clear to my eye that Zdarsky's favourite Batman eras are about 1995-2009, and that's shaping some of his choices of characterisation using long term aspects of characters. He's a Brubaker-Rucka and a Morrison-Nicieza fan, people. He likes O'Neil era events and Batfamily writing from Gotham Knights and Bruce Wayne: Murderer/Fugitive.

[danmei-confessions]

I truly think SVSSS deserves a revision more than any of MXTX's other novels.

I love the novel, yes, but it is poorly written. MXTX rushed the chapters after Bbingqiu's reunion due to using VIP lock for the first time and it makes the writing distinctly worse. I understand that she was young while writing it, which is the whole reason why it deserves a revision. The novel could have so much more potential than it currently does and it's no wonder that it's her least popular when even fans of her other novels choose to not read it due to being uninterested.

So much more story could be added, or just minor details. For example, we barely know anything about the 12 peaks all together, and unless you make up facts, there's practically nothing on their peak lords too. I see complaints about the SVSSS wiki being empty regarding the peak lords and I hate to say it, but that's NOT due to the moderators but rather pure lack of content. Hell, most of the facts that do existed were only in the light novel and not in the web novel at all. There's such little information it's really not shocking that the fandom runs on head-canons. In all 100 chapters of her novel, half of it in slightly plot, while the other is SQQ being... SQQ.

I have so many thoughts on the potential SVSSS has:

Despite it being mentioned that there are 'plenty of minor sects' we only hear the name of one.

Despite sects like Tian Yi or Zhao Hua being a part of the main 4, we know almost nothing about them, how they run, or their disciples/sect lead (literally the only named Tian Yi disciples are the 3 nuns). We also don't know their locations, what locations they control, or their history

The past events of SVSSS (before SY transmigrated) are so messy. Theres only 2 timelines I've found here on tumblr and even those are so different from each other. Theres no clear years compared to TGCF or MDZS and its so frustrating. This also leaves characters practically age-less (other than like. Binghe) unlike her other characters.

Almost none of the side-characters grow development with anyone other than Shen Qingqiu. I say 'almost' but I can not name any off the top of my head. There are characters that have/had such interesting relationships that were completely thrown out the window For The Plot. This is so.... disappointing, considering other character's relationships make up the plot! It's not only the MC!

Everything being rushed is heartbreaking, and with a re-write I think arcs such as the Holy Mausoleum, Jin Lan, Borderlands, etc could become SO much more interesting. Alongside that, the Mai Gu Ridge situation was blown off so fast?? Like, it was mentioned that the Endless Abyss was breaking through CCM, then just never mentioned again...

Power Scaling. Fights. Actual fights between people who aren't LGQ or LBH. We only really got NYY/LPM, MBJ/his uncle, and TLJ/LBH. Most of those were ALSO rushed.

The System's appearance was reduced LARGELY in the later chapters-almost like MXTX forgot about them. The whole first 2 volumes include The System so much, and its unique! functions! all for it to be disregarded and those functions to never be used other than the jade necklace.

Actually going into the wonderous world of PIDW that is claimed to have interesting weapons (only Xin Mo was shown), locations, plants (only Qingsi and that one thats too long for me to feel like typing shown), and creatures (only rly ZZL and Madam Meiyin shown).

That's all I really have right now. I'm not trying to be an anti of MXTX's other novels. I just think that SVSSS has so much potential that she could have brought out if she had chosen to revise it. I love TGCF and MDZS very much, they have great scaling, brought-out potential, and relationships that SVSSS so could have.

I do want to exclaim that out of all her 3 novels SVSSS has been my favorite for years. I genuinely feel upset that it was not the one picked despite how obvious it is that it has barely any NEW content. Or at the least, confirmed facts. In her QNA's most of the questions are purely MDZS/TGCF while there's maybe 2 SVSSS ones. Those few questions answered by her are literally lifelines for some fans. (Such as heights and Moshang) The novel could become popular just if the criticisms/potential of it were actually addressed. I'm not saying that casually but I am very sure of it as MXTX is a freakishly great writer and she COULD take the novel to the same heights as TGCF/MDZS if she truly wanted to.

.

[boybff]

wait hiiiii hi hello bestie i didn’t know u like video essays!! i’ve been trying to find more to watch recently, do u have any other recs? about any topic 👀

HIIIIII bestie Robin, are you ready?? After harvesting my Youtube subscription and liked video lists here is what I have compiled. I'm gonna put my current top 5 video recommendations and then the rest of the list, under the cut, is organized by creator.

Why Are There So Many Confederate Vampires

The art of religious interpretation (midnight mass vs god’s not dead)

Defunctland: Walt Disney's City of the Future, E.P.C.O.T.

Hogwarts Legacy, JK Rowling, and Trans Advocacy

Cultural Inspirations in Avatar: The Last Airbender Book 1 - Water 

CHANNELS

biz barclay - hilarious, brilliant, my best friend who drinks wine and weaves me long insightful stories while sitting on the dresser or in the bathtub. The vast amount of knowledge, historical 

understanding snapewives: religion, fandom, sociology, & erotica

Goncharov (1973) video essay

The art of religious interpretation (midnight mass vs god’s not dead)

Xiran Jay Zhao - Author of one of my FAVE YA novels, “Iron Widow” (which is a MUST read). I always want more avatar content that focuses on cultural inspirations from trusted sources. Xiran taught me so much about the avatar universe I already loved as well as valuable critiques. They also do retellings of historical events such as- Bisexual Han Dynasty Emperors and Forgotten Warrior Queen - Fu Hao.

Cultural Inspirations in Avatar: The Last Airbender Book 1 - Water 

Cultural Inspirations in Avatar: The Last Airbender Book 2 - Earth 

Cultural Inspirations in Avatar: The Last Airbender Book 3 - Fire 

Fundie Fridays - Jen, a leftist queer feminist, and her husband James examine different aspects of Christian fundamentalism, American conservative politics and pop culture. She has remade a lot of her older videos so make sure to watch the updated versions! She was also featured in the Amazon docuseries “Shiny Happy People” which I would HIGHLY recommend. 

Vacation Bible School of Rock (3 part video series History of Contemporary Christian Music)

Ken Ham’s Creation Museum & Ark Encounter

Ask a Mortician - Caitlin Doughty!!! The adult Wednesday Addams we should have got. So compassionate, informed, and moving!! I love her work and she has taught me so much about what it means to have a relationship with death and grief. Her work deals with heavy topics and you can tell she does this work from a deeply respectful, informed place. 

The Lake That Never Gives Up Her Dead

Let’s Visit the Churches Made of Human Skulls

Why are Black and White Funeral Homes STILL Separate? With Dr. Kami Fletcher

Iconic Corpse Series

Princess Weekes -  Nuanced video essays on pop culture, race, feminism, and other social issues. Takes time to break down complex concepts, their origins and material consequences. The essay on confederate vampires and the connection later made to sci-fi media like Firefly were so paradigm shifting to me!

Why Are There So Many Confederate Vampires

The Magical Negroes of Stephen King

Ro Ramdin - Poetic, biting, and introspective essays on pop culture. 

Do Celebrities Hate Their Fans? (Doja Cat, Frank Ocean)

Hogwarts Legacy, JK Rowling, and Trans Advocacy

DefunctLand- History of extinct theme parks and themed entertainment experiences. 

Defunctland: Walt Disney's City of the Future, E.P.C.O.T.

Disney Channel’s Theme: A History Mystery

Mina Le - Fashion, movies and pop culture

WHY IS EVERYTHING SO UGLY: The Curse of Modernism

FAIRYTALE COSTUMES: it’s giving renfaire but why?

Quinton Reviews - Extensive videos covering niche topics, most popular for Nickelodeon deep dive retrospectives.

How Documentaries Lie to You

The ICarly/Victorious Saga Playlist

TheEpicNate315 - yea i fucking love endless hours of useless skyrim lore because the conspiracies are so deep and I have to do 0 of the research to get all of the information years of scouts worked to piece together! 

The Skyrim Mysteries Iceberg (Part 1 of 4)

The Fallout Mysteries Iceberg (Part 1 of 2, incomplete series)

Mike’s Mic - Silly, goofy, and thorough breakdowns of nostalgic TV shows

Any of his unhinged recaps - LOST, Pretty Little Liars, Glee

Tiffanyferg - Media criticism and commentary

Internet Analysis Series 

Zoë Ligon - sex educator, artist, and writer, who also owns SpectrumBoutique.com, a health and education oriented sex toy store. Such a special place in my heart for her!! Her bondage mini-documentary with Midori was so touching. 

Sex Stuff | Japanese Rope Bondage with Midori

Channels Newer to Me

Broey Deschanel - a mixture of film analyses, retrospectives, politics and just absolutely overthinking anything to do with pop culture

Elvis (2022) and the Utter Mediocrity of Biopics 

Meeptop - rambling about movies and stuff

Who is Dahmer Even Made For?

LadyJenevia - discussing entertainment media content including films, television series, etc. Expect to find reviews of recent cinematic releases, video essays on older releases, and interviews with talent from the film/television industry

Glass Onion: A Knives Out Mystery and The Art of Hiding in Plain Sight (Netflix Review/Video Essay)

As a disclaimer, I am not endorsing any creator fully and if you see someone you think I should not promote please reach out to me so I can edit this list. As a general rule of thumb the more I had to write about someone, the more informed the recommendation.

[anrisimps]

LeeRok Rofan Au

Krs was reborn as Cale Henituse's twin brother. He regained his memories when he was 12 yrs old and realized that he was in a novel. His brother was supposed to marry the commoner Alpha at the behest of the king. Cale obviously hated the idea and ran away from home. It then fell onto the Duke to send someone else from their household to marry lsh

Krs was glad that he regained his memories years before the canon events began. His brother didn't need to run away from home now for krs would gladly take his place. Lsh was his ideal man after all

Krs held the letter with trembling fingers. To think lsh had finally replied. His brother had made so much fun of him because of this. Cale thought it was very weird and out of character for Roksu to  fall in love with a man he had never met before, and write letters to said man without expecting anything back. Cale truly did not know what went around in his brother's head anymore. 

Roksu henituse was one of the most popular omega in the entire kingdom- other kingdoms even- and turned heads wherever he went. He hated socializing but had everyone eating out of his hands in mere minutes of meeting them. That was why it was extremely weird for this cold omega, the icy beauty of their kingdom, to approach an alpha first- a commoner to boot. Even the crown prince was pushed aside in favor of that man. Cale was extremely curious to meet this alpha who had stolen his brother's heart without meeting him even once.  

Krs felt like his heart would jump out of his throat as he opened the letter. Lsh had replied, his alpha had replied. The man had responded after one year of constantly sending letters, each one ending with the same thing over and over again-You don't have to reply- because it was krs who suddenly approached the man. The alpha had all the reasons to ignore him, even if his current pen pal was the son of the Duke Henituse, quite possibly the richest family in the continent. 

Krs knew the type of man lsh was. He had read so much about him after all. He was going to approach the man at the new year's ball if he hadn't replied but to think he actually did?!

"Dear Roksu Henituse,

Young master-nim, unlike the weather at the capital you spoke of, it's snowing here-

.

.

.

-Commander Lee Soo Hyuk"

Krs read the letter at least a hundred times after that, as if he wanted to burn each and every word into his memory pretending like he hadn't memorized the letter the first time he read it. There wasn't anything special, the alpha spoke of inane things like he had. He told him about his day, what he ate for lunch, what monsters he fought and how he loved the pens that Rok Soo gifted him. The omega felt something pleasant unfurling inside him at the remark.

 If Cale saw him at the moment he would've screeched that someone had possessed his brother because the omega never blushed. Well, he wasn't blushing right now either but the warm, fond look in his eyes and the barely hidden joy, which was miles away from his usual expressionless face- was as good as flushing and skipping about with barely restrained joy. 

Rok Soo read the letter once again and decided that he needed to snag his alpha soon. His one year worth of efforts bore fruit and he was ready to proceed to the next step- seduce his alpha. 

He wasn't narcissistic like his brother but it was hard to deny his beauty when he stood in front of the mirror. This body was  much more beautiful than his previous scar ridden body. His alpha didn't stand a chance. He looked forward to seeing the man at the new year's ball. 

Soon you shall be mine, alpha

Omake-

Og!Cale : You don't need to marry him.

Krs : But I will.

Og!Cale : No one is forcing you-

Krs: He is my husband. Mind your own business.

Og!Cale : .......

[night-unfurls-its-splendour]

Susan Kay's 'Phantom' Read: Part I (Madeleine)

I'm gonna start by voicing a deep dislike and annoyance for the endorsements on the back.

"Adds new depth and perspective, moving well beyond the familiar bounds of the story..." -- Publisher's Weekly

... No, it doesn't. It offers ONE person's take while actively circumventing, contradicting and ignoring canon. You can't "add new perspective" to someone else's work by making up your own shit. This is nothing more or less than Fanfiction. And Fanfiction is by no means bad, but just because it follows the basic timeline outlined by the original author, that doesn't make it any more legitimate than any other transformative/derivative work just because it's in book form.

Even more aggravating is this, from School Library Journal:

"Phantom of the Opera fans no longer need to ponder what was in Erik's past, as Kay has created one for him in this deeply moving, poignant story . . . This sad, but beautiful, novel will be especially popular with [those] who have enjoyed the current musical."

I hate that this is actively encouraging readers to accept this dross as canon. "No need to draw your own conclusions, just ape off of this author!"

All of my above statements about how THIS IS VERY MUCH NOT CANON AND SHOULD NEVER HAVE BEEN CONFLATED WITH LEROUX CANON TO THE EXTENT THAT IT WAS stand.

Like whether you enjoy it or not, IT'S NOT CANON.

Anyway, onto 'Madeleine'

My first question is, did Kay name her this so that later, when Erik talks about marrying Christine at the Madeleine Church, she could point back to this and go "Haha! Mommy issues!"?

Now that's aside...

So, I actually liked the writing quite a bit. There are some decently witty phrases here and a few even made me chuckle.

I personally think she spent way more time than she needed to on Madeleine, who is, I won't mince words here, an OC. There's so many details I just don't want or need.

I will be honest, I think Kay did a good job capturing Erik’s troubling characteristics and applying them what he would perhaps have been like as a child.

My biggest problem is the Renesmee of it all.

I dislike the fact that infant Erik is portrayed as having a kind of consciousness. Of course, Madeleine is an unreliable narrator, so it could easily be that she simply projected an unnatural consciousness onto him out of fear, but I somehow doubt that this is what Kay was aiming for. The way she has Madeleine describe Erik as an infant seems to indicate that, from the moment he was born, he has understood himself to be afflicted and different, which I deeply dislike.

It has always seemed to me, that, whatever skills and gifts Erik employed, Leroux's point was that, under it all, he really was nothing more than a man; that, had he been treated with acceptance, he would not have been very different to any other man. No bizarre consciousness bestowed upon him as a curse on his mother for the sin of vanity made Erik into the haunting soul that he is.

And that really does seem to be the implication here, which is a problem for me. Its one thing to write Erik's mother regarding him as a punishment from God, its quite another to actually support that idea in the text by having him develop, not only intellectually, but physically, beyond the bounds of humanity. Crawling at six months, sure. Speaking at six months and walking at 9? No. Absolutely not. We're not doing this.

Even his deformity is treated as something supernatural (which is REALLY annoying, since we know that Leroux prided himself on even his outlandish writing choices being based in reality and accepted medical knowledge of the time. We KNOW he consulted doctors about potential diseases upon which he could base Erik’s disorder (which is likely either congenital syphilis, or Gunther Disease).

Erik became what he was because he was a child like any other and couldn't understand why he was denied the affection and attention he craved as a basic instinct, what nature dictates as natural; denied his first and most basic human right--a mother's love.

It's so much more meaningful and logical that hope should be drained from him gradually as his mother continually rejects the natural order; that he should gradually come to conclude that he is an exception to Nature's established rules, and this then is what drives Erik to build himself into something extraordinary, using the exceptionally favourable gifts he was granted by God and nature.

Now I've heard about what a bitch Madeleine is, but honestly she's not half as bad as what I was expecting (at least from her own narrative). That she takes the trouble to try and educate him herself is interesting to me, but also kind of silly. Kay grants child!Erik an intellect and developmental speed that is "Nothing short of preturnatural". If you're going to treat him like a supernaturally intelligent being then why spend so much real estate on his education?

I'm also not sold on the idea that canon!Erik's mother would ever have put that much effort into fostering his intellect.

But then in my head-canon, Erik's mother put it about that Erik died in the cradle shortly after his birth and kept him hidden for his entire childhood (which frankly, I think, is the more realistic scenario--but then I would, its my headcanon).

Also, you remember when I talked about Kay ignoring and contradicting canon?

Erik has "mis-matched eyes" in this book. That's from the musical. Also he's Christened a "Erik" here (his mother tells the priest to give the baby his own name). Erik isn't actually Erik's birth name in Leroux. It's a name he adopted "By chance" in his adult life.

Overall I found this whole section very tedious, but perhaps the most upsetting thing about it for me was this.

I was told that Erik's mother is a bitch (big surprise, we all knew that).

So I was expecting gross neglect, constant verbal abuse, physical abuse etc.

Well it was surprisingly light on all of that. In fact Madeleine is self-aware enough, with the help of another OC, her friend Marie (who is the only person in this book with any rights, imho) that she's lacking as a mother, and feels guilty about this.

She even ***Spoilers*** comes around to a point where she comes to terms with having Erik for a son... just in time for him to run away after his beloved dog gets killed by a mob of local boys.

What NO ONE MENTIONED and what I found just absolutely, insane, unnecessary, and repugnant, is the treatment of Erik's voice as being inherently sexual from birth.

This excerpt, from page 7, describing Madeleine's first experience of hearing Erik cry as a newborn, sets the tone for the first half of her narrative:

And then he cried! I have no words to describe the first sound of his voice and the extraordinary response it evoked in me. I had always considered the cry of a newborn to be utterly sexless--piercing, irritating, curiously unattractive. But his voice was a strange music that brought tears rushing to my eyes, strangely seducing my body so that my breasts ached with a primitive and overwhelming urge to hold him close.

And is followed by these little gems:

I had begun to be afraid of the manner in which his voice was manipulating me. It seemed evil somehow, almost . . . incestuous.

Whatever spiritual ecstasy Father Mansart derived from those throbbing notes, my response was utterly and unequivocally physical.

The words were for God; but the voice, the exquisite, irresistible voice was for me and it pulled like a magnet somewhere deep and unseen inside my body.

I find these so particularly repugnant because after a little while this fixation with Madeleine sexualizing her son's voice... just stops. It goes nowhere, and there's no real reason given for why it stops being a theme. I'm completely baffled and disturbed as to why this is in here at all, especially because Leroux describes Erik's voice in many ways (angelic, sweet, beautiful, pure, triumphant, powerful, sinister) but he never explicitly attributes sexual attraction to it, even from Christine's perspective. Christine is so viscerally transported by the beauty of his song because it is beautiful music and she's a freak for music, not because his voice's default setting is "automatic aphrodisiac".

Erik does seduce Christine with his voice, that's absolutely true, but only because that's what he intends it to do, not because that's just what it does on its own.

Masterpost

[retrorope]

The Retrorope Aesthetic...

I get a LOT of commentary regarding why the photos look the way they look; if this something you’re curious about, read on! 

Retrorope was conceived from the idea of recreating the kinds of images which have long existed in popular culture: whether in old movie serials, vintage TV shows, pulp novels, or adventure books -- men have found themselves tied up, and the common element in most of those situations was the drama inherent in whether or not the hero managed to free himself. 

Consequently, the look of Retrorope photos reflect that; and that may not please everyone. I often hear complaints that the rope work should be “better” or that the models should be nude -- but photographs like that are really something different from this series, and there are countless photographers who address those aspects far better than I could! 

Models are always clothed in Retrorope photos, because they were always clothed in the original images from which my series draws inspiration. Models sometime escape from the ropes, because that’s what happened in all those older images. Bondage gear, shibari, leather, and rubber are wonderful elements in their own right, but they didn't exist in their current contexts decades ago, and so I leave those elements out of the series. 

Retrorope images certainly won’t please everyone; they were never intended to. But for those of you who HAVE enjoyed the series: I thank you for appreciating them on the terms with which they were created!

Retrorope

[dovesandmagpies]

More thoughts on literature (mostly history books) because it turns out I have a lot of thoughts on this subject. I feel like this got away from me slightly, but anyway.

When I was a child, I read many history books and historical novels (not much has changed really). Because most of these books were for children they tended to edit out things that were not considered appropriate, sometimes to the point of near incomprehense.

Once I started reading less violently child friendly history books, I quickly became adept at spotting where previous history books had failed to mention things. Maybe a book about the Wars of the Roses ended with the focus characters living "happily ever after" and not "being executed by the Tudors for being York-ists" maybe a book about Marie Antoniette ended with her being crowned Queen and not being guillotined (side note, why are there so many books about Marie Antoniette? She is boring, I have read 3 books about her and every one has failed to convince me that she is even a quarter as interesting as her mother, a person I have found 0 books about and am still very annoyed about it (really, all I currently want in literature is a really good book about the War of Austria succession and the 7 years War, surely there's one out there somewhere)).

However, not all vaguely worded things in children's history books are the author attempting to hide something inappropriate. One of my history books informed me that "France lost the Franco-Prussian war, Napoleon III was even captured! "

As Napoleon III was never mentioned again I drew the logical conclusion that he must have been killed in a truly horrific manner and my history book was trying to distract me from it by talking about other, admittedly interesting, things such as the em's telegram and why WWI happened.

But recently I remembered this incident in my history book and thought "I wonder what did happen to Napoleon III?" so I looked it up,

What was the fate so terrible that it could not be mentioned in a book that explained what being "hung, drawn and quartered" meant?

It was.... To go to England.

Napoleon III after his dethronement, retired in exile to England.

Oh the horror.

I do find this very funny, was one sentence explaining this just too much?

Anyway, as someone who can now read "grown-up" history books I find it really hard to find books on things I am interested in. I don't want to read about WWI, WWII, the roman empire, the renaissance or the Tudors. Currently I want to read about history between Elizabeth I and Napoleon because stuff must have happened in non-English speaking places, but good luck finding anything at the local libraries.

Certain time periods are just more popular and I understand that, but I also want to fill in the gaps in the giant puzzle that is my understanding of history, not read another book on Tudor England.

Sorry if this makes no sense it was very late when I wrote it

[haveyoureadthispoll]

The novel tells the story of high school senior Chloe Green who seeks to uncover why Shara Wheeler, the most popular girl in school, vanished on prom night soon after kissing Chloe. Chloe collaborates with Shara’s next-door neighbor, Rory, and boyfriend, Smith, to follow the series of notes Shara left them before her disappearance. Written on pink stationery and placed in meaningful locations, the notes provide clues as to where to find the next note and why she disappeared.

[mermaidsirennikita]

I think what's often missed in the "why can't we play with genre and not write romance with an HEA?" conversation is that a lot of people defending the HEA are heavy romance readers who are very aware of the amount of money involved, and how the authors who pop off about wanting to be able to label their non-romance books romance are in fact... thinking of money.

Not solely money, of course. And that's not meant to be a critique--I'm a writer, I'd love to write books for a living someday. Money is important. I'm all about getting money for your work, and I've never begrudged anyone for writing to market, writing to catch a trend, whatever. Sometimes it can turn out badly, but if you want to make money it does have to happen (and often writers write to market, get big, and then write what they want... see Ali Hazelwood's Bride) and as long as you are writing a good product and enjoying yourself... I don't see the issue.

BUT. Romance is extremely commercially viable, and it has been especially for the last few years (though that hype has to die down at some point, dude--and I think the shift to romantasy is probably like, the last breath of the current boom, and romance will go back to its normal levels of popularity, which are still more commercially viable than many other genres). So when people (like me) see writers going "but why CAN'T I label my love story that doesn't have an HEA 'romance?"...

I mean. We know why lol. We aren't idiots. Why is it so important that your fantasy novel is placed on the romance shelves, in the romance categories on Amazon? Is it because these authors have a deep and abiding love of romance and just want to sit with the cool kids? Is it because their hearts beat for romance, and even though they wrote something that is not a romance (the thing their hearts beat for) they just are desperate for it to be there? Is it because they are SO DEDICATED TO THE CRAFT OF WRITING and SO EDGY that they MUST change genres, they MUST break CHAINS!!!!

No lol. It's because when you write a romance, you are much more likely to be recommended by the BookTok girlies reading ACOTAR (and say what you will.... those books do by and large, I believe, have HEAs for pretty much all of the core couples). You want that Fourth Wing bread. You are more likely to have access to an audience that spends more than other audiences do. You want access to an audience that also is, let us be real, less likely to be real misogynistic about your book than certain subsets of the fantasy readership.

And the thing is--sure. A lot of readers sincerely don't care. And good for you, why did your book need to be labeled a romance the--oh, wait. I see!

But the readers who do care and spend like, anywhere from $1.99-$35.00 on your book (look dude, I'm thinking about preordering a pretty copy of the next Kerri Mansicalco, and I feel a LOT BETTER about spending that money because she specifically referencing HEA's when announcing her adult titles, and I APPRECIATE THAT A LOT ACTUALLY) only to find out that it's not the thing they expected... It doesn't follow the ONE RULE you expected it to follow because of how it was marketed...

The only time I've kinda come close to having that happen is actually when I read that book the new Anne Hathaway Harry Styles fanfic movie is based on. I was verrrry new to going back into the romance genre, and I read it expecting, based off the premise, that this was a fun, maybe a little silly, sexy book about a woman falling in love with fake Harry Styles. And she does. And guess what? At the end they rather randomly and suddenly break up.

And it kinda sucked.

It's also going to suck to see that book marketed as a romance as the movie comes out, but there you go, I've spoiled you, HORROR OF HORRORS I let you know that the thing you think is gonna be a fun little romance with a happy ending.... is not.

But yeah dude, imagine if I'd spent ACOTAR or Fourth Wing or Princes of Envy money on that book. I already felt kinda dumb for spending what was probably $8ish? It was a kindle copy. I could've gotten a fry-less sandwich with that money, back then!

So yeah. I just think that a lot of people want to be very condescendingly high-minded about PUSHING GENRE BOUNDARIES. And it's like... dude. Do you not think I would get my head bitten off if I went "well, I want to write a fantasy novel, but I don't want there to be magic... I actually want it to be revealed that everything is just run by computers the whole time, and the magical spell was actually a hologram, and I want that to be shelved and sold as fantasy"?

Yeah. Because I'm basically tricking people out of their money, lmao.

[zacki0gaming]

The PCC Comic + HOPE Series Are Masterpieces? (Absolutely Not!)

Before I Start

This is going to contain Major Spoilers, Disturbing Topics, Etc (You have been warned).

Greetings everyone! I am continuously providing reviews of both continuations of the episodes and ranting. Firstly, I would like to take this opportunity to express my thoughts on the comic titled "Pink Corruption Continued" or PCC for short (which is canon btw) and the HOPE series. If I must briefly describe these two, I must say that it felt more like it was "another waste of my fucking time".

The content, more often than not, felt like I was listening to a fanfiction OC fetish that I could typically find on websites, such as Wattpad or Archive Of Our Own.

This is generally insulting in this franchise that it does an incredible successful endeavor to make me feel miserable. The HOPE series felt very empty and the PCC comic NEVER tries to make it feel "canon" and I wasn't even satisfied to the "slightest" on how this entire current 23 page comic went.

In advance of offering my critique, I would like to acknowledge a noteworthy statement that was shared by a YouTuber named "Upper Echelon," which I wholeheartedly concur with: "Human beings can be manipulated through cheap and shallow tricks." Within storytelling, whether it be in a game, novel, or other media format, individuals can be emotionally manipulated and misled by poorly-written narratives. Regrettably, creators may intentionally introduce characters who are supposed to be perceived by the audience as cool and instantly likable. Yet... Objectively speaking, this approach offers characters that are often somewhat forced into the storyline without adequate development or proper characterization. This can be interpreted as an "act of manipulation" towards the audience to forcefully evoke sympathy for these characters. Remember this because this almost happened twice for me with one of ArtofSoup's OC characters when I initially read the PCC comic for the first time that I'm going to talk about later on.

Here is what I'm going to do here before starting reviewing the entire comic:

Firstly, I'm going to explain the drama, controversaries, and the old cancellations to the best of my ability from what I can remember.

Next, about the comic, I'm going to be explaining all of the characters I've seen having ages changed, the canon ships, etc.

Thirdly, I'll be discussing additional screenshots of potential ideas that were supposedly going to be incorporated into the comic that were from discord.

Fourthly, I will be starting reviewing the entire comic by dividing the pages into 4 separate categories: Pages 1 -5 (First), Page 6-9 (Second), Page 10 - 15 (Third), and Page 16-23 (Final).,

Fifthly, I'm going to be actually discussing the "HOPE" series too because why not.

And finally, I'm going to give off my final conclusion for all of this.

Drama, Controversaries, & Old Cancellations

I can confidently say that this entire franchise's downfall is well-deserved in my opinion.

For the sake of brevity, I will succinctly address the Pink Corruption Drama because this will go down in my opinion, the most stupidest and hypocritical drawn-out drama I have ever seen in my life... All of this started because of disgusting pornographic fanart from Brittany's sister, Brea...

It is repulsive, nonsensical, and ironically hypocritical. If you want even further context on this, I will be providing links to videos, etc about the drama and allegations itself. I'm not joking, some of you people don't realize how DEEP this rabbit hole goes...

To clarify, the Pink Corruption Series used to reach its peak back in 2019 to early 2020, specifically talking about the amount of views Season 1, Episode 3 has on Brea's channel. 3.1 million views... (Probably only because the JSAB game was very popular back at this time). However, Brittany's sister, Brea, uploaded several videos discussing canceling the series but, I couldn't remember the main reason why.

This action here was the beginning of "the downfall of the entire fanchise of the Pink Corruption Series". This also most likely caused the drastic decline in viewership for the series, going from receiving millions of views to approximately 10,000 or more views in the subsequent months.

In early 2020, with insights from Bubby Aurora's "Telling My Tale" google document, the "drama," or "great schism" as some call it, began in early 2020. Brittany's sister, Brea, had been writing pornographic fanfiction for the series and constantly showed it to Brittany. This made Brittany so uncomfortable that she felt compelled to cancel the series.

In early 2020, the infamous drama, or "great schism" as some call it, began. The catalyst for this event can be traced back to insights gained from Bubby Aurora's Google document titled "Telling My Tale." At the heart of the conflict was Brittany's sister, Brea, who had been making pornographic fanfiction for the series and continuously showed it to Brittany. This caused significant discomfort for Brittany, leading her to make the difficult decision to cancel the series. (Keep this in open mind later on).

At the time, ArtofSoup and Brittany used to be friends at this time period, but I didn't fully understand what was happening behind the scenes. Because of this friendship, Brittany Robinson gave her permission and consent for ArtofSoup to continue the series in the form of a web-comic. Ecstatically, ArtofSoup began writing their comic, "Pink Corruption Continued." (I'll explain the events surrounding this in more detail after discussing the current topic.)

However, things started to fall apart when Brittany supposedly cut off contact, shit talked ArtofSoup behind their back, and continued to create episodes (that were non-canon, NOT CANON)... Without their consent... This eventually led Brittany Robinson to intentionally create the "Non-Canon Continuation of the Pink Corruption Series" on youtube, "Season 1, Episode 6 to recent". Due to this happening, Brittany Robinson started to blatantly steal ideas from ArtofSoup's work into the non-canon continuation, which infuriated ArtofSoup.

The most important links I can possibly provide for this:

Telling My Tale - https://docs.google.com/document/d/1VcQcbdEQwRxJPiWgI8BZFwj8d0GtmjzC0R3ASOSzrls/edit "Telling My Tale" is a document drafted by a user named "Bubby Aurora / Mzoyagon." It recounts both her personal experiences within the fandom and people who she used to be friends with such as the current creator of the series, “ArtOfSoup” (formerly known as (Quadragon, ItzFriday). It also deals with other disturbing and horrible topics she encounters such as grooming, stalking, spying, doxxing, etc. ArtofSoup also traumatized her since she was 12 years old at that time because of it.

Lucas' Lies - https://drive.google.com/drive/folders/1Ci_EhXiI6pndj1g-T3Kfy-YgwBd0UVgD was a Google Drive that was established by "ArtOfSoup," formerly known as "Quadragon" and "ItzFriday," the current creator of "The Pink Corruption Series." The contents of the account included inadvertent conversations between Brittany's sister, Brea and ArtOfSoup, and allegedly stole ideas derived from both Brittany and Brea without their consent. Moreover, tons of screenshots and proof about it, showing Brittany Robinson lying behind ArtOfSoup’s back. 

Reasons why LucasTheDubber shouldn't upload on BreaBear Jone's channel - https://www.twitlonger.com/show/n_1sr33b0 This was one I found from a website I've never seen before on the Internet called, "TwitLonger". It was created by a user named, "RPG_Animator_Mi" for reasons of Brittany's sister, Brea just trying to suck in all of the attention and money they can, and using Brittany herself as a vacuum. The list that he created has 7 here, some are possible evidence that Breabear is directing Lucas and some are things that are definitely wrong. However, all of these links in the list aren't going to be accessible to you all.

Pink Corruption Youtube is in DANGER - https://www.youtube.com/watch?v=iXP-EGwa63A This Youtube video revolves about two things, Identity impersonation and copyright infringement related issues. This was because of Brittany's sister, Brea, "who is alleged to have posed as her sister, Brittany in order to issue copyright strikes against fan videos of The Pink Corruption series from other Youtubers, whom are in the fanbase". The issue happened with the removal of translated versions, including "Russian", of content from the series. From the video itself, the situation escalated when a favored Youtuber within the community, known as "Heck Island" (whoever remembers this person), faced the termination of their YouTube channel due to repeated copyright strikes. Notably, these strikes were attributed to her sister, Brea alleged to be impersonating Brittany Robinson. The videos that were listed on Heck Island's channel were taken down because, "they were just regular memes videos".

Furthermore, remember what I said on why this is also comes off hypocritical too? Well... I would consider Brittany Robinson, a fucking hypocrite herself because of this. According to the "My Channel Intro 2022!" Video on Brittany Robinson's channel, toward the end of the video, this is where I initially see Brittany comes to "her sister's defense against long-term bullying because of the people harassing her online". Moreoever, she expresses a zero-tolerance policy toward negative commentary regarding her sister, which she will go to lengths of blocking you "if you say something bad about her sister", possibly for the ones about her being a groomer.

Brittany coming to her sister's defense over this shit is absolutely unacceptable. However, the gravity of the situation cannot be understated because IT'S... STILL... FUCKED... UP!!!

I could talk even further about Brittany's hypocrisy. Remember what I said about how the drama originally started back in early 2020 because of Brea shoehorning her Pink Corruption pornographic work into Brittany's face? Well... I have a screenshot of Brittany Robinson, "calling her sister's disgusting Pink Corruption work, "Cute" with a heart emote".

I can prove this further when "Pipythecat205" says in this response on the Pink Corruption discord that "Lucas just doesn't seem to care". Yet, Pipy... Is right... Brittany Robinson doesn't give a shit ALL THIS TIME and still supports her sister from this.

The Drama's Central Query So let me tell you yall something... If Brittany Robinson does actually love and care about sister, actively defends her over online harassment from other people, and has recently developed a tolerance for her sister's contentious disgusting contributions to the "Pink Corruption" series—the catalyst for the drama. What the fuck... was the legitmate point of this all happening in the first place then...???

Final Verdict On The Drama, Controversaries, & The Old Cancellations

Overall, perspectively speaking, Brittany Robinson is a straight-up hypocrite, a fake friend, and perhaps a disgusting individual. She went from being ham-fisting crude pornographic depictions of the Pink Corruption Series by Brea. Into terrible lengths to allegedly steal ideas without that person's consent for her non-canon continuation, false relationships, block people on Youtube (probably the ones, who know about the drama), and for some unknown reason, "likes Brea's content now"...

Her sister wanted to shove porn art of fanfiction TPC crap up to Brittany's face, abusing the copyright system to take down TPC Fan videos from other Youtubers who watched this series, etc.

This entire drama is remarkably atrocious in a tumultuous and regrettable manner. Brittany Robinson and her sister, Brea wanted to deliberately cause their downfall of the entire series in the most disingenuous, hypocritical, and ridiculous way. And they succeeded at it...

I'm finally done talking about this shit... I know there's more to discuss, but I've decided to focus on the most important points here in the entire drama. There were more videos about the drama itself, but unfortunately, the ones I used to watch have been already removed from YouTube.

Character Ages

After finally discussing what I know about the Drama, now we discuss the age changes made by ArtofSoup themselves. In one of the current creator's posts on the canon wiki, I had to scroll down to find the canon ages post. According to the post, it is quite clear that ArtofSoup changed the caretakers' ages.

The Caretakers' ages before being changed: (Pretty much confirmed from Brittany Robinson's old twitter account)

Pyrare - 1000+

Pentellow - 24

Iris - 25

Cube - 19

The Caretakers' ages after being changed from the current creator, ArtofSoup:

Pyrare - 45

Pentellow - 20

Iris - 21

Cube - 16-17

Please keep this in mind, because I’ll bring this up again later to provide more context by combining this with the canon ships, including the other characters as well. Now, here are the other characters whose ages have been changed:

Dub - ? (I don't know why he's age has a question mark because Brittany Robinson confirmed that all monster shapes have longevity for being 1000+ years old)

Ajaceare - 19

George - 22

Challenge - 19 (soon 20)

Teroblast - 22

Sitbnite - 15

It is likely that ArtofSoup knew about the previous ages for the Caretakers and then changed their ages for the continuation. Also, an issue with this is that the is is clear that there is a minor lore change I noticed ArtofSoup made... It was to the species' lore. They removed the monster shapes' ability for longevity, giving them instead a normal lifespan like normal shapes.

The Ships

Now we're gonna talk about the canon ships. According to the canon wiki's posts, I found a screenshot of at some point on Youtube, ArtofSoup (Formerly known as QuadragonX on their channel's name), confirmed at least 6 ships. Let me briefly state my thoughts about these ships.

Dub x Cuda (Barracuda) - I don't see a lot of people talking about this ship, also I don't have anything to say about this.

Cintagon x Circumsphere - One of those type of ships that I generally feel so confused on why people shipped these two in the first place because clearly there hasn't been any potential romantic tension between these two.

Cube x Lythorus - I don't ship these two because I see their relationship perfectly working as "childhood best friends".

Ajaceare x George - George has a fucking wife and children since Season 1, Episode 1...

Pentellow x Iris - I'm not going to explain this insufferably generic lovey-dovey couple ship...

Squadril x Marcle - I don't see a lot of people talking about this ship but, I ship it nonetheless.

I'm starting to feel like I don't have a huge taste in romance anymore. It's still fine. :/

Anyway, if we combine the age changing and the ships together, ArtofSoup made it feel disconcerting and perhaps disgusting because of two ships on the list. The ones I'm talking about on this list is, Ajaceare x Geroge and Cube x Lythrous ship. Before you all start talking shit, none of this has to do with me being a homophobe or anything, let me please explain why...

Ajaceare x George Ship

Let's first talk about Ajaceare x George ship. Considering that this ship isn't even close to being decently popular, since Season 1, Episode 1, it has been pretty much confirmed that Lythorus was talking with George himself before he turned into a corrupt. He had a "martial family with a wife, son, and a daughter".

We don't know how old Geroge was before the comic came out besides being confirmed 22 by only the current creator, not Brittany herself. In light of this, it seems that the current creator, ArtofSoup, wanted George to "secretly divorced his family, thereby opting to pursue a romantic relationship with an unattractive cyclops female monster cube". Crazy, right?

Cube x Lythorus Ship

Now we'll talk about Cube x Lythorus ship. I generally feel like they wanted Cube to be shipped with a character like I said about Lythorus's entire characterization in my Season 1, Episode 2 rant "who is so incredibly forgettable in the series that was left in a coffin for about 6 years by now, and a cardboard cutout leader who shows a level of incompetency for not having any reinforcements". But wait... Here's what I found out...

I could pretty much say that Brittany Robinson confirmed the caretakers' ages, including Cube being 19 years on her old twitter account before it was taken down. In all 31 states, a minor is referred to as someone under the age of 18. So basically, I thankfully got a screenshot of Brittany Robinson confirming that Lythrous is actually 20 years old from a QnA on her channel before it was taken down because of the recent short cancellation of her non-canon continuation of the series. We can pretty much agree that Lythorus was this old before the comic and the drama came out.

So theoretically, what I'm trying to say here: ArtofSoup never confirmed Lythrous's age being changed on their canon age post on the wiki. So, if I'm possibly correct on this and ArtofSoup likely knowing about the caretakers' previous ages, they would be changing Cube's age from being 19 to a minor (a 16-17 year old) just for him to be shipped with a fully grown adult (a 20 year old flower) in the canon continuation. If that's the case, then we have a damn problem here guys because it is a 5-4 age gap... Might as well have to give Cube a different main love interest than in the comic...

Sexualities

Also, I found a screenshot of the characters' sexualities for the canon. I don't have a lot to say about this. :/

Final Verdict for the canon ships & sexualities, and characters' ages being changed

None of this has to do with the characters' sexual orientations or anything like that. Overall, what I'm saying about this is that the current creator, ArtofSoup, wanted characters like George, who has been canonically married with a loving family since Season 1, Episode 1, to be in love with Ajaceare, and changing up the lore for the monster shapes just for them to be get rid of the ability of longevity. Furthermore, ArtofSoup could also potentially involve changing characters' ages into minors so that they can be shipped with fully grown adult characters like I said for Cube and Lythorus. I can't say for sure whether this is the case, because I don't have much evidence to support it. But it's possible based on what I've covered up.

Potential Lore Changes

Despite my previous discussion about Monster Shapes losing their ability to have longevity, I found another screenshot that has happened since 2022. These were possibly future ideas for the canon continuation itself for the current creator to use if that's the case.

So technically, they are 9 here and let me tell you something. Some of these feel uninteresting or pretty weird. Although I do find some that are potentially good for the comic.

The idea of granting the Tree of Life the power to send prophetic dreams to shapes, offering glimpses into their future, is an intriguing concept that adds supernatural abilities to the trees themselves. However, on the other hand, I find this other idea for the Tree of Life to be quite ridiculous. Having the Tree of Life become bored and cause all sorts of mischief for its own entertainment feels completely out of character. I generally don't like the idea of the Tree of Life having potentially negative motives, as it doesn't make sense to me.

Making LGBTQ+ jokes that confuse some other shapes like I don't care about this...

Also, having Heroes such as Cyan, who is canonically a 0 years powerful childlike being start cussing, especially saying the world "fuck" while improperly maturing is just pretty uncomfortable... Imagine seeing Cube hear his hero start cussing while in his sudden mature state... Like, these heroes are so precious to be starting to swear tbh...

Let's FINALLY Discuss This Comic Now!

Front Cover

First off, we get a simple, yet terrible front cover. Just look at this shit...

I can already tell that the current creator is a "straight-up Iris simp" who made Iris "the pretend main lead of him being the only one to fight Dub in this front cover" instead of including the other caretakers and heroes with him. I'm getting sick of tired of these people having this sort of "Iris Simp Fetish", trying to make Iris act as if he's the coolest character and should've been the main protagonist of the series because very clearly he's definitely not in my opinion...

Second, it seemed like the current creator, ArtofSoup implemented some kind of dumb Iris vs. Dub fanart that they found somewhere on the internet for the front cover instead. (I know it's the creator's digital artwork but, come on...)

Anyway, now let's talk about the pages. (I'm not going to be discussing a lot here due to it feeling short because of the length of these pages).

Pages 1-5

On the first page, the story continues after the opening scene of Season 1, Episode 6 left off, as it originally shows Cube losing his grip from his grabbing claw while trying to stop Cyan from searching Ajaceare while he was in his sudden mature form once again.

On page 2, as the trio (Cube, Cintagon, and Iris) continues to plummet to the ground, Iris says that he can't teleport while falling, and even if he could, it likely wouldn't help save him and the others. (Well, I don't understand this part about why Iris can't teleport while falling. Perhaps ArtofSoup was trying to establish a "weakness" here for Iris's teleportation ability, but it feels very vague to me).

While this part was still ongoing, I'm not fucking joking, this was so unexpected that this happened in "THE SECOND PAGE"!! One of ArtofSoup's OC characters named, "Challenge" came out of nowhere alongside Orange because he randomly found this dude?!

On page 3, Orange screamed out Iris's name as he noticed him with Cube and Cintagon still plummeting toward the ground. Challenge quickly came up with a plan with Orange to split up so they could catch more of them. Challenge and Orange then starts zooming down toward the trio to save them.

On page 4, when Challenge grabs Cube's hands, (He does the 200 pound joke like how Lythorus did in Season 1, Episode 2 toward Cube. This reference right now for me is cheap, amateurish, and not funny at all and it's only there to be this perhaps stupid exaggeration for Cube to be called FAT) due to Challenge carrying Cube from his hands. Wow ArtofSoup, I don't think it's the best time to be doing this right about now.

On page 5, this is where the entire pacing goes all over the place... It abruptly skips ahead to Squadril, who is suddenly captured by Dub and Flower Corrupts.(In a confusing turn of events, I was... Being showcased a fucking completely new and seemingly OC character - a random inverted triangle—whom Orange somehow met at some point in page 2. And now, this story then abruptly shifts to Squadril's perspective, where we find him being held captive at Dub's base with no explanation... What...?)

Dub, who was satisfied by Cyan being out of the way for his future plans. (I swear to fucking god... I hate this plot device that this series gave Cyan. Cyan's sudden mature form "ISN'T DOING ANYTHING FOR CYAN'S CHARACTER DEVELOPMENT!! IT'S ONLY THERE TO BE A "FRUSTRATING NUISANCE" TOWARD THE OTHER CHARACTERS, ESPECIALLY HIS CARETAKER, CUBE THAT'S IT!!") Oh my god...

BTW, CYAN WAS NEVER SEEN AGAIN FOR THE REST OF THE COMIC...

Behind Dub, two corrupted flowers called him by "Boss" show Squadril being held captive all of a sudden. Squadril then tells them to back off as he won't surrender to them. This won't help Squadril as Dub then corrupts him in the process.

Alright, so... not off to a good start for me. The first five pages already have pacing issues, with OC characters randomly appearing and a touch of overused comedic references from the canon episodes that aren't funny at all for the dish. What a disgusting meal...

Pages 6 - 9

On page 6, we see Dub still processing on fixing Squadril while turning him into a corrupt. While fixing him, Dub screamed out George's name, wanting to know where George was. George was seen presumably hiding and (starts to be the only mouthless flower corrupt showing emotion...) Answer me anyone... WHERE THE HELL did this development come from???

On page 7, Cube and Iris were safely landed back down to the ground with the help of Challenge and Orange while Cintagon completely landed onto a tree branch from impact (Hey Orange, why can't you use your telekinesis on Cintagon too???). Iris then says nice work to his hero, Orange. (Lets pause here...)

Major Issue: Iris's Entire Characterization Being Changed

From a post I found out about Page 7 from the current creator, one of the information about this page is that ("Iris has more emotion than just "smug").

I actually have more evidence to go along with this which is from the Halloween Comic, ArtofSoup created on DeviantArt.

From the Halloween comic itself, Iris does a prank on Cube by using pink paint to disguise himself to make Cube think that he got infected. After Cube found out that Iris was pranking him, he didn't find this funny (Iris... Your sense of humor will always fucking suck bro to this day... Get a life dude...). Iris even "actually apologizes to Cube from the prank", which is so weird for me because of his sudden change of character.

You really think that Iris was this kind and friendly enough from the way Brittany portrayed it, who has fucked up demeanors? THINK AGAIN FOR THEIR RELATIONSHIP!!!

Overall, this also implies that ArtofSoup also made Iris's personality more apologetic and nicer now. So... takes a sip of cold coke You're telling me that your making Iris's whole characterization and personality more mellow and likable now all of a sudden without even giving him any sort of meaningful character development for him to be acting this way...??? Bruh...

THIS WAS NOT EARNED!!!

Btw, that Halloween short comic just basically shows just like I said, how fucking pathetic Iris's sense of humor is toward the other characters.

Back To The Comic

Back to Page 7, Challenge, Iris, and Orange notice Poly Village unknowingly being destroyed that being up with pink flames coming out of the burned houses from some unknown corrupt. WHAT THE FUCK IS GOING ON IN THIS COMIC?!?! DID AN FUCKING DRAGON BURN THE ENTIRE VILLAGE DOWN????

On page 8, we get to introduce another OC character.... (where the hell are these characters even coming from, bro...) that comes out of nowhere. He's name is, "Teroblast", an old friend of Challenge and this MF looks like a self-insert of the current creator, ArtofSoup's QuadragonX's profile picture on the wiki into this bitch.

Am I wrong?

Anyway, while Purpex is never to be seen (like we care where she is at this point), Marcle was crying on the ground because of Squadril getting kidnapped. Teroblast was about to comfort her until he noticed Challenge with the others. With an awkward gesture, Challenge acknowledged Teroblast's presence by placing a hand on the back of his head.

On page 9, Teroblast asserts that he has not seen him since his brother's death. This statement concludes with Challenge exclaiming "ENOUGH!", which shocks Teroblast. Ok first off, let's talk about what happened here...

Question Time Imagine this scenario: You unexpectedly run into an old friend you haven't seen in ages. They are delighted to see you, but out of the blue, they start sharing very personal information immediately that you'd rather not discuss in your current situation. I want to generally hear your thoughts about this in the comment section...

I would've punched Teroblast in the face for that...

From what I'm seeing him pages 6-9, Poly Village gets burned and destroyed with no explanation to just let it happen for the sake of the plot's progression, more OC characters coming out of no where that looks like an almost self-insert of the current creator.

Page 10 - 15

On page 10, Challenge believes Teroblast doesn't understand. He explains that he and his unknown brother were very close until Dub abducted him. Judging by the appearance of the unknown shape next to Challenge, it is implied that his brother is Barracuda himself. But, who knows if that's the case...

On page 11, Teroblast expresses sympathy for Challenge, who is grieving the loss of his brother. Challenge weeps, and Teroblast speaks his name.

Here's the main issue with this: remember what I said earlier on, before I started explaining the comic, about how creators may intentionally introduce characters who make the audience instantly love and find them cool, but who are objectively blinded by them not being well-written characters? Reflecting on this comic, I nearly felt sympathy for Challenge and his predicament. However, I just... Still don't care about him because he was very unexpectedly introduced into the story in a very non-linear approach.

Secondly, Teroblast... Why the hell are you bringing up something so personal out of your fucking mouth to piss Challenge off and make him cry afterward, despite already knowing about his brother's death then...? Let's have Teroblast be aware of Challenge's brother's passing without making it a big issue, and then immediately use it as a cheap trick to try and sympathize with Challenge's situation.

On page 12, this is where I die in laughter... After Dub finishes corrupting Squadril, he turns into this very clever and calculated henchman (Hedrilateral, his name)😂😂, as he comes up with this plan for Dub to disguise as a flower. (Lets pause here).

So you're telling me that Squadril's character gets immediately thrown out of the window because I barely fucking know anything about this magician's life, just for him to become a "henchman corrupt for Dub" for god knows how long?! 😂😂

On page 13, Dub showcases a new ability for him to shapeshift into a gray flower, like the one from the video game itself.

On page 14, Dub senses victory drawing closer. He envisions a restored Cubic and a corrupted Iris, believing that Paradise will be his. (Just to keep you guys the heads up, Iris's corrupted counterpart's name is just "Corrupted Iris"...)

On page 15, Iris notices Stibnite and alerts Teroblast, Challenge, and Citren that they have a problem. Teroblast shouts to Stibnite that he has five seconds to leave, or he will take action. However, someone intervenes and advises Teroblast not to do that.

Overall for pages 10-15, the portrayal of Challenge's emotional turmoil as a result of his brother's demise, coupled with Teroblast's subsequent apology, was so poorly-done and was clearly contrived, seemingly inserted from the current creator, ArtofSoup with the intent to elect sympathy for the Challenge's character. Additionally, Squadril's entire characterization gets his ass cheeks smacked out of the window, just for him to become a "fucking henchman corrupt" for Dub...

Pages 16 - 23

On page 16, Stibnite displays his hatred for Sabrepulse and the four caretakers. Before seeing a shield, he immediately senses that something is wrong. He notices the purple dome that was created by Iris and Orange that contains Lycanthropy inside the seal from the Lycanthropy fight since Season 1, Episode 4. Wait...

So basically what's going on here is that, ArtofSoup wanted to insert another OC character coming out of the blue. Furthermore, I thought Dub was going to send "a group of corrupts to save Lycanthropy from what he said in Season 1, Episode 5", not some bat-like creature that randomly finds it out in Poly Forest. Another minor plot change that nobody notices...

On page 17, Stibnite approaches the seal. Inside is Lycanthropy, who appears to be undergoing a purification process within the seal, which is transforming him back into his pure counterpart, Lythorus. Lycanthropy and Lythorus begged anyone to save them until Stibnite saved Lycanthropy's life from purification inside the seal by summoning a bomb attack to explode the seal. (Lets pause here).

About this page, the seal that Iris and Orange created here for Lycanthropy since Season 1, Episode 4 was another way to purify corrupts. It is shown that Lycanthropy is being weakened by the seal's power, proceedingly turning him back into Lythorus, but at a slow rate. However, at the same time, looking back at Lycanthropy's entire character, you could barely give a fuck about him because he has little to nothing to do in this series...

On page 18, Challenge uses some sort of new ability or something (possibly a clairvoyance power, I don't fucking know). Meanwhile, Lycanthropy thanks an embarrassed for Sitbnite for stopping the purification and destroying the shield, though the former thinks the latter overdid it. FINALLY, Pentellow shows up and accidentally snaps a branch, Lythorus notices her, and the situation gets ugly for Pentellow.

WHERE THE FUCK WAS SHE AT???

On page 19, Pentellow gets worried about how she can't win against Lycanthropy. Challenge runs off-screen to search for Sibinite as Cube chases after him, while Tsavorite, who pops out of no where and somehow, starts to use some new ability to sense or call Cube (I don't know). Tsavorite starts saving Pentellow's life from Lycanthropy, as Tsavorite tells Pentellow and Cube to rush off, while Tsavorite and presumably Challenge stop Lythorus.

On page 20, Pentellow tells Cube that they need to go without a second thought, with Cube being clueless about what's going on (how about explaining to him while still running). Lycanthropy was about to launch a spiked ball at Pentellow and Cube when Challenge stopped the attack by using a weapon by using his prismatic ears, then threatening Lycanthropy to stop. (Let's pause here).

What follows here everyone is going to be the most blatant heroic sacrifice I've ever seen...

On page 21, Cube realizes that Challenge got infected by The Pink Corruption via his prismatic ears. Cube informs him, but Challenge already knows, and he says that although "pyramid monster shapes are resistant to The Pink Corruption Virus" Slams hand so hard on computer desk in disbelief WHAAAAAT?!

I THOUGHT THE CARETAKERS WERE THE ONLY ONES THAT WERE GIVEN THIS ABILITY!!! THIS FURRY PYRARE WANNABE MOTHERFUCKER IS NOT A "CARETAKER"!!! GTFO WITH THIS SHIT!!!

With tears in his eyes, Challenge warns Cube that he has been too cautious. He asks Cube to convey his farewell to his father (how the fuck will Cube know anything about your father if you never told him his name to him...) before succumbing to corruption. His final words to Cube were a single, urgent command: "Run!"

On page 22, while Cube, Tsavorite, and Pentellow are running away (and we never learn what happened to Orange, Iris, Gold, and Pyrare), Challenge confronts Lycanthropy, declaring that he won't allow him to harm our virus-stopping team. Lycanthropy responds by saying that he has already achieved victory, but Challenge is confused and asks what he means.

On my gosh, we are at the final stretch of the comic everyone!

On page 23, Teroblast shows up and is forced to watch Challenge being corrupted. Teroblast and Challenge are both shedding tears, with Challenge trying to say he loves him (Don't tell Teroblast that you love him after he bursts out very sudden personal information about your brother's death), before the virus fully controls him. Challenge suddenly becomes infuriated, as he screams in agony turning him into a corrupt.

You know what, I wanna talk about this dude, Challenge...

Challenge's Entire Characterization

Undoubtedly, even though it's been 23 pages, Challenge is the most forced OC character I have encountered over my years in web-based content. He was so forced here in such a highly incongruous manner, that Challenge wants to be incorporated into the comic to play a pseudo-protagonistic role, which is absolute shit. Furthermore, the current creator, ArtofSoup, wanted so hard to manipulate my emotions by invoking sympathy towards Challenge situation - specifically about his brother's loss, as it is clearly shown from pages 9-11.

ArtofSoup wanted her OC fanfic fantasy to have Challenge to be the most broken character in the entire fucking series. I will explain why:

It is implied that Challenge has the ability to "see into the future".

Every Pyramid Monster Pyramid like Challenge are resistant to the Pink Corruption (even though, the caretakers only possess this power).

He can fly.

If Challenge had been introduced much later in the story, in a more linear approach, it would have been a lot better.

In all honesty, this wouldn't help right now, because I couldn't care less towards Challenge's selfless heroic act, leading to him becoming a corrupted shape since Page 23. Overall, he is poorly-written, who has been seemingly shoehorned so hard into the story with very little consideration for contextual fluidity or compelling characterization, is contrived, distracting, and is too overpowered.

Other OC Characterers

This also goes along with ArtofSoup's other OC characters such as Teroblast and Sibtinite...

Final Verdict On For The PCC Comic

Cons

Narratively, ArtofSoup wanted to ham-fist shit such as different story's direction, changing characterization without proper development, minor lore & plot changes, etc to make it feel so unappreciated, miserable, and unsatisfying to me. It happened because to make the entire comic feel like it has "OC Fanfiction Fetish Fantasy Syndrome" from the current creator, ArtofSoup. They tried to deceive me by deliberately using "forced sympathy tricks" to desperately make me care about their OC characters in the cheapest way as possible, particularly Challenge and Teroblast (mostly for Challenge) cause IT DEFINITELY SHOWS. The pacing is already all over the place in the story's progression over the span of the preceding 23 pages. The Caretakers and Heroes should've been in a different area in Paradise by now searching for more groups besides wasting their time tagging along with these fucking OC characters (that almost look like self-inserts) for the PAST 23 PAGES!!!

Pros

Despite the amount of issues in comic, story and writing-wise, I would like to acknowledge some commendable elements. For starters, the story's tone achieves a more serious tenor (from the look of the direction), while not trying to be cheesily lighthearted, like from the earlier episodes of the series. Furthermore, character designs such as Teroblast's are aesthetically pleasing, knowing that it is assuming that the canon continuation was going to add more characters with improved designs.

Score

In summarizing my evaluation of the PCC Comic, I assign it a score of 4 out of 10 (Below-average). Starting with your sister shoving that disgusting pornographic fan-art cake in your face for dessert, and ending with the transfer of ownership of your project—with your full consent—to another individual, whom you badmouthed behind their back all this time, all of this led to a lackluster fanmade series derived from the "Pink Corruption Series," specifically the "Hope" series (that I'm going to be talking about next). Finally, giving me an actual pretty bad continuation in the form of a web-comic that "never tried to make it feel canon to begin with", to shove even more cake ONTO MY FUCKING FACE NEXT with OC fanfiction fetish toppings on it.

Hope Series

Now we can finally talk about the "Hope" series... The Hope Series is a discontinued fanmade series, based on the web-series, "The Pink Corruption Series" after Brittany Robinson gave her consent and permission for the Pink Corruption series to ArtofSoup.

Most of all, just like the pilot episode from The Pink Corruption Series, this pilot episode is not good...

So Let's Discuss This Episode

Beginning Part

In this episode, the scene opens on a stormy night, with Cube singing as he sits on a rock. He receives a call from his triangle chest from his brother, "Cubical". (Lets Pause Here).

Do you want to know the main reason why Cube has a brother? It's probably because we feel so bad that Cube doesn't know anything about his biological family. I don't mind Brittany taking away the generic childhood best friend trope, but this doesn't help the fact that I wasn't even invested into Cubical's character.

In a conversation between Cubical and Cube, Cubical asks Cube about his whereabouts and mentions that he has been searching for him. Cube responds by telling Cubical not to look for him and explains that he "needed some fresh air anyway". (It is evident here that Cube has a bit of an attitude here toward his brother).

After hanging up his brother, Cube continued walking until he heard a baby crying. He found Cyan, whose wing was caught on a tree branch. Cube rescued him and decided to take him home.

For some unknown reason, I don't know why Cyan is out here this windy and rainy at this late at night, while getting stuck in a tree...

While Cube was singing to Cyan, Cubical, who had been searching for him, spotted his umbrella on the ground and picked it up, looking worried. He then found Cube and hugged him. Cube stated that Cubical didn't need to search for him. Cubical was startled when he heard Cyan and quickly moved back. Cube explained how he had found Cyan, and Cubical agreed to let Cube take Cyan home. (Cube and Cubical's relationship kind of fucking sucks tbh).

Overall, the beginning part of HOPE episode 1 was pretty boring, with nothing interesting happening. Notwithstanding, the interactions between Cube and Cyan were moderately charming, though not particularly noteworthy, Cube and Cubical's relationship is already somewhat bad and cliched. Moreover, having Cyan randomly come out of no where just to get the rest of the plot going was never explained...

Back To The Episode

Middle Part

Later, while they are eating, Cyan shoots a beam from his chest, acting like a projector, showing Pyrahedron (we fucking "replace" Pyrare with this guy now...), who explains that Cube is now the fourth caretaker of the Tree or Life and that he has one day to reach the tree and seal the monster. (Lets Pause Because I Think I Can Talk About This Right Here).

Major Issue: Cube's Entire Characterization Being Changed

I think it's a good idea to make a comparison from the pilot episode from TPC with the HOPE series.

You can clearly tell from Cube's character and personality in the HOPE series that it's "completely changed" and I find it very disagreeable. From Season 1, Episode 1, Cube was fairly apathetic about his role as one of the Caretakers and his position as the hero, Cyan. This was evident from Cube's dereliction of his duties as a caretaker, which occurred twice in the pilot episode.

The first was forgetting to assist his hero Cyan in sealing away Dub, seeing Cube questions Cyan on why he has to come along as well.

The second one was forgetting to give Cyan his name (most likely by accident).

In a metaphorical sense, Cube's pronounced apathy towards his caretaker responsibilities, evident since the first episode of Season 1, serves as a reflection of his demeanor characterized by timidity and nervousness. Seeing him throughout the series occasionally questions Cyan or the companions, the other caretakers and heroes about why he has to perform these challenging or significant tasks. Nonetheless, despite his reservations, Cube still greatly assumes his role and together with his hero, Cyan, unintentionally semi-completes their mission on sealing Dub (even though it ended in chaos toward the conclusion of that episode).

(This image right here perfectly explains what I'm saying.)

In contrast, in the HOPE series, Cube's persona went from being a shy and somewhat introverted shape, which clearly shows signs of self-doubt and uncertainty about his role as a caretaker at times throughout the TPC series. And turned him into a much more easygoing and composed personality, who has a bit of an attitude toward his brother's overprotective tendencies and doesn't seem to be bothered or anything in the slightest about being chosen in his caretaker's role. Although recognizably simpler, this marked shift in character causes me severe dissatisfaction, as I perceive Cube's character in TPC to be superior...

About the way Cube gets chosen as the 4th Caretaker of the Tree of Life here, he was chosen so damn unexpectedly, after receiving a call from Pyrahedron (I don't know how the fuck did Pyrahedron get Cyan's phone number), without giving any indication as to why he was chosen for this role. Cube never expressed any concerns or questions about this, like how his TPC counterpart legitimately did toward TPC Cyan in the pilot episode. All of this happened because "he fucking "randomly" found Cyan, who inexplicably showed up out of no where to initially be stuck in a tree and gets taken care of by Cube just to get the rest of HOPE's main plot going".

Overall, I already dislike Cube's character here. This fucking disrespects how Cube's entire characterization was established in the TPC series.

Back To The Episode

Gold pops up and interrupts the call, while being happy (Gold's character gets ruined here too...). After Pyrahedron hangs up, Cube says he will go to the Tree of Life. Cubical asks how he is okay with all of this. Cube replies that he wasn't until he saw Gold on the call and realized that he looked similar to Cyan (Are you only giving out the main reason why you were chosen was just because of your fucking appearance looked identical to Cyan here...) He thinks Pyrahedron was serious and decides to head out in the morning.

The next morning, as Cube gets ready to head out, Cubical asks if he's really ready to do this. (OH MY FUCKING GO... You know what, I might as well talk about Cubical here...)

Cubical's Entire Characterization

I don't have a lot to say here so, I will keep it brief. If I have to describe him here, Cubical serves as a "clear replacement for Cube's childhood best friend, Lythorus". Despite being a caring brother to Cube, objectively, his character comes across as goddamn irksome due to his overprotective nature, constantly fretting over Cube's safety throughout the entire pilot episode, like shut up, bro...

Back To The Episode

Btw, despite giving Cube a brother, STILL DON'T HAVE THE AUDACITY TO SHOW PARENTS!!! WTF!!!

Cubical reminds Cube about his previous encounter with Dub. Cube gets a flashback of Dub shooting a laser beam, presumably toward one of his eyes. Cube reminds his brother that he survived the incident and that he will survive.

So you're telling me that before Cube was chosen, he encountered Dub before and was attacked by him, which we can all agree that Cube gotten "infected", right? So how come CUBE HASN'T TURNED INTO A CORRUPT LET?!

Subsequently, Cube requests that Cubical cease his concerns. While initially agreeing, Cubical persuades him to at least consume a meal before departing with Cyan, which Cube acquiesces to.

An hour later, Cube traverses the terrain clutching Cyan who slumbers soundly. Suddenly, a hazy figure zips past him. He glances back but discerns nothing. Progressing towards a huge pink lake, looking shocked. Unable to wade through the water, he ponders over how to circumvent his predicament.

Ketches approached Cube and asked if he needed help crossing the water to reach the Tree of Life. Cube gratefully accepted and thanked him. Ketches introduced himself and explained that he had helped all the caretakers before Cube as well. He invited Cube to hop aboard.

During their voyage, Cube acquaints himself with Ketches and inquires about the other Caretakers. Ketches identifies them as Iris, Pentellow, and Pyrahedron and clarifies that Iris and Pentellow have been unaccounted for since Cyan's birth. (You know what, looking back on Pyrahedron, I wouldn't mind having different caretaker characters because I could care less about Iris and Pentellow returning here...). However, Cube expresses his hope that their disappearance is unrelated to Dub. Ketches concurs, and they eventually arrive at the Tree of Life.

End Part

After dropping Cube off at the Tree of Life, Ketches expresses his gratitude, while cautioning Cube. He says that it looks like a clear path, but there could be someone clandestinely lurking about. Cube acknowledges Ketches' advice and proceeds towards the Tree of Life.

Before I talk about what happens next, I'm not joking, the rest of this conclusion is more "hilariously bad" than the TPC pilot episode's conclusion. 😂😂😂

Issue: Laughably Bad Conclusion That Ended On The Most Biggest Discontinued Cliffhangers I've Ever Seen In This Entire TPC Universe

Suddenly, a group a flower children showed up (they are fucking corrupts btw, who popped out of fucking no where). One of them "viciously assaults Cube by uppercutting him physically as a corrupt that caused him to disembody his body from his dead flying upward into the air". 😂😂😂 I burst out laughing because of this... How come Cube hasn't even turned into Cubic yet after getting blasted by Dub from his previous encounter with him and now an uppercut (that was so strong by the way) from an infected flower child?!

Cube firmly declares his refusal to engage in combat with children, even those tainted by corruption. (ARE YOU FUCKING KIDDING ME?! THEY ARE CORRUPTS CUBE, DEFEND YOURSELF?! 😂😂😂) However, one of the children warns that, despite their own unwillingness to fight, Cube will still face dire consequences from the flower group. (WHAT?! THEN WHY DID ONE OF YOU LITTLE BRATS START ATTACKING CUBE IF YOU DON'T WANT TO FIGHT HIM THEN?!)

Following this, one of the child corrupt flowers, pulls out a damn gong out of her ass that causes the sky and the Tree of Life to adopt a pink and black hue. Heli's fleeting appearance is observed, before taking flight. In the ensuing commotion, Dub emerges, and the episode concludes. (JESUS WHAT WAS THAT ENDING?! 😂😂😂)

Final Verdict For HOPE Series

Cons

After laughing so hard after HOPE's pilot episode conclusion, it's time to give my final verdict on this. It is so unappealing and boring than its predecessor, TPC (despite my unfavorable opinion about the latter).

From a narrative standpoint, Episode 1 presents a poorly-written script, replete with subpar pacing, characters such as Cube, who has his personality and characterization disrespectfully changed, minor inconsistencies, and an utterly hilariously bad conclusion that is more worse than the TPC's pilot episode.

Not to mention, upon me discovering a restored video of the Hope series's intro, HOPE's worldbuilding looks like in a nutshell, if The Pink Corruption Series's worldbuilding was overly simplistic and generic that will make you go...

Me: Bro...

And, take all of the elements out of what a JSAB world looks like...

Pros

Episode 1 doesn't have a lot of pros besides character designs being improved (also, Cube's hat looks ugly as shit btw).

Score

My appraisal for the show, taking into account its single episode, would be like the PCC comic, 4 out of 10 (Below-average). The HOPE series, in my perspective, appears to be an unproductive utilization of my time. Going from giving your consent and permission to someone else just to make another typical underwhelming web-series on Youtube that failed to impress me.

Right after, when Brittany Robinson - the show's former creator - discontinued HOPE and instead embarked on the Non-Canon Continuation of the TPC series, this is where her writing skills showed their "true colors" due to how unbelievably bad it was in my opinion. It was because I knew something was up with the writing since the pilot episode that was going to eventually decline later on.

Final conclusion for ALL OF THIS!

So... What's the problem here between these two works? The biggiest main issues between them were the "amount of changes" that felt so insulting to me. It includes narrative shortcomings and quality, poor characterization that were disrespectfully changed or without proper development, ineffective worldbuilding that takes away what a JSAB world actually looks like, and try to perceived manipulative tactics emotionally toward me that were employed from the PCC comic for Challenge and Teroblast haphazardly, that was distracting and unnecessary, etc.

The Entire Pink Corruption Drama is the most pointlessly disingenuous drama I have ever seen in my life from what I've analyzed to the best of my ability. All of this because from the distasteful and objectionable pornographic artwork associated with the TPC series from Brittany's sister, Brea.

If I were to amalgamate both the PCC comic and the HOPE series, my rating would be a modest 3.5 out of 10 (slightly below average). My perception is that ArtofSoup and Brittany Robinson have lost their touch for me regarding the series as a whole. While there is much to criticize, I will refrain from doing so at present. However, I cannot help but feel melancholy because the PCC comic and the HOPE series does "an incredible job to make me feel straight up miserable in my gaming chair" and it shows, it ABSOULTELY SHOWS FOR ME!

Thank you to everyone who read this...

[kyouka-supremacy]

Hello there 👋

Can you talk about why you feel the way you do about the female bsd characters? (including the female characters you like) and while I don't think the author doesn't know how to write female characters I think the biggest problem with the female characters is that they're underutilized and barely have much screentime ( the most one we saw recently having screentime currently in the manga is teruko)

Hi!! I love you all SO much but seriously I don't have the mental stability to talk about why the bsd female characters are badly written ahah. Here's my best attempt at it:

I hope it's enough for me to say there's a female / male characters proportion of like 1:10, and no female character has any real repercussion on the plot– literally. Besides from Kyouka and Lucy and maybe Yosano? you could hypothetically erease every other female character and... Realistically, nothing would change. That's just how much irrelevant all but three female characters are, and there's already very few compared to the rest of the male cast. The four main / most popular characters are all males. Dazai is openly sexist and it's just kind of there never to be addressed. Akutagawa is repetedly violent with his female coworker and it's treated as a gag (like you DO realize how repulsive it is to write a character who is obsessed with her abuser and never be intentioned to elaborate on that because I guess that's what women are supposed to do according to author? Like. okay). But honestly the main issue for me is how each of them literally gravitates around another male character. God, it's SO annoying. And I mean every single of them!!! Every. single. Every single!!!! I struggle to come up with even one exception to the pattern. Kyouka has Atsushi as her savior, Lucy has Atsushi as her savior, Higuchi is obsessed with Akutagawa, Naomi is obsessed with Jun'ichirou, Gin literally exists because of Akutagawa, Alcott is just there to aid Fitzgerald, Margaret's only role in the story is to save Hawthorne, Elise is just expression of Mori. Teruko is a person in the body of a child who literally drools over her 50-something superior, like we hadn't as a society come to the common agreement that the “not as old as she looks” trope was disgusting pedophilia apologism like ten years ago (but it's okay though, because pedophilia was established to be okay in this manga at like, chapter 15 or something) (is this the good time to bring up that time Aya asked Kunikida out? No? Okay let's just collectively pretend that never happened). Do I need to go on? I haven't read Gaiden, but do I really need to read it to know Tsujimura gravitates around Ayatsuji? Oh wait, I was just remembered about Gaiden's full title: Bungou Stray Dogs Gaiden: Ayatsuji Yukito VS. Kyougoku Natsuhiko, and if that doesn't speak of the consideration author gives their female characters, I don't know what does. It's just– no female character is ever going to have their own novel. No female character is ever going to be protagonist. They'll just keep being treated as they've always been so far, like flat and personality-less disposable plot devices.

Now. I love Yosano's backstory, I really do- I think it was the best executed arc of the manga, reading those two chapter still gives me chills. But you do have to acknowledge, Yosano herself has no agency in the entire arc development. It's okay, she was eleven, it's natural; but she is just tossed one way to the other by other characters. That, and I can't stretch it enough, is not a bad thing on its own; not all stories have to scream #womanpower to be good stories. It's a good story. But you need to acknowledge it does nothing to empower female characters' role in this manga; it just speaks once again of it being a systematic problem, how author can't write female characters like they were masters of their fate if their life depended on it. And it's not that just because there's one (1) mini arc that happens to have a female character as its protagonist, author knows how to write female characters with depth, or agenda, or an objective, or personality, because... They clearly don't.

Like. I probably became annoying by now but like. When was the last time you found any bsd fan whose favorite character was a woman? When was the last time you found people describing themselves as a Lucy kinnie? If you ask me, it's not a matter of fans' fault for overlooking female characters; the female characters in this franchise are meant to be overlooked, because they're abysmally less stretched out and complex compared to their male counterparts– because male characters are distinctive and unique, while author can't go outside the range of one-dimensional femme fatale, letal woman (Yosano, Kouyou, Teruko, Christie, Gin / Lucy / Elise too to an extent) and woman who's just there to obsess over a male character (Alcott, Higuchi). But do not fret, because author will sometimes go outside that scheme by making a letal femme fatale who also obsesses over a male character! (Naomi). Also this

(Have you ever wondered why I never talk about Beast Gin? Yeah.)

Okay but you see the problem here? You see how it's impossible to make the same kind of argument for the male characters, because they're all diverse and various and multilayered as much as their little screentime allows? Higuchi doesn't exist outside Akutagawa, Lucy doesn't exist outside Atsushi; but it's not like you can say the same goes the other way round. That is, crossing out the various parallels drawn between male characters, but that only speaks more of how precisely curated male characters are, while all female characters... I'll be honest, aren't written as people. Author really sounds like your average Washington Post best selling psychological thriller author of the week that writes women like an alien species from another planet. It would have spared me having been writing this whole post for an hour (two hours? Which is definitely not the time I wanted to spend on this, man) if only author would have formed the thought, at the start of the serialization: “perhaps! Perhaps I should write women as people instead of writing them as female characters (whatever that means)”. Alas, we ended up with the infamous Naomi description from Untold Origins (what the fuck. who in their right mind would ever think of writing something like that. what the fuck.)

Now, I know if you're here reading this you most definitely like bsd. It's okay, really. Unpopular opinion, but people are perfectly allowed to like things that are flawed (and this is a big flaw). What's extremely important, seriously, I'm on my knees begging you, is to be critical of the media you consume. All kinds of media. Even if you end up disagreeing with me on this matter, really!! Just be able to tell apart the things that make appealing a series for you from whatever kind of agenda / worldview the author is pushing through, and peacefully acknowledge you can like something despite it having issues (because bsd has issues). I don't know who needs to hear this, but someone definitely does: “I love s/kk!!” “the bsd storytelling has many compelling aspects!!” and “I recognize the bsd writing has flaws some of which actively harm an already disadvantaged part of society” are statements that can and should coexist, and if anything - and I know you hate to hear this, I'm sorry, I'm sorry - it should be kept in mind when deciding to support the franchise by buying its products.

One final note is that like... I'm sorry if this comes off as pretentious but I seriously feel like people have NO idea what media with well written female characters look like, because for people to even question bsd being sexist is just insane to me (in the way: do we really need to to talk about it, isn't it obvious like ten seconds in the show??). And this is probably the least good place to advertise things, but please do yourself a favor and read The Promised Neverland and learn what well written female characters read like.

[m0ther-of-p3arl]

across the great divide (there is a glorious sunrise)

chapter one: autumn leaves falling down

or: i had an idea for an au and just. ran with it. yeah um this is based on another piece of media, a book series i really enjoyed that is very popular. perhaps you can guess? anyway. things will be revealed soon enough. hope you enjoy!! (also: it's about time i write an owen-centric fic, huh)

(4304 words)

Ever since Owen Giutivi was very young (two years, three months, and five days old, to be specific), he’s always known almost instinctively that there was something different about him, something a little weird, a little off. Maybe it’s something in the way he tends to always be mentally leagues ahead of the rest of his class, maybe it’s something in the way he’s always been able to understand subjects most adults would have no idea how to begin to go about comprehending. Throughout his formative years, Owen was always pushed to go further, work his incredible mind as hard as he could, whether by his well-meaning but demanding parents, or the teachers and child specialists who were there to witness it when he was reading 500-page novels in first grade.

Yeah, there’s really no doubt about it: Owen has always been extremely, if not astoundingly or even scarily smart- he’s been labeled a genius, a prodigy, a million words that honestly couldn’t mean less to him. The most important part, the only part that really matters, is that he almost never meets someone who gets it, who doesn’t act as if he’s some freak because of his intelligence. And he supposes that’s why he gravitated towards Charlie: a part of him can tell, even from a first glance, that there is something strange, something more unusual than what you see in a typical middle-schooler, about Charlie too.

Owen first met Charlie Sickle when they were both twelve, almost thirteen, at the start of Seventh Grade. Charlie was the new kid in school, and Owen sat next to him in Social Studies (the best class, no one could ever convince him otherwise). Obviously, they hit it off right away- he was a refreshing blast of fresh air in the face for Owen, with his strange habits, ridiculous energy, and always over-excessive swearing. Charlie is, hands-down, the funniest guy he’s ever met. Within minutes, he’ll have Owen laughing so hard he feels like his stomach is going to split in two, aching with howling snickers that carry over the whole room when they’re supposed to be reading quietly, earning glaring looks from other students and loud shushes from their teacher.

But Owen doesn’t care, because he’s around Charlie. And Charlie never cares about anything anyway.

And it’s incredible, because for the first time, Owen has someone who understands him, who’s willing to be his unwavering partner in crime, through thick and thin. Charlie brings out a part of him Owen thought he had lost, he lets Owen be a normal kid again- when he’s with Charlie, he isn’t the genius, the freak, the quiet kid who all the teachers adore, when he’s with Charlie, his intelligence isn’t his defining trait, his only trait.

When he’s with Charlie, he’s just Owen- and he’s happy. Charlie and Owen, Owen and Charlie- they became a conglomeration, never one referenced, by children and adults alike, without mentioning the other. Within a month of meeting each other, they became inseparable. Owen’s parents don’t approve of their friendship- of course they don’t. Charlie is extroverted, and an undeniable loudmouth; basically, everything Owen isn’t. Charlie breaks him more out of his shell every day, he lets Owen be something more than the perfect prodigy everyone adores.

Owen supposes the old saying, opposites attract, really is true- because where Charlie’s outgoing and boisterous, Owen is studious and quiet. Where Charlie has no qualms going up and asking whichever person he currently has a crush on out on a date, Owen can never even bring himself to say more than two words to the people he’s attracted to. Charlie skips classes and blows off quizzes and has the worst grades in the class, if not the entire school- and yet, Owen never gets anything less than perfect marks and straight As in all his subjects. 

But somehow, through all this, Owen’s grades have never slipped, and Charlie has learnt when it’s best to be loud and when to hold in his jokes- because the thing about Owen and Charlie is that they only ever rub off on each other in the best ways possible. Owen means it when he says that, quite literally, there are almost no downsides in their friendship. They’re thick as thieves (and twice as crafty), and though they are shunned and generally unpopular, it doesn’t even matter.

Neither of them really have any other friends, but they don’t care because it’s enough to just have the two of them, brothers in all but name, a bond between them that no one could break. Charlie is quite literally the only reason Owen managed to get through middle school without completely pulling into himself, and for that, he is forever thankful.

It is because of Charlie, of course, that Owen regards Seventh Grade as the best year of his life.

Then, Eighth Grade came.

——

It’s the first day of Eighth Grade, and Owen is a jumbling ball of nerves. His worries mostly stem from a wondering if things will be the same between him and his best friend, who he hasn’t seen all summer- Charlie was at an all-summer camp that he’s always spoken of vaguely throughout their friendship, and hasn’t been able to properly contact Owen the whole summer. They had sent a few half-hearted letters, but they both felt it wasn’t the same, and broke off correspondence.

Luckily, Charlie was back in town in time to receive his schedule, and through texts he and Owen have managed to figure out that they share most, if not all, of their classes. Owen is elated, of course- and from what he can tell, Charlie is too (Charlie always gets so excited at the stupidest things, Owen loves him for it). But that doesn’t change the underlying anxiety that bubbles under the surface as he gets ready to see his best friend for the first time in nearly four months.

(Honestly, Owen doesn’t know why summer breaks have to be so long. All that one can do during that time is have way too much time to think- and Owen wishes vehemently he had less time to do so. He would rather be in school, reviewing stupid math equations he learnt years ago.)

Stepping out to the bus stop, backpack weighing him down anew, binder slung over his shoulder by its strap, Owen notices a chill in the air uncharacteristic for early September in Philadelphia. The sky is overcast, the color of the clouds similar in hue to Owen’s favorite blue-gray sweater, of which he has donned at the moment.

The other kids at his bus stop consist of some eighth graders like him, some seventh, and a couple giddy sixth graders excited beyond belief for their first day of middle school, and Owen takes stock of them all, plastering his face with a familiar dulled-out expression. He doesn’t have the heart to tell the sixth graders that there really isn’t anything super exciting about this, doesn’t have the heart to tell them they’ll be burnt out by the time the month is even up. He stands lazily by the bus stop sign, leaning against the familiar metal pole as he has so many times before, eyes grazing across the scenery, a stagnant scene he knows like the back of my hand- a street corner washed in swathes of gray, the only color the specks of green and yellow drifting across the tops of trees.

A wind gusts past, and Owen shivers. If the bus doesn’t come soon, by god, he’s gonna- like- swear, or something. He stifles a snicker at his imagination, currently painting a picture of Charlie, shaking a fist down the empty street, cursing at the sky and blowing puffs of condensation out of his pouting mouth with every breath.

(The fact that no one speaks to him at the bus stop is so stupid. He genuinely does not need more time to think about anything, especially how lonely- how lonely he isn’t. He’s fine. Owen’s fine. Why would anyone ever think anything else?)

The bus does come eventually, ten long minutes, punctuated only by the music blaring through Owen’s headphones, later. He huffs out a sigh and yawns, stretching up to the clouds, before resigning himself to his fate and clambering up the steps onto the already-crowded bus.

Immediately, a familiar face pops up from behind a seat in the back, his green eyes bright and smile contagious. Owen feels a similar expression begin to worm its way across his face at the sight of his best friend, and he quickens his pace, sliding into the schoolbus seat beside Charlie as if no time has passed.

“Owen! Owen fuckin’ Giutivi! It’s been a while, hasn’t it!” Charlie ruffles Owen’s hair, giving him a quick hug, and Owen sticks his tongue out at him, relief washing over his body like a summer rainstorm. 

“Hey, Charlie,” Owen grins back, affection blooming within him as he flicks his best friend across the forehead. “Hope your summer was well good, mate!”

“Oh my god, I forgot you were so… British,” Charlie mutters lightheartedly to himself upon hearing Owen’s accent, slamming his head back into the fake leather of the seat with a half-laugh. “My summer was great, you?”

“Meh,” Owen answers truthfully, shoulders still permanently slumped as he leans back to join Charlie. “I stayed at home a lot, there wasn’t much to do. Maybe someday I can come to that fancy camp of yours.”

It was just an offhand comment, but Charlie’s face brightens immediately, his smile somehow growing even more. “Holy shit, dude, that would actually be amazing. Hopefully you fit the camp requirements, I think you’d really fit in there.”

Owen stares at him incredulously, the corner of his mouth turned up in a half-smirk. “Charlie Sickle. In all the long long months you’ve known me, have I ever been the type to fit in anywhere?” When he doesn’t respond, Owen sighs and speaks again. “The answer to that, by the way, is no.”

“No, but I’m serious! I actually think you would love it there.” 

(Owen mentally recoils at this, unconsciously folding into himself. He’s not- he’s not that kind of person, he’s not like Charlie- he can’t just make friends wherever and whenever he feels like it. Owen is so drawn into himself, it’s honestly a miracle he hasn’t disappeared entirely at this point. Doesn’t Charlie understand he’s his only tether to the rest of the world? Doesn’t he realize that without him, Owen might as well be a robot for the amount of living he’s actually doing? Can’t he see that the majority of Owen’s summer has been spent staring at the same spot on his bedroom wall in silence?

And the fact that Charlie seems so sincere only serves to make his statements even more ridiculous. Honestly, he should know by now that Owen is about the most antisocial guy out there. It’s one of the constants of his life that he doesn’t fit in anywhere.)

Owen hums noncommittally, pulling out his earbuds and sticking one into Charlie’s ear as well as his own, as is their tradition. “You choose first?” he asks, deftly changing the subject, and Charlie nods vigorously (completely oblivious to Owen’s discomfort, but that’s fine, he’s fine), grabbing Owen’s phone and opening Spotify. Within seconds, a song is screaming through Owen’s headphones, and he reaches for his phone to turn down the volume, cringing as the noise only increases. Of course he had pressed the wrong button. Charlie rolls his eyes and helps Owen out, lowering the volume significantly until he can relax again.

“What’s the song?” Owen asks. Charlie is bobbing his head to a ridiculous degree, exclaiming loudly whenever the beat drops. 

“Sex Sells by Lovejoy,” he answers, stretching. “Fucking banger, right? It’s by my friend Wil’s band- he also goes to my summer camp. I think you’d like him.”

(Maybe Owen would like him, but no one ever likes Owen. Except Charlie. There’s a reason why Owen has never made any friends in his life other than the boy sitting obliviously next to him right now, humming along to a tune only the two of them can hear. Charlie is his fucking lifeline.)

“His music is good, anyway,” Owen half-agrees, trying to mask his surprise at the rememberance that he is not, in fact, Charlie’s only friend in the world.

“Yeah, he’s usually the main leader of this, like, campfire singalong shit we do nightly, along with the other members of his cabin, cuz they’re all kind of music dudes. They like to flaunt it too. Fuckers,” he mutters, clear-cut affection in his voice that causes Owen to squirm with a kind of unprompted jealousy. Charlie clears his throat, continuing quickly. “Anyway- yeah, Wil has a really nice guitar- it was his dad’s and its sound is, like, really fucking good. Feels like it carries for miles, and that’s even without a mic.” Charlie’s head is still bopping to the music, and Owen belatedly realizes that he’s doing the same, albeit less ferociously.

“I’ll give you an eight out of ten for that,” he admits, and Charlie’s eyebrows shoot up in satisfied surprise.

“You hear that, boys?!” he yells, those in the general vicinity shooting annoyed glances his direction, and Owen snickers under his breath at his friend’s ridiculousness. “Charlie Sickle wins again!”

Their conversation continues lazily on the way to school, taking turns choosing new songs to play for the other. 

(The rules of their game, one Charlie invented some time in the first few months of their friendship, are as follows: the two of them take turns choosing a song- it has to be a new song they haven’t ever played for the other yet, as well as one the other has never heard. Then, the person who isn’t choosing takes a listen and rates the song on a scale of one to ten, which corresponds to the number of points the chooser gets. At the end of the bus ride, the person with the most points wins for the day and gets the other’s cookie at lunch.)

Unsurprisingly given his strong start, Charlie’s won for this day- as he and Owen step off the bus, the wind carrying on it the scent of something foreboding, Owen tacks up their final scores at thirty one for Charlie versus twenty three for Owen, and he resigns himself to a cookie-less lunch.

“Hey, Owen, do you remember who our homeroom is?”

Owen sighs, exasperated, and rolls his eyes- because honestly, it is just like Charlie to not know. “Did you, like, leave our schedule at home or something?”

“Pff- fuck, are you, like, accusing me? You think I could do something like that? Jeez, dude, I’m hurt- gonna have to find a new best friend, I guess…” Charlie trails off, and though there is no fire behind his words, Owen can’t help it as his heart picks up speed at the thought of having to do all this alone, he knows Charlie’s making a joke, but Owen doesn’t want to be alone-

“We have a Mrs Pemberton,” Owen notes for Charlie, trying to get himself under control, and the shorter of the two nods before the two boys lapse into comfortable silence, just two best friends against the world. Or at least, Owen hopes that’s what they are, hopes that’s what Charlie sees him as. He doesn’t know what he’d do if it’s not.

(Later, Owen will look back and berate himself, because he should have noticed the way Charlie stood shakily, the way his eyes darted back and forth, as if on the lookout for something. He should have noticed the way Charlie’s jokes weren’t as well-thought-out as usual, the way his usual ridiculousness felt forced and fake.

Owen should have noticed that, as they made their way to Mrs Pemberton’s room, Charlie just got worse, sniffing the air and hovering protectively over Owen’s shoulder. But hindsight’s twenty out of twenty, Owen supposes, because in that moment, nothing had seemed amiss to him.)

They step into their classroom and, almost immediately, Charlie freezes in place, his limbs becoming rigid and an expression of barely masked horror spilling across his face, the change as drastic as if someone had poured paint over his head. It’s only then that Owen glances back, concern etched across his features. Charlie’s always been shorter than Owen, but at that moment, he looks like he wants nothing more than to grow to a humongous size and swallow something whole (Charlie doesn’t seem angry, though. He just seems scared). Honestly, Owen is quite put off.

“…Mate, you good?” He asks, brow furrowed in a mix of confusion and worry. Charlie nods a little too quickly, Adam’s apple bobbing in his throat as he swallows, his complexion having turned pale and sickly-looking. Owen follows the gaze of his eyes as they trace across the room, to a big bulldog that, for whatever odd reason, is sitting underneath the teacher’s desk.

It has jowls that rival Winston Churchill, and a glare to match. Its ears stick straight up from its head, triangle-shaped and alert, teeth sticking up from its underbite onto its upper lip. Its fur is matted, a dusty brown color, and Owen can’t help but wonder if it’s well cared for, whoever it belongs to. Also, last he checked, it’s a rule that dogs of any kind are strictly not allowed on school property, so he’s slightly apprehensive as to what one is doing here right now.

If he didn’t know better, Owen would swear it’s staring straight at him.

“Are you sure you’re alright?”

“Oh, uh, shit- I’m fine, just- just a little scared of dogs,” Charlie mutters, the obvious lie grating and rough in Owen’s mind, flurries of worry and possibilities floating across Owen’s mind in a familiar and foggy blizzard. He’s brought back to himself by Charlie gesturing towards the animal under the desk with a jut of his chin. “Let’s just find our seats and stay far, far away from it.”

Owen nods, though to be honest, he doesn’t really understand what the big deal was. As far as he can tell, it is just a neglected, grumpy-looking bulldog that has no reason to be there- and sad and unsettling as that is, he honestly doesn’t understand why Charlie is acting so skittish. That is Owen’s first mistake.

Three minutes later, after he and Charlie have found their seats (right next to each other, by some stroke of luck, and Owen is immediately so relieved that he feels like he could cry) the bell rings and their teacher still hasn’t arrived. The bulldog is still sitting menacingly under the desk, and Owen’s starting to get a little unnerved, as the beast is definitely staring at him- its gaze hasn’t slid from his face the entire time he’s been in the room. Charlie is still acting really jumpy, like, oddly so, and the rest of the class are impatiently waiting, annoyed whispers passing between friends and desk neighbors.

Finally, after several minutes have passed, the door swings open, and a young woman walks in. Her woven and plaited hair is the color of spun silk, a blonde so yellow Owen thinks there’s no way it can be her natural hair color, with skin as pale and freckled as a smoothed river stone. Her lips are warm and pink-tinged, curled up in a seductive smile, with piercing blue-gray eyes that seem to hold secrets deep within. She wears a bright pink dress that looks almost like a ballroom gown, with white and lighter pink accents at the waist, neck, and cuffs, and she seems to slither as she walks.

The teacher has arrived, but she is like no teacher Owen had ever seen. Not in a good way, either- just looking at her causes the skin on the back of his neck to prick up and crawl uncomfortably, and with a glance over at Charlie, Owen can tell he feels the same.

“Greetings, class!” She spreads her arms around her, motioning like she’s hugging all the class, voice like frozen honey against a backdrop of fluorescent lights. 

(Owen notices with a slight spike of apprehension the way her smile seems to be just a bit too wide, her eyes are far too blank, staring ahead with a kind of manufactured happiness that Owen sees far too often on his own face. The difference is, however, that on her face, it looks almost sinister.)

“My name is Miss Pemberton,” the woman continues, either oblivious to or ignoring Owen and Charlie’s discomfort, “but you all can call me Madeleine. I’m so excited to get to know every single one of you this year!” She goes off on the classic teacher spiel, the one that never gets more true regardless of how many years it’s repeated, and Owen and Charlie exchange a knowing glance and a snicker- at least this part of the strange woman’s appearance is something they can both agree is somewhat normal.

The rest of the day passes in a dull, stretching swathe of rules and policies, how to read schedules, et cetera, et cetera, as first days back at school often do. When the bell rings for recess, it’s a welcome sound, and Owen can’t wait to get out onto the field, to lay in the grass and banter back and forth with Charlie.

But just as he’s pulling back on his sweater, the sharp and honeyed voice sounds from across the room. “Owen, dear?”

(Her voice sounds wrong when she says his name, there’s something underlying it- a quiet, almost imperceptible sound of static, and Owen can feel his arms erupt in bumping bouts of gooseflesh.)

“Yeah?” He answers, turning back to face Miss Pemberton. 

“Why don’t you stay in for a little bit, honey.” It’s not a question, and again, there’s something off about her voice, it’s too flat and lilting- it sounds like a snake’s approximation of what a human sounds like, a good attempt tainted by venom and fangs. Owen begins to feel uneasy, the feeling catching up with him even more than before. The bulldog is still staring at him, beady and unblinking eyes trained on his own.

Charlie speaks before he can respond, his eyes wide and a glaring clarity that Owen doesn’t understand spreading across his face. “Um, no, actually, I don’t think he will be staying in- come on, dude, let’s go-”

Charlie’s hand tightens around Owen’s wrist, and he begins to pull him out of the room. Owen goes willingly, his heart rabbiting illogically, and oh god, he is scared and he doesn’t know why-

“Oh… but I insist,” Madeleine says, her teeth too white, eyes too blank, pupils so small all Owen can see are her blue-gray irises, pulling him in, closer, closer-

Until Charlie’s grip on his wrist jolts him back to reality.

“Uh, just give us a second- I’ll be right with you.” Owen shoots her his best ‘I’m a star student, how could I lie to you’ smile and lets Charlie pull him out into the hallway, where the shorter boy grabs his shoulders and looks him dead in the eyes, more serious than Owen’s ever seen him. 

“Owen, listen to me. I am going to give you something, and you are going to go back into that room and deal with… that. I will be right here. I promise.”

“Char- why-” Owen is so confused, he has no clue what’s going on.

“I can’t help you with this,” Charlie mutters, face downcast. “I literally can’t fucking help you with this- shit, Owen, I’m so sorry. But this was going to happen at some point or another- your scent is just getting too strong, there was nothing I could do anymore-”

“My scent? Charlie, what the heck are you talking about?” It has to be another one of Charlie’s jokes, a bit that’ll have them both in tears with laughter when it reaches its end. But for once, Owen can’t see a trace of mirth in Charlie’s eyes; as he searches desperately, he cannot find a single hint that he is joking. Charlie doesn’t say anything, only stares at him with a kind of deeply sincere anger- it’s not directed at him, though, that much he can tell.

And so Owen takes a deep, shaky breath, and nods. He doesn’t know what he’s agreeing to, has no idea what Charlie’s asking him to do. All he knows is that, standing right in front of him, is the only person in the world who he trusts, he would do anything for him.

“Okay. Take this.” Charlie reaches into his backpack and pulls out a moldy, bruised orange, and before Owen can protest, he presses it into the other’s palm.

“Charlie, what the heck?” Owen’s laughing now, the utter ridiculousness of this situation crashing down on him. He assumes that he was wrong, that it is a bit, but when he looks down, Charlie’s eyes are still devoid of any silliness.

“Look, I know it’s really fucking weird,” Charlie mutters. “Definitely wouldn’t be my choice, but that’s what X said to give you, and even if it’s a shitty orange, who the fuck am I to argue…”

Owen blinks, completely lost.

“Right, fuck, sorry. Just… take the orange. You’re a fucking smart kid, dude. You’ll know what to do.” Charlie states the words with a fabricated confidence, and Owen can’t help but think it feels like he’s trying to convince himself as well as Owen.

And then, with a salute, Owen’s best friend pushes him forward, back into the room, with nothing but a moldy orange clutched in his sweating hands.

[killjoy-prince]

Do you have any shoujo manga recommendations? I recently read Sasaki and Miyato and realised that I have been severly missing out!

Sure!! Thanks for asking me!

First, in case you haven't read it yet, Sasaki and Miyano has a spinoff that starts six months before the plot of Sasaki and Miyano called Hirano and Kagiura also by Shou Harusono.

This one focuses on Sasaki's friend, Hirano and his new dormmate, Kagiura. I know Sasaki had extra stories with them but the spinoff gave them an actual story. It currently has about 23 chapters and a light novel with the light novel being the first thing that happens chronologically. No anime for it as far as I know. The back of the first volume has a timeline of where events fit (this came out when Sasaki was up to Volume 5)

Speaking of novels, Sasaki and Miyano has two novels, one focusing on the characters' first year and one on their second year. I haven't read them yet so I'm not sure what exactly happens in them but if you can, check them out!

OK, now for other recs!

Wotakoi: Love Is Hard For Otaku by Fujita

This one is really cute! An office worker and otaku named Narumi Momose got dumped by her boyfriend when she got outed as one. Feeling awkward about running into him at work after the bad breakup, she quit her job and got a new one at a different company. This time, she's determined to keep her secret under wraps as to avoid another incident. However, this may prove to be hard when she finds out her childhood friend and fellow otaku Hirotaka Nifuji works at the company and almost outs her on her first day. She meets up with him after work to catch up and when Narumi tells him about her recent breakup, he asks her why not date an otaku. Specifically him. She rejects it at first but when he says he can help her in life, video games and with her booth at Comiket, she agrees.

There are three couples this series focuses on. The second couple knew each other since high school and have been dating for about a decade and work at the company with Narumi and Hirotaka. The third couple is the younger brother of Hirotaka and a gamer who goes to his college. It's a lighthearted comedy about office worker otakus and navigating their relationships. A lot of references to anime, video games, BL, GL, you name it. Like Sasaki, this was a webcomic posted on pixiv so the pacing and layout feel similar, at least to me. There are 11 volumes (6 volumes if you go by the English translation bc they combined two volumes into one for 5 of them and then the last one is by itself). I mainly got into this one bc Hirotaka was aesthetically my type. I remember seeing the first volume cover at kinokuniya when only the Japanese version was out and being like "I need to find out what this series is bc I need to meet him"

Kimi Ni Todoke by Karuho Shiina

This was a series I read when I was in high school. High school freshman Sawako Kuronuma has been feared and misunderstood by her peers all her life due to her appearance. It was so bad that her classmates call her Sadako since she looks like the character from The Ring. She had resigned to her fate of never making a friend until popular boy Kazehaya starts talking to her. The more time he spends talking to her, the more her world opens up and she starts making friends and experience things she hadn't been able to before this point. As they spend more time together, love blossoms between the two characters.

There are 30 volumes and 38 episodes. I read up to volume 18 and then stopped because that was the most recent volume at the time and I kinda forgot about by the time more volumes came out. But that was my fault not the manga because this series is really really cute!! A term I've coined for myself when I read this was whenever Kazehaya and Sawako were being cute together, I'd exclaimed "THESE ADORABLE LITTLE FUCKS!!" because they are so adorable to each other. The friends Sawako makes are really cool and fun in their own right. If you want some really cute, tooth rotting sweetness, I recommend this series.

Princess Jellyfish by Akiko Higashimura

Tsukimi Kurashita is a jellyfish fanatic that lives in Amamizukan, a woman only apartment building that houses other woman with their own fixations. They are considered NEETS and have a strict rule of no men allowed in their living space. Tsukimi's love for jellyfish came from going to a jellyfish aquarium with her mom before she died of an illness when Tsukimi was a kid. She goes to a pet shop regularly to visit a spotted jellyfish she's taken a fancy to that she named Kurara. When she sees that the employees put a moon jellyfish in the same tank, she fears for its life as the moon jellyfish will kill Kurara if not taken care of. However, her fear of talking to normal people lead to a misunderstanding with the employee until a stylish person comes to her rescue and they take Kurara back to Amamizukan. The next morning, Tsukimi finds out the stylish person she brought back to her home is an illegitimate son of a politician and cross-dresser named Kuranosuke Koibuchi.

There are 84 chapters and 11 episodes of this series. I read up to about chapter 74 before stopping for the same reason I did for Kimi Ni Todoke. It's a really fun time. The characters are funny and sweet, the situations are entertaining, it's just a fun o' time. And the art is really pretty!!

Skip and Loafer by Misaki Takamatsu

Mitsumi Iwakura moved from her small town on the outskirt of Ishikawa Prefecture to Tokyo to start high school. However, she gets lost going to school on the first day due to the culture shock and seems at a loss at what to do. That's when she meets Sosuke Shima who was late to school himself and travels with her to school. The series follows Mitsumi as she experiences school life in the city and meets lots of new people and makes friends with Sosuke along for the ride.

There's currently about 59 chapters and 12 episodes of this series. I started reading it when the anime was announced and I had a fun time reading it. I really enjoyed Mitsumi and seeing her learn and broaden her horizons as she goes to school and hang out with Sosuke and everyone else. It's a nice story!

Given by Natsuki Kizu

High school student Uenoyama Ritsuka is a guitarist in a instrumental only band with college students Akihiko Kaji and Haruki Nakayama. When going to his usual hiding spot for lunch, he finds Mafuyu Sato sleeping with a guitar with broken strings in his arms. Uenoyama offers to fix it and when he does and plays a note, Sato begs him to teach him how to play. Uenoyama is reluctant but gives in when Sato persists. After spending some time together, Uenoyama finds out that Sato has a beautiful singing voice and invites him to join his band.

There are 9 volumes, 11 episodes and a movie, with another movie on the way. The series focuses on three relationships. The first is the relationship between Uenoyama and Sato, the second between Akihiko and Haruki and the third between Sato's childhood friends Hiiragi and Shizusumi. The art is really pretty and the characters are so good!! I really enjoyed the story a lot! My favorite character is Hiiragi and I can't wait for the next movie to come out because they're gonna cover his story then and I wanna hear him sing!! (Also his seiyuu is Fumiya Imai AKA seiyuu for Akito Shinonome so double reason why I wanna hear it) Also, Imma use this as an excuse to post a page I really wanna see animated bc I can hear it so clearly in my head.

Bloom Into You by Nakatani Nio

Yuu Koito, lover of shoujo manga, always dreamed of being confessed to and experience that heart pounding feeling she sees happen in her books. However, when she's confessed to by a guy in middle school, she feels nothing and rejects him. Now starting high school, she's left confused on what her lack of feeling means. When she sees the student council president Touko Nanami turn down a boy, she asks her for help with her situation. But when Nanami confesses her love to Koito, will she feel that spark she's being hoping for? There's 8 volumes, 13 episodes and 3 light novels starring a side character. I'm up to volume 6 of this one and I'm really enjoying it!! The story is engaging, the charatcers are interesting. I like that Yuu isn't a pushover, she's a bit snarky and doesn't let Touko push her around. And I like how Touko comes off as a competent student council president but she has a more vulnerable side that she only shows Yuu. They pair nicely with each other.

Gekkan Shoujo Nozaki-kun by Izumi Tsubaki

OK I know you know this one already but this wouldn't be a rec list made by me if I didn't include it. This is my favorite series ever. It's mecore. Me-coded. Me. Second year high schooler Chiyo Sakura finally gets the courage to confess her love to Umetarou Nozaki, a guy in her grade. However, she messes up the confession and says she's his biggest fan instead of "I like you". Nozaki, in response, gives her his autograph and then invites her to his house. She accepts but once they get there, he has her do inking on a manga he makes. Turns out, Nozaki is a manga artist under the pen name Sakiko Yumeno and he's had his eye on Sakura for a while because he wanted to bring her onto his team as an inker. She agrees to join so she can get closer to him.

There's currently 14 volumes, 12 episodes and an OVA split into six 5-mintue parts. This series has me dying of laughter with every chapter. The characters are fun, the story is fun, it's just a fun time! There are three main couples with some side couples and duos that get their own time in the spotlight as well. The main ones are Sakura and Nozaki, Sakura's friend Yuzuki Seo and Nozaki's screentone assistant and first year Hirotaka Wakamatsu, and Nozaki's background artist and third year theater club president Masayuki Hori and "Prince of the Drama Club" Yuu Kashima. Other characters like Mikoto "Mikorin" Mikoshiba, Mayu Nozaki, Yukari Miyako, Ken Miyamae, and Mitsuya Maeno all bring their own brand of fun to the table. This series made me laugh so much I couldn't read it in class to slack off because I'd laugh out loud and disrupt class. I've yet to read another series that made me do that. I cannot recommend this series enough. Please read AND watch it if you have not already. Nozaki is starting to gain awarness. I lose my mind whenever I see it happen. I wanna see it happen. It's been 13 years!

Imma put an honorable mention here because I haven't read or watch it yet but I've heard Horimiya written by HERO and illustrated by Daisuke Hagiwara is really good. I wanted to but just haven't gotten around to it yet.

That's all I have for right now! If you've already read/watched all of these already, lmk and I'll list some more!! Hope you enjoy! ^_^