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faeriekit · 3 months ago

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Health and Hybrids (XXVIII)👽👻💚

[I can't remember the original prompt posters for the life of me but here's a mashup between a cryptid!Danny, presumed-alien!Danny, dp x dc, and the prompt made the one body horror meat grinder fic.]

🖤Chapter navigation can be found here🖤 Click to browse previous updates.

💚 Ao3 Is here for all parts 💚 (now featuring mediocre mouseover translations, only available on a computer)

Where we last left off... Danny has another hashtag breakdown! Man, we've got a lot of these, huh? It's YJ's fault this time; whoopsie doodles! ¯\_(ツ)_/¯

Trigger warnings for this story: body horror | gore | post-dissection fic | dehumanization (probably) | my nonexistent attempts at following DC canon. On with the show.

💚👻👽👻💚

“Danny,” Diana says from the door.

Danny looks up from his place in the book. It’s definitely aimed at younger kids, but it’s a pretty wordy picture book; there are a couple paragraphs he can’t quite parse, but he’s making pretty good progress on the words he can’t recognize.

It’s a story about a cat who misses its mother. Danny tries not to relate to it too much.

“Hm?” he asks, flipping the front flap of the dust cover over his current pages to mark his place. The book goes back onto the nightstand, beside his space shuttle; Danny uses the railing beside his bed to support himself stepping up and out of his wheelchair, leaning on the railing until he can figure out…wait, where’d he leave his old people walker?

“This walk is long. You will want your chair.”

Well, then. Couldn’t she have said that before Danny did all that pulling? Danny falls back into his chair, kinda peeved. “Fine.”

Diana smiles. She doesn’t have to wear the mask around him anymore— Danny’s pretty sure that his injuries have been declared as clotted, or sealed, or whatever at this rate. They for sure swabbed his ectoplasm and came to some kind of conclusion, anyway, which means he only looks gross, but isn’t, like…actively leaking fluids.

On the one hand, gross! But, well, you know. Nothing for it but bandaids and time.

And her face looks nice. Danny hadn’t known what she’d looked like, before. She smiles when she sees him. Her light eyes crinkle, and her lips turn up… She’s nice. Danny’s sure that she’s only there to be in charge of him in case he gets scary, but she’s in charge of him and she’s nice. She doesn’t have to be nice; lots of people have been in charge of him and been mean about it. There was that one guy who kept holding him—with the taser—

(Time slips away from him, a little. When he gets back to the world in front of him, Diana is carefully looking at his face, the back of her hand stroking the back of his.)

Danny’s in his chair. He’s not…there. He’s in his chair, on a big space station (????) with a bunch of really colorful fighters on it, and Diana is touching his hand (that’s so much weaker and slower than it used to be) and he’s not hungry and he’s only scared because of memories. He’s safe. He’s not being pinned down by the neck so that they can strap down his wrists and hips to the table—they’re not shocking him—he can move his fingers, he’s not stuck in his core—

His core throbs. Danny bites into his bisected lip, and tries not to cry.

“Are you alright?” Diana asks, voice gentled. The soft touch of her hand doesn’t stop. “We can wait. There is no—“

Danny shakes his head, and takes his hand away so he could wipe at his eyes. It’s fine. Bad memories are everywhere: in the walls, in the floor, in the ceiling, in the hands of people taking care of him. That’s not… There’s nothing Danny can do about that. That just. Takes time.

…He think he might have that time. Now. He thought he would die for good in that five by five box, waiting for something that would finally end him instead of just keeping him in a cycle of injuries he never fully healed from.

But now he’s not. He’s here.

He wants to keep going.

“Alright,” Diana says, slow and careful. “Hold on.”

Danny doesn’t hold on—or, well, you know, he engages his core muscles and all that, but he doesn’t cling to his arm rests or to the frame of his chair because he knows that Diana is really, really strong, but she also really, really doesn’t want to hurt him.

She rolls him out of the medical wing and into the space station proper. Danny feels like he’s been here before, but he doesn’t remember it super well. Maybe it was when he was sick or something? Either way, a lot of different people wave at him as they go by—or just straight up stare, if they’re rude—and Danny generally just watches people rush by, carrying all kinds of equipment, and a potted plant, and a…starfish in a jar…?

Oh, the starfish waves at him???? Danny waves back because?? What??

Danny rolls to a stop at a smooth, cylindrical elevator. It looks like a giant test tube.

…Oh boy. Danny takes a deep breath, and holds it. Reflexively. Sure, this elevator probably isn’t like being dunked into water to see if his body absorbs ambient oxygen from the atmosphere or if his biology is truly not oxygen-based, but the memory is. Bad.

They go upwards. Nothing happens but Diana’s pushed button.

Danny exhales.

They get off at a section of the base Danny’s never been to, and it's essentially just a long, somewhat narrow hallway. The walls are actually painted a creamy off-white here, and there’s…like…decorative panels towards the base of his wheels trailing down the hallway? An orange ceiling, too?

Huh??

The rooms are numbered, but they’re not plain steel like in other areas downstairs; some of them have stickers, or drawings, or marker written straight onto the door itself. They look...cozy...? Danny thinks so, anyway, compared to the rest of the ultra high tech space base.

They roll to a stop in front of a door. It’s got a number on it, same as all the others, but there’s a box cutout taped to the front of it. The—

—The print is of the same style of space shuttle Danny keeps next to his bed, inked onto glorious cardboard medium.

Danny stares.

“Gegrapa,” Diana urges, so gentle. Too bad that, uh, Danny doesn’t know that one. He looks at her. She mimes touching the door— Oh. Got it.

Danny leans forward just enough to touch the door with his fingertips.

The door says something in a robotic voice, but the synthesizer is too mangled for Danny to make out the words. The door slides open horizontally into the wall, instead of the way the other doors open like portals or from below, and it’s kind of cool?

Inside is a bedroom. Danny stares.

…No, it’s actually a bedroom. Not a medical wing, not a cot, not a repurposed conference room or—it’s actually got a bed in it. Like. A real one. There’s a wooden headboard and it’s got a mattress on it that’s thicker than a VCR.

There’s constellation sheets on a bed big enough to curl up on.

There’s a nightstand, a small desk on the far wall—there’s a little lip where the bedroom dips into a tiny sitting room, a small television on a table and a small table and chair. It’s kind of…it’s kind of like a little hotel suite.

Danny’s mouth goes dry.

He doesn’t move, and Diana doesn’t wheel him in. “It’s okay,” Diana says, and—Danny almost flinches when she touches his hair, but it’s only Diana, who’s never hit him, and they’re fine. He’s…safe. It’s safe. He’s safe here. “Do you want to go in?”

Danny doesn’t move. His hands don’t touch the wheels. They’re shaking; he puts his hands in his lap and he tries to breathe. “…What?” he asks hoarsely.

“A rum for my Danny,” Diana murmurs, quietly. Danny’s heart throbs at the possessive. “You are healthier now. You do not need doctors every hour, but only sum hours. You cuðe spenda more time here, all ana.”

Words go by so fast even at Diana's smooth, unhurried pace— and Danny licks dry, split lips. He looks around the room—and the room is small, sure, but they're in space. Space will always be a premium. Even in this small room, though, the furniture is sparse and placed distant from each other…distant enough that Danny can wheel around freely in his chair.

There’s a Moon clock display hung on the wall over the doorway, and Danny can faintly see the outline of what he assumes is the current lunar phase as seen from Earth.

Having the lamp isn’t exactly the same as glow-in-the-dark-stars, and thank goodness for that. If it had been, Danny might have cried.

(Or, he realizes, something burning in his eyes that isn’t ectoplasm, maybe he is crying.)

“...Me?” Danny asks, terrified to know the answer. Is this room for him?? Is he getting a room here? Is he supposed to stay here? On the moon?! Is he supposed to stay with everyone here, in a tiny room, where there’s nowhere to go and nowhere to escape?

…It’s a bedroom. It’s already so much more than the stupid guys in white ever gave him.

“Yes,” Diana says, and lets go of his hair. “Use it, or do not. Sitta here, or sitta in the medical bay, but now you have two choices.”

Okay. So Danny has choices. He swallows his feelings—they taste a lot like snot—and rolls himself inside to inspect the room.

There’s another little fridge inside the sitting area. It’s not right next to the bed like it is beside Danny’s cot, but it is the same style of fridge. When Danny pops the door open, it has the same styles of snacks. Fig Einsteins. Peanut butter squeezies and applesauce squeezies and yogurt squeezies. Protein shakes in bottles. Pedialight. Hummus packs.

Danny might still need someone to open the snack packs for him. That’s kind of a high dexterity food, if he thinks about it.

“If you wish to sitta here, we will visit you all you like. There is a belle at your bed,” Diana says, and walks in with all her purple scrubs and tied-up hair to point to a little button on his nightstand. It’s red. It’s got a little smiley face sticker next to it, and Danny thinks he recognizes the style from one of his nurse’s bestickered name tags. Belle is probably a direct cognate for bell. He’ll be able to get everyone to come up here if he needs help.

…Okay, that’s kind of nice. To have personal space. He hasn’t had that since… Danny’s eyes squint as he thinks; he rubs an eye. Wait, when had he been squatting under a conference table? Was that a real memory??

Diana is very tall, even in the little space, but when she ducks her head, the gesture makes her a little smaller, a little more manageable for Danny’s lower-than-usual-gaze. Now that he can see her expression, she looks soft, and even uncertain, even though she looks stone and strong on the television when she goes out to fight. “Do you like it?” she asks.

Danny fidgets.

He—does. He likes it a lot. The room doesn’t have any windows, but if Danny moved all his things in here, got used to being able to come and go, and people coming in and out…this space could be just another space. It’s quieter than the medical ward. More peaceful.

…The room is utterly devoid of other people.

(Danny thinks of The Box. Danny thinks of being in The Box.)

(Danny doesn’t like remembering The Box.)

“I am scared,” Danny admits to his twitching thumbs, his fingers itching for a fidget toy or one of his physical therapy tools. Diana’s face immediately drops.

“Why are you scared?”

I’ll be alone Danny wants to say, but he doesn’t know the word for alone and he struggled with phrasing. “No…people here.”

“That is triewe. You would have more dīegolnes here,” Diana agrees, and straightens out of her crouch. “Is that good, or bad?”

It isn’t good and it isn’t bad…? Danny isn’t sure how to phrase it. It’s neither. Being alone is just scary.

“You not hurt me,” Danny tries, knowing he’s missing some connecting word in the middle. He ignores how Diana comes back to kneel beside him, because if he looks at her, he won’t say anything. “Do not.”

“No,” Diana says, from beside and below him, gentle, careful. “We do not.”

No. They don’t. Danny swallows. “Bad…hurt me.” He doesn’t know the word for Earth or planet or even downstairs, so he just meekly points downwards.

Diana stills. It’s like watching Vlad’s Maddie cat spot a bird to hunt down. Danny tries not to feel pinned. “On eorþegearde?” she asks, still light, still gentle. Danny can hear a shadow of steel, though, and he counts himself lucky that she’s never treated him like an enemy. Danny quickly nods. His eyes squeeze shut.

“Who?” Diana asks feather-light.

Danny doesn’t want to tell them what he is. Admitting the name of the agency hunting him itself would be given in.

…But maybe if he doesn’t say the name…and they...and they promised they'd help hide him...

He wants to be right. Danny wants to be right that they're nice, and that they want to help him. Danny wants to be right that they want to protect him. As long as he never, nevernotevernever tells them he's a ghost...

Maybe someone will help him. This time.

“Bad,” Danny repeats, because he genuinely has no idea how to translate?? “Wants…hurts me? For…” WHAT WORDS DOES HE KNOW? Danny gives up and just draws a y-shaped autopsy incision on his chest. It goes down from his collarbones to his belly button.

Diana watches. Her eyes are sharp.

“Do you feel safe with the staff dunstæger in medical?” Diana is quick on the ball with the question and Danny nods quickly—he’s never alone there, and no one’s ever hurt him, and people whose job it is to help people are always coming in and out, and Medical helps them too.

“Good,” Danny whispers. “Talk…talks to me.”

“Ealne weg,” Diana affirms firmly. Whatever that means. “We will cepa you safe.”

You safe and we is all Danny needs to hear. He could probably cry by himself, but Danny wants the comfort anyway; Diana lets Danny take her hands into his, and he lets tears fall into someone else’s grip instead of his own.

Bruce is halfway to the monitor room before he feels himself be picked up from underneath the armpits.

Usually finding himself at inappropriate heights involves horseplay from Clark. No one else would be so bold as to actually put their hands on him within the professional setting of the Watchtower—and Bruce has worked very, very hard on maintaining a reputation that keeps the handsier of his fellows at bay.

The culprit is not Clark this time. Bruce finds himself looking downward at Diana’s tearstained face, fury and resignation warring in her expression.

Bruce is careful not to sigh. “Wonder Woman. What is the matter?”

“Someone,” Diana grits out, voice carefully modulated to cut out her own pain, “Hurt my charge.”

On the one hand, the situation with their patient is exactly as Bruce had expected. The circumstance is tragic. The circumstance was predictable.

On the other, Diana's new upset means that Bruce now has more information to work with than ever before.

Bruce can work with this.

“Tell me everything.” Bruce’s voice is just as firm—even held midair like a cat. “I will help you in every way I can.”

#HEy guess who got a covid booster took a nap so fat that SOMEONE almost suffocated and then woke up at 6am to write 1800 words of Hybrids??#Danny: so like. They don't TREAT me like a ghost. so if I just say I'm NOT a ghost..it's good right?? They won't do what mom n dad did??#Wonder Woman (seething with rage): You are NOT going to be able to stop me from killing people #Bruce very quietly: (noted)#health and hybrids #dp x dc #danny phantom #dcu crossover #dpxdc #dcxdp #tw medical #tw body horror #tw gore #although at this point we're mostly a recovery fic #this whole thing has been a recovery fic huh #the healing power of watching someone else get picked up after being punted around like a football #I think we're also a mystery fic but I'm really drawing out the details here ngl #clark is eating chips w nightwing rn they're both missing out on the action

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pinkie-quinns · 2 months ago

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rocker eddie/actor steve | exes to ????? (yearners?) | fame au p5

p1 p2 p3 p4 interlude p6

Steve says he's flying out to New York for meetings. That’s what he tells everyone. That’s what he does. He's courteous, even lets Eddie know he’s in the city, that he can maybe, maybe stop by his place later.

But he doesn’t tell Eddie he’s coming to the show.

He gets there late, hangs at the very back of the venue, the nosebleed cheap seats. He’s in uniform, black jeans and scraggled tee. Bit of liner under his eyes, baseball hat and shitty prop wig he stole from set. It should be enough for most people to not look at him twice.

It’s the worst spot he’s ever had at one of Eddie’s gigs, but he couldn’t take the “I’m with the band" seats Eddie had offered him. Like he’s still some kind of accessory. Couldn’t take the c-list celebrity box seats either. Cause, well– he’s not supposed to be here.

Eddie’s a blip on the stage from where Steve’s standing, but it makes his idiotic traitorous heart swoop all the same. He’s only been on tour for a month. Steve wasn’t supposed to miss him this bad.

He’s really not supposed to be here.

Eddie's solo stuff has always been too wordy, too raw. Like he’s Dylan in the body of a metal star. It makes Steve's gut sore.

It’s mostly songs from his latest album, at least. Seemed like Eddie had a bad run in with benzos last year. Which also kinda makes his gut sore.

Eddie plays the hits. It's been years but the ones from "Penitence" cut like fresh wounds. The crowd goes wild for Dead Weight. But Pavlov's got the one-up on Steve. Those first three chords still make him want to crawl out of his skin.

It’s nearing the end now and Eddie drops the band, walks up to the front of the stage with just the spotlight on him. He’s holding Lucky, the old pawn-shop acoustic Wayne got him when he was twelve. He used to strum it between joints in the back of the van.

He’s– he’s nervous.

He coughs into the mic. “Hey uh, um, I've got something special for tonight. I don’t really do covers and uh, especially not ones that–” He cringes, grits his teeth, “Well, this isn’t exactly my sound.”

It was unsettling how nervous he was. Steve could fill journals full all of Eddie’s fuck-ups and flaws (and he has, many, many times.) But performing? That was undeniable, coded into his DNA. Eddie was a great performer. He was never nervous on stage.

Eddie's hands tremor at the tuning keys. “But uh, someone couldn’t make it tonight- a um, well. An old friend.”

Shit.

“–And he really used to really love this one.”

Shit shit shit shit.

“So, uh, yeah. Sing along if you know it.”

Steve knows it. One chord in and he knows it–

It’s Dave fucking Matthews. Eddie hates Dave Matthews. He's the total opposite of anything Eddie considered worthy art. His sound, his look, his ability to fill stadiums with every guy that wears sandals in a 50-mile radius, everything.

More importantly, Eddie’s fans hate Dave Matthews. If they don’t, they keep that close to their chest. Hell, not even– Steve spent enough of his early twenties bopping around dive bars with Eddie's crowds. They'd take that shit to their grave.

Eddie's already on thin ice with most of them.

Steve knows most of them resented the experimental sound of the new album, knows sales are low. He’s heard enough of Eddie's 3 AM pillow talk bitching about it.

There’s multiple audible groans. Someone in front of Steve whispers, “What the actual fuck.” in total disbelief.

But Steve doesn’t register it. Not really. Not over the blood rushing in his ears. Over the sound of Eddie crooning, “Who’s got their claws in you, my friend? Into your heart I’ll beat again."

Truth was, he hadn’t listened to that song, that whole album, in over a decade.

Steve would start up the car, like always and “So Much to Say” would play, like always. But there were no loud puking noises from the passenger seat, no pile of empty, over-dramatic threats. Just dust in the sunlight where someone had loved him, once.

And he couldn't stomach it.

He can't stomach it now. Eddie in front of 13,000 people. Shaky and vulnerable and too-himself for them all to bear witness.

It’s– fuck. Steve’s nineteen and the bimmer’s out of gas and Eddie’s cursing this song out, but his hand is under Steve's sweater and it's warm.

The third verse now and Eddie's crooning about forgiveness, about begging and haste and “Holding you so, boy.”

"Boy". Not "Girl". Unmistakable.

Steve wonders if anyone noticed. Eddie’s not out, not really. But he dedicated a love song to an old friend. Maybe he is now.

Then it’s all too much. Too big for him to hold. The love and hurt and longing and bullshit and near-two decades worth of sludge dredging up his throat and crashing down, pulling him under.

Steve doesn’t wait for the song to end. He keeps his head down and skips out before the encore.

#steddie #steve harrington #eddie munson #twitter threads #fanfic #angst #fame au

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andivmg · 10 months ago

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speak up andi, I beg of you, you have been mistreated the most here, I know it took shubble a lot of courage but she has helped so many people

i want to start this off by saying it is not a competition and i do not want to compare my experience to anybody else’s. shubble is so fucking strong and i admire her and everyone else who has spoken up about experiencing abuse endlessly.

DISCLAIMER 1

this is way longer than i intended it to be. i did not plan to go into as much depth as i did but the words just kinda kept coming and i kept thinking that if someone else is in a similar situation to the one i was in, it would be good to point out even some of the smaller details so that they can see that these behaviors are not something to be overlooked and could be a symptom of a bigger issue… idk. i apologize for how lengthy and wordy this is but i hope it all makes sense somehow

DISCLAIMER 2

a lot of you know who one of my exes is and i am asking you to please not make this about him. i am simply sharing my experience with some of my past relationships in hopes that they help someone else. i beg of you, do not go on twitter making threads speculating on whatever because it’s just going to cause me a bunch of problems and i don’t want this to be brought to his attention. if you share my story, please do not do it with the intent of starting drama. if you share my story, focus on the behaviors i am talking about instead of trying to figure out if it’s about him.

DISCLAIMER 3

this goes without saying but i’ll put it here anyway: i will be talking about toxic relationships, mention of self harm, mention of sex, implied violence. if any of these topics are triggering to you please scroll away, protect yourself.

I have been in a lot of relationships, but there are 4 that i would truly identify as the ones who had the biggest impact on me. Two of those i would consider emotional mistreatment. I don’t want to say i was abused for reasons that i will be discussing with my therapist this week, but i can certainly say i was mistreated. For the sake of privacy, i will be referring to these two dudes as 1 and 6.

I think the biggest difference between 1 and 6 is that 6 was obsessed with me to the point where i felt like i was being suffocated, whereas i’m not sure if 1 ever cared about me in the first place.

6 and i started out pretty normally. we had a bunch of friends in common and we were around the same people. so eventually, we became friends too. we would text and call all the time until feelings developed into a relationship. in the beginning he was really sweet and caring, saying all the right things that got me falling head over heels. now, something important to note is that i am someone who has always had a lot of guy friends. when i was little and in school, my mom made friends with a bunch of other moms and those moms were boy moms, so i grew up surrounded by boys. i bring this up because 6 didn’t like my guy friends. actually, i think he just didn’t like the fact that i had guy friends at all. so, whenever i would hang out with my friends, it was a problem. so this resulted in me never being able to go out or hang out with my friends unless he was there. then it got worse. before we started dating he had decided to cut back on drinking and to stop smoking. so because of this, i decided that i wouldn’t drink or smoke around him in solidarity. this was not enough for him. i had to stop drinking and smoking altogether. so once, when i was hanging out with my girl friends we decided to stay in and get wine drunk. we posted about it on our private stories on snap and once he saw, 6 called me arguing and yelling at me because i was drinking and posting about it on my story for “attention”. after this incident, i was no longer allowed to hang out with my friends because they were a “bad influence”. he also didn’t like the clothes i wore. sorry, let me reiterate: he didn’t like my clothes when he wasn’t around. it was perfectly fine for me to wear a short dress… if i was with him. i was not allowed to wear “revealing” clothing if he wasn’t around. mind you, none of the clothes i wore were revealing, it’s not my fault i’m hot yk? he took over my life. who i talked to, what i did, what i wore, where i would go, it was all up to him. my life no longer belonged to me. and at the time, i was okay with that. i didn’t realize that he had so much control over everything. i was young and naïve and he convinced me that he knew what was best for me. that he had lived more than i had and experienced more than i had and that he knew better. he was so good at making everything my fault and making him the hero or victim depending on the situation. i got catcalled on the street? “because you were wearing that fucking dress again, andrea you know how that looks. of course you got catcalled. this is why you can’t wear things like that when i’m not around to protect you”. I decided to have a fun night in with my friends and get drunk? “i just don’t understand why you would be posting yourself on your private story like that. you’re drunk and vulnerable. why do you want other people, other guys, to see you like that? and you know i’ve cut back on drinking so how do you think it makes me feel to see that? don’t you love me enough to do this for me?” the worst part is i believed him. because, in the beginning, he helped me so much and i looked up to him so much, surely he had my best interests at heart, right? this relationship went on for way longer than it should have. you may be asking yourself, how did you leave? if you were so in love with him and entranced by him to the point where he consumed you, why did you leave? he raised his hand. that’s what got me to finally leave. a year after we broke up, i found out that he was drinking, smoking, and doing all kinds of shit he told me he wasn’t throughout our entire relationship. he was awful, and i’m really proud of myself for being strong enough to leave when i did. i’m also really grateful for my friends, who stuck out that whole train wreck with me. who i lashed out against in order to protect him and defend him. they stuck by me through it all and i don’t know where i would be without them so shoutout to them lmfao.

1 was a bit more complicated. it started out in a similar way. we had the same friends, hung out around the same people, so it was only a matter of time until we became friends too. we would call and text every day until feelings were developed. at least i developed feelings, i’m still not sure he did. i told him this and i don’t remember how the conversation went but basically we had decided that we were talking as more than friends now. enough time went by where i was ready for it to become a relationship and i communicated that to him. looking back, i think he felt pressured into the relationship by me and by our friends. anyway we started dating and everything was fine. we would hang out and talk all the time but i felt like he was bored or disinterested by me, so i would constantly beg for his attention. i became this needy clingy version of myself that i hated. it felt like when we would hang out, he was always distracted by something else. i basically felt invisible to him. that is, when i wasn’t hanging out with my guy friends. similarly to 6, 1 did not like my guy friends or the fact that i had guy friends in the first place. i had a guy best friend at the time who is one of the most amazing people i have ever met. let’s call him S. S and 1 were acquainted with each other, hung out in the same circles etc. but 1 still didn’t like him. sometimes, whenever 1 was busy doing whatever he did when he wasn’t with me, i would hang out with S, we would watch shows together and just talk. Some days, it felt like i talked to S more than my own boyfriend. this did not sit well with 1. he would ask “why the fuck are you always hanging out with him?” to which i would reply “maybe if you hung out with me more, i wouldn’t have so much free time to spend with him” (toxic ik but what can i say? i was feeling neglected). so you can see what problems this caused. eventually i cut S off. I stopped talking to him completely and i haven’t spoken to him since. Back to 1. even after cutting off my best friend, nothing really changed. He didn’t spend much time with me and whenever we would, i felt like he couldn’t wait to go off and do something else. this got exhausting. at that point i was begging him to love me, to pay attention to me, to care about me. this led to us breaking up. he broke up with me over text. it read, and i quote, “i think we aren’t meant for each other. i think you deserve someone that will treat you better than i do. I don’t think i’m in love with you and i tried to force myself to love you because i thought that’s what i wanted but i really don’t think it is. we started this relationship when i was just tired of being alone and i really just don’t think it is right anymore. i don’t think i am attracted to you. I am sorry, i really didn’t know how to end this and this probably isn’t the best way to do it but it’s time”. The relationship went on for another six months after this. granted, i should have had more self respect and never gotten back together with him but it is what it is. so after he told me that he didn’t love me and that he wasn’t attracted to me, we stayed “friends”. which basically meant that we did everything that a relationship involved. without actually being in a relationship. that is, until one of his friends hit me up. there was some flirtation going on but nothing serious. i was still in love with 1 but, at the time, i was in desperate need for attention and his buddy was there to provide it. when i told 1 about it he flipped out, called me all kinds of crazy and decided he was done with me. his friend and i talked about it and poked fun at the fact that he broke up with me but got mad at someone else paying attention to me. when 1 saw this (he ended up forcing me to show him the screenshots of the conversation) he was even more pissed and even more done with me. the next day he called me and we were basically back together again.

however, this time, i was meant to earn his affection. because i did something so unforgivable and atrocious, he was basically in the clear to treat me like shit. and he did. he would cancel plans to go hang out with his friends. he would only come over late at night, even when i had class the next day. i was basically at his mercy. we only hung out when he decided. we only spoke when he wanted to. i honestly can’t even recall us going on any date after that incident, save for one dinner. in short, i was not a priority to him. this, combined with some other stuff, really took at toll on my mental health. i entered a deep depression and began self-harming after being clean for 3 years. i sought out help and found a wonderful therapist who really helped me. but, 1 only saw this as one more problem. when we hung out he would complain that i was too sad. important note: because of that text he sent me i was incredibly insecure. so, little arguments would always end up escalating because i felt like he literally did not care about me and he would just keep making me feel like shit about being depressed. whenever we argued (which was very often) it would end in me locking myself in the bathroom, sobbing, nearly throwing up, while he was on his phone. i remember one specific argument started because he asked me if i would leave him for harry styles and i jokingly said yes (i am not and have never been attracted to harry styles). that argument escalated to the point where we almost broke up and he said to me “you should warn people before they fall in love with you that you are so mentally ill. because you’re always going to bring down the mental state of who you’re with”. he used my mental health against me like that a lot. whenever i would bring up something i wanted him to do or something that i didn’t like, he would call me needy, clingy, and say that he was trying his best but that i needed too much, that i was too much. all i wanted was reassurance. looking back, that’s all i ever asked for. whenever i would ask him if he loved me he would say “well i’m with you aren’t i?”. this is the same man who decided to go to vegas with his friends on my birthday after he promised he wouldn’t. this is the same man who said that he didn’t love me. the same one who said he wasn’t attracted to me. the same man who i would catch looking at other girl’s (some being his “friends”) provocative pictures on twitter. (this is definitely tmi so i’m just going to put a bunch of asterisks at the end of the tmi so you can skip there if you don’t want to read it) but there was a long period of time in our relationship where we had zero intimacy, and it wasn’t because of me. this fucked with my head a lot because i had this idea that because i was so emotional and needy that i could compensate physically. but when that stopped, my thoughts looked something like “the only thing i was useful for was sex and now he doesn’t even want that from me”.************whenever i remember this, a part of me thinks he might’ve been cheating on me during that time, but i have no proof so i guess we’ll never know. also during that time period, we were arguing over the same things over and over “it feels like you don’t love me” “but i’m hanging out with you” “that’s not the same as loving me” “you’re so fucking needy. and then you wonder why i don’t like coming over”. it was exhausting. we had the same friend group. and even our friends got so sick of us that they would tell me to break up with him. this went on for months until one day, on our one year anniversary, he told me that his plans for the day included playing video games. nothing else. that’s when i broke up with him. that was the straw that broke the camel’s back. i just couldn’t do it anymore.

we stayed friends afterwards in order to keep the peace within the friend group. after about a month, he told me he was going to do better. he said he was going to start going to the gym, and maybe even going to therapy, that he was going to eat better and live a better lifestyle for me. he said he was going to plan dates for us and treat me the way i deserved etc. very much vibes from that one euphoria scene. but i was done. maybe i didn’t communicate that well enough to him and that’s my fault. but i was really confused at the time and i didn’t know what i wanted. eventually we had a conversation and that’s when i told him that i was no longer interested in a relationship. i think i just didn’t believe him anymore. i didn’t believe that he would change for me or anyone else for that matter. through the entire relationship he was mean to me, he neglected me, belittled me, and overall made me feel like shit at worst and invisible at best. even when i would offer to plan things or suggest activities for us to do together, he would be disinterested the entire time or just cancel and make plans with his friends instead. and of course it was all my fault for one, flirting with his friend that one time, and two, just not being interesting enough. he made it feel like i wasn’t good enough, and at the same time victimized himself. he would tell me “nothing i do is ever good enough for you” while i was the one putting in all the effort in the relationship. then he would go “well why would i put in effort with you? remember when you were flirting with [redacted]? I still think about that and it fucks me up”. mind you, he would only bring this up whenever i brought up any concerns or issues. anyway, as you can tell it took me a really long time to realize that this relationship was toxic and unhealthy and i’m really proud of myself, again, for having the strength to leave and never look back. i think one of the reasons why it took me so long to realize that i was being mistreated was because everyone around him loved him. and to me it was hard to see how someone that was so well liked could be bad. so i felt like i was the problem. i felt like there was something wrong with me and if i just fixed that, then he would treat me better and love me and care about me. it took a lot of therapy to realize that he just wasn’t that into me. i was like a toy to him that he could just pay attention to when he was bored but ignore me the rest of the time. but then, when someone else showed interest in me he would suddenly care and be like “no she’s mine, you can’t have her”. he didn’t want me but he didn’t want anyone else to have me and that was the bottom line. that was the base off all the problems and toxicity that happened while we were together.

in conclusion, both of these men were awful in their own unique ways. i hope that by sharing this, someone who is in a similar situation will see it and identify these behaviors as something to watch out for. i hope that someone will see it and realize that they are not alone, and that they are not the first person to go through it, and that it gets better. these events all happened over two years ago and now i am in a beautiful and healthy relationship, i’m studying something that i am passionate about, and i am surrounded by people who love, care about, and support me. i am in a much happier place now and you will find that too, whoever you might be <3

#andianswers #i might’ve given myself a migraine with this one

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senblades · 7 months ago

Note

Hi :)

I love your art and your writing, and you have such a great grasp of these characters that I was wondering if you have any fic recs? Rating doesn't matter ;)

boy do I! (and ty for the compliment <3 <3 <3)

[cracks knuckles] alrighty:

The Dissapearence of Goro Akechi by Kupowonders - Probably my favourite fic ever, honestly- it's like. derailing the plot of persona 5 post-medjed thanks to the persona 4 accomplice ending years prior. (So, spoilers for p4 in that, too) it's. very good.

Marigolds by Colbub - Akechi gets ng+'ed to right when he started working for Shido, and has to take a good look at the future to come and be like "Aight how the fuck do I fix this". Fun times!

Daredevil, You've hit the wall by ez_cookie. Essentially, p5 Strikers but Sumire and Goro get to be in on the fun, too. And, there's a direct sequel currently being updated that's a similar premise for p5 Tactica. very very good stuff

A Tale of Two Tricksters by Zoe2k8 - Murder boyfriends! ...sort of? Angst! Angst and murder boyfriends! An oversimplification, obviously, but I'm not kidding when I say this fic is amazing and is also over a million words holy shit-

Throw away your mask by MollyPollyKinz - Another ng+ situation for Akechi, but this time the poor guy gets thrown all the way to 2009. You can imagine how well that goes (For the audience, less so for Akechi himself.)

The Crow Cries at Midnight by Dorked. hehe this one is very fun. Basically, a series of coincedencs causes Akechi to get thrown into the plot of persona 4. No time travel here! Just a grumpy 12/13 year-old Akechi trying to solve a murder mystery

The entire Tales of Chaos series by Eternalmomentss (The first one is called Like sand between your fingers) Very very good stuff! Something of a character study, I would say, of Ren and Goro. Plus, all the funky plot stuff that comes from trickster-typical bad luck and poor descision making. I really love this series hehe

uhh this post is getting very long I need to make this less wordy- lightning round?

Hunger for a life by Leonawriter - do you like vampires? I sure do! Mix that and the p5 plot and you get shenanigins. [evil laughter] a lot of shenanigins

Fishbowl by KivaEmber - Akechi has a terrible time in Maruki's reality. And I mean a terrible time

You have a beautiful smile underneath that mask by Saposaki - Akechi has a crush on Akira and Joker has a crush on Crow. No one is aware of the other's secret identity. Dramatic irony and hilarity ensues.

MASTERMiND by StumblingBlock - No Metaverse au where Akira really doesn't want to follow in the footsteps of his crime family, and fails miserably

Rose and Rot by SixteenJuniper - Read this!! I'm serious!! "A fun fantasy adventure" don't listen to Juniper. You'll be in tears by chapter two. (/pos, of course) (Seriously this fic is incredible)

Redressing the Balance by Convocated - ...almost a ng+? Ng+, in the sense that shuake are getting funky visions that are very quickly derailing the standard plot of p5r. This causes problems of the "Someone get the popcorn and maybe the tissues" variety

She's got a heartbeat full of lead (And she's aiming straight for the head) by Dots - This fic haunts me, often. In the best way possible, of course; but seriously, read it

Cracked into by SydneyHorses - Ren makes bad descisions and it becomes Akechi's problem. 2/2 timeloop, perhaps most notably featuring HaruGoro friendship! Love love love this fic

Okay that wasn't as "less wordy" as I intended but it'll do

Aaaand that's a wrap! Sorry for the long post.. and this is by no means all of the fics that I've ever loved (nor are the ones here in any particular order) but I swear we'll be here all week if I keep going HAHA

ty for the ask (and again for the kind words), anon! Hope this was helpful and to your tastes! (I... hope you like Shuake HAHA it's present in most of these- I assume you do, since you came to me (points at literally everything shuake I've made) of all people, but uh. Some of these fics are gen if it's not to your liking?)

#persona 5 #asks #[sigh] another long post for the pile #I yap a lot HAHA #it's probably part of my charm?

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tonguetiedraven · 1 month ago

Text

Rin was wrong about the Kyoto arc and most of you are too

But like Rin, you don't have to hold onto your assumptions.

With the slight resurgence in aoex popularity, I'm seeing a new rise in some fundamental misunderstandings about the characters and plot. I've been asked a lot of questions about a few certain characters over the years, and I've noticed that the base of the misunderstandings people tend to have with everyone originates in the Kyoto Arc.

What am I calling the Kyoto arc? Everything that happens in the second season of the anime and everything that happens after chapter 13 in the manga . (The point when the anime said let's go off and do our own wild thing and forget about the story and characters Kato is making! It'll be fun and totally not still be causing long lasting chaos over a decade later) and up to chapter 35. It's a 20 chapter arc, roughly. And honestly I think most of the manga exclusive Kraken arc should be included in the Kyoto arc because it is a direct continuation of Rin and Yukio's story line there, but I digress and we will get to that!

I am going to assume that you, the reader of this lengthy essay (I'm wordy and won't apologize for it, lol), are aware enough of the manga and Blue Exorcist to know that every episode in the first season of the anime after episode 16 is NOT CANON and does a poor job of depicting all the characters involved from Angel to Yukio. (There is no character with a Z, lol. So Yukio wins that role.) No one comes out looking correct in that. I know some people will argue that Rin is fine, but no. He is not similar to his canon hot headed, impulsive, loud, often violent/aggressive, and past avoiding self who would never have let his twin pull a gun on Kuro and would never have let Yukio leave after that without a fight. Sorry guys, they nuked him too. Just in a more pathetic victim way so people let it slide because he obviously needs to be protected from all the other meanies.

I am also going to assume you know character names. You can google them if you get confused ദ്ദി ( ᵔ ᗜ ᵔ )

Anyway, back on topic. I'm going to go heavily into the start of this arc and more broad as it goes on. The initial area is where most of the misconceptions start and they kind of carry through from then on meaning the entire rest of the arc and arcs there are a few flaws in the understanding of character motivations and reasons and some just basic plot stuff.

In chapter 13 of the manga, we get this tremendous clip

Just before this moment the exwires have found out that their classmate is not a human and is powerful.

You'll notice Shima leaning against the railing there. That's because he has a cracked rib and probably a concussion. Konekomaru is now sporting a broken arm, and Ryuuji got strangled out enough to be choking on blood. Shiemi was hypnotized and controlled and carried around like a possession by a demon king who tried to eat her eyes and kept taunting about making her his bride all while she was unable to move or do anything. There is not enough written about the truly terrifying kind of assault that is for the youngest member of their group, and that's without the tangle of a relationship Amaimon and Shiemi have in it.

It is vital that everyone take a second to think about that. Izumo and Takara were not there. They stayed in the camp. They didn't pursue Amaimon, Shiemi, or Rin. They chose not to fight or try to help. The Kyoto Trio did (because Ryuuji/Bon is impulsive and ran after Rin and Shiemi to help and the others followed him) and it took all of thirty seconds for the Demon King Amaimon to knock them all out without even really putting any effort into his attack.

They manage to get out of the forest and back to the pictured bridge with Yukio leading them out while the forest catches dramatically on blue fire. (Remember that the Kyoto trio grew up hearing about how much the blue flames of Satan destroyed their home and killed their family members. Their entire life was irrevocably changed because of blue flames.) And Rin and Amaimon are wildly fucking shit up. They even yeeted Mephisto who is a much higher ranking king.

All that leads to the Paladin appearing, Arthur Angel, who orders the exwires to be interrogated and checked by medics. (Honestly a step up for True Cross. They almost never remember medics.)

The Paladin appears and then Mephisto appears, and he has Rin in tow. Rin who is entirely feral and tries to lunge for the exwires. The traumatized exwires see Rin try and attack them with an entirely demonic face. They do not know anything about his story or Shirou or even ow he got here, but they can easily see that he's tied to Satan because of the flames and now he clearly wants to hurt. Hurt them.

Now in Rin's defense, he's not in his right mind. Mephisto sheaths the sword and the demonic part is forced to retreat and Rin passes out until he's slapped awake. At that point he's the Rin we know again (the exwires still have no idea what the hell is going on) and Angel takes him into custody. Rin looks over and sees his friends bloodied and bruised and sees Ryuuji with blood on his mouth staring with an unreadable expression.

It leads to this shot:

Question for the group: Who is Ryuuji asking this to?

Not Rin, that's for sure. It's Mephisto, in my opinion. Ryuuji is asking, quite understandably, why the hell the child of Satan was put in a class of ordinary students and why none of them were told about it. They just had a Demon King attack their class of exwires all of which were struggling against a simple moth and had to reseal it instead of exorcising it. A Demon King that attacked them because he wanted to do something to the son of Satan and they had no extra protection against that. Enough so that four of them are injured or traumatized.

(Also, if you get strangled do not yell and IMMEDIATELY seek medical help. There are a lot of terrible conditions and long lasting effects that can occur with strangulation.)

So at this point everyone is made to split ways. The exwires will get a small update from Yukio, and Rin will get put on trial for his life. Neither party knows what the other is aware of, and as far as we can tell, Rin does not remember that he tried very hard to lunge at and attack the exwires.

That does not mean that Rin did not lunge for and try to attack them. Not remembering trauma you caused someone else does not erase that trauma.

There is also this moment, and you best believe I am also here to defend Shiemi because she deserves it.

Go girl. You're so right. There's nothing funny about any of this. Not your abduction, not how assaulting that entire thing was, and not the fact that he was feral and that you're feeling like a lot of this is your fault. (And it was not her fault.)

Rin's defense in most bad situations is laughter and ignoring whatever the uncomfortable thing is. This rubs everyone around him the wrong way almost every time. And that's their right. I also truly think he doesn't know what he just did and doesn't remember much past drawing the sword and he's scared, and he's able to tell the vibes are bad and he's in trouble, but doesn't really get why/how. He is a bit (a lot) of an idiot and we love him for that.

Another vital thing to understand about Rin is that he sees the demonic and violent parts of himself as someone else. He is not that demon. He is not the guy that tore apart the forest, everyone is wrong. He didn't lunge after his friends, someone else did that. He isn't out of control of his flames, that isn't him. That demon with the flames and frightening strength and burning anger isn't him. They've got it all wrong. He's just Rin.

That is a big part of Rin's story. Rin accepting that he is all those things. He is the human and he is the demon and he is all the things that comes with both of those things. He is right and wrong and kind and cruel and caring and callous and gentle and dangerous. He is Yuri and Satan and Shirou's son, and he is complicated and trying his best and slowly learning to accept what he is and isn't.

Anyway, they split ways for a shitty night. Rin's is unquestionably shittier, but again, the rest of the exwires don't get told what the hell happened.

Anime only fans will already be noticing differences, but wait, there's a lot more that was missed/ skipped over.

The Kyoto trio are all at the hospital for the next few days and get a call about the temple having been attacked. Shima's dad and Ryuuji's dad were said to have been hurt in it.

This is the second hint we get that Ryuuji is not on good terms with his dad, and the mere mention of Kyoto visibly upsets him. That'll be important a little later.

Rin goes back to class with the girls but is pulled out by Yukio for his own individual classes with Shura before anyone can say anything. The cram teacher then explains the following:

The entirety of their school is giving them instructions on what to do if Rin goes wild because the exorcist and teachers all think he will go feral again.

Rin does not know they're getting this instruction.

We then see what Yukio told them is basically: Yeah, my twin has flames. I don't because I was too weak. I get tested daily for it. The koma (a nickname for Kurikara because you can't exactly go around calling a stolen sword by its name or people will catch on) sword sealed him. I don't know why we were allowed to live when True Cross has a very loud 'no Satan or Satan offspring allowed' policy. Kay, thanks, byyyeeeeee.

So no one is happy and no one really knows anything. Just Yukio who has always known everything and had the biggest emotional, responsible, and mental burden of everything about his brother. He was left holding the bag again. Responsible for a class he's the same age as, mourning his father whose death he doesn't know the full story of, responsible for killing his own brother if he goes feral, now ostracized even more by a community of exorcist he already didn't blend in with, and now made to bear all this. Yukio is a king for holding out for so damn many arcs without showing how bad his mental health was getting with all that stress.

At this point we see Ryuuji is placing the guilt for Konekomaru and Shima being injured on his own shoulders (Konekomaru tells him it was his fault that they were injured) and Shiemi is realizing that Rin became her friend as he was revealed and that she was never as much of a support or friend to either of them as she thought.

Meanwhile Izumo who, and I cannot stress this enough, did NOTHING in the fight and was not part of most of this and has at this point made NO effort to be friends with anyone past cleaning a shirt Rin loaned her, is judging all of them visibly.

A brief interlude of Toudou being a creep and Rin showing he cannot follow orders from absolutely anyone and making Yukio and Shura frustrated at how unpredictable and manageable he is, and we're now given the mission to go to Kyoto and help there.

Ryuuji is just so blatantly shocked and not okay with the assignment to his home. Like I genuinely don't think we have a shot of Ryuuji looking more shook and shit gets wild in this manga.

Ryuuji does not want to go back to Kyoto. He left on terrible terms with his parents and swore he would not return until he had his meisters and rank. He defied his parents in even going to the cram school and now he's being forced to return a bit busted up and long before he was ready. If you do not have a bad family dynamic, you can't really get how devastating this is, but try and imagine it. It's a tremendous source of stress and frustration for Ryuuji, and the main thing he's dealing with through this arc. He has a lot of history with his father ignoring and denying him and trying to control him, and it is not a healthy dynamic. THAT is what drives Ryuuji in this arc. Kyoto, the temple, and his father. It is NOT Rin. Rin is at the bottom of his list of things to be thinking about right now.

This is essentially Ryuuji's arc, and it is, quite simply, not about Rin for him. Rin becomes a part of it, but not until later. At the moment, it is Kyoto and the shame and frustration and resentment about that which is driving him forward.

Shiemi is melting under her own self loathing at this point. She is hating herself and has never been confident and always been prone to thinking poorly of herself, and shown she is unaware of when relationships are abusive with how severely Izumo bullied her and continues to bully her.

(And I could write another essay on how fucking misogynistic it is that everyone flocks to team Izumo when she's slightly nice to Rin and blatantly ignores the Shiemi abuse because well Shiemi is annoying anyway. Check yourself and ask why you feel that way if you do. Why is violence and cruelty okay against Shiemi? Why is it forgivable in her case but not in others?)

We all board a train to Kyoto and see each other for the first time. Rin has zero ability to ever read a room (we love him for it even if he will occasionally kill us with second hand embarrassment) and is acting like he didn't try to kill them on their last interaction and like everything is normal and there isn't a big and awkward elephant in the room taking up most of the train space.

THIS GOES DOWN DIFFERENTLY IN THE MANGA THAN THE ANIME. The manga stretches this scene out to give three characters very important breathing room while the anime cuts this far shorter and mixes up the dialogue some, muddying the motives.

Rin, not reading the room, sees Shiemi and calls out happily to her. Shiemi utterly freezes and can't decide how she should respond or what she should say. She has, as far as we know, never had a friend outside of her family and the twins. She doesn't know how to interact with them and she is drowning in guilt of failing them as a friend. A lot of that is because Rin said she wasn't his friend to the Kyoto Trio and because Izumo is always telling her she's failing as a friend and saying she doesn't like her. Izumo is a bully at this point. I will not back down on that point and will continue to reiterate it. You do her incredible arc a disservice to pretend otherwise.

That leads us to the confrontation:

Ryuuji does not show any sign of anger until Rin talks about Kyoto. Then it's instant grouchy face Grouchy face and grouchy boy until one of the other two interject and then he swallows all that Kyoto frustration right back down and stomps off to sit behind Rin with Konekomaru -- who has been given a talk by their superiors on what to do if their classmates loses his shit and goes feral on them and who lost his entire temple and family to the Blue Night -- voicing his worry about Rin losing control of his flames on a tiny train where there is no where to go.

Rin visibly deflates and sinks back on his chair Izumo, the drama queen who would deny being one, enters and sees. Now Izumo has conflicting reasons for her next act. She has been ostracized and bully quite a lot in her younger life, and that is part of why she is now an ice queen. She sees Rin and wants to help him feel better and is no more in the know of what the others are actually dealing with than Rin, and I dare say that was her first and primary motive.

However Izumo cannot allow herself to do something solely out of kindness to help someone. That is a weakness she will not allow herself and dangerous. Kindness and helping gets you hurt or killed by stronger parties and she has sworn off that in all cases but Paku. (No one quite knows what magic Noriko Paku possesses, but man does she, lol.)

So Izumo sits next to Rin and waits until after the debriefing about why they're here (meaning Ryuuji is now even more upset because yep, it's absolutely his temple and their miasma and their secrets and their weaknesses being discusses and revealed and flaunted) and they chat a little about the fact that lots of people have demon blood (*cough* FORESHADOWING *cough*) and then, after getting flustered about Rin complementing her and thanking her and getting buddy-buddy enough to use a nickname, she goes cruel and decisive and makes a pointed jab at Ryuuji, who takes it in stride for a moment, and then Shiemi, who visibly deflates thinking even less of herself and that Ryuuji does not take in stride.

Izumo did a kind thing in sitting with Rin, however, the others did not do a cruel thing by not sitting with him. They simply chose to give themselves a little space from a situation they were still struggling with. The cruelest one in the moment before she spoke was probably Konekomaru, and even he wasn't talking to Rin. He was nervous and scared and talking to his friends about Rin. None of them owed Rin anything. They did not owe him their time or space or attention. They are allowed to recover from their trauma and physical injuries while not having him constantly shove his over-excited puppy-energy self in their faces constantly and make everything all the more difficult for them while they try and reconcile that guy with the feral monster that wanted to take a chunk out of them and who was not in control of the flames they've grown up terrified of.

We see the story mainly through Rin's perspective, all the more so if you're an anime only, but that does not mean Rin is always an honest and reliable narrator. He is unaware he tried to hurt them and unaware of their own trauma. He can't imagine any of their actions and reactions aren't centering around him at this moment because Rin too is going through a lot of trauma and stress of his own that they don't know about.

What I find over and over again in this story is that people excuse any poor or selfish or cruel act of Rin's because of trauma and not being perfect, but they will not excuse it in any one else. This makes for a frustrating unfairness in expectations, and frankly, turns the story boring. If no one but Rin can make mistakes, or you choose only to see other's mistakes and not Rin's, you are robbing the characters and Rin of their complexity and growth.

Izumo was kind in sitting next to Rin, and she was purposefully cruel at the exact same time. This is who Izumo is. Kind and cruel for quite a long time. Brave and selfish. Confident and self conscious. Guarded while slowly falling in love and denying it every step of the way.

So the train ride immediately goes to shit and they get loud with Ryuuji calling her out (reminder, she can call them coward all day long but she did not leave the circle and didn't fight and has not stepped forward once in any of their missions to work as a group or fight until she had to)

And Shure (in the manga) wakes up and makes them sit in a different car of the train with bariyons on their laps as punishment. Konekomaru continues to stress, Ryuuji tells him to chill, Shiemi continues to hate herself, and Izumo continues to be purposefully cruel.

The bariyons get aggressive and one pins Shiemi to the ground. Rin does Rin and burns it without warning, freaking everyone out because wow! Blue flames are just suddenly everywhere. Ryuuji interferes because again, his temple was devastated by Blue flames and he has no reason to think they can behave differently and he is nothing if not determined to protect and help his team at all times.

Shiemi realizes Rin still has control of them and tells everyone to relax, and they do.

The flames are put out and Rin immediately attacks Ryuuji.

Rin demands trust and honestly, I could understand if he was unaware that he'd caused mayhem in the forest and tried to lunge for them, but if he was aware then he has to be smoking those flames of his because there is no reason to trust him at this point. He's lied (he didn't have a choice but they don't know that and reasons do not negate that a lie happened and we are now in the lies arc) and he has shown he is dangerous and that Demon Kings kind of follow him and will attack indiscriminatingly. (It's not like they know Amaimon is not allowed to kill them.)

Rin knows he won't hurt them and thinks that should be enough. No one else knows that they can believe this at this point. Ryuuji explains that Blue Flames have killed a lot of his people and that he can't trust someone who endanger his family. It is once again Kyoto he is thinking about and Kyoto he is worried about. They are on a train to Kyoto where Blue Flames destroyed a lot and now they're bringing the one guy with Blue Flames there and he keeps flaming up so it seems like what little he still has there is going to be devoured by flames.

Rin says basically, sorry that happened but it has NOTHING to do with me. This is a naïve thing to say and while technically right, is missing the point of what Ryuuji said. I can't trust you because you haven't shown me I can trust those deadly flames with you and they have absolutely devastated my home before.

The fight amps up more -- and again, Rin was the aggressor. They're both hot headed but he's the one that grabbed Ryuuji, not the other way around, and in a fairly close way to how Amaimon had grabbed Ryuuji and that can't be helping things. The fight gets louder and Konekomaru bravely intervenes and grabs both of their arms and tells them to stop. A bariyon choses that moment to cause chaos and try to kill Ryuuji and Shura has had enough and kills it but kindly doesn't kill the exwires for interrupting her nap twice over and the conversation is left entirely unresolved.

And for the next long stretch, they will not have that conversation resolved. They get back, Ryuuji is immediately accosted by his powerhouse of a mom, Torako Suguro who is pissed, and finds out that his dad has been absent and that things are going south fast in Kyoto.

From this moment on, Ryuuji will have one goal and that is to find his dad and save what few temple members he can. He wants to reunite his temple--that has always been his goal--and his dad's failure to lead and potential at being the traitor in their midst is causing what few of his sect are left to fracture even more. He is around Rin a few times in the next chapter, but his mind is never on Rin or their drama. He is wholly focused on Kyoto and the drama here.

This is where a lot of people misunderstand him. He is not avoiding Rin, he simply has a much bigger priority, as he should. This is his family and this temple is everything to him. We find out that Tatsuma has thrown their reputation in the mud and that he has caused a lot of their sect to abandon the temple, and that he has fought Ryuuji's hopes and goals every step of the way, and that he was the first to laugh at Ryuuji (which we know is an immensely traumatic memory for him) and that Tatsuma is actively working to avoid Ryuuji, and that he was at the Keep during the break in, and that several members of the Sect absolutely think Tatsuma is the traitor.

And if he isn't the traitor, then he is still failing them and running away from his duties. What's worse, we see a few of the sect (Mamushi specifically) even place some of the blame of the failure on Ryuuji.

Rin is seen working with the Kyoto trio on some kind of chore after they arrive, and actively being ignored and mistreated by the teachers. They absolutely deserve ire for the way they treat Rin like he's already gone feral and refuse to let him help.

Rin is being ostracized and thinks everything happening here is about him. He thinks the others are ignoring him and that they're upset about him. They're largely just... Not. Izumo and Shiemi are put on helping the large volume of patients and from what we see, Izumo doesn't chat with Rin again after the bus.

Shiemi sees this as a way to not let people down (she thinks she let everyone down in the forest. That it was her fault and she isn't good enough or strong enough or just enough to be their friends. Probably partly because the one friend she thinks she has is a bully.) and dives hard into work. She still doesn't know what to say to Rin and freezes up a lot.

That leads to a fantastic scene in chapter 18 with Izumo and Shiemi in the garden and Shiemi positively sobbing about being a useless friend and not being strong enough to help like she wants and Izumo telling her she's really strong and able to talk about friends and her emotions without getting embarrassed and that she's stubborn and strong as a weed and Shiemi, who has clearly not gotten enough praise in her life just glows and determines to be as strong and stubborn as a weed.

It's a vitally important moment for both these girls. Izumo is kind and doesn't turn it cruel and sees how strong Shiemi is and helps Shiemi see herself as strong too. Izumo has done a lot to break Shiemi down but she is also, arguably, the one that did the most to build her back up too.

She dives back into her work to the point she inspires Rin to try harder on his own training because he is lazy and she isn't, and he admires that.

At this point Shima has decided that to keep going on his own path in the laziest way he can manage that ignoring Rin was too much work so they're just going back to before and acting like nothing ever happened. Rin is drunk and insults him in this with the list.

Rin confronts Konekomaru later and finds out what happened to Konekomaru's family and Konekomaru begs Rin to leave Ryuuji alone because he is dealing with a lot of stress. Rin (correctly for once) realizes that Konekomaru will absolutely be his friend if he can show that his flames aren't a danger. If he puts in the work to get control of those, he can be friends. Rin goes off determined to do that.

Ryuuji and Shiemi are now the only two who haven't had their Rin moment, and they firmly busy in their own stuff. Rin still thinks they're avoiding him because they're mad at him and blaming him for the Blue Night stuff and they're simply not. At no point does he ever really seem to get that he's assuming stuff incorrectly about all this either.

Ryuuji does some not at all stealthy spying and follows Juuzou to the Keep to find most of the staff unconscious and gets himself in the middle of the theft of the Impure King's last eye. Mamushi betrays them to Toudou and states that it is because of Tatsuma that she is. That he has failed them as a leader and conspired with Mephisto by giving away the sacred relic of their temple (Kurikara) and letting the son of Satan have it.

She is not entirely wrong, and she is not entirely right. She is very wrong about Toudou, but they both escape to cause more havoc elsewhere and leave Ryuuji to finally catch up to Tatsuma.

We have been building for several chapters at this point that Ryuuji and Tatsuma do not have a great relationship. There is a lot of frustration and confusion and hurt in it. A lot of history and pain and Ryuuji is trying to get his dad to tell him anything. To deny the allegations if they're not true and do something to help with the fact that one of their members just left.

Tatsuma refuses to. We later learn why and it sucks, but it doesn't lesson the hurt in this moment. Being unable to explain something does not mean that your actions, justified or not, did not and do not hurt someone.

Ryuuji, seeing his dad turn his back on him without even a hint of an explanation to all the terrible accusations and all the pain and trauma around them, pleading for some kind of explanation to anything, plays the only card he has left.

His father has already all but disowned him for the cram school, so he returns that. He warns that if Tatsuma leaves now and like this, he might as well not bother to come back because Ryuuji will no longer (can no longer) consider him his father.

Rin, who has kind of snuck into this dramatic meeting, overhears this and has a violent trauma induced reaction.

Now, Rin has trauma and it is entirely understandable why hearing those words would make him react dramatically. That does not excuse the violence he reacts with. You enduring trauma and having triggers and painful emotions does not give you the right to inflict violence on someone else.

And inflict violence Rin very much does. Once again flaming up some too, not at all in control.

This was not Rin's fight to get in the middle of. I will die on the hill that others do not get to determine what a child can and cannot do in their own parent and child relationship. Others can offer opinions and advice, but they do not get to order or dictate the relationship. They are not part of it and cannot possibly know what it is actually like. This is the same sort of mentality that tells people who have had to make the immensely difficult choice to go no contact with a parent that they should try and make up because it's hard to be a parent like it's easy to be a child and under the parent's control and guidance. Ryuuji has a lot of reasons to have made that ultimatum, and while we will learn a lot more about why Tatsuma has failed as a parent and leader, the reason does not absolve or eliminate the failures. He has failed Ryuuji multiple times and at this moment, tied by a cruel fate, he has to fail and hurt him again.

He did not have to choose to do it this way though, and do not forget that.

And Rin knows nothing about their relationship. He is putting his own reactions and motivations on Ryuuji who does not have them.

Rin is in the wrong in this moment. I will not back down from that either. Rin hurt his friend and revealed himself, and in the next panels defied Shura and continued to try and fight Ryuuji and make him understand that you can't disown your father because you can't take that back--

And it is in this fight that Ryuuji is first made aware that when Rin talks about his dad, he has not been talking about Satan. Rin was raised by someone else. They still don't learn the real story yet, we're not really told when or if they do get the full story about Shirou, but you can see him realize something happened to whoever raised the twins, and it was bad.

Rin gets knocked out and arrested and Ryuuji is sent to ice his swollen face and he will have the injuries Rin inflicted on him here through the entire rest of the arc.

And I am now over 5k words so I'll try and wrap this up some. I'm going to have to post the Yukio half on another post xD

Rin gets a letter that tells him that Tatsuma and Shirou were in cahoots about the sword (look, Mamushi was partially correct) but that the sword did not have Karura in it like it was supposed to. He also finds out that Tatsuma wants him to kill the Impure King. Mephisto then shows up and locks him away giving him a death sentence. Yukio has to leave with that knowledge to try and stop the rising Impure King before he infects and kills all of Japan.

Tatsuma goes and shows that he had made a pact with Karura and that the Suguro line has always guarded the secret that the Impure King was kept sealed under the temple by Karura. That were he to be reunited with his eyes, he would rise again. Toudou wants to get Karura so he did all of this to get Tatsuma to reveal Karura.

Tatsuma is stabbed through the back of the throat and Karura mostly devoured, and the Impure King is rising and reforming and going to poison everyone.

Shura gives the letter to Ryuuji and Kurikara and offers the camouflage ponchos to go break Rin out if they want, and Ryuuji and Shiemi are the only two who do not hesitate for even a moment to go and rescue him.

The jail freezes them and gives nonviolent Shiemi a moment to shine. She confronts her own self doubts and goes to find Rin and coaxes him back out, showing she knows he won't be a danger to her by embracing him and his flames. She realizes that her fears and self loathing caused her to only think about her own emotions, and not how he was feeling (something Rin could also very much stand to do) and she immediately switches to comforting and encouraging him.

Rin busts the prison with style, Konekomaru says he's ready to be friends, Shima and Izumo state they're only here on Shura's orders, and

Rin still doesn't get it. He still has no idea what Ryuuji is dealing with or why he's upset about any of it. He has spent this entire arc trying to find his dad and trying to help the sect, and failing every step of the way. He has tried to help everyone around him in any way he can and show that he can be depended upon and trusted.

Rin has never opened up to any of them. Rin demands that they lean on him and listen to his advice and accept him entirely, and gives them nothing in return for that vulnerability and openness. He doesn't talk about his own life or emotions or thoughts. He keeps conversations light and easy and doesn't even tell them that he was raised by a guy that's now dead. He shoves himself in conversations and dynamics that don't concern him all the while demanding trust, and then will not let them in in return.

Ryuuji is seeing that so clearly now and it is hurting. How can you trust a guy who won't trust you back? How can you trust someone you thought was one thing who never showed you who they really are and still won't be open and real with you? Who has enough power at every moment to level half the world and is emotional and stupid and impulsive and won't be real with you?

Rin has been under a death sentence and told he had to keep his heritage a secret, but even outside of that, he really doesn't talk about himself. He doesn't open up to his friends like he expects them to open up to him. Neither brother is good at expressing themselves (and a lot of that is because they weren't raised to be that way. Shirou did his best but had a lot of limitations too.)

He demands they trust him wholeheartedly but will not trust them in return. Or he hasn't shown in any way that he does trust them.

This arc, at its core, is about lies and how those and trauma can and do make relationships messy. How even ancestral drama can go down the line and get us caught in cycles of it. But it also shows that we can do the work to get past them, and that it's messy and painful and loud and not always easy to see what's right and wrong while we do it, but we can get past it and move on together. We can make terrible mistakes and seek forgiveness and understanding and sympathy or empathy and try to do better. We can laugh in a field of disease and trust entirely on someone because we know we can even if the world is falling down around us and it doesn't make sense.

Neither Rin nor any of the exwires or Yukio are a villain in this arc. Even Mamushi and her cruel words and betrayal are not a villain in this arc. Everyone acts kindly and selfishly or in fright or confusion or in motives that are entirely misunderstood. They're all dragging their own emotional baggage with them and they're all getting tangled up and not listening, but they still strive on and strive to understand and talk it out when they can, because they care about each other and getting it right.

To act like it's as simple as "The exwires bullied Rin!" is naïve and robs Kato's story of so much richness and deprives the later arcs of so much character value she built starting here. Kato does a beautiful job of building all of her characters and giving them rich personalities and motivations and flaws and she shows us them through Rin sometimes, but she also gives them a lot of time without him at the forefront. She gives him flaws too, and a lot of wrongs, and that's why he's such a powerful and alive protagonist for our series.

You're free to dislike who you like and love who you like, but I do so encourage anyone who thinks the exwires were villains in this arc to really dive into the manga. Read through all the scenes and ask yourself why did Kato show that? Why is this character thinking that? Why did the character react that way? Kato gives us so much richness to dive into and to see so many people not do that and to take such quick and often incorrect or fragmented interpretations of the events is heart breaking and honestly robbing those people of a really good story.

Rin was wrong in assuming that everyone hated him and assuming that it was as simple as trust. He was wrong to try and force things and to try and force his own interpretations on others. It was only once he started to listen and hear what they themselves were saying that things got better. Now some of this is just the mess of the anime between season one and the start of season two, but a lot is just misinterpretation by the fandom. It can happen to anyone, but that does not mean it suddenly becomes factual because of that.

It's been at least six thousand words and I don't know if this came across as clearly as I wanted it to, but I hope it encourages those who haven't to dive in deeper. It's a rich arc with so many fascinating moving parts in it. I've barely brushed on Tatsuma, Juuzou, Mamushi, and Mephisto in this and their plots are all entirely interesting and add so much! Expect a Yukio and Izumo and possibly Shiemi follow up at some point, lol. Probably just as long though I'll try to be more concise.

If you read this far, thank you! You deserve to crash with the rest of the exwires in Toraya on a nice futon.

#ao no exorcist #blue exorcist #rin okumura #ryuji suguro #ryuuji suguro #aoex #shiemi moriyama #izumo kamiki #kyoto arc #long post #essay post #raven rant #i could easily do another post this length on the second half of this arc #and a post on tatsuma himself #and five more on ryuuji #but i'm trying to keep myself at least a *little* contained xD

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acid-ixx · 12 hours ago

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last night, i just had a terrible nightmare where someone sent in a really long ask that was straight up hating and criticizing every part of my writing. calling out the insecurities/faults, plot inconsistencies, and insulting my writing style—

which i admit: yeah, it's wordy and really long, sometimes i focus too much on one scene or on the emotions solely, and i focus on every single detail; i'm a very emotional and hypersensitive person who likes to overanalyze on the scenes and characters. i acknowledge that it's unconventional and unprofessional at times; but it's what makes me happy and it's up to readers to continue reading or not despite the length. it's my own writing, i write content for free and everything i post are indulgent on my part, hence why i explicitly state i don't really wish for constructive criticism since again, it's all for free and it's all done for fun.

though, in that dream, it came to the point where the ask straight up told me i should just quit writing, that whatever i'm writing for is utter trash (overrated, it says. there are better writers out there and, yeah, i agree. i've the passion and drive but not so much for talent) and not worth the effort to read. so i did what was told and deactivated my account and went on to never write anymore fanfics after just how shaken up i was, then i woke up HAHAHAH.

and it genuinely felt so real, ngl. i couldn't get it off of my mind even until now, so here i am rambling about it. sorry if anyone expected me to post a drabble, or a fanfic; but right now i need more time to ponder upon whether or not i should change my writing style 'cause chapter five pt 2 will be posted soon but it's longer and who knows? maybe my worst nightmare may come true if i post it and it's subpar, not up to expectation.

and if people don't really wish for something long that borders on boring or filler scenes, then maybe, maybe not i will change how i write (but i probably won't lmao). either way, i have to remind myself that i am writing for myself, and posting it to simply archive in this account. i just hope people won't be as cruel as that mystery person in my dreams if i ever do

it's genuinely the audience's choice to read my works or not if the length or style bothers them. and as entitled as i may sound, i wish to remind some that writing a chapter with more than 10k words is my choice, and it's an arduous process too that takes hours of my time. writing fanfics is for me is purely indulgent and are reflections of my real life experiences, if it's lengthy, then yes i chose it to be, but it's not like i'm writing a thesis or an essay, i'm writing a goddamn fanfic with stereotypical tropes (most especially yandere) because it what makes me enjoy my passion as an author.

i apologize again for the long ramble, i really just need this out of my thoughts. this is my own blog too so yeah 😭. if you guys follow me solely for my fanfics, then filter out the "🍨... yael's talking" tag if you wish to avoid these types of talks.

#🍨... yael's talking #my nightmares always have to target my deepest insecurities huh 😭#it's funny tho like #i'm just a guy who uses this blog. can my mind just leave me to rest 😭#apologies for all the pending asks too #im avoiding my inbox cause im chickening out

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theofficialpresidentofmars · 9 months ago

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did I ever tell you guys about how I would adapt (the tragedy of) Hamlet (prince of Denmark) if ever given the chance. because I have so many thoughts and I’m adding onto them all the time so here’s a post with all my ideas compiled.

- firstly, it would be an animated mini-series of five episodes, each one corresponding to an Act. I think Animation is a highly under-utilised and underappreciated medium that would suit this particular story well in terms of what it could achieve visually and also these are just a bunch of words to say I’m heavily biased towards animation and just love it so much.

- there are so many fun little character design tidbits i would implement. including but not limited to: Horatio being the shortest, Claudius/Hamlet Sr identical twins (and Claudius having a Scar reminiscent scar on his face for the drama… and also the eventual Act 5 Scene 2 parallels when Laertes wounds Hamlet with the rapier in an incidentally similar way), Laertes having a silly curly moustache, Horatio and Ophelia resembling the other, Hamlet looking tired, pale and ghostly at all times, character’s hair being used as a way to show passing of time (Hamlet having hair on the long side of short in Act 1, growing but in a little ponytail over Act 2, medium-length and unkempt in Acts 3 & 4, and cut shortly and neatly in Act 5. also Ophelia’s hair growing noticeably as well and being often neatly braided with little flowers in Acts 1-2, loosely braided without flowers in Act 3, but being down and wild in Act 4 etc), and so on so forth.

- I would shamelessly be including flashbacks to pre-tragedy memories of the castle/inhabitants. Baby R&G&H running through the castle halls and playing hide and seek. Hamlet actually, god forbid, practicing fencing. The Players entertaining at the castle in Hamlet’s youth. Ophelia and Hamlet sneaking out into the garden beneath the willows by the pond, Hamlet braiding flowers into her hair while they sit together. Yorick entertaining baby Hamlet. All coloured with the softest, goldenest glows that nostalgia can manage to contrast the desaturated depressive hues of the current day. I think a lot of the tragedy of *Hamlet* specifically lies in comparing what was to what ended up being, and since the play starts after Hamlet’s entered his mourning period, it’s hard to fully comprehend the true nature of such a fall.

- Each Act having a lovely stylised title card in its introduction with themes and motifs that are specifically prevalent throughout. Act 3 would have curtains, for example, given the play staging and Polonius’ later poor choice of hiding place. Act 5 introduces the classic skull we all know and love.

- Very purposeful dramatic lighting and colour throughout. Daylight lighting and then the switch to a lot of Hamlet’s soliloquies seeming to appear under more ‘spotlight’ lighting. Early evening during the play, sunset during the scene where Claudius prays (golden light tricking through beautiful stained-glass windows), nightfall when Hamlet yells at Gertrude. Lighting also being used to dramatise entrances perhaps, such as Claudius’s prayer being interrupted by the shift to ‘spotlight’ lighting before we even see Hamlet at the door.

- Same goes with music and motifs, interwoven character leitmotifs and themes that shift keys and qualities and work together to make larger pieces and show up to herald the arrival of a character, or turn sour to match their emotions.

- the visual humour of the play being upped, as well as the wordy humour being emphasised, in order to really contrast the shift in tone throughout the halves of the play. I’ve always been a tragicomedy truther when it comes to Hamlet, I think if done well it could be a really neat way to get the audience to invest more in the characters while also really highlighting how quickly everything goes south.

Probably add more on as I go

#hamlet #hamletposting #shakespeare

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xxkissesforchanniexx · 8 months ago

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Hi! sorry if this is wordy but could you make a story of the reader being an fbi agent undercover as skz personal bodyguard? Skz are having a concert soon and this evil organization wants to harm them. It is the readers mission to keep the members safe. But with the distraction of a specific loud and short muscular guy of the group, she gains feelings and struggles to do her task.

As long as this is the main point of the story, I don't mind with what you add. Be as creative as you like with action, romance, or anything.

ihfvnirhfnjnfoernfrihbgt jhebfrherkjfnkrjtgng hehehe

Thank you!

𝐒𝐨𝐦𝐞𝐭𝐡𝐢𝐧𝐠 𝐌𝐨𝐫𝐞

Pairing: Changbin x FBI Agent!fem!reader Genre: action? >.> Angst (im so bad at writing that) Fluff >.> Word Count: 6.5k Warnings: Cringe T_T, not proofread (they never are.), parent death, REVENGE, reader is shorter than changbin >.>, guns, bombs, someone gets shot (not reader or stray kids.), brief horny reader, i think thats it? tell me i missed anything

A/N: AHHH THIS TOOK SO LONG AND I FEEL LIKE ITS SO BAD AND CRINGE IM SO SORRY UH if you do like it (i really hope you do) please consider reblogging and following ALSO TAGLIST APPLICATIONS >.>

December 19th 2005 "Several bombs were set off at the University of Music last night, there is a total of 59 casualties and counting as authorities work through the rubble. 80 more are critically injured and 127 are in stable condition or have minor injuries."

Janurary 17th 2008 "This is your new home."

"Guys this is Y/N.. She's going to be your sister from now on."

August 3rd 2010 "What do you want to be when you grow up?"

"I want to be a police woman so I can find the person who hurt people a long time ago..

You stared at the case, "So they fled to Seoul?"

"Not just that." Your boss said, "We found this." he set a phone on your desk and pressed the play button on an audio recording.

"How should we go about it?"

"The security is tight, if we put the bombs on the little drones and get the crowd scared, we have an opening to get the people on the stage."

You sucked in a breath. "A bomb threat for-"

"A concert." Your boss sighed deeply, "I trust you to handle it. Without being reckless."

"Sir-"

"It would be best if you did it, considering your experience with these types of events." He motioned to the posters and merchandise littering your office walls and shelves.

You pursed your lips. "Where and when?"

"We're flying you out to the US embassy in Seoul tomorrow , you'll meet someone there." He said with a big smile, "Pack your bags, Special Agent L/N, you're going to Korea."

You had arrived at the US embassy in Seoul at 4:30 am, you learned from the person you met up with you were going to be protecting a k-pop boy group under JYP Entertainment.

"So, this terrorist group wants to attack a boy band?" You looked at the embassy worker.

She nodded, "But it's not about them, for the most part... they want to prove something apparently, did they not attack several concerts in the US?"

"They did." You nodded.

"Then it's not too crazy to assume they want to get some point across world wide." The woman shook her head, "It's alright though, you're going to meet them later in the morning."

"Meet who?" You tilted your head.

The woman blinked slowly at you. "Stray Kids.."

"Who?" You had to hold back your laughter.

"The boy band under JYPE."

"Ah." You cleared your throat. "Alright."

"It must have been a long flight." She smiled, "You can go to your hotel now."

When you got to your hotel room you sat on the bed, laptop open, looking for "Stray Kids". You made a face as you saw their pictures, a particular image caught your attention and you burst out laughing at the sight. He was a short, muscular man, with unruly dark hair under a hat with floppy bunny ears, You copied the image into google image search and said the name softly. "Seo Changbin."

Felix looked like he was going to cry, Hyunjin bit his bottom lip looking at the ground.

"They want to bomb our concert..." I.N asked quietly.

"Hurt our STAY..." Lee Know twiddled his fingers.

"Safest option is to cancel." Chan sighed.

"We can't cancel a concert a month before it's supposed to happen," their manager said, "The company hasn't got the time or money to return everything. Besides, boss said he has it handled."

Changbin looked up, "JYP handled it?"

"No," the manager made a face.

"Then why would you say that?" Seungmin pursed his lips.

"He found someone who can handle it." the manger explained. "That's why we're here for breakfast, she arrived in Seoul earlier."

"Who?" Han asked.

"She should be on the way here." the manager said as a waitress arrived with coffee.

"She?" The boys all asked at the same time.

It was at that time you walked in, you were dressed fairly professionally, a white button up shirt tucked into black pleated slacks and pretty black heels.

"I'm Y/N L/N," You smiled at the men.

"Hi, thanks for coming. Coffee?" The manager offered.

You shook your head.

"Please sit," he motioned to the last seat.

You sat beside a man you remembered as Hyunjin, his long hair pulled back with his bangs on either side of his face. He eyed you incredulously for a moment before you shifted slightly, making the taser you'd carefully tucked into your pants visible. He bristled.

"This is the person who's going to handle it?" Felix asked the manager. "We take STAY very seriously, if something happens-"

"I assure you nothing will go wrong, though, I doubt the people i'm looking for are really aiming for.. STAY..." You put your phone on the table and let the audio recording your boss gave you play.

The leader of the group, Chan, looked scared. Felix put his head in his hands and Minho hugged him.

"So..." Seungmin said quietly. "What happens now?"

"She's going to live with you until she figures out the threat. Please boys, I hope your dorm is clean." The manager said, sipping his coffee.

Chan turned slowly to Han.

Han huffed a small laugh. "Of course.."

"TADA!" Changbin shouted as he opened the door to the dorm.

You walked in looking around, the place was fairly secure. Changbin smiled brightly, shouting "Your room!"

He opened the door to a room that looked like it was cleaned rather hastily. You nodded, going into the room the boys had cleared out for you, you chuckled as you recalled how you'd seen Changbin and Han playing rock paper scissors for who would give away their room, Han lost.

You had sat in your room most of the rest of the day, then you got hungry, only then did you notice how dark it was outside. You considered ordering food but then dismissed the idea, what if these people found out where the boys lived. That was a big no.

You sighed, dragging yourself out of bed and into the kitchen, you opened the fridge making a face and grabbing eggs. You got noodles from the cabinet and got to work making something easy.

It was late, almost midnight, so you hadn't expected any one to be awake. So it scared you when the loud, boisterous Changbin spoke quietly next to you.

"Is there enough to share?" He whispered.

You almost jumped out of your skin. "What the fuck?!" You whisper-shouted, clutching your heart.

"Sorry, I smelled food.." he laughed lightly, watching as you worked. "You know how to cook?"

You hummed. "I know how to not get food poisoning."

He laughed. "Let me help?"

You opened your mouth to protest, but the man was already moving around the kitchen grabbing things. You couldn't stop staring at the way his muscles strained against his shirt.

Get your head in the game. You shook off the thoughts that were invading your head as you stared at his arms.. My head could be in a headlock there... WHAT ARE YOU THINKING????!!!

You left the noodles aside and started frying the eggs, semi-watching as Changbin made instant tteokbokki.

When you both finished, he sat with you and ate.

"Y'know I expected cops to be more serious." he said, before putting some noodles in his mouth and jumping at the taste.

You made a face. "I'm serious."

He looked at you. "Let's be real here."

"I'm so serious." You pouted before popping a rice cake into your mouth.

"Uh huh." He teased.

You rolled your eyes. "I was under the impression that a dark rapper should be moody and brooding."

He made a face. "They call me baby Changbin as well."

You smiled to yourself as you remembered the picture. "Of course," a smirk came to your face. "I should invest in Dwaekki."

Changbin looked up from his tteokbokki. "Have you even listened to our music?"

"I can start." You said proudly.

Changbin stared at you for a moment. "Whatever you say, Princess."

It wasn't even two weeks after you had met the boys something happened. You were on the couch in dorm 1, writing an email on your laptop.

Chan poked your head, "We're going to practice choreo."

You shoved your computer into your backpack and followed the boys out. You got to the dance studio and looked around curiously at the big room, a mirror covered the full length of the wall opposite the door.

It was the mirror that let you see it.

You whipped around just as the person at the door fled.

Changbin stared at you in confusion as you blitzed past, running after the person. It didn't take you too long to catch up, tackling the man to the floor of the hall just before the lobby and grabbing his badge.

You remembered what the manager had told you, all the badges were recently issued in an off white color...

You held the man down, pulling his arm in an awkward position. "Try me and I'll break it. Who the fuck are you?"

The man stuttered before shouting.

Your brows furrowed. "That's not going to wo-" You stared in confusion as a firework looking object rolled towards you.

Then it popped.

A loud bang resounded through the lobby and you instinctively covered your ears, stunned. Your ears were ringing.

The man pushed you off and ran for it. You were about to get up and run after him but that Changbin...

He grabbed your shoulders and shouted at you a few times, then Chan pushed him looking at you with wide eyes for a moment.

Changbin sat with Chan, listening to what the doctor said about your ears, you'd be fine, it was just a very loud sound, the doctor recommended quiet for a few days to stop the background ringing.

Licing with Changbin, Chan, and Han let you know that they really couldn't be quiet, in the dorm, only Hyunjin was ever not shouting. But the moment you walked in, that changed. Changbin and Han were quiet, the others from dorm 2 were all staring at you.

"What?" You asked, raising a brow.

"Are you okay?" I.N asked.

"Oh, of course." You smiled. "I just almost lost my ability to hear."

Lee Know sighed and looked at you. "We're sorry to put you through this."

"Put me through what." You raised a brow before sitting down. "You guys didn't put me through anything. This is what I do."

The boys all stared at you for a moment.

"Is it okay if I hug you?" Han broke the silence.

You smiled slightly. "Hey hey hey. We just met. Back up chipmunk."

"Squirrel." Seungmin corrected, laughing.

"It's a quokka!" Han groaned.

You spent almost two weeks researching the group that had threatened the concert. Most of the time the dorm was quiet, Changbin was usually the only one awake when you were up. He would usually eat late night snacks with you or hover over your shoulder as you worked. In most cases it would make you uncomfortable, but with Changbin it was different.

You watched as the group prepared for the concert, weeks dwindling into days. It was two days before the concert, you were sitting on the couch, it was almost 3 in the morning but you were making calls and asking about security and establishing that no bags would be allowed into the concert.

Changbin watched you for a moment, leaning against the wall.

"No bags of any kind." You sounded so professional.

He smiled and walked over to the couch standing over you as you continued talking to the person on the phone.

"Clear diaper bags?" You sucked in a breath. "Why would a baby be at a- Never mind, leave it on hold for now."

Changbin tapped your head. He looked down at you, dark glasses framing his eyes, his hair looking unruly.

You leaned your head back and looked up at him with a raised eyebrow as if you were already aware of his presence. "No, backstage should be secure. I'll be there myself."

Changbin huffed a small laugh. "You're going to protect me princess?"

Despite your blank expression you felt the blush creeping to your face.

Changbin smiled at you muttering, "I want to take you out."

You stared at him as the person on the other end of the line said something to you. "Uh- Repeat that...?" You asked both the people you spoke to.

"Are we still doing the drones?"

"So will you go out with me after the concert?" Changbin leaned down, his face was so close.

"Yes." You answered.

"Alright ma'am." The person on the other end said. "Will that be all?"

"Yeah..." You hung up the phone and looked at Changbin.

He smiled and leaned down, closing the distance between you and pressing his lips against your forehead gently. "It's late, go to sleep."

He pulled away and walked back to his room, you sucked in a breath and exhaled slowly.

Focus...

You were almost as busy as the manager the day of the concert, running back and forth making sure metal detectors were working and security was extra tight.

"You're taking this very personally." A security guard said behind you.

You looked at you the man. "These are terrorists we're talking about. Of course I'm taking it personally."

One of the staff walked past you with coffees in his hand.

You stopped them. "Where to?"

"Hyunjin, Han and Chan asked for coffee." the man said, looking at you, you noted the mole beside his eyebrow.

"I'll take it." You moved to take the coffee.

"No ma'am. You're very busy-"

You tried to grab the coffee and he turned away quickly. You managed to knock it out of his hand. The cups scattered, empty.

He turned and elbowed the security guard hard as he lunged for him and the man started running. You barely caught the stumbling guard, settling him down before started chasing him, pulling up your walkie talkie you said into it, "Gate 4 check?"

"Good check," Came a flurry of voices through the walkie talkie.

"Lock down on gate 4, all security personnel on west wing on alert."

"Copy."

"Backstage security, do you copy?" You said barely dodging someone pushing a huge sound system.

"Loud and clear."

You cursed as people pulling a big screen moved between you and the man. "FUCK MOVE!" You snapped and they scurried out of your way. Much to your utter horror and dismay, the man was gone. The door to the outside of the backstage area wide open, leading into th lines of people waiting to enter the conert.

You kicked a trashcan, "All units do you copy?"

"Copy."

"Keep your eyes open, goldilocks."

"10-4." they all said and your eyes narrowed as you stared at the door.

You sat outside the dressing rooms twiddling your thumbs. Was it really safe... were you just stupid...? You bit your lip, feeling tears brimming in your eyes at the thought of letting these people bomb this concert full of innocent people.

You looked up as you the sound of footsteps. It was just Changbin, he looked much different, more like those pictures you'd seen online, with his tight, shiny, black leather pants and dress shirt that hugged his arms so perfectly, the black vest and fingerless gloves giving him a scary edge. You quickly wiped your eyes and sucked in a breath. "What?"

"What's wrong?" He kneeled in front of you, being more able to move in the pants that you'd thought originally.

"It's nothing." You lied.

His eyes narrowed at you. "You're going to make my perform badly, I can't perform if I feel bad. I'll mess up rapping, Seungmin might do better than me."

You giggled and looked down as he took your hands in his. "I'm scared." You whispered.

"Of?" he prodded quietly.

"There are really dangerous people here, and I fucked up and lost one." You muttered.

"It's okay." He squeezed your hands gently, moving to sit next to you. "If you can't protect all these people, Chan will protect them all himself."

You smiled gently.

"Hug?" Changbin opened his arms and you leaned into him. You relaxed as he hugged you.

"And I said 'There's no way! It's ok YOU EAT~' " Jisung and Jeongin came around the corner and paused.

Jeongin tried to grab Jisung and turn him around but the man smirked and cleared his throat.

You pulled away from Changbin and stood. "Good luck. Uh, get down if something happens."

You sat there off to the backside of the stage hearing the loud music and screams as boys got on stage. In all your time watching the boys practice there was something about actually seeing them on stage as Hyunjin had told you in the dorm.

"Being in the practice room is one thing. Actually being on stage is another thing, there's an energy we get in front of our STAY."

You were particularly amazed at the volume of the girls who shrieked when Felix started singing, his deep voice reverberating through the dome. You couldn't help but marvel at Changbin for a moment, the way his muscles strained against his clothes as he danced, his hips moving so seductively... FOCUS!...But it's fine isn't it... nothing has happened yet..

The stage lights reddened and you looked up as the drones filled the air, flashing lights everywhere. You exhaled slowly, realizing everything was fine with the drones. After finishing off S-Class Chan calmed down the crows and stared to say a few words.

A scream ripped through the soft buzz of the crowd. You looked in the direction of the scream, Chan raised a brow, opening his mouth to say something and then...

"HE HAS A GUN!" On the opposite side of the huge hall.

You jumped over the railing.

All your time studying these people.

Fear.

Ease.

You ran up the stairs to the stage.

Unrest.

And a big boom..

You grabbed the mic from Chan and shouted, "GET DOWN!"

And the first bomb exploded.

You had your ears covered, head down. There was someone there shielding you, you heard him shouting and knew.

"We have to go!" Changbin shouted.

Chan was staring at the crowd, which was frantic after the series of explosions, many of them were running for the exits. "We should've cancelled..."

You saw a red light flashing on a wall, and a man moving away quickly.

You got from under Changbin, who tried pulling you back but you were already sprinting off the stage. You ran into the crowd, pulling out your gun as you shoved past the scared fans.

The man was so close to the exit, you were going to lose him. Lose another, because you lost focus.

You heard a deep voice, it sounded like it was crying.

"STAY! LISTEN TO ME!" Felix shouted into the mic.

The crowd was still moving.

"THE BOMBS WILL KEEP GOING OFF IF YOU'RE RUNNING AROUND SO STOP!"

The crowd stopped and you looked at the stage, your eyes meeting Felix's as he dropped the mic.

You ran through the crowd toward the red light and grabbed it tossing it out of the open door far from the crowd. The police were already gathering and you turned to see the man moving through the crowd for the door.

You pushed past the people and tackled him gun to the back of his head. "Don't move. I'll shoot." You said.

You sat on your bed, staring at your hands. What type of shit was this...?

"Who gives you orders?" You and a police man had interrogated the man yu had caught for almost two hours but he refused to speak.

"My boss isn't afraid of my death." he huffed.

You grit your teeth, "Who is your damn boss?"

"I won't say anything."

and maybe you punched him a little too hard.

A knock on your door made you look up. "Come in."

Hyunjin entered and closed the door quietly, behind himself, walking over to you. "You did well." he said quietly.

You saw the tears filling his eyes. "Hyunjin..."

He got on knees beside your bed and took your hands in his muttering. "You're doing well... Thank you."

You touched his head and whispered, "It's what I do.. It's okay... I'd do it again without hesitation.."

He shook his head. "You fit in so perfectly, you fill the cracks that we haven't been able to fill," He looked up at you and smiled, "Thank you for being our sister... Thank you for saving our STAY.."

You hugged Hyunjin. "Don't cry, you idiot..."

He sniffled and nodded. "But really.. thank you."

You smiled, "Of course."

Following Hyunjin out you stared at the other members who also looked like they had been crying.

"You caught someone.." Seungmin said quietly. "Does that mean you're leaving us?"

You stared at the boys for a moment, your gaze lingering on Changbin.

"I caught someone." You said quietly. "But my job isn't finished until you're safe.."

Felix was the first to hug you. and then suddenly you were attacked by all of them in a big bearhug.

"You're one of us." Chan smiled, "Don't go back."

You looked at all the boys and for the first time since you got here, you let the tears fall.

Changbin ended up not taking you out due to the lockdown placed on the group by their boss, it didn't stop him from spoiling you, in the building, he came to your room with flowers and (fav candy). He would bring you food and bought you a few clothes he thought you'd look good in.

Everytime he'd surprise you while you were working, Jisung would give you a look. The kind of look that said, "I KNOW WHAT YOU TWO ARE", but was completely wrong, because even you didn't know what you and Changbin were.

You were sitting in at the kitchen table staring at your laptop, it wasn't too late, just around 10pm, but the noise that met your ears made you flinch. Han and Hyunjin came in shaking you wildly as Han shoved his phone in your face.

You grabbed it and made a face. "ARE YOU DONE?"

"LOOK!" They shouted back.

You looked at the screen and your eyes widened. "Is that me?"

There was a video, of the events from a few days ago.

"GET DOWN!"

there was a series of loud bangs and a fast forward, of you grabbing the bomb and throwing it out. Then another fast forward to you tackling the man.

You stared at the comments.

"such a strong woman"

"Our savior."

"why did binnie grab for her like that 😭"

"are we gonna ignore how felix calmed the crowd.?"

You pursed your lips, "I was doing my job."

"You saved them though." Han smiled. "You should come with us later when we can go out as a treat. Chan will pay."

Hyunjin cackled.

You rolled your eyes and shook your head, "Alright."

You sat in your room, when your phone rang, you answered.

"We've got a name and a face. We've sent you the necessary info. When you close the case contact us, we'll book you the next flight back to the US."

and the line cut.

You stared out blankly for a while.. so soon?

And when you opened the email you were sent your ear throbbed at the memory of nearly going deaf... That man... you'd tackled that man and he set off the firework that nearly took your hearing.

"Ah Changbin." Minho sighed. "Look at you. I never thought I'd see the day."

"Seriously." Chan smiled. "Just, tell her how you feel. She's Fiona and you're Shrek."

"You need to hit her with the immature swag." Jisung snickered.

"You-" Changbin raised his hand like he was going to punch the man.

Jisung ducked behind Chan.

"What am i supposed to say hm? 'I think you're strong and really pretty and I want to go out with you.' Seems a little eh?"

Chan cringed.

Han just stared at him.

"I like the Shrek and Fiona thing better." Minho shrugged.

"Changbin just wing it." Chan gave him a thumbs up.

You opened your door in the morning and almost stumbled over a box. "What in the world?"

You picked it up and examined it for a moment. You took it into your room and set it on the bed, carefully you lifted off the lid and stared at (fav color) dress. You took it out and smiled at it a little. You noticed the card at the bottom of the box and picked it up.

Your smile grew as you recognized the writing as Changbin's,

I think this dress fits you just right, wait for me outside at 7 tonight.

You rolled your eyes at his poetic nonsense and stared at the dress.

Hyunjin and Jisung were all over you at 6 pm, pampering you and making you look as pretty as they could.

"You look so gorgeous! I'm a master!" Hyunjin said proudly.

Han gasped exaggeratedly, "Are you saying she only looks good because you did her makeup?!"

You gasped with Jisung. "I thought you were my friend Hyunjinnie!"

"Oh- Oh MY GOD!" Hyunjin groaned before giving Han a side eye.

You giggled and looked at yourself in the mirror, you were really pretty.

"It's 6:45." Han sighed smiling at you, "Our Y/N is all grown up."

hyunjin wiped fake tears. "I'm so proud."

You made a face and rolled your eyes, standing and smoothing your dress, you hummed as you patted down the area where your gun sat on your thigh, just in case, and you grabbed your bag and went to the door.

You only waited about five minutes before Changbin pulled up in front of the building with a sleek, black company car.

"You look pretty." he said as he stepped out of the vehicle and came around to open the door for you.

You smiled. "Thank you, you good too." You stepped into the car and giggled, "Such a gentleman."

Changbin took you to a fancy restaurant and after you ordered, the conversation flowed so smoothly. Even the silence was comfortable, but you noticed it from the corner of your eye.

Two men, sitting at a table a few back from yours, eyeing you... no. eyeing Changbin. When the server came and poured your wine you paid close attention..

Using his right hand he turned the bottle to the left when he poured the wine for your but to the right Changbin.

You swallowed and looked at your wine, something was going to happen.

The thought left your mind when Changbin took your hand in his and smiled. "Y'know during my last stream, STAY kept asking if you were my girlfriend. I couldn't exactly say."

You blushed slightly, "What did you want to tell them?"

"Yes, I'm dating her." He laughed slightly, "Though, since it's jsut me and you," he squeezed your hand gently, "I can say you're only mine."

You blushed even more and laughed. "You're so stupid."

"I think you'd really like only belonging to me, I wouldn't let any guy touch you, I'd buy you food and spoil you."

"You do that anyway, Binnie." You smiled slightly.

He leaned close and whispered, "I guess that makes you mine."

Your heart skipped a beat.

Changbin stared into your eyes and leaned in close, his lips gently brushing against yours. All thought left your mind, it was just Changbin.. but..

You heard the dull click, and whipped around, pulling your gun from the holster under your dress, just as one of the men from the other table, cocked his gun.

You were faster and fired. The man fell back and Changbin grabbed you, pulling you back as the other man sprang up, he pointed a gun at you and it was a intense stare down.

You held your breath. Changbin remain unmoving behind you.

Your heart stopped as a white car pulled up in front of the restaurant. "Changbin get down!"

Changbin kicked the tabled over and grabbed you pulling you back with him as bullets flew through the dining room.

It was a long moment before they stopped, and as you peeked over the table, you locked eyes with the man from the picture, pulling his gun back into the car and smiling at you before they drove away. (Insert evil villain name cus I couldnt think of one)..

The boys were on lockdown again and you were busy, searching everything, everywhere for that man.. for (villain name).

You'd moved to the other dorm, much to the dismay of Hyunjin, who moped about being surrounded by gym freaks.

You took Seungmin's room, which was tidier than Han's. You hadn't moved because you needed quiet, in fact they boys had been quite good at being silent while you worked. It was because you didn't trust yourself, you were scared you wouldn't react as fast as you had at the restaurant with Changbin, you were scared he'd become a worse distraction... you were scared he'd get hurt because of you.

After a month, your informant intercepted another message saying that the man you were looking for was going to a shopping mall to put things up with a bang.

You discussed with the manager, he increased security to compensate for you not being present in the dorms and allowed you to go.

So there you were, sitting in your car outside the mall, staring at the entrance for anything suspicious. You remembered how Changbin had asked you what was wrong when you left, and where you were going...

"You're going alone?" His brows furrowed. "Y/N, be serious, things could happen-"

"What do you want me to do? I'm dragging anymore people into this."

"I'm not asking you to, I just want you to be safe."

"I'm here to protect you and the guys. It's not my choice what I do anymore, this has gotten too out of hand. You can't even go outside without the fear that someone might try to kill you! That's my fault."

"Take me with you then, I'm not afraid of it, I just don't trust the idea of you being alone!"

"Seo Changbin. I'm doing my job. It's not just about you and them anymore."

You pursed your lips and looked at your phone, tempted to say you were sorry..

but your phone rang before you could even take action.

Your brows furrowed, it was an unknown number.

You answered and lifted the phone to your ear. "Hello?"

"I'm glad we could lure you out. I like this game we're playing. Cat and mouse is fun no? It's a two party game. I have to eliminate the extra players, they're taking away my fun. If you involve the police... well that won't be fun."

"What?" You sat up straight.

"I'm not that cruel anyway... I'll give you 30 minutes."

Your heart dropped into your stomach. "WAIT!"

"Starting now."

The man hung up and you stared at your phone for a moment. "Changbin..."

Yongbok stepped out of the bathroom, drying his hair and he tilted his head as Chan sat down with a box on the floor. "What's that?"

"I was going to ask you." Chan said.

Seungmin stared at it. "It has a bad aura about it."

"Since when did you care about that?" Hyunjin looked up from his phone.

"We should open it." Jisung sat beside Chan.

"But-" Jeongin started.

"Didn't Y/N say don't be stupid while she's gone." Changbin said, glaring at the others.

They all nodded.

Minho sat on Chan's other side. "Opening a box isn't stupid."

"I agree." Hyunjin said.

"Guys-" Felix started.

"It's fine Yongbok." Minho said and pulled the lid of the box off.

Chan's brows furrowed, every one sucked in a breath.

"Fuck." Changbin said.

A timer sat in the box on top of a black thing bound with plastic straps, it read 15:50...

Changbin's phone rang. Everyone jumped in fear. His eyes widened as he saw you name. "Y/N- Calm down I can't understand-"

"PUT HER ON SPEAKER!" Felix shouted.

Changbin did as he was told.

You sounded on the verge of tears. "Did you get it?"

Chan looked at the box. "Yeah... We got it."

"I won't make it." You sniffed, "I need you to get scissors and listen carefully."

Jeongin ran to get scissors.

"Someone with steady hands. Listen close. There's no mistakes right now. This isn't acting."

Chan took the scissors from Jeongin and nodded, "I'm listening."

"Remove the timer by cutting the plastic straps. Be careful not to cut the wire surrounding them."

"Are we diffusing a bomb right now?!" Hyunjin shrieked.

"I CAN'T MAKE IT THERE IN TIME THERE'S TOO MUCH TRAFFIC! I CAN'T CALL THE POLICE AND NEITHER CAN ANY OF YOU!"

Chan cut the plastic binding, exposing the explosive and a few more wires.

"There should be a blue wire leading into the bomb directly."

"I see it."

"Cut it."

The boys watched in fear as their leader cut the blue wire.

"Black then grey."

"ok..."

"What's left?"

"Green, red, orange, and purple."

"Purple."

Another cut.

"Orange."

"Now what...?"

"Someone needs to push the button on the back of the timer for 5 seconds. It will give you a 20 second window to cut the last wire."

"What's the last one?" Minho asked.

"Whichever leads to the center of the explosive."

You met silence on the other end of the line before Jisung's voice said, "They both lead to the center..."

You sucked in a breath. "Wait for me."

"We don't have time to wait!" Seungmin shouted.

"How much time is left?!"

"2 minutes!" Felix said.

You slammed the steering wheel and cursed loudly.

Changbin stared at the bomb for a long moment as the members began freaking out.

Hyunjin pulled out his phone and opened instagram starting a stream. "Stay, I love you, we love you!"

"Tell my parents I love them." Jeongin sobbed.

"Chan push the button." Changbin grabbed the scissors.

"Changbin!" You shouted.

"Green means go." Changbin said as Chan pushed the button. "STAY, we love you. Y/N, I love you."

And he cut the green wire.

You heard a loud bang and the line went dead, your heart plummeted. You finally pulled off the highway and into the parking around the dorms. You ran to the dorm and-

Changbin hugged you tightly as you opened the door.

Your hands trembled before you hugged him back. "I thought you died."

"You were that worried about me." He muttered into your hair.

"Yes.."

Jisung coughed loudly, earning a punch from Minho.

You laughed and pulled away from Changbin, arms open.

You shrieked as Chan bear hugged you and then everyone was on you.

As you laughed you saw someone in the hall shaking their head. You pulled away as the man started running.

And you took off running after him. Not this time. You wouldn't let him get away again. You jumped onto him just as he got to the stairs, he stumbled and fell with you. You felt the cold metal of a gun barrel brush your arm and bit down on his arm hard.

The gun fell away and skidded away. You hit the landing platform hard, your shoulder taking the brunt of the force before you rolled for the gun.

You thought about a statement you'd heard from your boss months ago. I trust you to handle it. Without being reckless.

Why were you reckless? Why did you never give a shit what happened as long as you caught the criminal..? Because you didn't care then. Because it was your job... your obligation.

What was it now?

The man grabbed your leg and dragged you towards him and you kicked his face hard.

You scrambled with your opportunity for the gun.

Your fingers wrapped around the grip, as the man dragged you back towards him..

and it all seemed to go in slow motion as the boys came down after you. And the man's hands wrapped around your throat. You held the gun to his head and shouted with the last of your breath as he squeezed your windpipe, "BANG!"

and you pulled the trigger.

17 years ago December 19th 2005..

"Shh, she might hear."

"The gifts are better down by the college anyway."

"Honey. You're being loud."

"Fine fine."

You heard them giggling before you poked your head outside your room. You watched your parents leaving the house. You smiled to yourself knowing they were going to buy Christmas gifts.

When the morning came and your parents weren't in their room, you became confused. In the snow, dressed in your pajamas and bunny slippers you went to your neighbors house to ask if they'd seen your parents.

The little old lady next door stared at you before the tears welled in her eyes, "You poor thing.."

You were only 5 when your parents died. You were only 5 when you learned what it meant to yearn for revenge. You'd spent all your years in the force since you were 17 trying to find the organization behind the bombs...

And you were today many years old when you learned revenge wasn't a liberating feeling.

"BANG!"

BANG!

The boys stared in shock as you pushed the man's body off of you and sat there. Changbin didn't hesitate to run and wrap his arms around you, examining your face before looking into your eyes.

"Y/n... y/nnie?"

And you passed out.

The past week had been a blur of appointments with press and a million other things.

It was Friday you finally got to lie down and breathe.

You were lying in bed staring at the ceiling when you got a call. You rolled over and answered the phone. Your boss's voice came to your ears.

"Good job, L/N. We're glad you could do it. We're booking your flight back to the US already."

"Sir-"

"You'll be receiving a promotion to a less risky position as a token of our gratitude."

Changbin entered your room and stared at you.

"I can't-" you tried.

"I have to admit I myself am shocked, L/N you've proved your reckless behavior is productive and I owe you-"

"SIR I QUIT!"

The other end of the line went quiet.

Changbin sat beside you and pulled you against him.

"I- I accomplished what I wanted. I'm pretty young still. I'll go to college. It's time I change careers."

Your boss was quiet on the other end of the line.

"Consider this my resignation letter. It was an honor. But i can't be reckless anymore."

The boys were poking their heads into your room now.

You looked at them all and smiled.

"I have something... some people..." You leaned against Changbin. "Someone... I want to keep living for."

"We'll send your pay for the case..." Your boss said softly. "I'm glad I met you L/N, it was an honor to have you in the force."

You lowered the phone and hung up.

"Soo....?" Minho said, looking at the others. "She's NOT going back to the US?"

"No Minho. I'm here to stay."

The boys cheered and jumped. You smiled slightly and looked at Changbin.

He leaned in and kissed you.

You blinked. Stunned.

Jisung jumped and held his hands out to Hyunjin "5000 PUT EM IN MY HAND! ALL OF YOU!"

You stared at them for a moment, "You were-"

"Green is green!" Jisung ran away cackling.

You laughed and shook your head. "I love you guys."

"I think you love me most." Changbin said and kissed your cheek.

"I love you just a little bit more than them."

He rolled his eyes as the others ran shouting about their money. "I love you."

You hadn't gotten the feeling you dreamed for in revenge but in them... in Changbin you found something more.

"STOP BEING LOVE BIRDS AND MAKE THEM GIVE ME MY MONEY!" Jisung shouted.

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jesncin · 8 months ago

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please do tell about why woman of tomorrow sucks i love reading your takes they’re always so well written

Sure! And thank you for throwing me this bone because WOOF

(btw it's totally fine for people to like Woman of Tomorrow, and I can even see why! This is just my experience with it that I wish was talked about more)

Quick context: Woman of Tomorrow is about a space farmgirl named Ruthye who seeks revenge on Krem, a guy who killed her dad. Supergirl guides her on this journey so they can learn lessons about grief and revenge.

The biggest flaw of the comic is the narrative prose. Ruthye's dialogue is a rambly, over-indulgent, stylized mix of an attempt at medieval Shakespearian speak, but then in the last few issues the writer remembers she's a farmgirl so he decides she should suddenly say "ain't" more often and speak in double negatives to sound a bit more Southern. I can enjoy wordy comics! But Ruthye's dialogue and narration is blatantly excessive purple prose. So many scenes would hit harder with a less-is-more approach while still being stylized and characteristic. Sometimes the narrations pairs nicely with the art to create layered irony, but most of the time it feels like it's disregarding the comics medium altogether.

The other thing about Ruthye's narration is that it holds the story back. I get that the narration is Ruthye writing from the future, but the way it's done gives us a very passive relationship with the events of the story. We don't get to be with the characters in the action heavy moments because we're reading caption boxes of Future Ruthye rambling about poetry recounting The Battle of Capes. I'm not experiencing grief or dread with the characters, I'm being told about it. All of Ruthye's narrative rants boil down to "Supergirl is really badass, sad and kind. I promise this is deep." and "here's how my farm girl experience is relevant to this". Ruthye also speaks in glowing admiration, idealization and worship of Supergirl; it makes it really hard to get to know Kara in a humanizing way. I'm sure the purple prose hits differently for others, but I personally think the story would have more room to breathe without it.

You know how people like saying "Superman is boring because everything is too easy for him, he's too powerful" yeah that's Woman of Tomorrow. The conflict Kara faces are not challenges to her character, they're inconveniences. The resolutions to each story don't feel clever or earned. Kara just knows where to find the murdered purple aliens, Kara just happens to have a silver age-reference magical horse that can outrun the suffering-ball Krem throws at her, Kara just toughs out 10 hours in the green sun. Why be a smart storyteller when you can just give your heroine the upper hand every single time? There could've been a great bonding moment where Ruthye uses her famer-smarts to build shade for Kara, she could've crafted a salve to protect Kara's skin. But I guess having her guard Kara from dinosaurs is ok. Kara helps of course, even though she's dying because she's so cool, badass, sad, kind, etc.

Kara's internal conflict is that she was hoping that taking Ruthye on this journey would teach the farmgirl a lesson about revenge, but has Kara herself learned to move on? She's still thinking about Krypton after all. The problem with how this is presented is that it's not a flaw that we get to see evolve with the story. We see Kara act mopey, get an origin story flashback and then Kara tells us this- in hopes it'll recontextualize everything you've read before. By the time we make it to the end, the characters act like they've learned so much and I'm just standing here wishing I got to see all this growth they're talking about.

At the heart of it, I feel like Woman of Tomorrow represents the side of Super-fandom that wants to see the Kryptonians deified by the narrative. They hate seeing Kara do silly girly rom-com teenager things, she needs to be SERIOUS and EDGY and SAD and ALONE but like a god would be and not how a young woman would be that way. How else will boys take her seriously? Don't forget to remind the reader that she's STRONGER than her boy scout wholesome cousin! There's potential in a short revenge story about young girls finding hope in seeing a role-model woman survive loss, but not like this.

"You don't think I could've solved all those problems? C'mon I'm Supergirl." I sure love seeing female characters be badass girl-god legends who don't get to be humanized by being unflatteringly flawed people. Anyway the better Supergirl grief+revenge story is "Supergirl: Being Super". I don't think it's perfect because it misses the crucial difference between Kal and Kara among other things- but as a story about a teenage heroine learning how grief shapes her and those around her, it's way better.

Woman of Tomorrow's art is stellar though lmao would get a copy just as an artbook to reference.

#askjesncin #woman of tomorrow #jesncin dc meta #media criticism #there's a whole Ruthye rant where she talks about how superfam stories aren't pointless because they'll meet opponents stronger than them #and then the story proceeds to show supergirl defeating genocide pirates no biggie with help from horse #all she had to do was fight harder

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cosmic-navel-gazin · 8 months ago

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Finished Felvidek and had a grand time!

Thought I'd do a lil list of things/moments/details I loved off the top of my head:

gave cursed coffee bean to a chicken and it mutated. Did it for science

game's got some twin peaks vibes, some monty python, a tad of hylics, along it a bunch of other ingredients, but it feels very much its own thing with its own identity

pear man and his daughters deserve the world, wish we hung out more

there's a fight with an invisible enemy, all your attacks miss because your guys can't see shit and I was laughing just imagining Pavol and Matej swinging their swords at nothing hoping to slay the forest fiend. Very Don Quixote, I love it.

the PS1 style cutscenes are sooooo beautiful I love them to pieces, they drip with style and charm. I knew I needed to give this game a go the moment I watched the trailer and was greeted by the cinematics. God I love them so much. And not just the syle but the directing itself, the way shots are framed, god...

I love the character portraits for everyone. There's so much detail and everyone feels unique/like an actual person with distinct features. From the Priest's very punchable face, to Pavol's grin to Josef's sexy ass... From main characters to NPCs to enemy sprites, I love everyone's design and colour coding (don't know if it was intentional but the purple for the cultists was neat, seemed to subtly imply early on that they were being funded by rich folk, since pruple is associated with nobility, power and wealth)

speaking of character design, shout-out to this lil guy, look at him please

Numnut the drunkard my beloved, I recruited him and less than a minute later he fell on flat ground into a nearby river (and drowns???). I reloaded a previous save to see if I could have him in my party a lil longer. I took a different path, got into a fight. "yay I get to see him in action!"- I thought. I used his one special move, called: 'good idea', and Numnut proceeds to punch his own face, dealing 90 damage (not even in the endgame did I deal such high numbers!). THE Character of all time, he drowned again after that and I'll never forget him.

BALLOON IN THE MIDDLE AGES! (possible Andrei Rublev reference? I can dream...)

just, the way things are worded:

cutting people's ears after killing them as spoils (and giving the ears to a maiden, as you do)

there's a quest where you have to cut a man's tattooed buttock to give to another guy, and it's all for nothing, you ruined a man's ass for nothing. I love it. The dialogue during this whole section had me dying.

I love that there's just this guy who lives in the castle's well. And our boy Pavol thinks it's a great idea to throw a bomb in there to make him come out.

this:

there's these lil inisghtful and mournfoul comments on the dead bodies you leave behind. Like, expressing regret at all the senseless violence and death or how cheap life is here. And I'm not sure if it's Pavol or Matej making them. It makes more sense for it to be Matej but I kinda like the idea of it being Pavol's comments, these small moments of introspection and realization in the midst of a drunken adventure. You've been engaging in all the violence while pissed drunk but then after you kill your opponents and look at their corpses... and it's like this sobering moment, before you're back at it with all the merry-making (I also like that a lot of these bodies don't disappear and just remain on screen, and you can see the carnage your guys leave behind in their quest)

the whole adventure felt to me like, this series of odd little events in a knight's life before it's passed down, told by and retold by different people, and after many generations it's been touched up and made more coherent and noble than the clusterfuck it actually was. Before it became a narrative I guess is what I mean

it can get a bit wordy and hard to follow but I really like the old timey way the dialogue is written and its dry sense of humour

there's these little subversions of gaming tropes that I found really fun too! Like as soon as Pavol's wife and your falling out with her is introduced you may expect a reconciliation between the two, or a moment where you have to save her and prove your worth and love to her to win her heart. As you would expect from a story with a knight and a damsel. But no she hates his guts lmao tries to murder him too! (tho I do think Pavol took her in that balloon ride at the end). There's also the fact that I am not allowed to play minigames! Josef wants to play tabletop games but your character always replies no. No minigames for you son! And like, this feels especially catered to me as someone who, more often than not, will dread whenever a game will introduce some sort of card game or the like. I was so happy that wasn't forced on me for once! Couldn't believe it. Kinda felt bad for Josef tho, I'm sorry Pavol doesn't wanna play Pexeso wth you.

the battle animations! I'm particularly fond of the eating porridge one, or the chugging down a bucket of sour cream, and the petard

the little *slaps face* animation

Pavol and Matej as a duo and the whole tavern scene with the two exchanging clothes

the lil moments of humanity where Pavol talks about his broken life and sense of self

the rare moments when Pavol stops grinning

it goes without saying but the art is absolutely gorgeous. Its nostalgic monochrome melancholy speaks to me on a deep spiritual level. Inject it directly into my bone marrow please. Shout-out also to the ost, it fucks and has tons of bangers. The Hrad track, the one that plays on Josef's castle... god... love at first listen, and have been listening nonstop for the last few days now while going on walks.

#went in almost completely blind and had a great time. really nice surprise #Felvidek #my ramblings #videogames

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blessedarethebinarybreakers · 6 months ago

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Hey, this is going to be long and wordy but I’m kinda desperate. Lately I’ve been having doubts about whether Jesus actually said what’s recorded in the gospels and whether those accounts are true, and the uncertainty there scares me, especially since I know the gospel writers almost certainly had their own agendas and that’s why accounts of the same event can sound different, why the birth narrative was skipped over or not, etc. On top of that I’ve seen posts from Jewish users outlining why Judaism typically doesn’t accept Jesus as Messiah/why you can’t be Jewish if you believe that, and their arguments seem pretty sound. So it all boils down to this big scary question of “What if this whole Jesus-as-Messiah thing was just the result of projection onto some random guy who seemed to be the real deal because the writers were so desperate to be rescued from the Roman occupation?” It sucks cuz I’ve been enjoying my renewed interest in church (for the most part) and while I’ve tried my best to learn not to take the Bible literally all the time (yay for growing up in an inerrantist doctrinal tradition 🙄), I still want to take it seriously and I still want to believe in Jesus as savior/Lord/etc. I don’t want to just be like, “Yeah I don’t buy the whole Messiah thing but I can still follow his example!” I want there to be meat behind why I follow, if that makes sense. So inasmuch as this could be my OCD being bored and trying to take hold of whatever it thinks would bug me the most (wouldn’t be the first time!), I would really appreciate any advice you have. I know there may not be any certainty or reassurance to be found here, but I still want to hear from someone who’s been there before so I can chart a path forward, and I think this is an important question to wrestle with. Plus I remember from one of your posts you said you have seminary notes on this exact topic so I’m curious lol.

"Gospel Truth": how do we know what Jesus really said and did?

Hey again! Sorry for the long delay on this one but I wanted to do some research before responding! You're right that these are important questions, and you're absolutely not the only one to feel doubt and anxiety over them. You're also right that I can't offer you certainty, but I do hope you'll find encouragement here, and places to go as you continue your journey.

This got super long (as always lol), so let's start with aTL;DR:

In this post, you'll find that there's a lot that we can surmise is very probable about Jesus' life story, but that ultimately we can't know much for certain — and that's okay. In Evolving in Monkey Town: How a Girl Who Knew All the Answers Learned to Ask the Questions), Rachel Held Evans gets to the heart of the matter:

"I don’t know which Bible stories ought to be treated as historically accurate, scientifically provable accounts of facts and which stories are meant to be metaphorical. I don’t know if it really matters so long as those stories transform my life."

This is a time where scholarship & faith go hand-in-hand: using the minds God gifted us, we study and learn what we can; and we cultivate faith in the things we can't — a faith that doesn't deny doubt, but makes room for it, and calls us into community so that we can wrestle out meaning together.

A couple other notes before we kick off:

Please know that you don't Have To Study All The Things if you decide it's healthier for you not to go chasing those rabbit holes. You don't need to be an expert in Biblical studies to be a "good Christian" or to take scripture seriously or to get to know God deeply.

I trust you know yourself and how your OCD works better than I could. So I'm going to share the information I have, and leave it to you to determine for yourself how much information you need in order to feel reassured, without giving your mind new problems to ruminate over.

So here's a link to a Google doc that has A Lot of information — like, too much lol. But save it for after you read this post; I'm putting the most relevant & important info here! If you finish this post and feel satisfied, you never even have to look in the doc.

However deep you go, if you find yourself getting overwhelmed, know that whatever you are feeling is valid and probably pretty common, and take a break! Do a calming meditation or an activity you enjoy to help regulate your mind and body. If possible, have someone you can unpack this stuff with — or have a notebook ready to journal in. <3

Okay, all that outta the way, let's dig in!

Who wrote the Gospels?

Tradition goes that the authors of the four canonical Gospels are three of Jesus' closest disciples — Matthew, Mark, and John — plus a disciple of Paul — Luke. But academics have determine that this tradition is very improbable; it's much more likely that none of the four authors knew Jesus personally, and that the earliest of them (Mark) wasn't recorded till the 60s — decades after Jesus lived and died!

When people learn this, it often leads to something of a crisis of faith. If these writers didn't even know Jesus firsthand, where the heck did they get their information?? And come to think of it, why do their accounts differ? Is some of it made up? Is all of it made up??

The anxiety and fear that wells up is normal, and it's healthy to acknowledge that you're feeling it. But once that first shock abates, it's possible to discover a sort of freedom in the knowledge that the Gospel writers (and all the authors of the biblical texts) were human, with human biases and specific goals fitting their unique context; and that they didn't have all the answers!

This realization can free us to approach scripture without certain expectations (that it's all inerrant and prescriptive, etc.), and allows us to bring our doubts to the table with us. If something in the text seems questionable — particularly if it seems to promote bigotry and injustice rather than God's love — we can consider whether something in its author's cultural context might be responsible for that part of scripture.

So taking some time to learn the unique contexts of each writer can be quite enriching to how we engage the Gospels. For a chart that sums up the Gospel writers' unique contexts, audiences, and priorities, see this post.

For even more, you'll want a book that digs into that stuff — I recommend Raymond Brown's An Introduction to the New Testament (the abridged version!!). As you learn about the Gospel writers, I hope several things become evident:

First, that they weren't just making things up whole cloth, or relying on a game of "he said she said" telephone for their information! Each one drew from different primary or secondary sources, eyewitness testimonies or written texts (many of which no longer exist, but scholars have pieced together evidence of, like the famous "Q source" that both Matthew and Luke drew from).

Yes, each author does have an agenda in writing about Jesus, and in how they tell his story. But that's not a nefarious thing; it's true of any text, whether biography, poetry, novel, song — you don't take the time to write something without a purpose in mind! With variation between their specific goals, overall each Gospel writer's agenda was to persuade their audience that Jesus is worth following, and/or to offer encouragement to those who already believed.

Another thing that modern readers sometimes interpret as intentionally deceptive is that, yeah, the Gospels contain things that aren't strictly factual, and that the writers knew weren't strictly factual. This is because ancient ideas about history & biography are very different from our own. When we read a biography, we expect it to be all facts, with citations proving those facts. But the ancients were much less concerned with making sure every detail was accurate; instead, they were focused on making their specific point about whatever thing or person they were writing/reading about. So yes, they might embellish one detail or leave out another in order to fortify their desired message. They cared more about the Truth as they interpreted it than a purely factual account.

On a similar note, each Gospel writer understands Jesus and the meaning behind his story a little differently — hence why they all tell things in slightly different orders, and characterize Jesus differently, etc. This is also understandable — we all interpret stories differently; we all come to different conclusions even when we have the same or similar information. See the section in the google doc titled "each Gospel's essence" to learn more about the different ways each writer characterizes Jesus, and why they may have interpreted him the way they did.

On that topic, let's get to your question about...

Jesus — Messiah, or no?

If you read the Gospel of Matthew and take it as pure fact, you'll determine that Jesus is the Messiah his people were waiting for — that he did indeed fulfill various scriptures. But if you read Mark, you won't find that argument at all! To the author of Mark, Jesus clearly did not match the stipulations of the awaited-for Messiah — and for Mark, that's kinda the point: that Jesus is something new and surprising, unlike anything human beings expected, upturning our ideas of power and salvation.

...So how did they come to these vastly different views??

Well, Matthew was a Jew writing to persuade his fellow Jews that the Jesus movement was worth joining; to do so, he felt he had to "prove" that it fit into Jewish tradition. So he prioritizes showing how Jesus is a righteous Jew who abides by Torah, and that he is indeed the Messiah they've been waiting for.

(It's also worth noting that when Matthew writes, over and over, about Jesus "fulfilling" various bits of Hebrew scripture, that verb "fulfilling" doesn't mean what it might sound like to us — that a given text was always and only about Jesus, with the prophet having Jesus in mind when they wrote it. Rather, to Matthew "fulfilling" the text meant "filling it up" with more meaning — adding to its meaning, not replacing the old meaning. More on that, with citations, in the Google doc.)

Meanwhile, Mark's author was a Jew writing mostly to gentile members of the early Jesus movement. He knew they wouldn't care whether or not Jesus fit the Jewish expectations for a Messiah! (In fact, giving Jesus a bit more of a "Greek" flair would appeal to them more.) So Mark doesn't perform the mental and rhetorical gymnastics that Matthew does to try to make Jesus fit the Messiah requirements.

So which Gospel got it right?

For many matters of scripture, I say "it's open to interpretation!" or "Maybe both are right in different ways, conveying different truths!" But for this particular case, it is very important as Christians to accept that Jesus absolutely does not fit the Jewish requirements for their Messiah. To argue otherwise is antisemitic — it's supersessionist, meaning it claims that Christianity supersedes or replaces Judaism.

We might understand, as the author of Mark did, Jesus to be a messiah — which just means "anointed one" in Hebrew (the Greek counterpart is "Christ") — without making antisemitic claims that Jews "failed to recognize their own Messiah." (In fact, there are multiple messiahs in scripture, e.g. in Isaiah 45, the foreign king Cyrus is referred to as God's messiah; though later scriptures like Daniel do start talking about a specific Messiah who will usher in redemption & a new age for the Jewish people.)

We can understand why some of the biblical authors, like Matthew, interpreted Jesus as this specific Messiah as a result of their own specific context, without agreeing with their view. See this post about “Anti-Jewish Content in the New Testament: Why it’s there and what we should do about it” for more on this important topic. (You can also find even further resources on supersessionism in this post.)

...Okay, so we've looked at the authors of the Gospels a good bit. We've learned that their idea of a "biography" is very different from ours — that they didn't consider it bad to rearrange, leave out, or embellish accounts — but what does that leave us with when it comes to knowing who Jesus "really" was?

What can we know for sure about Jesus?

Let's look at the facts. The first one is: we don't have any. Not any 100% certain ones, anyway. The guy lived before audio recorders and cameras; we're relying on written and oral accounts, which can be fabricated.

However, there are points about the Jesus story that are regarded as almost certainly historical by the vast majority of historians today, so let's look at those first:

Jesus almost 100% certainly existed. There is enough historical evidence (both inside and outside the Bible) to confirm this — even non-Christian historians almost unanimously agree that there was a historical Jesus. (Phew, am I right?)

Almost all historians also agree that several parts of Jesus' story almost definitely happened: that he was baptized in the Jordan; that he traveled around teaching and offering miracles (whether or not they agree he actually had the power to perform real miracles, of course); and that he was arrested and crucified by the occupying Roman Empire.

Some of these almost-irrefutable claims lend plausibility to others: if he traveled around teaching, what was he teaching? Why not the sermons, the parables recorded in the Gospels? And if he was crucified — the death of a criminal, an insurrectionist — what did he do to get himself crucified? He must have done something to cause Rome to see him as a threat to their Empire — why not some of the sayings and actions that are recorded in the Gospels, like his claim to be "Son of God" (a title used for Caesar); his protest march into Jerusalem satirizing Caesar; and his disruption at the Temple?

The attempt to determine which parts of scripture are "authentic," i.e. things that really happened / things Jesus really said," is often called "The Quest for the Historical Jesus."

Over the decades, scholars interested in this pursuit have developed various "criteria of authenticity," which they use to try to determine how probable any given bit of the Gospels is. In the google doc, I summarize the history of this "quest" and describe some of the most popular criteria. But what's important to understand is that these criteria have major limitations — they're often applied somewhat arbitrarily, for one thing, and ultimately they can't "prove" for sure whether something in the text is definitely historical or definitely not. So honestly, this is not a field of study that I recommend everyone go immerse themselves in! When I do, I have fun for a while, then kinda end up more overwhelmed by how much we can't know.

Still, sometimes these criteria of authenticity do yield some interesting points. For instance, the "Criteria of Embarrassment" (yes, that's what it's called lol) asserts that anything in the text that would have been embarrassing to its author is more likely to be historical fact — because why would the author have made something up that puts them in an unflattering light, or might be used to argue against their message?

For example, a lot of Gospel stories depict Jesus' disciples being kinda clueless, or saying petty things, or failing miserably (e.g. the denial of Peter). Why would the Gospel authors have wanted to make these earliest believers, who are meant to be role models for their audience, look so bad? This criterion says that wouldn't — that they must include those stories because they really happened, rather than being things the author made up to make their point.

Or take the Criterion of Multiple Attestation, which determines how many sources include a certain saying or event. The more sources contain a specific story, the more plausibly "authentic" that story is, since it means that different unconnected communities knew that story. Logical enough.

So yes, there are ways to consider the historicity of the Gospels — but not definitively. So the question becomes: is the historical knowledge we do have enough for me to feel some level of, I don't know, peace? stability in my faith?

And, at the end of the day, how important to me is it that every single thing the Gospels say is completely factual?

Back to what matters: the Good News

Facts are great — God gifted us our minds, and various scripture stories show God encourages us to wrestle with the text! — but we are called to faith as well.

Furthermore, taking the Bible seriously means accepting it for what it is — a collection of ancient texts compiled by humans, even if guided by Divinity — rather than insisting it be what it is not. For the Gospels, that means accepting that they are not biography, but story, and prioritize Truth over fact.

My pastor friend Roger puts it like this:

“For me, it isn’t about deciding which things Jesus really said or didn’t say. That’s a road that goes nowhere. As a pastoral response, I take scripture at face value and work to empathize with the people in and behind the text. Through that empathy, I can find some meaning that connects with what we’re facing here and now.”

When we acknowledge that the Bible includes human interpretations of the Divine, and that we bring our own human interpretations to our reading of it, where does that leave us?

It leaves us in need of conversation, of an expansion of our perspectives by talking through scripture in community. We do that conversing with friends, or attending Bible studies at church, or reading a variety of theological texts — getting as many unique understandings of Jesus as we can, joining our ideas together to get an ever broader glimpse of the Divine.

There's a reason Jesus taught in parables: he didn't want there to be one definitive answer to matters of life and faith! He wanted to ignite conversation, to draw us into community — because it's in community that we are the image of God, the Body of Christ.

So keep on wrestling, wondering, talking it through (taking time to rest when needed — there's no rush!). We discover scripture's meaning for us in our own place and time through the wrestling, together.

#reading and studying the bible #bible tag #the quest for the historical jesus #gospels #historical criticism #biblical criticism #essays #i didn't do a great job of citing all my sources in this post -- for citations go to the google doc!#there's a list of further reading at the top of the doc too btw

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fob4ever · 1 year ago

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patrick stump & neal avron on tape notes podcast (12.15.23)

songwriting stuff, demos, lyric process, a bunch of things! they talk about the songs lftos, heaven iowa and smfsd.

long summary under the cut!

talked about how they sat outside “emo” because they leaned more towards hiphop/rnb, but also how they didn’t fit in the “pop” genre too and how they would be put on pop shows and “comparatively it was like slayer was playing” lmao “but we’re still a pop band!”

they experimented with reggae and 90s shoegaze and hardcore during the pandemic

they recorded most of stardust together in neal’s house :D at the beginning it was mostly just neal and patrick working together, at the end of the day everybody would come in to listen

patrick said he got “kinda obsessed” with streamlining pete’s lyrics in the chorus over the past few albums: “pete is very wordy. he has all these ideas that take up a lot of space.” and that their manager sat him down at lunch and said “don't do that. you guys used to ramble. why don't you ramble?” and lftos was the first song patrick put together after that convo

lftos writing process: patrick followed what he was feeling, and most of what he did in that song were things that years spent working in pop music had scared him off on doing.

the “every lover's got a little dagger in their hand” lyric tied it all together for patrick: “[i was] singing that line and EAGERLY emailing neal: listen to this!”

they play a little of the lftos demo (16:55). it's wild. VERY guitar-forward

“neal and i lost most of the demos for [folie a deux].” the burning of the library of alexandria. to me

talks about how the folie demos were infinitely stranger than the final versions, “psychedelic at times”

for stardust, they didn't really keep much of the demo stuff- patrick: “and my demos are pretty decent!”

lftos piano demo (21:35)

patrick: i want some drama. when i look back at our records, our best ones start off with a sense of melodrama

they play individual parts of the lftos instrumentation (31:25), andy's drums, pete's bass, joe's guitar. <3

bridges are patrick's favorite thing to write, because he just gets to play

patrick: "pete doesn't even send lyrics in lyric-form, he just sends words. and it's interesting when you see it- it's almost like one-liner after one-liner. and i'll just get an email of those, and then you kinda have to figure out what thematically goes together, what feels like the same song. but then i also try to keep lyrics together as much as possible, because i feel he's in a place where it does feel like one thought."

"when i read it, there's almost a passive thing where i just imagine what it sounds like to me. and [the lyrics for heaven, iowa] scared me a lot, because it felt kind of sparse, and i don't really like sparse- i don't really like singing by myself. [...] i don't like being so front and center, and i could tell that there was something really intimate about this song, and it was a big challenge for me."

everybody immediately went for the heaven, iowa demo- it's from the first stardust session and it took the longest to complete because patrick wasn't satisfied with just his voice over keys- "it was too naked."

patrick doesn't ask pete about lyrics because: "first off, he will not explain things. but second off, i think there is something to that. where i'll read his lyrics, and i'll interpret it one way, and years later i'll realize it's another way. there's so many double entendres that i've only gotten decades later, i'll be singing and go, 'OH it's a sex thing.'"

patrick really attaches to the story of a lyric, the craft of it, and then years later he'll be like "oh that was a HEAVY lyric. [and] pete must have felt that thing! i don't really question it when i'm writing- it's kindof unfair on him, like, should i check on him?"

heaven iowa instrumental demo/instruments isolated (53:30)

patrick would tell joe to "go nuts" on heaven, iowa!

neal talks about the ambient guitar pedal joe plays during heaven iowa and how it worked really well. patrick says this was the kind of thing that saved (the song).

patrick and andy double drummed at the same time in the studio for heaven iowa! <3

pete told joe to go "full slash" at the end of heaven iowa : )

patrick almost didn't send out the demo for the title track, smfsd! he was almost sure no one was going to like it, even though he liked it. but he sent it out, and it "kept surviving"

both patrick and neal brushed smfsd off because they assumed they "couldn't do that", but pete really pushed for it, which surprised patrick.

so much for stardust demo (1:25:07) patrick plays drums on it, sloppily. which he freely admits to lol. it is quite sloppy indeed

patrick: "i'm a drummer too, but andy and i are very different drummers. and it's very cool translating our things between each other, because he comes from metal (...) and i'm more a funk drummer."

lotsa joe layering in heaven iowa and smfsd : )

it was patrick's idea to do a lyrical callback in lftos/smfsd, and pete was hesitant about it. but patrick pushed for it, becasuse it made sense as "story beats"- "it's like 'empire strikes back'!"

patrick doesn't like to putz around the studio that much, he just wants to be recording something.

patrick: "my routine [during the writing of the album] was just to make it to the studio as on time as i can be- i have adhd, it's very difficult- but i'd be there within 10-15 minutes of when i was supposed to be there, and then we'd just work through it."

patrick's advice: FROM ELTON JOHN: when you find your producer that understands you, stick with them. patrick: "and that was on a record we didn't do with neal, and i remember thinking [makes unsure noises]..." also prioritize in the short-term, what's important. take a step back.

neal's advice: if music is your passion, do it, and do it all the time

patrick was afraid people wouldn't like him "rambling" in songs, even though it was honest and natural to him. he was terrified of doing it again, thinking people wouldn't like it. but people did! "don't subvert yourself too much."

the host asks for them to choose a stardust song to close out the podcast, and patrick chooses what a time to be alive :)

the end

#recap #: 3 #i missed doing these #there's also a bunch of technical music stuff they talked about that i didn't put in here because i don't understand <3 love and light

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chameleonwritess · 1 month ago

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Okay, the babysitter polls have spurred enough thoughts in me that I need to yap about Wataru. Do I think he would be the world’s best babysitter? No, absolutely not. He’s still unhinged and a freak and would likely forget about the very normal aspects of childcare quite easily (i.e. he would be so busy entertaining them he’d straight up forget to feed them unless one of them reminded him food existed) (also see the time he handed in an essay that just read ”AMAZING⭐️”. He is not helping with homework.)

(Rest of my yapping under the cut bc I got wordy…. Again….)

But…. I do not think he’d be the worst. There’s literally a chapter of Dance Floor where a bunch of kids come to the park and Wataru uses it as an opportunity to try and teach the rest of fine how to entertain kids, and they’re ridiculously impressed with the amount of energy and stamina he’s got whilst endlessly entertaining the children. He captures their attention really well in Toyland, too. Approaching this as someone who spent the last 2 years working at an after school club, I found that the easiest way to get the kids to listen and do what you told them to when you needed them to do something was… to entertain them, match their freak, join their games, and get their attention. Sure, I was working with kids a bit younger than the 4Piece kids, but from my experience with slightly older kids, the theory still works. So with Wataru being canonically good at grabbing children’s attention & sufficiently entertaining them PLUS his willingness to do so (because with a lot of characters, I feel like they’d be bad babysitters because they wouldn’t want to do it. Wataru… is an entertainer, and he loves to surprise people and have them be impressed. Children are a prime target for being impressed and surprised by his new tricks. He has a homescreen voice line about trying his tricks on ppl from different agencies bc everyone else seems to be getting a used to them . The new kids are a perfect target for him to entertain! I think he’d be glad for the opportunity), I think he’s got this.

Now, with the topic of the juniors Wataru doesn’t take care of so well…. I think people often forget that the very prominent examples of how he treats Tomoya and Tori aren’t a blanket example of how he treats his juniors. He’s lovely with Sora and even takes him on as an apprentice despite expressing unwilling to teach him at first, and he was anxious about being looked up to at the start of Puffy Bunny, but he still entertained all his juniors and tried his best with them, even opening up to Hinata!! (and despite the others believing he was pushing them too hard, that wasn’t Wataru’s doing!! He WAS paying attention to their limits, and he felt bad when he thought he had been pushing everyone too hard, not knowing it was those guys putting in extra hours to create stuff for the performance). He’s harsh with Tori’s training because a) when he first met Tori he did NOT care about fine and was essentially just making sure to ruthlessly train him to an ability where his and Eichi’s plans could be carried out, and b) he knew that pushing Tori was going to pay off and release his potential (which it did!! Tori has said that Wataru’s training is effective, if brutal). And with Tomoya, we have stories such as Reloaded where… Wataru’s still a bit of a menace with him (let a guy have some fun- Tomoya is just…. So bulliable, look at him!!!) but he wanted to help Tomoya learn and find asking for help easier. A lot of the time his cruel treatment is to make Tomoya grow, and making him furious at Wataru is a good method, in a weird and warped way (okay it sounds like I’m condoning what Wataru’s done to him which, like, I’M NOT……. BUT IT DID WORK 👀). Remember how Tomoya used to hide in the cupboard of the theatre room until Hokuto was there to save him, and he was just so terrified of what Wataru would do to him that he wouldn’t leave? But now look at him!!!!!! Jumping from planes screaming that he hates Wataru and Eichi!!!! Idk man I kinda feel like Wataru played a large role in that growth hmm (okay I’m getting biased now ugh sorry)

Anyway, all this is to say that I don’t think Wataru would be the WORST babysitter, and I will stand by this firmly. He’s not the best- certainly not out of Puffy Bunny because Mika is right there- but I feel like the worst title could go to any of the others over Wataru. Shinobu is shy and would teach them probably dangerous ninja moves and also is likely to freak out if he can’t get them under control. Hinata…. Would possibly have a lot of fun with it! And COULD be a responsible babysitter!! But he also could very much decide it would be funny to take them out busking and start making them do tricks on the street for money! And Hiiro would take the phrase babysitting literally. And sit on them. Okay probably not and he MIGHT be okay at it buuuuuut I feel like he’s more likely to be confused about stuff and then the kids will gaslight him and Hiiro will leave more traumatised than the children. Love the lil guy but I don’t rate his responsibility when it comes to childcare…

This is way too late to change the poll outcome and I don’t really intend to achieve that. I just enjoy yapping about Wataru and Enstars in general. I’m also possibly wrong about some stuff in here- as much as I read as many stories as possible, I may be misremembering things and I haven’t read everything, so I do apologise if I’ve confidently lied in here. But yeah, if Wataru is cast in the role of ‘babysitter’, that’s a performance he’ll master with competency

#Cham goes crazy #also want to note that when I first saw the puffy bunny polls #my initial thought was ‘lol wataru would suck’#and then I actually THOUGHT ABOUT IT #so yah even as a wataruP my immediate response was wataru worst #I get it shfksjfjkd #enstars #ensemble stars #wataru hibiki #tori himemiya #tomoya mashiro #hiiro amagi #hinata aoi #Shinobu sengoku #puffy bunny

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oftenderweapons · 1 year ago

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Natural Connection | KNJ | Ch.5

A Small Town Swoons story

Pairing: Namjoon x reader (nicknamed Plum)

Wordcount: 3.6k

Genre: stragers to lovers, fluff, mild angst; ranger/trainer!Namjoon, Chef!reader

Rating: 18+

Synopsis: Plum wakes up needy, too bad Namjoon has already left her room. Their confrontation doesn't go where expected.

Trigger warnings: swearing, semi-public sex. Making out, grinding, dry humping, mutual masturbation, peaches and cream (i guess???). Musings on unprotected sex. Just a pinch of postcoital misunderstandings. Feral, possessive kissing and light biting.

A/N: Holy moly it's been two years???, but I guess it's better late than never, right? 😅💖 I decided to post this only now since I've already written the final 2 chapters. It's been tought, but I've decided it's time to return to this story and finally complete it (even though Ranger!Joon will be oh so dearly missed. I really didn't want to let go of him LOL, esp since it's time to drop this sunshine baby's full back story 😞🥺🥺🥺)

Here is my Masterlist, enjoy!

Navi: Part 1 – Part 2 — Part 3 – Part 4 - Part 5

When you saw Namjoon the next morning, you only remembered waking up to an empty bed.

It wasn't a pleasant feeling and you weren't ready to acknowledge it like a mature, emotionally stable adult.

“Good morning, Plum,” he murmured, standing very close beside you as he waited for his band of jocks to join you.

“Morning,” you replied, a bit grumpy, but hiding it behind the pretense of courtness.

“Did you sleep alright?” he asked, gentle and apprehensive.

“Uh-huh.”

“Not very wordy, mh?” He nodded to himself. “Okay.” And just like that, conversation was over.

You hated having him right beside you and wasting time in silence when all you wanted to do was hear him talk, but apparently you had to make do with what you had.

The guys arrived all together maybe two minutes after he stopped talking to you.

“Okay, let's stop by the equipment office so you can all get your climbing gear.”

Cruelty didn't even begin to cover the ugly feeling coursing through your every limb. It was a sour kind of betrayal, both from your own body and from the person who has so perfectly won you over in nothing but four days of half smiles and hard work and competent guidance.

It felt like your stomach was being played tennis with, slammed from one side to the other.

Namjoon seemed entirely oblivious to the wretched state you were in, especially once he knelt in front of you and tugged at the straps around your thighs, slipping two fingers in between the harness and your skin to make sure there was enough space for your muscles to flex comfortably. “All set?” he asked, but his voice was dark and once his eyes shot up to your face he couldn't hide a flicker of lust lighting up his guts.

This angle, he thought, was just the same as when he'd lifted your leg and placed the back of your knee over his shoulder, his nose diving in the metallic, earthy scent of you.

He was getting hard. He could tell.

But you took a step back. “Yes.” Your reply was glacial, and it seemed as if you couldn't remove your harness fast enough.

“I'll be right back,” you told him over your shoulder as you headed for the closest restroom in the sports hall.

Namjoon just nodded and watched you go.

“What did you do to her?” Jackson asked him, an unwelcome afterthought, like his personal little devil perched on his shoulder.

“I have no idea,” Namjoon replied, sincere and confused.

“Did you tell her something rude? With your typical lone wolf harshness?” Jaebeom pitched in.

“Who made her mad?” Asked Wooyoung, staring at your figure as you dashed across the hall.

“Namjoon,” said Jackson, not even bothering with stating that maybe you weren't mad at all, and that Namjoon had done absolutely nothing to upset you.

Yet, it was his interaction with you that had made you dash. Or so he thought.

“Go check on the girl, you fool! Didn't mother teach you anything?”

All the guys turned in Bangchan's direction and he seemed to quote, “Broke your heart I'll put it back together, I would wait forever and ever, and that's how it works, that's how you get the girl.”

Jackson and Jaebeom just stared at him, as if they couldn't recognise their friend at all.

“She literally said what every girl wants and we still act like girls are a mystery. Just listen to them, for goodness’ sake.”

Namjoon nodded for a couple seconds, then started in the direction you went.

He entered the corridor to the restroom, and hesitated by the shared washing room that gave access both to the men's toilets and the women's ones. He walked through the women's door. Three other doors in front of him.

He really, wholeheartedly hoped there weren't other women around.

“Plum, are you okay?”

Silence followed.

“I know you're here, Plum. I just need to know you're alright. I don't know what I said or did to upset you, but—”

A door opened and for a second he thought he would die of mortification, then he registered your face.

Relief, at first.

Then something else.

Your cheeks were aflame, and your chest too seemed to be on fire.

Your lips were as red as he'd ever seen them, and it wasn't makeup because he hadn't noticed any bright colour on your face earlier.

“Are you okay?” he asked.

You nodded, still speechless.

“You don't seem okay. What is it? Did I—?”

“I am fine, Namjoon. Don't worry. I'm alright. Perfectly okay.”

“But you—”

“Wonderfully fantastic, Namjoon.” Your tone was clipped

You made your way to the door when he stepped in front of it. “Are you?”

You rolled your eyes. “I just told you so!”

He pinched a lock of your hair in between his thumb and forefinger, straightened it, then released it. “You were grumpy this morning.”

“Just stressed about climbing.”

“Nothing to do with me, so?”

You rolled your eyes. Why would he be so perceptive? “Absolutely not.”

“Am I frustrating you?” he asked, and stepped closer.

“Yes, immensely, with all your questions and— The guys will be suspicious. Do they know you—”

“That I came after you? Yes, they saw you dash and suggested I check in on you, which I wanted to do myself, but I wasn't sure it was a good idea, and their validation sort of helped. I know you're mad at me, I don't know why, though!”

You narrowed your eyes at him. “You don't know why?!”

You tried to sidestep him, but he was like a wall in front of you. “I don't.”

“I woke up! Alone! I was…!” You gesticulated as if to complete your accusation, but the words wouldn't come out.

“I see,” Namjoon replied, and he immediately noticed it was patronising, which made you seethe at him, pointing a finger against his chest.

“Do not use that tone with me, mister. You could at least have left a note.”

He looked at you like you were nothing but a tiny little mouse he was about to thwart with his big bearish paws. “I'm sorry, Plum. You're right, I should have left a note.”

It was true, he'd dashed earlier that morning, but it was only because a deer had been found not far from the main road, his hind legs severely damaged, and he'd been called to help the local wildlife ranger to pick the animal up for rescue. “It was an emergency and I dashed out and—”

“I woke up and you were gone.” Your eyes were wide, perfectly showing the disbelief you'd felt. “I woke up—” you said, and the pause that followed was like you were looking for words and only the wrong ones were coming up. “I woke up,” you repeated, “wanting you,” you added, cheeks aflame again, eyes aimed at him like guns, like saying ‘you know what I mean’, “And you weren't there,” you concluded.

He stared at you for one or two blinks. “Wanting me?” He asked, and you shoved him back with both your hands, even more fed up.

He, however, caught your wrists and brought them down to your sides, jutting his chin forward in a cocky expression. “You wanted me.”

Your cheeks were boiling and your eyes couldn't bear his face any longer, so you turned them down, to the floor. “Yes.”

“Plum,” he called, his hands trailing up your forearms, all the way to your shoulders.

You shivered, but he proceeded still, headed for the sides of your neck, then your cheeks.

“You want me still, sweets?” His thumbs forced your face up, but your eyes were glued to the floor. “Come on, Plum. Look at me, darling.”

Reluctantly, you did.

“Oh, sweets,” he spoke, ever so gently, so tender. “I was called on an emergency by the rangers of the local park. We were rescuing a deer.”

Your pout was still glued to your face, and you weren't sure why. You're used to commandeering around ten men at a time, but this one, this specific man is not a force you can reckon with.

“I wanted to stay, Plum. I truly did.” He kissed your temple when your initial frustration seemed to subside. “Let me make it up to you, sweets.”

He touched the curve of your neck with his forefinger. “Was it when I asked about your day this morning?” He asked, his finger roaming across your collarbones. “When I asked how you slept?” His finger aimed even lower, just a few millimetres beneath the neckline of your top. He lowered his mouth to your ear, and when he spoke “Or was the sight of me kneeling in front of you, like when you came all over my mouth?”

Your insides clenched like you hadn't just given them the sort of satisfaction they were looking for.

“How can I make it up to you?” He asked, as if he needed to be in your good graces. “Anything you want, sweets.” While one hand drew the line of your side, coming to rest on your waist, the other rested on your jaw, the pad of his thumb tracing your lower lip, and his brow knit as if he were in physical pain from the longing. And goodness, if he knew how to pine…

You let your lips disclose for him and he inhaled sharply as the warmth of your exhale slithered past his fingertip.

His right hand slid from your waist to the small of your back, pulling you closer. “Can I kiss you?”

You nodded.

“Do you want me to?”

You nodded again, and he smiled, so softly it killed you.

“Use your words, Plum.”

Your heartbeat skipped, your temper now entirely dissolved into warm honey. “Please, kiss me.”

He nodded, his smile so blindingly happy. And he lowered himself to you.

His lips were soft against your own, so delicate and tentative. No tongue, just tiny pecks.

He seemed ready to let go of you, but you had other thoughts in mind. He was already rising, and all you could do was grip the nape of his hair, and keep him still, kissing the line of his jaw now that his mouth was out of reach.

He pulled back, fighting you a little as you kept delivering open mouthed kisses to his throat, by now reaching his collarbone.

He tipped his head back to make eye contact with you and you stopped.

“You wannit?” He said, the words coming out like a dark purr, smooth and vaguely threatening.

You nodded, exasperated, then remembered his correction from before and whispered, “Will you fuck me, please?”

His grin was devilish and helpless at the same time. He shook his head and tried to angle himself away from you, running his hands through his hair.

He had only as much restraint as a well-disciplined, civilised, mannered man, no more no less.

Even a saint would break for you.

You thought he was about to head for the door and leave when he stood before it, locked it shut and turned back to you, with two great strides before slamming his mouth to yours and grabbing your ass, picking you up like you were nothing compared to what he usually lifts in the gym.

You found yourself with your back to the wall and him pressed up against your front, squeezing you in a way that could have been suffocating, except you loved the way he was so explicit in wanting you, and how easy you could read the restraint he was imposing on himself.

You ground against his navel and he lowered you just a little, so that your core was square against his pelvis.

“Woke up late,” you told him in between kisses and gasps. “I stretched over to your side—“

He tried to focus on your words but all he could do was stare at your mouth and register the bits he needed.

“I wanted you,” you said, and it came out like a cry.

“I know,” he said, soft, understanding, soothing.

“You weren’t there, and I was late, and I couldn’t—” You gasped as he dove for your throat, biting gently, making you arch into him, against him, your bodies flush against each other. “I was so mad. So frustrated.”

“Let it all out, sweets,” he said, reliable, steady, strong. “Lay it all on me.”

“I didn’t even have time to pull myself together ‘cause I was late,” you whine, and it came out so weak, so silly.

“I can fix that for you, if you want me to. Just say the words.” He didn’t even need anything done to himself, he just wanted to please you. So many years of well-spent solitude and self-control had taught him everything about patience, everything about himself. It was not his own pleasure he’d learnt to desire, but the pleasure he could give to someone else.

“Want you inside,” you mumbled, chasing his mouth, needing his lips sucking your own, tongues tangled together. Feeling him through his shorts, through your own shorts too was torture when he could be skin to skin against you, inside you, even.

“We’d need to stretch you first, it’s gonna take a bit, baby,” he reminded you, worried.

You bit your lip and looked away. “What if I’d already handled that?”

His eyes went wide, then he bit your chin fondly with a curious enthusiasm. “Just cause I looked at you while kneeling?”

You felt your cheeks flush with fire. “You were— It was like when, the other day you—”

“Hold tight,” he said, then freed an arm by using his forearm to hold you up from beneath both your thighs. With his spare hand, he shoved his shorts down before stopping. “Condom. Damn!”

You squeezed your eyes shut, then let your forehead fall to his shoulder. “Please…”

“Plum, I—”

You weren’t on birth control, and you couldn’t risk going bare. You possibly never could. Not with your period being the most irregular thing ever, and knowing that you could be ovulating any day now.

He helped you slide down his body. “You don’t happen to—”

“Left them in my bedside drawer.”

He let his forehead fall against the wall.

“I cannot go bare—” you offered weakly.

He kissed your temple. “I wouldn’t ask you that. Not even if we were both one hundred percent sure.”

You bit your lip again, thinking, a frown forming on your forehead. And then—

You took his hand in yours, dragged him to the washbasin, with its mirror right in front of you, and as you stood against the counter, his body pressed up behind you, you lowered your shorts, exposing your naked behind to him.

“Plum, I don't think this is a good idea,” he said, biting his tongue.

“You can just grind and I'll—” You brought your hand to your labia and traced a circle against your core that almost made you shiver.

“This could get messy,” he said.

You turned to look at him from over your shoulder and with a flirty smile you added, “I don’t remember it being a problem last time.”

He shook his head and grinned, wolfish and sexy.

You couldn’t quite align the sight of him now with the person he had been out in public about thirty minutes ago; and it got worse when he grabbed the left side of your face with his right hand and brought his mouth to your cheek, biting it gently, his lips giving it a slight suction, as if he were half between nibbling and kissing.

Your head was playing some hard rock soundtrack while it all happened, and it was feral, and you were almost disconnected from yourself but it was heavenly.

It was all heavenly until they knocked at the door.

You stared at each other in the mirror and he cursed under his breath.

“Keep going,” you whispered. “Let them eat cake.”

It took maybe a millisecond to win him over, and it got even rougher, his hand was at your neck, grabbing at the base of your jaw, and he gave a little jerk as your eyes rolled shut. He called for your attention and as soon as you mustered the strength to open your eyes, he brought his other hand to the hill of your pelvis, his hand dwarfing you as he cupped you. “Eyes on me, Plum.”

And you kept your pupils glued to his as he stuck two of his beautifully long, perfectly thick fingers inside you.

Your jaw went slack and he grinned, your hand reaching behind you to grab his ass, pushing him even closer up against you, clawing at his glute.

This time it was his jaw that was left hanging.

You were moving just right against each other, and the knocking stopped, and the last thing you knew was that he groaned, head thrown back before you felt it, hot and wet against you. His head snapped forward next, teeth sinking at the spot between your neck and shoulder as he tried to muffle a moan.

Similarly, you pressed the ball of your hand to your lips as your left one assisted his own between your legs, his fingers inside you while your digits worked on the outside.

He murmured sweet nothings in your ear as he focused on you, kissing, sucking, nibbling at the sensitive skin near your neck and jaw and collarbone. “Come on, Plum,” he whispered. “Come on my fingers, sweet thing. I promise I’ll be so good to you.” His mouth was everywhere on you, and his hand — the one not inside you — was so sweet on your face and your hair.

“I’ll give you anything tonight, I swear, Plum. Anything you want, you’ll have it. It’s all yours,” he said, back to his chivalrous, servicing self. “You’re so beautiful, so precious, so lovely.” His nose was deep in your hair, inhaling you, the osmanthus and elderflower of your shampoo. “I never thought I would find something like you. You’re unbelievable.”

And there was so much pining, so much longing in his dark and shimmering eyes, that when you looked at him again, you crumbled, your legs giving out, and you were lucky his arms had you locked in his embrace: his left one holding your torso and head upright while his hand cradled your face; his right arm instead ran across your waist and navel, his fingers still deep inside you, and it was only thanks to his forearm that you didn’t melt to the floor. His hips were pinning you to the hard edge of the counter, and you knew it would feel tender later, maybe bruise even, but in the haze of your ecstasy you almost found it sexy.

“There you go, Plum,” he cooed at you, his smile all gentle and apprehensive. “That’s my good girl.”

Your head fell back on his shoulder and he kissed you on your lips, a polite little peck that made your stomach flutter.

He was strong, he was dependable and steady, responsible, and it came so easy to you to give up control and just let him take over.

You’d always been neurotic — is that the right word? — about sex. About letting yourself be vulnerable and weak and passive, but with him you just let yourself float to his current, and that was probably one of the best choices you’d ever made.

Your eyes opened and when you finally put him on focus, he gave you this dreamy little smile, and just then you realised how rare it is to see his face like that, up close, but also so serene. So… happy?

“Hello?” you said and he shook his head slowly, as if amused.

“Hello,” he answered.

And you both giggled. “Are we in trouble?” You asked.

“Not sure. But I’m sure you’re nothing but trouble to me.” He gave you a squeeze as you were still in his arms and you were about to frown, not sure how to interpret his sentence. “Despicable, unresistable trouble.” His hand was still inside you and you clenched a little, ready to take more. He inhaled sharply. “Sweet, lovely trouble.” His thumb skimmed your hipbone fondly.

You breathed out slowly, trying to steady yourself. “I guess we should go before we get into any more trouble than this.”

He froze for a second, then nodded and let go of you. “Sure. I’ll just clean you up.”

Your eyebrows shot up. “Oh, I’ll take care of that.”

“I don’t mind,” he said, but he was staring at the floor, and he was covering himself, and you could tell you’d made a mistake somewhere.

“You sure you don’t mind?” you ask, and he stopped and looked at your reflection.

You were dishevelled and half naked, but he stared at your face like that was the only thing that mattered.

“Of course I don’t?” He said, but it came out almost as a question. He grabbed a towel and soaked it under the tap. “I don’t know the etiquette about this kind of situation,” he murmured while rubbing the towel gently against your glutes. “I’d like to think this would be the polite thing to do. Fix the mess I make.”

Is it just a matter of politeness? you asked yourself, eyes averted. “Sure,” you said and smiled, like it’s no big deal.

Navi: Part 1 – Part 2 — Part 3 – Part 4 - Part 5

Taglist: @blushingatyou @ladykadyrova @sweetjellyfishland @starxclouds @ayanyamnyam (taglist is open!)

#small town swoons #natural connection #namjoon x reader #namjoon smut #namjoon au #namjoon x yn #namjoon x plum #houseofddaeng #52hertz #bangtansorciere #btswritersclub

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