#this is what ive been doing instead…

[locallygrowndaikon]

Draw? Do any sort of work? No of course not

Make a shrine and stone statue of myself ✅

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[ren-054]

Just Best Friends™ Things :]

this is what happens in my sick and twisted mind pfpfpjahdks

it’s also what happens when I decide not to sleep

ngl this turned out a lot cleaner than I intended but I think that’s because it uses a lot of simple shapes. I love my Kinito design tbh

I don’t see enough alternate versions of him where he’s still sorta polygonal/digital looking because I really liked that aspect of him, it’s what made him so scrimblo to begin with

So my design maintains a sorta digital aesthetic while still looking uh “upgraded”. Also sorry that all of these footnotes are on a cw suggestive art piece but that’s like my bread and butter tbh so oh well

[myonmukyuu]

won't you dance with this devil?

inspired by this collab:

[catmask]

it is insane how normal i am medicated like. you mean this was an option the whole time. what

[musubiki]

.🖤🔄🤍.

[sualne]

something i wish i'd see more in trigun fanarts is people having vash speak their native/non-english languages completely unprompted, ive seen folks have him speak french, which he canonically knows, but i really do believe he's a polyglot. mostly because of that one time in the desert when he saw the samurai and wanted to greet him in japanese but struggled to remember how to even say hello.

my headcanon is that rem had them learn as many languages as possible but with the big fall and so many people dying, which i think is what led english to became No man's land main (or even only?) language, means that vash (and knives!) both got horribly out of practice and are various sort of rusty in every others languages.

what im saying if there's any pun or joke you've been dying to write but just doesn't work in english vash (and knives!!) are right there!

[katabay]

fifteen men on a dead man's chest, it's time for: pirates!

there's an idea here, and the idea is slowly turning into a story, and in march I've got some one shot comics about pirates I want to post! ideally, in march. hopefully in march. there's a lot of stuff to figure out, drawing wise. I spent an amount of time I won't mention researching the history of leg prosthetics & vintage leg prosthetic designs for basilica, and I haven't even figured out tall ships. which is. well. it's pirates, what are pirates without tall ships

[fight-for-what-you-love]

I Do

Colbie Caillat

╾━━━━━━━━━━━━━━━━━���

◃◃ II ▹▹

Jeeeezzz guys. It's only been a day and everyone's already sick of your antics. Again. You'd think they'd be more reserved considering what they went through to get here.

But forget everyone else- they just got MARRIED!!! Who can think of anyone else when they're this happy??

[solariex]

silly red dancing gif i made !! :3

originally i was gonna add cat headphones, because it was based off someone sending red music recommendations on the red askblog (cough cough @kittycatred sorry self promo) but its literally 5am as im typing this so i didnt feel like adding that right now :,) also i realized after making this that it looks VERY similar to this by starrypawu and that was purely by accident oops!! i think i got unintentionally inspired though so im linking it just in case for credit !! :D also timelapse ?? speedpaint ?? (whatever its called for animation lmao) below !! !! FLASH WARNING !! THOUGH cause i flip the canvas ALOT and switch frames alot and its sped up !! (also ignore the timeeee....ignore the time....shhhh i wasnt up until 5am at all....)

its 3 minutes long but i sped it up AS MUCH AS I COULD sorry its like 5 hrs of footage originally so thats why </3

[bottombaron]

oh ok so its the usual no-homo bullshit you always hear, good to know.

[blackkatdraws2]

There are more things in the Parable than Stanley knows about. [Blank Scripts AU]

[puppppppppy]

id fumble him so bad

[obsob]

more kitties that live in my sketchbook

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[joshuamj]

EoW Zelda and Link designs