This is honestly another one of my favorite scenes to hyperfixate on. There are very few instances in the show where we see Wednesday looking genuinely shocked/confused/disturbed and this is one of them.
This is probably just my headcanons running wild but…
While Wednesday did mislead Enid to get her there and put her in danger in the first place, you can tell when they’re being chased by the Hyde that she’s protecting Enid. From Wednesday’s point of view, this obviously means she cares in some capacity. The beginning scene of the show with the piranhas is how we know that’s how Wednessay shows she cares, not through words but actions.
As soon as she heard Tyler scream and Wednesday realized they were in danger she stuffs Enid in the dumbwaiter FIRST and then gets in and tries to protect them.
And then after all that and finding SOME clues Enid says this and she just looks dumbfounded.
Wednesday is really like, “I wear the snood, I take down the murder board, you’re not dead, what more could I do?”
I think starting here and throughout their fight, Wednesday realize Enid needs to be told and shown care in a different way than she’s normally used to. And THEN. The little affectionate speech Wednesday attempts to give to reassure Enid.
“The mark you left on me is indelible.” You can TELL our girl has learned something, look at her trying to show her girlfriend she cares after and is willing to put in effort for Enid’s needs the way Enid does her. WHAT OTHER person gets a speech like that from Wednesday. Nobody. They’re girlfriends case closed.
I know I’m probably reading too deeply into things, but I saw someone post this and my mind starting racing back to the scene and everything that followed. I wanted to share my thoughts because it’s honestly one of my favorite scenes because Wednesday is not going to outright say “I care” to Enid but she looked appalled that Enid even had to ask. I love it. This scene isn’t ran over with a queer magnifying glass enough.
Wednesday isn’t the type of person to verbalize she cares…until Enid wants to hear it. Smh our girl is whipped.
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VotV Speculation Megapost
(For posterity's sake, the latest major release is 0.8)
(Also, buckle in. This post is a long one.)
(Edit 9/20/24: Added Addendum 1)
As we all know, Voices of the Void has a "story breadcrumbs" approach to its plot. Combine that with its alpha status, and we're left with a lack of hard answers. However, some pieces did seem to click into place. This is far from anything definitive, but here are some of the conclusions I've drawn. Let's start with everybody's favorite:
Part 1: The Arirals
god i want one to hold me like that
You know em. You love em. Like 90% of the fanart is about them. But the question is... what the hell are they doing here? Judging by the fact that they construct a campsite in the facility, they clearly expect to be here for a while. A common interpretation I hear from people is that the ones out in the facility are either political refugees, or just some sort of benign "tourist group". I've personally come to a different conclusion. Let's consider what they brought with them.
Exhibit A: The weapon (left)
The weapon they drop around Day 24 is no mere Star Trek phaser. If you drop it in the main building, pretty much EVERYTHING in the building is going to be sent flying from the resulting blast. Not only that, but the "human-wieldable" version that can be unlocked for the sandbox mode has one hell of a fire rate. Something tells me that there's no way in hell this thing is a civilian-grade weapon.
And, as established in a previous post of mine, they're kitted out in full-body armored stealth suits.
Exhibit B: The stealth suit (Kerf dutifully remains there for scale)
These aren't tourists or runaways. They're goddamn Black Ops. But you're probably asking, "If that's what they are, then why do they have nothing better to do than to steal shrimp and prank you?"
Don't worry, I'll get to that later. Eventually. Maybe.
For now, let's move on to a third thing of theirs: The letter to Kel.
Exhibit C: Esraniki's Letter (D-, see me after english class)
This is the letter left at the Ariral camp if you have maxxed reputation with them. There's one line in particular that's always stood out to me.
"GET WE HOME YOU GET DEATH AVOID"
So... why can't they go home? Let's review:
A: They have perfectly functional spacecraft parked right behind you. Even if they were broken, surely some random Pre-FTL primitive wouldn't be able to help with a mechanical failure in their technology. Hell, they buzz you at the radio tower with one. So there seems to be nothing physically stopping them from leaving.
B: They've come kitted out with some serious weapons and armor
C: Something in the facility is drawing the attention of all manner of extraterrestrials (and ghosts and demons. are 'metaterrestrials' a good word for them?)
So my take? They're monitoring something, waiting for an opportunity to act upon it. (In keeping with the Patch Note naming convention, I will be calling this unknown something "The Threat") Not only that, this 'opportunity' may only open up with the assistance of a human. But what could Dr. Kel possibly do that an Ariral couldn't? Well, I can think of one thing he can do better...
Interface with human technology.
Exhibit D: Ariral Communique (quality: shit)
Computer technology isn't some universal constant. You can't make a program and expect it to magically run on alien technology with an unknown architecture. This ain't Independence Day. The fact that the Arirals barely managed to send a heavily-garbled message to Kel's computer, quite frankly, speaks of an extreme amount of effort on their part. And it was all just to say the word "OUTSIDE".
If The Threat has some ties to human technology, then perhaps Kel actually could be more qualified to deal with it than the Ariral Black Ops.
Hmm... An unknown threat with ties to human technology. Could it possibly involve...
Part 2: The Incredibly Suspicious Bunker
"I left a 'Do not enter' note on the floor. That'll stop people from investigating!"
This damn thing is quite obviously, as TVtropes would put it, The Very Definitely Final Dungeon. It is my firm belief that this is what the Arirals were sent to monitor, and where The Threat can be found. But we can't really get much further in than a few doors. So... what's in there?
An easy assumption to make is that it's some sort of fallout/storm shelter. But something nearby might tell a different story...
Exhibit E: *squints* ...Liberty Prime?
If you take a metal detector over to the bunker entrance, you'll quickly discover a buried drive nearby. The image you just saw is its contents.
It's clear that something is being depicted here. What exactly it is, well, that's hard to say. but if you look at that teeny tiny thing at the top, you'll see something that looks like the Alpha base and its radio tower
oh god we're getting into crusty duende video territory now
What this says to me is that there is a colossal something underneath the base. Some sort of mega-facility? Unnatural cave formations? Something else entirely? Or I could be looking at it entirely wrong. But the point is, it's very likely that something extremely expansive is down there.
What if we could just take a peek a liiiittle bit further in? Well, there is ONE way...
Exhibit F: The Least Cursed Elevator in Horror Fiction
Roughly around 3:33 each night, there is a chance that a camera inside the bunker will become active. It's monitoring what appears to be a heavy-duty elevator coated in blood. An elevator like this would also indicate something buried deep underneath the base.
Say, this elevator seems familiar...
Exhibit G: Monique Santificer's Extremely Ominous Foreshadowing
...Huh. I'm sure that only means good things. So we have a Hellivator and evidence that there's some place that you'd need a Hellivator to get to. Are there any other clues around? Well, there's that handy instruction book on robotics. You can make your own little friend!
POV: You're 5'11 and she's 6'0
And... Oh! looking back at that camera, it looks like someone else made their... their own... friend...
Exhibit H: AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA-
...I don't think they followed the instructions to the letter. So it seems the people in the bunker were working on combining robots and, er, 'biomass'. I don't think our meaty friend here is The Threat itself, but I do believe that it is some aspect of it, or at least a result of it. And whatever The Threat is, it seems to be "leaking" out of the bunker. After all, this toothy bot here seems to have little siblings burrowing out from underground!
Exhibit I: should start running
Kerfus. Kerfur. Whatever name they have, they love you! Such a shame that the flesh inhabiting their chassis does not.
they seriously recalled the ++ models over a little thing like this, smh
Something deep underground, cursed flesh, and occult sigils. Hmm. Things would tie together neatly if there were, say, some sort of demon around associated with flesh and dark depths.
Part 3: Furfur (and conclusions)
"I WATCH YOU SHIT AT NIGHT"
The Great Earl of Hell and raw flesh afficianato, it's Furfur! Demonology refers to him as a liar, but also a teacher of secrets. And he seems to really really like flesh. Not bones, though. He's always leaving those behind.
They say that if you burn an offering of flesh at his altar, he'll give you a marketable Furfur plushie!
The children who survived loved them!
Interestingly, there's a certain location connected to Furfur: The bottom of the well. If you pass out at the bottom of the well, you will end up in a (dream of a?) mysterious structure.
Exhibit J: all shall be well and all manner of thing shall be well
A few things of note in this place:
-More demonic sigils
-The only 'exit' is a tunnel leading upward with a broken ladder. And even if you could reach up there, Furfur's giant skull-face is blocking the way.
-A unique knife, which when examined in the inventory, says that it was found "deep underground".
How very interesting that this flesh-loving demon has his own little place down in the depths of the earth. And you say the bunker reaching downwards has been spawning horrific robot-flesh amalgamations? Robots that are specifically of human design?
Well then.
So here's what I think is going down:
no i'm not crazy it's invisible alien catgirls versus demon cyborgs you weren't listening were you?
-Some scientists from before did a Very Bad Thing in the bunker depths. If I had to venture a guess, it's that they bargained with Furfur for secrets of the flesh, perhaps in the pursuit of cybernetics, biocomputers, or somesuch. This resulted in the Very Bad Thing happening, thus creating The Threat.
-The Threat was contained to some extent, but is starting to noticeably leak out. It is also severe enough to have drawn extraterrestrial attention.
-The Arirals have sent a squad to monitor the situation and act if necessary. Seeing as there's been no urgent need to act as of yet, they are bored out of their skulls and taking it out on you.
-The fact that the bunker hasn't been blown up by catgirl black ops already says to me that the situation down there is delicate, and a 'guns-blazing' approach would be inadvisable. Not only that, but The Threat seems to be tied to technology they have little knowledge of. They would most likely need outside assistance if they want a 'clean' resolution to the problem.
-And wouldn't you know it? Right there in the facility is some nerdy, crusty, half-crazed twink that seems to be very proficient in handling human technology. How very convenient.
"average person eats 3 roaches a year" factoid actually just statistical error. Dr. Kel, who-
That's how I think this ties together, personally. Of course, there's always unaccounted for 'loose ends' that may or may not be tied to the Bunker Conspiracy (the rozital pit in particular has been bugging me with its vagueness). Plus there's always the chance that I misinterpreted things like a dumbass. There were a few other smaller things I wanted to cover, but my fingers hurt from typing, and my ability to hyperfixate has its limits. And sorry if the screengrabs are a bit mismatched, I've already spent hours on this post without having to get screenshots from the game myself.
If anyone actually read through this monstrosity of a post, congratulations! If you're as deeply brainrotted as I am, feel free to point out the reasons I'm dumb and wrong :)
Addendum 1: Meta Aspects
no, not this. wrong place. wrong time.
Every now and then I hear talk of lore clarifications in Discord servers, Google Docs, etc. Will I be covering these?
(source)
The reason? I want to give my impressions based purely on the work as published. Death of the Author and whatnot. The furthest I'll reach 'outside' the games are those ambiguous little teasers on YouTube, which you don't have to be in any 'specific server' or anything to see.
haha what if funni meme robot was irreversibly corrupted by the horrors?
Think of it as me giving a form of feedback on how the game is presented as an isolated work. Anyway, I'll be posting another Addendum later, connecting more demon stuff to the bunker. Fun!
One thing I intend to investigate between then and now is a rumor of a very poorly documented... item interaction. As a little preview, consider this note.
It seems, in my pursuit of knowledge regarding a mysterious bunker in an incomplete videogame story, I find myself investigating a skeletal entity of ambiguous origin described as having a single glowing eye. God. Fucking. Dammit. Every time with this shit.
This always seems to happen whenever the protagonist is bullied by tall monstergirls
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Still caught up yet so no spoilers but this comic is still messing me up so bad and I CANT wait until I’m caught up to talk about it
I feel as though the story is going in a direction specifically crafted to break my heart.
You CANT just say the fate of the world is potentially hinged on Redcloak being able to admit that everything he has ever worked towards has been a mistake
I don’t even know if he CAN DO THAT
If you are like me (you may be entitled to some financial compensation) and have adapted a Redcloak-centric approach to literary analysis you will know that this comic has a storied history of characters who are given ample opportunity to do and be better and then DONT
Even the ones with Noble intentions (looking at you Miko, love you) can become fixated on their incorrect view of the world. Miko could’ve recognized that she was wrong but that would require changing her entire worldview to one where she has committed tremendous harm. So she didn’t. Maybe with time she would’ve but time is finite.
If we look to the contrary, we see people like Varsuvius. To a much lesser extent, people like The Monster in the Shadows and Belkar.
And weirdly, people like Redcloak.
Redcloak realized that his treatment of the Hobgoblins was petty and pointless, and even though it meant accepting that the blood of thousands was wrongfully on his hands he was still able to confront his faults and change.
Of course, that change took a hobgoblin directly sacrificing their life to save his, and he didn’t really have to change that much. He got to say that the mission was still correct, he just needed to include hobgoblins under the goblin umbrella to make it work. He’s not a racist but he’s “speciesist” and that’s a-okay
This is a deeper admission of fault.
And it’s messing me up that after all this time I spent accepting that Redcloak is a villain and probably isn’t going to change for the better and will most likely die- I get the possibility of redemption DANGLED OVER MY DANG HEAD. Like I love it but also damnit I grieved!!! Don’t give me hope like this. Don’t throw a bone to the part of my brain that is way too sympathetic to villains with tragic circumstance and noble goals.
Im trying to mentally prep myself for Redcloak to die an unrepentant villain who was too stuck in his ways and afraid to put his people’s safety over his feelings over here. Don’t make me root for Redcloak more than I already am it’s stupid!!!
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CANARIES, NIGHT SHIFT AND THE MAGNUS PROTOCOL (tma/tmagp/arg spoilers)
Along with everyone else in the fandom, I'm also going FERAL after these new ep so excuse this RANT (this is my way of coping with the brain worms, enjoy ;).
Statement begins.
So what's special about the RedCanary story?
Well, apart from it being a direct reference to the original Magnus Institute (at least the one in this new universe), it's also incredibly fascinating as a narrative tool.
For those who are unaware of their history, miners used to employ canaries in cages while they worked as safety systems. The bird's complexion made them specially sensible to gas leaks which killed them instantly. When a canary stoped singing in the middle of the shift, the workers knew that toxic gas was leaking and had enough time to get out of the mines alive before it got to them.
Now why is that relavant to us? Well, the theme of canaries in cages inside mines could be easily applied to the og tma characters. All of them were contained in cages (that is the Magnus Institute) and placed close enough to danger (in their case the paranormal) that only they were aware of its existence while the rest of humanity remained ignorant. That is until the events of the apocalypse when the gas metaphorically leaks everywhere and all humanity is doomed.
However, this proximity to the fears ALWAYS results in the death of the canaries that stayed inside the mines (no i will never get over my blorbos being killed). Everyone involved with the institution dies EXCEPT from Melanie, Georgie and Basira. That is, the only three canaries that actively escaped their cages before the toxic gas got to them.
Therefore, the use of this metaphor at the start of the ep (especially from none other than the voice of Jon Sims, the character who has walked down the path of learning about the entities) is a warning to Sam against investigating the paranormal.
The statement is encountered by Sam because he, above all other characters, is the one who is most likely to end up like Jon and the others. The species of Red Canaries is human breed, therefore Sam being a result of experimentation within The Magnus Institute means he was RAISED to be a canary. Thus, there is an inherent irony on the warning, for it is what PUSHES him to develop an interest on the statements and leads him closer to his tragic destiny.
Another proof that links canaries and the workers at O.I.A.R. is the nature of their habitat. I haven't seen a lot of people talking about it, but there are multiple references in the first and second ep of them working the nightshift. Now, why would a filing job be carried out exclusively at night? (THERE ARE SO MANY REFERENCES TO IT BEING A NIGHTSHIFT I AM NOT KIDDING)
This one is specially interesting because it's the first thing we hear in the podcast. Also Teddy metaphorically being the canary that leaves the mines and the darkness to escape into the outside world and the sun.
Multiple references to it being just the FIRST night of an eternity of nights. (cosmic horror much?)
In any case, there is a parallel between darkness of night and the darkness inside the mines. (or even the entity of the dark, one of the oldest alongside the hunt and the end). I see what you're doing Jonny Sims....
SO YEAH IN CONCLUSION
canaries = characters close to danger (AWARE OF THE ENTITIES)
the miners = the rest of humanity (UNAWARE OF THE ENTITIES)
cages = The Magnus institute/O.I.A.R (TRAPS the canaries)
the fears = toxic gas (HARMS the canaries and miners)
darkness in the mines = the night shift
Statement ends.
*stands in front of a white board with red string linking everything, and the dark scribbled in black marker in the center* I HOPED YOU ENJOYED THIS RANT *tries to fix my disheveled hair that i messed up during the presentation* I AM SO NORMAL ABOUT TMA AND TMAGP Please feel free to discuss in the comments, I NEED THEORIES, I NEED TO TALK ABOUT THIS WITH SOMEONE!!!
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