#this is too many tags oops

[rosemarytrash]

this is so needlessly chaotic but so is act 4 so really if you think about it i'm imbibing the spirit of it all into a lot of gaussian blurring

[redbean-nom]

Cadets

(aka trash children, chaos children, and children who understand 98 is getting graded on this)

Inspired by @thefoundationproject! Closeups under the cut:

jesse got this pic from jangotat:

[ohmerricat]

the main mistake that people who dislike s8 and put it low in their series rankings make is the belief that, like any other series (apart from s9), it’s a collection of standalone stories tied together by some vague throughline i.e. missy’s ‘heaven’. “oh, this episode’s mid, that episode’s bad” meanwhile it’s not about individual episodes at all. i firmly believe that it should be viewed as a singular long serial.

so grateful that i was extremely late to the party and binged it all in a week instead of watching every episode as they were airing, because sometimes the plots barely matter at all. do you remember what the skovox blitzer actually looks like or what it wanted with coal hill in the first place? hardly. i had to google its name. but what you do remember from the caretaker is twelve acting like an antagonistic prick towards danny, and that’s what matters. almost every villainous entity is some kind of soldier, the contempt twelve shows to everybody but clara becomes the source of their toxicity… in the forest of the night is pretty obviously rubbish scifi, but it demonstrates danny’s fundamental incompatibility with clara, as well as the scene in which clara is ready to sacrifice herself and her students for the doctor’s sake, foreshadowing their reckless, almost suicidal codependency.

point is, but it really does work best as a tightly woven tapestry. sure, some episodes succeed individually, but most of the individual plots are mildly exciting only in a ‘this is fun to watch for kids’ way… UNLESS you approach them from the overarching perspective. i.e. mummy on the orient express has wonderful style, a thrilling mystery, creative concepts and interesting side characters, but its story appeal hinges on the twelveclara failed breakup. listen is frightening enough, but its entire story appeal hinges on just how much clara affects the doctor’s values past and present, and whether or not she has a future with danny (she doesn’t).

what i’m saying is, the narrative in s8 is a non-negotiable package deal. buy one, get them all. and it has no skips. i hate the idiotic pro-life message in kill the moon as much as the next sensible person, but what the episode does well is really hammer home how much of a sanctimonious asshole twelve initially is, which is crucial to his future character evolution.

tldr; the correct way to watch series 8 is all in one go. series 8 is great. more love for series 8

[meamiiikiii]

[reverse entry AU]

so glad the work week is over!

no more meetings!

what do you mean its only tuesday.

[bellamyblakru]

…cause my head's a living hell, if i’m honest with myself.

[shadow-the-crow]

I think i finally understand how the Distortion works. I mean, i don’t think it’s possible to ever fully understand it, and i don’t know the whole picture yet because i don’t know what Helen will be like, but i feel like i’ve just been granted a glimpse at the lovecraftian (as in ineffable) thing that is this being.

It’s not a person and a creature fighting inside one mind. There’s no Michael clawing himself to the surface to express his emotions and get his revenge.

Michael Shelley is dead. The Distortion became Michael. It sounds so simple, yet a least in my opinion it’s hard to fully understand.

I think what provides the best metaphor is a small thing the Distortion says after becoming Helen: "without a proper mind." The Distortion does not have its own mind. It’s only a what, but in order to really exist in this reality, it needs a who. It needs a body, but also a mind.

So if i understand this right, it’s like this: Michael Shelley is dead. His conciousness is not there anymore. And the Distortion got forced into that mind, an empty mind of a dead person. This doesn’t make it human, it’s still able to understand the impossible, it’s still the thing that was created to scare and kill. But in the mind it’s living in… the previous owner’s furniture is still there. It gets the dead person’s memories. It becomes Michael, in the sense that it has to be someone. Its existence got tied to being Michael, although Michael Shelley is dead.

When Michael got "emotional", that wasn’t Michael Shelley coming through. It was the Distortion grappling with the side effects of being someone - of living in a mind with all the memories and the human emotions that a human mind can’t fully turn off, even when the thing inhabiting it isn’t human at all.

The Distortion was Michael in the sense that it was thinking with Michael Shelley’s mind. When it became Helen, its consciousness, its being stayed the same, but it needed to adapt to this new mind. It could see clearer now, realizing that the windows of the previous house had been dirty, realizing that the wirings of the previous mind had driven it to do something that it actually didn’t want to do. The throat of the Spiral itself getting caught in the spiralling of its own, borrowed mind.

[milk-ly]

Kotoko and her connection to Dante’s Inferno’s Satan

Disclaimer: This is just about symbolism and I know how it sounds but I promise I’m not trying to imply anything or demonize her! I love Kotoko! Ive just been repeatedly noticing details about the parallel for several months now and I just really want to bring it up! This is just an analysis of the details MILGRAM has provided for it. I’m incredibly sorry if I make a mistake!

Kotoko has a lot of parallels to Dante’s Inferno Satan, especially in relation to Es.

To make sure we’re all on the same page, Dante’s Inferno is a Christian poem that outlines the 9 circles of hell. MILGRAM directly references Dante’s Inferno by quoting it in all the t2 door arts.

“Abandon all hope, ye who enter.” A quote derived from a sign at the gate of hell in the poem.

Each ring of Hell contains sinners with different levels of sins, and each ring’s sin was meant to be worse the further inside you go. Ive seen a couple theories that each prisoner correlates with a specific ring of hell. (Ex: Haruka is ring 1, Limbo; Yuno is ring 2, lust; etc)

But Dante’s Inferno only outlines 9 rings, what about our 10th prisoner, Kotoko?

While it could be that she’s again the “outsider” to the other prisoners, the last section of the 9th ring of Hell is significant because it is the center of Hell, containing Satan. So it could be reasonably argued that Kotoko correlates with it.

MILGRAM already has a TON of religious references. One that I’ve seen pointed out is how it seems the cover art of each novel is a reference to a famous Christian art piece.

The Es in each novel seems to be where Jesus relatively is. Remember that Jesus is both the son of God AND God. God gives sinners their judgements which sounds very similar to Es and how they're giving the prisoners (the human sinners) their verdicts.

Plus, the quote Milgram quotes is on the doors the prisoners are entering, and in Dante’s inferno, it’s on the gate of hell so you can compare or theorize that MILGRAM is a parallel to (or straight up is) purgatory. And Es, being the one who decides the verdict, parallels God.

Also, her t2 VD is named “YONAH,” which is the masculine version of the name Jonah. Not only does this relate to her themes of masculinity again, Jonah is a name that originates from Hebrew origins which means “dove.”

It is also a reference to the book of Jonah. A main theme of this book is “Jonah wants God to operate on his timeline [...] He wanted God to dole out punishment on his clock instead of according to God's plan. Yet God showed Jonah that in his infinite wisdom, he can't and will not be rushed.” Which is pretty much exactly what happens in YONAH, and also once again compares Es to God.

Dante’s Inferno’s Satan was an angel, a splendid being, apparently the most perfect of God's creatures… an “Angel of light.” We/Es deemed Kotoko innocent in t1. She had the highest innocent percentage in t1 too because a lot of people thought her murder was justified. You know, the most perfect of God’s creatures. The most perfect out of the prisoners.

“We really can work together.”

But then Satan tried to usurp God.

“If you don’t have the strength on your own, let me take care of it. Es! I can do it in MILGRAM!”

Kotoko wants to be the prison guard because Es isn’t capable in her eyes.

Satan was ultimately sent to Hell and punished as "the ultimate sinner" for his betrayal of trying to usurp God.

We are now punishing Kotoko for her attempts to judge the prisoners herself and “usurp” Es. It works even better now that she has the highest guilty percentage in all of MILGRAM so far as the “ultimate sinner.”

As a lot know, Fuuta also has tons of religious references too. (Ex. His VD is titled Baptism by Fire) By him also passing judgements onto people, you could say that he was trying to play God.

What is that saying about us, the audience, then? And our parallel/foil to Fuuta/Kotoko?

Dante’s Inferno as a whole is very much based around the idea of “evil will be punished,” which not only encapsulates Kotoko’s ideals but MILGRAM’s as well. It makes sense that MILGRAM says that Kotoko is a perfect parallel to the facility.

(I also wanna mention that there's something that could be said about the holy trinity in relation to Es + the audience + jackalope. For example, how Jesus is God in the flesh and Es is the audience "in the flesh," by acting as a personified version of us to interact with the "human sinnners" but I feel like I might be going into tinfoil hat territory.)

[poorly-drawn-mdzs]

Collection of edits from this comic with Disco Elysium dialogue.

[wildflower-otome]

[luuxxart]

lmao remember when I had FE3H fankids, haha , well. here they are again

[transfem-garroth]

HI its been months since i last posted i forgot how this works OK UM

my the bestestetstest friend ever @satosuguseph went to italy so i drew these poly FREAKS (in a loving way) !!!!!!!!! the intention was to make it look like it was edited really badly but im not sure how well that comes across :((( i had plans for a garroth one and laurance+zane but i never did those so im sorry 🖕🖕🖕🖕🖕

oughhhhhghghh wedding dresses make me go INSANE i love looking at them/drawing them

yep! it's all over the screen now! (/ij??? or /ref idk)

um the contrext is this dress specifically which reminds me of irene actually?? even thoughy ive only seen fanart because i never watched mcd past s1 💥💥💥💥 i love garrance though i need them to be canon but only if im the one writing the scripts because the aphmau writing team(?) doesn't undertsand tgenm like i do;./

fake dating pdh garrance is the only thing getting me through school tbh

[merakiui]

omg, dacryphillia with Azul like mentioned in your last post please, please, please, I need it-

>:) imagine wringing so many orgasms out of him that he can't cum anymore and he's sobbing because he's so exhausted and overstimulated, tears streaking down his cheeks in fat, salty globs. His makeup is an absolute mess, all smeared and smudged, and there's ink dribbling from his lips because at some point you made him ink with your ministrations. <3 you're telling him he can cum one more time, right? He's a good boy, right? He's your perfect, pretty, crybaby Azul, right? Just once more and then you'll kiss his tears away and let him fuck you if he's still feeling it.

Azul is so convinced he's an ugly crier because he hiccups and heaves and gets so snotty and whines and whimpers like the world is ending, so he always tries to avoid breaking down in his daily life no matter how tough things get. But then you get your hands on him and he's reduced to a squishy, crybaby octopus and he hates it because he doesn't want to be that, but you're mixing sweetness in with the bitter and it feels good. Yes, he's a crybaby, but he's your crybaby. Your cute, handsome, lovely crybaby octopus who's cumming dry and drooling ink and saliva; and his eyes keep rolling back up into his head and he's arching his back on the mattress, his fingers curling into the sheets. You send him to heaven every time you do this, and he's so addicted to you and your voice and the feeling of your hands and mouth wrapped around his poor weeping cock. :(

You take everything he's worked so hard to become: the untouchable, charismatic, silver-tongued businessman; and you reduce him to something pathetic and weak and blubbery with just a few skillful touches and kisses. But, oddly enough, he doesn't mind it. Because when he gets like this, you still love him and you always shower him with affection before, during, and after. He's so hooked on all of these feelings you give him, and the feeling of your tongue lapping up his tears is a heady ecstasy he's fallen for.

If you ever leave him, he'll cry an ocean and then you'll really have no choice but to drown in him.

[goldendragonleaf]

"The pain of regret is far worse than the pain of discipline." ~Nathan Whitley

After like 5 days straight working on this I AM FINALLY DONE! My god was this fun to do. I think I included everybody but if I missed your oc I apologize I could not find the ref of your oc. I also tried to make the ocs dynamic with like, interactions and whatnot based on what I knew about their character so if I made em out of character I'm so sorry aosdfh I also uh, was gonna mention everyone underneath a cut but tumblr said no so the reblog is coming in like 2 seconds @kirbyoctournament (edit I forgot beamee sobbing in the corner rn)

[drunkonduty]

the gang but as zombehs :]

I like to think that matt is the smartest when they get infected

TW SLIGHT GORE (??)

[kikikakapo-art]

Gift for @sleepinginmute

It’s them!!!!! I really really love the designs and the ship and them being in a QPR so I just had to draw them!!!

Hope I did them justice :>

[radioroxx]

What do you think Odile does for a living? She feels teacher like to me. What do you think she would do post canon?

HMMMM THIS IS GOOD QUESTION…

ive seen a lot of people hc her as a teacher / professor so i!! think that suits her pretty well. specifically as someone who studies + specializes in different types of craft (that would be why shes so proficient in multiple craft spells. also how she was able to figure out the loops stuff, AND to find something that could prevent siffrin from looping back).

post canon i am not sure… i am always torn between how the party would handle things post canon. obviously they would keep travelling for a bit, odile alongside her family without the stress of. constant sadness encounters + a king to kill lol. i think maybe she would get to take her time, reeaally get to know vauguardian culture when not within. a crisis. as was her original intention.

eventually. EVENTUALLY. when the family settles down somewhere (i am a “they all get a big house together” believer lol) she would get back into craft stuff. maybe go back into teaching too—surely people would be eager to hire a saviour. especially though i think it would be neat of her to try looking into wish craft etc, as a long forgotten form of craft. to satisfy her own curiosity, for siffrins sake, or just as a way of preserving the countries culture in whatever ways possible.