#this is the most excited i've been about a website in a while

[creaturefeaster]

one of my friends showed me a site the other day called spacehey. it looks like a praise to myspace and like tumblr blogs is fully customizable via html/themes; though i find that tumblr has been evvvver so slowly pulling away from that customizability. i also grew up in the myspace age and so far the site looks soooo fun, so i made an account there :3. i’m taking some time to customize it how i want, but after that i’d like to try actually using and engaging in the site.

i can’t tell if the site is going to stick around forever, but it’d be so cool if it did because i’ve grown a bit wary of tumblr & some of the changes they’ve made over the last year or two. it’d be cool if you guys looked into it, if you haven’t already, because i’d love to find a community on there.

[anonymouspuzzler]

HAPPY UPDATE DAY!!! 🏠

After all this time, all this hard work, I can finally tell you all more about my work on Welcome Home beyond "Dude Just Trust Me I Work On It I Swear" !!

I've been calling myself the "production manager" because a lot of what I've done has been in that realm - making checklists and spreadsheets, doing research, sending emails, and generally keeping our wonderful team on track to do the incredible things they do, with all the support they need! I'm very lucky and grateful to get to support Clown and all the incredible actors and artists we've brought on!!

that said, over the time I've been part of this project (I looked back and realized February 1st this year is when it all Officially Began, can you believe it), I've gotten to work on some more obvious, visible things you'll find on the site today as well! most prominently, I am very proud to say, I was the curator of the very real Welcome Home exhibition!! Clown was extremely generous and supportive in letting me bring his work into the world this way, and with their help it became bigger and better than I ever could have dreamed! Though this iteration was very small and private due to our venue, I hope the few of you I know who attended enjoyed it very much, and for the rest, know we hope to find ways to host the exhibition in other and more public venues in the future! (Where and when, I don't know, but I'll work hard to make it happen...!)

As part of the exhibition, I was able to create a lot of new props to help build the world of Welcome Home! Most excitingly, I was able to create a real working toy telephone, and help Clown to find our talented group of voice actors to provide the recordings! And of course, I was able to meet dear sweet Wally and Home themselves, who were the sweetest little peanuts and a true pair of professionals! Just delights to work with!!

Though this was my most prominent contribution, somehow, that wasn't all! You will find bits and pieces of my art and writing all over the newest website update (some places more obvious than others...), and I was able to contribute to building many of the new and updated site pages as well! We've all worked so hard on everything you'll find there, so I hope you all enjoy the exciting new additions to the neighborhood!

My final little statement while I have my sweet little soapbox here... every last one of you who has provided support, even just one ko-fi tip, has Directly made this update Possible!! Not only do these tips allow us very literally to pay for supplies, art, voice work and the like, it very directly Supports and Improves the livelihoods of every single person involved!! so if you have the means, and would like to do so, please do consider tipping or subscribing to Clown and/or any of the other artists and actors involved!

And with all that... thank you, neighbors!! And Welcome Home!!

[mostlysignssomeportents]

Antiusurpation and the road to disenshittification

THIS WEEKEND (November 8-10), I'll be in TUCSON, AZ: I'm the GUEST OF HONOR at the TUSCON SCIENCE FICTION CONVENTION.

Nineties kids had a good reason to be excited about the internet's promise of disintermediation: the gatekeepers who controlled our access to culture, politics, and opportunity were crooked as hell, and besides, they sucked.

For a second there, we really did get a lot of disintermediation, which created a big, weird, diverse pluralistic space for all kinds of voices, ideas, identities, hobbies, businesses and movements. Lots of these were either deeply objectionable or really stupid, or both, but there was also so much cool stuff on the old, good internet.

Then, after about ten seconds of sheer joy, we got all-new gatekeepers, who were at least as bad, and even more powerful, than the old ones. The net became Tom Eastman's "Five giant websites, each filled with screenshots of the other four." Culture, politics, finance, news, and especially power have been gathered into the hands of unaccountable, greedy, and often cruel intermediaries.

Oh, also, we had an election.

This isn't an election post. I have many thoughts about the election, but they're still these big, unformed blobs of anger, fear and sorrow. Experience teaches me that the only way to get past this is to just let all that bad stuff sit for a while and offgas its most noxious compounds, so that I can handle it safely and figure out what to do with it.

While I wait that out, I'm just getting the job done. Chop wood, carry water. I've got a book to write, Enshittification, for Farar, Straus, Giroux's MCD Books, and it's very nearly done:

https://twitter.com/search?q=from%3Adoctorow+%23dailywords&src=typed_query&f=live

Compartmentalizing my anxieties and plowing that energy into productive work isn't necessarily the healthiest coping strategy, but it's not the worst, either. It's how I wrote nine books during the covid lockdowns.

And sometimes, when you're not staring directly at something, you get past the tunnel vision that makes it impossible to see its edges, fracture lines, and weak points.

So I'm working on the book. It's a book about platforms, because enshittification is a phenomenon that is most visible and toxic on platforms. Platforms are intermediaries, who connect buyers and sellers, creators and audiences, workers and employers, politicians and voters, activists and crowds, as well as families, communities, and would-be romantic partners.

There's a reason we keep reinventing these intermediaries: they're useful. Like, it's technically possible for a writer to also be their own editor, printer, distributor, promoter and sales-force:

https://pluralistic.net/2024/02/19/crad-kilodney-was-an-outlier/#intermediation

But without middlemen, those are the only writers we'll get. The set of all writers who have something to say that I want to read is much larger than the set of all writers who are capable of running their own publishing operation.

The problem isn't middlemen: the problem is powerful middlemen. When an intermediary gets powerful enough to usurp the relationship between the parties on either side of the transaction, everything turns to shit:

https://pluralistic.net/2022/06/12/direct-the-problem-of-middlemen/

A dating service that faces pressure from competition, regulation, interoperability and a committed workforce will try as hard as it can to help you find Your Person. A dating service that buys up all its competitors, cows its workforce, captures its regulators and harnesses IP law to block interoperators will redesign its service so that you keep paying forever, and never find love:

https://www.npr.org/sections/money/2024/02/13/1228749143/the-dating-app-paradox-why-dating-apps-may-be-worse-than-ever

Multiply this a millionfold, in every sector of our complex, high-tech world where we necessarily rely on skilled intermediaries to handle technical aspects of our lives that we can't – or shouldn't – manage ourselves. That world is beholden to predators who screw us and screw us and screw us, jacking up our rents:

https://www.thebignewsletter.com/p/yes-there-are-antitrust-voters-in

Cranking up the price of food:

https://pluralistic.net/2023/10/04/dont-let-your-meat-loaf/#meaty-beaty-big-and-bouncy

And everything else:

https://pluralistic.net/2023/11/06/attention-rents/#consumer-welfare-queens

(Maybe this is a post about the election after all?)

The difference between a helpmeet and a parasite is power. If we want to enjoy the benefits of intermediaries without the risks, we need policies that keep middlemen weak. That's the opposite of the system we have now.

Take interoperability and IP law. Interoperability (basically, plugging new things into existing things) is a really powerful check against powerful middlemen. If you rely on an ad-exchange to fund your newsgathering and they start ripping you off, then an interoperable system that lets you use a different exchange will not only end the rip off – it'll make it less likely to happen in the first place because the ad-tech platform will be afraid of losing your business:

https://www.eff.org/deeplinks/2023/05/save-news-we-must-shatter-ad-tech

Interoperability means that when a printer company gouges you on ink, you can buy cheap third party ink cartridges and escape their grasp forever:

https://www.eff.org/deeplinks/2020/11/ink-stained-wretches-battle-soul-digital-freedom-taking-place-inside-your-printer

Interoperability means that when Amazon rips off audiobook authors to the tune of $100m, those authors can pull their books from Amazon and sell them elsewhere and know that their listeners can move their libraries over to a different app:

https://pluralistic.net/2022/09/07/audible-exclusive/#audiblegate

But interoperability has been in retreat for 40 years, as IP law has expanded to criminalize otherwise normal activities, so that middlemen can use IP rights to protect themselves from their end-users and business customers:

https://locusmag.com/2020/09/cory-doctorow-ip/

That's what I mean when I say that "IP" is "any law that lets a business reach beyond its own walls and control the actions of its customers, competitors and critics."

For example, there's a pernicious law 1998 US law that I write about all the time, Section 1201 of the Digital Millennium Copyright Act, the "anticircumvention law." This is a law that felonizes tampering with copyright locks, even if you are the creator of the undelying work.

So Amazon – the owner of the monopoly audiobook platform Audible – puts a mandatory copyright lock around every audiobook they sell. I, as an author who writes, finances and narrates the audiobook, can't provide you, my customer, with a tool to remove that lock. If I do so, I face criminal sanctions: a five year prison sentence and a $500,000 fine for a first offense:

https://pluralistic.net/2022/07/25/can-you-hear-me-now/#acx-ripoff

In other words: if I let you take my own copyrighted work out of Amazon's app, I commit a felony, with penalties that are far stiffer than the penalties you would face if you were to simply pirate that audiobook. The penalties for you shoplifting the audiobook on CD at a truck-stop are lower than the penalties the author and publisher of the book would face if they simply gave you a tool to de-Amazon the file. Indeed, even if you hijacked the truck that delivered the CDs, you'd probably be looking at a shorter sentence.

This is a law that is purpose-built to encourage intermediaries to usurp the relationship between buyers and sellers, creators and audiences. It's a charter for parasitism and predation.

But as bad as that is, there's another aspect of DMCA 1201 that's even worse: the exemptions process.

You might have read recently about the Copyright Office "freeing the McFlurry" by granting a DMCA 1201 exemption for companies that want to reverse-engineer the error-codes from McDonald's finicky, unreliable frozen custard machines:

https://pluralistic.net/2024/10/28/mcbroken/#my-milkshake-brings-all-the-lawyers-to-the-yard

Under DMCA 1201, the Copyright Office hears petitions for these exemptions every three years. If they judge that anticircumvention law is interfering with some legitimate activity, the statute empowers them to grant an exemption.

When the DMCA passed in 1998 (and when the US Trade Rep pressured other world governments into passing nearly identical laws in the decades that followed), this exemptions process was billed as a "pressure valve" that would prevent abuses of anticircumvention law.

But this was a cynical trick. The way the law is structured, the Copyright Office can only grant "use" exemptions, but not "tools" exemptions. So if you are granted the right to move Audible audiobooks into a third-party app, you are personally required to figure out how to do that. You have to dump the machine code of the Audible app, decompile it, scan it for vulnerabilities, and bootstrap your own jailbreaking program to take Audible wrapper off the file.

No one is allowed to help you with this. You aren't allowed to discuss any of this publicly, or share a tool that you make with anyone else. Doing any of this is a potential felony.

In other words, DMCA 1201 gives intermediaries power over you, but bans you from asking an intermediary to help you escape another abusive middleman.

This is the exact opposite of how intermediary law should work. We should have rules that ban intermediaries from exercising undue power over the parties they serve, and we should have rules empowering intermediaries to erode the advantage of powerful intermediaries.

The fact that the Copyright Office grants you an exemption to anticircumvention law means nothing unless you can delegate that right to an intermediary who can exercise it on your behalf.

A world without publishing intermediaries is one in which the only writers who thrive are the ones capable of being publishers, too, and that's a tiny fraction of all the writers with something to say.

A world without interoperability intermediaries is one in which the only platform users who thrive are also skilled reverse-engineering ninja hackers – and that's an infinitesimal fraction of the platform users who would benefit from interoperabilty.

Let this be your north star in evaluating platform regulation proposals. Platform regulation should weaken intermediaries' powers over their users, and strengthen their power over other middlemen.

Put in this light, it's easy to see why the ill-informed calls to abolish Section 230 of the Communications Decency Act (which makes platform users, not platforms, responsible for most unlawful speech) are so misguided:

https://www.techdirt.com/2020/06/23/hello-youve-been-referred-here-because-youre-wrong-about-section-230-communications-decency-act/

If we require platforms to surveil all user speech and block anything that might violate any law, we give the largest, most powerful platforms a permanent advantage over smaller, better platforms, run by co-ops, hobbyists, nonprofits local governments, and startups. The big platforms have the capital to rig up massive, automated surveillance and censorship systems, and the only alternatives that can spring up have to be just as big and powerful as the Big Tech platforms we're so desperate to escape:

https://pluralistic.net/2024/03/23/evacuate-the-platforms/#let-the-platforms-burn

This is especially grave given the current political current, where fascist politicians are threatening platforms with brutal punishments for failing to censor disfavored political views.

Anyone who tells you that "it's only censorship when the government does it" is badly confused. It's only a First Amendment violation when the government does it, sure – but censorship has always relied on intermediaries. From the Inquisition to the Comics Code, government censors were only able to do their jobs because powerful middlemen, fearing state punishments, blocked anything that might cross the line, censoring far beyond the material actually prohibited by the law:

https://pluralistic.net/2024/02/22/self-censorship/#hugos

We live in a world of powerful, corrupt middlemen. From payments to real-estate, from job-search to romance, there's a legion of parasites masquerading as helpmeets, burying their greedy mouthparts into our tender flesh:

https://www.capitalisnt.com/episodes/visas-hidden-tax-on-americans

But intermediaries aren't the problem. You shouldn't have to stand up your own payment processor, or learn the ins and outs of real-estate law, or start your own single's bar. The problem is power, not intermediation.

As we set out to build a new, good internet (with a lot less help from the US government than seemed likely as recently as last week), let's remember that lesson: the point isn't disintermediation, it's weak intermediation.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/11/07/usurpers-helpmeets/#disreintermediation

Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en (Image: Cryteria, CC BY 3.0, modified)

[finnlongman]

Dear Tumblr, I have been desperately wanting to share this news with you since May last year and now I finally can: Gollancz is publishing not one, not two, but THREE of my queer medieval retellings over the next few years! You'll have seen me posting little bits about these books in the past, but I'm so excited to get to share them with you properly.

First up in 2025: The Wolf and His King, a queer retelling of Bisclavret that uses werewolfism as a metaphor to explore chronic pain and illness. It's also very much about gay yearning, fealty, and the mortifying ordeal of being known. Partially in second person and partially in verse, you can see my previous posts about it under the tag the wolf and his king or, for the really early ones, werewolves and gay yearning.

In 2026, I'm bringing you The Animals We Became [working title], which is a queertrans retelling of the Fourth Branch of the Mabinogi, looking at gender, compulsory heterosexuality, and trauma, via nonconsensual shapeshifting. Lotta trans vibes, lotta trauma; I wrote a first draft of this last year because I got carried away writing the sample chapters for my proposal and I'm excited to get deeper into it in edits. Aka t4t shapeshifting and trauma; generally tagged as also owls are transmasculine now.

And finally, in 2027, which is the one I've honestly been most excited to tell you guys about, it's To Run With The Hound [working title]. If you've been following me for a while, you'll know that I wrote a book with this title way back in 2018… well, the one I've sold isn't exactly that book, it's a proposal for how I intend to completely rewrite that book from the ground up, but yes, this is it: my Cú Chulainn novel, my queer medieval Irish book, my (hopefully) magnum opus. Haven't written it yet, but the plan is to use a nonlinear narrative to explore why Táin Bó Cúailnge is a tragedy, featuring a great many feelings about Fer Diad, Láeg, and Cú Chulainn himself.

There's a bit more detail and some FAQs on my website right now, but the most important thing is QUEER MEDIEVAL BOOKS WRITTEN BY SOMEBODY WITH MULTIPLE DEGREES IN MEDIEVAL LITERATURE. If that sounds like your jam, stick around.

[spacedace]

So I've seen a lot of "Jazz works as a therapist at Arkam" in the dp x dc fandom, and while I like the concept, I also feel like Jazz would take one look at the place and immediately be like "what the absolute fuck" at just the everything of the place.

Like, she either nopes out after the tour during the interview or quits not too long afterward starting there, not because she can't take it but because she's so appalled by what's going on there and can smell the corruption rolling off the place and knows no one sent to there is ever actually going to get the help they need.

So Jazz decides to open a private practice instead while still being absolutely determined to work with the various rogues in the city, she is here to help and nothing is going to stop her.

So she just starts showing up at known hangouts of rogues and during their heists/schemes/sprees, and even fights between them and the batfam, just like

"Hi! It’s so nice to meet you! My name is Dr. Jasmine Fenton/Nightingale/whatever last name she’s using and I was hoping we could talk!"

Casually kicks a baterang away without looking because she's being polite and professional!

"I understand that your experience with therapy through Arkam has been nothing but atrocious and that you are rightfully -"

Kicks Batman away without breaking eye contact or a sweat.

"Suspicious of attempting therapy again, and Idon't want to force anything on you, therapy should be on your terms after the experiences you've had but -"

Grabs Robin out of the air as he leaps at the rogue she's talking to and tucks him under her arm, ignoring his feral hissing and all attempts to break her hold.

"-I really think that you'd find it beneficial, even if I'm not the right therapist for you."

The rogue in question is having the time of their life and takes Jazz's business card - and a few extra to pass around - not really intending to actually ever book a therapy appointment with her but way too entertained and excited to share this madness with everyone else.

But then one of the rogues actually looks up Jazz's website and sees all the various safe guards she’s put in place to ensure that any villians that come to her will be protected while seeing her - soundproof therapy room, regular sweeps for listening and tracking devices, the most insane firewalls and protections anyone has ever seen on her network, and ooh she provides snacks and drinks!

So someone finally books an appointment with her, half convinced she's either going to turn them in or is a villain herself intent to experiment on them, but then it’s actually really nice??? And they feel a lot better afterwards?? She doesn't even say anything to indicate that she wants them to stop being villains, she just wants them to be okay??

So more and more rogues start going to her, and Batman was already losing his mind about this woman before - Oracle can't hack her system?!? And her background check shows a totally normal Psychiatrist?? - but now half of Gotham's heavy hitters and a dozen or so other minor league villains are seeing her regularly and every time he tries to get info on any plans the rogues might be scheme via her office it fails utterly. Nightwing got knocked out with something called a creep stick and when he tried to break in himself to get answers she just appeared out of no where and gave him the most scathing lecture about doctor-patient confidentiality before bullying him off her property and threatening to sick her brother on him if he tried again?

And because she's become such a figure in the Gotham underworld, she gets the attention of Joker.

And everyone, rogues and Bats alike, are terrified that she’s going to try and take him on as a patient like she has so many other villains in the city and that's just a recipe for tragedy.

But then the Joker is on his way to the hospital with two broken legs and the fear of god beat into him babbling about eldritch nightmares and whenever anyone asks Jazz what happened she just shrugs and just says things like "I refused him as a patient, he's not my problem." Or "My brother doesn't like clowns." And just, does not elaborate.

Batman is losing his mind over it all. Jazz is just happy to be able to actually help the rogues. Arkam is less happy about how she absolutely destroys their reputation.

[salemlinnet]

hey everyone!

a few news items right before we start up chapter 5. firstly i just wanna say thanks to everyone who follows my comics, it's been a pleasure as always. i've been keeping a longer buffer on patreon than usual, mostly for my mental health. publishing takes a lot of energy and i've really felt it necessary to just focus on production for a few weeks. at this point, patrons have seen most of chapter 5, there's only one more scene and about a page to be drawn. the quiet has been nice, i've caught up on a lot of house keeping, though i'm obviously very excited to present it! and on house keeping,

DOMESTICATED IS NOW LIVE AT IT'S NEW HOME!

to not go into the boring details (the old domain got trapped between to hosting sites in the middle of a buyout), it's not hosted at cod-domesticated.com (rip custom url you will be missed) it will instead be hosted at salemlinnet.com/domesticated (now you live at my house like you're my son why didn't i think of this sooner). if you find any errors in the pages i am so sorry i just formatted so many buttons TTuTT it would be super helpful to me if folks could report any specific buttons that don't work if it's convenient, it's been beta tested by the discord (thank you guys so much) but i'm just a dunce and i can't be trusted so there might be errors.

the simons are all wearing a little beret this chapter is my third point of business, i am losing it over the ghost beret. oh and the devil may care is up to chapter 18, will be chapter 19 within a few days. page 21 is out for patrons.

finally, to the people lurking for thistle and spade. i've wanted to say for some time, i'm really grateful that you've stuck around while i've been too sick to work on a bigger project. if you were here to see me start production for and then pull ghost #1, the story behind it is that i sort of suddenly learned i wouldn't always be as sick as i was, that i didn't have to rush anything, and that i could produce thistle and spade in chronological order with a bit of patience. that left me with no smaller project to draw and release in the mean time, except, see, i really like this game, call of duty. i was still on bed rest when i started domesticated, and with a ton of physical therapy i've been able to draw longer and longer hours. it's trained me up to be a better comic artist than i ever was before. it's grown into a sturdier project at the same pace. it's so unlike thistle and spade, whose chapters were written and edited over years and planned to every gesture and expression. i'm just winging it with domesticated, i'm usually rewriting massive swaths of dialogue as i sketch the scenes out, i just keep throwing out ideas until it's something i'm excited to draw and present as my imaginary "what happened outside of the games" day dream land. it's reminded me what i love so much about story telling and comics. it's made me excited to see thistle and spade go live again down the road. but first i have to rebuild its website too TTuTT

all right i'll see everyone pretty soon! thanks for hanging around as usual!

[shinesurge]

Webcomic rings run by people within the community are cool and you should support them

I've been loudly struggling a little bit with corporate webcomic Stuff lately so I want to mention something positive to balance it out: webrings run by small groups of creators earnestly trying to support each other are slowly making a comeback and I for one am delighted.

If you weren't around for them in the before times, webrings were just some folks who hang out a lot who feature each other on their websites. That's literally it lmao. There's generally no money involved and it only really functions the way it's supposed to if people have control over their own websites AND genuinely want to participate and get excited about other folks' work, which means the practice has pretty well fallen by the wayside over the years in webcomic culture given. Everything. In the rare event someone decides to do something like this it's usually in the form of a link list somewhere on their website; this doesn't usually indicate any sort of mutual support, it's just a list of what the creator is reading themselves.

A webring, though, is an official banner or hub that people gather under intentionally where each member is more or less on equal footing. It's essentially the concept of "a rising tide lifts all boats" put into practice, each creator brings their own audience to the table in a passive, opt-in sort of way that's different from working for a publisher since there isn't necessarily a Top Spot or a paycheck everyone's vying for, and individuals retain autonomy over both their own work and how (if) they promote each other. You're all at your own tables in an artist alley rather than fighting over the table in the front of the book store, essentially.

I have two rings and one collective for you today!

Webcomic Ring was brought to my attention AGES ago by Holly, one of the artists featured there, and I might have brought it up at some point but I'm doing it again lmao. This is exactly the kind of thing you ought to be looking for; a small group of enthusiastic folks having a good time making their weird little comics. You probably haven't heard of much in the catalog, that's PERFECT in the context of webcomics that's where the GOOD SHIT is. Finding something like this is A Gift go dig around in the longboxes for a while.

Then a few people have pointed me in the direction of the KNIFEBEETLE collective and that's neat too! Most of the comics there are already fairly well-known, but the vibes are excellent and I haven't seen a lot of talk about the collective /itself/ outside folks already in the know. I think it's important for this sort of thing to be more visible to folks who aren't terminally steeped in webcomic culture already so here I am telling you about it. You were probably reading several of these before I suggested it, but that's how a webring works! For it to do its job you should take those bigger creators' tacit recommendation of the less popular titles as a sign to go read something new and strange. Wild, I know these are practices held over from the old internet, but I think we should try and bring them back.

Lastly, I want to mention Spiderforest, which is a collective (slightly different from a webring) BUT still a very cool project readers starved for new stuff should pay attention to.

You've probably seen Spiderforest kicking around for a long time already; they're wonderful and have always been an overall positive force in the community in my experience. They really focus on building up a community, and especially welcoming newcomers and helping them get their feet under them. Full disclosure, I've been asked to apply by a few different folks over the years and the only reason I never did is I don't have the ability to participate in their forums and such as frequently as they want their creators to; it's a very good system (from my outside perspective) that might contribute to the community staying mostly healthy in ways that art communities usually don't and I appreciate it a lot!

ANYWAYS that's all I got for now, just trying to balance out some bad feelings I've been having by talking about some good stuff. Please go binge an archive this week.

[batmanisagatewaydrug]

hi, i'm fourteen and i have this friend who asked me if i wanted to try eating her out. not a girlfriend, a friend. i don't have any feelings for her but i do think she's gorgeous and she's probably the best friend i have and the most mature 14 year old i know. i trust her a lot. im definitely not opposed to trying to give her head, either. i'm just worried it might be a bad idea, and i'm anxious that i won't do it right and she won't even feel good. i definitely don't want to have sex this early but does giving someone else head even count as real sex? she wouldn't really be touching me at all, except for she did say she'd want us to make out before i did it, though i'm not entirely sure why, but i am okay with it. i'm also worried about, like, STDs, because i've never been with another person like... sexually, i've kissed other people but i haven't in a while. but i think she might have done stuff with people? i don't know how recently. like... i don't know, do you think this is a really bad idea and we're too young or is this fine? how do you even eat someone out, like, what do you do? sorry if this is annoying i just really need an adult to ask about this and it's not like i can ask my parents since i'm not really supposed to do this.

hi anon,

thank you for asking! I'm really grateful to be an adult that you trust enough to talk with about stuff like this. it's not annoying, and I'll do the best I can to give a helpful answer based on everything you've told me.

I think maybe, in your case, this might not be a great idea right now. it sounds like there's a lot about this situation that makes you nervous in a way that's not fun - the kind of nerves that come from being excited to connect with a new person are one thing, but I'm hearing much more anxiety than excitement in the way you're talking about this.

oral sex (using your mouth) definitely counts as real sex - it's definitely not just putting a penis in a vagina! - and can be just as intimate and emotionally complicated as any other kind of sexual expression. you said you don't want to be having sex at your age - which is totally normal, and completely your choice to make! - and that includes oral sex as well, so maybe it's best if you sit this one out for the time being.

I want to be super clear that I'm not saying this out of any sense that no people your age should be sexual; I think wanted sexual exploration between young teens can be a great way to start exploring sexuality and finding what feels good! but that doesn't mean that every teenager has to be having sex, or that they're immature if they don't. people are ready to explore sex at lots of different ages (and some people never do at all), and none of them are weird or wrong. you could feel totally different in ten years, one year, a month, or even a week, but right now you don't feel ready, and what you feel right now is what's most important.

holding off until you've had time to learn more about sex may also help, because every situation is less scary when you feel more prepared. (it's why they make you spend so many godforsaken hours practicing driving before you can take the test to get your license.) in the spirit of learning, I want to share some resources about some of the things you had questions/concerns about.

this page on Planned Parenthood's website talks about lots of different kinds of sexually transmitted infections (STIs, also frequently called sexually transmitted diseases, or STDs), including how they're spread and how to treat them. I don't want to make STIs sound scary - I recently wrote a whole post about how they really shouldn't be! - but because it is important to know what risks there are if you plan to be sexually active so that you can do your best to minimize those risks, and what to do if someone does catch an STI. an important thing to remember is that, at your age, it might be difficult for you or your friend to get tested for STIs without help from your parents, which may be awkward and unpleasant or totally impossible if you're unable to tell them why you need a test in the first place. that's an important factor in deciding whether or not to have sex!

additionally, here's some info about dental dams, which are basically condoms for oral sex - they're a flat piece of latex, like a condom that got rolled out, that goes between the mouth and the hole.

and to help with your question about how going down even works, I recommend this video by sexologist Dr. Lindsey Doe. you won't be seeing any real genitals in this video, although there is a drawing and some nude Barbies, and you'll probably want to listen with headphones unless you're alone. there are also links to more of Dr. Doe's videos on the topic.

and lastly, for more thinking about this topic, I want to direct you to Scarleteen's answer to help figure out when you're ready to start having sex, which is very good on its own and has links to some other good reading on the topic. Scarleteen is a great resource specifically designed and run to help answer teenagers' questions about sex without judgment, and I recommend them very heavily.

I hope that this has been useful, and helps you feel empowered to make whatever decision is best for you.

[ohbother2]

Hi everyone,

I know it's been ages and some of you have probably seen this notification and have hoped that this means the fics on this page will be updating, however, I've got some bad news.

This blog was a joint account between two friends who loved creating silly stories of some of our favourite characters in our free time and gushing over character details with one another. Beyond tragically, my friend, the co-runner of this account, passed away a few months ago. Obviously, I'm keeping the details private, but it was sudden and unexpected.

I know this is a shock to all of you, and not what you were expecting to hear after such a long hiatus. Understandably, I've not been active on tumblr, particularly this account, since. It's felt incredibly wrong to login to this blog and even attempt to re-read some of the stuff posted or your comments/tags, especially without her to talk to about all your lovely messages. She really did love reading them, and we'd call for hours to laugh and talk about your kind messages.

Although I acted as what you'd call the 'face' of this account, actually posting, reblogging, commenting and following others, she was integral to the heart of this account, to the ideas and writing and editing that made this account what it is, and I don't want to continue posting heacannons/one-shots/any kind of creative writing on this blog without her. This was our passion-project, and a massive chunk of it is now missing.

I just wanted to let you guys know what the situation with this blog is and why, and I wanted to give a massive thank you from both of us for being the most supportive, kind-hearted, and tight-knit community we'd ever had or seen on Tumblr before. The fact we even had fan-art made of our writing goes to show how dedicated and incredibly talented this fandom is, how supportive and just genuinely excited everyone is to hype each other up and lift each other and appreciate all our passions. It's genuinely insane, and so rare in modern internet spaces.

Regarding the future of this account, because I don't want to leave unfinished fics floating around the website, and for personal reasons, I will be transferring all fics/one-shots over to AO3, marking them as incomplete, and 'orphaning' them. I've really debated this decision, and I believe it's the one she'd be most happy with. I'm just giving you guys fair warning, I'll wait a few weeks before I actually do anything. I don't know if I'll delete this blog, I'm rather attached, but I won't be active for a while.

Probably most importantly, if anyone wants to take our ideas or our unfinished fics/one-shots and complete them/edit the story/adapt our head-cannons/incorporate them into your own fics, please do. I think it'd be nice to inspire and help other fic writers, and see the ideas carried on in whatever way you guys choose. Everything on this account is effectively 'orphaned' already, so feel free to do whatever you want with it :).

This is getting long, but I also wanted to say thank you to everyone who sent in requests, funny comments, little anecdotes, and witty one-liners into our messages/asks, both that we did and didn't respond to, especially lately. We planned to do a great return to this blog after our exams responding to them all/clogging up your feeds. Someone even called us their 'favourite niche internet micro celebrity', and we both found it hilarious.

There's no gofundme or anything like that set up. Sometimes, things just don't go as we plan and there's nothing we can do. If I've learnt anything from this godawful situation, it's that you should do whatever you want as soon as possible. Don't wait to join that club. don't wait to take that trip, don't wait to watch that show, don't wait to visit friends or family, don't wait to begin doing a hobby that you think you'll love. Anything can happen, and the only time we know that we have for certain is now. (Master Uguay was right in Kung Fu Panda after all).

I won't be active for a while, but I'll check in to see how this post is doing now and again, and I'll probably post again just before I begin taking things down.

Thank you guys, and I hope you don't dwell on this post too long.

[self-spaghettification]

The Mystery of Aaravos The Banter Lodge

So, recently an account called "The Banter Lodge" has popped up. April 30th, to be precise. You've seen it. I've seen it. We've all seen it. On Twitter, posting various images in the TDP official style.

A few nights ago, it debuted on Tumblr as well. "Coming May 2024" all of the promotional images and the website itself say.

Who is this account? Is it fan made, is it official? It's May, when exactly in "May 2024" is it coming?

Well, me and a few friends took some time to try to piece the mystery together, and so -- while it may still be 'coming', only dropping hints, I am here to tell you what I know now!

History

Website Code ( I love computer programming so I took the time to dive into that!)

Purpose

A. History

Who's Running the Banter Lodge?

To know that, first we need to delve into the history of the Twitter account.

Despite these images and site debuting less than a month ago, the account itself was founded way back in 2022, and originally called @BantherLodge, with an H, as it is in the show.

@BantherLodge is no longer available, and while it initially did not seem to be connected to The Banter Lodge, there are several interactions linked to the current one, Banter Lodge without an H.

In fact, here is the same tweets linked to the current (banter) account version.

Now we've established that @'BantherLodge' and @'BanterLodge' the same account with a changed name and identity, here is the most important past interaction:

@‘bantherlodge’ is mentioned here, and they are on this call. that said, WHO IS REALLY BEHIND BANTER LODGE? well based off the tweet, it seems that it’s 6 members of the cast and then 2 guests, @‘thebantherlodge’ and @‘ladytheebug’. But don’t take my word for it. Here, more confirmation:

Another person in the call happened to tweet about it too, this time with labels.

Now let’s take a closer look at these two guests. Sara @‘ladytheebug’ seems to be the one on the right, and by process of elimination, on the left is ‘bantherlodge’. aka:

Max….

Max the Mystery! ‘Sara’ and ‘Max’ isn’t really enough information to know more along with no connection to other socials so it’s hard to pin down who they are or what connections to previous fandom projects or creative projects in general they might have. However, they are still connected.

Besides the partially deleted various back and forths between these two accounts, this tweet about the Bait screensaver in the background is additional confirmation that this is @‘bantherlodge’ and @‘ladytheebug’: (note use of word ‘our’)

FURTHERMORE:

Said TV embodies this duo: A person who loves Bait (evident from so many of their tweets) and a person who loves the Banther Lodge…

Reminds you of something, doesn’t it?

“but hold on, just because there’s all these coincidences doesn’t mean the account could be passed on to someone else to run this.” Ok, but one last thing. If that was the case, why would they still be following Sara? In fact, it’s the Only person that they’re following besides TDPO?

(and their following has even been recently updated within the last few days as before then it didn’t include Eugene and Boone.) So, in conclusion,

Max of @‘BantherLodge’, and possibly Sara, (with or without TDPO but I’ll get to that later) almost certainly are the people behind the curtain of this Banter Lodge mystery.

Now, about said mystery… what exactly is the trail building up to?

well, to find out more about that, let’s glean what we can from the website.

B. Website Secrets

The website itself is very simple- A background, the image of the Banter House, and some text saying "Coming May 2024." But, beneath the deceptively simple surface, there was more to be found.

On May 1st Caprinae got this from the page. She also tweeted about it, after which the site changed to remove much of the css, including the part about the episodes and subscribe button. I was pretty excited about this as someone with a few years of coding experience, I wanted to mess around in VSC and see what I could find out.

After formatting the code the most noticeable thing is this right?

And when I make an element for it to apply to (since all that code is just formatting for stuff on the page like the title, images, etc, in this case- an audio bar) + adding in an image and an audio file:

We get this

AUDIO and an image. It looks exactly like a podcast episode. It turns out there’s actually a bunch of code for formatting that’s not used in elements in the site (elements that exist: the title or image), but it’s there, so I made some elements it would apply to. technically, it’s supposed to have a parchment paper background too, but I just chose some colors that you could see the text on.

Doing so, we get this!

(Here’s a video version.)

Plus, Original Code and Modified Code if you’re curious

Anyway, so the site (at least at the stage the code was taken from) doesn’t appear to be finished and there was no Java script written (or at least, linked) but there is definitely the makings for a website for a podcast— some sort of nav bar with the episodes, on an episode page, the image and audio, and then a subscribe link at the bottom!

C. Purpose

Time to speculate on the real identity and purpose of the Banter Lodge. So far, we know it used to be called the Banther Lodge. We know it seems to be run by [insert here.] We know it is almost certainly a podcast of some sort. But what, and why?

Here are some possibilites:

1.Official Content to Tide Over Fans Til S6 As we know, to calm the frustration of fans at Netflix/TDP for the delay of S6, the creators have been putting out content every day for the fans to puzzle over and figure out the season six titles.

Based on the current schedule, it’s set to end on May 13.—although it could be ending either May 13 or May 14 (depending when they do the last hint) after these drop, there will likely be a lull in TDP content, which would be the perfect time for the Banter Lodge to launch.

+ The Banter Lodge teaser campaign has already been perfectly timed for when a bunch of fans would be online on Twitter checking in for clues to begin with.

If this is official content, it would doubly make sense—it’d be timed perfectly to tie the fans over until the actual season six campaign starts (ie, trailer). Considering these two fans also somehow got to have a private panel with the cast, it’s not impossible that they’d be working with TDP on this content, additionally the teaser images put out this far have been somewhat reminiscent of TDP official content—ie, Callum’s lodge notebook->Callum’s sketchbook, Refractions->Reflections, Dear Callum letter from Rayla, design style, etc.

However, there is one big reason I don’t think this is the case: it’s a little too sloppy. For example, if they wanted it to be completely anonymous and unclear what was happening, the tweet mentioning @‘BantherLodge’ in the panel would have been deleted and there wouldn’t have been any hints in the code. Of course, these could still just be honest mistakes. However, it also seems like it is building off of the current world in a more derivative, fan-content fashion, not necessarily adding new material the way TDP Official tends to. It’s copying the official style,—but almost too much if that makes sense.

Like altering a shot from the show for a teaser.

x

Don’t get me wrong. I love the way that they’re building off the world, I’m excited to see where it leads, but for whatever reason, to me, it just doesn’t seem official.

So assuming it’s made by fans, what kind of podcast is it? Second possibility—

2. Fan Made Talk Show

This seems like the most obvious conclusion, considering that The Banter House is a play on a location in TDP, and the word banter, which is synonymous with talking, but specifically back and forth, genial interactions.

Maybe it’s dedicated to analyzing the show or a particular aspect,—maybe centric to the lodge, crystals, Bait and Stella—maybe even interviewing cast/crew!

Well, to get a better idea of what niche it might be filling, let’s take a look at what TDP podcasts are already out there.

Hot Brown Morning Potion Podcast [2019-2023] Hosted by Tamika "Kuno" Williams and Hailey from Cartoon Universe. This podcast [is] full of answering fan questions, interviews, theories and all kinds of discussions on everything Dragon Prince.

News from the Breach [2020-2024] Your hosts Ceilidh and Yana are watching The Dragon Prince from start to finish. Each season of the podcast covers one “Book” (or season) of the Netflix series The Dragon Prince. In each episode we discuss two chapters of the series, except for the season finales.

Calm Chaos Club [2023] Join Kevlar and Lou each week as they discuss topics about animation, design, and all things related to The Dragon Prince on Netflix! With special guests brought on for unique topics and insights into the creative process, these bite-sized episodes will ensure you can get your TDP fix in anywhere and anytime.

There’s no harm in another talk show but as there are a few out there already (and for other reasons) I personally think this is not necessarily the niche the banter Lodge is going to fill. I mean, I do think that it’s still possible I mean, it could be centric to particular aspect around the lodge as mentioned.

However, there’s a possibility that excites me a lot more, that I’m hoping for the most….

3.Fan Made Audio Drama in the Saga Setting I have personally always been a huge fan of audio drama podcasts (TMA,TPP,WTNV) and if there was a dragon Prince audio drama podcast, I think I would just die on the spot honestly from joy. I also think it’s most likely because all of the clues so far have been very story/worldbuilding oriented, as well as writings from familiar characters’ perspectives. It seems as though a story is being crafted here, and I am all for it.

Y’know what? While we’re here on the topic of storytelling podcasts, we might as well throw in D&D/TTRPG or even Tales of Xadia as a possibility because yeah sure. Why not? I mean, tabletop role-play games also involve a lot of talking so it would fit the banter theme. Who knows.

That's all! What do you think? Any other thoughts, additions or other speculation? Feel free to add on!

Thanks to @bycaprinae for Twitter screenshots, html, and general inspiration, and to @parroset for other help with the website part and general support!

[obsolescent]

This Side of Paradise - Part One

Part Two

Pairing: Kyle 'Gaz' Garrick x GN!Reader

Summary: Kyle and you are roommates–flatmates–while you study abroad in the UK. He’s usually gone due to his work and it doesn’t bother you, at first. You like being alone and like little company, but you start to feel an odd pang after a traumatic event happens that causes him to come back from base early. 

Category/Prompt: Two-part series | "I'll take care of you."

Author's Notes: Ahhh I'm so excited to be participating in @glitterypirateduck's GazFest! I've been meaning to finish this and this has given me that push. This is also the first event I've participated in on Tumblr. I hope you enjoy!

Content Warnings: Swearing, mentions of a fire but not very descriptive, reader is from the southern US, reader is more introverted, Kyle is worried for your wellbeing.

Word Count: 1,267

Another night studying, another night alone. You don’t mind, being more on the reclusive side. You really don’t mind having to interact with others, you just prefer not to. Speaking of which, you quite enjoy having a roommate–flatmate, as he would say–that’s hardly home. He doesn’t correct you in a rude way, more like he’s trying to teach you to use more of the dialect here. He’s gone for months at a time every once in a while, typically it’s just a few weeks, then he’s back for a month and the cycle repeats. It has to do with the military, but that’s all he would say about his line of work. You have a part time job at a gas–petrol, he would correct you again–station. The cultural difference between home and here is a lot more than you were expecting, having been in America your whole life to suddenly being “across the pond.”

Though the interactions you have with people here are very amusing, the double takes when people hear you at work has you “hooting and hollering”, so to speak. Most ask for you to keep talking, interested in your accent. It’s led to a few good conversations, if you’re being honest. There’s a handful of some, though, who’ve heard you speak and think you’re dumber than a bag of rocks and let you know so. Those aren’t as amusing. Regardless, it’s been a pleasant experience overall while staying in the UK, especially with the one you’re rooming with.

Meeting Kyle was by chance. He had listed his…flat, on a website that helps students around the world find accommodation close to colleges and universities. You had seen in the listing that he wasn’t home often, and being more of an introvert, that seemed like the best option for you. You had reached out and agreed on a time to chat. He was more than what you were expecting in every which way. Charismatic, kind, funny, and definitely including looks. He’s a sight for sore eyes, that’s for sure. You’re glad he’s away for the most part, having someone around looking like that would surely be a distraction for you.

After that first initial conversation with Kyle, you were sure he would be the one you would be living with while studying abroad. After getting everything sorted out, between speaking with your advisor and obtaining a passport, you were set to fly out. Kyle practically demanded he pick you up and take you to your shared quarters, since the airport was quite a drive away from the apartment. He also mentioned wanting to show you around some. Ever the gentleman. Thankful for his offer at being a free tour guide, you take him up on the offer. You were glad to have met someone willing to help out and be so generous towards you, it was in his nature and you knew just by his interactions with you that he did this for everyone that came into his life.

Back to the present, it’s a Tuesday night, and there’s not much going on for you. After leaving work, you came home and made a quick dinner for yourself and settled down on the couch for a study session. You slide your earbuds in, unable to focus if it’s an actual song, and listen to sounds of nature, rain and the like. Hours have passed since you’ve immersed in your college work, sounds blaring through the speakers in your ears. You don’t realize the fire alarm has started blaring.

What finally gets you to notice is the sudden phone call that cuts the sounds out, a call from Kyle. He must’ve received an alert. “Hey–woah–I just noticed that–” “Bloody Hell! Are you still in the flat? Get outside! Christ!” You don’t even think, your brain going into panic mode, you snatch your shoes from beside the door and run for the stairs. You’re on the fifth floor, happy that you can see so much of the city, but not so happy in the event of a fire, like now. You’re not sure where the fire is located, you’re just hoping it won’t prevent you from reaching the exit. ‘What the hell would I even do if it is? Don’t think like that, just keep running, just keep going don’t think about it–’

“Are you there, love? You alright? Please say something–” Kyle’s frantic voice finally breaks through your internal monologue, earbuds still secured in your ears. “S-sorry, Kyle, I was just…I’m on my way down, I’m on the third floor now.” Your feet carrying you faster than you’ve ever ran before, you’re not seeing anyone else on the stairs…God, how long has the alarm been going off? What about the sprinkler system, why hasn’t it turned on already?’ “Thank God, it’ll be alright, just take some deep breaths and keep pushing, yeah? You’ll be outside before you know it. I’m right here with you.” His reassurance is welcomed, taking his advice, you begin some breathing exercises the best you can while scurrying down the flights of stairs.

Second floor, almost there. You feel like you’re flying down the steps, everything numb. You round the corner, about to hit the top step of the next flight when you see it. Fuck, that’s smoke. “K-Kyle, the fire, it’s on the second floor.” You begin to cough, covering your nose and mouth with your sleeve. “Fucking hell. Go back up to the previous floor. The hallway windows should have an external fire escape. Try those, yeah?” You nod your head even though he cannot see, trying to breathe like he told you to. You push the door open into the third floor’s hallway, the window to your right just a few feet away. You rush to it, having to yank on the window a few times before it pries open.

It’s one of those ladders that retracts, the end of it about 20 feet from the ground without the extension. You try releasing the mechanism that will release the other part to extend fully, but it won’t budge. You toss your shoes to the ground below, beginning to brace yourself to drop the rest of the way. “Did you get it?” You hear him ask, shuffling coming from his side of the call. “Y-yeah I got it, the ladder won’t extend all the way, fall’s maybe 20 feet.” “You can do it, love, just tuck your chin and lower your head when you drop. May be bruised and cut up some, but you’ll be alright, you can do it.” You get to the last rung, letting yourself dangle for a moment before taking the leap, literally. You take a deep breath and let go.

You hit the ground with an explosion of pain in your left arm. Letting out a cry of pain you hold onto your arm, moving other limbs in different directions to check their conditions. Kyle yells your name, “Hey! I need you to answer me, are you alright? What’s wrong?” Kyle cuts through the fuzziness in your brain. “F-Fuck. My arm, I think I broke it.” You begin to stand on shaky legs, testing the rest of your endurance. You falter and collapse to the ground, absolutely exhausted. The adrenaline must have worn off now that you’re no longer in immediate danger.

You lay your head back against the concrete, staring up at the night sky. The moon is bright and beautiful, hanging low. It’s the last thing you see before you slip into unconsciousness, Kyle calling your name over and over again lost to oblivion.

Tags: @sofasoap, since you tag me in your Gaz fics!

[suzuran777]

Lamento Beyond the Void: Glossary

Since I've been slowly replaying Lamento, I wanted to create my own glossary to link back to my Lamento Expiatio translation posts! I'm sure there's already a lot of information online about Lamento's worldbuilding and the terms they use in the game, however since some pages of the wikia are a bit empty and I'm having trouble finding some older Tumblr blog posts, I decided to make one too.

Most of this is translated directly from the official website, the World Guidebook, and Lamento Green Notes. I tried to keep it consistent with some of the commonly used fan-translation terms, but I also included the Japanese words in case anyone's curious what the original term in the game is.

Shisa/Sisa (祇沙): An island nation surrounded by a yellow ocean. Blocked by coral reefs, the inhabitants of Shisa don't interact a lot with surrounding nations. Officially, the nation's leader is the lord of Ransen, but each village has a strong sense of autonomy. According to the legend, Shisa's sun fell into the sea a long time ago, which dyed the ocean a yellow color.

Moon of Light (陽の月) and Shadow (陰の月) : The Moon of Light rises during daytime, while the Moon of Shadow rises at night. Both moons generate almost no heat, that's why it's said that Shisa's weather feels like spring all year round.

Ribika (リビカ): The inhabitants of Shisa, characterized by their cat ears and tails. They can be divided into two different species, large species and small species. While larger species have stronger bodies and have great fighting abilities, smaller species are more flexible and agile. Smaller species usually larger ears and longer tails compared to bigger species. Even though Ribika don't have the best eyesight, they have excellent hearing abilities and can rotate their ears to determine the location where sound is coming from. When they get angry or excited, their pupils become thin and narrow. Their sense of smell is also very strong. Not only do their tails help them with balance, it's also possible to guess what emotions they're feeling by looking at the movement of their tails. They are natural hunters, therefore their staple food is mostly meat, but they also eat fruits and nuts (such as the Kuim fruit). Most Ribika aren't super interested in food and can easily last several days without eating.

✧General terms✧

Two Canes/Futatsuzue (二つ杖): A race that according to Shisa's legends, once inhabited Shisa. They left their civilization behind, and many can only speculate why they disappeared. It is believed that Two Canes were in fact the humans Razel talked about.

Touga (闘牙): Touga is a term used to describe skilled fighters. They often work together with Sanga as a pair. Unlike Sanga who are born with their abilities, anyone can train to become a Touga. A Touga without a Sanga has no chance of beating a Touga and Sanga pair in battle.

Sanga (賛牙): Sanga are born with a special ability to support others with the power of song, boosting the other person's fighting ability. A Sanga doesn't actually use their voice to sing, the "song" is usually a melody. Because of their special abilities, they are highly sought after.

Sangachou (賛牙長): Literally translates to "Chief Sanga". They are guardian cats who serve the families of Shisa's feudal lords. Sanga are often requested to play a supporting role in the country's national affairs and are sometimes in charge of politics on behalf of their feudal lords.

Devil (悪魔): Ribika aren't the only inhabitants of Shisa, there are also more dangerous beings such as monsters and devils. Devils can be recognized by their horns and tails. It's said that they can make any wish come true, as long as you give them what they want.

The Void/Utsuro (虚ろ): A mysterious phenomenon which has been slowly affecting different areas of Shisa. It consumes all living beings, and the spread of it has made it difficult to hunt for food, often leading to food shortages and starvation.

The Sickness/Shikku (失躯): A deadly disease which leads to pain, fever and the sudden loss of limbs and other body parts. Female Ribika are much more likely to get the disease, which is why they have become very rare.

Black cats: Black cats are considered a symbol of misfortune. It's said that when many black cats are spotted in Shisa, abnormal weather conditions and natural disasters become more common. Because of this stigma, Ribika from villages like Kira do not interact with the outside world.

✧Locations✧

Ransen (藍閃): Shisa's capital, located in the center of the country. This city was built on top of the ruins of the Two Canes, and is characterized by its square-shaped buildings. Ransen is also the city where the country's most important individuals live, such as the feudal lords and their Sanga. The library is also located here, which was the legacy of the Two Canes. It has a large collection of books that describe the history and legends of Shisa. Under normal circumstances, entry is prohibited, but on the last day of winter it becomes a venue for a costume ball and anyone participating can enter the building. Big festivals also take place in this city which attract visitors from all over the country, such as the spring festival and the dark winter festival.

Karou (火楼): A small village located in the southwestern part of Shisa, and also the place where Konoe's house is located. The town is inhabited by a very cautious race of warriors, who learn combat techniques at an early age. They are not very fond of strangers and people rarely leave their houses. It's one of the villages where isolation has become a serious problem due to the Void, and in recent years the extreme food shortages gave them no choice but to resort to cannibalism.

Kira (吉良): A village located deep inside of the secluded valley. A cursed tribe is rumored to live here, whose ears and tails are black, and their bodies covered in strange markings. As a result of these rumors and its hard to find location, even merchants avoid Kira.

Meigi (冥戲): Kira's rival tribe. Its inhabitants are known to be devil worshippers and because of this, they are even more infamous than those who live in Kira.

Setsura (刹羅): A village located in the northern part of Ransen, where large species of Ribika live. Because of their strength and great fighting abilities, many of them become bodyguards or bounty hunters.

Lost Forest/Mayoi no Mori (迷いの森): A vast forest located between Ransen and Karou. The thick branches of the trees and leaves block most of the light, making it an easy place to get lost, even during daytime. Some merchants developed special techniques to navigate the forest, which is why Tokino can travel to Karou without getting lost. Recently, the Void has affected large parts of the forest, eroding its surroundings at an abnormally fast rate, which is why some also refer to it as the Void Forest.

Secluded Valley/Yukoku no Tani (幽刻の谷): Located somewhere inside the Lost Forest. A place covered in a dark, thick fog, where plants and trees wither. It's rumored that the village of Kira is located somewhere in this valley. Most living beings, including animals, avoid this place.

Mirror Lake/Kagami-ko (カガミ湖): A mysterious lake located northeast of Ransen, which is considered one of the biggest mysteries of Shisa. Even though the sound of waves can be heard when approaching the lake, the surface appears to be calm, resembling a mirror. For some reason the surface of the lake is impenetrable, so even walking on it is possible. There is also a cave near the lake, but it cannot be entered under normal circumstances.

✧Mythology✧

Song of the Beginning: According to the legends, Ribika was a goddess and also the wife of Two Canes/Futatsuzue. It is said that she created Shisa after laying a rainbow egg that fell to the earth and shattered, which awakened life. The song Ribika sang while this happened is referred to as "The Song of the Beginning".

Ribika (god): To protect life of those who inhabited Shisa, she took the form of a cat and lived among them. However, in this form she was not able to support the sun any longer, which fell into the sea. She then split the moon into two, the moon of light and the moon of shadow.

Some extra fun facts I wasn't sure where to add in this list:

Konoe and Asato would be considered small species of cats even though Asato's the same height as Bardo, so appearance-wise it seems like only the ears and tails look different.

I think it's pretty obvious that Bardo's supposed to be a tiger and for Rai's a snow leopard, but they just describe Konoe's design as ''milk tea color''.

The books mentions that Ribika are covered in a thin layer of invisible hair which they like to keep clean, which is why they groom themselves, and yes their tongues are similar to real cats.

The reason why Ribika (the species) refer to themselves as ''cats'' is because the cats that appeared in old literature shared the same traits as them (ears and a tail).

For some reason, there are no remaining pictures of what Two Canes looked like, though Razel does confirm they were in fact the same as humans. It's pretty much unknown where humanity went and why all traces of them in the books were erased.

The webcomic has shown some things that were only mentioned in text before in the game, such as designs of what the monsters look like (they kind of look like feline creatures with horns) and human Razel.

In the interviews they mention that they were inspired by Celtic culture and music, specifically Ireland. Shisa isn't supposed to be an existing country, but you do see some inspirations in the game like the Celtic knot patterns.

[fobnsfwdoodlesbackup]

Hi y'all, I just wanted to talk a little about the behind the scenes of what I've been up to, to give y'all a little transparency and to open myself up for any tips or input! 🙏 Thank you for your continued support and for taking the time to look at my art 🫶

First and foremost I wanted to give some transparency about my art capacity.

As og followers may remember, I started this blog when I was doing art full time. Eventually my living expenses grew and I had to go back to work. I find myself in a cycle of "I'll make more art soon, once I get a job!" And "I'll make more art soon, once I am done with this job!" I lost my most recent job suddenly, having had an extension waved over my head until the last day(October 7th). Now I'm excited to have more time for art, but I am also feeling a rush to get a new job ASAP as I've been living paycheck to paycheck. I dream of doing this work full time, I'm just scared it's not quite there yet and I worry that I come off as scammy or dishonest when I anticipate more stability around the corner.

Second, I've been struggling with the Patreon. It's taken me a while to come to terms with this, but from what I've seen Patreon is not intuitive at all from the creator end. It doesn't do a good job of organizing addresses, emails, showing who or who isn't subscribed to me, or organizing and displaying the work I put on there. I've been really shocked by this experience, since lots of big names use Patreon. It's been a great way to streamline support, but it's been unhelpful in every other regard. I would like to continue using it, but I will most likely post more wips or process videos there in the future.

Which brings me to my third point, zines. I love making zines so much, it feels personal and fulfilling and fun! However the Patreon issues make it harder to keep information in order about where to send zines, or even where to message folks about them. In addition to this, the post office has been a big barrier to me, oftentimes only being open at the same time as my dayjob. Making zines can take days, then sending them out is a whole other monster.

This work is so important to me. Drawing peoples fantasies, representing body types, creating work around sexuality and the human experience feels like what I'm meant to do. I've made comics since I was a kid. This is the dream to me. The friends I've been able to make through this work are so important to me, and the conversations have been invaluable. Not to mention fun! I wanna doodle, I wanna draw hot stuff, I wanna thirst over these dudes! I want to play!

But I also just want to be transparent about the barriers I'm working around to share that experience. I'm completely self taught, both in art AND in running shops, building websites, running 8 accounts, etc. I take a lot of time to learn the logistics of these things, and try to make them make sense for my relationship with y'all (I do not want to paywall my art!! I don't want to!!!). This year my desktop broke down (the main one I use for all paintings and digital art). I've paused my Etsy shops and my Patreon to try to catch up with things. Trying to learn to paint in a completely different program. Then lost my job with no savings.

At the end of the day I don't want anything to come between me sharing my art with you. I wish I could doodle a thing, take a picture, and post it here. No third party site, no shop, no subscription. Just sharing my art with you. I promise I'm trying to figure out how to stay as close to that as possible, and I want to thank y'all for sticking with me as I untangle all of that.

So, what can you expect in the near future?

I'm working on a couple of painting commissions right now, which you should be able to see in the next couple of days! I want to catch up on kinktober and get those posted as well. There's a comic commission in progress which I'm very eager to work on, and which I think y'all will be excited for! To ease the weight of the Patreon I think I may do less zines/polls there and more wips and process videos! If possible, I want to do more full colored work too.

Thank you again for enjoying my work, and if you have any input or tips my inbox is always open 🙏🫶💕

[ateez-himari]

VERSACE; MILAN RECAP

Himari finally spreading her creative wings at the Milan Fashion Week.

September 22, 2024 (11:14PM)

House Versace's Ephemeral collection marked the entrance of global ambassador, Min Himari, into the high fashion world with designs seeking to replicate the refined yet unfortunately temporary beauty of butterflies through flowing colorful fabrics and loose hanging jewelry. This rather impressive debut resulted in several designers speaking out about the artistry behind every showcased piece, one of them being Balmain creative director Olivier Rousteing, and some brands have even set their sights on the young idol as a possible representative.

Fashion Week hosts the most watched showcases of the year which is why audiences were shocked that Ephemeral was premiered alongside the spring - summer collection, as it would undoubtedly occupy the spotlight due to its rather unique nature. During the last model fittings for this runway, Donatella Versace expressed wanting the project's success to reflect the unbelievable amount of work that had gone into its creation, hence letting her protégée close off the night in order to truly leave lasting impressions on attendees.

'The Hand of Midas is an accurate title for her, these designs went from mere sketches on a page to museum worthy pieces.' She said. 'The world should witness these ephemeral wonders before they sadly disappear.'

The artistic director kept the afterparty outfit secret even from the idol herself and those staying on track with updates were far from disappointed when she stepped out of the car wearing a custom made short butterfly dress. Royalty had long been associated with this young ace and some photographers even expressed feeling a sense of admiration when catching their first glance of her walking onto the carpet, bejeweled hand supported by Versace Prince, Hwang Hyunjin, to regain balance;

Photography Credits; @/versace on Instagram

The ambassador's bandmates, Song Mingi and Choi San - who was in the city for the Dolce & Gabbana show-, received invitations to the event despite having no affiliation with the brand in order to not only witness this momentous occasion for their industry but to offer comfort to the nervous upcoming designer as well. With the rapper being in a romantic relationship with their youngest, it led to some sweet moments caught on camera;

When the show came to an end the rapper could be seen wrapping large arms on her body and spinning the two of them around before placing the most tender yet lasting kiss on her lips, some reporters on the scene managing to capture his endless whispered praises. A somewhat brief conversation ensued before the vocalist found refuge in his chain adorned neck with adorable squeals of excitement, attendees along with the house's designer herself stopped to admire their display of heartwarming affection.

'Himari had told me about their relationship, but I've never seen them together in person before.' Shared Donatella. 'To see two people so in love with each other is almost unbelievable...but I'm happy our Princess found her soulmate.'

The members who unfortunately could not attend conveyed respect and pride for their maknae through livestreams in which they made sure that fans were aware of just how much work went on behind the scenes, most ending their lengthy speeches with tears - showcasing the genuine love tying these idols together. While in the music industry the young woman is somewhat guided by the other artists' voices when creating tracks, this night proved to all that behind her delicate beauty was personal artistry extending far beyond unique harmonies.

Himari's Ephemeral Collection will be available for public viewing at the Nilufar Depot, Milan from October 1st to November 3rd and the Opera Gallery of Seoul from November 12th to December 21st. See the official Versace website or ATEEZ instagram account (@/ateez_official_) for more details on ticket availability.

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[catofthecanals289]

i would love a max wants to propose snippet plzzz

i've posted this before ages ago, hope it holds up ;)

--

“So, are you going to spend the entire evening on your phone?” Victoria asks, as she sits down on the couch next to him, causing him to reflexively put down his phone –face down.

It’s not really fair of her to tease him like this, not when he literally hasn’t been on his phone all night and only picked it up when she got up to dump their takeout containers in the trashcan of the apartment Max only ever stays in when he has to be in Milton Keynes for more than a day or two in one go. It’s not that he minds hotels and that the apartment feels much different than one with as little time as he spends there, but still. He already lives in hotels half the year it feels like, it’s nice to have a place that he can at least call home even if it’s not. Plus, Victoria likes to use it when she makes a weekend trip to London. Although that has gotten less too, with the two kids and all. Which-

“Have you called him yet?” he asks in counter to her little jab, causing her to roll her eyes.

“These kind of news are best delivered in person.” Gently she places a hand on her stomach, soft smile on her lips, despite the challenging glint in her eyes.

He’s the first person to know, this time, and only because it’s his bathroom she took the test in and Max still feels a little crazy about it all –his little sister being pregnant with her third baby. Only him and her knowing –the only two people in the world. It makes him feel like he’s eight years old again, the both of them whispering secrets to each other under the covers of his bed, trying to block out their parents’ yelling.

No one’s yelling now, and Max isn’t scared. He’s just happy for her. Her and her little family.

It’s not what gave him the idea –he’s been toying with it for a while, if he’s being honest- but it’s what had spurred him to finally typing the words into the search bar, fingertips a little bit sweaty.

“Max?” Victoria says, head tilted slightly. “Where’s your head?”

He snorts. “Right here.”

“Mhm.” She looks at him skeptically, then after a moment, giving him a slight nudge she asks: “Everything good with Daniel?”

Flushing a little, Max nods, his phone feeling hot in his hands. “Uh, yeah. He’s in Surrey today, but he said he’d be here tomorrow. Or maybe tonight, depending how quickly they finish up.”

“Is that why you’ve been glued to your phone?” Victoria asks, teasing tone back in her voice. “Because you’re waiting for him to tell you that he’s on his way?”

“No.”

Max rolls his eyes, for good measure. It’s maybe only half true, because Max is definitely looking forward to Daniel and him being in the same place again, but it’s not what he’s been doing on his phone, which- He shoots her a glance ,hesitant for a moment, before he realizes how fucking stupid that is because it’s Victoria. His little sister. She’s probably the person he’s closest to, right up there with Daniel and his mom. And it’s not like he can tell Daniel about this just yet.

“I’ve been, uhm.” He clears his throat, unlocking his phone again so he can thumb open the website he’s been scrolling through before she interrupted him. “Looking at stuff. At –these.”

He holds out his phone to her.

She takes it, eyes already wide.

“Max…” she says, softly after barely a moment.  “You’re going to-”

“Yes,” he says, and fuck, what a terrifying thing to admit, despite the wave of excitement that surges up inside of him at the thought. It’s crest is made of fear. That Daniel will say no. That he’ll say yes, and Max won’t be good enough for him to not regret it. That it’s a stupid, little fantasy, nothing more, and most of all that-

“-I’ll have to tell dad. About me and Daniel,” he says, as Victoria scrolls down the website, looking at the quite limited number of engagement rings made for men, and the endless selection for women. “I know that. If we get married then- Yeah. And I know that dad isn’t going to like it, but I want-” He exhales, gesturing to his phone. “-that. I want to ask him. And I want him to say yes, and I don’t know. Be fucking married to him.”

He thinks about Daniel wearing a ring on his finger, a ring that Max put there and not just as an expensive gift but as a promise, a vow. He thinks about having a paper signed by the both of them putting a name to what they have that they don’t need but Max wants anyway. He thinks about waking up every morning knowing that Daniel married him. That he looked at Max and just fucking picked him. Chose him. Is choosing him. Every day for the rest of their lives. Or life. Together.

And Max knows, he knows that he doesn’t need a marriage certificate to trust that Daniel is committed to him and it’s not even about that really, knows that his issues, his worries and doubts, they’ll always be there for Max to work on, but he wants it anyway.

He wants to be Daniel’s and for Daniel to be his.

“Max, I think that’s wonderful,” Victoria says, eyes shiny. “Really, really wonderful. Shit.”

Pulling him into a hug, she squeezes him tightly.

“He’s going to say yes, I know it, I just know it,” she says, a she holds her back just as tightly, before letting go. “And dad, he’ll just have to deal. It’ll be fine. It’ll be- Fuck. We need to find a proper ring. Shit. We should go to London tomorrow, go to some actual stores instead of-” She waves dismissively at his phone.

“Daniel’s coming here tomorrow though,” Max reminds her. Or tonight. If I’m lucky, tonight.

“Well, he’ll just have to entertain himself then,” Victoria says, unbothered, a gleeful look on her face. “Fuck. I’m going to have another baby, and you’ll be getting married. And win another world championship. This is going to be our year, Max. You hear me? Our year.”

“Hey. Don’t jinx me. Don’t jinx us,” he says, cheeks flushed, just as his phone buzzes with an incoming text.

It’s from Daniel.

finishing up now! See you in two hours [kiss emoji]

Max can’t help but smile.

hurry is all he texts back.

[davidmariottecomics]

Goodbye IDW! Hello Something New!

Hi there! 

After seven years and some change, today, 12/22/2023, is my last day at IDW Publishing. It's for good reasons. Things just timed out that my last day could be the last work day of the year for IDW and in the new year, I'll be starting a new job elsewhere. I'll still be in comics and once I can talk about the new gig, I'm really stoked to be letting you all know. So, today, I want to say my goodbye to IDW. 

But first, before I get to that, I did have something else notable happen this week. I sent my last tweet!  I'm officially shutting down my Twitter at the end of the year and if you see a Twitter account claiming to be me after January 1st, it's an imposter. If you'd like to keep up with me, however, I've got good news! There are lots of other ways to find me still. Here are a few! 

Check out and bookmark my website! Get access to my blog, plus lots of behind the scenes stuff and new projects at my Patreon!  Subscribe to a newsletter version of my blog for free at Buttondown!  Follow my blog on Tumblr!  Keep up with my main socials: Bluesky and Instagram (I'm @davidmariotte at both)! 

Okay, with that out of the way, let's talk about it. This is not my first time saying goodbye. In fact, almost exactly a year ago, I said my farewells to Transformers, one of the hallmarks of my IDW run. I don't want to revisit that too much, so if you want to read about my early days at IDW or that part of my career or a big list of thank yous to my collaborators, you can! And while I've had significant runs with other books, most notably Sonic the Hedgehog which with January's Sonic: Fang the Hunter #1 will mark 100 issues of Sonic at IDW under my editorial eye, or my personally exciting, if shorter runs on stuff like Godzilla, Samurai Jack, the Hasbro Action books, Canto, Scarenthood, The Kill Lock, The October Faction, Wynonna Earp, Brynmore, Atomic Robo, or literally so many other books, I don't want this to just be a retrospective on the work. In fact, I'm largely not interested in talking about the past when I say goodbye this time. 

IDW has afforded me a lot. They've helped me find my place in the industry. They let me do some writing. They let me do a lot of editing. I learned various other skills both through directly on the course of the job and through my own interest because of what I was doing and seeing there. I have made true lifelong friendships. And I have made comics. So leaving feels weird. I'm very bummed to be leaving a place that really has been my home (and for the past couple of years, has quite literally been mostly at my home) for so long. But I am even more excited about what's to come. On my side, I can't announce it just yet, but watch this space for some big news soon (after a couple weeks of much needed vacation). 

Talking about the future I actually can say a little more about, I wanna tell you how excited I am for IDW. Yes, I'm leaving, but IDW remains home to so many people--both at the company and our freelance creators--and so many projects that are close to my heart. Next year is their 25th anniversary. That is an impressive feat in not just the world of comics, but any industry. For the milestone, they've got a lot of cool stuff planned. 

I'm not going to blow up IDW's spot and say anything about what's coming up too early. Just to talk about the things that are already public knowledge, you've got things like the new TMNT: The Last Ronin sequel! The TMNT ongoing on it's road to issue #150! There are cool new originals like Golgotha Motor Mountain! There's the launch of the aforementioned Fang the Hunter which is IDW's first Classic Sonic mini-series and sees 100 unique issues of Sonic at IDW and is just laugh-out-loud funny and full of such good action! And I'll tease this, when the Sonic ongoing is back with issue #69 in May, you'll be in for an absolute treat as that series runs up to #75! 

I know some readers of this blog don't read a ton of American direct market comics. You aren't "Wednesday Warriors" who go to the comic shop every week. You like the comics you like and I've been graced to be a person working on those comics. If you aren't as familiar with how these comics work, let me assure you of a couple things. The books I was editing and many unannounced projects that I set up will still be happening. Because of the timelines of comic production, you'll still see my name in IDW books for a few more months and, at the same time, you'll see new credits creeping in. And if we've done everything right, that'll be about the only thing you'll notice is different, at least at first. As the editors really take the reins and take over, we'll both be in for the treat of the unknown! I'll be reading them with a good sense of professional jealousy. 

Now, there's one other book that has been announced for next year and I wanted to do a special call out for. Godzilla: Valentine's Day Special went to press this week. It's the last IDW book I saw all the way from inception to completion. And, in many ways, it's kind of a really good analogy of a comics editorial career. I think, genuinely, this may be the book that went from conception to reality the fastest in my career. I think it took... less than a week from a half-joking suggestion of doing a Godzilla Valentine's Day book to getting Zoe Tunnell's pitch in and approved by Toho and getting it on the publishing schedule. Usually these things take a bit--people are working on other projects, licensors need time to review things, whatever other bumps happen along the way--but this was like lightning. Everyone just got it instantly. And then Zoe turned in the script and it was great! Things continued, as they do, and then... we got a curveball or two. I won't go into too much detail, but major thanks to Sebastian Piriz and Rebecca Nalty for getting it done and having a book that we were all so proud of that I could send to press this week. And it struck me on that final press day that despite the curveballs we had been thrown, when it came to actually getting it approved, everything was so easy, straightforward, and smooth. When you read it in February, if I've done my job right, maybe you'll remember seeing somewhere that there were some curveballs. But mostly, you'll just have a really good book in your hands. (BTW, you did JUST MISS the final order cutoff on that, so do check in with your shop about still trying to get you a copy!) 

Most of the time, after a book like that goes to press, an editor gets ready to do it again--maybe in a few minutes or days or the next week. For the first time in a long time, I won't be getting ready to do it again at IDW. That's a complicated feeling, but I'm so excited for the future. 

The best metaphor I've been able to come up with for what is happening is it's like I've been working in a one room office constantly for the past seven years. It's got that dull office lighting, you know the kind. Each day, projects come and go across my desk, and as they otherwise disappear into the world, I put up one of those glow-in-the-dark stars as a memory of it. And each day, I work with so many people--my coworkers at IDW who've helped foster my growth, my collaborators as both a writer and editor who have made so many stories with me, all the folks where things never quite lined up but we kept trying, and the readers who are an inherent part of the ecosystem, the reason we make what we do. And so, for each of those people, I put up a little glow in the dark toy. 

Now, for the first time, I'm going to get up and leave the office. As I flick the switch behind me, everything in there that has been soaking up light for years now glows. Some of the glows are slight. Some are so fantastically bright, it feels like they're drawing attention through the walls of the room. Together, they make the room brighter than it was when I left. Now, sometimes, I might sneak in to borrow a toy--make a copy of it for the new office I'm doing the same thing in. Other people will certainly do the same and make they've got their Evan Stanley figure on their shelf. If I ever return for a longer time, I'll be so glad to flick the light back on and let them all absorb even more light to glow an even longer time. If I don't, I rest happy that the glow goes on and forever people will be able to come back and discover some part of it. And I'll start working on a new office soon. 

If I keep going,  I'm a little afraid that I won't be able to stop. So, for now, I'll just say again, thank you. The future is about to be very exciting. Next year is for the creators you love or don't know you love yet, the books that are going to light you up that you've come to expect and the ones that will catch you by total surprise. While there are a lot of things I'm going to miss deeply and books that I'm going to wish I had gotten to do more on, I also have the really exciting experience of getting to see this stuff as a fan of IDW, just like you. And, hey, I hope you'll be a fan of the stuff I do next too! 

As for next steps, like I've said, I'm not going far. I'll still be in comics. I'll share the news when I can.

Before that, I'm getting a little break. Not too long, just a few weeks, and obviously the holidays are part of those, but in my time between my jobs, I'm going to be working on some personal projects. I put together a little tracking list recently and I have something like 40 projects in various stages of gestation right now. Obviously, I'm not going to be working on all of those at once, and chances are, some of them will never see the light of day, but I'm going to be working on trying to bring a couple of them to you in the new year (and beyond). If you're an artist that I've had the pleasure of working with in the past and you think you might be interested in peeping the list and seeing what we could do together, let me know. You can reach me on my website contact page, through my email, or through Discord (feel free to ask if you don't have it!). 

And if you read this blog, you'll see me hyping my last IDW projects up until we run out of what I left behind. Simultaneously, once I've got stuff to start hyping up for my personal projects and for the new gig, you'll see those start to pop up here too! I'll also keep talking about making comics and my thoughts on the state of the world and whatever else it is I blog about here on a regular basis! 

Thanks for reading. Bye-DW! Next week, I'll be doing a little Best of 2023. But for now, onto our regular features. 

What I enjoyed this week: Dungeons & Daddies (Podcast), Reverse 1999 (Video Game), Nancy (Comic), Lego Masters (TV show), Out There Screaming: An Anthology of New Black Horror (Short story collection), Yu-Gi-Oh: Duel Links (Video Game), Cunk on Earth (TV show), I'm a Virgo (TV show), The Boy and the Heron (Movie), an easy last week at IDW, all the well-wishes that've already poured in, leaving today to celebrate Christmas with my family and then have some downtime to work on my stuff, signing the paperwork for the new job, not being on Twitter anymore, getting all of our mail out in a timely fashion for the holidays, Chainsaw Man (Manga), I picked up Superman and Hawkgirl, so excited to get caught up on those, and knowing that in leaving this job, there are certain folks I just get to deepen my relationships with as friends, instead of co-workers. 

New Releases this week (12/20/2023): Godzilla: The War for Humanity #3 (Editor) Godzilla Rivals: Jet Jaguar vs. Megalon (Editor)

Announcements: The Cartoonist Cooperative is still doing E-Sim cards for Gaza. You can donate a digital sim card so that residents can get access to the internet and have more functional phones and, in exchange, get some comics or a drawing or whatever else is available from the many participating artists. Additionally, the CC is hosting their mini-comic awards! It's a cool way to maybe get your mini-comic recognized and make some scratch!

You can also give more directly. If you don't have money, and I get it, you can call or fax or email or show up at the offices of your representatives. Keep your eyes open for actions too, whether they're another general strike or demonstrations and marches in your area. Given the nature of the things, they often come together fairly quickly, so do exercise your due diligence. Also, of course, being informed and just giving your time to Palestinian journalists and writers is incredibly valuable. 

While Becca has got some things brewing for next year (and now on a schedule), you should reach out if you'd like to work on comics with them! You can find their gallery on their website and also, y'know, maybe pick up a few things for belated gifts while you're there!

Finally, I called out my Patreon earlier. You can support me (and boy, that would be cool during the time between paychecks because vacation is nice, but living is still expensive) and get not just this blog, but a lot of cool special features like extra posts, comics, infographics, and more! At the $10+ levels, you can also access stuff like a holiday gift guide I made, a podcast pilot for a spicy show with Becca, and a ton more! 

Pic of the Week: Happy holidays from Becca and me! If you wanna full card in your inbox, lemme know!