#this is soooo rambly

[hoshizoralone]

reflection

[bberetd]

PIGTAIL DAISY ACQUIRED!!!

[purinfelix]

Y'ALL OH MY GOD

i'm actually going insane

(credits to sainterosie on twt for the hd versions!!)

[cacaocheri]

this happens to me at least three times on a daily basis

[wu-does-art]

thinking about Nico adjusting to letting himself miss and long for the people he loves. based on these bits from the sun and the star:

" As Nico and Will followed the trogs, he thought about how much he missed Hazel. He was learning to make peace with that feeling. It was okay for him to miss people because that meant he wanted them around in his life. That idea was *very* new for him- he was used to either pushing people away or watching them recoil from his presence." *

" That was the most surreal thing of all... Was he happy? Nico wasn't very familiar with the sensation, but he couldn't deny that he felt wonderful in Will's presence. He even longed for the son of Apollo when they were apart. A funny thing had happened as the two grew closer: Nico suddenly understood all those cheesy, sappy love songs he'd always hated."

[festivating]

glinda running away screaming and crying and then standing against the wall and closing her eyes and waiting for death... elphaba saw firsthand how much of a TERRIBLE fugitive glinda would've been and was still like mmm yes please come with me we'll be the greatest team there's ever been. she loves glinda so dearly.

[tojisun]

size kink but it’s him pressing on your stomach to ‘see’ how deep his cock is. he truly means it even when you’re sure he won’t feel himself past your fat and your flesh, but the surety in his voice and in his actions just make you clench around him tighter, your mind fraying at the edges because there’s something maddening at his honest belief. at his drunken voice lilting how he must be ‘here’, deep in your guts and that if he just pushes any more, he swears he can feel himself nestled lovingly inside you :((

[gojoest]

THEY ARE NORMAL SCHOOL BOYS ENJOYING LIFE AS THEY SHOULD

[finns-gay-thoughts]

hi can we cuddle. i miss your face. hi can we cuddle. i like feeling your skin on mine. i like you. can we cuddle. can we cuddle can we cuddle can we cuddle can we c

[pricetagged]

MEDIEVAL SCAMMER GHOAP?! Please enlighten us🙏🙏🙏

Since you both asked so nicely, have a snippet of a whisp of a concept😅

I have an idea. Not fully fleshed out. I could go in two directions, either historical Ghoap working as Pardoners and taking advantage of ignorant village reader (corruption kink, religious themes, abuse of power etc.).

OR, for my monster-lovers, has anyone seen Dragonheart? I was picturing, like, one of them is something beastly, the other plays at knight = profit? Fantasy scam and rescue? So, it would go something like this:

(Tw kidnapping and kind of mean Ghoap)

---------

Your situation didn't look any better flipped on its head. Flipped on your head, rather. Snatched and thrown over a bulky shoulder, high– higher than even your standing position. It was discomfiting; it was terrifying. Blood rushed to your face not only in fury but also in shame as your skirts fluttered in the breeze.

He noticed, too. His greedy fingers dug into your thighs, skimming down like he was soothing a skittish horse. But you felt the way he lingered. The way he chuffed and squeezed tighter when you kicked out with all the strength of a skittish colt.

Your fists pounded uselessly against heavy splint-mail, hands-catching on rough nodules and spikes that didn't quite register as pain. Not to your panic-stricken mind, thoughts flying off in the wind behind you as the beast carried you off.

But the smack registered.

Perhaps it was the sound, the harsh slap of flesh on flesh. Whipping crack, like the snapping of a great branch. The precursor to an eerie stillness, violence begetting obmutescence. And it worked–

–for a second. For the time it took for your stinging nerves to catch up with your racing mind. Then you howled. Kicked and clawed and hissed like a feral cat as tears welled in your lash-line.

"How dare you–"

"Quit yer fashin'. Ye'll bring the whole kingsguard down this way–"

"–good–"

"–and then I'll have tae kill them all," That had your attention, legs tense under the heavy band of his bicep. "Dinnae much feel like sharin' ye around."

"Oh, you beast! You foul, vile, disgusting–" Your voice was high, words scratching as they hitched out of your aching throat.

It hurt to speak, vocal cords already shredded from the way you'd screamed when he'd first ransacked your village. Coughing on heavy, acrid smoke and crying futile warnings about the Black Knight and his monster-in-arms ('Quiet, girl. Viper-tonged harlot, slither off and for gods' sake, quiet!') . But it hurt more to be silent. You flung insults like broken arrows, hoping that they would somehow land. That they would hit, fortuitously, and pierce the thick-hide of this brute. But hope is vain, and the fancies of men make gods laugh.

You landed hard on something soft.

Ego almost as bruised as your knees, you kept your eyes low. Sweeping. Marshy, wet silt. Topsoil sluiced off, only mud and clay and reeds to your right. A cheerfully babbling brook just beyond, water murky and discoloured with backwash from– the water flowed past the estuary of the village so it must be– no–

The realisation was caustic. Mordant. Burning at you like the scorched air in your lungs.

"You're a monster," you spat the words, mouth watering in your haste to let ichor drip forth and blacken him as much as the foul, brackish water ahead.

"Noticed that, did ye," he laughed, words glancing off like feeble blows. "Best not tae piss me off, then. Stay there and behave yersel'. Company's comin'."

Glancing up at him was like a blow to the stomach, wind punched out and body shaking. You already knew that he was big, inhuman. But now you could see every inch; monstrous, twisted mockery of natural features. Like a man formed of rock, too immense and hard and jagged to pass for anything but artificial. Counterfeit. Contranatural. Creation's bastard. All tusks and teeth and shorn hair. Hair everywhere, even down his bare, bulging forearms and thick knuckles. Coarse, dark.

His eerie, bright blue eyes blazed around black, pupils wild and blown. It could be the thrill, cruel playfulness of an apex predator. Berserker-wide, coming down from the kill–

But he'd been carrying you for a while, bloodlust long-since sated on the men and manse of your homeland.

You shivered, sweat and cold mingling in a discomfiting damp that raised the hairs on your arms. (The hairs on the back of your neck were already needle-stiff and prickling).

You pocketed a stone, a big jagged filthy shard. One you hoped could bruise and slash and poison, turn wounds weeping and sick.

Now that you were silent, he seemed especially strident, swaggering around the barebones of what you supposed must be a dwelling. You felt the slight whistling of air from the cave behind, cavernous and black. If you had to run, to hide, you'd take your chances with the forest and river ahead. To be lost in the appetites of the mountain abyss would spell death as surely as at the hands of this creature.

You watched him, cocksure and comfortable as he shucked off his warhammer and began unbuckling his braces. If you could read the snarl of his crooked teeth, you'd perhaps say he was in high spirits. He sent you a wink as he shrugged off his splint-mail, gravelly laugh echoing in the cavern behind.

It disguised the approach of your visitor.

"Grabbed the wrong one, Johnny," you shrieked as something grabbed your forearm, hauling you up. Looking down you saw the muted sheen of a spiked gauntlet. Black patina, flaked in iron rust. You swallowed hard, lump in your throat so big that it caught any words that might try to escape. Him. The Black Knight. The Liar. 

"Ye said to grab the pretty one by the fancy house."

"She's not the magistrate's daughter. No ransom for her." He spun you around, metal biting hard into your chin as he arched your face towards his.

Cloaked in ink-black helm and visor, you could just about peer in to meet his gaze. He looked back with cold, assessing eyes. The voice that rumbled forth was as harsh and breccial as you remembered, words rending you apart with serrated precision: "Not worth a rescue mission."

He released your chin with a final shake of your head, huffing amusement as you rubbed at the thin scratches he left behind.

It was hard to breathe now, stomach swirling and head-light. Even if you could will yourself, it wouldn’t help. There was already a faint coppery smell leeching from the Knight; your heart recognised it even if you would not give name to it. It sped up, fast enough to rush past your ears with discordant force. 

You didn’t feel the other one step up behind you, not until it was too late. There, trapped between man and monster (man the monster), tight enough that you couldn't even shiver. You felt the power of the creature even more now without the armour, all muscle and fat, sheer power close enough to sink your fingers into. But you couldn't move, your shallow breaths already catching in your throat into soft, hitching whines. 

"Shh, it's alright, bonnie," Rough, clumsy fingers swiped under your eyes. You felt him crouch lower, stubbly hair and tusks digging into your powder-soft cheek. "Looks like we're gonnae have tae keep you, then."

------------

[avephelis]

thinking about owl house bisexuality truly nobody fucking did it like them

[randomminty]

Five billion octopath 2 scribbles i feel sick

[dnpgiggle]

obsessed with phil saying ‘I decided to not get traumatized by this’ he’s literally the wisest of us

[mrs-paint]

hi

[maythedreadwolftakeyou]

thinking about Lucanis again (always). and how so much of his narrative boils down to the theme of "control". and of course also about how this applies to the Rook x Lucanis relationship.

like the first scenes with him in the game are, in theory, about freeing him from the Ossuary (although he seems to have an escape attempt already in progress at the time, they certainly weren't just letting him keep those knives on him for enrichment purposes, Rook just provided an opening/distraction he could take advantage of and crucially Rook has A Way Out of the whole place not just a cell). but ACTUALLY the purpose it to put him right into a new contract for Us, one set up by his own grandmother and first talon no less, and the person he has the MOST trouble saying no to. He's escaped torture and the Venatori for sure but he still isn't free, which I think is part of what leads to Spite's confusion/the Inner Demons plotline. He agrees to the contract but you can tell it's in many parts out of a sense of duty/mourning vs something he actively wants to do for himself. And then the FIRST real heartfelt conversation you have with him, where he tells you "even before I was captured, my life was not really my own. So much had been determined for me." But he's chaffaing at that! He thinks "to live truly is to live fully" and so directly tells you he doesn't think he's lived a life true to himself. He's been constantly smothered by the weight of expectations around him, even though he longs for more.

And then once you get him to the Lighthouse you see how this Big lack of control in his life comes out as all these smaller frustrations. He's terrified of sleeping and downing 11 cups of coffee per hour because sleeping means he will lose control to Spite, even though Spite is shown to flee rather than fight when he feels threatened, and once calmed down, is more drawn to just benign curiosity/mischief than anything actively malicious. Like if Lucanis loses control and sleeps for a few hours he is not going to wake up surrounded by bloodshed, he's going to wake up to a belly full of candle wax because he wouldn't like Spite taste one while they were awake. Which is the other half of this--he constantly denying Spite's impulses for reasons that in some ways make sense (HE doesn't want to eat candles), but not in a way that's actually satisfying to either of them (why not just take a bite, chew for a bit, and spit it out so Spite knows they kind of suck actually?). But he CAN say no to Spite and so he does. Over and over. Spite's one of the few people he can deny things without feeling bad about it, because it's HIS body he doesn't like that has to share now (<- this is what he thinks about it at first anyway, but he's wrong, it's both of theirs and it's useless to try to hold those kind of boundaries forever. but the "no its mine" spiteful instinct is very beautifully ironic and reflective of them both and their early relationship).

And personally I think this is where his fear of his own desires and intimacy is coming from, at the root. I don't think he's afraid of the concept of being in a romance or having feelings (even if they're unusual and rare for him, this is by no means incompatible with him being demi) but I DO think he is afraid of the kind of power it gives people over you. Getting something you want means there's something else that can be taken away. Admitting your desire means the other person has the opportunity to deny that. The more you have, the more you have to lose, and he has lost again and again and again in his life--his parents, his childhood to the crows, his independence, even his future--he doesn't aspire to be first Talon but he knows the rumors. He knows his grandmother wanted it for him, not Illario. His life path has been laid out for him by others and up to this point he has simply been going along with it anyway, even though it bothers him. He COULD argue and fight Caterina and push for Illario who actually wants the job to be First Talon instead, but from The Wigmaker Job we know he doesn't. He just ignores it and pretends maybe it won't happen, without him having to do any of the work. Which is why in the end Illario is the one who has to make a move about it (and even warns Lucanis of this!!!!). Lucanis KNOWS all this makes him a target but is neither taking charge or getting off of the train tracks, just closes his eyes.

And I think THIS context is what makes the almost kiss scene in the pantry make more sense to me. Rather than being afraid of having feelings (and then NEVER addressing this in game with a Rook who pursues him anyway) or not knowing how to finish what he's started via crow seduction training, it's more like this is a pivotal moment where he can actively choose to step off the planned path of be given a job -> kill the gods -> enact revenge -> go home. even if he doesn't at that point realize that a relationship with Rook could be something that lasts long-term, the very act of doing something just for himself is what's foreign and scary and hard. It's that first step off the tracks, and even if he were to keep walking in the same direction, it means he's making a choice about it. he's accepting that one way or another it IS in his power to go along with everyone else's plans or not. Hence the hesitation, and drawing back, and needing to clear his head.

And then the rest of Rook's role in his narrative IS about giving him more and more control for himself. Inner Demons, dealing with Illario, his questlines move less towards revenge and more towards just... not being locked into one fate. Which of course Caterina comes back and immediately tries to overturn by declaring him First Talon after all, even though she and him and everyone else knows she's not ACTUALLY ready to give up her rule/decision making power yet. Which in a way is maddening because cmon I did all this work here so this sad man could have some agency in his own life just to watch him get sucked right back in (which, at least we get many directions to headcanon from here), but there's no denying that THIS version of Lucanis at least is actually going in with his eyes open now. THIS Lucanis has had a taste of life outside the Crows, and seen the politics and power dynamics in other places/organizations, and finally has emotional ties to the big picture state of the world now, both in relationship and friendship paths with Rook. He's not just hyper focused on each contract as it's given to him now, he's looking at the whole thing.

Anyway of course the beautiful culmination of all this within the romance is the lighthouse scene with Rook, where he finally is willing to let himself be vulnerable (emotionally and physically), and fall asleep without fear of what Spite's going to do in the meanwhile. He also (depending on dialogue choice) finally talks about his feelings directly with you for the first time instead of in roundabout ways (the dessert being "not enough" is it really the dessert you mean, Lucanis. is it.). Even though he is STILL reluctant to verbally admit his feelings or let Rook share their own at this point, I think that's more a narrative choice about saving those last emotional dialogue options for the big final battle. but it is another point where he does have to stop just following along and ACTIVELY choose that yes, yes sometimes loving is worth the risk of losing it. Even if someone takes it away from you later, even if you don't survive it, sometimes the love alone makes it worth it.

I have like another 5000 words I could add into about how Spite ties into all this, about how having the demon in him is something he both fears AND how it forces him to acknowledge that actually yes he DOES share the same base feelings/instincts Spite does in terms of not wanting to be told what to do. And how this in a way is part of what gives him permission to act on it since he can no longer just shove it down out of sight. but this post is long enough already so i'm just going to take the rest of this and gnaw on it all day like a chew toy I guess.

anyway. AHG. it is kind of frustrating that the culmination of his arc seems to be "and then he got the job he never wanted anyway" but I do think at least all this prepares him for it in a way Caterina actively failed to actually do on her own. He NEEDED that step away from his straightforward path. Whether he stays first talon or not, and with or without rook as a romantic partner, he's finally been able to explore ideas outside the expectations of others.

[egonkula]

"I don't think Logan would have said that, his minivan speech was so messed up!!" are we talking about the same logan??? logan in EVERY universe would say that im afraid. he is actually a mean bitch who loves to project his issues onto others!! so why are we surprised when he does it !!!