#this is so ungodly long

[lotus-pear]

rewatched bsd w my friend seeing it for the first time and the nostalgia of seeing these two together again hit me like a bus

[swati-art]

He needed a snack

[djevelbl]

I feel like explaining how Branzy's mannerisms look like in my head is SO. HARD bc he feels like SUCH a peculiar and specific type of person, that even if I TRIED there wouldn't be a fully correct way to string words together to paint the picture. But fuck it we ball — lemme try anyway

(ofc, I'm here talking about his character and personality as he portrays himself in his videos; the same goes for any other youtuber I namedrop as I'm yapping. I don't feel like I have to clarify this, but still. covering my own ass out here, media literacy, yadda yadda, you get it)

In the LifeSteal videos I've watched where he participates/is the main focus of (the Heart Factory + Amusement Park saga mostly, so not a lot lol) he has this... This showmanship, this stage presence, like he's standing alone on the stage floor, the spotlight's on him and the little earpiece hung on him has told him "it's showtime." It's like he's the opening number for the Broadway Musical you came to watch, like he's the circus master of the show; he's all you can focus on once he starts talking, really: he's hilarious and charismatic, disarming with that devilish charm of his, that has endeared him to the deadliest player of the server — even if you never see his face, you can hear his smile every time he talks.

For having been on a Minecraft server that prides itself in death, destruction and preying on players' insecurities before shaking hands on a good season played, Branzy wears his emotions very plainly in how he speaks: he doesn't hide his fear, or his amazement, his excitement, his bloodlust. It's how he is, of course — hiding who you are is hard, but Branzy also plays this all up in his favor: faking his reactions when necessary, blatantly able to disregard his current emotional state to match the attitude of those around him (main example being him matching Clown's attitude even through his own fear of the guy), being able to lie through his teeth about pretty important things (like the state of Carnival Mode to Squiddo at the end of season 5), and others.

His poker face is a smile — all crow's feet and charming show of teeth, something happy and elated as he shows his newest killing contraption and explains it out to his soon-to-be victims. And they fall for it hook, line, sinker. A practiced dance everyone follows Branzy's lead in, subconsciously or otherwise. Because how deadly can it be if it's Branzy who made it?

Not just that, but he's very energetic and has a brand of attitude and sass that kinda reminds me of JT Music in The Details in the Devil (stay with me. I SWEAR this makes sense) — it's the over-the-top singing, the way he goes from a higher pitch to a lower one, the way JT Music's voice rasps around the edges; it all has the same vibe and attitude to me as Branzy's showman persona: all glamour for the camera, a big smile to attract new clientele, charm that oozes out of every pore and you don't even notice that it's a deal with the devil you're making. Until he's gone and you're left to pick up the pieces — even then, sometimes you just don't. notice.

A maybe (hopefully) easier to picture example

To me, in a sense, Branzy feels like the in-between missing link of AM from I Have No Mouth, and I Must Scream and Caine from The Amazing Digital Circus: all the bloodlust, anger, and sadistic tendencies from AM, and all the genuine, kind, goofy showmaster personality of Caine — a weird combo, for sure, but Caine is already based off of AM so like, thought it was as appropriate of a comparison I could make; especially bc Caine is a ringmaster, and Branzy does give ringmaster vibes to me so idk

Ofc, this is him at his peak, in his element, where he controls the playing chips — he's playing 4D chess and everyone's using checkers pieces. This is him gathering and casually using the power and influence he lords over the server — I mean, have you seen how ppl react to his mere appearance?? People love him, that's where he thrives: where people have an attachment to Branzy, Branzy has power; people kept coming back to the rollercoaster bc it was fun and a challenge and bc it was Branzy who made it — throw the credit onto Clown, ManePear, FlameFrags, any other pvp-skilled player, and watch as people run the other way. Branzy is the perfect combo of charismatic, charming, boyfailure-coded, somehow still competent, and fun to amass server-wide cred that wouldn't be broken no matter how many lives he claims via his machinery.

Clown is dangerous, sure — he's good at pvp and intimidating, he can do his fair share of manipulation when needed, but he's ultimately relatively easy to avoid: he follows a set of rules and while he doesn't vocalize them, if you observe him enough you'll eventually learn them. You'll eventually understand what the triggers are, which convo topics are best to avoid and how to best gain favor with him.

Branzy, though? He's very much a loose canon — beyond keeping his good relationship with Clown for protection (and bc he cares, let's be honest here) and whatever he deems fun today, I doubt he cares about much else; these two things are THE. MOST important to him, and there's little you can personally do to control either, if anything at all.

Branzy is SO interesting to me bc he's outwardly all smiles, happy-go-lucky in a sense and a coward — everyone knows this, it ain't no secret, and if it ever was meant to be we've left that station SEVERAL seasons ago. Yet inside there's a raging beast that begs to be released — the only reason we don't see it too often is LITERALLY bc Branzy is HORRIBLE at pvp; we STILL see it though: in how he encourages people to keep trying his deadly park rides, how he dangles prizes in front of their faces so sweetly and so casually so they keep coming back. In how he doesn't hesitate to betray his team so he can gain favor with Clown, a character he believes will be a bigger protection than his team was beforehand. In how he didn't even bat an eye as he bold-face lied to Squiddo about Carnival Mode being broken when it was most beneficial for Clown for it to "be broken". In how he casually makes a bragging joke about having easily killed two of the strongest players without lifting a finger to battle, because they wanted to play his carnival games.

Branzy has two loyalties: first to Clown and second to himself. Everyone else be damned

So coming back to the mannerisms thing — in my head he's extra extra: I'm talking "dangled upside down from a tree branch to scare someone as he introduced them all to the Chicken Launchers" type of extra, I'm talking "he did a handstand on the rollercoaster cart (with his elytra on, he isn't stupid I swear) as it jumped over the tiny lava pit to introduce people to the attraction" type of extra, I'm talking "he designed a mechanical crossbow he could wear on his arm so he could shoot the door locking mechanism trigger at the bigtop tent the most dramatic way possible" type of extra. He's a theater kid at heart, I just know it — he's dramatic and extra and so fun, so of course he'd have fun with it all! He's an adrenaline junkie (honestly? Why else is he still a sucker for Clown?? Adrenaline junkie + that's his work bf) and he will do a dramatic full split in front of Fleshy's to introduce people to the food stand and you cannot change my mind

So. Yea! In my head Branzy's mannerisms are a combo of showman enthusiasm, theater kid dramatics, acrobatics fueled by his adrenaline junkie ways, and random rubberhose-like body movements that are uncanny on like. an ACTUAL normal human body bc he reminds me of Bendy and I. Don't know. How else. To cope with it, so deal with it.

[opera25]

This is probably not on purpose but ur blog name(head in hands) made me think of liana flores' "recently,"

So, for the small unrealistic chance its somewhat related, 🎶 the flowers understand, that were fine, u and I 🎶

(also if I'm already here ure chibi art style is adorable hfhdh <33)

IT'S NOT ON PURPOSE BUT NOW I WISH IT WAS... What a beautiful song oh my god. I've never even heard of the artist before, their voice is insanely pretty..

And thank you for the compliment <3 I actually cannot tell if you meant the hermitcraft ones or the naruto ones but here's efo anyway <3

[bubbyisatitagain]

After 10 long hours it's finally finished

My human boxmore bot designs!! 😄

[wen-kexing-apologist]

ngl i am waiting for you to write about physical touch and HANDS in last twilight *insert manifestation circle.gif here*

Not gonna lie, as much as I have been enjoying Last Twilight, I haven't felt all that inspired to write about it, but it has been making me feel all warm and fuzzy now that people are reaching out and asking for my thoughts. Turns out people actually seem to enjoy my horrendously long posts!

Alright, I will talk about physical touch and hands in Last Twilight, but before I get too far in to it, I just want to say, I love the use of physical touch in shows, but I will dare to claim the use of physical touch seems particularly important, and especially complicated in Last Twilight, compared to most of the other shows I've written about. Why?

Because Day is blind, and Mhok is his caretaker, and if you are remotely aware of disability, the autonomy of disabled people, the privacy of disabled people, the survival of disabled people are often disrupted by abled bodied people. I saw a post somewhere, sorry I can't find it, where someone mentioned the rates of abuse of disabled people by their caretakers and how that might weigh in to Day's reaction to touching a shirtless Mhok in Episode 2.

So.

With Day's blindness, grief, and intentional isolation, as well as his family's anxiety, how much control has Day really had over his own life in the last year? As @bengiyo said in Episode 1, "Day's brashness in the interview when he asks Mhok if he's hot sounds like a gay man knowing that he is about to be touched a lot by a stranger" [not a direct quote, apologies].

Episode 1

gif from @dragonsareawesome123

The first physical touch we get between Day and Mhok is when Mhok touches Day's chin, making a comment that essentially boils down to Day having a punchable face. You can see how shocked Day is to feel Mhok's thumb on him. But the motion is quick, light, and slightly flirty (though maybe I'm reading a bit in to that last one since I know this is a BL). While Day seems taken aback, he doesn't seem uncomfortable with the touch at all, moreso, to me at least, he seems surprised that Mhok *isn't* shying away from touching Day after Day so loudly and blatantly declared his queerness and hit on Mhok.

photo from @thescrumptiousstuffs

The second physical touch we get is when Day leaves his car and winds up on the street with traffic whizzing past. Mhok pulls Day off the street when Day gets overwhelmed and Day goes crashing in to Mhok. I don't remember them staying pressed together for too long, but there is a moment where Mhok is embracing Day. Mhok's hands go to Day's hips while Day's hand rests on Mhok's chest near his collarbone. From my view, this is a decently intimate position for relative strangers, but they don't feel uncomfortable in it. Which is a great hint that Mhok and Day are going to become more to each other. Mhok does something here that I do think is important, which is to tell Day who is he, so Day knows he isn't being manhandled by a *complete* stranger. And though I suspect the biggest reason why Day ends up being driven home by Mhok is because Day wants to be away from Night, it cannot be denied that Day already has some modicum of trust in this random, crass man that burst in for an interview just the other day. Because, as we know, Mhok was really the only person who interacted with Day without falling victim to pity, inspiration porn, or infantilization.

The third physical touch I consider important is when Day's mother stops him from standing up. I've been reading @waitmyturtles PhD level thesis on Bad Buddy so filial piety and saving face is pretty present on my mind. I think it is important to acknowledge that Day does have some autonomy, but where he exercises it is very clear. He can leverage his blindness and his bad experiences with past caretakers to get what he wants out of his mother, and he can double, triple, quadruple the caretaker salary without consulting his mother. But when it comes to physical movement, he listens to his mother, but not to Night. Night tells him to stay in the car, and Day almost immediately leaves the car and goes in to the Society. Day gets out in the middle of traffic after a fight with Night, even after Night begs him to stay in the car. But that moment of challenge from Mhok where he tells Day to come get his ID himself, and Day starts to stand, everything stops dead in its tracks at the first light touch of his mother's hand on Day's chest. So, despite the moments of anger and rebellion we see from Day, he still listens to his mother.

gif from @dragonsareawesome123

And then Day moves to get his ID, and here is where I will mention a moment where there was not any touch. Which, probably could be an essay in and of itself, but I don't have the capacity at the moment, on this airplane, to comb through all the scenes and look for it. But here, this one feels important, because Day takes the ID from Mhok, but Mhok does not let go right away. Their fingers are so close, and in a lot of movies, the handing over of an item would usually involve some sort of moment where fingertips brush and a shockwave of electricity ripples through the future couple. But we don't get that here. The moment of connection, the moment that Day really knows he can trust Mhok, the moment Day decides he is going to hire Mhok has nothing to do with touch, and everything to do with sound. He hears Mhok read Chapter 21 of The Little Prince, a book that is desperately important to Day, and that is that. And I do think it is important that these little touches that we've had, and where we break from the romance tradition for touch are important. Because, I think it is totally fine for feelings to grow between Mhok and Day rather quickly, but I do not think it would have been wise to show Mhok having some sort of actual crush on Day from the beginning. If Mhok had some sort of romantic or sexually attractive feelings for Day before he started working there, that would, in my opinion, read as predatory in some sense. Especially looking ahead to Episode 2, when Mhok is shirtless in Day's room.

Because, the thing about physical touch in television is that a lot of different elements go in to selling it as romantic chemistry. One of the most important components is timing and close up. As a side note, I think timing is a huge factor in to why I did not enjoy Perth and Chimon together in Dangerous Romance (before I dropped it) because the camera just never lingered long enough on their faces or on their touches for me to believe they had feelings for each other. But, by Episode 3 of Last Twilight I can see the care and the chemistry between Mhok and Day. I can see the comfortability that Mhok and Day have from almost the very beginning of knowing each other, but I don't take much of their physical interactions to be sexually charged or romantic in Episode 1. Why would they be? These two don't know each other. By generally avoiding zooming in on just Day and Mhok's hands when they touch, by having Mhok grabbing Day's chin with his thumb quickly and lightly you aren't building to tension. Aof is merely demonstrating that physical touch between Day and Mhok is welcomed and Day is not going to be uncomfortable with having Mhok take care of him.

So we head in to Episode 2 with the understanding that there is some fundamental aspect of Mhok that Day is drawn to, and that Mhok and Day are going to get along.

Episode 2

Now, as much as I have loved the rapidly developing relationship between Mhok and Day, I do kind of wish we had had a full episode's worth of two angry, grieving people coming head to head. But, regardless, Aof handles the transition between casual touch and Something More with expert precision. Unsurprising, considering his oeuvre.

gif by @mooninaugust

So we get absolutely my favorite touch moment to date in Episode 2 with the absolutely terrible secret handshake between two blind people. I love how Mhok is witness to this moment of excitement and friendship between Day and Aon, and that we are too. Because it shows us where Mhok currently stands in Day's hierarchy of relationships. Mhok at the beginning of Episode 2 is still an acquaintance, some dude they hired because he cursed the family out and read The Little Prince during his interview process. The cut scene between Mhok saying Day might not want to see him, and Aon and Day hugging and doing their stupid loser handshake (I love them) shows Mhok and the audience that Day does have joy within him, and that Day is starting to build friendship and connection within his new (read: blind) community. We won't know until a little later in the episode how much Day has been cutting himself off from his old life, but for the time being Mhok knows his place in Day's life.

And Aon picks up on the fact that there is *something* even if it is not necessarily romantic there between Mhok and Day, again not by seeing anything physical between them because a) Mhok and Day did not touch in front of Aon and b) Aon would not have been able to see it anyway. But instead calls out the fact that Day has never talked about a single one of his caregivers before. We know now (and definitely should know already) that Mhok is different from other people Day has engaged with since he started going blind. We just haven't had time for their relationship to mature.

photo from @thatgirl4815

If I recall correctly, the first physical touch between Mhok and Day we get in Episode 2 is when Day accidentally touches Mhok's titty while searching for the eye drops. You can see Day recoil in shock a bit and he questions Mhok almost immediately as to why his shirt is off. Mhok is incredibly matter-of-fact in explaining that Day said he didn't like the smell of cigarettes, so he took his shirt off so as not to stink up Day's room (we can ignore the fact that he would still smell like cigs, but we ignore it For The Vine) and Day relaxes and makes some sort of annoyed comment. Again here, there is no romantic attraction in this rather intimate touch. I mean, this is Mhok's what? Second or third day? Mhok and Day barely know each other, Mhok is constantly fucking up the Whole Routine because he isn't communicating with Day about what Day's needs are, and here he is in his employer's room having his pec fondled. This is supposed to read as funny, and ultimately I think it does, but it doesn't read as romantic, and it definitely should not. What has Mhok done up to this point that would cause Day to have Genuine Romantic Feelings for him? Nothing.

photo from @moonchildridden

Again, the first hint that feelings may be approaching comes outside of the touch, with Mhok seeing how excited Day is to use those few precious seconds of better vision to watch his goldfish. And even moreso, it's not just the action that I think start the train rolling, but the conversation that Mhok has with Day where he asks if the goldfish is lonely. Mhok is able to con Day in to leaving his room by leveraging the health and safety of one of the few things Mhok has seen Day care about and connect with in the short time they've known each other. Day gets outside for the first time in god knows how long, to find that the jasmine is in bloom and to have a lovely conversation with Mhok about it. Mhok asks about Day's vision, how he sees, what he can see, and he tries to adapt to Day's necessary distance requirements. Day of course, has his head turned away and thus does not see Mhok coming in to Day's eyesight range, and bumps his nose against the top of Mhok's finger.

This little, accidental movement is one of my favorites of the episode, mostly because it opens up the conversation where Day asks what Mhok is doing and Mhok asks if Day wants to see his face. And this scene establishes exactly what I mean about timing as it relates to building sexual tension. Day ponders for a moment, the camera lingers on his face, the audience begins to feel like Day is caught off-guard, like maybe he does have some sort of crush on Mhok and he does want to see his face. Only for Day to break that tension right before it gets awkwardly long and tell Mhok he does not. This is closer to the shit that friends would pull. And thus we see that in a very quick period of time Mhok is becoming more important in Day's life as a waypoint. He is listening to Mhok, he has a slight bit of banter going with Mhok when they watch a movie, and even after Day fires Mhok (for the physical touches I will talk about next) Mhok's influence on Day's general day to day (haha) existence is clear in the fact that Day is sitting on the couch and trying to pick a movie entirely independently of anyone.

Things are starting to go smoothly, when Day's friends show up asking when he got back from America. Day panics at the unexpected arrival of friends who seem not to know about his condition, spills his popcorn, and falls to the floor, where he is desperately scrambling to get back on his feet and Get The Fuck Out. Mhok tries to help him up, but he's pretty quickly brushed off. This is the first time we see Day reject a touch from Mhok. Knowing what I know now about where we end up in Episode 3, I am realizing how important this entire scene (from Day tripping to Mhok getting fired) is for establishing a comparison point for change. Because the unwanted touch continues when Mhok breaks in to Day's room, also in a panic when Day is bathing.

gif by @btwinlines

We get such a juicy moment of Mhok and Day's trauma clashing with each other in a way that is unintentionally terrible all around. Day does not know about Mhok's backstory, Day does not know that by putting in his headphones and intentionally ignoring Mhok he is accidentally triggering Mhok regarding the death of his sister. Mhok knows that Day is upset, but only hears the room fall quiet, he does not know that Day is in the bathtub (read: naked) when he comes barging in. Again, to reference the post whoever it was made that talked about the rates of abuse/assault of disabled people by caregivers, this is a horrifically vunerable position that Day finds himself in. Mhok is far enough away from Day's range of vision for Day to see him immediately duck behind a wall to give Day privacy while he wraps himself in a towel. And before Day can really process what is happening, with both his emotions and Mhok's running high, Mhok is grabbing at Day's wrists to check them for cuts. A beautiful (and terrible) detail.

Personally, I do not think anyone's reaction to that situation is wrong, but it does give Day a second round of extremely uncomfortable and unwelcome touching from Mhok, when he's already escalated, and trying to process the fact that Mhok just barged in to his room while Day was naked and got a little peek. Here Day demonstrates that he does have autonomy, and that Mhok respects that autonomy with Day firing Mhok after two particularly awful physical interactions, and with Mhok not even saying a word in protest and just accepting his termination and leaving the house.

photo from @thescrumptiousstuffs

Now. Mhok isn't completely going out fighting, and Mhok I think has really started to realize that he cares for Day (even if he doesn't necessarily have feelings at this point) because of how badly he was triggered by Day falling silent. Mhok is a thoughtful person and respects Day's boundaries by sending Porjai to the house instead of going himself. Much to Day's chagrin, because the second the doorbell rings, you can see this hopeful look that maybe Mhok is going to walk through that door. Porjai hands Day the present Mhok bought him, and Mhok does hold the slippers close, but he relies heavily on his hands to feel the slippers to figure out what they are and what they look like. He knows immediately that Mhok has been paying attention and trying to get to know Day immediately because the slippers solve the problem Day has had with hitting his feet on furniture corners, and the slippers look like goldfish, one of the few things Day has seemed to care about since knowing Mhok.

Beyond the fact that I think Day already felt bad about what happened the other day and regrets firing Mhok, this really does demonstrate to Day that people still care about him, want to get to know him, and understand that adaptation is a constant in Day's new reality. But Mhok takes it further, by committing to the motherfucking bit to understand Day better.

Aside: I fucking *love* Aof for how often his stories focus on the overlooked or disenfranchised people, and I think that while it is going to be a feat for Last Twilight to become my favorite Aof piece considering how important Moonlight Chicken is to me, the backstories of Mhok and Day and the way they inform character decisions is perhaps my favorite of all of the shows I've seen of Aof's. I *love* the conversation that Mhok and Aon have where Aon says Day is scared of being looked at and judged by people, and how Mhok is like "why?" because he has spent the last year a visible criminal, trying to get a job, and being constantly rejected for exactly the reason he thinks. Mhok has spent so much time and energy over the last year trying to reintegrate himself in to society, while Day has spent so much time and energy over the last year trying to remove himself from society as completely as he can. Even if I am not sure that he believes it wholly, I do think Mhok understands that he isn't an inherently bad person because he was locked up, but that he is a victim of circumstance, and yet even reformed from his truancy past, Mhok found it impossible to get a job because people stopped caring about him as a person the second they saw his ankle monitor. Thus, Mhok knows exactly what it is like to be written off, to be abandoned, to be forgotten and I think it is for precisely those reasons that Mhok decides to spend the time and effort to understand the world that Day is living in.

The ankle monitor has served as an embarrassment for Mhok in such a way that I truly do not think Mhok is concerned about seeming like a complete and utter fool. And even so, he starts to understand the fear that Day is living with existing as a blind person in public, because Mhok is extremely used to seeing what people think of him without them having to say anything, and now he has no idea.

gif by @btwinlines

Which I think is a good segue in to the next physical touch we get, which is Day feeling Mhok's face in the marketplace after he asks Porjai to take him there. Again, the distance of the camera, the timing of the movement does not come off as romantic, at least to me. But it does come off as comfortable. I think Day is fucking with Mhok a little bit when he touches his face, and we don't actually acknowledge or get any conversation around the way Day has just demonstrated what it feels like to be touched without warning.

And YET AGAIN Aof has their bond strength not through touch, but through conversation. Because they aren't falling for each other yet, they are still learning about one another. And so they have a conversation where Mhok apologies and Mhok explains what he was trying to do and Mhok identifies what it is that makes Day so afraid of being in public. And we end Episode 2 with Mhok being re-hired as Day's caregiver. But wait!

Remember the last touch we get in Episode 1 is not a touch at all, it's Day taking his ID back from Mhok. Well, the last touch we get in Episode 2 is not a touch at all, it's Day throwing his hands to the sky on the back of Mhok's motorcycle and letting the wind hit his face. It's Day sitting on the complete opposite side of a glass tank, and using his moment of improved vision to catch a glimpse of Mhok. They aren't touching, yet we end the episode with the understanding that Day and Mhok have strengthened their relationship and are on the fast road to friendship. Personally, I feel like it is extremely responsible of Aof to not treat touching a blind person or having a blind person touch you as inherently romantic, and to have the more stomach swoopy moments come from actions and observations entirely devoid of touch. But, I'm not blind so I don't know how much something like that might actually matter to blind people who are engaging with this story.

Episode 3

IT IS TIME FOR FEELINGS!

There are so many physical touches in this episode. The first we get is Mhok unwrapping a bandage on Day's foot, with Day looking extremely at peace with the action. The second we get is Mhok kind of poking at Day and then jokingly moving to pick Day up when he refuses to start cleaning his room. Day doesn't seem like a person generally fond of man-handling, but you can tell very easily that Mhok is just fucking with Day because Day fucked with Mhok. We are witnessing friendship! Which persists throughout the entire episode. 

photo by @athousandbyeol

I like too that Mhok using the blindfold to better understand Day is not a one and done situation. Again there are a few friendly touch moments that do not at all read as romantic.Mhok steals Day’s sunglasses and is perfectly at peace with Day feeling up his face to try to see if the sunglasses Mhok is wearing are his; and when Mhok's hand envelopes Day's when they are trying to guess the shirts in Day's closet by feel alone. Day does not tense up, he doesn't suck in a breath, he doesn't really let that touch linger. He shakes it off quickly and is like "that's my hand". And again, as an aside (I hope this does not come across inappropriately but) I kinda like that Mhok is almost gamifying Day's blindness. What I mean by that is that Day and Mhok are engaging in friendly competition to see who can accurately guess the article of clothing. It seems like a great way to bring some joy and levity to helping Day get better at understanding his surroundings without the use of his vision.

I am an absolute sucker for couples in shows that have an established friendship beforehand. I don't mean friends to lovers necessarily, but too often in BLs I have noticed that romantic interests are only ever that and we don't get a lot of moments of stupidity, tomfoolery, and fun. So you better believe I was living my best life in the next physical touch scene when Day and Mhok are fighting with the dinosaur costumes on. And this is where the physical touches start to change, because we start without physical touch and end with it, where we have up until this point been ending every moment of connection and relationship progression ending without touch. 

gif by @raypakorn

For the dinosaur fight, we get the non-romantic, entirely platonic assistive touch of Mhok helping (poorly) to guide Day to the driveway (this fucker was so ready to wrestle he forgot to tell Day to mind the stairs at first lmfao). The actual point of connection starts with Mhok intentionally trying to dive out of the way of Day’s touch. And once again Mhok Day’s blindness to elevate a game between them, by clapping and then diving out of the way to try to avoid Day’s movements. But that avoidance of physical interaction very quickly devolves in to a wrestling embrace, laughing, having fun, and then settling on the ground to chat until Day hears his mother’s car and they run back inside to hide the evidence of childish glee. 

Day’s mother returns to find a very different Day from who she left, he’s out of his room, he’s eating in the dining room, he’s seeming much more confident in his ability to navigate around the house. And of course, she has to go and ruin the moment by pushing too quickly on a nerve about going back to school. Day wants to withdraw from school and he needs to go in person. 

Now. 

We have seen Day taking massive strides in his own healing process in the last few episodes because he is starting to ask for help when he needs it, and Mhok is getting better at caretaking because he is started to ask if Day wants help for certain tasks or if Day is going to do them himself, thus allowing Day to set his limitations. Knowing that Day is going in to school, he asks Mhok to help him fix up his hair, and we get the first of many more crush-level physical touches in the show. 

gif by @jimmysea

I’m not Thai, so forgive me if this is wrong, but I am pretty sure that in Thai culture the head is considered sacred and having people touch your head carries a significance that I do not think Western audiences really understand (speaking as a Western viewer). If this is indeed true, then the scene where Mhok is fixing Day’s hair gets even more intense, even when there is a clear change in Mhok’s view of Day from friendly to starting to see something more. Mhok even makes a comment about how Day is a stunner (or something) when his hair is done, and when Mhok asks Day if he likes it and Day returns the question, there is a pause that is not at all dissimilar to the pause Day had after Mhok asked him if Day wanted to know what Mhok looked like. 

But where the tension from Episode 2 when Mhok asks the question is broken in a way that makes it seem more like Day is just teasing, I don’t think Mhok’s deflection of “it’s alright” really returns the same level of dismissal. Because Mhok is starting to realize something about the way he is feeling for Day. 

We get the inside of the Thai subway for the first time in maybe ever? As Mhok and Day make their way to Day’s college. And thus the not-a-date-kind-of-a-date adventure begins. Day is clinging on to Mhok’s arm as they navigate on to the subway car, at which point Mhok breaks off from Day to try to ask for a seat for Day. But Day grabs him and pulls him back, choosing instead of hold on to Mhok’s arm. Like I have been saying, Aof has been doing a really great job at differentiating the types of touches, and up until this point, the more intimate touches between Mhok and Day, such as when Day feels Mhok’s titty in his bedroom or Mhok’s face at the market, don’t read as romantic, because Day is taking in information to supplement his vision. Similarly, the moments where Day is holding on to Mhok for assistance in environmental navigation, such as when Mhok helps guide Day to his professor’s office or helps him down the stairs the physical touch is matter-of-fact on both ends. 

photo by @athousandbyeol

But here, in the subway, we get the first instance of physical touch from an environmental navigation standpoint that reads more like a man who is developing a crush rather than Day just being guided…

…but that comes from Day, not from Mhok. Which I appreciate massively from the standpoint of ensuring that Mhok as the caretaker does not appear to be taking advantage of Day. In the subway, Day could have sat down, he didn’t need to stay standing, he didn’t need to continue holding on to  Mhok. But he chooses to do that. He chooses to keep his arm linked tightly with Mhok’s, he chooses to get a little flirty with Mhok when he says as long as Mhok stays close to him, that’s all Day needs. And we get the close up of Mhok and Day’s hands when Mhok moves to tap Day’s hand gently, and the shot lingers. Because things are starting to change.

I said in a previous reblog last week when Episode 3 came out that Aof does this really interesting thing in his direction and cinematography when characters share intimate moments, in that he breaks from his standard visual format. The lighting often changes, the camera isn’t held as steady, the moments are zoomed in much closer than we are used to. We get it with Heart and Li Ming playing that spider game with their fingers the night that Li Ming sleeps over and we get it in the subway when Day stumbles slightly and swallows hard, embarrassed and avoiding eye contact while Mhok looks at Day kind of fondly. 

gif by @taeminie

So we see the spark in the subway and then watch that spark begin to catch when they end up in the dressing room together. Day and Mhok both establish that they have never been in a dressing room with another person to cut the tension and nerves a bit. Afterall, this is the first time that we’ve seen where Mhok is getting up close and personal with Day’s partially nude body, when they are both calm, collected, and not amidst a panic attack about a potential medical emergency. No one is feeling violated, no one is feeling scared, no one is having their privacy forcibly removed from them. But that makes them all that more aware of how they are feeling, physically, when they are touching and being touched. 

And we get a secondary Aof Camerawork Moment where the style of shot changes and we get that gorgeous zoom in on Mhok’s hands and Day’s chest when Mhok helps Day back in to his shirt. And isn’t it wonderful that the most sensual and intimate moment that we have seen from Mhok and Day so far is putting Day’s clothes back on? 

gif by @wanderlust-in-my-soul

Check out @btwinlines’ post about this scene.

Day and Mhok continue their day, find the Last Twilight book, and are hanging about the market where Mhok leaves Day standing against a pole while he runs to grab a drink. As a result, we get a bombardment of physical touch, the most overwhelming to date because Day is getting just absolutely shunted around, bumping elbows and shoulders with the people at the market with no idea of where he is or where he is going. And this is where we really get an understanding of how terrible physical touch can be when you don’t have any bearing of your surroundings and can’t see where people are coming from or anticipate contact. 

We got a scene in Episode 1 where we see how dangerous being blind has the potential to be, but Day isn’t being touched by anybody at that point until he is pulled off the street by Mhok. But this time while Day does have a moment where he is in more physical danger because he stumbles on to the street, he is relatively much more safe getting lost in the marketplace than when he ran out on to the street in Episode 1, cause the few cars that are present are moving slow and know to be looking out for pedestrians. Day is grabbed and directed by random strangers who are trying to help him and kind of just…drag him along until he is out of the street when he is visibly panicking and then just…left on the side of the road with an offhanded statement from strangers that he is “safe now” and they just…leave him alone and continue on their way. Even there, with a helpful touch, there is no safety or comfortability in Day’s posture, he is not calmed by hearing that he is safe. Which serves as a really great comparison point for how comfortable Day has pretty much always been with Mhok (minus the one moment of severe dysregulation after being surprised by his friends and then by Mhok when Day was buck ass naked). 

Especially when compared to the relief that just rushes through Day’s body when he and Mhok are reunited and they embrace. 

AND LIKE OKAY, CAN I GO ON A BRIEF TANGENT TO TALK ABOUT THE PINK SHIRT? 

gif by @tomystars

You know how in a lot of romances you get that moment where you get the like, love at first sight thing? Time slows down, one half of the romantic pair picks the other half of the romantic pair out of the crowd? WE GET THAT HERE, WITH THE BLIND CHARACTER BEING THE ONE WHO PICKS THE FUTURE LOVE INTEREST OUT OF THE CROWD. 

The pink shirt is brilliant, and I love how it both acts as an anchor point for Day who is able to calm down upon seeing it, and not panic or freak out when being grabbed and embraced by Mhok after having a decently traumatic experience with physical touch just minutes before while also reaffirming that Mhok is learning and internalizing the adaptations he needs to incorporate in to his own life to make Day’s daily life easier and more accessible. Mhok understands how Day’s vision functions, he remembers that Day has said he could see that shirt from Mars it’s so bright, and he provides an in for Day to maintain his autonomy by making it possible for Day to potentially see Mhok before Mhok sees Day. 

ANYWAY

@athousandbyeol

The embrace they share when Day and Mhok are reunited is not charged, is not romantic, at least not to me. But what it does show is how much care Day and Mhok have for each other, how quickly their friendship is developing, and the safe spaces these two will find in the other. Day calms so quickly the second he and Mhok are touching, as soon as he has an anchor. And he won’t let go of Mhok either. 

Aof and co have been playing well with dichotomies, here, a situation that pulls Day and Mhok physically apart ends up bringing them emotionally closer together. It is clear that Day does not blame Mhok for what happened, even if Mhok was gone much longer than anticipated, and that is affirmed by Day defending Mhok to his mother when she questions Mhok’s caretaking skills and holds his criminal record over his head. 

And, let’s not forget, this is just writing about the physical touch, this post does not discuss whether or not the lack of touch is important. I wrote a decent chunk of this in the airport without wifi, so I could only talk about physical touch from memory, I didn't rewatch anything like I normally do, so apologies if I missed stuff.

[themeeplord]

Hey Meep, Meepster, Meeperoni how do you draw scales?

I love your scales, both the prominent and far away ones. I especially love the scales on your cryptid boys.

So how do you do it?! When I try to draw scales it looks like a gravel road and just overall bad. Please share your wisdom, I beg.

In my head this turned into a bigger question than you might have intended pfjfjf, I tried my best to stay relativity simple with my answer!

Let me show you how you can think when figuring out big scales.

First I try to keep it simple and not sketch in all the scales until I've gotten the pose down.

When I start planning out scales I start with figuring out the direction of the scales and the big shapes (I usually do this in my head, but drawing it can be very useful)

Once I'm happy with the shapes and directions I start adding the scales one at a time, all overlapping each other like they're huge fish scales.

Scales don't always have to follow the same 'start at the head and run down the body' idea, you can do the opposite and get some very neat looking shapes. You can mix it up too. Here's some examples!

There are a lot of different kinds of scales and animals often have more than one kind. Some even do look like gravel!

I suggest looking at real life animals and fictional creatures for inspiration and reference. It takes a long while to learn how and where to use specific scales, but it'll be easier if you're willing to spend some time looking at and studying scales and the anatomy around them.

Some examples of animals with scales~ (names in alt text)

[romantichopelessly]

iris by the goo goo dolls // the raven cycle by maggie stiefvater

thanks to @adanseydivorce for the shot of the trb quote ! <3

[whaliiwatching]

i bless everyone who kissed you here

[brookbee]

Got tagged by @doofusschweetz in this post (I took your coins) thanks for tagging me!

Tagging @crystal-mouse @frogayyyy @space-dog-from-space if y’all want to do this (no pressure though!)

[kradeelav]

RED ALERT TO U ELDER WEEBS,

BSKY HAS OAEKEI!!!!!!!!!!!!!!

(click thru link 4 how 2 do it)

[todayisafridaynight]

'tumblr i told you to stop sniping my post quality' translation: 80's sequel to this so click for better quality

[moonchild-in-blue]

Not forgiving yall for making me believe Price was a proper Tired Old Man™. What do you MEAN he is canonically 38/39 💀

and what do you mean Soap is like? 27? sir you are but wee boy. where are your parents.

[electricparchment]

just ERRORS in your software

[been-taking-muay-thai-classes]

A Day for Silly Love Songs

I have no idea what posessed me to write this at 2AM, I blame the Wings and youtube for recommending me love songs. Anyways enjoy this valentine's day Jamil x gn!reader I made in a rush. As always, if you notice any mistakes no you didn't

The Prefect always thought Valentine’s Day was just a commercial thing back home, a holiday made to sell specials, food and perfumes at a “discounted” price. They were more of the idea that love, be it for friends or family or lovers, should be expressed all year instead of just this one particular day.

Still they couldn’t help but miss the gaudy decorations of red, pink and white that often took over the world during this time of year, the silly love songs that people loved to dedicate each other and the loving messages friends left in the chats.

The Prefect also knew Valentine’s Day wasn’t a thing in Twisted Wonderland. It became obvious when February came and no heart-shaped decorations nor red, pink and white ornaments filled the campus nor the internet pages Cater and Idia were so keen on showing them.

No trends related to love or friendship, no complaining about loneliness or happy couples, nothing to show liking or disliking this particular date.

So, naturally, they didn’t take it personally when the freshmen received their gifts on the 14th wondering why the sudden affection. The Prefect didn’t explain, simply giving a 'I just felt like giving you all a little something for being such good friends'. After all, the whole history behind Valentine’s was complex and frankly quite separated from how it was celebrated in modern times and they didn't have the time nor the energy to explain why such a holiday was of any importance. All they cared about was giving their friends a little token of their appreciation.

Some of the upperclassmen also were confused. Ruggie and the Octavinelle trio in particular seemed intrigued but cautious about needing to return the favor. But they all smiled upon learning the gifts were just that, gifts. Ruggie in particular was very happy about receiving free food, no matter how small the bag of cookies was.

Malleus meanwhile was ecstatic to get a present from his friend. The wooden charm, painted a beautiful purple, was elegant in its simplicity and the fae was more than glad to attach the little charm on his magical pen. 

So on and so forth, the Prefect gave everybody a little trinket to show them their love. Even the more reclusive Idia got a little something.

However, there was one person who was yet to receive anything from the Prefect. And he had surely noticed by now.

Jamil Viper was stretching along with the rest of the basketball club, preparing for the training ahead, but he was having a hard time focusing with Ace and Floyd talking nearby.

‘Heee so Shrimpy gave you candy too? No fair! I thought my gift was special!’ 

‘Hey don’t look at me like that! You’re seriously freaking me out-’ Ace was interrupted by Floyd suddenly standing up and approaching him with a menacing aura, to which he responded with darting out of his reach and into the court. Floyd chased him, laughing all the way, and soon the rest of the club was shouting at them both to encourage the race, hoping to either see Ace outrun Floyd or be caught by him. 

Jamil was honestly done. He could feel a headache forming from the stress as well as he could feel the frustration of hearing around campus how everybody was getting a gift from the Prefect. That’s it, everybody but him.

Was it something he said? He knows he’s been busy lately what with helping the Scarabia students get back to studying and settling back in the dorm after the holidays, and also the whole ‘Crewel wants to make sure you all have the basics down pat, so we’ll be having weekly tests until March’ but he didn’t think he’d been neglecting you so much. He still went over to the cafeteria on a semi-regular basis to give you the “leftovers” -food he totally cooked specifically for you to enjoy- he had. He still made some time on his schedule to teach you and Grim a little bit of History or Alchemy or Ancient Curses because he knew how much you struggled with it. Merciful Sands, he even made his best effort to walk a certain route, different from his original one, to and from class everyday just so he could make sure to say hi to you every day.

As Floyd, Ace and some of the other guys started playing something completely unrelated to basketball, Jamil decided he had better things to do than stay here and do nothing. So he promptly grabbed his things and left without a word.

He walked fast and tense, with a determination and purpose that made most students move out of the way immediately. He reached the Scarabia kitchen in record time, and put on his apron to begin gathering ingredients.

Oh so you want to give people food? But not him? The rational part of his brain told him the Prefect had either forgotten or given his gift to Kalim to pass it later, but the emotional side wanted to remind the Prefect of their bond. He was the guy they kept messaging in the middle of the night with the pretext of not being able to sleep. He was the guy they kept calling first thing in the morning to make sure he’d slept well and have a nice breakfast before class. He was the guy who returned all that affection tenfold with little details that he both hope you would and wouldn’t notice because he loves you but he has so much trouble admitting his feelings.

So now, he’s preparing you a dessert. He knows it's your favorite, and while he would have liked to make this with more time over the weekend, make it really tasty and beautiful and surprise you with it on Ramshackle, maybe even have a date while you shared the food right now he needed to remind you just how much better he was than the rest of the students at this school, and how well he understood you. 

Kalim was just getting back from his own club activities when Jamil was preparing to leave. ‘Ohhh what’s that? It smells soooo good!’ The shine on his eyes denoted how eager he was to try the dessert, but Jamil had no time to lose, he was on a mission ‘I have to hand this to someone, but there’s some leftovers from lunch if you get hungry’ and just like that he was gone. Kalim didn’t even have time to ask who it was for or where exactly the leftovers were.

------------------------------------------------------------------------------

The Prefect sat in the Ramshackle living room, staring at the one gift they had been unable to give. Grim had fallen asleep from a food-induced coma, so he couldn’t bear witness to the defeat and shame on the Prefect’s face.

‘Ugh why can’t I do something so simple? It’s just a box of chocolates, why do I have to make such a huge deal out of it? I already gave everyone else things, and nobody thought anything weird’ sighing, the Prefect dropped their weight back onto the couch and laid there for a few seconds, thinking.

The heart shaped box, which they had to make by hand as Twisted Wonderland didn’t have such decorations, looked surprisingly good despite being carried dragged around campus all day. In fact, the Prefect was pretty certain that if they looked inside, the assorted chocolates of the various flavors they could remember from back home would also be intact. So why was the box still here instead of with its intended owner? 

As much as the Prefect hated to admit it, it was because they knew this gift was different from the others. All of the others were just little trinkets, with much love and some money put into them but barely the same time, effort and dedication that this one had required. And all because the Prefect had somewhat hoped to find Jamil alone at some point and confess their feelings with this gift. But as they walked around campus, the nerves and fear of rejection got the better of them.

After all, Jamil often joked about how troublesome the students here were, or how he was always worrying about his juniors and doing things to help them out (even if it they hadn’t asked for help), or how stressed he was lately with all the tutoring lessons or helping students recover their usual sleep schedules. The Prefect could tell it was all getting to him,  to the point his replies to their usual texting and calling had shortened to a few one or two-word answers. 

No, right now wasn’t the right time to confess. Jamil had enough on his plate, the last thing he needed was to consider someone else’s feelings and stress about rejecting or dating someone. And the Prefect certainly didn’t want to think too hard about the possibility of rejection and what that would mean for their friendship. 

‘Welp, guess I better get rid of this. Not like I’m gonna use it anymore’ as they stood up and gave themselves a single, determined clap, the doorbell rang.

‘Hm? Who could it be at this hour?’ looking around the room, the only things here were theirs and Grim’s ‘Odd, I don’t think the guys forgot anything’

The Prefect approached the door, thinking that perhaps Malleus had dropped by to go sightsee some gargoyles. Instead, as they opened the door, they were greeted by the man of the hour. Jamil Viper, whose panting, flushed cheeks and slightly disheveled appearance, revealed he may have been running here.

‘Jamil? What’s going on?’ The Prefect made to grab him by the shoulder but he stopped them with a raised finger. He took a few deep breaths, and when he was confident in his ability to speak, replied ‘I don’t know what I did to be ignored out of everybody today, but I brought you something to hopefully fix it’ 

Just then, as Jamil raised teh bagged food, did they realize he was carrying something. Their eyes widened and their cheeks flushed, but nevertheless they let him in.

‘Um, I don’t know what to say Jamil… um sorry, I promise I didn’t mean to ignore you all day’ Jamil walked in and quietly left the food on the table, careful not to wake Grim. He turned to eye the Prefect, not fully believing their words but too infatuated not to. 

‘So then how come everybody got gifts today except for me?’ at his accusatory words, the Prefect flushed even harder, the tip of their ears growing hot with embarrassment. Instead of answering with words, they simply grabbed the heart-shaped box and gave it to him, hoping this would suffice as an answer instead of having to admit so soon to their feelings.

Jamil eyed the box curiously, growing flushed himself upon noticing the…peculiar shape of it. He carefully opened it to see the assortment of colorful and well-crafted chocolates inside, as well as a handwritten list of flavors corresponding to each shape and color on the back of the lid. 

‘Uhhh’ all of a sudden, Jamil didn’t know what to say. The speech he had rehearsed on his way over, to try and make the Prefect see how he felt and possibly choose him as a boyfriend, was completely gone from his mind. ‘is this what Floyd was raving about?’ 

‘No, I- I made these myself, the others gifts were bought’ their voice was wavering between being strong and weak, as if they had to overpower the need to protect their heart with the love they felt for him.

Jamil took the box and began reading some of the flavors with curiosity, and seeing his rising eyebrows, the Prefect added ‘these are from back home, at least the few flavors and shapes I could remember better’ Immediately Jamil smiled, soft and fond. Oh, a piece of your world? Just for him? Was he truly that special to you? He ought to find a way to repay this thoughtful and kind gift tenfold. But first, he needed to make sure of something.

Letting the box on the table, he opened his own gift to you, revealing the delicious dessert he’d made. Although not quite as good as a professional chef’s would be, he was sure it would taste amazing. And so were you, from the smell of it.

‘I made this for you, because I thought maybe you were upset we- I haven’t been paying- able to spend much time with you’ he coughed a little, trying to regain the strength of his voice and his resolve ‘I figured…well we could eat together and catch up a bit…if…if that’s quite alright with you, Prefect’ and how could they say no? When he whispered their name with such softness, such reverence and delicacy, as if saying it any other way would break them, break him. 

The moment truly felt like taken out of a cheap rom-com movie, but that only made their own determination stronger. ‘I would love that Jamil…’ they stepped closer, slowly entering his personal space. Timidly, asking for permission and giving time to reject, they closed the gap between them with a small, chaste kiss to the corner of his lips. The moment felt perfect, they took it in for the few seconds it lasted. And then, when Jamil didn’t respond, they stepped back in a panic.

Was it too much? Had they read the signs wrong?

Jamil was frozen, face completely flushed and breath gone. They looked at him with concern and he looked at them with fear. And then confusion. And then realization. And finally embarrassment. Quickly he his his whole face with his hoodie, mumbling something about wanting to be cool on their first kiss.

The Prefect had to laugh, it was an honest reaction not meant to embarrass him further, but it clearly had that effect. So, they had to grab his hands gently, pry them away from his hood strings, slowly peel the hood down and hold his cheeks tenderly. Their eyes denoted all the love, warmth and longing they had for him and Jamil hoped his showed the same.

With one last loving kiss, they sat down holding hands to enjoy their treats together before Grim inevitably woke up from the smell of food. 

The Prefect always thought Valentine’s Day was just a commercial thing, but maybe there was a bit of romantic magic to this day after all.

[heartorbit]

NICCORI CORI CORI CORI CORIANDER