#this is so fucking evil honestly

[nordic-language-love]

Yo @neil-gaiman is there any way we can financially support writers so they stand a better chance of not getting kicked out of their apartments?

Fuck AMPTP and the bullshit going on. I'm tired, might not do this well:

(link to article in above picture) From The Article

Receiving positive feedback from Wall Street since the WGA went on strike May 2, Warner Bros Discovery, Apple, Netflix, Amazon, Disney, Paramount and others have become determined to “break the WGA,” as one studio exec blatantly put it.

To do so, the studios and the AMPTP believe that by October most writers will be running out of money after five months on the picket lines and no work.

“The endgame is to allow things to drag on until union members start losing their apartments and losing their houses,” a studio executive told Deadline. Acknowledging the cold-as-ice approach, several other sources reiterated the statement. One insider called it “a cruel but necessary evil.”

The studios and streamers’ next think financially strapped writers would go to WGA leadership and demand they restart talks before what could be a very cold Christmas. In that context, the studios and streamers feel they would be in a position to dictate most of the terms of any possible deal.

[Image IDs: Twitter thread by David Slack posted July 12th, 2023 that reads in totality:

And right on cue, here’s the inevitable Deadline article claiming that the AMPTP and their CEO bosses are ready to wait us out and let us “go broke.”

They’re not. They can’t. This studio propaganda, and here’s why.

In the increasingly mega-merged and hedgefundified Hollywood, these companies live or die on their quarterly earnings reports. It only takes one bad quarter for their stock price to plunge, putting the company and the CEO’s job in jeopardy.

But their stock prices are holding steady, right? Right. For now. Because our industry is a pipeline that starts with writers. The TV and movies they’re releasing now are shows we started making for them 4-12 quarters ago. But what happens when that pipeline runs dry?

What happens is they run out of product. No new shows in streaming to drive and sustain subscribers. No new shows in broadcast and ad-supported to bring in ad revenue.

No shows, no money.

No money, bad earnings report.

Bad earnings report, bye-bye stock price. Bye-bye CEO.

After 70+ days with no writers to create their product for them, the pipeline is running dry.

Their stock price isn’t tanking yet. But if they don’t make a deal with us, it will.

And they know it.

If they make a deal soon, they might be able to weather it. Stretch out releases. Rush some new stuff through.

But the longer they keep us out, the longer that pipeline runs dry, the more unavoidable a catastrophic dip in new high-quality shows becomes.

And they know it.

So yeah, the studios are planting articles in the trades that make it sound like they’re so determined not to pay us the 0.02% of company revenues we’re asking for that they’re willing to hold out forever.

Bullshit.

I’m sure the AMPTP bosses would love to break our union. But they love their jobs more. They love money more. They can’t make that money without us.

And they know it.

Ignore the trades, walk the line, stand together, and win. #WGAStrong

/End ID]

Bonus: John Rogers' Reaction

[Image ID: A tweet from John Rogers that he posted July 12th, 2023 that reads:

I was trying to be cool and professional about this strike, but this AMPTP “we want to drive them to homelessness” shit means I’m going to be dug in at WB Gate 4 like Hiroo Onada. They’re gonna have to send @ellenstutzman with a bullhorn to order me out of the bushes.

The second image is Ellen Stutzman's Twitter bio that says:

Cheif Negotiator for WGA MBA, Assistant Executive Director, Writers Guild of America, West; Cornell ILR and UCLA Anderson alum. Views are my own.

/End ID]

[woolysstuff]

I AM SO NORMAL ABOUT HIM

Evil!Sun my beloved (Edit// This Evil!Sun is from TSAMS and is not an AU of mine guys)

Bonus doodle

[salty-an-disco]

everytime someone says a version of "what if Shifty is intentionally manipulative and maybe even evil–" a part of me dies a little inside

[benevolenterrancy]

this description made me realise what one of my favourite MXTX character tropes is: Over-Worked, Under-Appreciated Employee Who Is Not Above Becoming Somewhat Evil About It

[navree]

genuinely would love for some of the "both parties are the same" people to name me a single election in the entirety of the twenty first century where the outcome for the country wouldn't have been better if a democrat had won

[beanghostprincess]

I think constantly about Pudding and Sanji being obviously parallels of each other and how fucked up it is that Pudding had to live the life Sanji managed to escape but she constantly gets hate online as if she hadn't been literally manipulated by her mother through the whole fucking arc. But okay. Yes. God forbid women have any sort of trauma response and if they do they're not allowed to have a redemption arc because of course they're extremely evil for making your silly baby boy cry and they don't have a heart even though it's explicitly shown in screen that they do and they regret their past actions.

[pigswithwings]

you will hear my strong opinions about the care and keeping of fish today by the lord

[sejanusarchive]

“Your own father used to say those people only drank water because it didn’t rain blood” vs two district boys who are assumed to be murder machines, yet prove that statement wrong multiple times: Reaper and Marcus.

PART ONE: REAPER

When Reaper is first introduced to us, we learn he’s rangy but muscular; we read about him wrapping his hands around Coriolanus’s throat on the truck headed to the zoo and about Dill, his District partner, saying he has killed a Peacekeeper before in District 11, without ever getting caught. 

Our first impression of him is that of a dangerous person, one who’s even clever in his lethality, and because of that we know he’s a presumed possible victor.

Lucy Gray mentions him more than once as one of the biggest threats, when talking about how she’s going to try as hard as she can to win the Games.

She also tells Coriolanus how Reaper apologized to the other tributes for having to kill them and told them he is going to make it up to them after, by taking revenge on the Capitol. Everyone takes this as him meaning it maliciously and with arrogance, ‘cause how else could he possibly mean it, right? Coriolanus thinks that he’s not only powerful, but good at mind games too. 

But the truth is that Reaper meant that genuinely, even with a certain innocence, and naivety to how it could have been misinterpreted. There was no malice or arrogance in his statement, but there was guilt and regret and grief, because of being forced into taking lives. He went into the arena fully prepared and resigned to kill the others to save himself, but not without obvious dissent.

When the Games start, he arms himself and heads to the stands. Coriolanus thinks he does so to begin his hunt, even if everyone else had fled in other directions and he had made no move to go after them.

Right after this we read about how Tanner, someone who’s also a presumed possible victor, is able to climb up to the first row of the stands and sit in the sun for a while, completely unbothered and unharmed. Reaper doesn’t try to fight him, even if it would have only been to his advantage, since he could have easily taken out his strongest opponent now that the Games had just begun and he wasn’t exhausted and starving.

His first interaction with another tribute in the arena is with a dying Dill, carrying her out of the tunnels, placing her in the sun and talking to her in the last moments of her life. 

His first act with another tribute, is comforting a dying child. 

This is when the “murder machine” image starts to crumble. Coriolanus’s classmates talk about how he doesn’t look so tough, doesn't look like the person who “promised to kill all the others”, which he never actually did.

But still, after all this, Coriolanus sees his distressed pacing around Dill, as him possibly being “eager to get back to the hunt”, a hunt he never even began, and not just him feeling pained and powerless at Dill’s condition. 

When Coriolanus is sent into the arena to get Sejanus out, Bobbin, Mizzen, Tanner and Coral are the tributes who go after them to try to kill them. No sign of Reaper at any point.

When Lucy Gray gets out of the tunnels with a rabid Jessup after her, he makes no move to kill them either. Coriolanus points out how he lets Lucy Gray go and only walks up to the bottles of water on the ground.

Again and again and again, he has a chance to easily take a life to save his own or take a small revenge against the Capitol, but he doesn’t. 

His second interaction with a tribute is with Lamina. He walks up to her, they negotiate an exchange of something both of them desperately need and that forms a bond between the two of them.

Then Coral, Mizzen and Tanner appear and he leaves, he goes behind the barricade and he falls asleep.

When he comes back out, he’s shocked to see Lamina and Tanner dead on the ground. And this is when he starts to make true his promise of avenging the tributes after their death. 

He lifts Lamina up in his arms and places her next to Marcus’s and Bobbin’s corpses and then collects Tanner, Dill and Sol, as well, and covers them all with the flag of Panem. And he keeps doing this with all the tributes for the rest of the Games, right until his death. 

This is the best form of revenge he could take. Not only because he disrespects the flag, causing great disdain among Capitol citizens; but also because, most importantly, he humanizes the tributes and gives them dignity, two things the Capitol has tried in every way to take away from them. He gives them as proper a burial as he can manage in those circumstances, makes it so now they can finally rest, tucked in a corner and covered, their corpses no longer on display for a bunch of sick people’s amusement. He honors them. He could have left them all scattered out on the dusty arena ground, but he didn’t. He took care of them.

Even when it’s just him and Lucy Gray left and he’s one step away from winning, he shows no signs of wanting to attack her. Doesn’t matter that he could easily take her out, save himself and finally go home. No, even then his main concern is that the tributes can properly rest with their corpses concealed. 

Everyone expected him to kill the most people, but he died in that arena killing no one and without ever even attempting to. He died holding strong to his humanity and making sure the fallen tributes could hold strong to theirs as well even in death.

Contrary to what we and the Capitol are made to believe initially, Reaper turns out to be pretty innocuous. He’s not a naturally violent or aggressive person, not a natural born killer and he refuses to be as well. This was a life or death situation and yet he didn’t even harm anyone. He has killed before, he is capable of it, but if he didn’t even do it in this case, even when all it would have taken for him to save himself was killing a girl smaller and younger than him, then imagine how dire and desperate the situation must have been when he had to resort to it.

He defied the Capitol by not participating in the Games, by not letting them turn him into the murder machine they wanted and expected him to be, and by honoring the corpses of the children whose lives have been so cruelly and unjustly cut short.

(Before moving on to Marcus, I wanna clarify some things in case anyone who’s reading this has only seen the movie. Reaper snapping at Clemensia during the one-on-one mentor-tribute interviews never happens in the book, neither does him looking angrily into the camera in the arena and challenging the Capitol to punish him arrogantly. Like we’ve just seen, this perceived arrogance and aggression in Reaper is a very surface level misconception of the people around him, that’s easily debunkable, that who made the movie took and ran with wrongfully. 

And actually there’s a few heartbreaking scenes in the book that contrast heavily with the image the movie created of him, like him tying a piece of the flag around his shoulders like a cape and spinning around, watching it fly behind him, and then running in the sun with his arms spread wide; and him rocking gently back and forth on himself for comfort, after the snake attacks, which is not when he dies in the book. He’s not the threatening, angry guy who tests the Capitol that they made him in the movie, he’s just a severely traumatized kid. Nothing more than a kid.

The movie made tons of stupid changes like this, that completely miss and disregard the whole point of both characters and story. Trust me when I say 99% of the characters are portrayed very wrongfully in it. So please keep that in mind.)

PART TWO: MARCUS

Marcus, like Reaper, was initially seen as a probable winner in the Games, before being murdered. Coriolanous makes note of his size multiple times, describing him as “towering”, as having a “colossal frame”, as “dwarfing the other tributes”, and comparing him to a grizzly bear. 

It’s exactly because of his size that people think of him as a sure winner, as capable of taking down everyone else, as threatening and deadly.

But then we hear Sejanus, the only person who actually got to know him at some point, talk about him, and the first and one thing he mentions about Marcus is his kindness. 

He tells Coriolanus how when they were still classmates in Two, he hurt his finger really badly and Marcus helped him by bringing him a cup of snow he scooped from the windowsill. He says he did it without being prompted by anyone, without consulting anyone, not even the teacher, and without even being friends with Sejanus. 

That’s actually the very first thing Sejanus tells us about him. They weren’t enemies, but they weren’t friends either. Marcus had no real reason to do it, especially considering how the Plinths were, and still are, deeply despised in Two, for having helped the Capitol win the war. He did it almost as a reflex, because that’s who he is as a person. 

And this pure, unconditional kindness, told by the one person who actually knew him, goes against the image of him everyone formed by just looking at him, against what everyone assumed because he’s district, he’s a tribute, and he’s tall and strong and broad, so he has to be dangerous and lethal, he will brutally kill everyone to save himself; he’s capable of it anyway.

As I already said, the Plinths are deeply despised in Two, Sejanus is a filthy traitor in his eyes, one who’s benefiting from a luxurious, safe life in the Capitol, thanks to blood money; blood of thousands of what were supposed to be his people, blood whose spillage made them lose the war and caused the realization of the Games, bringing Marcus to that very situation.

Sejanus doesn’t have to worry about whether or not he’s going to be able to fill his stomach everyday; whether he’ll be able to finish his studies or will have to drop out of school early, to go work to help sustain his family; whether the dangerous working conditions will be the cause of his early demise, or being sent to an arena to kill or be killed by a bunch of other children for amusement will be, and what will happen to his family once he’ll be gone. All of this thanks to his family’s betrayal.

No doubt he resents Sejanus and is angry at him, a part of him maybe even faults him a bit for everything, but he never takes it out on him. It would be easy to single him out, pick him and make him pay for this situation, since he can’t make the whole Capitol pay; take some sort of revenge on Strabo Plinth in the name of Two and Thirteen and all other Districts, by harming his son. 

Sweet Sejanus, who brings the tributes food when no one else thought about it, who keeps pleading with him to accept it, who tries to help them however he can, would probably let him do it. He would take the hit, metaphorical or not, because it’s clear he has guilt gnawing at him and would feel like he deserves it. And Marcus is definitely aware of it. 

But he never gets violent, physically nor verbally, never tries to attack him or spit insults or hate at him. Instead he just ignores him.

He had many chances to do harm, even to kill Capitol citizens and Peacekeepers as revenge, a small and trivial one, but still a revenge, and he had many chances to let his frustration and anger out on Sejanus and use him as a punching bag, but he never did, because despite what everyone assumed about him, that’s not the type of person he is.

PART THREE: SEJANUS 

Sejanus, whom I’ve already mentioned several times in this post, is another District boy with the ability to take lives, but who’s repulsed and disturbed by the mere idea of it. 

With Marcus and Reaper, it’s a matter of first impressions and then getting to actually know them and learn they’re not like they seemed. With Sejanus it’s the opposite. 

First thing we learn about him in the book, is his background: born in District 2, his father made fortune during the war and was able to buy his family a life in the Capitol. 

But the first thing we learn about him as a person, is that he’s shy and sensitive. 

Throughout the entirety of the book, over and over and over again, we see that he’s good, and kind, and gentle, and sweet and takes things so to heart. It’s constantly pointed out by the people around him. 

And it’s constantly shown to us by him as well, with the passion he puts into standing up against the dehumanization and mistreatment of District people; with how affected he is by these aspects and by the Games; with how he tries in every way he can to help the tributes; with how he made it his life mission to make things better for the Districts; with how he’s never mean or spiteful to people who bully and disrespect him.

Ballad of Songbirds and Snakes is at its very center a discussion on human nature. He (alongside Dr. Gaul) is the main character who explicitly talks about it, and he believes in the inherent goodness of humans and constantly advocates in favor of it. All the injustice and atrocities he witnessed and experienced, never made him change his mind or his actions, never made it so compassion and love weren’t his driving forces.

His heart is big, and kind, and pure. And he wears it on his sleeve all the time. He’s referred to as “emotional” and “compassionate”, his eyes are soulful, his face is incredibly expressive, and there’s so many instances in which he’s described as speaking with a voice so full of sentiment, so many instances of his eyes filling with tears, of him wiping his face cause they spilled out. 

It’s well established how good and uncorrupted he is, how devoted to humanity he is, how much he values life.

And then in the third part of the book, we learn he’s an excellent marksman, a natural one even, who has been training in shooting every week since he was tiny.

He’s so good, that the sergeant in Twelve, as to not lose someone with Sejanus’s level of ability, refuses to give him the recommendation he needs in order to train to become a medic, even when Sejanus purposefully shoots much worse than he’s capable of, to hide his talent. 

The boy who values life more than anything in the world, has the ability to take one even with his eyes closed.

When he arrived in Twelve, wearing on his body the signs of the toll that the Capitol, the Games and what happened to Marcus, had taken on his mental health; with the prospect of building a new life for himself in which he could help the world become a better place; of training to be a medic and save lives; Coriolanus noted he had a much lighter air to himself, as if a heavy weight had been lifted off of him.

But when he is confronted with the reality that he is now a soldier and is expected to kill, Coriolanus says that his expression goes back to being as gloomy as it had been in the Capitol, the heavy weight now back on his shoulders. 

At dinner he doesn’t take a single bite of food, which is a behavior we’ve seen from him before, one he falls into when his mental health gets concerningly bad. And the reason is that he is terrified by the idea of having to kill someone, or someone dying because he can’t bring himself to shoot first. Because to him, every life is precious and none is disposable, and the possibility of being the cause of one being taken away, is an unbearable thought.

Reaper and Marcus had many chances and what could be considered reasons to kill, but they refused to. Sejanus, who is expected to kill because he’s a soldier and the best shooter, who would be punished, possibly even with execution, if he didn’t, refuses to. 

All three of them have the power to take lives with little effort but choose to cherish and honor them instead, choose kindness, choose humanity even over their own self preservation, proving both the Capitol and Crassus Snow’s statement about District people being bloodthirsty, wrong, by simply being their honest, uncorrupted selves until the end; by being truthful to who they are no matter what.

[lilithofpenandbook]

Seriously how can M*r*uders stans like random Slytherins (who tf are Evan Rosier, Pandora (is that Luna's mum and why tf is she Evan Rosier's twin in half of these), and I don't even want to discuss Regulus) and make them Actually Misunderstood Good People Who Were Forced Down That Path when at least one of them *coughreguluscough* was obsessed with Voldemort

And then turn around and make Snape an awful person?

[jesterday00]

Spent the entire time I was drawing this insulting Descole’s stupid outfit. Removable collar and tall ass pirate hat fucker.

[bigmfrat]

how funny would it be if The Emperor made up the whole Stelmane thing just to scare you because you called him a freak and her stroke had nothing to do with him, it was just a regular mundane stroke. This is my truth.

[snowycavern]

Darkstripe but opposite of canon!

[snowquills]

wouldnt it be fucked up........... if bill made a type of fordland........... with his "family"............

(based off this from one of the finale intros:)

[uncanny-tranny]

I need everybody to love their smiles. To the people with crooked smiles, with yellow or missing teeth (hell, even no teeth!), to the people whose smiles are huge, to the people who have half-smiles/awkward/crooked smiles because of face paralysis, to people with smiles that make their eyes crinkle or disappear: your smile is so amazing. You are wearing your happiness on your face, and that is so raw, so radiant, and so intrinsically human that there is nothing to hate about it.

There is nothing wrong with your smile or your happiness. I hope you can give your genuine smile with no fear. You deserve that

[druidshollow]

PUNCHING WALLS PUNCHING WALLS PUNCHING WALLS i am PUNCHING WALLS

[0m3n-0f-d3ath]

🌊Tess with a kind reminder

ALL BODIES ARE BEACH BODIES🌊