#this is pretty much the only book i've read

[aro-absol]

[ID: A digital comic with a simple drawing style. It consists of long text that is accompanied by small drawings, matching what is said in the text. The text reads as follows: "I've always been a big reader. I was treating earlier and faster than most of my peers my whole childhood. [Three books: one is titled "Magic treehouse" and has the caption "kindergarten", one is titled "Harry Potter" and has the caption "first grade" and the last one is titled "Percy Jackson" and has the caption "third grade".] and my tastes have alwaystended towards the magical. fairytales, myths, and fantasy have been longtime favourites as far back as I can remember.

As I got older, my tastes didn't change all that much. They did expand, to being ok with things like horror, violence (and mild gore), death... As children's tastes tend to do. But I still loved fantasy stories just as much. When I hit eighth grade, however, they noticed a bit of a problem. I was getting a bit old for a lot of the middle-grade fiction books I liked. I thought: "Okay, sure! I've read adult-level books with no problem before, I'll just head for the fantasy section!" I asked a couple of friends for book recommendations, and culture reading except��� [A drawing of many different scraps from books, all clearly from romantic and/or steamy scenes] ... All of it was just so stuffed with sex and romance. [A drawing of a person shaking their heads in disbelief and saying "ew" while reading the book, with an arrow pointing to them saying, "14 and very aro/ace"]

Needless to say, I did not want to read those books (and haven't to this day.) Thought bubble of the person just described continuing: okay, this is probably just my friend's stuff. I know they like these kinds of things. I'll just look for myself! [A drawing of a person standing in front of a big bookshelf that is labeled "young adult and teen fantasy". There are many different phrases pointing to the box on the shelf. The phrases read: "sex scene on the first page", "sex", "twilight", "romance "' subplot'", viscerally upsetting description of making out", "fade to black sex scene", "no sex but only technically", "sexy elves", essentially a romance really", "insane amounts of kissing".]... you gotta be kidding.

Over the years since then, I've tried to find fantasy stories that I can actually enjoy. [A drawing of a list titled "typically good". The bullet point read: D and D based (sex jokes but party focused), comics, fanfic, older media (pre-90s), MG fiction (last resort)] I've had some success at finding patterns that work for me, but a lot of these categories are very digital. (At least for me.) And because of that, all the time I once spent reading is now on my phone.

I don't really know where this is going, or what the solution is. Most people do like sex and romance, and reading about them. And this is just a thing for making a terrible comic day. I think it's pretty common for aro and/or ace people to feel left out, since so often these are treated as universal ideals. But to anyone feeling that way: I promise you are not alone. Also, allos: get better writing material, seriously. And better friends, since yours are apparently so terrible you can't write deeply meaningful relationships without kissing. (Half joking.) / End ID]

Note: this image description is not fully complete, as I left out some smaller drawings that I couldn't add into the text in a way that makes sense and weren't crucial for understanding. Also, I apologize if this description isn't clear to people who use screen readers but I do not know how to make it any better. If you have any suggestions, tell me please.

My (late) contribution for Make A Terrible Comic Day! I've been going to the library more often lately so this has been coming up a lot, cause I want something to read but have had trouble finding anything that I'm comfortable with.

If anyone has recommendations please please let me know because I am struggling.

[tamayula-hl]

Sorry I have skipped answering anonymous messages for a while 🫣

Thank you so much for all the wonderful sunflowers(Himawari)! 😭😭🙏✨🌻💕 (And sorry I'm always getting them and not spreading this joy to other people's inboxes 🙇‍♀️) I'll continue to have fun creating various Slytherins content 💪😌💕.

YESSSS! I want to draw more about Sakurako and I always want to draw something like an introduction sheet about the Seb x Sakurako ship, but there are so many other things I want to draw that those inevitably take a back seat 🤣. But I hope to draw Sakurako soon 💪.

Aww, that's a very great idea! I'd love to see Slytherins struggling with parenting for the first time so I'd love to draw about this one day 😭✨. I can just see Ominis looking troubled and flustered while holding the baby, and Seb at a loss after trying to look things up in a book that he doesn't understand and can't solve… 😏.

ありがとうございます！ I am very happy and honoured to receive such a compliment! I've been studying painting in my sleep lately, so it's a great relief to know that I'm growing thanks to your message!

Personally, I think that the less revealing swimming costumes of the olden days are attractive, but as an artist, it is more fun to draw sexy swimwear, so I would like to draw HL Girls like in the ending of Naruto! 🤣 I'd like to draw about them next summer 🤭

Thanks for showing me a great story! If I get a good idea to illustrate these in pictures, I'd like to draw them someday 🤭💕

I am glad to hear such compliments! Thank you! And ahh, I would very much like to see Ominis in that situation!🥹✨✨ It must be fascinating to see him realising that his partner's unusual voice and breathing is causing them to be injured, and then impatiently trying to treat it as calmly as possible..! I hope to draw this soon 😏😏😏.

In Japan, when drawing a character x OC, we sometimes use a representation without their eyes to show that the OC is a character with no particular backstory or personality (or we sometimes represent the OC as a pure white mannequin, without drawing not only the eyes but also the hair and skin colour)😌 To be honest, I've been struggling for over a year and a half now to decide whether I should or should not draw eyes on personality-less OCs 🤣🤣

Oh, I've been recommended that fiction by various people and would love to read it, but you'll have to forgive me for not having read it yet 😭😭🙏. I'm especially sorry that lately I've been concentrating on my painting studies, cutting down on sleep and food, and I haven't been able to read at all not only the works recommended to me, but even those of my friends I follow: …… I will definitely read those works when I have the mental capacity to do so! 🙇‍♀️

As a Japanese, I would like to draw the HL character in MahouTokoro uniform one day 🤭💪. I think it's supposed to be unclear if Mahoutokoro has dormitory groupings like Hogwarts, and from a Japanese point of view there are a lot of pretty weird things about Mahoutokoro and the Japanese wizarding world, but I enjoy fantasising about these… 😏💕

Of course! I love Japanese anime 😫😫💕. I especially love Naruto, I can't tell you how many fanart and fanfictions I've drawn over the past 20 years since I got into Naruto when I was 10 years old 🤣💕. Death Note and Crayon Shin-Chan are other Anime (Manga) that I've loved for years and years and have had a huge influence on me!

I am so glad you liked the 2024 Slytherins! I think I have discovered a new fascination for them by painting that picture! And I get dizzy just thinking about Slytherins with hair in the picture you sent me 😫🥵💕. They must definitely be cool with long hair too! Especially the long- hair Ominis, I've been wanting to draw him for a long time now🤭 I'll try to draw them with long hair one day 💪💪💪

In fact, just a year ago I drew about Seb like that, though maybe not quite the same 🤭 (https://www.tumblr.com/tamayula-hl/735330297365790720/the-boy-who-recognized-beyond-the-fourth) I like it a lot and your message makes me want to draw again about Seb and Omi who have realised the ‘truth’ 💪😏.

Raraa! The idea of collaborating Sanrio characters with HL characters was unexpected, but it would definitely be cute! ✨💕🤭 That cute but grumpy look of Badtz-Maru and Omi should be a good match… I want to doodle about them soon 🤣🤣

I'd like to draw it someday, and I'd also like to draw, for example, how Seb would look at Anne trying on a slightly sexier swimming costume… 😏😏😏

Perhaps you can find my work if you set it up as per the image below 😌

[roseserpentpress]

An ocean themed hoffstrahm diptych anthology, composed of the series Street Cats (Making Love) by doztoevsky and Rushed like a dreadful wind by bleakwinter, both stories of which I've read over and over again.

Technically the book is pretty much composed of two typesets in one, but I really liked that the two stories were both, in a way, ocean themed. As a result I enjoyed being able to incorporate an oil-tanned Cabezon fish skin I had caught and tanned a few years back (although it makes the spine stiffer than what I would like it to be) and incorporating many sea-themed designs. The text block itself drove me nuts as for the first time I decided to try trimming the edges since PDFs being printed had been giving me grief recently; only for me to completely botch it the first time, but luckily I had a mishap printing so had already half a second text block... But it's finished now :) links to the fics below the read more.

Stray Cats (Making Love) Series by Doztoevsky

Street Cats (making love), (M, 9k)

Hoffman changes the rules of the game. Peter's just trying to catch up.

Nervous from the fall (M, 6k)

The ground beneath them shifts. Peter tries to regain his footing.

The shape it takes (M, 10k)

Peter attends a wedding. It goes as well as things usually do for him.

rushed like a dreadful wind by bleakmidwinter (E, 44.5 k)

Hoffman saves Strahm from getting crushed, but keeps him captive. Hoffman wants Strahm to understand him. Strahm just wants to escape, until he doesn't.

(aka the fic where mark conducts intricate rituals in order to touch the skin of another man by putting he and peter in wireless handcuffs set up to explode if peter walks a specific amount of feet away from him)

[bloodinwine]

I've seen some posts here and there about comments on people's fic, how they can come across as too demanding or really just not kind. It's been a little over a year, so I still feel like a baby to fandom - but I think I've experienced enough to have an opinion about this now (or I should say, understand my own feelings about this). I apologize for my rambles... First, I want to acknowledge that comment anxiety is so real. There are people so well-intentioned, who may want to express how much they love your story but just don't have the words or are so fearful that it will be taken the wrong way. Sometimes I do worry that having a criteria for what constitutes as the right way to leave a comment can make this anxiety worse for some people. Now, I've gotten comments before that could be read as "demanding" but I just try and see it as someone being excited and wanting to read more! At the same time, man....if only one could see the amount of TIME that was poured into that piece you just devoured. Because real talk...I tend to feel pretty hollow for a few days after a chapter drop. Like...in the most dramatic way possible. HOLLOW. EMPTY. NUMB. The comments that do come in DO bring a smile to my face and they DO mean so much to me and they DO motivate me to continue. But I am just utterly depleted and it takes me awhile to get my shit back together. I think part of it has to do with like...the amount of hours, days, I poured into this and how it can literally just be consumed in like 20 minutes. Most people will consume your art and some people will engage with it - and there is a difference. But that's kind of how it goes, once you release it you don't have any control over how someone chooses to respond to it.

The same could be said for visual art. Every art piece you see, it takes you one second to glance at and hit the like button. The amount of time and patience and care that went into it though? I can't even wrap my head around it. Since writing fic, it really got me thinking....there are SO. MANY. BOOKS. that I've read, many that have influenced me, had my jaw dropping to the floor, that I absolutely LOVED, changed my life and guess what? I've not once reached out to the authors in any form to express my appreciation. I don't even actually know what point I'm trying to make. (Again, rambling.) But I guess if you choose to read and you find the engagement exhausting so you don't want to leave a comment - I think that's okay. It would feel really awesome to the fic writer - who isn't making any money or getting anything else out of the time they'd put in - but if it's too overwhelming, then don't push yourself. Life is hard and sometimes you just need a place to escape without the pressure or sense of obligation to say something. I can understand this, too.

And for those who have taken the time, you have become a part of my own journey as I go on to write this ridiculous story. And I don't say that lightly. Whatever happens, or however fandom culture gets shaped or changes - I hope we all just continue to treat each other well and be kind, be kind and be kind always.

[catherinebunnington]

I agree, and this is true of every word we have, down to the simplest things.

Take the word 'tree' for example. Go outside and look around; you'll see a bunch of them. They're all incredibly unique, but we just call them all trees.

Language is just shorthand for describing the world around us. It is never a perfect 1:1 description, it's only ever able to give a vague impression of the thing it's describing.

Excerpt from The Golden Enclaves, book three of The Scholomance trilogy (great read, highly recommend):

"I've read about London enclave; I've even seen pictures in a few of the Scholomance library books, over the years. But that's like seeing a picture of a tree, and then actually climbing up in the tree with the branches going every way, the rustle of leaves and the smell and the bark under your fingers scraping and the wind going, and a thousand trees all round your tree, none of them being special and dramatic, just trees, and your tree was also just a tree being a tree, and the picture you'd looked at might be perfectly nice as its own flat thing, interesting and pretty and well composed, but it didn't have much to do with the reality of the tree."

i’m not aromantic but i believe in their beliefs

[centrally-unplanned]

Do you know anything about Arthur C Clarke's reception in Japan and in Japanese pop culture? I just finished reading Childhood's End because I've seen it referenced in Xenogears, Gurren Lagann and Planet With, which isn't objectively a lot but more than the zero times I've seen it in American pop Scifi. Makes me curious how big he was over there.

Oh yeah, he was quite big in Japan! Essentially "all" the classic Sci Fi was, and Clarke was one of the biggest. Childhood's End specifically was one of Yukio Mishima's favourite books, for example. All of his works were pretty widely translated soon after release (Childhood's End was definitely available in Japan in the 1960's, that I know), and were very popular with both the SF crowd and the literary scene. In general, he was the right blend of "hard" sci fi with fantastical/spiritual elements that was very much in vogue at the time. And in the early history of Japan's animage community, those were all mushed together as one scene, only moving to more separate tracks in the 1980's. I remember in one of the essays I translated over the years, literary critic Nozomi Omori (in 1997) makes one of those "classic works like" comments and Clarke/Childhood's End is his go-to to illustrate the point. I think you can argue it is in the top 5 most famous works in this era.

A bunch of the specific references you are seeing are the unique lineage of some ~80's anime works like Space Runaway Ideon: Be Invoked. Yoshiyuki Tomino (gundam creator), who directed the film, was a big Clarke fan, 2001 most specifically I think, and the film has several direct nods to him. There are other works that draw from this well, Ideon is just the biggest, and the one that was the most direct inspiration for Evangelion as Anno was a big fan. From there you can see the references go out - Gurran Laagan is a Gainax work, Planet With's creator Satoshi Mizukami was a huge Gainax fan (particularly FLCL, shout out!), etc - as you get later the references become second-order like that, less people reading the classics but the ideas are in the water. Though I don't want to overstate that direct link - Xenogears lead creator Tetsuya Takahashi is just a direct fan of Clarke as well, and explicitly pulled from such works for the project (you can see a bunch in works by Square in the 90's)

Though a personal note, you will if you google around find people saying Evangelion was "referencing" Childhood's End with Instrumentality? Best I know that isn't true, instrumentality itself as a word is a nod to Instrumentality of Mankind by Cordwainer Smith, and Anno is on record saying it is a shallow reference, he just thought the word sounded cool. Anno was not a classic SF fan, he is one of those "second order" guys where he is picking up the stuff movies like Ideon are putting out, but isn't interested in their classic origins.

[ameeperduee]

🍂 - a line or quote from one of my favorite books (or comics / manga). [Kazane & Ae Chea]

EMOJI STARTERS || Still Accepting

the song of achilles by madeline miller

She didn't like talking about her past. Especially her father. Why was she opening up in the first place? Ae didn't know but for some reason, she was beginning to trust this person.. "I always fought back when he beat me. Verbally anyway, sometimes I was too scared to fight back physically. But this time-- I tried to strike him.. with a kitchen knife but he caught my hand before anything happened." Ae let out a sigh. "The yelling through the household was unbelievable. My sisters were terrified."

Ae Chea did a big stretch with a loud exhale through her mouth. She didn't want to admit any of this. So why was she saying it? How the hell did they get here? " By the end of the fight.. There was more to say, but for once we did not say it. There would be other times for speaking, tonight and tomorrow and all the days after that. He let go of my hand." A silence fell between the two for a moment as Ae finished her tragic story. A confession of sorts. "Please, Don't think less of me."

[prolibytherium]

I never touched it but I feel like i only ever hear positive things said about song of achilles.. in (rough strokes at least) what makes it dogshit to you?

Okay it's been a while since I actually read it so some of this might not be spot on accurate. Sorry if at any point I say 'the book never does xyz' and it actually does once or twice but I think my underlying criticisms are accurate

-Patroclus is made into like this soft gentle tender quivering little yaoi boy. In the source text, he's shown as compassionate and moved by the suffering of his own men (and apparently having some medical skill, tending to the wounded in the camp), but very much invested n combat and very, very good at it (pages worth of descriptions of the guys he's killing left and right). In this, the arguably more complex character from this 8th century BC text is flattened into Being A Healer, he doesn't want to go to war he just wants to help people, he only goes because Achilles has to but he doesn't want to fight he's a HEALER he's a gentle lover NOT A FIGHTER who just wants to help he just wants to help everyone around him he HEALS while Achilles is a doomed warrior who is so good at fighting and KILLING its a DICHOTOMY GUYS!!!LIKE THE BEAUTIFUL SUN AND MOON DOOMED LOVERS SO SAD patocluse HEALER . (I Think he's specifically characterized as being BAD at fighting but might be misremembering)

-I don't remember much about Achilles' characterization I think it just makes him less of a jackass while not adding anything of interest and levels out into being mad boring.

-Not getting into the literal millenias old debate whether the mythological characters Achilles and Patroclus were being characterized as some type of lover by the original oral sources of the Iliad or its Homeric writers. We will never know. We don't even know what (if any) culturally accepted conventions of male homosexuality existed in bronze age Greece (we know much more about their descendants). But there are some interesting elements of their characterization in this direction, with how unconventional their relationship is WITHIN the text itself- Patroclus is described as cooking for Achilles and his guests (very specifically a woman/wife's job), Achilles chides Patroclus like a father, but there's also scene where Achilles' mourning of him directly echoes a passage of Hector's wife mourning her husband, Patroclus is explicitly stated to Achilles' elder, and is overall treated as his equal or near-equal, closest confidant and most beloved friend (to the point that pederastic classical Greeks would debate over who was erastes (older authority figure lover) and who was eromenos (adolescent 'beloved')- many took it as a given that this text depicted their present-day cultural norms of homosexual behavior but it existed so Outside of these norms that it had to be debated who was who). Their relationship is non-standard both within the text and to the descendants of the civilization that wrote them.

Basically what I'm saying is this book had opportunities to like, explore the unconventionality of the relationship (being presented here as explicitly lovers), explore the dynamics of why Patroclus wants to do 'women's work' (besides being a tenderhearted softboy), the weird dynamics where they take on paternal roles to each other but also roles of wives, how they feel about being this way, and just kind of Doesn't. Which I guess isn't an intrinsic fault (because it omits much of what I just talked about to begin with). it's just like.... Lame. This book takes jsut abandons everything interesting about the source text in favor of flattening it into bland Doomed Yaoi.

-The conflict that sets off the core story of the Iliad is Achilles and Agamemnon fighting over Briseis, an enslaved Trojan woman taken by Achilles as a war-trophy, Achilles spends most of the story moping because he was dishonored by his 'trophy' being taken. Achilles and Patroclus and everyone else are raping their captives, all the women in the story are either captured Trojans (or in the case of the free women within the walls of Troy, soon to be enslaved, and are slave owners themselves). Slavery as an institution and extreme patriarchal conventions are innate to the text and reflective of the context in which it was developed. You cannot avoid it.

But obviously you can't have your soft yaoi boys doing this, so the author has them capturing women to Protect Them from the other men. Their slaves are UNDER THEIR PROTECTION and VERY SAFE (and they might even Like And Befriend Them but I might be misremembering that. Briseis does though). Our heroes have apparently absorbed none of the ideals of the culture they exist in and the author seems to think "they're gay and aren't sexually attracted to their captives" would translate to them being outright benevolent (also as if wartime sexual violence is just about attraction and not part of a wider spectrum of violent acts to dehumanize and brutalize an accepted 'enemy')

In the source text, Briseis mourns Patroclus as being the kindest to her of her captors, who tried to get her a slightly better outcome by getting her married to Achilles (which probably would be the Least Bad of all possible outcomes for a woman in that situation, becoming a legal wife instead of a slave), and wonders what will happen to her now that he's gone. This is a really really sad, horrible, and compelling dynamic which could be fleshed out in very interesting ways but is instead is tossed entirely aside in favor of them being Besties. Like brother and sister.

All of the above pisses me off so much. If you don't want to engage in the icky parts of ancient/bronze age Greece then don't write a retelling of a story taking place in bronze age Greece. I'm not gonna get mad at children's adaptations of Greek myths or silly fun stories loosely based on them for omitting the rape and slavery but it is SO fundamental to the Iliad. If you're not willing to handle it, either fully omit it or better yet set your Iliad inspired yaoi in an invented swords-and-sandals setting where you can have all your heartbreaking tragic doomed lovers plot beats and not have to clumsily write around the women they're brutalizing.

-The author didn't seem to know what to do with Thetis and she made her just like, Achilles bitch mother who spends most of the story trying to separate our Yaoi Boys (iirc her disguising Achilles as a girl and hiding him on Scyros is made to be more about getting him away from Patroclus than trying to save her son from his prophesied doom in the Trojan War) until she sees how much they loooove each other and I think helps Patroclus' spirit get to the afterlife or something in the end?

-This is more of a personal taste gripe but it has that writing style I loathe where the prose feels less like a story and more like an attempt to string together Deep Beautiful Hard Hitting Poetic Lines that will look great as excerpts on booktok (might predate booktok but same vibe). It's all very Pretty and Haunting and Deep but feels devoid of real substance.

I really like The Iliad and The Odyssey in of themselves. They're fascinating historical texts that give a window into how 8th century BC Greeks told their stories, saw their world, interpreted their ancestors, etc. And genuinely I think these texts have 'good' characters, there's a lot of complexity and humanity to it.

WRT the Iliad- all of the main Achaeans are pretty fascinating, the one singular part where Briseis Gets To Talk and laments her situation is great, Achilles fantasizing that all of the Trojans AND the Achaeans die so he and Patroclus alone can have the glory of conquering Troy (wild), Achilles asking to embrace Patroclus' shade and reaching out for him but it's immaterial (and the shade being sucked back underground with a 'squeak' (the squeak kinda gets me it's disturbing and sad)), Hecuba talking about wanting to tear out Achilles' liver and eat it in a (taboo, exceptioally pointed) expression of rage and grief for his mutilation of her son's corpse, just one tiny line where the enslaved women performing ritual wailing for their dead captors are described as using it as an outlet to 'grieve for their own troubles' is heartrending, etc. A lot of grappling with anger and grief and the inevitability of death, a lot of groundwork laid for characters that could be very interesting when expanded upon in the framework of a conventional novel.

And Song Of Achilles really doesn't do much with all that. I know a lot of my gripes here are kind of just "It's different from the Iliad", I would have thought of it as mostly mediocre and forgettable rather than infuriating if it wasn't a retelling (and I DEFINITELY have strong biases here). But I think the ways in which it is different are less just a product of a retelling (of course there's going to be omissions and differences) and more a complete and utter disinterest in vast majority of its own subject matter, to the book's detriment. I think a retelling has a point when it EXPANDS on the source, or provides a NEW ANGLE to the source. This book doesn't Really do either, it just shaves off the complexity of its source material, renders the characters into a really boring archetype of a gay relationship, and gives very little else. Its content boils down to a middling tragic romance that has been inserted into the hollowed out defleshed skeleton of the Iliad.

Bottom line: I definitely would not be as mad about it if I wasn't familiar with the source material but I think it's fair to expect a retelling to Engage with/expand on its source, and I also think it's weak purely on its own merits. This book was set up to disappoint Me specifically.

[burning-academia-if]

Hello, I blinked and March was over. Another busy/hectic month in regards to Real Life things + I got pretty sick at the end of it (because being sick in February wasn't enough lol). With that being said, here's what I did get done:

Wrote 16.1k words (Chapter 2 total word count: 27.4k )

Started editing/coding in the start of Chapter 2

Did some more coding/tweaking for stat pages

Fixed some variables in Chapter 1 + added piercings and facial hair options to character customization (these will all be added when Chap 2 releases)

Posted Rhea's bday art

With that being said, I thought Chapter 2 would be a max of 30k words, but all the small branching and flavor text in this chapter is really adding up lol. Of those words written, most of it went towards the Lars/Student Warden path. I did however write one of the three endings, and one of two of the RO pov ending scene variants.

With that said the Rhea/Student Government path should be a lot shorter since it's more straight forward, and once that's done, all that's left is a handful of smaller scenes/variants to finish up and then Chapter 2 will be done! I'm guessing it'll end up being between 40k to 50k words in total. I'm hoping to finish up the writing in April and then code everything in to release it by late May! This is obviously very tentative, but unless the universe decides to cause mayhem once more, that's what I'm aiming for!

Lastly, here's another little preview for the confrontational MCs this month (ft Lars):

[cyanide-sippy-cup]

So, Book of Bill, huh?

[allmyoldhaunts]

i love the wheel of time because everyone they come across gives their sincere condolences about manetheren and they have no fucking clue what they’re talking about

[longagoitwastuesday]

Jacob Elordi and Margot Robbie as Heathcliff and Cathy seems like out of The Onion

[viillette]

it's so crazy how few historical fiction novels are like sharon kay penman's. the way that they're built out of the skeleton of the historical record seems so obvious, but there's so few people who are actually willing to commit to it in the way that she did. it seems like so often that's just a starting point which gets reformed to fit a coherent narrative, but she makes no real attempt to do that. there's themes and foils and patterns, but first and foremost it is a reconstruction. you can't really know what someone who lived that long ago was like, only what they did, and you can feel how she takes these isolated, dramatic events and builds a whole life around them. the books are nothing more than an answer to the question 'what might someone have been like, what could the history between these people have been, to possibly explain something like this?' the ability to string together a handful of facts and events from medieval chronicles to create people that feel so real, and psychology and relationships that develop so naturally that these distant, seemingly impenetrable choices suddenly feel so immediate and clear is just beyond belief. you know this probably wasn't actually how things happened, but it doesn't matter because it was something like this. the particulars are less important the crushing awareness that at one point all of this made sense. there was a time when all of this was right now. the world is unrecognizable and exactly the same. that's something which sounds very simple but is incredibly difficult to accomplish.

you come to know these people so well, their loves and hatreds and ambitions and failures, and those things are rarely resolved in the end. you know them from the time that they're children, you watch each one of them die, and none of it means anything in particular except that they were a human being. things which seem like they must be building to some tragic fallout end in anticlimax. things which seem utterly inconsequential in the moment manifest again decades later in cataclysmic disaster. and then you see it all play out again from the beginning with their children, and their children's children. all these uncanny echoes, this endlessly unfolding palimpsest of lives, each laid over the triumphs and mistakes of those who came before. i've never read anything so epic with so much mastery over the micro and macro levels of history. it's the minute, seemingly inconsequential everyday details, which build into a lifetime, which builds into generation of lives, which builds into the rise and fall of kingdoms and empires. it's the merciless endlessly turning wheel of fortune that replays the same songs in different keys again and again for all time. a person is both an individual with free will, and the prisoner of their blood and circumstances. somehow everything has infinite weight, is tied to everything that has come before and will come after, is the culmination of someone's entire existence—their pains and joys and fears and hopes—and yet is simultaneously completely meaningless, just one more victim of fate in an endless procession of lives and choices. the whole impotent tragedy of humanity is laid out in front of you and it's so repulsive and beautiful. it's deep love and unfathomable, senseless horror briefly and miraculously reverberating in a vacuum, an absurd aberration fading into silence.

if it's not obvious these books have made me cry like 10 different times

[swinging-stars-from-satellites]

gratitude list time I'll go first

[judicent]

Yeah, I did fill 4 sketchbooks in 4 months so far this year. Huh? Am I gonna post even an ounce of it? Well, you see, I am allergic to my phone, so you will have to come CATCH ME

[masked-alien-lesbian]

Hi! On the series mentioned on the sequels poll who did you romance?

hello! Hope you're doing well anon! 🎵

The post anon is mentioning is this one

TRR: Hana Lee always! ❤️ She's my forever obsession! My absolutely end game, my wife till the end of time lol

Desire & Decorum: Annabelle Parsons ❤️ my 2nd favorite playchoices LI, I dare say if D&D had as many books as the TRR, she may even had surpassed Hana 🫣

Blood bound: My first play through I romanced Kamilah but Lily has been my LI ever since then.

It Lives Series: In ILITW, I've romanced Stacey once but choose Ava always, love my witch lol. In ILB, I've flirted with Danni but I've chosen Imogene every time. In fact I think I haven't took every diamond scene with Danni or done an end game with her. I may do that next time I read ILB.

Endless Summer: I've flirted with Quinn but Estela is my end game LI, but I've only read the entire ES series once so maybe I'll choose Quinn if I ever reread the series again.

High School Series: I've romanced Maria once but I always choose Emma in my other play throughs. In HSS:CA, it's the same with Rory and Skye. I've romanced Rory maybe 1 or 2x but Skye is my usual end game.

Blades: My elf mc romanced Imtura, Nia and Valax but I gravitated more towards Imtura and Valax. Then I created an orc mc that romances Nia and Valax. I'm wondering if I want to create a whole other mc just for Valax lol, but that's a lot of mcs for me 😅

In my tags I brought up Baby Bump so ofc I chose Myra Dixon, Clint was sweet but Myra won me over rather quickly.