#this is peak queer love representation

[le-panda-chocovore]

I've read that post that said "The funniest thing about Good Omens is that the Enemies to Friends last 2 minutes and the Friends to Lovers was 6000years." which is true. But, what is even more funny is that in The Sandman it's the opposite : the Enemies to Friends was almost 700y and the Friends to Lovers last no more than 1 week in most fanfiction.

[strawberri-draws]

Opla doodles … they r silly

[fxlling-slxwly]

There’s so much about Heartstopper Season 3 that I LOVE. Obviously Nick and Charlie’s relationship growth is beautiful, and Charlie’s mental health stuff is SO IMPORTANT, and I was SOBBING at Episode 4. HOWEVER. Breakdown of my favourite parts / storylines:

1. Darcy’s exploration of pronouns and gender identity. Seeing them start leaning more masc, cutting their hair, using they/them pronouns, and then coming out to Tara as non-binary?? WONDERFUL. As someone who recently came out as genderqueer (with a fairly similar path as Darcy actually) this made me so emotional and so happy for them and the representation.

2. Isaac. My baby. Everything about him is so wonderful and I just want to wrap him in the biggest hug ever. His coming out scenes (both his one to Charlie and to the Paris Gang) were beautiful. His boundaries in refusing to fill in the gaps for his friends is so admirable, as when you’re outside the ‘mainstream’ queer labels it can become such a tiresome ordeal having to explain your identity to others when they aren’t putting in the work to look it up. I’m SO GLAD he got these moments and he’s such a ray of sunshine. Him being the only one to see that something was wrong with Charlie hurt me deeply but it made me love him even more. Also seeing his cheeky side when it comes to Charlie’s sex life is peak aro/ace romance obsessed behavior.

3. Michael Holden my beloved. Darragh’s portrayal of him is everything - he’s so funny, awkward, and optimistic in every single scene and I just adore him. All of his interactions with Charlie made me fall in love with him even more, and they all just felt so RIGHT. His and Tori’s relationship is wonderful.

4. Tori being the best most beautiful big sister. She has so much love in her but she’s so afraid of letting people in and see her being vulnerable. Her love and anxiety for Charlie is so immense, but she does what she can even when her heart is breaking. I adore her and I’m so looking forward to seeing even more of her in the next season.

5. Nick interacting with Elle, Tara and Imogen on the road trip!!! I love seeing Nick integrate more with that friend group, but allowing him to have those moments of gossip and banter with the girls is beautiful, especially as he’d said previously how he didn’t talk about the deeper stuff with his other friends. Having the girls encourage him to talk - especially Elle causing chaos - was *chefs kiss*.

6. Tao and Nick hugging!!!

7. Charlie, Tao and Isaac’s friendship! I adore seeing them be super huggy and telling each other how much they love each other. Healthy friendships for the win!! No toxic masculinity here!!

8. Tao and Elle’s relationship & his utter adoration of her. The scene where he showed her the video he made of her was so emotionally raw and beautiful and UGH IM OBSESSED

9. Mr Farouk and Mr Ajayi’s soft moments UGH I LOVE THEM. Mr F is one of my fave TV teachers - the way he tells Charlie that he could help so many younger students and you can just tell how much he needed queer rep when was younger!! Ugh I adore these two so much.

[luunamoona]

the way community handled queerness is honestly so peak. like, there're 3 main moments i can think of in the show where queerness was apparent and mentioned: advanced gay, queer studies and advanced waxing and britta's pitch in emotional concequences of broadcast television.

in advanced gay, the cornelius hawthorne is seen as a villian for having traits like being abusive towards his son, pierce, him being really racist and him being homophobic. this acknowledgement of homophobia being a bad thing is definitely good for the early 2010s, as many shows treated being queer as a joke back then. also cornelius being fucking murdered at the end of the episode solidifies the fact his actions were deemed immoral and he therefore had his comeuppance.

community only ever uses queerness as a punchline in the context of troy and abed's relationship, the punchline usually being "look at how romantic these 2 friends are how silly", which could be seen as homophobia as the same context with a man and a woman would be treated differently by the showrunners as it'd be turned into a romantic subplot.

the next example i have is from queer studies and advanced waxing. having the dean tell richie and carl that he "isn't openly anything and gay doesn't begin to cover it" is much more progressive than many other media at that time, and even now, as they'd usually have the queer character just be gay for convenience. this need for convenience is commented on in the episode with richie and carl basically coercing the dean into adopting a label that is inaccurate but convenient for his straight peers. back to my previous point, presenting queerness as being more complex and having more nuance than just gay and straight is something that is very useful to queer viewers as it presents an option beyond these 2 ends of the spectrum. unlike what other shows may do with this concept, community treats it seriously, showing the dean's inner conflict with presenting with an identity that isn't his, with lines like "i feel sick". (also side point, the line "i make gayness look like mormonism" goes so hard)

finally, there's britta's pitch in emotional concequences of broadcast television. in this, the dean protests britta's decision to make him transgender and not "all this other stuff". something i love about that scene is the ability to critique queer represention without insulting it. as a trans person, i've seen a good amount of transphobia is television. this isn't one of these times. being able to have trans identity be a part of the punchline without it being insulted is something that is apparently very hard for screenwriters of sitcoms to do, so i commend them for being able to do that. as well as this, this scene acts as a criticism of how basic queer representation in media is, how they like having one distinct, easy to understand label to give their token character, ignoring "all this other stuff". it's telling us that, like in queer studies and advanced waxing, queer idenity isn't black and white, it's a wide spectrum of identities that comes in many, many different colors.

all in all, community's representation of queerness and how it treats insults to queerness is something a lot of other shows should try to strive for. in my opinion, it has some of the most nuanced takes of queer identity and representation out of any sitcom that doesn't have queer people as a target audience. it feels very fitting, since the show is literally called community and it about a group of misfits who bond over their shared messed up-ness. this show is all about finding your people and accepting everyone, as pierce says in for a few paintballs more, "flaws and all". i think the showrunners had an impression this show would speak to a lot of queer people and i love that they were able to make us feel welcome just as greendale does to the study group.

[kylieswift31]

Taylor Swift and the Truman show

"Well, for me, there is no difference between a private life and a public life. My life... is my life, is the Truman show."

Tied together with a smile

Taylor is currently at the peak of her career as she's now breaking her own records and reaching a level of fame only seen by the greatest such as the Beatles and Michael Jackson. Yet underneath all that success is a layer of conflict due to the discrepancies between her private and public life. With closer inspection it is clear to see that Taylor has left a trail of breadcrumbs that reveal that she has been queer since the beginning of her career. The ��love struck and boy crazy’ version we first saw of Taylor was supposed to be a temporary step in her career during the fearless era, but through a series of unfortunate events she has spent the entirety of her career in the closet.

Now with the ending of the rerecords and eras tour in sight, Taylor has begun to reveal the cracks in the facade of her public persona so that we can see who she really is underneath. Her performance of 'delicate' on the eras tour is a visual representation of this process. Throughout the song we slowly see cracks forming in the glass, one at a time until at last there are so many cracks the entire stage shatters into a million tiny little pieces.

But what causes the cracks?

Taylor.

And it’s all inspired by the Truman show…

Daily life

In the mirror

The first time you watch the Truman show, the focus is on Truman and his journey. He lives a normal life in Seahaven with his wife Meryl, has a successful career in finance and spends his free time with his best friend Marlon. There are small cracks in the facade of his picture perfect life from the beginning, but halfway through we reach a turning point as it becomes clear that Truman is also the star of a 24 hour reality TV show that broadcasts his life to the public without his knowledge. Every move he makes is being observed by the outside. And then when you get to the end of the movie you start to realise that not everything you saw was as it seems.

Taylor has several well known Easter eggs that reference the Truman show, but with further investigation we can discover that she also relates to his story on a personal level. In the song 'mirrorball' Taylor explores the theme of wearing a mask that reflects back what the viewer wants or chooses to see. Just like an iceberg, if we stop at the surface level of what we see of Taylor’s personal life, we’ll miss the depth of what lies underneath. Many of her music videos echo Truman's story in a way that leaves her truth hiding in plain sight.

Good neighbours

Truman’s day starts with a moment of quiet reflection as he gazes at himself in the mirror before greeting his neighbours on his way to work. “Good morning! And incase I don’t see ya, good afternoon, good evening and good night!” His iconic catchphrase is repeated each day. Even though Truman’s the only person in Seahaven who isn’t a paid actor, he’s having the same scripted interactions day after day. His life is centred around acting the part, just like everyone else. The only difference is that he’s wearing a mask to hide how he really feels underneath. Truman's day is very reminiscent of the groundhog day trope to highlight how scripted and repetitive his life has become.

Taylor's life in the public is very similar to Truman's now that she can't go anywhere without being recognised. The once unfiltered teen that was vocal on myspace has become selective and restrained with what she shares online after years of having her life picked apart for all to see. The chasm between Taylor's public and private life has grown to the point where removing the pop star mask will impact her career.

Product placement

The Truman show is sustained through the revenue generated from the products advertised on the show. The first time we meet Truman's wife Meryl is when she's showing him the latest gadget she's picked up from the store on her way home from work. This feels subtle at first, but as more products are mentioned throughout the show it becomes more obvious and the advertising feels more akin to a late night shopping channel. We start to see that everything from the decor, wardrobe and food they eat is for sale. Every aspect of Truman's life has become commodified to generate revenue and to keep the show running.

All the little Easter eggs throughout Taylor's 'lover' music video seem like personalised advertisements now that we’ve seen that they advertise memorabilia on the Truman show in a similar way. However, within her career marketing is an integral facet of Taylor's career. "When you realise the rules of the game you're playing and how it will affect you, you got to look at the board and make your strategy. But at the same time, writing songs has never been a strategic element of my career. But I'm not scared to say that other things in my career, like how to market an album, are strictly strategic."

Hidden in plain sight

It's not obvious at first that Truman and Marlon have found a way to communicate with each other honestly whilst remaining undetected. Truman is often sharing his plans of going to Fiji to get away for a while. However, when he's really planning to leave Truman says "Just between you and me Marlon, I'm going away for a while." This allows the viewer to believe that it's just another wishful thought about going to Fiji, but said in a way that lets Marlon know that he is serious this time. Beer seems to be both another advertisement and a signal to indicate that he's been sent by the director. "It's all true. It's all real. Nothing here is fake. Nothing you see on the show is fake. It's merely controlled." Later on when we're shown that the director is feeding Marlon his lines, it's clear that he has always tried to be as honest as possible with Truman.

Taylor mentions wine frequently through her discography. Perhaps this is to show us that her truth has become so watered down within her lyrics that she lost sight of who she was before. Taylor has changed up pronouns and added hidden meaning to words and phrases mentioned frequently throughout her discography. Through this process she has become incredibly skilled at seamlessly adding connections to multiple muses within a song.

The first crack in the glass

Everything changed

From what we can see, Truman has known from the beginning that he's been the central character within his town to some degree. Truman appears to be fairly content with the life he had created for himself, despite the confinement he felt (he hasn't known any different). This all came to an end when Truman realises that his father is still alive. This changes everything as the first cracks in the facade of his seemingly perfect life become visible.

Intercepted

A very similar experience happens with Taylor in the 'delicate' music video. We can see that this interaction leaves Taylor more aware of those around her. "People often greatly underestimate me on how much I'll inconvenience myself to prove a point…" In her real life there are several events we could attribute to being her motive for change including the sale of her masters (ownership of her first six albums) to investors, a relationship changing or something that affected her reasons for remaining closeted.

Chance of rain

We see Truman sitting at the beach reflecting on how his father drowned when he was a child. As it starts raining he gets up to leave, only to reveal that there's just enough rain to encourage him to get up and go home. We slowly start to see how manufactured these scenarios are. Throughout Truman's week there are planned situations that are designed to test for any changes in his behaviour, like if he's still petrified of the water. These actions reveal just how much pressure they've placed on Truman to prevent him from leaving. It leaves us asking how much free will does he truly have with his choice to stay or go? At this point it feels like the choice has been made for him.

Taylor recreates this rain scene in the 'lavender haze' music video. We see her sitting at the end of the bed with a rain cloud over her head while her lover is asleep. We can infer that Taylor is showing us that she identifies with how isolated Truman was feeling in this moment. Taylor has given up a lot in her personal life for the success of her career, but how much of that was her choice to do so?

Reflecting on the past

Truman goes back home and opens up a trunk full of childhood memories. He's looking at photos of his family while trying to make sense of what he saw with his father still being alive, and the implications of that. This is the beginning of Truman questioning how far those in his life have gone to keep up this lie. If his father is still alive then what else have they lied about?

In the 'cardigan' music video we can see that Taylor is reflecting on her past in a similar way, but this time through playing her piano. Both 'the tortured poets department' album and summation reveal a similar theme of reflection, but with an honest exploration of the agony that comes along with it. "Nostalgia is a mind's trick." This album is a reflection of her career, highlighting the toll it's taken on her personal life along the way.

The one that got away

Love triangles

As Truman pulls out a red cardigan from a plastic bag, we get flashbacks of his high school years. His attention is torn between Sylvia and his current wife, Meryl. During a moment alone with Sylvia they sneak away together, but she appears anxious knowing they don't have much time alone. They share a chaste kiss before Lauren gets dragged away by a man claiming to be her father. She hastily reveals that everything Truman knows about his life is a lie, that it's all done for him and that everyone is watching him. Her father claims that she is just having an episode and reassures Truman by saying that he's taking her to Fiji to receive more help. Sylvia's interaction with Truman is the catalyst for her character being removed from the show. This reveals that even in high school Truman's love interest was planned out for him, despite his attraction to Sylvia.

Taylor wistfully talks about the fictional teenage love triangle during the 'folkmore' set. She describes how James is longing for the one that got away, which seems to contain an element of truth from her past. In 'imgonnagetyouback' she talks about how she won't stop fighting until they're back together again. I tend to lean more museless, with the queer side of Taylor being the one she's fighting for most of all (and with any other muses being secondary to that). If we consider the love triangle from that perspective we can see that the muse she lost was a cherished piece of her history, but the part of herself she lost along the way is the one worth risking everything for to be able to feel whole again.

It's all in the details

Through the development of Sylvia's character we start to see the significance of the colour red. To the viewers at home it is a symbol of heartbreak and loss, and that Truman's attachment to the cardigan is based on his feelings for her. But for Truman we can assume that it is more like a symbol of hope that he might finally be free one day. Other symbols we see her wear include a red seahorse pin (their school mascot) a green bauble bracelet and the 'how's it going to end?' badge. When he reads the badge in the library he quietly admits that he's been wondering that too. This is the earliest insight we witness of Truman not being fulfilled by the life that has been scripted for him.

Many of Taylor's Easter eggs are a reference to the Truman show. These include Sylvia's rose shirt, the eras tour poster, 'karma' door, the song 'how did it end?' and many of her music videos. In the 'lover' music video there's also the bauble earrings, her lover has a seahorse patch on his jacket and the board games are Taylor Swift themed. These all seem like amusing connections until you pick up on the deeper correlations to Truman's story.

Cardigan

After Sylvia left, all Truman is left with is her red cardigan. Sylvia begs Truman to come and find her, but as the flashback ends we find out that Truman didn't follow her to Fiji at the time because his mother got really sick. Instead he settled down and married Meryl, while living with the loss of what could've been with Sylvia. After Truman finishes reminiscing about the past, he slyly reveals that the badge is still pinned onto the cardigan. This reveals that his attachment is not so much to Sylvia now, but to the idea of leaving one day so that he can be free to live his life authentically.

Taylor's song 'cardigan' is one of her most significant references to Truman's story. In the 'cardigan' and 'willow' music video we can see that it is a symbol of the memories she carries from her past and a reminder of what she's left behind along the way. The stars on the cardigan hold a similar sense of hope, just like Truman's pin. "You drew stars around my scars, but now I'm bleedin' 'cause I knew you." This imagery evokes the pain of carving into skin to emphasise the heaviness that comes with sitting with the memory of what could have been.

The bar

After Truman's flashback scene we get a glimpse of commentary from a bar as they're watching the show. This juxtaposition reveals how watching the Truman show is an ordinary occurrence during their daily lives, just like many of us tune in to watch the eras tour on a grainy live stream. The 'delicate' music video ends with Taylor walking into a very similar bar to meet up with a secret admirer, but it remains unclear which one is sitting there waiting for her.

Cracks in the facade

The one worth fighting for

Once the nostalgic moment is over we see Truman holding a photo frame of his wife Meryl. It seems like a loving gesture at first, until he turns it around and opens it up to reveal that he's been collecting a collage of facial features in an attempt to recreate a portrait of Sylvia from memory. This contrast between the memory and Truman's reality exposes how much he has sacrificed along the way by staying in Seahaven. Holding onto the cardigan, pin and picture of Sylvia is an act of defiance when everything else in his life has been decided for him.

Taylor left everything behind when she left her old label, including the ownership of her first six albums. She was not given the option of buying them back without having to commit to producing another album for each one she earned back. Unfortunately this is something many in the industry have had to endure. With hindsight we now know that Taylor was able to rerecord her past albums with added vault tracks, but at the cost of reliving her past. Taylor's back tattoo in the 'you need to calm down' music video conveys that the memory of her life's work was the only memento from her past that she was able to take with her.

Glitches

As Truman is driving to work again, his car radio starts glitching and he ends up on a channel that contains the directions everyone else is hearing in preparation for his arrival before work. From our point of view all of these mishaps are new, but there would have been flaws like this in the system a lot longer than that. But if Truman has known he was the star of the show from the beginning, what was the point of the movie? To reveal the truth to us, and the viewers at home, slowly over time. And to give us a chance to understand his point of view as we prepare for his departure.

We have seen plenty of glitches like this occurring in Taylor's performances on the eras tour, and many of these have been intentional (such as the screens glitching and swallowing bugs). This draws our attention to the cracks in her pop star facade, revealing glimpses of the person she is underneath. And just like Truman, she's giving us the opportunity to slowly adjust to the changes she plans to make in the lead up of what's to come.

Breaking down

Truman appears to be overwhelmed as he starts to reveal just how much of the town he lives in is choreographed around him. This is the start of Truman escalating his reactions to create more cracks in the facade, in the hopes that more viewers begin to see the challenges he faces living in the spotlight.

This purposeful increase in revealing more of the inner versions of themselves is exactly what Taylor is portraying during the 'delicate'' performance on the eras tour. Slowly allowing us to see them as normal people behind the larger than life character they had become in the spotlight. The way Taylor begins creating the cracks on purpose allows us to understand that what's to come is purposely being exposed.

Life's a stage

Truman attempts to enter an elevator, only to discover that it's fake. This is a big step towards seeing what's behind the magician's curtain the first time you watch the movie. When you watch it again this is the point where you start to discover how complex the set of Seahaven has become over time to keep the show running. Many elements of the town act as rest stops and exit points for the actors away from Truman's view.

Taylor pushes down the walls of the bedroom during the 'lavender haze' music video, revealing that the relationship had always been a facade to begin with. Interestingly, this is the only music video that we see begin after the clock ticks over to midnight. Just like Cinderella returns to her original state at midnight, so too does Taylor. This correlation to Cinderella's story implies that the lavender haze we see hidden beyond the walls of the bedroom is the most honest version of Taylor underneath everything else. Lavender is heavily used as a subtle reference by queer people, especially lesbians. Koi fish can be seen in all of the 'midnights' music videos except for 'karma'. They are well known for swimming against the stream, something many neurodivergent people experience feeling. Koi fish are often associated with the yin and yang symbol and together they symbolise balance, courage and perseverance, much like the song 'you're on your own kid'.

Turn up the heat

Invisible

As he seeks out his best friend Marlon for help, we learn that Truman feels concerned that he is being followed or set up for something. Marlon appears calm until Truman mentions that his father is still alive. It appears that this detail may not have been disclosed to the public. Truman demonstrates that everyone in the store is so preoccupied with fulfilling their roles that they will ignore him at all costs. This is a very unnatural reaction and wouldn't be a new discovery for Truman.

The bodyguards in the 'delicate' music video react in a similar way, just like the guards at Buckingham palace are trained to stay focused and ignore distractions. On an emotional level, this behaviour feels like no one is interested in you unless you're wearing the mask of who they expect you to be. "The actors were hitting their marks." Many neurodivergent people experience this disparity between who they are on the inside and the curated version they present for others to see. This act of reflecting back what the viewer wants to see is often done out of necessity to remain safe, but leaves the inner and truest version of oneself feeling invisible. "I want you to know I'm a mirrorball. I'll show you every version of yourself tonight." Unfortunately, you have to participate in their performance if you want to be seen, but the version you they see isn't who you truly are on the inside.

Just for you

After an evening together, Truman is left alone when Meryl offers to take his mother home. As the TV is playing in the background we hear how the presenter is incredibly specific when describing the next episode of 'show me the way to go home'. "Where we learn that you don't have to leave home to discover what the world's all about. And that no one is poor, who has friends." This is a form of subliminal messaging telling Truman that he's better off staying home, implying that there's no point trying to leave because they will prevent him every step of the way.

In the 'lavender have' music video Taylor is watching a similar weather station, but when she gets closer she pulls the screen apart to reveal that there's nothing but space and koi fish behind it. This likeness to Truman's story presents an intriguing insight into the obstacles and road blocks Taylor has faced as a queer woman throughout her career. The koi fish behind the screen also highlight Taylor's determination to challenge the status quo and how she has been working towards much needed change within the music industry.

I do not

Truman is flipping through a photo album full of photos of his family and life with Meryl. His mother stresses her desire for grandkids while she's still alive. Truman continues to look through the album after they leave. The final straw for their relationship comes when he reveals that Meryl had her fingers crossed when they got married, implying she was never fully committed from the beginning. Looking through the photo albums seems to be a weekly routine when his mother visits, so we can assume this wasn't the first time Truman's noticed this detail, the only difference is that he's pointing it out now because it's the next step in his plan to leave Seahaven.

Many of Taylor's music videos emphasise the facade she has played into of the life society expects her to maintain. This has become more evident than ever with her current relationship with Travis Kelce. They want her to fulfil the 1950's lifestyle as a happily married wife with two children, a house with a white picket fence, to stay home each day as a housewife and to serve her husband when he gets home from a long day at the office. 'The man' music video highlights the disparity between these expectations and the lifestyle men are usually celebrated for, so that we can understand that this isn't the life she wants for herself.

Undressed

After Truman attempts to confront his wife about the photo, he follows her to work in his pyjamas. She works at the hospital and claimed to be doing a leg amputation from the elevator incident, a story they made up to explain what he saw the day before. When he locates her within the hospital the actors are forced to begin the procedure to keep up appearances.

Taylor was wearing a corset with a pattern very similar to Truman's pyjamas underneath her blue dress recently while out with Travis Kelce and his friends. Everyone in the group was wearing matching pant and shirt sets, with Brittany Mahomes in actual pyjamas. This may have been a hint that Taylor's beginning to escalate the cracks in the facade of her pop star persona.

The failed escape

Predictable

Truman is sitting in his car when Meryl gets home from working at the hospital. When she gets in, he locks her in the car and attempts to leave town. "Blocked at every turn. Beautifully synchronised, don't you agree?" This is the point where he's revealing that he knows how predictable everyone around him has been, pointing out that the same three people keep going past on schedule.

Logically if Taylor knew what the roadblocks were before she left her old record label, she would have known how her opponents would retaliate after she left. "Blood's thick but nothing like a payroll." It seems likely that they were planning to sabotage her once she left, with her first album in particular. If they were predictable enough, Taylor could've had time to plan ahead to mitigate the damage done to her career. This could include holding back on releasing certain songs, which has now lead to the rumours of 'lover' vault tracks.

Just like clockwork

Truman begins to drive around the round about over and over again to highlight that he has figured out that the townspeople move around him like clockwork, but again this isn't new information to Truman. The director's attempts to prevent him from leaving are incredibly predictable and they always have been. Truman would have been able to pick up on this pattern when he was still in high school, if not earlier. "When you're young they assume you know nothing." The benefit of them being this predictable is that Truman could foresee their reactions and blindside them when they least expected it.

Taylor uses many clocks throughout her music videos as easter eggs and to draw our attention to time and dates that might be relevant in the future. One element of interest is the concept of routine and the predictability that comes with that. The arena in 'the hunger games catching fire' seems to be inspired by the Truman show as well. Katniss figured out that there are new threats in each segment that changed on the hour, ending with a lightning strike at noon and midnight. This kind of predictability allows one to plan in advance. Three years perhaps?

Planned to fail

After driving around in circles Truman claims that they're headed to Atlantic City, only to find out that the end of their street is blocked up with traffic. He concedes to going back home after all, just to announce suddenly that he has changed his mind. As Truman doubles back and attempts to leave for the second time, he discovers that the traffic jam had magically cleared up after they left. He was accurate in predicting that his plan to leave would be counteracted by some form of intervention. Truman's actions are forcing the director to reveal his hand, only to call his bluff and get further than the director expected him to. And despite her fear, Meryl is still putting on a performance for the camera here too.

It's a possibility that Taylor set up a similar scenario to unfold with the release of her 'lover' album. The contrast between the aesthetic and themes of the 'reputation' and 'lover' albums could have been done on purpose to blur the lines between the two in an attempt to mitigate the damage done from being sabotaged. Underneath the vindictive theme of 'reputation' was the romantic songs her opponents had been anticipating from the 'lover' album.

The bridge

Truman stalls at the bridge due to his fear of water but forces Meryl to drive across while his eyes are closed, willing to do whatever it takes to leave. "We're over the bridge!" he exclaims when they make it across. As Truman continues to escape, they are still faced with roadblock after roadblock. The escape plan eventually fails when the road is blocked because of a leak at the nuclear plant. They thank the officer for his help but when the officer says "you're welcome, Truman" he runs away from the car in a panic, but is quickly captured and returned home again.

Taylor draws attention to the bridges of her songs at the very beginning of the eras tour because they are the most authentic lyrics in all of her discography. She often begins a song with a very optimistic perspective, only to end with the most brutally honest observations of her experiences in hindsight. Taylor has told us that she tells lies. In 'love story' the lie is that she's singing about being in love with Romeo. When the perspective changes during the bridge, she's being honest when she describes being in love with Juliet and wanting to marry her. In 'lavender haze' we hear how stifling it's become to continue hiding her truth. "The only girl they see is a one night or a wife. I find it dizzying, they're bringin' up my history. But you aren't even listening." If we don't listen to what Taylor is saying during the bridges, we are avoiding her truth.

The turning point

What was once lost

When they return home Truman confronts Meryl, but she calls out for help and Marlon arrives with beer. Meryl leaps into his arms crying as he comforts her, but he's looking at Truman when he says "everything's going to be okay, it's all going to be fine." The next scene cuts to Truman and Marlon sitting at the end of an unfinished bridge together as Truman begins to tell Marlon what he's been through. "Maybe I'm losing my mind, but it feels like the whole world revolves around me somehow." Marlon replies by saying "The last thing that I would ever do is lie to you. I mean, think about it Truman. If everybody is in on it... I'd have to be in on it, too." The screen cuts to the director feeding him the lines but we can also see that Marlon has been as honest as he could be within his role on the show. To placate Truman and encourage him to stay, he is reunited with his father who he hasn’t seen for 22 years. Truman seems apprehensive about the reunion, but Marlon encourages him to go along with it.

In the 'willow' music video Taylor enters a glass display case and starts performing for the crowd of an old fashioned circus. As her lover approaches for the first time they reunite through the glass pane but it feels like the glass was intentional to keep them apart, despite their intentions to be together again. This imagery is echoed over and over again throughout Taylor's music videos and the eras tour. We can interpret this as a visual representation of being closeted in plain sight or as a form of protecting something that's delicate. Judging by the way they all end up shattered in the end, they seem to be foretelling what's still to come.

Test run

Truman was never really planning on leaving the first time because he had planned to fail. There are a few benefits of acting in this way. Firstly, we know that Truman had never crossed the bridge before and his attempt forced the director to play his hand by revealing what obstacles were ahead if this was his exit route. Enacting his bigger plan before seeing what was ahead would mean that he's more likely to fail if he crosses the bridge while under prepared for what is on the other side. Secondly, if everyone has assumed that he has failed, they won't see his bigger plan coming if they believe he's feeling defeated. They placated Truman by reuniting him with his father, but that backfired on them when he escaped when they least expected it.

Taylor mentions that "Every bait and switch was a work of art" in 'mastermind'. I wasn't sure if I was using this term correctly when search results were full of business examples and psychologists were linking it with the act of gaslighting, but the type of bait and switch I was intrigued by is akin to a chess move. This type of move is often referred to as the 'queen sacrifice'. By purposely leaving the queen unguarded, your opponent is lured into the trap, only to be met with a devastating counter attack. This, and the element of a trial run before the big reveal, is what lead me to consider that the 'lover' album may have been used as bait for the sale of her masters. If she alluded to coming out straight away to entice the sale that was going to happen anyway, that obstacle wouldn't get in the way of her bigger plan. (It is not my intention to imply that this theory is true, so this is just a hypothetical option in favour of the bigger picture.) If this was a prelude for a bigger plan, it still would have been extremely devastating when it did happen.

The show must go on

This is the turning point in the movie when we begin to see Truman's life from the directors point of view. "An entire human life recorded on an intricate network of hidden cameras, and broadcast live and unedited 24 hours a day, 7 days a week to an audience around the globe." We start to find out how they had to manufacture ways to keep Truman on the island. His father dying played a big part of that, but to the viewers it's just another plot twist in the show they've been watching for entertainment. They have 5,000 cameras around Seahaven now, but started off with just one before he was born and they've been watching Truman's life unfold ever since. "We accept the reality of the world with which we are presented." This is the director's response as to why Truman has never left Seahaven or found out about the show. This contradicts everything we've seen from Truman's point of view. Just because he could leave doesn't mean he could leave freely. How much harder does he have to try before the director will let him go? He goes on to explain that with Meryl's decision to leave the show, a new love interest will be introduced and he has hopes for the first on air conception to occur. It's evident that Truman leaving would derail the directors plans for the show going forward.

Taylor has described how writing a song is like sucking the snake venom out of a bite. Expressing herself creates distance between the heaviness of what she's experienced and I believe this is why she sees herself as the narrator (or director) of her discography at times. During the 'folkmore' set on the eras tour she describes herself as the narrator of the teenage love triangle. It's also common for Taylor to be more than one character at once. At the end of 'the man' music video we discover Taylor is the director, and then it's revealed that Taylor was also the male actor that had been wearing a disguise. This implies that Taylor is James in the love triangle and based on the evolution of her speech, we can infer that as the director she chose Betty in the end. This feels like a clue that we should consider that she has been showing us her version of events from different perspectives all along.

The doll house

Everything on the show is for sale, including their wardrobe, food products and dollhouse style versions of the homes they live in. These elements are jarring after seeing the level of animosity Truman was experiencing with each road block he faced. It feels like they've overstepped a boundary by consuming every detail of Truman's life.

In the 'lover' music video, we first see the lover house is within a snow globe and our first shot of Taylor is through the peephole. The couple dancing throughout the house seem to be sharing a romantic moment, but the entire experience feels voyeuristic. No rooms are off limits as we see them in the bathroom swimming inside of a fish bowl. "Can I go where you go? Can we always be this close, forever and ever?" plays at the same time. It feels like we're asking that of her. It becomes uncomfortable to realise how much we want to have access to every detail of her life.

Back to normal

Headquarters

Not only is Seahaven contained within a dome, the director and his control centre is housed within the moon structure. From the interview with the director we can ascertain that he doesn't usually reveal this much behind the scenes, but the return of Truman's father required some damage control.

The vault in the 'I can see you' music video is reminiscent of the moon shaped structure the director worked out of. The connection between these and the overall theme of the music video reminds me of the scene in 'the hunger games mockingjay' where they rescue Peeta from the capitol, only to find out he was trained to attack Katniss. This scene has an eerily similar asylum vibe like the 'fortnight' music video as well.

The mask

The next morning we go back to Truman in the bathroom again, as if he's just started another regular day. He seems cheerful as he's using a bar of soap to draw an alien outline on the mirror, while at the same time implying that he feels alienated in real life. This facade of normalcy he is presenting after his plan had failed is on purpose to lull the director into a false sense of security. If everyone thinks he has given up and believes he is resigned to staying after all, nobody would see his final escape plan coming.

Just like Taylor showed us with the visuals of the delicate performance on the eras tour, the mask is breakable. Now that we know that Taylor is the one breaking down the facade herself, it becomes harmful to refuse to see Taylor for who she really is underneath the pop star persona. And just like with Truman leaving in the end, Taylor has shown us that she's choosing herself now, regardless of the consequences. So we can either choose to join her, or sit back in defiance until she walks away.

Back to work

As Truman returns to the office it becomes more obvious where all of the cameras have been hidden in plain sight. They're everywhere, including inside his pencil sharpener. But the least obvious camera is the one Truman is wearing, his wedding ring. This came from his father, something he purposely gave to Truman as he was supposedly drowning. He never took it off because it was a reminder of what he had lost at such a young age. Truman was able to escape in the end because he took the ring off and left it behind. They had no way of tracking him if he wasn't wearing it. In hindsight we can see that Meryl's necklace also contained a camera that was used frequently.

If all of the moon and black holes references are a codeword for cameras or surveillance in the Truman show, we can consider that Taylor has used them in her music videos in a similar way. 'The man' music video begins with a similar office scene with a man who is charming and magnetic, but the wink at the camera implies that he's also putting on a performance. At the end of a work call Truman mentions that "life is fragile" after he's introduced to his new love interest. Just like Truman's comment, Taylor has used the word delicate to to describe the fine line between the brittle nature of the facade and how easily it could all fall apart, like what occurs during the 'delicate' performance.

This place is mine

After Meryl left, Truman moved down to the basement. This is the only room in the house that contained anything that was truly personal to Truman with his padlocked chest of mementos and remnants of old hobbies. But on top of all this it was also the room with the least amount of cameras, making it the perfect place to hide.

In the 'lover' music video the only space that is personal to Taylor is the attic, and it’s just like Truman's basement as both rooms are typically used for storage. If you look closely you can see a familiar trunk to the side as she's reminiscing over old pictures on a projector. On the eras tour the only real piece of the lover house is the attic seen throughout the 'folkmore' set, the rest was burnt away on screen and ever since the setlist changed it has been falling over instead. This change reveals that it was a facade all along, similar to how we begin to see behind the scenes half way through the Truman show.

The escape route

The map

Truman's desire to travel to Fiji is heavily featured as Truman's motivation for leaving Seahaven. There's evidence of this throughout the basement, including a large map of the island. Was this really his dream destination? No. Talking about going to Fiji encouraged the director to reveal his endeavours to prevent him from leaving. If Truman was constantly being challenged with his fear of the water, he was also being exposed to potential exit routes and obstacles. Truman's desires to go to Fiji was a facade to masquerade his true intentions of plotting his escape without raising suspicions.

One of Taylor's latest songs explores wanting to escape to 'Florida!' and reflects Truman's dreams of moving to Fiji. Another map Taylor has shown us in her music videos is the man wall. It's seen as a road map for her future rerecords with the end goal of coming out as queer, similar to what Elton John did at the peak of his career. Now that we can see that Truman revealed his dreams to travel as a means of testing his opponent, we can begin to understand that Taylor may have used her attempts to come out as queer in a similar way. If Taylor had expressed her intentions to come out of the closet behind the scenes, she would have been reminded of the challenges she would face if she did so. We see a small portion of this scenario play out with political discussions during the 'Miss Americana' documentary.

Behind the curtain

The director is concerned about Truman being asleep in the basement so Marlon is sent to investigate. When he arrives he finds a decoy in the bed and a tape recorder of Truman snoring. As he searches the rest of the basement, he pulls back the map to reveal what's inside the closet. This is the moment everyone discovers that Truman has escaped and that the map of Fiji was a disguise for his master plan all along.

The man wall is the most fundamental Easter egg for many Swifties, with endless theories on how to decode it. But what if the biggest Easter egg of all is actually set up as a trap to draw our attention in, so that we become so focused on it's significance that we don't notice the bigger picture? The subway wall is made up of small square tiles, with Taylor Swift themed posters and the rerecords written with spray paint over the top to mimic graffiti. But if you look even closer still, you will see that there's also a crack down the middle of the man wall map. This suggests that there's something hidden behind it, just like with Truman's map.

The tunnel

When Marlon opens the closet in the basement, we discover that Truman had dug a hole through the ceiling and this is how he escaped. Marlon climbs up the stepladder and we see his head pop out of the hole in the garden. We could assume Truman began digging this hole after Meryl left because we can see he left behind the same multi tool that she advertised in the beginning, but he was in the middle of digging in the same spot when she came home that day. All we had seen was an awkward shot of Truman from behind as he was working in the garden bed. Truman also purposely left patches of grass unmowed so he had an excuse to be frequently working on the old lawn mower in the basement, something that was quickly replaced once Meryl left.

The ending of the 'delicate' music video is what sparked this deep dive into the Truman show. I discovered that the bar Taylor enters is called the gopher, an animal famous for digging holes underground. This unexpected connection to Truman's method of escape was unbelievable after picking up on many of Taylor's hints towards a departure.

The trap door

If Truman had been digging a tunnel in the garden from the beginning, how did he get away with it? He disguised the hole by filling it with balls and rocks in just the right size that were painted to look like garden ornaments. This is echoed in the scene where Truman is telling Marlon about how he wants to go to Fiji. Marlon asks if Fiji is near Florida, so Truman demonstrates with a golf ball to show that it's practically on the other side of the world. The way Truman is describing it implies that the tunnel is hidden on both sides in a place where the cameras can't find it, and all that's left now is to plan his escape route.

Taylor’s version of Truman’s golf ball is the painted nails aligned with the 2 and 8 on the karma coffee cup, pointing to where her journey through the tunnel starts and finishes. Other ball shaped references include the pearl coloured balls floating around Ice Spice in the 'karma' music video, the golden orbs in the 'willow' music video and the tennis balls in 'the man' music video. When Taylor attempts to leave the glass case in the 'willow' music video, she finds it has been boarded up. She tries to find a way out through the glass, only to reveal that she knew that there was a trap door underneath her feet the entire time. We hear the lyrics "I come back stronger than a 90's trend" at the exact same time Taylor goes down the tunnel. And which trend is she referencing? The Truman show, of course.

Leave everything behind

Cut transmission

Once the director had realised that Truman had really escaped, he was left with no choice but to cut transmission on the live broadcast for the first time since the show began. Panic ensues for the viewers who didn't see this coming, meanwhile we see Sylvia watching from home in anticipation. Ratings for the show are at an all time high as everyone at home waits to find out what happened to Truman.

It's interesting that Taylor drew inspiration from this loading screen for the eras tour poster considering it's a reference to the moment Truman escaped. It draws a very clear parallel to his story, implying that what we're watching on the eras tour is the Taylor version of the Truman show.

Lost at sea

It's unclear how long Truman had after he escaped before the search party started. At first it seemed possible that Marlon left the car door open when he arrived for Truman to escape, but it's more likely he was just in too much of a hurry. It' seems 's likely Truman had some time to escape on his bike undetected. His fear of water meant checking the ocean would be the last place they would think to look for him, which is exactly what happened.

This moment after Taylor entered the bar in the 'delicate' music video reveals a sense of clarity just before she opens up her eyes. The ending of Taylor's story is yet to happen, but from what she's said throughout the tour, she's not planning on slowing down anytime soon.

The note

As Truman sails off we see him pull a note out of his pocket. All he took with him was the collage picture of Sylvia. This symbol of hope for his future was the only thing he took with him. "The only thing that's left is the manuscript, one last souvenir from my trip to your shores."

When Taylor left behind her life's work and started over by herself, she carried a picture of the one that mattered most with her when she left as well. If you look close enough at the man wall, you can see a polaroid shaped outline underneath the black karma letters, as if something that was once there had been taken away. Just like Truman's collage picture, this missing piece represents the secret note from the 'delicate' music video. The one piece of evidence that meant something to them, when so much of their lives were full of half truths and lies. And what's on the polaroid picture? Proof that Taylor is queer... "Like a rainbow with all of it's colours."

It's time to go

Almost drowned

Once they locate Truman as he's escaping on the boat, the director utilises his power to create a storm to derail Truman's attempt to escape. When his first attempts to force Truman to turn back fail, he orders the workers in the control room to hit the boat with the largest wave with to intentionally capsize the boat. They object to risking Truman's life, but the director goes ahead anyway. The wave overturns the boat and Truman almost drowns. As the director escalated his attempts to make Truman stay, it became clear that he would rather let Truman die than watch him leave if he refuses to stay. This highlights how unethical the director's attachment to Truman and the show had become over the years.

In the 'cardigan' music video we see Taylor clinging to her piano in the ocean, just like Truman did with his boat. This shows her determination to fight for her future despite the cost. The trap door Taylor escaped out of in the 'willow' music video is just like the exit points under the stage of the eras tour. Taylor's most iconic exit is after the surprise songs when she dives into the stage. Her character then swims against the current just like Truman did and when she reemerges again it's for the beginning of the 'lavender haze' set.

The getaway boat

Despite the director's attempts, Truman recovers from the storm and sails far enough that his boat crashes into the side of the dome wall. Truman managed to escape Seahaven after a lot of planning, but I think he had some help along the way. If Marlon was aiding Truman's escape plans, he would have been a crucial liaison behind the scenes. Throughout the interview with the director we get a glimpse of Sylvia and find out that her home is full of anti the Truman show propaganda. These include pictures of cast members that could be open to joining their side, with Marlon listed as being their best bet. It's possible the protestors worked together to smuggle Truman's father into Seahaven to encourage Truman to leave. One of the posters shows a young Truman in what appears to be a pizza themed clown costume. Pizza is mentioned a few times by the control centre workers and by the security guards of a car garage. This could be the common factor connecting the protestors helping Truman escape, as well as providing an inconspicuous meet up place to swap information that wouldn't draw attention.

Just like Truman had help, Taylor had a team working together in the 'I can see you' music video. This depicts an alternate view of Truman's escape, with a team breaking in from the outside to rescue Taylor from the vault. Many of the guest appearances in Taylor's music videos are representing the other side of Taylor, more so than any particular muse. Many of the scenes featuring Ice Spice in the 'karma' music video also mimic the ending of the Truman show.

The stairs

Truman found the stairs that lead to the door and is so close to leaving behind the only place he's known. All of this is unfolding because Truman reached a point where his own wellbeing was more important than the character he had been portraying for the audience. Sylvia warned him in the beginning that everyone was watching him. This would have confirmed any suspicions Truman already had and lead to a life of being on high alert knowing he was being monitored at all times.

Both the public and private sides of Taylor have experienced the same restrictions over time, forced to keep a large part of her life hidden from others at all times. The scene with the moon and Saturn implies that an alternative ending to Truman's story is in store for Taylor. The moon was the home of the control centre watching over Truman day and night. Capturing the moon and Saturn in the 'karma' music video suggests that both sides of Taylor have worked together to reclaim the role of director, and are now working together to rewrite their story so that they can reunite and move forward together.

Captive

Finally in a last ditch effort to persuade Truman to stay, the director talks to Truman for the first time. It's clear the director has grown attached to Truman to the point that he doesn't see Truman beyond the character he's crafted over the years, but he only sees the public persona of Truman. The director is pleading for Truman to stay, to let the show continue as it is and claims that he knows Truman better than he knows himself. "You've never had a camera in my head!" is the only thing Truman says in defence. This sentence epitomises everything Truman has experienced living in Seahaven. After all, he was wondering when it was going to end when he was still in school. If the director truly knew what was best for Truman, he would have ended the show years ago.

When Truman told the director that you can't see inside my head, we can assume Taylor is trying to say that we can't see inside her heart. During the 'Me!' music video Brendon Urie opens a heart shaped door that reveals what's inside his heart. This implies that the music video revealed what was in Taylor's heart from the beginning. "When it's like, "me-ee-ee," it's like dancers, cats, gay pride, people in country western boots. I start riding a unicorn, like just everything that makes me me." This is how she describes the music video during the 'Miss Americana' documentary. "And for a fortnight there, we were forever." I believe this is a reference to the fourteen songs on her 'debut' album. Her first and potentially most authentic album is full of songs she wrote before she became famous. And then beginning with 'fearless', Taylor actively added in male muses to her songs to camouflage her queer identity. Unfortunately this was also the beginning of the gap between her public and private life growing apart. Looking back we can see that despite the pain this caused, she never lost hope of reuniting them again.

How did it end?

The final bow

The Truman show challenges our perception of how ethical it is to have such unobstructed access to Truman’s life. We’re left questioning if our entertainment was worth the price he was paying by spending his whole life living in the spotlight. He bows for the audience watching at home and ends with one final “Good morning! And incase I don’t see ya, good afternoon, good evening and good night!” before he turns and walks through the door. The director was left with a look of disgust as he realised Truman had been preforming for the audience all along. Those who had seen the signs watched on with anticipation and those that didn’t were left feeling shocked and confused.

At the end of a theatre performance, the cast will come back on stage one last time to give their final bow of the night as the audience applauds the performance they've just witnessed. We then have to consider that Truman and Taylor's final bow was an acknowledgement of the fact that they had been putting on a performance the entire time. Just like in 'the manuscript', "looking backwards might be the only way to move forward." Going back through Taylor's history and finding the bread crumbs she left along the way will help us understand that the queer version of Taylor had always been there, we just had to know what we were looking for to be able to see it.

The door

As he steps through the door we wait in fervent anticipation to see how Truman's story ends, only to watch as the credits start rolling without an epilogue. This feels frustrating when we had been hoping to see Truman and Sylvia reunite after many years. Instead, this kind of ending is encouraging us to go back to the beginning and reconsider the story through a new lens after learning about how it ended. Each time you rewatch it you can pick up on the deeper layers of the story, seeing more evidence of Truman's discomfort from living an inauthentic life, and how much determination it required to overcome the challenges he faced along the way. Any further explanation would have diluted the magnitude of the moment Truman felt free for the first time in his life. Just being able to walk through the door in the end was the ultimate accomplishment.

The story Taylor has been showing us was never a revelation of her muses, but a slow unravelling of her experience as a famous person who has had very little privacy throughout her life. She's giving us a peak behind the curtain and allowing us to see who she really is beyond the larger than life character we've all built her up to be. And whether we like it or not, she choosing herself now above all else.

The only difference between Taylor and Truman’s story is that Taylor’s not leaving, she’s simply just stepping out of the closet.

Meet me at midnight?

After turning a pumpkin into a carriage and creating a fancy dress to wear, the fairy godmother forewarns Cinderella before she leaves for the ball.

“You must understand, my dear. On the stroke of 12, the spell will be broken, and everything will be as it was before.” 

The same is true for Taylor.

No matter how much she accomplishes in the spotlight, she is always going to be the truest version of herself underneath the layers of her pop star persona.

"Dear reader, will you still want me when I'm nothing new?"

When the clock strikes midnight, are you still going to want Taylor when you can finally see who she really is underneath?

Who she has been all along?

"A pathological people pleaser who only wanted you to see her."

A tortured poet,

Kylie x

🧡

[softfruity]

wlw in marvel

I remember when Agent Carter was first airing and being completely blown away by the kiss between Peggy and Dottie. I remember thinking like “wow, this is big. Marvel’s probably never ganna do something like this again.” Being a young lesbian at the time, I thought that was the peak of representation I was ever ganna get from them.

The context of that scene wasn’t in anyway romantic, plus it was an early marvel tv series, and I’m still firmly a Cartinelli shipper, but I clung to that kiss in my youth.

Now having Agatha All Along with so much queer rep in just under 10 years since Agent Carter seems wild. Like I’m so deeply obsessed with this show and have been obsessed with Agatha’s character since Wandavision. To see a show focused on queer main characters but that also not being their core personality trait means so much. I love that.

[0sbrain]

i just watched nimona and you know what, i thought getting a gay kiss would be the peak of queer representation in this movie, but all the tender scenes about hands (for me) mean so much more it's all about those little gestures, that is love <3

[mementomoriwithacherryontop]

This article about Dead Boy Detectives and Netflix's stewardship of LGBTQ+ shows is my Roman Empire

I'm linking the article below, and it's one of the best analysis' out there about both the significance of Dead Boy Detectives' being cancelled, but also the bigger picture of why this is so significant to both fans and the LGBTQ+ community at large. Please read (and share!) the article, Why we need more queer art, not less-the case of Dead Boy Detectives, written by Karla Elliott.

A damning excerpt, and article linked below:

"Netflix has long tried to market itself to audiences just like this as an alternative to more traditional media companies. Yet its cancellation of Dead Boy Detectives is another in a long line of queer shows and shows with queer storylines – such as Sense8, Julie and the Phantoms, and Shadow and Bone – to be axed by the company before their time.

The showrunner of Warrior Nun, another of Netflix’s prematurely cancelled shows, even revealed that Netflix pushed back against the writers developing a queer romance for the show’s second season.

Meanwhile, the streaming service continues to platform performers such as Dave Chappelle, who used his latest Netflix special (his seventh on the streaming service) to double down on jokes made about the queer community, particularly targeting transgender folk.

It seems, then, that companies such as Netflix are still largely only interested in token queer representation, and only if and when it aligns with ever-shifting profit goalposts."

She goes on to talk about the crew and fans rallying around Dead Boy Detectives and taking a grassroots approach to save this show. She links IG and Twitter posts (it'll always be Twitter, to me), and she includes The Petition in her article.

She also accurately addresses the NG elephant in the room, pointing to his limited involvement in the show and how Dead Boy Detective fans have "resolutely condemned his alleged actions and stood with the women speaking out against him. Their outrage perfectly aligns with the core lessons of the show, which counters harmful gendered stereotypes and advocates for men to take responsibility for their actions, hold one another accountable, process anger, and open up to feelings like love and empathy."

She concludes, and I must admit, this brought a tear to my jaded 'lil heart, that "[t]hrough its community-building, energy, and activism, the fanbase is proving to be the living embodiment of the lessons Dead Boy Detectives has to teach us about solidarity, love and care."

So, go us. Keep at it. Don't loose hope. And please check out this article. I gave you a sneak peak, but it's chalk full of really good information and I promise you'll be glad you read it.

[bennie0315]

Can I just say, the way TV shows work now is so disheartening. I just read an article about another queer show being cancelled after one season and it's just really sad. There's no more of just shows coming out on TV, or other services , being not so popular at first but then at like season 3 they get immensely popular or maybe they don't but they're still loved by a group of people even if it isn't the biggest crowd. There are so many shows that you definitely have heard of that were not the most popular when the first season came out, for example the office didn't peak till like the fifth season, breaking bad gained popularity just before the fourth season, and game of thrones peaked at about season five. I haven't watched any of those but they are some of the most popular TV shows I can think of and so imagine if they had been cancelled after one season?? just because they hadn't quite reached a zillion views yet.

I was watching this lovely show called night sky on amazon prime, It was a refreshing and original Sci fi show choosing to follow two older protagonists rather than a young couple. And I thought that was awesome and I really was enjoying this show, till it ended on a cliff hanger and then I found out there was never going to be a second season.

No more hidden gems, no more chances for shows to build up a plot and an audience over time just one season and if it doesn't get stranger things big then it's over, doesn't matter how much story was planned out or how much is left unsaid. Sometimes they get more than one season but often they still never get to finish their story.

So many shows potential for representation and great stories are thrown down the drain when the big boss decides it isn't making them enough money. Because that's just it, it's always about money. Because if it's not making the multimillionaire streaming services richer then what's the point?

Ok rant over.

[absolutebl]

Welcome to Tumblr BL Fandom - Here’s Your Primer

memes, insider trading & obsession meta post

The Death Stairs 

They haunt us. These same stairs constantly pop up in Thai BLs and we worry that someone is going to die on them (or fuck on them, or both).

BL origin = unknown, we only recently started tracking them (but the actual origin of the death stairs is 99 Home Studio117, RPC6+JM3 ซอย รามอินทรา 117 Min Buri, Bangkok 10510, Thailand. It appears to be a house rented out for filming. Honestly? They should AirBnB that level of fame. I’d rent it, buy a cactus and a chili plant, just for the photo op.)  

Rain Makes BL Boys Sick

For which the only solution is a sponge bath administered by another boy with a bowl of water and a damp white towel.

We don’t make the rules, the BL gods do. 

origin of the rain=fever = cultural

BL origin for the sponge bath = 2014′s Love Sick

The gayest bridge in Thailand

The Rama VII Bridge has appeared in so many Thai BLs - boys kiss on it and in front of it... A LOT. 

BL origin = SOTUS 2016  

Honor the Crumbs

Side dishes given very little screen time always end up being everyone’s favorites (especially in the pulps). Also falls under side dish syndrome. This is mostly a Thai BL thing, since they’re usually the BLs featuring more than one couple. (Taiwan is getting there, tho.)  

BL origin = @heretherebedork

The Engineering Department is Gay (also Pink Milk) 

The hot Thai boy in the engineering smock (red or blue) is either gay or a chaos bisexual. There are no exceptions. 

BL origin = SOTUS 2016 

Korea’s BL bubble 

A world where queer is simply accepted and a hostile society doesn’t exist. ​

Origin, probably Strongberry’s 2017-2018 shorts, but best known starters are 2020′s Mr Heart & Wish You

Namgoong award for best wingman 

Supportive straight(ish) besties! Appear throughout BL history, but really reached peak awesome with Namgoong, so a collection of us just started saying “thank you, Namgoong” whenever this archetype shows up. 

BL origin, Light on Me 

Korea’s BL formula 

(1 short Kpop idol + 1 tall actor / random separation in the last half of the final episode) x a small cast = KBL (usually 6-8 episodes totaling under 2 hrs)

BL origin, 2015′s The Lover 

Korean male beauty ideals here. 

Korea figured out boys can kiss 

To be fair Strongberry always knew this and Just Friends? gave it to us in 2005, it’s just they forgot for a while. A long while. 

origin = Korean 2022 BL

speaking of... 

Dead fish kisses

This tradition carried for years by Japan’s light BL, early Thai BL like Love Sick, & then Korea. It took Thailand’s 2016 BL (specifically elder gods KarnNut & MaxTul) to start breaking this curse. Could be argued that Ohm in 2016′s Make it Right also paved the way (while BoomPeak exemplify dead fish kissing). 

origin = early 2000s JBL when it was still known as Live Action Yaoi 

Taiwan = the kings of high heat 

Taiwan always serves up the most consistent and authentic chemistry, kisses, and higher heat. Thailand has it as well, but isn’t as consistent about it. 

BL origin = 2017 HIStory franchise and every Taiwanese BL since (although Eternal Summer probably started it in 2006) 

Taiwan’s marriage equality 

Taiwan was the first to feature sanctioned gay marriage in a BL, the first to depict queer engagements - and they regularly like to remind us that it’s legal there. As they should. 

BL origin = HIStory 2: Right or Wrong 2017 

Thailand’s food = love

Lovers cook, serve, feed, and/or eat together. Always. At least something along these lines in every Thai BL. 

origin, well just Thailand in general (and Asia to be fair), but probably SOTUS & Love Sick 

Vietnam’s domesticity

Vietnam always depicts at least some of their characters in a home environment, with family life, adopted kids, and more.

BL origin = Tein Bromance Extra

Cactus baby (and chili plant younger sibling) 

Hilariously a cactus plant was deployed as a courting gift, spy device, and blooming representation of sexual awakening in MaxTul vehicle Manner of Death. Tumblr adopted that cactus baby. 

BL origin = Manner of Death 2021

What China Did 

Massive wholesale censorship curtailed/abruptly cut short multiple shows in progress in 2016-2017. Also resulted in rewriting and reshooting of those in production, and more weird and invidious things. This also showed up as a purge (and likely persecution) of Chinese queer vloggers on YouTube, the imprisonment of several danmai authors, and eventually the censored bromances we now get today. 

BL origin victim = Addicted, Advance Bravely, etc...

Japan’s lanes 

Japan’s propensity to lean in favor of either

sweet, campy, and very low heat live action yaoi shot in a manga style with HEA, or 

dark, gritty high heat queer cinema and pinks shot in an atmospheric style with tragic endings 

BL origin, Boys Love 2006 & Takumi-kun 2007 

History of Japanese BL here and the weeds of Japanese BL here. 

#In Strongberry We Trust 

Small, queer, Korean production house Strongberry had been producing short form pro-queer KBL successfully for years, long before larger studios picked BL up. But when they transitioned to long form in 2022, we were a little scared they wouldn’t stick the landing. #InStrongberryWeTrust became our mantra.

BL origin = Choco Milk Shake 2022 

Faen Fatal(e) 

A side character, usually an ex-girlfriend but occasionally an ex-boyfriend, whose sole purpose is as a plot device to drive a wedge between the leads, or cause jealousy. 

BL origin = Love Sick

The Thai BL Pulps

Very low budget BL with terrible sound, crazy soapy plots, and earnest acting.

BL origin = Make It Right 2016 (term coined by @heretherebedork​ & self) 

The Mame effect 

AKA #oh mame must you? 

The mameverse features great characters, killer actor chemistry, and higher heat combined with terrible damaging tropes and non-sensical plot devices.

BL origin = TharnType (although technically started in Love By Chance) 

The 2 Moons Curse 

When a popular BL franchise struggles to survive over one season and keeps having to recast the leads. 

BL origin = 2Moons original 2017 

Dread Episode 11 

AKA Doom of Ep 11

Explained here. 

Golden Rules of BL 

Never trust: 

a Thai trailer, 

a Viki Category, 

a Vietnamese sub, 

an MDL description, 

a Taiwanese title, 

Japan, 

or a BL made before 2014.

Origin = me over the years 

BLoundary Test: has the seme ever respected a single boundary?

BLechdel Test. 2 ukes discuss something that is not their seme(s). Also uke indicates actual interest in sex in a relationship.

(source)

okay what did I forget? 

[olderthannetfic]

I can't find the anon now but there was a post from someone complaining that people hail popular Shonens as 'good queer representation'.

Uhhh I hate to break it to you but if the story has 1 queer character it has queer representation. The quality of representation is another question. Are villains queer coded often? Yes. Do I still love some of them? Heck yes.

I get that the asker was trying to make a point about directing more people toward queer manga but dismissing the existing queer representation and people who find themselves represented in it is not it imo.

For someone that one character in Shonen is the peak representation. shouting at them and forcing them not to love what they love is not praxis.

This argument is also quite often used against BL Mangas. Where people accuse the manga for catering to 'BL fans and not queer community' as if there's no overlap between those two circles.

No representation is going to be perfect. Queer characters existing in the world openly not dying tragic deaths that was prompted by their awful queerness is already good. Hope this helps!

--

Yes, yes, the last dozen people to clutch their pearls over that exaggeration already said so.

[filmhead-productions]

New episode review time. Warning: this one is LONG. SPOILERS AHEAD!

This one was kinda... also boring. These are just some uncoordinated thoughts. Also I might make a rewrite of this episode soon, so look forward to that.

To start off positive, the backgrounds of Lust and Ozzie's mansion/castle(?) are pretty. Um, Ozzie and Fizz are kinda cute together. (But did anyone get this weird sense that Ozzie was infantalizing Fizz, or is that just me?) That little "I love words" from Stolas got a chuckle out of me. Ozzie patching Fizz up at the end was also cute. One more thing, I wanna see striker get more unhinged in the future.

Now for negatives. The dick jokes. Especially that one joke that went on for too long. Crimson and Striker weren't needed for this episode, the conflict could've just been with Blitz and Fizz getting into wacky hijinks.

Stolas is here because yes. He also didn't need to be in this episode. He's here because he wants to give his victim- I mean love interest an Asmodean Crystal. And when telling Ozzie, he conveniently leaves out the part where he coerces Blitz into sex so he can have the ability to keep doing his job. This is peak queer representation guys, I swear.

So Ozzie gets a ransom video from Crimson making demands. Did this show forget that imps are supposed to be the lowest in Hell's society, because I think this show forgot. And Crimson calls Ozzie "the weakest and non-threatening of the sins". Stolen joke here, I saw someone somewhere ask how Ozzie is the most non-threatening when Kesha Beelzebub exists. And Ozzie does jack shit the rest of the episode, like... motherfucker, you are a DEADLY SIN. WHAT IS STOPPING YOU FROM INCINERATING EVERYONE!?

Blah, blah, blah. Blitz and Fizz argue, then they break out, then we get to what everyone was looking forward to: Fizz's backstory. I'm so excited to see their falling out and everything that led to it- oh, it's a 15 second flashback. That flashback should have been the whole episode, man. I think I'm gonna save my critiques for it in the rewrite post.

Fizz sings a song to distract everyone from seeing Blitz, and it's mid. They get out, Striker does whatever, and getting tired of writing this review, you already know how it ends. Bye.

EDIT: I heard somewhere that there was a scene that made Fizz's VA Alex Brightman cry. I think it was the kaiju dick joke. It made him cry from how cringe it was, lol.

2ND EDIT:

Wtf is this face!? 🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣

[devine-fem]

Why do you ship damian and Jon? especially still as they are now in canon, I’m genuinely just asking…

This is a loaded question.

Firstly, my introduction to younger heroes was through Super Sons and I didn’t immediately ship them until I entered the fandom and had all their content clash together consistently in my head and it slowly made me realize the potential of the characters and what I was reading.

I’m more of a Damian Wayne enjoyer than anything in the batfam, he’s my favorite Batkid, then its Jason and Cass. I really enjoy his character and I also really relished in the potential Jon had with Damian and how he was a genuine friend.

I really do think that if done right then Damian and Jon being in some sort of relationship would not only be excellent representation but also, could fix a lot of troubling aspects of their character. Like their mantles and how their characters function in canon. Their relationship could be catalyst for them seeking a new mantle.

It’s more so built off of the mutual friendship they have for each other and how much they care about the other person.

A lot of people expect me to consider older Jon because he’s canon but no, I don’t like Jon’s age up for many, many reasons so I choose to ignore it.

Whoever chooses to get mad at me for it are hypocrites because you cannot honestly tell me there aren’t stuff about your favorite character that you don’t choose to ignore… every character in dc has done something problematic and if you didn’t ignore something, they wouldn’t be enjoyable.

People only want me to take in older Jon because they either hate the ship or weirdly enjoy Jon’s pseudo-relationship and feel threatened over Damijon even though it’s an entire fanon ship and can’t do anything to harm canon in the first place. You guys have the canon ship, why do you have to feel so threatened?

On Damian’s part, there’s flatline but I don’t personally feel threatened by his relationship/romance with her… she’s a fine love interest and I really enjoy her allegories of death, it’s interesting to think about and how that correlates with Damian’s grief with Alfred. There’s no reason for me to get so up and arms about Damian’s canon romances… it’s fandom… I think I would even like them a lot at some point when Nika gets some more content in the future. I also fear for her because she’s so new and has potential to become a character we grow to hate once other writers get their hands on her… (I have more thoughts on this but that’s all for now)

Jay… no… I’m sorry, there’s no appeal with him and Jon and with how it came about… I don’t find it likable.

Like I don’t actually want Damijon to be canon ever, really, it’d be a nightmare in the longrun with how these writers handle queer relationships.

And yes, people are always like “Damian and Jon had an age gap even before the age up-“ Dude, their ages were infamously inconsistent in comics that weren’t Super Sons, sometimes they had a 1-2 year age gap if you put them on a certain timeline in canon. Super Sons is what established the age gap, and even after Jon was aged up, till Taylor took it, they still had an inconsistent age gap. Jon’s age was inconsistent and Damian was also aged up but people tend to forget that.

Jon and Damian don’t have canon birthdays and didn’t know each other for that long before the age up. The age gap is probably much smaller. Even Taylor sometimes refers to it as “2-3 years” but he’s never consistent on any basis so…

I simply just think they’re 1-2 years apart in my head, or sometimes 3 as well. But I also, don’t consider them being in a healthy romantic relationship unless they are adults. No one should consider Jon and Damian actually being able to hold a relationship while they are young, it wouldn’t work. Any shipping I do while they are younger, is because that's where they peaked and it’ll be entirely innocent.

If they were to be in a relationship as they’re older, I seriously do think they can be incredibly happy together. I feel they are somewhat the perfect person for the other.

Thanks for the ask.

[spirit-meets-the-b0ne]

In the middle of my HotD rewatch

The gyroscope of interpretation on this show has been at the forefront of my rewatch along with now having read some of the script and read/watched cast interviews.

This one inference made by Olivia Cooke (via Sarah Hess) has plagued me for the first few episodes.

Now, now I know these waters are really muddy what with a few obvious conceptual things: "isn't this queer baiting" "if it wasn't it wouldn't be good sapphic representation anyway" "this is an actors interpretation" blah blah blah. I'm not arguing any of that.

Just that Olivia's head canon held against this scene hits SO MUCH HARDER

Because I gotta say MY GOD imagine how that strikes Alicent if at some point her mother caught them together. Before they even really knew what they were doing (objectively to the tune of they were 13/14 not fully clear on platonic/romantic love) her mother impressed upon them it was wrong. When they denied and in some way or another Alicent/Rhaenyra saying "she never touched me." Only for Alicent to hear it echoed back to her years later like this... Knowing that even in her naïveté she would recognize the truth. That Alicent’s mother, naturally, kept this contained. Which honestly plays more to truly making Alicent more complex by the way she saw what “scandal” her mother covered up for her only for her to act out some perversion of this with Aegon when she’s a mother. A learned behavior twisted in the worst way, because that's what she knew.

Listen I fully understand that this show is NOT taking this angle even though there seems to be a huge division between what some writers and actors are playing to and the editors at HBO imaginably being like "what's all this gay shit?" BUT

I think it's part of what this show missed about TRAGEDY and I mean come on you want drama???? These girlies were ready to hand it to you on a silver plater! In this context I needed:

Rhaenyra being devastated by the news that Alicent was going to be marrying her father. The sheer heartbreak of “this can’t be happening” and knowing she would have lost Alicent to a husband but not THIS. Show her with Syrax, confiding in her dragon because now she has no other friend to talk to - I’m just saying if they were going with the context of “Fire & Blood itself is an unreliable narrator and only shows certain people’s views” - then a scene like this disrupts nothing. Tell me how when they prayed together and Alicent told her to "kneel with me" that part of Rhaenyra prayed for that world where they flew off on dragon back and ate cake.

Alicent being devastated - having her heart torn in two, crying behind every closed door knowing she was going to break the heart of her best friend. The deleted scene does give a peak of that being the case - but again it could/should have been included. Show me Alicent begging Rhaenyra to forgive her and desperately saying she loves her. I think one of the things that Team Green argues the most could have been explored by this avenue, Alicent is a victim of her marriage - it would be inherently more compelling if in the process she is also losing the closest thing to a "first love" she had. Show me Alicent at her desk writing letters to Rhae once a week and then ceremoniously burning them in the braziers. Alicent leaning more into religion as a means of getting out from under her repressed desires and past actions.

Show me both women struggling in their adulthood to even remember why they held "such childhood affections" for each other. Knock the fucking wind out of me with a line like, "the worst part of it all was that they only ever wanted to love each other."

To me one of the worst parts of this production (of which there's a few) has got to be this was the apex of completely missed opportunities to explore. In the premise of "going by unreliable sources" their queerness would be suppressed information. I even think it plays into the dynamic between Rhae-Alicent-Criston in a kind of "Jennifer's Body" way where Rhae was really only interested in him as the object of Alicent's desires which I believe is made a little clearer in the books. A kind of "see this could have been us if you didn't marry my bag-of-bones father" for Rhaenyra who clearly had no aversion to consorts.

I'm sorry to go on this rant, and yes I KNOW - the counter arguments for many of these points. I would even argue some of them further such as the sapphic representation not being invalidated simply because both women do end up with men in the source material. If this was the case then why was "Portrait of a Lady on Fire" received so well? This at the very least to say if they made Alicent and Rhaenyra explicitly queer it would still be less controversial than what the queer men on that show got … Still its not even to say "it's a better way" to explore more of Rhaenyra and Alicent's characters but its at least A WAY to do it. More than we got. Surely both sides could agree on that.

Sorry, now I'm just being pedantic. As a queer woman naturally I have a bias but I still think this was objectively a missed opportunity to explore. Both girl's back stories could have been enriched and tbh a lot of HOTD fans I know also had the same complaint that the time skip came in too early. I think it also makes things less likely to be so divisive between TG and TB when you look at the central pillars of this conflict. You can truly grieve for Alicent and Rhaenyra and what they lost already while on the verge of losing it all. Anyway, I gotta go cry about my divorced lesbian war wives.

[vigilante-apologist]

I love that everyone in Bell’s Hells is queer (you cannot look me in the eye and tell me Chet is straight)- its peak Gay Friend Group representation

[sekhmetpaws]

I didn't read the books, so I don't claim to know why exactly people are mad at the gerderbend pairing (apart from the homophobia), but it still rubbed me the wrong way.

Like, we have so many ways to create representation in this series. We could've had so much with the way they tried to give Cressida some humanity that could've created such an interesting dynamic for Eloise's season. But what we had instead was what? Canon bi Benedict, in the only way that bi people are allowed to be represented in media (because if you are not having sex with a man and a woman at the same time, are you even bi?), apparently just for some shock purpose because it brought very little to the storyline just for ir to abruptly end in the end to remember us that Benedict can still have his regular monogamous straight marriage in the end.

We had little opportunity to see John and Francesca development (and I still loved them, peak romance) just for Michaela to show up at the end unannounced in what to me just felt somewhat like "hey, you queers! Ha ha, we know what you want! We are still going to give you a gay, eventually, but you know, no one from the main storyline so far... but the weird quiet girl can be gay! We don't know how to develop her! It's not horny to play piano and hold hands in silence"

Idk. It's just how I felt.