#this is not relevant I just wanted to say it

[skrunksthatwunk]

hey a couple of things

1. glad people are seeing this bc his death deserves to be discussed and mourned

2. the use of "black bodies" rather than lives/people/etc has come up a couple of times and i would like to state for the record that this post was made by a black person. you can still be upset about/uncomfortable with that phrasing (and as a white person myself i'm in no position to judge it) but it is the language that a leftist black person who cares about and is engaged with this issue chose to use and felt comfortable using

wasn't able to find any posts about him on here but

[14dayswithyou]

Some long-term followers may have noticed this subtle shift already (especially those who are in the 14DWY Discord server or have read this post), but I figured I'd make it official.

I'm no longer associating myself with the yandere VN community.

The TLDR is that the energy here really fuckin SUCKS!! And I don't want to be part of something so hostile and needlessly competitive.

The constant infighting and epicaricacy between communities is deeply upsetting, and it's very disheartening to see aspiring developers cancel their projects because of the unwarranted backlash and harassment they face.

Some entitled folks on here reeeeally need to understand that constantly harassing others for updates, encouraging developers to belittle others to make themselves/their project look better, complaining about a project not meeting the expectations you specifically put in place, attacking other communities because of the parasocial relationship you share with another developer, getting mad that you chose to ignore important PSAs or warnings and faced the repercussions, or even sending in hate messages on anon because you're bored are not things you should be doing — let alone be proud of.

I try to avoid bringing up these topics as it's not the vibe I want to have on this blog (nor do I want to negatively contribute to the Streisand Effect and blow things out of proportion), but I'm genuinely getting tired of being on the receiving end of all this harassment and negativity, seeing it happen to others, and watching other indie developers encourage such vile behaviour. I'm done.

For those wondering what this means for "14 Days With You": for the most part, everything will still continue like usual. I've said this from the very beginning, but 14DWY is just a passion project I pursue whenever I feel like it. It's something I do for fun as a hobby — not because I want to publish a well-known game or turn it into a career. I've been on Tumblr for over thirteen years now, and it's taught me how to grow thick skin, so everything that I'm yapping and yammering about won't stop me from working on 14DWY.

However, this does mean that I won't be as interactive with other developers or their communities anymore; many ill-natured people have ruined this for me.

Because of them, I'm no longer able to voice my opinion on other games without some opinionated rat whispering in my ear about how the developer is "problematic" or that I could get cancelled for simply following them on Twitter. I can't interact with certain games without its parasocial community becoming hostile or gatekeepy towards anyone they don't like. I've seen communities belittle and devalue promising demos because in their eyes, nothing can compare to their favourite game (or their favourite developer). I have been harassed, bullied, and doxxed by other communities and have seen the same thing happen to others as well. I've heard about the developers who weaponise their community's loyalty to attack and drive out their competition. And I've witnessed more than enough developers expressing how badly they want to take a hiatus due to how much unwarranted negativity they receive, but don't want to disappoint their community by doing so.

By saying all of this, you can understand why I dislike being here so much, as well as why I no longer find any enjoyment in interacting with the yandere VN community.

Many people here — fans and developers alike — are so needlessly pushy about their standards and personal opinions being the norm, and if anyone else goes against them, they'll purposefully try to ostracise and bully them out of the community. This place isn't as laid-back or inclusive as it used to be, and I don't want to be associated with a community that acts so hostile and aggressive towards anyone who shares a differing opinion — nor do I want to be part of a space that caters towards developers who'll tear down others in order to have a moment of relevancy.

We're all doing our own thing and making our own games; it shouldn't be a competition. But if you see it as such, then I urge you to take a moment to stop and rethink your actions — or, at the very least, understand how it's affecting you and others around you.

So until there's a reasonable change and people can go back to being less... demanding, hypercritical, and gatekeepy about who interacts with what, I'll be stepping away and continuing to stay in my own bubble, as I have for the past two years now. I've already unfollowed everyone associated with the yandere community many months ago, but I think I'll just unfollow everyone entirely now for my own peace of mind. I will also no longer be interacting with any yandere VN communities (aside from close friends), nor will I be as public with my interests from this moment on. Everything on this blog will be strictly related to 14DWY like usual, and I will continue to block and report any spiteful "anons"/burner accounts sent my way and delete their messages.

Again, this isn't really much of an announcement — it's more so just paragraphs of me bitchin and moanin 🫶 — but I wanted to get this all out there instead of leaving things unsaid and having people come to their own conclusions as to why I've suddenly become less active, less optimistic, and why I've stopped engaging with a majority of the yandere community in the last two years.

So, yeah... ^^; If there's anything I want y'all to take away from this entire post, it's to be kind, open, and understanding towards everyone — developers and communities alike — and to spread support rather than negativity. It's what I want my own community to be known for, so please be mindful of how you treat others online.

And if you find yourself being surrounded by constant toxicity and negativity (be it from friends, mutuals, or even other developers or communities), please don't feel ashamed to step away or cut them off entirely. Put yourself and your mental health first. I also think it'll be good for me to leave all this negative energy behind and continue to kick off 2025 in a better light, so if y'all need to let out any frustrations of your own, feel free to go ham in the replies (obviously, be kind and civil though jghsjg T_T)

[fallenclan]

now originally i was focused solely on the significance of cranepaw seeing a star-shaped cloud, however i'm now interested in the potential significance of jaypaw NOT seeing the cloud, what with her... affinity for the dark forest.

thus far dark forest affinity as a trait hasn't been explored, so it's unclear if this just means jaypaw is interested in the dark forest (i.e. trying to learn more about it) or has some actual sort of connection to it (i.e. being able to visit it).

cranepaw and jaypaw, the special-est sisters... and also pigeonpaw, living his best life <3

other thoughts and headcanons based on this moon:

cranepaw and jaypaw both have ravenstar's "swimming" trait!!

i really like that cranepaw has the playful trait, also. i imagine she's sort of like the opposite of her father, being less focused on ambitions and power and instead having a strong desire to nurture and help her clanmates (leading to her becoming a medicine cat). this isn't to say ravenstar didn't want to strengthen fallenclan, just that his methods were... well. not great! and instead hurt the clan more the helped it.

cranepaw strikes me as being very goofy. i imagine she gets along very well with darkstone. she really admires feathersight but he seems somewhat nervous or "off" around her sometimes. she assumes it has to do with all that he's been through, and she tries to be respectful of that. she's determined to get sylvana to crack a smile.

fawnpaw and jaypaw are "rivals." jaypaw is determined to be the best warrior she can be. she also is definitely aware of who her father is (i'm guessing finchbeak is planning on telling the kits once they're older, but i feel like jaypaw would have figured it out). jaypaw consistently pushes herself as hard as possible and is considered something of a prodigy. alternatively, fawnpaw is abrasive and loves to get into trouble... but still excels in her training, which aggravates jaypaw to no end. fawnpaw probably purposefully misbehaves and/or taunts jaypaw to provoke her.

fawnpaw thinks she and jaypaw are best friends! jaypaw thinks fawnpaw is her nemesis.

pigeonpaw is just existing peacefully. he tries to temper some of fawnpaw's more unruly attitudes and make peace between her and jaypaw, with varying degrees of success.

canarywish is a far more forgiving mentor than ravenstar, and worries about how far jaypaw pushes herself. ryewhistle gets frustrated easily with fawnpaw but also thinks she's hilarious (and is probably a divine punishment for ryewhistle's own apprenticeship misbehavior).

anyway. this is a fun batch of apprentices! i'm curious to see if we get another canarywish situation (character who seems like they'll be incredibly plot relevant but isn't, still remains a special little guy like every fallenclan cat) or if we'll see some Developments regarding the siblings in the future.

-🐉

okay damn i think you might have a direct link into my brain. how do you always get all this shit spot-on its crazy

all of this!! cranepaw is p much the opposite of her dad in terms of personality, jaypaw is pushing herself probably too hard, and pigeonpaw is also in this episode. worth mentioning that he and fawnpaw are best friends as well <3

[starastrologyy]

Solar Return Observations 5

If you would like to know what you can expect to occur in your life from one birthday to the next, I offer full & mini solar return readings! The link is in my bio for those interested! 🤍

A “4th house heavy” solar return chart can contend that family/home related matters will be of importance in that year. I had a client who had a family member become ill when her solar return ascendant was the same sign as her natal 4th house cusp (I experienced a similar thing in my own life), she also had a stellium in her solar return 4th house. She spend a lot of time at home, taking care of the sick family member (as did the rest of her family), they all relied on each other for emotional support in that year. Please note that I am not saying that someone will become sick if you have planets in the SR 4th house etc.. this is just one of the many ways a 4th house heavy solar return year can unfold.

If you want to see what you can expect when it comes to your finances & personal resources in the upcoming year, look to your solar return 2nd, 8th, and 11th houses! Uranus in the solar return 2nd house can indicate financial instability throughout the year. However, if Uranus received trines & sextiles from the other planets you may see a positive (yet unexpected) change to your finances.

You are likely to be very busy in the years when your solar return chart has a 3rd or 6th house emphasis. This is especially true when it comes to planets in the solar return 3rd house, as your day day life is likely to pick up speed. You may find yourself having to go on many short trips(Mercury/Jupiter in the solar return 3rd house ). You may also find that a lot of your time & energy will go towards communication, learning and socializing with siblings, neighbors & the people in your immediate environment.

Interestingly, the Moon in the Solar Return 8th house is actually a common pregnancy indication! (5th house placements too). This is because the 8th house is associated with deep, transformative experiences. The 8th house also highlights the psychological, emotional, and physical changes one is apt to experience as they take on the responsibility of motherhood. As we know, the moon in astrology represents our emotions, nurturing instincts, maternal figures, our actual mothers etc… Thus, this placement can be relevant to pregnancy for these reasons. I would also say Jupiter in the Solar Return 4th or 5th house + the Moon in the SR 5th house are also strong contenders.

When you have your Solar Return Pluto in the 6th house, you may see a significant change in relation to your work environment. For example, you may go from working from home to working in an office (vise versa).

Venus in the solar return 10th house can indicate a potential promotion at work in the coming year. It could also just mean that you will see an improvement to your reputation or it may be that you will gain some kind of positive public recognition. For example, you may perform a kind act that gains public attention & receives positive feedback.

Please do not repost anything I write on other social media platforms (even if you credit me!) I only have a TikTok & a Tumblr!🖤🖤

[heyftinally]

5c. spam tags can also get your account deleted by tumblr because you look like spam, which is a huge problem on this website, especially if a lot of the people blocking you also report you as spam (which absolutely happens if you puss off enough people clogging tags with irrelevant posts). Just tag correctly, we're all begging you.

Example:

#my little pony #mlp #glitter #gif #okay but real talk she's my favorite character and I love her #libby says cool things

Good tags ✅

#mylittlepony #startrek #wellness #popular #recipe #funnymemes #fitness #anime #bestshowontheinternet #lookatallthisglitteritssofunandcoolwowawesome

Bad tags ❌

Do you see how the first are relevant, provide organization, and are more readable? Yeah, that's what you want.

TUMBLR 101: a helpful guide for tiktok refugees

are YOU a former tiktok user trying to learn how to use tumblr to fill the void the american tiktok ban is leaving in your soul? here are some things you should know, from someone who’s going on their eighth year on this hellsite:

1. you can say anything on here. gone are the days of having to use words like “unalive” and “seggs.” murder! kill! sex! fuck! speak your mind!

2. there is a community for you on here. regardless of what you’re into or however small the fandom is, you have a place here. at least one other person will have heard of your weird obscure interest. strike up a conversation!

3. followers don’t matter. tumblr is one of the last remaining social media sites in which your number of followers means absolute jack shit. this can be disorienting at first, but once you lean into the fact that everyone on this website is equal, it’s very freeing. clout means nothing here.

4. similarly, you can post at any time. while tiktok has an algorithm that favors certain times, tumblr has no such algorithm. post whatever you want, whenever you want. every post has virtually the same chance at getting notes, regardless of when it is posted.

5. tags can have spaces between the words! this one is very exciting. tags can be a whole sentence. you can also use the tags to comment on someone’s post without actually adding onto the physical post itself (which is sometimes frowned upon and called “derailing” if you use this feature to bring up a completely different point other than the one that’s being made on the original post).

TL;DR: speak your mind, find your place, followers don’t matter, post anytime, have fun with tags!! tumblr is a wonderful site used to share things you’re excited about. be patient with yourself as you’re learning and have fun!

[atalana]

so i'm thinking about dancing through life, and that interlude between glinda and elphaba, and specifically how in the movie they make a point to draw the audience attention (the audience who is following glinda's perspective) to elphie's magic books

and it seems like a minorly odd detail to put in there, given how the only relevance they have to elphaba's side of this song is that she has a magic teacher she can ask a favour from, which isn't news to anyone

but glinda specifically looks at those books before she says anything to elphaba, and she also has this look after giving her the hat, like it's a decision she already partially regrets

and i think, as much as glinda does profess to hate elphie at this point in the story, and as much as she seems to be doing this just to get one over on her, i don't think that's the case at all

i think she was partially talked into the prank by her friends, who definitely encourage her to put on her usual the world revolves around me social mask, but i think she justified that decision to herself with the reasoning "well elphaba's my favourite teacher's favourite student, she has everything i want, i should take her down a peg", as the magic books remind her

she clearly already cared about elphie in some form, or she wouldn't have regretted it at all, but she thought that made them even

until elphaba turned the entire thing on its head by freely offering glinda everything she wanted, everything she thought elphaba had been spitefully keeping from her

and that's when she realises she can't actually knock elphaba down a peg, bc there's nowhere lower to go. glinda has everything and elphie has nothing, and elphaba just gave up the one thing she had, because she thought glinda deserved to share it with her

so glinda whose entire life has been about collecting social power, who knows exactly what she has and what it takes to hold onto it, she gives that up at the ozdust too. because elphaba deserves to share it with her

[velvetvexations]

Please correct me If I'm wrong, but didn't Playdough's whole beef with Bechdel trying to reframe her as a TERF start originally because escentially she wanted to prove that HOMESTUCK is somehow more deep and influencial and important queer media than DTWOF?? It was a poll thing and people where getting mad that homestuck was beating dtwof (this is the homestuck website like cmon) so Playdough started there the discourse of Bechdel being a terf to discredit her work

I have no idea if homestuck is actually that queer in it's content, but this incident made me realize something very common about pretentious cult-like groups like TRF and Tankies.

They want to find the way to parrot that their interests are somehow morally superior and more correct than other's; forcemem can not be just a kink it's actually a culturally significant political practice and forcemasc is just a transmisogynist bastard copy, transfem headcanons can not be just normal fandom shit for enjoyment they are the more correct and intelectual reading an analysis of any character that doesn't adhere to strict tradicional cis gender roles and transmascs headcanons are anti intelectual media illiterate misogyny, homestuck can't be just a popular old webcomic you still like despite It's flaws (like srly It has a shit ton of racism and ableism, it was created on the era of the internet 4chan was more culturally relevant than ever in memes mostly so of course) no It's not a pillar of queerness in fiction and media and the comics created by a literal feminists trans ally buch need to somehow be morally inferior because they're both compiting in a Tumblr poll

AHAHAHAHAHAHA SHE'S STILL DOING IT TOO

I'm sorry, but imagine having this much of a grudge over your fave losing a poll lmao lmao lmao lmao this is so funny oh my God.

But it's especially hilarious because all of what she wrote about June is complete nonsense that was never part of the text. Now let's look at what she had to say about transmasc headcanons:

Welcome to projection playground, ma'am! She's literally using the idea of "legitimate analysis" just to prop up her own headcanon. This is so gutbustingly hilarious. Does she even think it's possible transmascs could have headcanons based in 'legitimate analysis'? Considering the fact that she seems to vehemently insist literally every transmasc headcanon ever is actually transfem, probably not, right? Because she doesn't understand masculinity is revolutionary and transgressive for people who weren't assigned it? Because she's a self-centered moron?

But wait, there's more!

She's so consumer-brained and she doesn't even know it.

I love that her whole personality is structured around being the world's most obnoxious Homestuck fan who uses academic language to build a comfort blanket to soothe her insecurities and lash out at others because it's gender validating if she gets to lash out at trans men the way cis women are allowed to with cis men. Except I've never seen a cis woman do it this ineptly, or so blatantly the product of issues they desperately need to work out.

Anyway, back to Bechdel...

I know I've been ranting about this subject in a general, undirected way all morning, but I'm going to tell you that this is a problem with Plaidos, specifically, which she passes on to her audience:

They don't know what TERFs are.

A TERF has defined political views. There is a lot going on with them. You cannot take one belief or action in particular, such as Bechdel softly supporting some sex-segregated spaces, and call her a TERF when she's praxis in much bigger, material ways. It's not just about Homestuck with Plaidos, or TERFs in general. It's also about the fact that Bechdel ever did anything that had anything to do with the idea that some people are more wymynly than them, which they take personal offense to that overshadows, oh, I don't know, loud and consistent advocacy for children having access to HRT? Any real transfeminist would recognize that matters infinitely more. But with these people, that's not the issue. They don't care about anything but how badly it hurt them to hypothetically not be welcome to a shitty music festival, and Bechdel having went - even if she criticized it's policies - is basically the same as having flaunted her gender assignment to intentionally make them dysphoric.

But Bechdel supports minors getting HRT. She supports them being in women's bathrooms. A lot of TERFs have identical conversations about her.

So what makes her a TERF? Because she went to a party you weren't invited to?

Do you understand how pathetic this makes you look?

It's gross and TERF-y to say trans women as a category are jealous of people AFAB on some level but when you prioritize like this where being let into the club is the one big all-consuming deal over things like Bechdel repeatedly going to bat for minors having HRT, and they obsessively treat trans men the way they do...

Like, listen. TRFs. My friends. You're women. I promise you you're Trve Wymyn. Please get over not having been AFAB. Come to peace with it and accept that people who got what you want are on your side and are happy to support you in being recognized as a woman in spite of what was on your birth certificate. Get over it.

Just get over it.

And also get over your transfem headcanons not being any more textually supported than transmasc headcanons, losers. You're so obviously the ones addicted to seeing yourself reflected in every piece of media you consume if you have to write essays about how it's bad literary analysis to not believe in your strings-on-a-thumbtack-board shit and run down anyone else having headcanons related to their identity. You're not doing literary analysis, you're playing pretend with cartoons for children and getting upset when you see other people having their own fun without you.

One last thing:

EXTREMELY holy shit racist. Do you see what I mean? How TRFs care so much about slights to their Trve Wymynhood over all else that they say shit like this? Like yeah Michfest was basically the KKK, you're right, unimaginably stupid White woman. Remember when Lisa Vogel hung all those trans women to warn us not to vote?

[oddlittlestories]

Oh also re internet censorship.

Screenshot shit. Include the date and the website if you can.

Denialism is a lot harder when you can whip out your device and go “nope! I have a clip of the inauguration. nope! I have a screenshot of the executive order from the White House website.”

I have a formerly leftist older family member who for some reason suddenly got super into Trump denialism so I have some real life examples for you!

“That’s just how the media spun it. The context matters!”

Nope! Starting now I’ll have the context!

“I didn’t read his twitter page. I read articles about his twitter page.”

Well I did! And I’ll be screenshotting relevant things and sorting them for the future.

Look. I guarantee you there will be attempts at suppressing news articles - anything that goes against what Trump and other US politicians want you to believe. It’s already happening.

There will be edits of web pages or posts and claims that it was that way the whole time. (Like how Amazon says you totally bought that thing at that price even though you have a gut feeling, repeatedly, that they didn’t. And then the lump purchase items differently than they charged them so it’s nearly impossible to sort out what cost what.)

And preserving the truth? It matters.

A few years back, one of the UCs paid a TON to have google suppress search results for cops pepper spraying unarmed, seated protesting students. But students saved that image, shared and circulated it.

When UC Santa Cruz had a strike in 2019-2020, there were whispers they would be pepper sprayed.

That image was circulated - not just to students but to faculty, staff, community members, and family across the country. A reinforced narrative of “Santa Cruz students are so chill they’ll never do anything to provoke that,”

This is probably why UCSC students were never pepper sprayed.

These things can have real, material impact. Immediately. Not in the future, not when we’re rolling all this back. Now. Today. That’s why they’re working so hard to suppress it.

[zorilleerrant]

Ohhhh, I think about this a lot, and Murderbot is such a good example! Easing readers into a story will make it read well the first time, but if they ever try to reread it, all the exposition becomes glaring. Usually that's annoying and feels pointless, but sometimes it can highlight problems with the plot, characterization, or even the worldbuilding itself. It gets too big the second time through. (That's why everyone's always on about exposition.)

The typical way of getting around that is introducing a plot context or character relationship where people would be explaining the important parts of the story. Sometimes, people use an unusually verbose or nitpicky narrator who wants to keep talking about random mostly irrelevant things. Murderbot, though, does my favorite, and one I think is sorely underused: the stories just throw you in and assume you'll get it eventually.

(This is one of the particulars I'm talking about when I say fanfic ingrains good writing habits, too. Fanfic almost never tries to handhold you through establishing the known quantities, so it's no surprise a ficcer knows how to do this!)

It can be hard going into a story planning to do that, especially if you're a writer who does a lot of worldbuilding or otherwise keeps really detailed notes. You've made a lot of decisions! Unfortunately, to make the story flow, you're going to have to wait to share most of that with the reader.

The Important Parts:

There are things the narrator doesn't know about the world. Lots of things are true in real life, but you don't know them either; this is pretty much inevitable. Murderbot is fun about this, because some things it has opinions on, some things it doesn't understand, and some things just feel normal to it!

These include things most people in the world would know, and they include things the readers might/will likely know. Murderbot has a lot of trouble with emotions, which is relatable, because we've all had some trouble with that, but it really establishes how non-human it is that it often assumes humans never have any similar trouble. Characters in a different world won't always share the same premises as in your world.

The character should know things relevant to it. This is the most commonly talked about, I think, because a lot of the most aggravating exposition is a character 'learning' through an explanation of something they should already be deeply familiar with. It's not just about general facets of the world, though; it's important that characters know a lot about their established specialties. Murderbot may be confused a lot of the time, but when it knows something, it knows it. Or it's faking knowing it and it learned it from TV.

Different characters should know different things! I think this is often overlooked in favor of trying to streamline the worldbuilding, so most characters tend to have the same background but different specialties. But in general, lots of people are working from different premises and expectations about the world, not to mention different life experiences. Murderbot does this in an especially fun way because it's always speculating about whether other people know what it knows or if they think it knows what they know, adding an interesting metafictional quality to a strong basis for character building.

When the narrator likes or cares about something more, they talk about it more, and when they like or care about it less, they talk about it less. The worldbuilding is all equally important to you, and maybe to the reader, but a character will latch onto only specific things. Murderbot has so many of those specific things! And it will go on at length, until it gets to a metaphor roundabout on occasion. This fleshes out the character more than the world, but it's important to establish your lens.

Especially since most 'truths' about the world aren't universal! There are always going to be prevailing attitudes and common myths and personal biases. These add to the worldbuilding, because you can see different ways characters interact with the world and how they come to think this way. There's not just one culture, let alone one subculture, so you need things that seem different. Murderbot, with its relatively unique perspective, is adept at showing you how many different ways different people think about things. And yet, it keeps insisting all other SecUnits think just like it! Which is a particularly wonderful bit of character and worldbuilding.

Anyway, if you think you need to tell the reader something up front, no you don't. It'll probably slot in seamlessly three chapters later, and give you a chance to let the details appear organically. Let them live their lives and care about what they want to!

An important writing lesson I'm taking away from Murderbot is that you don't always have to ease your readers into the world and the characters and speculative concepts. Sometimes you can just start with the fun part where there's a sandworm trying to eat someone and that's fine too.

[xxgoldie]

seth lowell x gn!reader, reader smokes and it's plot relevant, mentions of alcohol, tipsy flirting, seth is a flustered mess, i can only pray for the confidence i gave reader in this wc: 796

thinking about seth, who gets dragged to a nightclub after he failed to say no to several escalations of the usual thursday post-work drinks, definitely tipsy and trying to flirt with you. the key word being 'trying', because he's really not very good at it, but his earnest efforts and the cute way he flushes and his ears perk up whenever you reciprocate might just be winning you over.

he'd spotted you while he was taking a breather in the smoking area, almost transfixed as he watched you leaning against the brick wall of the club's exterior and swapping between people-watching and observing the swirls of cigarette smoke that left your mouth. he hadn't even realised he was staring until you caught him doing it, an airy chuckle leaving you as he whipped his head away when you made eye contact.

"you can say hi, kitty, I don't bite."

he couldn't really remember what he'd replied or how exactly you'd gotten him talking, but before he knew it seth was next to you, side leaning against that same brick wall, heart hammering the entire time he chatted with you. he'd learned several details about you, but other than your name, a few stuck in his mind;

you were unbelievably cool. you were much more at home in nightclubs than he was. and you were undeniably and crazily out of his league.

yet, for all his fumbled compliments and awkward laughter, you were still there. steadily shifting closer to him. hand brushing against his arm. giggling at his attempts at jokes. eyes locked on his flustered face even as he struggled to maintain eye contact. and he swore that in one of the brief moments he managed to hold your gaze, he saw your eyes flicker to his lips.

seth doesn't smoke, but you do, and the smoking area was much better for chatting anyway. as much as every other word that came out of his mouth made him cringe, whatever he was doing was definitely working better than he'd ever fare on the dance floor - questionable dance skills aside, god knows he'd probably combust with your body pressed against his in the packed space. so the two of you remain outside, and seth watches you smoke and desperately tries to find his footing in the conversation as your every word and move backs his racing heart into a corner it doesn't particularly mind being in.

"d'you want to try it?"

your question comes almost out of nowhere, prompted only by the way seth watched you take a long inhale from the cigarette. he manages out a quick "sure, why not?" despite his rationale telling him no; somewhere between the drinks and your eyes he'd found a greedy instinct to take anything you're willing to give him, even though he knows damn well he's going to splutter on the smoke and embarrass himself as soon as he takes a drag.

but you don't hold it out to him, instead bringing it back up to your own lips. then suddenly, you're standing much closer to him and your hand is gripping his jaw in a way that opens his mouth just enough. you watch him through lidded gaze as you blow the smoke into his mouth, and he freezes, ears perked and tail bristled. you're so close, lips barely a centimetre from his, but your firm grip on his face would stop him from closing the distance even if his short-circuiting mind would let him. he doesn't get a second to process what's happened before he's choking, smoke hitting the back of his throat before he can attempt to inhale it, eyes watering as he attempts to suppress his coughs.

"aww, poor thing," you coo with an amused smile that seth finds scarily attractive. your hand isn't on his face anymore, but you haven't backed away far, still tauntingly close to him. there's nowhere to hide his blush, he can tell you're enjoying the front row view of his flustered face as he coughs again. his gaze is slightly panicked, but overwhelmingly yearning, looking at you like you hung the stars in the sky even while he has no idea what to say, or whether his tongue would move even if he did.

but he doesn't have to, because you're looking at something behind him, frowning slightly then sighing.

"looks like my friends need me," you say, voice laced with disappointment as you put out the cigarette. you pat his bicep as you move to walk past him, touch lingering with a slight, indulgent squeeze. "i'll be around. come find me later, kay, pretty boy?"

and then you saunter back inside, leaving seth flushed, needy, and wondering what the earliest time that would count as 'later' would be.

ughhhh i love seth sm, i wanna tease that silly little catboy so bad

[pixeltwix]

Ciphertology 📻 The Patriarch

Welcome one and all to ‘Ciphertology, the second ‘tri’ (which is essentially Silas Birchtrees biggest kiss ass, Dale Dixon, taking over the cult after the fall of the cult in the 50s)

This technically isn’t relevant and is mainly just me rambling on my own interpretation of Ciphertology after the fall :P briefly

I’ve always been fascinated by cults and enjoy studying them extensively. Growing up in a religious based one myself before my family left it when I was young I gotta say- it makes it that more intriguing to dive into fictional based ones

A lot of my base stuff for ✨Ciphertology, the second ‘tri’��� I take from a handful of cults I’ve studied, but the biggest one I model it off of in terms of religious based domineering patriarchy’s has been the FLDS cult (ifykyk)

Naturally the new leader, Emma May’s father, fits into the staple mold of this in his efforts to become ‘half the man Silas was’

I think I honestly refuse to ever draw Emma May’s father’s face directly because he as a force feels far more intimidating as just?? A giant painted eye on the back of a head-

Plus idk it feels correct narratively to only ever show this one facet of him when it would be the main thing Em would remember of her father/and just him looking like in general

Also hi I needed an excuse to use this doodle again bc I just love this image?? I don’t often draw younger Em in the cult, but I’d like to do more backstory stuff in the future

Ironically enough even those most cult leaders take all of the things for themselves I actually don’t envision Dale Dixon to participate in everything Ciphertology ‘has to offer’ ie the multiple wives thing

Like he only keeps his one wife, but everyone else is free to have ‘as many wives as they want’

But when it comes to his children bro is quick to play favorites and put them in line wherever it makes the most sense in the community

Emma May unfortunately is not a favorite

But also hi?? Madeline Dixon as Dale Dixon’s younger sister is so real to me

I know I’ve already elaborated on this and the family a bit more in my ‘Emma May and Ciphertology’ post, but I sWEAR I wanna delve further into Madeline in the cult fr

Cause like..Lowkey lowkey I enjoy the idea of Dale running it as a puppet figure and Madeline being the one to truly be pulling the strings

Honestly this has been less me rambling on anything and important and more so a ‘yall this is all the stuff I wanna doodle and elaborate on in the future’ :3

As always thank you for reading if you’ve gotten this far in my nonsense!!

[evesedenramblings]

I want to talk about the Greek Myth of Damon and Pythias and how I think it could tie into Project: Eden’s Garden. For those unfamiliar, the story of Damon and Pythias basically goes like this:

A man named Pythias is to be given the death penalty for his crimes of protesting tyrannical authority against a man named Dionysus (not the God, just named after him). However, Damon volunteers to take his place so Pythias can tend to his affairs (basically say final goodbyes). If Pythias does not return by a certain time, Damon shall be executed in his place. Pythias arrives in time and neither character dies, and Dionysus praises the two for their friendship and loyalty, and even asks to join the two in their friendship but is rejected.

It’s important to look at the framework of the story rather than the details. If we do that, I think there’s a lot to work with.

The story ties very neatly into the idea that Tozu’s Killing Game “continues until there’s only two people”, those two people in this context being Damon and Pythias, especially considering Tozu has the ongoing theme of lying! The Killing Game would end, but then maybe only one person gets to leave, and then begins the free-for-all seen in the Prologue. But then if Damon is Damon, who is Pythias supposed to be? Who is Damon willing to go against his entire ideology for with the belief they won’t kill each other? Honestly it’s too early to say. But that’s not all we can take from the story.

I think Tozu is our Dionysus. Dionysus is a tyrannical ruler named after, but not actually, a God, which is interesting in terms of a power complex. His role in the story is to pit Damon and Pythias against each other, making them doubt and question their trust for each other. The key difference is obviously Tozu will be relying on them to kill each other- however, should the story follow beat-by-beat, they won’t kill each other, and Tozu will be so impressed, he may let the two of them go. Frankly, I have another theory pertaining to Tozu that I haven’t created it into a proper post yet, but I think Tozu may try to bring them into his organization, and the two reject.

It’s an interesting story that makes for a fascinating theory. Considering how often the myth comes up in the origin of the name Damon, I imagine it has to have some form of relevancy. Not to mention the story is just a little bit too perfect of a character arc for Damon and a kick in the nuts for Tozu.

Brief aside: thanks to @panomiels-box for inspiring this analysis! They reminded me my “Damon and Pythias” draft exists and did their own analysis on Damon and Pythias. Our theories are pretty different which is why I’m not reblogging off their post, I’d hate to take away from their theory. Make sure to read theirs too, they make a lot of interesting points!

[purgemarchlockdown]

I'm not really someone who enjoys participating in discourse. I find that the environment is too volatile and prone to ad-hominem to really work as any kind of reasoned debate. People look for the things that confirm their perspective and get mad when they don't. I do that. It's not really constructive and as such I don't really like writing anything about it.

Plus I enjoy writing things about what I care about, and what I find interesting. For obvious reasons, why would I put my energy into something that I find boring or makes me upset?

I'm saying all of this to state that I have a distinct frustration of the current discussion going around with Amane. Now, I'm biased. Amane is my favorite character. I have an inclination towards defending her. One could argue that should discount me from the discussions but then I think we'd have to discount everyone from it since Everyone Is Biased!

You can't have a discussion if you don't have an opinion, and attacks on someone's character based on what you Think their argument will be like is not constructive! Actually it's usually the opposite. Let's all be reasonable here, and not descend into baseless insults based on what we want our opponent to be like for the sake of our ego.

After all:

The fine line between "Hate" and "OK"Shouldn't you look beyond your EGO, before it all ends? After knowing all, I wonder Can you really say INNOCENT?

Let's establish my argument.

I find the reaction towards Amane Momose after the deaths of Haruka Sakurai, Mahiru Shiina, and Shidou Kirisaki to be disproportionate, and the mentalities and biases at play to be distressing.

I also find that the logic underlying the argument to be faulty and unconvincing most of the time. And this whole discourse to be a distraction from more important and interesting discussions to be had about this whole series!

For one, I don't think the argument of whether Amane should have been guilty or innocent in trial 2 to be relevant for trial 3 and its voting. As due to the fact trial 3 is going to be the Last Trial, any argument for or against the safety of the prison (a major factor in this discourse) is rendered Irrelevant by the fact they won't be in the prison after this.

This is their final verdict and their final fates will be decided here. The most relevant points of discussion for a trial 3 vote is their crime and their current mentality within the prison. As a result the vote that came to pass in Trial 2 is irrelevant to the Trial 3 voting situation.

This is why I think it's a distraction to argue about whether if people were right or not to do so in Trial 2. Now it's genuinely sad that these characters are dead but ultimately we have to live with that. I find it frustrating that people are harping on this so much as if it proves something about Amane's Character (moral or otherwise) that everyone else missed.

One can argue that Amane has shown how destructive her worldview in this moment (thus also connecting it back to the trial 3 voting and it's relevance,) and while I have my own qualms about immediately assuming Amane is at fault for this (we will get to this later) and I, again, find the argument surrounding if she should have been voted guilty or innocent a distraction. I do think it's important to acknowledge that.

One, all these people committing murder was already a showcase that their worldview's could be destructive. You can argue that they're on their best behavior, or that their crime was a circumstantial thing. But then we'd have to ask the same questions regarding Amane's circumstance before the murder she (presumably) committed against Shidou and the one she committed against her mom.

Shidou did not just die because she hated medicine. Shidou was someone who repeatedly made her feel small and talked down to her.

Amane: I warned you. I can no longer turn a blind eye to this wickedness taking place right in front of us. You’re bringing ruin unto yourself. Do you understand? Shidou: No, I don’t understand. It’s my job as an adult to teach you that throwing a temper tantrum isn’t going to make everything go your way. If it’s a test of endurance you want, I’m happy to oblige, Amane.

People might think that this reaction is unreasonable, but the point is not if she's right or not for feeling this way, but that she Did feel that way. And I would like to posit that the stressful conditions Amane was under exasperated the problem, thus pushing her more towards killing Shidou.

And either way, my point is that she's not inherently destructive she just holds the ability to cause destruction when under the right circumstances...like everyone else.

Arguing that she's more destructive because she's "too far gone" misses things like how Muu's worldview hasn't been examined all too much even with the trial 2 guilty, or how Shidou's worldview wasn't examined all too much and he's implied to have killed:

A lot of people.

One can say that they only did these things due to the circumstances surrounding them but that just goes back to my first point. Arguing that Amane is uniquely more dangerous, despite the fact that like everyone else her murder has a specific circumstance surrounding it feels like a double standard.

Two, characters like Kotoko have arguably more destructive worldviews, and while there Was Discourse surrounding how people should have voted her in trial 1, it is not nearly as debated as Amane's is. Which again feels like a double standard.

And ultimately, even if we ignore the double standards at play here and how this is stuff we have Known Since the Beginning, we still have no clue of Amane's Mentality Now, we don't know how she seems in Trial 3 at all.

We can't immediately assume she's dealing with all of this well just cause we Assume that she's the reason behind the events, for one she was close to Mahiru.

T2Q8: If you had to make one of the prisoners part of your family, who would you choose? A: Shiina Mahiru. Her innate goodness might have brought the two of us closer, maybe.

And this situation is really close to something sensitive to Amane. The death of the cat.

As a result we cannot use this to adequately determine her current mental state, my original criticism still stands. The relevance this has to a Trial 3 vote is pretty...lacking. As a result we can't say this discourse exists so that we can determine what should be done in trial 3. This firmly exists as an argument of who was right and who was wrong in Trial 2.

One can call it petty (I have) or a distraction (I just did) but since I'm writing a post on it I am participating in that distraction. We can now travel to the second part of this post. Which is a dissection of the arguments for Trial 2 now that people have died.

Now, obviously people should be allowed to have opinions and have passionate feelings about those opinions. However I think the reasoning behind opinions, me or yours, should be questioned. It's good for a nuanced debate for opinions to be questioned, and for the other party to listen.

I for one have seen a lot of questioning about T2 Innocent Amane now. Some of it being blatant ad-hominem mind you, but lets take a charitable look at the discussion. Do I have a good counterargument against common arguments I've seen about this? Well, sort of, for one I would like to question the assumption that if Amane did kill Shidou that she should hold all the blame for Mahiru's death, first of all.

If we are working under the assumption that Amane killed Shidou and that means she killed Mahiru. Then can't we also say Kotoko killed Mahiru? She's the one who beat her up in the first place after all. And if we're going to say that then putting the full weight of responsibility of the deaths on Amane feels unfair. She's not the one who beat her up after all.

Additionally, if we're really tracing the threads of consequences back to the source then really shouldn't we be the ones taking responsibility due to how we created a Trial one?

Arguing on these grounds inevitably leads to questions about the Audience's own moral integrity if followed to the logical conclusion. If we believe Amane should be punished for this and that the earlier act of voting innocent in Trial 2 is incorrect because we let her "do something bad" then shouldn't that apply to the Audience? To Kotoko? To Shidou for clearly not doing as much as he could to help considering that Mahiru was in his care for Twenty Nine Months? To Kazui for not doing anything to protect anyone even though he Said he would?

I think it's reasonable to say that if any of us put the full weight of blame on any of the other people I mentioned this would be contested. But I'm not saying they should have the full weight of the blame put on them. I'm pointing out a double standard here.

That Amane is treated as if she did all the work killing both Shidou AND Mahiru, assuming that she did kill Shidou and that lead to Mahiru's death. That she's being given a harsher treatment here regrading the consequences of her choices, despite the fact everyone else made their choices and they had consequences. Again, including the one who actually beat up Mahiru in the first place.

And before anyone brings up Kotoko is guilty and that means she's being treated harshly. That's not my point. I'm not saying Kotoko isn't being treated harshly. I'm saying Amane is being treated too harshly Despite the fact that other people and factors we're at play and Despite the fact we already Guilty Voted the one who arguably should have the most blame be put on her for the situation at hand.

Second thing, we...don't know if Amane killed Shidou?

I know that she's Said she's going to do it multiple times over, but this is a series known for pulling tricks on the Audience and giving red herrings to distract from more hidden things at play. Again I have already said that Mahiru has been injured for at least 29 months. That is not a normal time of recovery for the injuries she has received. That is more than 2 years. Even with Potential Milgram Time Weirdness considered it's still an unnaturally long time to be injured and Getting Worse despite being treated by a doctor.

Additionally, with Haruka's death we know with some certainty that the restraints on the guilty prisoners aren't as restrictive as we thought. And we have a certain prisoner here who has been very vocal about wanting to hurt people. Not to mention if Shidou is doing malpractice again then a lot of people probably want him dead.

However, my point here is not that "other people could have done the murder" cause ultimately that feels a bit weak as an argument, if you trust in Amane doing her murder then saying "it's possible that it wasn't her" isn't really convincing.

I wrote all of that to ask a question, why are we assuming Amane killed Shidou? That seems like something I've already answered, she said she would.

However, other characters, have been pretty blatant about what they were going to do and that was Ignored. For one, people didn't think Haruka was going to commit suicide, and even if he did the guilty restraints would protect him (despite the fact we knew from Amane's T2 VD that the restraints aren't as restrictive as we thought, an argument used FOR the idea that Amane should be guilty.)

A second example would also actually be Kotoko. Kotoko, was not exactly secretive about her intentions of beating up the people who Us, The Audience deemed as guilty. She was very clear actually about what teaming up with her meant. And yet we accepted it and then got mad at her when she did that.

When it came to Haruka that was due to infantalization and a belief it could have been prevented through other means, when it came to Kotoko that's cause her words aligned with most people's beliefs in the abstract that we were willing to ignore the warning signs regarding her.

So why then, when it comes to Amane, we take her words completely at face value? What about this situation has changed that make it so we Can't ignore what she says? Can't twist it to mean something else? Can't say "Oh its possible that" and have it be convincing.

We can't say it's because people's lives are on the line, we've already shown that with Haruka and Kotoko that's not enough, and again, we can't say it's because she was clear in her intentions. So what gives?

Now, what I'm about to say might be considered an ad-hominem to some. However, I think criticizing a mentality held by a group and direct attack against one person is different actually. If you've gotten this far and think I'm attacking you, no I'm not.

(You can say I'm straw-manning though if you want. I am holding an imaginary debate here.)

However, I think the reason why Amane is being treated, frankly, unfairly, is pretty simple.

She's a child that spoke out against someone who was older than her. Who's been Very Vocal about how much disdain she holds for Milgram as a prison system. Who in Trial 1 we voted guilty because the consensus was that we needed to "teach her to be better." Now, I'm not saying anyone here is an abusive parent or doomed to become one. If that's what you're thinking.

I am however saying, in our society, we have ingrained hierarchies when it comes to children and adults. Children are below the adults. They have to follow the rules set by adults. When they disobey they are punished by the adults.

This is brought up by Es themself to claim power over Amane.

Es: No matter what you do, no matter how grown-up you behave – you’re a child. That’s an unchangeable truth. Amane: You’re a child, too! Es: Wrong. I’m fifteen, so I’m an adult in Puerto Rico and Haiti. You’re twelve, so you’re a child no matter the country.

This is right after Amane attacks Es. A physical question of their authority over her. Es' response is to Claim that as her Superior she has to Listen To Them and Follow What They Say. That despite everything she is a Child while They Are Not.

I have said double standard so much in this post you're probably sick of me saying it. However, this is why I keep on saying it.

And it's not like Amane is the only victim of it! I already brought up that we ignored Haruka's voice due to infantalization! It just manifested differently here because the way to spite Haruka in Trial 2 was to Ignore What He Said. However the way to spite Amane in Trial 2 is to Accept what she says and Vote Her Guilty Based On it.

This is the crux of my problem. This is not just about what is good for the prison. This is about spitting a child who disobeyed against a perceived authority. I don't think this ideology should go unchallenged. Especially when the subject of it is an abuse victim. Like Haruka was.

Jackalope says it himself in the Trial 2 Report:

Whatever the circumstances may be, she is the one that has to bear the blame. That’s just how it is. Both in and out of MILGRAM, isn’t that right?

Now, look, if you're someone who genuinely voted Amane Guilty in Trial 2 because you understood that to be the best choice and are now upset that what you expected to happen did happen. That's fine.

However, I believe, the reason why we are still debating about this past the point it should be over. The reason why people still care despite me already illustrating that it doesn't really matter for Trial 3. Is because of this. It's because people are upset a child spoke up against them.

And I just find that to be unacceptable to leave unquestioned. Because people will say Anything to deflect from being questioned about this. That it's not that serious. That it doesn't really matter. That people are overreacting over some silly show.

But, you can look through my blog. I just made a few posts about this before I wrote this, most of them un-rebloggable to make sure No One saw them outside of who followed me. I've been writing this in an exceedingly formal tone partially out of fear of being harassed for this.

I'm not the one who brought this argument up again. I'm Responding to people who brought it up again.

Maybe it's just me but...doesn't that contradict that statement? And even so, Milgram is written To be taken seriously. And people Have taken the previous discussions seriously.

Why is it suddenly wrong when this one is taken seriously?

I think the people reading this are smart enough to figure out why.

[cassylost-inspace]

The object show community has honestly become so unsafe and toxic. I’ve only been in the community for a year and a half ,but the difference between now and then is honestly drastic. People don’t even enjoy the media anymore, all everyone does is criticise. While criticizing is fine, I don't think a community should be based on that. I have barely seen ANY positive posts about the ii movie, everyone treats it like it's meant to be God tier and I get that everyone thinks they should get what they deserve, but holy shit you guys have nothing good to say. Shipping has also become such a difficult point of discussion in the community, considering that everyone believes that their ship and their ship ONLY is good. Most of the shipping stuff wasn't relevant to me, because I'm a multi-shipper but the fandom takes ship wars to an extreme,honesty speaking. Another point is the fact that people are mad at ii for making canon ships,, again this doesn't bother me,because I have always liked all of the popular ships but it's honestly not that deep. I think I've seen like a million posts about the payjay scene from ii 18,, and people got SO mad over fan service despite the fact that it was like 3 minutes long 😭 Another thing is, I haven't talked about c2bc on here b4, but Cole getting cancelled proved how fast the fandom is willing to act immediately on a show's downfall. "I never really liked the show" that's really not the point here. I feel like people should take the situation of cole being racist more seriously instead of just taking this as a chance to bash the show. Moving on,, I remember seeing a post of someone saying "how could you even cry to object shows,, they're so unserious" why do you care? Genuinely WHO is it hurting.Moreover people saying stuff like only "12 year olds watch object shows" is dumb; because have you ever been in a fandom before??Teenagers literally keep fandoms alive, also who DO you want to be in this community. My last point is how almost everyone acts like object shows are meant to be "amazing works of art",, like they literally started off as terrible. These shows are indie and run by an even amount of people, stop treating the shows like Hollywood. Reminder that these people can do WHATEVER they want with their characters. Animationepic is one of the most listening teams out there, they sacrifice a lot for their fans and I personally think that they're allowed to do anything they want with their characters especially since they put so much effort into what the fans want. As someone who uses object shows and animation in general as a way to escape reality,, it is evident that most of you do the same. So I don't understand why there is just SO MUCH negativity coming from the community,, when os fans are so clearly talented and instead of putting effort into being hateful they can use this energy to make art, amvs, maps and animation memes and help uplift the community and it's overall impact on others.

Ik I normally don't post stuff like this, but the osc is REALLY important to me and I feel like this should be brought to more people's attention.

-Cassy

[unpretty]

i said it in my original tags but i want to talk out of my ass and say that one place that a lot of current romantasy falls short for me is that it ends up being written by people who mostly read other romantasy without going back to the original genres of romance and fantasy. it's like a 'learn the rules before you can break them' kind of thing. you have all these magical macguffins to hit the tropes but can you make me believe that these characters have chemistry without that? is there chemistry, or did you tell me they're fated mates and now i'm supposed to assume this fight is sexy? does the fantasy aspect exist for anything aside from the magical macguffins? i'm not going to throw stones from inside my house made of worldbuilding designed to make all my fetishes happen, but the really fun part is when the lore spins out of control and you end up really going in depth on linguistic anthropology things that aren't relevant to the makeouts.

and the other thing is that you can't really sub in fanfic for this. plenty of fanfic takes characters from other genres and plops them into romance, but it's not the same. a good romance novel says, "here are two characters. you may know their archetypes, but you don't know them. you are going to get to know them, and you are going to love them, and you are going to want them to love each other, and when they love each other you are going to be happy for them". i love a rakish duke. when a man who's never had to do his own laundry is slutty as fuck that's my shit. but you still have to make me like him. you can take that archetype and make a guy who fucking sucks. most fanfic will not impart to you any knowledge about how to make a reader like a guy from scratch. you already know that guy. that's the whole point. fanfic with as much character building as an original work is the exception, not the rule.

the whole reason i get catty about fics that just make a different guy is that... you've made a different guy. i don't know who this guy is and i don't like him, and you haven't bothered trying to make me like him, because you slapped another guy's nametag on him like a cheat code. it's cool if you did make me like this new guy, but why is he wearing that other guy's nametag if no other aspect of him is present?

read the genres you want to write, obviously, but there's a reason the shitty comphet romantic subplot is a cliche. it's because romance is its own skillset, and if you try to fit romance in your thriller when you only read thrillers it's probably going to be the weakest part. if you want an ensemble cast then chemistry between characters is important regardless of whether they're going to fuck about it.

How did you get so good at writing??? Did you take classes? I feel like you should get paid all the money for this! (I subscribe to your website!)

after i dropped out of high school i found a torrent of like 5GB of OCRd romance novels and i read like 3 romance novels a day for a while

read enough romance novels and you will realize that they live or die entirely on technical skill. if you are new to romance novels then even bad ones can dazzle you with novelty but by the time you are on your 30th historical fake engagement between a bluestocking and a rakish duke you can grade them and you know when they've failed. when two books have what should be the same main characters hitting the same plot beats, but one of those books is delightful and the other fucking sucks, you learn some things. some books are bad and still delightful. other books are good but they just don't hit. you start to see the seams in the bad ones. 'oh, this is a weird out of character moment because she wanted to have the kabedon moment and didn't know how to get there'. 'she didn't want the ust to end but couldn't think of a better reason than this deus ex cockblock.' that kind of thing.

you could probably do this with other genres but i like romance because the plot is two people fall in love. that's it. everything else is set dressing. if you can figure out how to make that work you can carry it over into whatever other genre you feel like. mysteries would give you a different skillset around plotting that i don't have.

anyway after that i wrote a lot.

[sequinsmile-x]

is it ever confirmed which languages emily speaks? im so curious about the list of languages she knows

We know from the first episode she’s in that she can speak Arabic. And we hear her speak Italian, French, Spanish and Russian at certain points throughout the show. (I don’t think I’ve forgotten any)

It’s a pet peeve of mine that her language skills are something that just…stops being mentioned at a certain point?? Like does she speak more?? I WANT TO KNOW.

in my fics I typically say she speaks 6, including English, because that covers all of the above, but sometimes I like to add in other ones - like Greek or German - if it’s relevant to what I’m writing haha