#this is not a critique post in any way

[yoki-loves-stars]

Martin being a mechs fan headcanon is so funny to me.

He either listened only to the songs and skipped every song that has a monologue from Jonny. Or listened to them a long time ago and never ever he thought "huh... my new boss kinda sounds like Jonny D'Ville and his name is also Jon... what an odd coincidence."

It's even worse if you hc that he actually went to their concerts because like... now he also looks like his boss😭😭

[rollercoasterwords]

yeah u can put "i hate jkr" and "fuck terfs" in ur tumblr bio but. can u listen + reflect when a trans woman criticizes hp fandom without immediately getting defensive.....

[tocomplainfriend]

New episode

Damn guys. not even making a post about that episode, i disliked it so much bro lmaoooo.

[ffc1cb]

i’ve always found it peculiar how during meeting the chargers cutscene the game just assumes your character automatically understands what krem is talking about when he mentions binding (though, granted, it’s all very unsubtle). like, this is a roleplaying game. what if i want to play a character who just doesn’t get it

[uncanny-tranny]

I wonder if the discontentment some people have with their gender stems from the contradictions in expectation for their gender.

I mentioned this in passing, but as a man, I've found there's this simultaneous expectation to be hyperindependent and hyperindividualistic while also being concerned about if the people around you accept your masculinity or manhood. It's an interesting paradox to both be expected not to care but also to care so deeply that it alters how you see yourself. It's the contradiction of hyperveneration and hyperscrutiny and, even, hatred of manhood.

This isn't even touching on the intricacies of nonbinary and intersex experiences with the way people enforce these (cissexist) contradictions of what you "should" be.

[thebigqueer]

see my take is that i dont condone caits actions at all however she matches vis freak too much to not ship them in my eyes. and also i feel like the show wanted to give more depth & time to cait's "redemption" arc but it was so rushed that we never actually got to see that arc of cait realizing the consequences of her actions. i think its something thats implied to have happened off screen given the way caits already challenging ambessa but we never got that backstory so we dont actually know what was going through her mind or what led her to change her mind about ambessa.

[zadle]

sorry for discoursing but

[itsalwaysforyou]

jay not asking coach about letting lonnie onto the team bc he doesn’t want to do anything coach might disagree with…….

[dukeofthomas]

I will forever maintain that Jason would've been fine and Not a vigilante without Bruce making him Robin

[fullscoreshenanigans]

Is CloverWorks entirely at fault for TPN S2's mangled production?

I see so many people default to blaming CloverWorks for being the sole arbiter of S2's horribly disappointing production (sometimes Shirai is added into the mix too, especially by anime-onlys), but every time I do I'm genuinely asking the question of whether that's true and where they're pulling their information from.

I'm not involved in the animation industry at all so I'm interested in receiving input from people who are more familiar with it, but my understanding is the people in charge of the decision to truncate S2 would be The Promised Neverland Committee listed at the end of the opening credits.

(I could not find a single video of the English dub that aired on [adult swim] for the English credits of S1, so a screencap from the Japanese credits)

TPN Committee is comprised of the following entities: Aniplex (Distributor), Fuji TV (TV Station), Shueisha (Manga Publisher), Cygames Anime Fund, Dentsu (ads)

(Sources 1 | 2 | 3)

kViN from Sakugabooru details what a production company is in this post:

"I personally find it enjoyable to see who is involved in a show, and as you’ve seen there is plenty of information to draw from that. Animation production studios are listed in the credits for each show, so it’s understandable why audiences would imagine they have a ton of influence over a production. It’s even natural to think that the company that is actually manufacturing something would have great input! If you start paying attention to these committees though, you get a clearer picture of the finances of production and how each show is actually made rather than assume that studios that often don’t have much of a say are in charge of everything."

And CloverWorks is the more prominent name, especially for English speakers watching the subbed version of the series.

This is also something that Geoff Thew brings up in the last seven minutes of this video around the 18:50 mark:

"I'd bet good money that the last credits were supposed to roll right after that big stone door slammed shut, and I'd further wager that a combination of fan reactions to and dipping ratings for early episodes is what caused the production committee—who are the ones who actually have final say in this, not Cloverworks or even Shirai—to cut their losses and turn that cliffhanger into a skeleton of a conclusion."

I disagree with him on them making the call to retool the series during the clipshow episode between S2e05 and S2e06 though. It doesn’t seem like they had enough time to do that when a single episode of animation takes on average nine months to complete, even with the ridiculous crunch they seemed to be in. My guess is it was made back in early 2020 after Shirai made everyone involved in production aware the manga was ending that year, with the pandemic potentially factoring in to a degree.

He also mentions this a bit earlier:

"It's just such a slap in face to anyone who ever gave a shit about any version of this story. Including the people telling it, apparently, since neither of the anime's screenwriters nor mangaka/series composer Shirai wanted to take credit for the last two episodes. They probably didn't have much say in how it all went down. That's important to keep in mind before you start yelling at animators or even studios on twitter. I guarantee that every adaption that hurts you personally was ten times harder on the people who actually had to make it. As hackishily slapdash as this finale is, a lot of people probably slept under their desks to get it out the door, if they slept at all."

I always come back to this tiny addition toward the end of S2 episode 2 as an indication that on the creative side of things, in storyboarding and animation at CloverWorks, the care was still there at some level.

It was just squashed down in order to cut and condense 146 chapters into 11 episodes for a production that, as ZersEditor puts here, was "bleeding money."

But CloverWorks is less to type out, so they get the majority of the ire over a tragically butchered production in casual conversation.

[jam-packed]

hiiii no one asked but pt 1 of a billion to my last unicorn au where marc is not a unicorn it will be marcnaia but not u gotta be patient im sry. anyways intro ily

about 1.3k

Casey sighs as he and Enea step carefully through the loose, winding path the forest grants them. They had been looking for a viable lake to fish at for a while, and despite the beauty of the greenwood that surrounded them, Casey knew this was not the place for them. It is far too quiet for comfort, Casey thinks, far too peaceful for him to truly enjoy—he is quite a modern man, as he considers. The trees stand tall and foreboding but plentiful and lush; the ground without leaves or brambles—not a prickle of snow has seen the ample soil beneath them—each blade of grass stands just tall enough to tickle the hairs on Enea’s naked ankles; each critter and creature they saw met them with curiosity and childlike wonder but leaving enough distance where Casey would not have to prevent Enea from taking something home; the birds sing sweet melodies into their ears, each note seeming to lead them closer and closer to where they would like to be; and Casey gets the lucky remnants of delicate and decadent speckled fur in the corners of his eyes—bright specks flitting in his vision to-and-fro.

Casey puts his hand on Enea’s shoulder, forcing his attention from the beauty enveloping them. “We must look elsewhere, Enea. This is no place for us.”

“What do you mean?” Enea’s eyes sparkle as he asks, mesmerized by the twisting leaves in the reaching branches above them, shining sparse but angelic light onto the two—kissing each curl on Enea’s head and spinning them to gold.

“There is magic here, my friend, learned slight by those that dwell in the cerval’s forest.”

“Cerval?”

“You are too young to have seen one, Enea, for the one here is lone in this world.” Casey declares, looking into the deep brush of the forest, where two bewildering moon-slit eyes follow him intently; he knows better than to stay here now. “We must think better than to fish here, lest we remove the world of any more magic.”

“Tell me of it, since I have not seen one—not heard of one,” Enea pleads with shining eyes, his boyish charm much more apparent now than even when they first met those fair months ago, in a small pub far from where the sun sets on them now. “Tell me, Casey.”

Casey hums, feeling tiny, near minuscule ants crawl up his calf with no care, and he grants them such privilege. “My great-grandmother—maybe even great-great-grandmother—told my mother, who told me, of her meetings with one. It came to her, rather than her to it—as most seem to do—and–”

“Did she capture it?” Enea’s voice trembles slightly.

“Of course not, dearest Enea. She simply sat near it, with the barest of a smile upon her lips to perhaps bring it close to her, and it did. It laid its head in her lap and licked the small sprouts of blood that flourished from her hands, healing the cuts that may have wounded her. Then it fell asleep, bringing her along with it—she only woke when she found it had gone, leaving her clothes barren of blemishes and bruises.”

“What did it look like?”

A smile floats onto Casey’s face. “Its eyes reflect the moon, and its fur is as soft as a well-loved cat’s.”

“Where did they all go, my love?”

Casey shrugs, his face flaring from the title Enea bestows him with. “Things change. There are things greater than us that haunt the Earth—it is no place for grand creatures such as he.”

There is a pregnant pause from Enea, bare of his usual thoughts and questions and mistakes in his speech that Casey finds ever so endearing. He looks around the forest for what they both come to know will be their last, the floral air kissing him sweetly. “Yes,” Enea says, determination set on his brow. He adjusts the rod and bag that lay upon his back, taking deep steps into the forest floor as if running towards the outer world beyond them. “Yes, let us fish someplace else.”

They reach the forest’s edge quickly—the blinding eyes following each move with careful precision—and Casey turns towards the poor creature, knowing its presence despite his decided lack of vision about it. He frowns as his voice cracks on his tongue, teeth clicking together reluctantly with each word.

“Do not leave here, dear wolf, for the world out here will ensure your end; keep in your forest, keep it lush and bright, with each creature protected by your grand stead—for no other can do as you do, for you are the last.” Casey can feel his eyes fill with salt and glistening pity. “I wish you luck, my friend; beware of men and girls that will only become bitter, old, and silly.”

The two take their leave, their packs full of nets, rods, bait, and gear gone along with them, and the cerval wolf’s gaze falls from them with a slow, dreary sadness. “Is it true?” He asks the forest he habits, his voice hoarse and crackling from disuse—it would frighten him if he allowed himself fear. “Am I really all that is left?”

He does not prance like the deer that follow his horrified sprint. He throws himself to the ground, twisting and crying in the dirt and gravel, biting at his tail and bowed legs for some poor sense of comfort. 

“How selfish they all are!” He growls through his mournful yelps. “My brother, my beloved brother! How could I live if he has left me, too?” The sprawling roots and sagging blades of grass hug at the poor creature’s shivering and solitary bod. The cerval drags itself up to lay by the river bed, its water akin to a mirror—clear and unwaning—if the pitiful beast had ever seen the latter to compare the two. He weeps once more, his tears mixing deep into the minute waves that come from the small waterfall nearby. He takes a drink, kissing the surface of the water with his speckled fur and padded nose, only to replenish himself of the tears he lost so he may start anew.

The heavens fall to darkness, the only light coming from the moon and stars shining through the trees’ fair leaves and branches overhead, and the heart-rending wolf has stayed in its tragic state for—to him—what felt like days. “Maybe,” he thinks out loud to the fish beneath the quivering ripples of the river beside him, “maybe I am to leave this place. What do men know? I could find them with ease, with pride. I am a great beast like no other; men tremble before me, and thunder calls my name—it would be with great ease, yes.” He swats at the brown trout taunting him from below, catching one by pulling it to the edge—where the water and soil meet in hopeful embrace—lifting it with his claws and peering at the poor thing with deep, bright, curious eyes. “Or maybe I should stay,” he concedes, pushing the rather dull trout back into the glistening waters. “I cannot really leave.” He stands to walk the river’s stream. “If I am truly the only one, I cannot leave for selfish reasons as they all have.”

He laughs to himself, “The forest will make fun, they will make me cry on return, and I will never leave again.”

“Yes,” he decides. “I will not leave. There is no possibility for it.”

[loving-jack-kelly]

reddit keeps sending me to a subreddit all about complaining abt taylor swift and like. i don't believe in ethical billionaires and i think she's not a good person and i disagree with a lot of her actions. but man you guys are not winning the "we are not misogynists" war when every other post is just "lol she sucks at singing and her clothes are ugly and i hate her hair and all she does is whine and complain" with no actual critique of like. her actions. the way she treats her fans. her constant money grabbing. her reliance on a thin shield of performative feminism without even the most basic speaking up to back it. her refusal to acknowledge genocide. her refusal to back down on her personal impact on climate change re her private jet usage. saying lol she's ugly is not the same as those things and you are not cool for saying it.

[teeth-cable]

Have you seen The Amazing Digital Circus yet?

If so, what's your opinion on it?

I LOVE TADC! It’s my favorite indie show at the moment! There’s just so much I like about it but my main ones are

1. The setting and execution being unique. A horror-like project taking place in an late 90s/early 2000s digital game is not a new idea and same goes with characters being stuck in a purgatory however it’s how the artists reinvent those idea that makes it new. The digital Circus made its own aesthetic that makes it stand out from other projects with similar concepts and designs. When I first watched the pilot, one of many things that stuck out to me was how new the story ideas felt. I couldn’t think of any other pieces of media similar to TADC beside for surface-level comparisons. The TADC created its own aesthetic and knows what it wants to be and I like it!

2. Soundtrack. Speaks for itself, the soundtrack for the pilot is so good especially Your New Home. That song is very catchy and emotional too. It has such a unique melody, everytime you hear the first few notes you instantly recognize it. It does a great job highlighting the dread and existentialism crisis of Pomni’s situation. I recommend to give it a listen if you haven’t.

3. The characters dynamics. I just love how the characters interact with each other. The majority of the jokes comes from characters’ interactions and dynamics and how well everyone plays off of each other. The best example is Jax with everyone, Jax is a funny jerk who likes bullying his peers. It’s funny to see what creative ways Jax will bully the other people whether it’s being sarcastic and making quips at them, or though goofy pranks and how the characters react because of their contrast in personality. Every character beside Jax is openly stressed or worried in someway while Jax, at first seem like a chill layback dude.

4. The characters differences. I adored the differences between each character from how they talk to their poses. After watching HH and HB, I learned to have an appreciation for character differences. It’s just refreshing to see characters allowed to be different instead of the same tired reused tropes and repeating the same type of dialogue again for every character.

5. Mystery and lore. There is so much to explore in the pilot, it’s make you wanting more. When going in to watch the pilot, I made the mistake of thinking the series will be predictable. I didn’t see how they could make this premise work because by the end of it, Pomni will go insane but then I watched the pilot and was speechless. The pilot does a good job setting up questions for the audience to ask. If Caine lied about the exit, what are other things did he lied about? How long has the cast been stuck in the circus? Who are these people? Are they previous game developers? Who were they in their previous lives? What is the company’s motivation to create the headset? What are the abstractions in game? Are they viruses to the game program? Who were the former cast? What horrors has Kinger seen to be as paranoid and easily frighten as he is now? Do the abstractions still have a consciousness? You just want to find out more about the lore to solve the many mysteries in the show. I find it impressive Gooseworx was able to stir up the theorists because they have admitted in an ask, there are already theories floating around that are almost right about the show.

One problem I did have for the pilot were the scenes containing the Gloink Queen. The pacing of the pilot was fine until we got to her then it was slow. I feel it dragged longer than it needed too but beside that, my issues for the pilot ends.

I can’t speak for the fandom on other platforms but the tumblr one is great! Most of the time everyone is being respectful towards each other and I love seeing what creative theories, AU, fanfics, and art the fans created. The only people causing drama are the anti-shippers, and it’s just dumb. All of the cast are adults, if age gaps ships makes people uncomfortable, that’s valid but they shouldn’t make it into other people’s problems. Gooseworx themselves admitted they don’t care for romance and they don’t want fans in the fandom getting harassed over shipping.

Overall despite what issues I had for the pilot and fandom, they’re overshadowed by the positives and I can’t wait to see the full show and the fandom’s growth.

[rollercoasterwords]

I have, a genuine question for you. Do you acknowledge the racism in the original AYTD or at least know about it? Like how MsKingBean uses slurs and racist stereotypes?

hey, so, i'm a bit apprehensive about answering this because...it doesn't feel like a very geniune question to me, if i'm being honest. "do you acknowledge x thing" is a question that is inherently set up so that i'm meant to answer "yes, i acknowledge that x thing is true," because the alternative is saying "no, i don't acknowledge that x thing is true," which is already framing this interaction as if to disagree with you would be a kind of failure on my part to do some due diligence of engaging critically with a text. and the fact that you say mskingbean89 used slurs in atyd shows me that you haven't even engaged with the text, because that simply...isn't true.

if what you're referring to when you say "slurs" is the anti-romani stereotypes--this is coming from an extra chapter in the bootleg tapes focusing on greyback, where there is a slur used to describe his living situation + he + his family were portrayed as nomadic irish people in a way that was insensitive. people who read that chapter and then went back to the canon story with that characterization in mind rightfully pointed out that it was fucked-up. mskingbean89 addressed those criticisms by adding this note to the beginning of that bootleg chapter:

personally, i think this was a good way to take accountability + acknowledge the mistakes she made with that portrayal. she was a human being who made an ignorant mistake, which then just happened to get absolutely blasted to millions of people--she did not have sensitivity readers or editors looking over her fanfiction, because she did not write it expecting it to reach the level of popularity that it has. to be honest, i am not really sure how she could have better acknowledged her mistake, aside from just....not having made it in the first place. she explains her intentions without acting as though that intent cancels out harm, owns up to the fact that the stereotyping was harmful regardless of intention, and provides resources to learn while also committing to be more mindful + educate herself moving forward. honestly, that's exactly the response i would hope to see from someone who makes a mistake like this one.

i agree with you that people reading atyd should acknowledge + understand the racism regarding romani stereotypes stemming from that bootleg chapter, which is why i think it's great that there is a note literally built into the beginning of that chapter acknowledging it! but i feel as though there's been this like...game of telephone happening online when it comes to atyd, where there are now people who have never even read the story talking about things that quite literally do not appear in the base text itself. i've also seen people acting as though mkb herself did not address these issues when they were raised to her, which is just...patently false.

and so what i'm wondering here is what you're looking for from me when you ask a question like "do you acknowledge the racism in atyd." anyone who actually reads the texts has to acknowledge the racism in that bootleg chapter, because mkb puts that acknowledgment front and center at the beginning. and also like...in the part of the fandom i'm in, in the conversations i've listened to or taken part of regarding atyd, people have acknowledged the issues with that bootleg chapter and the ways it reflects back on the main story. so what do you mean by "acknowledge" when so many people, including mkb herself, have already... acknowledged it? what action are you calling for, and who are you calling for it from?

because like. if what u actually want to say here is that atyd is Irredeemably Problematic and we should all like....shun it? universally agree that it's Bad? then it's just like. it is up to each individual reading the story to decide whether that specific portrayal of greyback in the bootleg chapters is something that ruins the story completely for them or whether they still think the story as a whole holds worth. personally, i feel like i can acknowledge that there are issues with mkb's portrayal of greyback and i need to be mindful of that when reading the story so as not to internalize harmful stereotypes while still finding atyd to be a masterpiece that really beautifully deals with a lot of nuanced issues regarding class and disability and systems of power. this is just part of thinking critically when you read; many famous and beloved works of fiction contain the biases of their authors or have mistakes or issues in the way they portray things that are a product of ignorance. and i know everyone reading marauders fanfiction should understand this, because if u genuinely think that a character being negatively stereotyped means u should throw the entire work in the trash, then none of u would be touching harry potter fanfiction with a five foot pole in the first place.

so, anon - if you have actually read atyd, and there are issues with racism that you have found that i am unaware of, and not just telephone-game twitter posts of people taking shit out of context that you're accepting as truth without bothering to engage with the work yourself--if you want to have a real conversation about it, i would invite you to come to me as an actual person and not an anonymous ghost in my inbox. my dms are open, but when it comes to talking about serious issues, i tend to find it more genuine if the person coming to me actually cares enough and believes in what they're saying enough to say it as themself. and if you haven't read atyd and are just parroting things you've heard other people say online then i would invite you to actually sit down and read the work and form your own opinions on it before getting back to me. i know that might sound harsh, but honestly i'm just completely fed-up at this point with all the bad-faith takes and misinformation that i've seen people spreading about atyd just because they think it's cool to dislike a popular thing.

[meadowlarkx]

people online who are themselves fans creatively adapting and innovating with their source material are getting so comfortable making posts like "fandom generally is sooo crazy when they make their blorbos kiss" "fanon is shitty (and whatever i hate counts as it)" and i'm getting 🛌🛌🛌 about it. what fandom. who in it. which fanons? i like meta discussions about the text/characterization/etc, but what's the point of looking down your nose at fans and fandom generally? i saw you at the devil's sacrament!

[oflgtfol]

just saw interstellar in imax. love this movie so much. literally any critique of it that i see just shows that the person critiquing it didnt actually watch the fucking movie or havent seen it in ten years and think they remember it perfectly still