#this is my first time posting a theory like this

[onehelluvafan]

Soo... anyone else notice this look from "Better Than Blitzo" right before he kissed Stolas?

Yeeaahhhh, quick question. What the fuck?! lol

It's the epitome of "blink and you miss it," taking up just two frames, which is a single illustration in Helluva Boss.

I actually spent two months making a 30 minute video on this that I uploaded to YouTube back in August. Unfortunately, my channel was taken down in the latest algorithm crawl, but if you’d like to watch it, here’s a link to it on Odysee and BitChute.

Otherwise, buckle up while I take us on a journey ✨ I have three basic ideas I'll be delving into, split into three posts:

Part One: His tattoo—what it is, what it means, and what (or who) it could be linked to.

Part Two: Verosika—how and why she could have orchestrated things.

Part Three: Just an ex??—what his personal motivations could be for taking the time to check if Blitz is watching before kissing Stolas.

Keep reading to dive into Part One!

Before we dive in, just a quick heads-up that I will not be referring to this Incubus as “Better Than Blitzo.” Partly because it’s kind of long but mostly I just really like the nickname I’ve given him, which is: “IncuBlitz.”

IncuBlitz Part One: His Tattoo

I’ll start things off with the tattoo on IncuBlitz’s arm and its possible significance.

Because this thing is strikingly similar to Stolas’ crest, leading a lot of us to wonder—Is IncuBlitz some sort of Stolas stalker?  Or does he work for someone in the Ars Goetia who has a similar crest?

In both cases, I think the barometer is going to be how similar his tattoo is to Stolas’ crest, but I’ll go into a little more detail on why he might be working for another Goetia and who it could be.

I think Aldreaphus, Stolas’ brother-in-law, would be the most likely candidate in this scenario, considering that we’ve already been introduced to him and his manipulative nature. 

In Western Energy, we see him convince Stella to call off the hit on Stolas so that they can wait for, and possibly even create, an opportunity to take advantage of him later—be it for his position, wealth, power, or all three.

Even more compelling, we see what appears to be an attack or takeover by Aldreaphus at Stolas’ palace in the trailer for the second half of season two.

It’s been theorized that he may be hoping to take over Stolas’ position partially because in mythology, he’s actually already known to be an astronomer. 

This would obviously overlap nicely with Stolas’ duties, which would make him a prime candidate to take over his position—be it temporarily until Octavia has finished her training, or perhaps even permanently depending on what he’s capable of and willing to do.

So far, we’ve only seen this brief glimpse of him in Western Energy, so we don’t know yet what his actual cannon position is in the Goetia family. The mythological Andrealphus is not associated with any sort of ice powers, so it’s possible that this is where any likeness between the two ends. 

But regardless of any previous knowledge or affinity for astrology, I can see Andrealphus being interested in Stolas’ status and position. Whether it’s to have for himself, or to get close to Octavia so that he can take advantage of his influence with her in the future.

So, in this theory, IncuBlitz would have been strategically placed to get information from Stolas, keep tabs on him, manipulate him, and possibly even to further drive a wedge between Stolas and Blitz.

For any other Goetia, the desire to keep Stolas and Blitz apart could just be for appearances and maintaining the social structure that they’ve put into place. 

But if Andrealphus is his employer, I think he would have a different reason to keep them apart. And that’s to keep Stolas from having someone who can protect him.

Because if he knows anything about either attempt by Striker to assassinate Stolas, then he would be aware that in both cases, Blitz or someone under Blitz’s employ, intervened. 

The first time, they completely stopped him, causing the assassination attempt to be a failure, which resulted in Striker having to actually flee. 

Then, during the second attempt, despite it being called off by Stella, Moxxie and Millie’s intervention did prevent Striker from bringing Stolas to Stella and Andrealphus, which is what her explicit instructions to him had been.

Now that I’ve covered how a Goetia could be involved, let’s move on to what I personally believe to be the determining factor for both aspects:

How similar is IncuBlitz’s tattoo to Stolas’ Crest?

Because if IncuBlitz is actually a stalker, we would expect the tattoo to be as close to Stolas’ crest as possible. And if it belongs to someone else in the Ars Goetia, that implies that Geotic crests, in general, would all have at least a heart in common.

So far, the only crest we’ve seen that we know to be associated with the Geotia family belongs to Stolas. Considering that we’ve only ever seen his crest displayed within his own palace, I’d say that, at best, it’s unclear whether other demon royalty also have similar, heart-themed crests.

But let’s explore that a bit. 

The seals that we’ve seen so far, belonging to several Sins, Paimon, and Stolas himself, all seem to have the same basic structure.

This could lend credence to the idea that other Goetian royalty could also have a similar crest to Stolas. But personally, I don’t think it’s likely.

Mostly because Stolas’ crest seems to reflect him personally. From the tip of his five-pointed crown down to his cloak and neck accessory.

We haven’t seen much of Aldreaphus’ castle, but in the room that is shown, there does not appear to be anything present that resembles a heart.

In fact, we don’t actually know yet if Aldreaphus is canonically a marquee in the Hellaverse, the way he is in mythology. So it’s possible that he doesn’t have a crest at all if those are limited to the upper ranks of royalty. But if he does have a crest, I think it’s the snowflake that’s depicted on his chest and plateware.

At first, I thought his crown being shorter than Stolas’ and only having 3 points was an indicator of lower status. Especially considering that we see Stella, Octavia, and Baby Stolas with similar crowns.

But after realizing that Paimon’s also only has 3 points, I dug a little deeper and found this.

Apparently, there is something called a Celestial Crown that has five points, which are usually depicted with a star on each tip. 

With Stolas’ job as a Goetia being to study the stars, it makes sense that his crown would be reflective of his line of work. 

Considering this, I don’t think Andrealphus’ ice-themed crown and possible crest give us enough information to determine whether he is or is not a marquee.

But either way, there doesn’t appear to be any evidence to support the theory that IncuBlitz’s tattoo is reflective of a connection to himself.

Now, let’s take a look at the tattoo and compare it directly to Stolas’ crest.

One thing I noticed was that even though it doesn't look like his normal crown, he is wearing a crown that looks similar to the tattoo, both as a child and at this particular party as an adult.

I went back and scrubbed through footage of the entire show, trying to find any other instances of this kind of tattoo or imagery.

While Verosika and Millie both have heart tattoos like the one on IncuBlitz’s lower back, the closest thing I could find to the tattoo on his arm is the door to the prototypes at Ozzie’s.

This has led me to believe that it might truly just be a heart with a cupid’s arrow pointing down. Though it does look a little odd with the additional v-shape between the arrowhead and the bottom of the heart. I’m not sure if that’s supposed to represent a bow or is just a stylistic choice, but, interestingly, the heart on the back of the romance novel that Stolas is reading at the beginning of this episode does have something similar going on.

So, in the end, I think his tattoo might genuinely just be symbolism. An indication that he’s a kindred ‘romantic’ spirit, maybe who also wears his heart on his sleeve; Or even simply that he’s just not afraid of love and romance the way that Blitz is. If so, perhaps it’s intended to be another implication of why he is “Better Than Blitzo.”

Click here for Part Two: Verosika

[livingsurreal]

More thoughts and theories about our favorite Necromancer

My darlings, I have too many thoughts and my obsession is running wild. (How I missed you, hyperfocus). If you have read my last meta post about our Emmrich, here it is: First Meta Post

That is not a required read however. I am still wondering why anyone is reading my word vomit U_U

Anyway, I love reading other peoples theories, so please, send me yours. <3 And a lot of thanks and love for all you darlings who make this fandom such a beautiful and nice place. Especially to @jaal-ama-daravv - who makes the most beautiful videos, and writes such wonderful character studies.

Warning, from here on there will be spoilers as well as mentions of sex. If you don't want to read about any of that, do not read the rest.

Also pictures and way too many words. This is a ten page word document, save yourself while you can. I tend to go off on a tangent once I start writing. I am also well aware that not everyone will agree. This is just my personal read on Emmrich.

Now, after my first essay I have some more thoughts on Emmrich and Rook and specifically their intimate relationship.

Emmrich is such an interesting and baffling contradiction. On the one hand he is confident, self-assured, all manners and poise. He is smart, and he knows it. He has special gifts, and he knows it.  He is confident without being proud. He likes to teach others without being arrogant. He still likes to learn about new things and is, as far as I’ve seen, never judgmental about different beliefs and ways of life. (Unless someone treats him with disdain or bully him)

He is a man who is confident speaking of his thoughts and feelings and fears. How he just casually drops his thanatophobia is just astonishing. He is honest and open-minded in the best ways.

And then there is the other side of him. The wet kitten side of him. As open and honest as he is about his emotions, when we get to the meat of it, to the scary bit, the real feely bit, he locks up completely. As long as it is surface level (or he can pretend its surface level), everything is up for discussion. But once we reach deeper and touch *love* he gets so scared and refuses to admit and commit to his feelings. And as much *death* scares him, love scares him more.

So how does that influence his intimate relationship with Rook?

According to the banter with Lace “everyone knows about it”. He was rather surprised by that.

That tells us two things:

They were trying to be sneaky or at least keep their private business private.

They failed, massively.

Add to that Laces comment about them moving rather fast (when, where? I would have loved to have seen that. Comments like that just give me the feeling that we should have had some more cutscenes after the dinner date, to show us those two besotted fools).

But back to them moving rather fast. I would guess that they both did a lot of gazing lovingly at each other, blushing, spacing out while watching their darling, stollen kisses in the hallway when they thought no one was watching, stuff like that. Just being to besotted fools.

But moving fast usually includes sex. Lots of needy, sweaty sex. The inability to keep their hands of each other.

That moves us to the question of the day – did they have sex before their coffin time?

Let’s look at what we know about Emmrich. Emmrich is no virgin. That man has experience. He had past lovers. But what he tells us at that sweet diner date – “nothing serious for years.” We know not much else besides his crush on a boy in his youth and his fling with the Orlesian Art Lady. He is not someone to kiss and tell and that is appreciated. That man has class, and we love him for it.

So - nothing SERIOUS for years. If he hadn’t had ANY relationships in the past years, he would have said so. But what he says is that he did, in fact, have UNSERIOUS relationships in the last few years.

I would read that to be somewhere along the “fwb, lovers, affairs, paramours, companions, a fling, a little romance” line. Something not purely, but mainly physically driven. Someone you like and respect, you can go out and have a good time with, have lots of amazing sex with (b/c he is a living being and has his needs). Spending time with people he liked, was sexually attracted too, but nothing as serious as love. A physical relationship. A little thrill, some fluttering, but never that deep.

Not to say that those situationships would not have been romantic. He is (buried under all that resignation) a deeply romantic man. I am pretty sure he went on nice romantic dates with his previous paramours too. That this is something he just enjoys too much. Treating a companion with some quality time, not just in, but also out of the bedroom.

But after he’d given up on his dreams, he did not have any notion of those flings being more than a “enjoy the moment”. There was never the expectation of deeper feelings, beyond friendship, attraction and/or respect. All those romantic gestures were nothing more than a little bit of “play pretend”. To give himself the illusion of true romance, just for a little time.

Take the fact that you can go a “everything you do is creepy but I still flirt with you and I want you to throw me over that tombstone” and his comment on “the attraction of the forbidden”? This is not a relationship born of mutual respect and deeper feelings but out of purely physical attraction. And he is OK with that.

I want to repeat – Emmrich is very much okay with a casual, sexual affair. He does not require love to have a relationship with someone.

And then think about that Johanna calls Rook specifically his “paramour”. Which is a lover, especially an illicit one. This word was very specifically chosen by Johanna. For various reasons, I would think.

For one, I do believe that it is a dig at his dreams of the eternal flame. It’s a dig at him, that Rook is not his love, but his paramour. A lover for a time. To be parted from soon enough. B/c that silly dream of his, as if it ever would become reality.

Second, I think it is a comment on the way his relationships often went, especially in the past years. Those unserious flings of his. Never to amount to anything substantial.

Did he try to have something serious in the past? Oh yes, for sure. But it never worked out. Then he gave up his dream and just let himself have a good time with people he found to be nice and attractive.

To pick up my point of self-sabotage from my last meta post – I’ve come to a point where I believe Emmrich is a kind of chaser. I know someone like that and it’s so fucking tragic.

Emmrich feels deeply and strongly. When he falls in love with someone it’s a lot of emotion. But at that point it’s all dream, want, wish. As soon as someone returns these feelings - those dreams, wants and wishes become reality. And reality is scary. In this wishful dream about the eternal flame, there is no fear. No fights. No loss. But that is not reality. As soon as it becomes reality, he gets scared. Before, his feelings were no threat, because you can’t lose what you don’t have. Once those feelings are returned, there is a clear possibility of losing, of being lost, of being left behind.

Emmrich is not a chaser because he enjoys the hunt. He is a chaser because being loved by someone is scary. So damn scary. So, he starts to pick fights and is looking for excuses. From being the chaser, he becomes the chased. He is hunted by his fears, and his fight or flight instincts go all flight.

After years of this cycle he gives up. Resigns himself to flings and little romances without even thinking of more. Or so he thinks. Dreams like that don’t die, they just get buried.

And I’d think that there was not many, even of those short term flings, lately. His life revolves around work and Manfred.

Now remember he comments on Rook “showing unexpected interest in a new companion”.

First of all – unexpected.

They are a daring adventurer. He thinks of himself clearly as the more boring one, compared to Rook. He never expected any of those flirts. But he is clearly flattered.

Second – companion.

That was such a weird way of saying “hey do you like me?”. This whole “companion” thing does not scream “I have FEELZ for you/you have FEELZ for me” but rather, “I think you might want to spend some quality time with me”.

The possible answers - dashing good looks, kindness, his way of words.

He feels he is fortunate if Rook thinks him good looking. Hallo, Mr. Professor, sir… Have you looked in the mirror lately? Consider that he is meticulously grooming himself, takes his exercises daily in the morning. That man does not like himself aging. I think it is a reminder of how his pending death is a step closer every day. But it shows, to him, that his efforts of taking care of himself are not in vain. Or maybe it shows him that his age does not matter. Rook finds him attractive despite (or because) of his physical age.

Rooks comment on his very charming way of putting things makes him hope his years behind the lectern have proved useful. Hey *years* behind the lectern. Again, this is a way of saying his age is NOT a problem but a benefit.

If Rook remarks his kindness, he answers “you humble me”. It’s the one answer that does not touch his age/experience/looks. It’s a remark on an innate character trait he possesses. Kindness. His whole demeanor in this option shows he is actually touched. And maybe a bit baffled. He did not expect this, at all. Its like he sees his kindness not as an attractive trait. Which he should. He is nice without TM and its sexy as hell.

The next part is his statement “If your attentions go beyond charming flattery… that would interest me, indeed”. This reads to me not necessarily as “do you have feelings for me” but as “do you just enjoy the flirting, or do you want to do more than flirting?”

And oh boy, does he want to do more than flirting. I want to repeat my earlier statement – this man has given up on love. But some little fling with an exiting young adventure who was constantly, awkwardly flirting with him? Hell, yeah.

(I want to remind you that we were able to have mutually enjoyed flirts with Dorian as fem!Inky. You can flirt with someone and still never want to fuck them. And you are also perfectly able to want more than flirting without having deeper feelings. Like sweet, dump Shepaloo said it so eloquently “Lets bang, okay?”)

Again, I want to pick up a point of my last post, that this is all surface level thoughts. I do believe that their emotional attraction and depth of feelings go deeper, from the start. But how often does it take quite a bit of time to realize one’s own feelings. Especially this wonderful, silly man whose modus operandi is running away.

Now, an interested Rook can answer in an open “lets see where this goes” way. Mirroring his rather open idea of a little romance, a fling, some quality time. Something that does not have to end in an eternal flame, but a simple enjoyment and exploration of the moment.

Rook can also reply with a “I think they do.” – What Rook actually says is “I think they already…”

And conveniently Rooks answer here is cut short by our sweet boy Manfred. They get cut short, no matter what answer you choose, but in this specific case, I am convinced this was very much on purpose. What would the whole sentence have been?

“I think they already go way beyond flattery.” (?!?) Something along those lines. But that goes into danger zone. WAY into danger zone.

If Rook had finished that sentence, at that point in their budding romance? It would have been over before is all started. Too much, too soon. Too much for him, period.

Now we have the hard lock – their sweet romantic moment in the Memorial Gardens. And he is smitten. He fell hook, line, and sinker for his own play pretend. Just a little romance, but that man is falling, fast. (Not that he would admit that to himself).

A beautiful date, all arranged by Emmrich, to spend time with Rook. Because a couple should have a quite moment to get to know each other. I mean there were menu cards with gilded edges, ffs. And, oh yes, they were “lets dig into the feelings”, he said couple. He is falling, falling, falling fast. But it still hasn’t hit him, how deep he has fallen for his darling Rook. Poor Emmrich.

Then a fight, where we really see the wet kitten side of him for the first time. A little wet, feral kitten, hissing at the hand that’s trying to feed it.

Emmrich is lashing out for no good reason (or no good reason for anyone but himself). There is no real confidence there but a desperate act of pretending. An iron (slipping) grip, trying to control himself and the narrative. Shoulders squared, back straight, an arrogant stance, raised chin, turned half-away from Rook, and a condescending way of talking to Rook.

Like I said in my last post – he is working his way up to breaking up with them. And he tells himself it’s like ripping off a bandaid. Be strong and confident and say what you have to say, and they will see the wisdom of that.

It’s only that, they don’t. Because there IS NO wisdom in what he is doing right now. They don’t take his bullshit but throw it back at him. They don’t accept his mock excuses.

Look at him here, how he looks down ON them. I can’t recall any other time he looks down on Rook, despite him being a tall king.

Especially the route where Rook throws it in his face that he DOES in fact love them. Speak what he can’t even think.

“I can’t… At my…”

“I can’t love you. At my age…” Why not? Does he not deserve love, just because he is a bit older? It’s just heartbreaking how he views himself.

And again, he lashes out.

“I am perfectly serious.” So is Rook.

“One of us has to pay attention to these things.” As if Rook is not paying attention. They got to the meat and bones of his problem in just a few seconds.

No matter what route you go here, the gist is the same. He is scared shitless, treats Rook like a child, and goes on how the is the only one thinking the important thoughts.

When Rook in reality way ahead of him. They thought about it and came to the conclusion that being with Emmrich is a really good idea.

Rook knew they were falling for someone older than them. (Even if that age difference is just a decade, with a mid-40s Rook.) They knew it, and still went with it. They are not a child who is too inexperienced and stupid to make decisions about their (love) life.

But now, here, at this moment? Emmrich treats them with disdain. Like a silly little person, who does not think things through. He holds himself above them. Physically and mentally. They are too young, he knows better.

And not once has he done that before. He always treated them as an equal. He follows them into the most dangerous situations ffs. He trusts them with his life in a fight against would-be gods.

All that fear and anger at himself that reaches a new high get redirected at Rook.

The next day they are off to Tearstone Island. That night must have been hell. For both of them. But its going to get much much worse.

In any case, Emmrich seems to have come to some conclusion or realization, because on that island? He apologizes.

They both did react very emotionally, but he came at Rook with superiority and, to a certain degree, dishonesty. All fueled by his fear. So that he is the one to take the first step and apologize to Rook instead of doubling down? An important step. As I said in my last post – he NEEDED to be called out. A sweet and nice counterargument would not have had the impact Rooks raw an honest emotion hat on him.

Emmrich “Rook? Darling? I wanted to say-“

Rook “Yeah, about that argument…”

Emmrich “(Sighs) It’s no time to apologize, is it?”

And here we have the most heartbreaking line, in hindsight. “We’ll talk back home, Emmrich. I promise.”

(Narrator: but they would, in fact, not talk about it back home. Because someone would not go home.)

One fight and weeks of horror later, they find themselves in a private crypt and finally they do more than share a kiss.

Now - to the point I originally wanted to explore with this post – is this in fact their first time? (I am sorry, but my brain is a circle and nothing makes sense)

Let’s look at what evidence we have from the cut-scene.

Rook did not know he is an early riser.

That leaves two possibilities:

They never had sex up until that point.

They did have sex, but never spent the night together.

Now what does that mean?

This depends a lot on your personal Rook and how they feel about sex in general. If Rook wants to wait, or is not ready, he will absolutely accept and respect that.

But for the sake of this analysis lets go with the idea that Rook is not opposed to sex at an earlier date.

They never slept with each other

Why? He clearly was not opposed to casual relationships in the past. What would hold him back now? Especially if you recall Laces comment about them moving fast. Why not jump into the bedroom?

Now my first crack theory is that they get interrupted, like every time. (Rook interrupted The Dread Wolf, and now he cursed them to always be interrupted when they want to have some private time)

But now, in all seriousness, maybe it’s just that part of him DOES realize that this goes beyond a very unserious relationship. That they both have deeper feelings, that spark of something greater, something beautiful.

So, he holds back. He does not give his all. He is charming, he is flirty, he takes Rook on dates. But it’s all very technical. Very performative. Yes, he is a very romantic man, yes he enjoys those moments. But there is always a feeling of control.

Those moments when you see him let go a bit (that kiss beneath the eternal lovers, “I think, sometimes you indulge me”), are so beautiful and you glimpse a bit of the man behind those walls.

He has a tell, you see. (I am telling you about it further down)

But generally, he feels very much in control of himself. And to lie with Rook? To go all the way? Too dangerous. Who knows what happens in that sweet moment after la petit mort? What secrets would his lips spill?

2. They slept together, but did not spent the night together.

They do have sex, but sleep alone in their own beds. Casual sex is fine, but to fall asleep in each other’s arms? Too much. Too real. Sex okay, but sleepy post coitus cuddly? Woah, slow down your horses.

So, they have sex, preferably in Rooks bed. First, does he even have a bed? Second, it’s way easier to leave Rooks bed after the act, than throwing them out afterwards.

Oh, and how many reasons he has. Rook needs their uninterrupted sleep; they are stressed and must have proper rest. He wants to get some reading done before he retires. He needs to look after Manfred.

Oh, he is a bad liar, for sure. He is lying more to himself than to Rook. I would think that (if this is the build up to their fight) Rook realizes that he is giving poor excuses.

And the sex itself? A technical 10/10. He knows his anatomy, after all. But his heart is not really in it. He can’t allow himself to. He holds back, keeps a tight lid on his emotions. They both are well spent afterwards, but like so much else, it’s performative. Technically very well executed, but rarely do you see HIM, the real him, behind all that performance. Whenever something slips through, he reels back and closes up.

And then we are in that crypt. Rook was gone for weeks. The last thing they said that night before were words of anger. Rook called him out on his feelings and from that point on there was no possible way of lying to himself anymore. Those feelings were there. They were real. Rooks feelings were real. And those weeks spent in desperation, trying to  get them back? Those walls came crashing down.

His true face, when all the walls are gone? You see that face when Rook leads him to the coffin. There is no pretense anymore. No performance. Just him, and all his love for Rook. The amount of emotion the animation team packed into those short moments in the cutscene? Mindblowing. Who ever crafted that expression on his face? They are the GOAT. I watch this part of that scene on repeat, and it never gets old.

So, I told you about how he has a tell, yes? Okay, two actually, but we all know surprised pikachu Emmrich. In that last scene it is resolved in the most beautiful way.

He looks down, when something touches him deeply, when he goes into his feels.

A few (way to many) examples:

And the worst wet kitten look? After the fight, when Rook leaves.

Its a look of shame. Of hurt. This man is hurting so badly.

Now here at the end we have that moment when Rook leads him to the coffin. His face turns down, like before. But here he looks up at Rook. He does not turn his eyes away but looks directly at them. Ahhh my heart.

Now, think about the fact that ROOK is leading in that moment?

In those moments where Rook leads or startles him (or is simply annoying enough so that the truth slips out), you see the most emotion from him.

Rooks flirting startles him, and he has a pikachu face reaction every time.

Their first kiss? Rook leans against the monument, and leans up, telling him without words that NOW is the time for a kiss. How can he not go for a second kiss?

That moment when Rook calls Manfred “our son”? He very conveniently ignores the word “OUR” and goes in defense mode over the word “son”. But called out on his feelings for Manfred? How can he deny them? He has tears in his voice when he says how he would not exchange this moment for anything? A real, deep emotion.

In their fight Emmrich is again all technical, all performance, so logical (or what he sells himself as logic). But Rook wrestles that moment from him and takes lead, calls him out on his bullshit.

In the crypt Rook pulls him up into a kiss and then leads him to the coffin, guiding him, taking him with them.

Most of the other times he takes the lead, very much in control. But the most emotions you get from him, are those times Rooks leads, when he lets go of this tight control over himself, or he is startled in to a reaction. For all the age difference that is played up in their relationship, in the important moments Rook is the one who guides. And he follows where they lead.

Those little moans he makes? If they did have sex before, I bet he did not make those sounds then. Where they did have some incredible sex, now they are making love. Open, vulnerable. He gives in.

And then they fall asleep together. Skin to skin, arms and legs intertwined. Their hands caressing, no sound but that of their heartbeats and soft breaths. Pure and utter contentment. In that moment nothing exists but them. Can you imagine that moment he woke up? The amount of emotions he must have felt then? This need to speak those little words? Those huge little words. He does not say them, not yet. But he is almost ready.  

Finally, they stand there, on the battlefield of Elgar’nans madness. And he tells Rook. The last wall falls. Gives the most precious thing he can give to anyone.

“I love you.”

[transmisogyny-explained]

I want to submit a perspective on "afab transfemininity" from. an afab multi gender person. I know my experience isn't representative of everyone who calls themselves this, but I wanted to at least share

I don't call myself a trans woman, I hesitate to call myself transfem. nonetheless, I feel connected to femininity in a distinctly transgender way. when I first came out, I hated being a girl. I was a transmedicalist and validated myself by invalidating others. I had to face a lot of internalized misogyny and transphobia in order to really learn what it meant to be a man. after I started testosterone about 3 yrs ago, I realized I was a lesbian, and started feeling more comfortable being, at least in part, a woman. it was different this time because it was something I liked, something new and my own, not something ascribed to me. it's not cisgender in any way, it is transfemininity

this being said, I know my experience toward transfemininity is extremely different from the norm. I am not what most people are referring to when they refer to transfems, and there are many definitions of transfem that do not include me. despite that, I do have some experiences that overlap, things I can relate to. my femininity is at its core transgender in nature. my gender now is more complex... I feel like both a man and a woman, neither and both. but that doesn't mean my feelings about my gender are predatory or invalid. I don't want to talk over transfems, I am very aware of my place in these conversations. but I still have a place, and it frustrates me to see you share posts that minimize my experience into a stereotype

Why do you view transfemininity as being, at its core, the experience of being “both a man and a woman” lmao

Get back to me when you start viewing trans women as actual women and transfemininity as actual femininity, and not an aesthetic or a vibe or “some other third thing” apart from femininity.

You “feel femininity in a distinctly transgender way?” Congrats! You’re nonbinary! But that is NOT what being a trans woman is — Their womanhood and femininity is not essentially different from cis women’s.

What you are describing is a very generic experience of being a feminine nonbinary person, and I don't say that to insult you; but to compare that experience to those of trans women’s betrays the fact that you don't view them as the same gender as cis women. Which is transmisogyny. It’s textbook third-gendering.

Call yourself a nonbinary woman- Call yourself whatever you want, in fact. But trans women and TMA people are never going to feel safe around you so long as you continue insisting that transfemininity is essentially the same as the nonbinary femininity you experience, and essentially different from “real” cis women’s femininity.

Also, can I just say that it’s a little condescending that you would end your ask by saying “I’m aware of my place in these conversations, but…”

Like, if you were really “aware of your place” and were actually listening to transfems when we talk about transfeminism, you would be able to recognize the enormous amount of transmisogyny baked into your message. On top of the third-gendering, you also managed to:

Imply that TMA people don’t understand the complexities of gender and nonbinarity like you, a TME person, do

Imply that TMA people creating the language and spaces to discuss our experiences in a way that excludes you, a TME person, is invalidating and somehow tantamount to labeling you as “predatory” (what does that even mean?)

Sent an unprompted ask to a transfem’s blog venting your frustrations with the language of transfeminism, despite the fact that I’m not even the one who made those posts?

Showed a pretty absurd amount of entitlement by insinuating that it’s somehow my problem that you feel frustration over misunderstanding the basics of transfeminist theory

Subtly demanded that I do the emotional labor of managing your frustration, which, frankly, is just classic misogyny

Displayed a complete lack of understanding towards what transmisogyny even is, nor why we, as the direct targets of transmisogyny, need the the language and spaces to discuss it

I really don’t care what transfem “experiences” you think you relate to, the fact that you perpetuate and can benefit from transmisogyny will always separate you from us, and if you actually gave a shit about us and our struggles, you would recognize that and try to be a better ally to us rather than co-opting and redefining our language in a shallow attempt to define us out of existence.

As has been said countless times now:

“Transfeminine” does not mean “trans + feminine,” it is a term coined by TMA people to describe our specific experiences with being denied our femininity. That is something which you, as a person for whom (as you said) womanhood/femininity was ascribed by the system of patriarchy, cannot understand in the way we do.

[sofiadragon]

I do like Jewish Snape or Jewish ancestry Snape when I see it in fanfiction. I've seen several takes on it and I think it adds a lot of nuance. There should be more diversity in mainstream fiction so let's inject it where it makes sense, and for better or worse JKR did write him with those traits. (I even read one that strayed a little too far into bashing for my taste where Mr. Evans tells Severus flat out he'll never have permission to date his daughters because his father is a Jew, and that was the first big crack in their friendship - which made them both a little racist which I suppose evens the scales a bit.)

Prince is a very western name, but in the fannon spaces that got me into those ideas, it was his mother's ancestry that gave him his coloration and his hair in particular was that thick Asian or Romani texture.

Also, for what it is worth, my great-grandfather was born with the given name Slavi and a surname that is essentially (but not exactly for privacy reason) RomaniDude. When he moved out of the way of the advancing WWI armies in a hurry, he became Steve Rodgers (again changing the surname slightly to one that's functionally the same.) He kept his initials but now sounded like he wasn't a foreigner... aside from sounding exactly like Boris Badenoff from the Rockey and Bullwinkle cartoon when he spoke. That sort of thing is less likely for upper class people, of course, though he was a chemist with more money than most who were running for the hills with only the clothes on their backs at the time. I have been told anecdotally during my dabbling in genealogy that Prince is a common way to anglicize certain names for Russian immigrants.

However, all this is from a US American viewpoint, so the name change conventions for people who didn't use this alphabet in their home country were probably different in England. I checked out the other post later the same day I queued the above post, and it's rock solid theory craft. Love that even Severus' first name fits.

Harry Potter, a first year with bad eyesight and an old lens prescription, who, so far, has only seen Snape from far in the Great Hall, and from close in the dark dungeon, sees him outside in the sunlight for the first time, and realizes that his hair, and eyes, are in fact brown (because — let’s be honest — Snape is a pasty-white British man). This is a shit-post, by the way.

That being said, I am going to keep drawing him with black hair and black eyes.

[arcane-ish]

Vi got robbed by the finale

First, a few words on where I'm coming from. I really enjoyed Vi and felt for her in season 1. I'm a Cait/Vi enjoyer and was looking forward to their resolution. I do not have fundamental objections to Vi becoming an enforcer. I don't have a problem with Caitlyn and Vi having sex in the Jinx cell and I actually think it is one of the better scenes of her arc.

IMO she was great, tragic POV heroine and lead in season 1.

Her status changed in season 2, which is reflected in the screntime distribution (ie both Jinx and Caitlyn having more screentime). This does not have to be a bad thing. You can have good arcs and emotionally resonant stories even as a supporting character.

But the more and more I think about the finale and Act 3, the more I think Vi really got treated badly. And the core is really this:

I've joked that I thought about switching my ship allegiance to Mel/Cait after the finale. I'm not actually serious about it. But it got me to think.

And I came up with the following thesis:

1.) Vi is really, really unimportant and useless in the final fight 2.) That matters because they went with an an action finale

On to a long post discussing Vi's role in the finale and Vi's arcs in Act 1 and 2 and her lack of meaningful arc in Act 3.

Within the finale there's really a clear hierarchy of conflicts.

1.) Viktor is the biggest threat and the most emotionally emphasized climax. Jayce is the action and emotional hero of this threat, Ekko is the supporting cool action hero of this threat.

2.) Ambessa is the second most scary threat. She's not a universe threatening as Viktor, but she's still badass and interesting and she gets a cool and very lengthy action scene associated with her. Mel is the emotional core of this conflict. Cait gets the badass action part of this conflict. Mel and Cait also directly coordinate, increasing the badassery.

3.) Warwick by comparison is barely a goon. He feels like an afterthought. Not like a major threat. Vi and Jinx are "assigned" to him. Jinx is the hero of this already fairly unimportant conflict and I would argue she even gets the bigger emotional punch, even though Vi is clearly affected as well.

I find it striking how different Vi's role in the battle feels to Caitlyn. Caitlyn it feels gets two badass action sequences. First in the smoke, really getting to show of her sharp shooting:

While at the same time, Vi gets her shit kicked in by regular Noxian soldiers and is busy... trying to hold a door? Babysitting the shooting of a rocket?

I've been thinking about it. On paper, there isn't that much of a difference between Cait's sharp shooter sequence and Vi's sequence at the tower.

Both show several people dying around them (though Cait acts calm and professional about it while Vi reacts emotionally). Both have bit player characters stepping in to help execute what they are doing (Steb placing the bomb, Jhin tease guy shooting the rocket). Both have missions that kind of fail (Cait's bomb doesn't go off, the rocket shoots the empty egg thing).

But it still feels like Caitlyn just gets way more glory shots. While Vi gets pushed to the floor, gets rescued by Jinx and Ekko riding to her rescue.

Her big glory shot

In theory should be great. She is punching Warwick to rescue Jinx. But it's shot so far away and turns around so fast into Warwick choking her, we don't feel the impact of her punch at all, even though on paper it is Vi using her gauntlets in a really cool innovative way.

If I compare how the Cait/Ambessa fight goes, yes Cait also gets hurt and thrown to the ground.

But Cait's fight just feels way more badass and Cait like a fundamental part of that conflict. Cait and Mel fight like a well coordinated team while Vi, Jinx and Ekko feel a lot more erratic. Cait is the one who initiates the fight in the first place, Cait is the one who makes a badass sacrifice to open up an essential tactical weakness. Yes, Mel gets the last shot and the emotional payoff, but it still feels very much like Caitlyn's fight too.

Yes in theory, Vi and Jinx go back and forth with saving each other, but it's just much faster and erratic, and *busier*, it just never has the same impact to hit. (I would be very interested in seeing a numbers breakdown, how much screentime is spent on the various different fights but also who has longer scenes before the next cut is)

It just feels like this finale is filled with scene after scene after scene with Vi being shellshocked and helpless and not really being super effective enough to compensate for that. Neither her glory moments, not her emotional moments really get the time to breathe the way this moment does with slo-mo and a song.

Compare Vi hurtling herself at Warwick to save Jinx, versus Jinx hurtling herself at Warwick to save Vi.

Okay, so is this just a dick measuring contest over who gets to be the most badass?

No. It's not a crime for Vi not to be the most effective fighter in the finale. But let's take a step back.

Act 1: Vi is a supporting character, but she has a clear role

I have said before I feel a major difference to season 1 is that rather than Vi being the main driving character, the show switched. Cait is the main character of Act 1, Jinx of Act 2.

Vi has lost her spot as main character, but her role in the story is still very clear. She is there as Cait's partner, her heart, her conscience. She witnesses Cait's distress. She tries to reach out to her. When they have an action scene, they work together and coordinate.

Arcane has action roots. Characters express themselves through their action scenes. That's why it's important who gets what action scene.

Also, while Cait's grief and hate and decisions drive the events of Act 1, Vi has her own arc of having hardened towards Jinx (agreeing Cait should take the shot) and then having that challenged by the end and of course getting an emotionally charged poignant moment when Cait dumps her when Vi takes a stand for Isha (= Vi making a choice).

Act 2: Vi is a supporting character, but she has a clear emotional arc

IMO Jinx is the clear lead character of act 2. She has a clear arc with Isha, befriending Isha, rescuing Isha, losing Isha.

Jinx is also the driving force of the Warwick arc. She encounters Warwick first. She is the one Warwick recognizes first. She puts 2+2 together. She seeks out Vi. She initiates their trip to the mines. She gives Vi the important hint about correctly handling Warwick. Warwick jumps into action ("Don't touch my daughter") to save her. His "death" in this arc is linked to Jinx and Isha.

But Vi still has a nice and satisfying enough arc in Act 2 anyway. She starts at rock bottom and grieving, she gets roped in by Jinx, she is initially suspicious of Jinx, she starts to trust Jinx more, her reunion with Warwick is emotional, they all go and try to help him, Jinx and Vi think about their mother.

Vi also goes from grieving Cait, to fixing her own life a little bit, to re-encountering Cait and teaming up with her again.

The big theme of Vi's arc is trust. She has to get over her fears and trust Jinx's advice on Warwick, just like she has to trust Caitlyn about letting Cait tie her up and play fake prisoner.

Act 3: Jinx has an arc about Vi, but Vi has no arc about Jinx

Jinx's in arc in Act 3 is about deciding to leave Vi. Everything in this arc is to prepare us for it.

Vi is not at all in the first episode. Even though the trigger of that episode was according to Amanda Overton what would happen if Vi had died in the original explosion, and the episode is absolutely respectful of Vi, with much grief and praise about it, in the end the portrayal isn't really about how life is impossible for these characters without Vi.

We get told what's going to happen to Jinx and get emotionally prepared for it, even though we don't know it. Sometimes leaping a step forward means leaving a few things behind. We get prepared for the idea that leaving things behind doesn't have to be a bad thing.

In the next episode, again we are getting prepared for what Jinx wants to do through her vision of Silco. She's going to heroically break the cycle of violence. Also, codes and commitments (like Vi's to Jinx) can be the bars we lock outselves in with. Identities (like the Jinx identity) are the cells we want to break out of.

Jinx then makes her decision. She's going to leave Vi. Vi never giving up on her is perceived to be something negative by her. She sets Vi free, telling her to stop caring about Jinx, telling her to be happy with Cait instead.

In the last episode, Ekko talks her out of killing herself. But Jinx still is determined to leave Vi. She says her goodbye to Vi. She assures Vi that it's not a problem because they will always be close anyway.

She then cuts the ties, lets go of Vi's hand and tumbles down with Warwick (and by most people's logic, fakes her own death and leaves the city).

Jinx has made a decision about Vi, which she executes. But Vi has no say in this decision. That's why she has no arc. She doesn't get to make a decision about her future really.

Even sneaking out to try and save Jinx we find out was prepared for by Caitlyn (and of course we find out that Caitlyn is the one who understands what Jinx did while Vi is still outside of this decision). And yes, she chooses to sleep with Caitlyn and she chooses to live with Caitlyn. But do these things really feel like part of her arc or just Vi reacting to circumstances?

IMO Vi wasn't ready to let Jinx go, that's why Jinx had to do it against Vi's will. That's why Vi doesn't make a real decision in Act 3.

Amanda said they wanted to explore who Vi would be if she didn't have anybody she had to protect and that is a valid and cool idea. But how much time with that did we really get?

And yes I genuinely think that if Vi had gotten a better action role within the finale it would have made a real difference in not making her feel so aimless.

Don't get me wrong. I get why they split it like that. The story required for Vi and Jinx to be paired up, so they can execute the conclusion of their sisters story. And unfortunately, compared to the other threats going on in the finale that story didn't really get the attention and gravitas and time and focus it deserved. (also Vi doesn't have a meaningful enough relationship with Ambessa for it to work for her to be in the Ambessa confrontation)

The problem is also that Vi doesn't really have much of a say in the conclusion of the sisters story. And her future is with Caitlyn.

So if they had found a way to sneak in some Vi and Caitlyn also doing action together or even just have Vi react to Caitlyn's duel or have Caitlyn react to Vi being under attack from Warwick, I think it would have felt more satisfying vis a vis the relationship they are going to have.

Alternatively. I love Ekko. I love that he got a badass fighting moment against Viktor. But in the moment where Jayce flies past Vi, for a moment I thought Vi would switch battlefields and Jayce and Vi would team up again, like they've done a couple of times already. If Vi's identity within the final battle was to be a big damn hero, that would also have imo left us more assured about what her identity is moving forward. Rather than the only thing we have is her being fairly weak in battle, being left out of information loops/not being smart enough to recognize them and being Cait's sweet live in girlfriend.

I don't hate Vi. I don't hate CaitVi. And I actually have some hope that maybe there is a chance that CaitVi as a pair will get to show off their stuff in some other form after all. But yeah, that's why imo season 2 and particularly Act 3 really did Vi a disservice.

(I'm not even suggesting things like Vi's decision to fight for Piltover and seeing so many Zaunites die being given gravitas or her reacting to Sevika being on the council, because I think the writers just have no interest in this topic at all)

[ir-abelas-vhenan]

Something Something Yeah It's Still Solavellan Hours (Mythal is kind of here, too)

I've seen a few very beautifully articulated posts talking about the conflicted responses players are finding themselves having in regards to the decision by writers* to have Solas' atonement route possible because of his conversation with one of the remaining fragments of Mythal.

(*honestly I hesitate to put the weight of bigger game events on their shoulders because of how much I know bigger players in the company were involved, so when you read 'writers' know I just mean whoever had final say on plot)

I love reading where people are at on this, and having now breathed, re-played the scene, cried, read some more theories, and then played the scene again enough times I think I'm now able to figure out where I'm at.

TLDR: in my humble opinion, the conversation Solas has with Mythal doesn't bring him any actual closure at all. It is only the version of the atonement ending that has Lavellan in which he is actually set upon a road to redemption.

This, like everything else where I lose my mind, will be long. I tried to restrain myself and here we are, unhinged as ever.

I was unhappy at first that Mythal's incredibly brief conversation with Solas where she releases him from her service seemed to be what finally allowed him to make a decision based on his wants and not hers. My concern stemmed mostly from the fact that a lot of us are trying to be active participants in a society that recognizes patterns of abuse and seeks to establish channels through which individuals can pursue healing without the approval, consent, or demise of their abuser.

But the more I look at the scene, the more I wonder what would have happened in a world where Veilguard got just a little more time in development. Could we have gotten a scene that more elegantly conveys the theme that we cannot heal every part of our loved ones, much as we might like to?

In an imperfect world it isn't always up to us how someone finds closure, which really sucks when you'd like to ensure a loved one finds it in a way that preserves their dignity and limits exposure to the individuals who have harmed them.

And while it could be left there, I'd like to actually push back on the idea that Mythal is in any way responsible for "healing" Solas in this moment.

I went on a different tirade a few days ago about how at the end of Inquisition, Mythal says words to Solas that on their surface seem well-intentioned or placating, but they actually just serve to further bind him in guilt and a position of servitude. In Veilguard's finale, she still does not take accountability for exactly how much of a role she played in the pain that Solas, a man others have revered and feared as a god, has gone through as he cowers, actually cowers before her.

Mythal's interaction with Solas conveys exactly two things to him as far as I am concerned (I'm going to botch these quotes but my laptop is dying so please accept some paraphrase as I rush to finish this before I go cry about this analysis to my uncaring dog):

"The terrible things we did, we did together." You are forever tied to me.

"I release you from my service." But what am I releasing you to?

Because up until Lavellan joins the fray here, all I take away from the physical and unwilling emotional cues Solas gives in this scene (he is a master in trickery, for goodness' sake, the thought of so many witnesses seeing him unable to hide behind a mask has to leave him feeling anguished on top of everything else) is that Mythal has once again reminded him of everything he did in her name and telling him that all that's left for him is to go back to the fade prison and, as he as always done, endure the crushing weight of his failures alone.

To me, in my interpretation, the Solas that hears this from Mythal with no Lavellan intervention may choose to willingly step down from his original plan (and yeah, that's gonna do some damage) but he is certainly not free of his past. He's going to be reminded of it every time he turns a corner and finds more blight to try and soothe, and even the moments that he rests will be filled with more manifestations of his regret. He says it himself: where he's going? It's terrible.

Enter Lavellan. Yeah, he couldn't bring himself to listen to her at her first plea (but like damn how many times are we going to have to watch her give a heartfelt speech only for him to be like 'something something beautiful elven rejection'). But I know that you know that our clever icon knows better than to take what Solas says at face value. She tells Rook plainly that he's absolute dogshit at lies of the heart, and she says it with her whole chest.

Lavellan sees the way his shoulders slump (in resignation yes, but you can't convince me there's not a little bit of relief there, too), she hears the agony in the "vhenan" that escapes his lips (which, don't even get me started on the fact that it's been like nine years and he has no hesitation at all calling her his heart, it just spills out of him). It is not the sound of a man delighting in the steps he's about to take. They're certainly not steps he does not dislike that lead to a destination he enjoys.

And then she watches Mythal (who I can't imagine she feels any sort of fondness or respect for) pull some weird nonsense on her love one final time, and she knows it's her moment to shine.

Mythal, I would argue, pushes Solas down one more time, shames him into seeking atonement, into once again being alone.

It is the romanced Lavellan that kneels so that he cannot fail to meet her eyes. It is she who invokes their connection, not to remind him of his failures but to reaffirm his greatest strength: their love and their love alone is inevitable. Not the consequences of his past, not the regret he thinks will consume him as he seeks to mend what has been broken. It has only ever been them.

"There is no fate but the love we share". We are forever tied together.

"There is no fate but the love we share." *I* am releasing you from everything else save for this love.

Put colloquially: get absolutely fucking wrecked, Mythal.

Body language comparison to chase up the dialogue one, anyone? The way Solas shrinks before Mythal as opposed to him walking off into the fade with Lavellan at his side and standing tall, and he does not flinch when she lifts a hand to his shoulder?

Ultimately, Mythal is a part of the atonement endings no matter what. But it is only Lavellan that refuses to let him walk alone. It is only Lavellan that guarantees that his dinan'shiral ends not in a prison of regret, but a place of promise.

Mythal bends Solas until he breaks one last time. Lavellan takes each piece, claims it as hers, and uses them to build the beginnings of a future.

[offtorivendell]

What if the eight-pointed star is a symbol of so much more than the Starborn; on Wyrd, Chaos, the Cauldron and the Archeron sisters...

Disclaimer: this post is just a theory and makes no claims of being canon. These thoughts are definitely not unique at this point in time - I'll link to existing posts where relevant - but I had both a moment and the motivation to get my thoughts down, so here we are lol. Also, I am aware that the bigger stars in the gif above have more than eight points but as it's very pretty, has crescent moons and little motifs with three tear drops each... it stays. A massive thank you, as usual, to @wingedblooms for always being up for some theorising. 💜

Spoilers: the entire Maasverse is fair game, be careful if you're not up to date.

The eight-pointed star is a symbol that exists across the entire Maasverse, in Erilea, Prythian, Midgard.

Erilea:

The High Priestess walked onto the stone platform and raised her hands above her head. The folds of her midnight-blue gossamer robe fell around her, and her white hair was long and unbound. An eight-pointed star was tattooed upon her brow in a shade of blue that matched her gown, its sharp lines extending to her hairline. “Welcome all, and may the blessings of the Goddess and all her gods be upon you.” Her voice echoed across the chamber to reach even those in the back. - TOG, chapter 37

Prythian:

There, dead in the center of the Illyrian tattoo snaking down his spine, a new tattoo had appeared. An eight-pointed star, whose compass points radiated in sharp lines across and up the groove of his back, twining with the Illyrian markings long inked there. The eastern and western points of the star shot right onto his wings, black blending into black. A matching one, he knew, would be on Nesta’s spine. - ACOSF, chapter 12

Midgard:

Ruhn held out his phone, the picture of the illuminated manuscript glaringly bright in the thick shadows. The illustration of the carved horn lifted to the lips of a helmeted Fae male was as pristine as it had been when inked millennia ago. Above the figure gleamed an eight-pointed star, the emblem of the Starborn. - HOEAB, chapter 21

“You first.” “Not a chance. I want to hear how you hid the fact that you’ve got a star inside you.” He looked down at her chest then, as if he’d glimpse it shimmering beneath her skin. But when his eyebrows flicked upward, Bryce followed his line of sight. “Well,” she said with a sigh, “that’s new.” Indeed, just visible down the V-neck of her T-shirt, a white splotch—an eight-pointed star—now scarred the place between her breasts. - HOEAB, chapter 95

Bryce has told us that she thinks it's the symbol of the Starborn, but I think it could go much deeper - all the way down to Wyrd/Urd.

She found nothing but open curiosity on Nesta’s face. Nesta said, “The scar your light comes from … it’s shaped like an eight-pointed star. Why?” Bryce peered at where the light was muffled by her T-shirt. “It’s the symbol of the Starborn, I think.” “And the magic marked you in this way?” “Yes. When I … revealed who I was, what I am, to the world, I drew the star out of my chest. It left that scar in its wake.” She glanced to Azriel. “Like a burn.” - HOFAS, chapter 12

As @wingedblooms said in her amazing meta earlier this year, she, @silverlinedeyes and I all think that Urd - who we now know is Wyrd - could be Chaos.

In addition to being significant to the Starborn fae within the Maasverse, the eight-pointed star is also known as a compass rose - or rose of the wind - as @wingedblooms has previously discussed. So isn't it suss that 'The Elain' ship (as pictured below, in the ACOTAR colouring book - far right) has what could be an eight pointed star on its sail? One with empty space - as in void of anything - on either side?

In addition to her thoughts about the compass rose, @wingedblooms has previously discussed how SJM's use of the eight-pointed star could also be inspired by the star of Ishtar. Wingedblooms made great points as usual - so I won't rehash them - BUT I have wanted to add for ages that there is also an eight-pointed star called "the Chaos star." 👀

Is the eight-pointed star a symbol of Chaos?

Source.

Aidas told us in HOEAB that it was the Void who sired the Princes of Hel, and Chaos was their dam. While the Chaos star as a symbol of Chaos began its life in a completely separate work of fiction, it has - apparently - been adopted by other authors and fandoms, so there's always the possibility that SJM might be one of those who has done/will do that.

I think it's interesting that after Bryce and co found Helena's cave under Avallen and dream-travelled to Hel, they wound up in the Temple of Chaos, by boat.

“The Temple of Chaos is a sacred place,” Apollion said sharply. “We shall never defile it with violence.” The words rumbled like thunder again. - HOFAS, chapter 59

Each of the Archeron sisters had a ship named for her (as above). Word and Wyrd are homophones of each other, though I may be clowning with the latter point. Ramiel means "thunder of god" - we'll come back to that later - but Apollion's words "rumbled like thunder"... was SJM linking Wyrd and thunder, or Ramiel, here? Will the Archeron sisters travel by boat - sail the Void - to meet, or free, Chaos?

Pushing aside every raging thought and question for the moment, Hunt kept one eye on the exit behind them as they traded the pebbled shore for the smooth temple steps. As they walked up those steps and entered a space that was a near-mirror to temples back home—indeed, its layout was identical to the last temple Hunt had stood in: Urd’s Temple. - HOFAS, chapter 59

But he tried to at least look like it—back straight, shoulders squared—as he and Hypaxia stood before the Under-King in a gray-stoned temple to Urd. The Under-King lounged on a throne beneath a behemoth statue of a figure holding a black metal bowl between her upraised hands. Symbols were carved all over the bowl, continuing down her fingers, her arms, her body. Ithan could only assume it was meant to represent Urd. No other temples ever depicted the goddess, no one even dared—most people claimed that fate was impossible to portray in any one form. But it seemed that the dead, unlike the living, had a vision of her. And those symbols running from the bowl onto her skin … they were like tattoos. - HOFAS, chapter 81

“And she,” the Under-King went on, gesturing to that unusual depiction of Urd towering above him, “was not a goddess, but a force that governed worlds. A cauldron of life, brimming with the language of creation. Urd, they call her here—a bastardized version of her true name. Wyrd, we called her in that old world.” - HOFAS, chapter 81

That "unusual depiction" of Urd in the Bone Quarter sounds eerily similar to the statues in the corridor leading to the library under the House of Wind, as well as the statue of the primal goddess that Nesta found in the same house - the one by which she placed Elain's carved wooden rose.

It's almost like a mix of the two.

“Because the books were full of magic, and things they wanted to keep humans from knowing.” Rhys slid his hands into his pockets, leading me down a corridor lit only by bowls of faelight upraised in the hands of beautiful female statues, their forms High Fae and faerie alike. “The scholars and librarians refused to keep slaves of their own—some for personal reasons, but mainly because they didn’t want them accessing the books and archives.” - ACOWAR, chapter 20

Her gaze shifted to the carved wooden rose she’d placed upon the mantel, half-hidden in the shadows beside a figurine of a supple-bodied female, her upraised arms clasping a full moon between them. Some sort of primal goddess—perhaps even the Mother herself. Nesta hadn’t let herself dwell on why she’d felt the need to set the rose there. Why she hadn’t just thrown it in a drawer. - ACOSF, chapter 56

The Cauldron... the court of thorns and roses?

We now know that Urd is none other than Wyrd, from Erilea - a cauldron of life that is "brimming with the language of creation" (which fits with my theory that Elain might Sing Wyrd, as the language of the universe, through the murky void to See as a parallel to the priestesses in Prythian requiring darkness to commune with the Cauldron), and a force that governs worlds. One with many forms - "high fae and faerie alike"?

Could Chaos actually be Wyrd, given the similarities Hunt noted between the temples of Urd and Chaos?

Chaos the Dam?

The Mother?

But why the notable lack of tattoos - Wyrdmarks? - in the statues at the House of Wind's temple to the Mother, or on the Cauldron itself?

The Cauldron was absence and presence. Darkness and … whatever the darkness had come from. But not life. Not joy or light or hope. It was perhaps the size of a bathtub, forged of dark iron, its three legs—those three legs the king had ransacked those temples to find—crafted like creeping branches covered in thorns. I had never seen something so hideous—and alluring. Mor’s face had drained of color. “Hurry,” she said to me. “We’ve got a few minutes.” - ACOMAF, chapter 62

Could that be the influence of the Daglan/Asteri when they warped the Cauldron so long ago? Wyrd, and Her marks, were removed in the process?

“Unless … ” The boy bounced each finger off his thumb, his hand like some pale, twitchy insect. “Long ago, before the High Fae, before man, there was a Cauldron … They say all the magic was contained inside it, that the world was born in it. But it fell into the wrong hands. And great and horrible things were done with it. Things were forged with it. Such wicked things that the Cauldron was eventually stolen back at great cost. It could not be destroyed, for it had Made all things, and if it were broken, then life would cease to be. So it was hidden. And forgotten. Only with that Cauldron could something that is dead be reforged like that.” - ACOMAF, chapter 18

Before Bryce could contemplate this further, Silene went on, But my mother and father knew they needed the most valuable of all the Daglan’s weapons. Bryce tensed. This had to be the thing that had given them the edge— The snows around Ramiel parted, revealing a massive bowl of iron at the foot of the monolith. Even through the vision, its presence leaked into the world, a heavy, ominous thing. “The Cauldron,” Nesta said, dread lacing her voice. Not a useful weapon, then. Bryce braced herself as Silene continued. The Cauldron was of our world, our heritage. But upon arriving here, the Daglan captured it and used their powers to warp it. To turn it from what it had been into something deadlier. No longer just a tool of creation, but of destruction. And the horrors it produced … those, too, my parents would turn to their advantage. - HOFAS, chapter 19

And isn't it interesting that Papa Archeron carved the aforementioned rose for Elain - out of a dark, heavy wood that a few of us have wondered was ironwood (just like the bed on which each of the Archeron sisters was born) - while the legs of the Mother's iron Cauldron were covered in thorns?

She plucked another figurine from the mantel: a rose carved from a dark sort of wood. She held it in her palm, its solid weight surprising, and traced a finger over one of the petals. “He made this one for Elain. Since it was winter and she missed the flowers.” - ACOSF, chapter 55

Her gaze shifted to the carved wooden rose she’d placed upon the mantel, half-hidden in the shadows beside a figurine of a supple-bodied female, her upraised arms clasping a full moon between them. Some sort of primal goddess—perhaps even the Mother herself. Nesta hadn’t let herself dwell on why she’d felt the need to set the rose there. Why she hadn’t just thrown it in a drawer. - ACOSF, chapter 56

In yet another of her brilliant posts, @wingedblooms theorised that the Cauldron might represent the flower of life; roses* are obviously a flower (shh), so the imagery of the Cauldron being an iron rose on a thorny pedestal is, quite possibly, significant. One of the definitions of the word "court" is "a sovereign's residence." Has the series title "A Court of Thorns and Roses" been referring to the Cauldron all along?!

* Posts involving roses and rose imagery pertaining to Elain are here, here, here and here.

The Ouroboros and Ramiel's black monolith - the "seat" of Wyrd/Chaos?

But let's get back on topic. I have theorised in the past that the Dusk Court - which we now know are the Starborn Fae - may have had four items, or four treasures, similar to the Tuatha de Danann of Irish mythology (my first Dusk Court post leaned heavily into that association).

I suggested that they may have been paired as:

Dagda's Cauldron/The Undry - the Veritas

Spear of Destiny/Spear of Lugh - Narben

Sword of Light/Claiomh Solais - Gwydion

The Stone of Kings/Lia Fail - the Ouroboros

Fragarach - Truth-Teller (as a bonus)

@merymoonbeam has also posted about her own take on the four treasures of the Tuatha de Danann; we agree about the Spear of Lugh and the sword of light, but diverged with Dagda's Cauldron - she suggested it may have been the Cauldron, and I agree that makes sense as well - and the Lia Fail, which she theorised was the stone on top of Ramiel (again, a solid choice that makes sense). Now, I know that the Ouroboros might seem like an odd choice as an in-universe stone of kings, but if you read my four treasures post I still think it fits... but it's not a stone. And Mery's thoughts about the Lia Fail fit, too. Both options made sense to me.

Which brings me back to HOFAS.

Before Bryce could contemplate this further, Silene went on, But my mother and father knew they needed the most valuable of all the Daglan’s weapons. Bryce tensed. This had to be the thing that had given them the edge— The snows around Ramiel parted, revealing a massive bowl of iron at the foot of the monolith. Even through the vision, its presence leaked into the world, a heavy, ominous thing. “The Cauldron,” Nesta said, dread lacing her voice. Not a useful weapon, then. Bryce braced herself as Silene continued. The Cauldron was of our world, our heritage. But upon arriving here, the Daglan captured it and used their powers to warp it. To turn it from what it had been into something deadlier. No longer just a tool of creation, but of destruction. And the horrors it produced … those, too, my parents would turn to their advantage. - HOFAS, chapter 19

As others have suggested already, this sounds like the same black stone monolith that Cassian flew by in ACOFAS.

The conifer forests and ravines that dotted the landscape flowing to Ramiel’s foot gleamed under fresh snow. Empty and clean. No sign of the bloodshed that would occur come the start of spring. The mountain neared, mighty and endless, so wide that he might as well have been a mayfly in the wind. Cassian soared toward Ramiel’s southern face, rising high enough to catch a glimpse of the shining black stone jutting from its top. Who had put that stone atop the peak, he didn’t know, either. Legend said it had existed before the Night Court formed, before the Illyrians migrated from the Myrmidons, before humans had even walked the earth. Even with the fresh snow crusting Ramiel, none had touched the pillar of stone. A thrill, icy and yet not unwelcome, flooded his veins. It was rare for anyone in the Blood Rite to make it to the monolith. - ACOFAS, chapter 3

* A quick aside: conifer forests and ravines surround Ramiel; who smells like night-chilled mist and cedar, and may be associated with/related to Thanatos, the prince of the Ravine? Azriel!

In @wingedblooms brilliant post about Ramiel as the heart of the Night Court, she wondered if the black monolith and Cauldron together may have been a complete depiction of Wyrd, and then something clicked (and now I'm finally getting to the point lol, sorry for the wait); what if the black stone and the Ouroboros were combined as the Lia Fail/Stone of Kings? Or Wyrd/Chaos (as the Queen)? If the Cauldron is the "court" (residence) of Wyrd, and it once "sat" at the base of the black stone Monolith as @wingedblooms suggested, it checks out.

And there, against the far wall of the chamber, snow crusting its surface, its bronze casing … The Ouroboros. It was a massive, round disc—as tall as I was. Taller. And the metal around it had been fashioned after a massive serpent, the mirror held within its coils as it devoured its own tail. Ending and beginning. From across the room, with the snow … I could not see it. What lay within. I forced myself to take a step forward. Another. The mirror itself was black as night—yet … wholly clear. [...] Up close, the surface of the Ouroboros was like a gray, calm sea. Undisturbed. Sleeping. - ACOWAR, chapter 68

So now we have a black monolith as a (hypothetical) statue of Wyrd, with the Ouroboros being held high above Her head... sound familiar?

Her gaze shifted to the carved wooden rose she’d placed upon the mantel, half-hidden in the shadows beside a figurine of a supple-bodied female, her upraised arms clasping a full moon between them. Some sort of primal goddess—perhaps even the Mother herself. Nesta hadn’t let herself dwell on why she’d felt the need to set the rose there. Why she hadn’t just thrown it in a drawer. - ACOSF, chapter 56

But wait, there's (possibly) more...

Despite the plush furniture, the room definitely belonged to a witch: a small crystal altar to Cthona adorned the eastern wall, covered in various tools of worship; a large obsidian scrying mirror hung above it; and the fireplace built into the southern wall had various iron arms, presumably to hold cauldrons during spells. A royal suite, yes, but a workroom as well. - HOSAB, chapter 56

Ithan crossed his arms. On the desk itself sat a statuette of Cthona, carved from black stone. In one arm the goddess cradled an infant to her bare breast. In the other, she extended an orb—Midgard—out into the room. Cthona, birther of worlds. He touched it idly, gathering his courage. - HOFAS, chapter 13

Ithan was carefully setting down a figurine of Cthona giving birth on all fours—the planet Midgard crowning between her legs—when Jesiba’s phone rang. The shrill sound shattered the silence, but Ithan’s sunball reflexes kept him from dropping the fragile marble. - HOFAS, chapter 44

Could the Ouroboros represent the moon associated with the priestesses of the Mother? I mean it's big and round, and I'm a simple person haha. Was there ever a temple to Wyrd/Chaos on - or underneath - Ramiel? Does the black stone monolith represent the goddess/Wyrd, the Ouroboros the moon and the Cauldron the world to which she's giving birth? If black stone/obsidian attracts the princes of Hel, is that because obsidian is a stand in for Void and they are themselves a mixture of Void and Chaos? Is black stone used to depict Wyrd/Chaos because it acknowledges that She is attracted* to the Void? And the Ouroboros, which I have previously thought could be a portal (and hey, it's taller than Feyre, so tall enough), and @wingedblooms theorised it may be a mirror of witch glass... it seems intentional.

* This imagery reminds me of the Embrace of Solas and Cthona.

Sailing the Void

In my post about The Weaver's Song, I theorised that it might be a prophecy suggesting that the three Archeron sisters may sing, or "sail" (for lack of a better term haha) the bat brothers through the Void, either figuratively or (I hope!) literally. Either to Hel or to some other place - I would scream if it's Erilea, as @psychologynerd has theorised for Elain - but ultimately, wherever they go, I think it will be with the goal of finding and freeing Wyrd from whatever (hypothetically) binds Her, thus purifying Her and the Cauldron from the corruption of the Daglan/Asteri.

Which, speaking of, could the Asteri/Daglan have bound Wyrd with wyrdstone as like calls to like? Or did they use a crystal prism - like the one Bryce found in the Autumn King's study - to split Her light into its many facets and bind - tether - each to something or one? Did they create an anti rainbow with wyrdstone to split Wyrd apart, weakening Her?

With a sharp inhale, Bryce rallied her magic. On the exhale, she sent a stream of her starlight into the prism, her power faster than ever before. Starlight hit the prism, passed through it, and— “Huh.” It wasn’t a rainbow that emerged from the other side. Not even close. It took her a moment to process what she was seeing: a gradient beam of starlight. Where the rainbow would have been full of color, this one began in shimmering white light and descended into shadow. An anti-rainbow, as it were. Light falling into darkness, droplets of starlight raining from the highest beam into the shadowy band at the bottom, devoured by the darkness below. Like the fading light of day—of dusk. What did it mean? She was pretty sure her light had been pure before, but now, with Silene’s power mixed in … there was darkness there, too. Hidden beneath. - HOFAS, chapter 39

I've previously spoken about the need for balance to be restored to the universe, and that something may be preventing light (Chaos?) from flowing freely through the Void. If this is true, and it stems from the Asteri's corrupting efforts, it would make sense that purifying their influence on the Mother and Cauldron - who we now know is Wyrd - would help to heal the land, by unchaining the magic, as Feyre hinted in ACOMAF (and @wingedblooms has discussed extensively).

I shivered, craving the moderate winter of Velaris, wondering how it could be so temperate in the far north, but … everything in Prythian was strange. Perhaps when the wall hadn’t existed, when magic had flowed freely between realms, the seasonal differences hadn’t been so vast. - ACOMAF, chapter 23

I have more thoughts on this but I'm getting off track, hopefully I'll post them soon.

I've already discussed the possible significance of 'The Elain' ship flying a sail with the compass rose, or rose of the winds - an eight-pointed star - with nothing (void) on either side. I think it's interesting that 'The Feyre' flies two crescent moons and two diamond-type symbols that represent some of the (hypothetical) wyrdmarks on Wyrd's arms as depicted on the cover of HOFAS, and that 'The Nesta' flies a sail with a dragon and two suns, possibly referring to the dragon Ariadne from HOSAB (in Greek mythology, Ariadne was heavily associated with labyrinths, ie. finding one's way) and the sun being a star with a powerful flame? I know I sound like a broken record, but will the Archeron sisters be like the light from Eärendil's - a mariner! - star contained in the phial of Galadriel, but as the three brothers' most beloved stars? Will they light their way through the Void?

Getting back to the compass rose, Cassian refers to the eight-pointed star as a map for striking with a sword, and we know that light can be wielded as a weapon, as Yrene Towers did in Erilea, to heal Chaol and execute the Valg King Erawan.

“You didn’t ask.” He unsheathed his Illyrian blade. “Enough history.” He drew four lines in the dirt, all intersecting to form an eight-pointed star. “This is your map for striking with a sword. These eight maneuvers. You’ve learned six of them. You’ll learn the other two today, and we’ll start on the combinations.” - ACOSF, chapter 44

Additionally, Nesta suggested that the eight-pointed star was stamped on her heart.

Nesta lifted the sword and executed a perfect arcing slash. Her weight shifted to her legs just as she flipped the blade, leading with the hilt, and brought up her arm against an invisible blow. Another shift and the sword swept down, a brutal slash that would have sliced an opponent in half. Each slice was perfect. Like that eight-pointed star was stamped on her very heart. - ACOSF, chapter 50

This sounds incredibly similar to Bryce carrying a star in her chest - her star tattoo was over her heart - so I would not be surprised to learn that Feyre and Elain had something similar, too. It makes sense. Each Cauldron-Made sister carrying one third of a whole star, to replace Theia's protective magic that Bryce took with her to Midgard (as she didn't return it when she did Truth-Teller, Prythian is currently unprotected). And if the Cauldron is Wyrd's vessel, as it appears to be, this makes Feyre, Elain and Nesta supremely important. Perhaps they're not the "scum" Vesperus suggested at all.

Perhaps they are the wyrdkeys to everything? At least in Prythian, if each sister holds within her one third of a whole star that Wyrd planted Herself.

[sunkissedliterarylightofchrist]

So. I think The Line is part of the Clancy Saga. And more specifically, it takes place right in the last part of Paladin Strait. Also for the purposes of this post, I'm throwing out all the Arcane imagery and solely focusing on Clancy. Sorry show fans.

Here's my take.

First we've got the setting. A mystical, dark place, full of stars. And everything in there seems very blurry and unfocused. Even when the camera is focused in on Tyler's face, its never clear, it seems like there's some sort of distortion or filter over it, not enough to fully point out exactly what's wrong, but enough that you can tell something's wrong.

I think it's describing Tyler's headspace. Or, more specifically, Clancy's, as he's in his own head, Nico smearing his throat. It's unfocused and dark and he's questioning everything that has lead up to this moment, struck with fear.

Next we've got the mysterious person, who's in Clancy's mind with him. Listening as Clancy speaks. And comforting him.

We don't get a clear picture of who it is. But I am convinced its the Torchbearer. Even if the silhouette isn't his. Because the lyrics are ever so clearly a cry for help. And what has Torchbearer done this entire time for Clancy? Helped him.

Then we've got this moment right here. The figure is walking away from Clancy, and I think they're almost beckoning Clancy to follow. When they go behind, Clancy's head is jerked unnaturally to the side, before it comes right back up into its normal position.

I think Clancy is fighting with himself here. He's asking for help, while also telling the person to stay away from him and his brokenness. Which would perfectly match up with these lyrics being a cry of help to the Torchbearer.

Now we have this.

Tell me it does not look exactly like seizing. I don't care if it's matching up with what is going on with the characters in Arcane, this is Tyler Joseph we are talking about here. Everything in this video was 100% intentional.

This could be representative of how Nico is in the middle of smearing Clancy. But I'm leaning towards how it could be how the Torchbearer is now saving Clancy from himself, by getting into Clancy's mind even more than just being in his headspace with him. He's got to pour his spirit into Clancy to save him. (Sound like the Holy Spirit anyone?)

The next sequence is interesting. Along with his eyes going white, his hair does as well. Which I think strengthens my theory that the Torchbearer is going inside of Clancy to help him. Then he rises up into the air, along with all the other figures of light.

I think the strongest case is that they're the Glorious Gone who the Bishops were using to fight the Banditos moments before. And who Clancy was perhaps about to join, with Nico smearing him again. This is it- it is finally over. He was going to die, or be trapped in the cycle forever. Again we've got the analogy of light, and him holding up his hand to block it from his face.

But then while all the other people are becoming more and more light and ascending, he rather returns to his normal self and comes back to the ground, and looks up. Contemplates. And then disappears.

The Torchbearer saved him from himself. And then Clancy leaves that bad mental headspace- and opens his eyes to face Nico, where the Torchbearer is ready to now physically save what he just spiritually saved.

[anxious-introvert22]

Thoughts after finishing Arcane

Spoilers ahead, mainly for act 3

first off: IT'S OVER wahhhhhh wish we could have more :(

Maddie's betrayal was so unexpected but also fitting given that she was the first to agree with martial law (also that scene with her and Cait kind of gave me the ick) and because of this post:

Mel Medarda the woman you are

SO. MANY. SACRIFICES!!!!

maybe I'm delusional but maybe Jinx isn't dead because of the crow at the end and Cait looking at the Hexgate blueprints??

seeing Claggor, Mylo, Vander, and Powder grow older in the alternate timeline was so healing and I hoped Vi had led a more peaceful life but nope she's dead

Vander died a total of three times poor guy couldn't catch a damn break

Ekko realizing there's still hope for Jinx and getting through to her after reversing her attempts so many times

simultaneously going "yay lesbians" and feeling my skin crawl as a sex-repulsed asexual while watching Vi and Cait's sex scene

the way Viktor and Jayce's ending parallels their beginning was pure cinema

I kind of figured Jayvik wasn't going to be confirmed canon but it is in my heart

previously seeing the theory of Viktor being the mage who helped Jayce but dismissed it because his hands weren't augmented only for it to be true!!

could not believe when they showed Singed with his daughter that man is indestructible

seeing older Powder was so bittersweet because yeah she lost Vi but she didn't lose herself (also her and Ekko were so cute)

Sevika being a representative for Zaun let's goooo

Ekko and Mel really were the MVPs of the final battle

shoutout to the student pianist who took over Loris' position after he was killed!! An unsung hero

Jayce's monologue to Viktor was beautiful but I didn't like the inclusion of his disease as one of the imperfections he thought he needed to fix but made him who he was only because he wasn't trying to eliminate death like Singed but just trying to give himself more time

Jinx's last words to Vi. I fear I may never recover

Vi humming the song Powder sang at the bridge in the opening scene was a nice touch, also when they played it at the end of Paint the Town Blue

I'm really going to miss this series, it was so beautifully made and written and tackled a lot of issues relevant in society. And even though it wasn't a totally happy ending, I'm glad it wasn't half-baked like other finales (cough cough The Umbrella Academy)

Blisters and bedrocks

[emo-mohawk-boy]

The Foundations of Decay Lyric Analysis

(Basically me yapping about my theories for lyrics, lmk if you have any ideas!!)

See the man who stands upon the hill- Hills are higher areas of land. If he's standing on a hill, maybe he's above everyone else (higher position? Rank? Mentality? Experience?) He dreams of all the battles won- Whose battles? Likely his, but maybe his opponent's battles? Potentially glorifying war But fate had left its scars upon his face- Marked in some way? Wounded in battle? Or maybe just a way of saying he's destined to do something With all the damage they had done- Who is being referred to as "they"? Dictator? Fate? Enemies? And so time, with age/It turns the page- Could mean time erases everything? Maybe he's getting old? Let the flesh/Submit itself to gravity- Again with the aging theme, maybe using plastic surgery or something to not have skin sag? Or his body needs to fall (gravity) from the hill he's standing on (first line) Let our bodies lay/Mark our hearts with shame- Could be something about lovers? Marking hearts with shame because they didn't love who they were supposed to (Gay? Not following the Dictator?) Let our blood in vain- Killing "us" won't do anything? You find God in pain- Religion is powerful, maybe being in pain or causing pain causes you to further your faith? Maybe you become like a god? Now/If your convictions were a passing phase/May your ashes feed the river in the morning rays- If your convictions (what convictions?) are wrong, your ashes (death) will feed the river (MOAT?). Morning rays could indicate the start of something; maybe your death is a catalyst for rebellion? And as the vermin crawls we lay in the foundations of decay- What exactly are the foundations of decay? Is it a place? A feeling? A state? Maybe the vermin are taking over as we're unable to help?

He was there, the day the towers fell- 9/11? I've made a post about this theory as well; maybe the Dictator witnessed 9/11? And so he wandered down the road- Could mean he had a glimpse into the future? And we would all build towers of our own- Everyone has their own towers, meaning they could all have their own 9/11-esque events? Towers are generally secretive places, so maybe people don't trust each other anymore? Only to watch the roots corrode- Maybe realizing their beliefs are not what they believe in anymore (Revolution?)? But it's much too late/You're in the race- What race? Electoral race? Running away or towards something? Maybe it means you've already started and it's too late to quit now? So we'll press/And press 'til you can't take it anymore- Maybe pressuring you to do something? Like finally convincing someone to do something? And if by his own hand his spirit flies- Suicide?

Take his body as a relic to be canonized- His body becomes a relic? Canonized? Could be another possible reference to becoming god-like. Bodies aren't typically considered relics unless they belonged to someone important (Dictator?)Now/And so he gets to die a saint but she will always be a whore- Seems a lot like what many women experience, they say a guy raped them and nobody believes it, they just think the woman's a whore. A more likely reason based on the videos so far could be that a man (Dictator) can gain power and eventually pass away as a saint; if a woman did that she might be accused of sleeping her way to the top? If he's the Dictator, he could die a saint (again, religious reference). But who's the woman in this situation? The only two women we know about so far are the Secretary and the Opera woman. Neither of those seem like they'd really fit this line.

(You look stressed out)- Why do you look stressed out? Is there a major event happening??

Against faith (cage all the animals)- Another religious theme. To go against faith could mean to go against the Dictator. Politicians are sometime called animals? Against all life ('cause the message must be pure)- So life isn't pure? Are we trying to make life pure? What message is being sent that must be so pure? Against change (you can wander through the ruins)- Go against change? Is the world a good place as it is under the Dictator's rule? Is the Dictator about to rule? You're allowed to wander through the ruins but what ruins? 9/11 aftermath? Ruins of an old world? War? We are plagued (but the poison is the cure)- What are we plagued by? If the poison (Party Poison? Unlikely but possible) is the cure, does that mean we have to die to escape the plague? Is there misinformation? You must fix your heart- What about my heart do I have to fix? Is it because I'm mortal? Do I need to start following the Dictator? And you must build an altar where it swells- Where what swells? My heart? Altar=Another religious object, build an altar for the Dictator? When the storm it gains/And the sky it rains- Storms are typically bad and destructive? Let it flood/Let it flood/Let it wash away- What are we letting the storm wash away? A past life? Beliefs? Cities? And as you stumble through your last crusade- Final mission, stumbling could mean you're getting weary, maybe that's why it's your last. Crusade=another religious theme Will you welcome your extinction in the morning rays?- Will you accept death? One of the previous lines is about your ashes feeding the river in the morning rays. Maybe your death is the start of a new era? And as the swarm it calls we lay in the foundations- What swarm?

Yes, it comforts me much more/To lay in the foundations of decay- Why is it comforting? Are you finally done fighting? Are you the foundation of decay to come? Get/Up/Coward- Maybe you have to fight and choose something that's not comfortable. Is it cowardly to lay in the foundations of decay? Is it something the Dictator designed?

[warblogs17282]

Do you have any answers to these Helluva Boss plot holes?

For the first one, the real and boring answer is probably simply plot convenience, as the episode would be over within like 5 minutes otherwise.

But if you want my best guess, you could make a case that it was because of stress, considering stress can reduce your rational thinking skills and such, and well, Stolas loves Octavia a lot, so there was definitely at minimum some stress inside Stolas' body for the whole episode until he found Octavia safe.

Plus, just look at how much Stolas is freaking out inside when they get shoved inside that van.

My other theory is the Sinstagram accounts (not the non-canon instagram accounts), as in Truth Seekers, we do see Blitz take a picture with this head, so it's very possible that Blitz also quickly uploaded that picture to Sinstagram at the same time (maybe the phones have a dedicated upload to Sinstagram button?), with that probably being how Stolas found where Blitz and the gang was in Truth Seekers.

Seeing Stars also shows us that Blitz and the gang can get cell service just fine in the human world, as shown by the fact he messages Millie here.

And in s2 e6, we see that Stolas comments on Blitz's photos, proving that they both have a Sinstagram account.

I already know what you're thinking, 'But Loona found Octavia via her Sinstagram pictures.', and my answer to that is simply that no one thought to check Octavia's sinstagram due to a combo of stress and everyone getting caught up in their respective happenings during the episode.

Like, Loona only got the lead of Octavia's sinstagram because Loona saw a cool poster and decided to upload it to her sinstagram account, proceeding to scroll a little after making that post, where she accidentally stumbled across one of Octavia's recent posts, and at this point Stolas and Blitz are entirely busy, so Loona messaging them about this lead wouldn't have done any good.

Plus, Octavia is constantly on the move in very public areas, while Blitz was stuck in the DHORKS building, so even if they thought to check her Sinstagram from the start, it'd still happen basically exactly the same as it did to Loona, since they can't exactly risk portalling to public areas to catch up to Octavia, as that runs the massive risk of humans seeing the portal, which is obviously something they cannot afford to have happen.

so tldr, my main theory on how Stolas found Blitz in s1 e6 is because of the Sinstagram pictures, and in s2 e2, no one thought to check Octavia's sinstagram account for potential leads, due to a combo of getting caught up in various happenings and stress.

As for the second one, Blitz only says that human fire can't kill them, he makes no comments in regards to electricity or electrocution, and that's how Ronaldo died, Blitz kicked the ghost-sucker device into the water, causing Ronaldo to die via electrocution, which is extremely different to burning to death.

What I'm getting at here is electric burns and such are different to fire burns, basically.

[azaharinflames]

Yeah BuckTommy’s ending made me not want to bother anymore. I had originally stopped in Season 5, came back in Season 7 (didn’t miss anything SL wise because it’s all the same) and yeah no point at this point to trying anymore cause all we are going to get is more of the exact same stuff we have been seeing season after season. Nothing will change. People just need to move along to new shows. Only thing 911 season 7 and Season 8 did was reintroduce the world back to Lou Ferrigno Jr and now people are starting to look for him in other shows. He deserves it.

Hi, Nonnie! Thanks for the ask

I feel you. To be quite honest, I started to feel disappointed back in Season 6. Buck's post-lighting strike theory had a lot of potential, and 612 definitely made me curious and like I needed to watch what happened next immediately. And then we got the superpowers (which I liked, actually. 613 was fun), and then... nothing, really. Buck meets Natalia and, as much as I tried to like her... it just felt lazy, half-cooked, and extremely forced. Which in retrospect makes sense, as they thought it was the end and they wanted to give Buck a HEA, but... yeah, it disappointed me a lot.

But then Season 7 managed to capture me with the initial emergency, and then Tommy graced our screens, and... here we are. Disappointed once more, but now to a point where I just know to not give them more chances - for now, at least. And as much as I would love to be proven wrong, for the foreseeable future I'm afraid.

One thing is true: I'm glad so many people discovered Lou. I first watched him in one ep of HIMYM, fell in love with him, didn't find out his name then and eventually forgot by the time I was watching 704, fell in love with him in 911, and then when I saw someone recognize him post 704... things made a lot of sense in my mind lmao.

But yes - I'm very happy he at the very least can take a lot more fans from this. I love his acting and the way he emotes, and he just seems like a true sweetheart. Hopefully, we get to see him in more stuff soon, he's definitely shown he can make an audience fall in love with him.

My inbox is always open for ranting, venting, discussing (911 or whatever), and for opinions (popular or unpopular, hit me with it)

Take care <3

[nebulatides]

I am only posting this because it’s time to clean the tags again✨ Feel free to help clean up the tags or just send fun fan theories and the like!

Anya reacting to the nonsense I’m sure she heard every day on the Tulpar.⬇️ (and me every time I open these tags lately)

Me and the other researchers attempting to spot evidence of commingling.

I was wondering when someone was going to send me a gross gif. Finally got my first one, and I gotta say I’ve seen it like 30+ times in the last three days 🤷‍♀️

I handle human remains for a living, and have had to do quite a few dissections.

I’m only making these posts so other people don’t have to see that stuff, because most people aren’t researchers who have spent the last 6 years studying anatomy and poking at things on lab tables.

[sulphuricgrin]

Altmeri Customs Headcanons: Praxis and Engagement/Wedding Ceremonies!

So I was inspired to share my Altmeri headcanons after seeing @thescrolls-haveforetold's post about Altmer engagements! I’m gonna combine my thoughts on the important stuff :3 I'm gonna try to write this in a way that's easy for those unfamiliar with ESO's additional lore. I'm just having fun here building upon lore/worldbuilding. >:) I'm sorry. I think I wrote another long post 😅 At least it's not political this time? lol

Let’s start with: Praxis

Basically Altmeri coming of age. It’s best talked about in The Price of Praxis book. As mentioned in the book, the age of adulthood is 18 and the ceremony is done in a chapel. (I’m getting traumatic flashbacks to Catholic Confirmation. Ick) It's here I would think their "Path to Alaxon" (perfection) truly begins. They're given a calian (aetherquartz sphere) for their Praxis ceremony, and later given an alaxon sphere when they attain a degree of perfection. Both can be broken if they fail society/fall from their path. Both can be restored, but that's harder depending how far the Altmer has "fallen". Anyways!

I like to think there are stages an Altmer must follow prior to their Praxis ceremony!

Pre-ceremony Preparations

The initiate spends months or even years preparing for the Praxis, studying Altmeri history, magical theory, philosophy, and genealogy. This phase reflects their intellectual mastery and connection to their ancestors.

The initiate undergoes ritual purification, bathing in enchanted waters infused with moonstone dust or blessed by a priestess of Auri-El. This act cleanses them of "impurities" and aligns them with the divine.

An elder or accomplished mage from their family or community guides them, ensuring they are prepared both physically and spiritually. A sponsor would help aspiring artisans.

2. Ritual of Reflection

They visit a Hall of Ancestry, where the initiate stands before effigies or spirit-glamours of their ancestors.

The initiate recites their full lineage in the ancient Aldmeri/Altmeri language, emphasizing their connection to their noble bloodline. Any mistake in this recital could signify dishonor.

The spirits may present a vision or riddle to test the initiate’s wisdom and worthiness, offering cryptic advice or challenges they must overcome.

3. A Test of Mastery

This would be a public display of what they plan to do for their Path to Alaxon. The skill could be magical, martial, artistic, or intellectual. (Ex: Lilliandra does a grand displays of music and illusions for years before her ceremony.) This display must reflect their personal aptitude and the ideals of their noble house. Failure is considered shameful and may result in further training.

4. Receiving Their Calian

All we know is they are made of aetherquartz (and sun-blown glass from the cited book). So in terms of appearance? Go crazy. Maybe (likely) the higher in status, the more brilliant the calian looks.

It's done in a chapel, with family in pews. An Ascendant Curate gives the calian after reciting the Athel Vialen (a prayer? a hymn?). Easy to take religious inspirations to fill in the blanks.

5. Post-Ceremony

Depending on the status would depend on how big this celebration would be. Poor family? It would be a smaller, more intimate celebration. The higher the status, the larger the celebration. Families could give offerings to the Divines here or before. Speeches, feasts. The Altmer being celebrated could hunt for more sponsors in the party.

Okay. That's done. On to:

Engagement/Wedding Customs

I'm taking inspiration from customs worldwide. But my biggest would be Chinese pre-wedding customs.

But first - arranged marriages definitely would be/are big considering the Altmer are famous for their interest in lineage and heritage over attraction. It's even more important to highborn Altmer. Inter-class and interracial marriages would be looked down upon, if not outright reviled . We know in the 2nd Era breaking an arranged betrothal leaves both parties as outcasts to their own families and communities. I imagine divorces are also likely HIGHLY shameful. (Hopefully there's scenarios where it would be understandable)

Matchmaking is said to take years or decades before one becomes betrothed. I wouldn't be surprised if this matchmaking started around the time they became adults, if not sooner for the highest nobles. Because Altmer live longer than humans and beastfolk (and I think Bosmer??), it's not a surprise they take time with matchmaking and engagements.

My headcanons: So matchmaking taking perhaps 5-10 years on average. They normally take into account: the couple's star charts, pedigree documents, family, physicality, and other attributes. When the families agree, they start the "traditional rites".

Formal proposal- this is the announcement of the engagement. This would be a ceremony in itself, within a temple/chapel for both families. A priest would petition to the Aedra. I could see the Altmer be extra and make this almost like a mini wedding ceremony.

Selection of the Date - this would be done under the guidance of priests. They would pray to the Aedra to divine the most auspicious date.

Visit Ancestral Shrines - they would pray to both families' ancestral spirits for their blessings

Betrothal Gifts - Throughout the engagement, both parties exchange gifts. This is also a way to prove both parties are compatible. Gifts can vary based off ancestral regions; local foods, jewelry and items made within the region, etc.

Wedding Ceremony - the final rite

Engagements I could see lasting anywhere from 5-15 years. Maybe both parties are busy with their Path to Alaxon and agree to have a later wedding date so they can focus on the Path (or for other reasons).

I also want some symbolism. "By the five-and-three" is a common Altmer saying which invokes the 8 Divines. I chose 5 rites for the engagement.

Unfortunately my wedding headcanons aren't as well thought out. But I'll try my best. Maybe you guys can help with your headcanons? Okay, here we go:

To fit with the "five-and-three" theme, the wedding celebrations would last three days! I can give elements that I think might fit, but none of these are in any specific order like all above. Here are some possible elements:

Sacred rituals performed by priests.

Purification rites using water or incense.

A focus on family and ancestors, considering the Altmer’s respect for lineage.

Typical offerings to the Aedra for blessings

The higher the statue, the more elaborate ceremonies/celebrations naturally. Maybe a solemn atmosphere with an emphasis on traditional attire and ceremonial precision. But maybe the lower class would break from that mold and make it a merrier, more intimate celebration!

Invitations extended based on social rank and importance.

A heavy emphasis on proper etiquette, decorum, and public display of wealth and prestige.

Elaborate jewelry and ceremonial robes for the bride and groom

OH, my fav headcanon: I like to image they elaborating paint their skin in some gold mica product, invoking their relationship of being descendants of the Aedra. Think almost like Henna, which is done in traditional Indian weddings!!

The couple would recite ancient vows in the Aldmeri tongue, emphasizing tradition and continuity with their ancestors.

A high-ranking ancestor or spirit might be invoked to witness the union and provide a blessing.

Sorry if this is a mess of ideas. 😅 I have no plans to actually write a wedding in my fanfic. But this is still fun to think about!

[ghouljams]

Hi, Ghoul. Apologies for kinda venting (?) on your asks, and please ignore this if you'd like, but how does one cope with the idea (and, quite possibly, reality) of being alone for the rest of their life?

I've never been the most confident individual in my years of being alive. I'm not conventionally attractive, and I've been battling with my perception of self for like, basically my entire life. Never really had romantic relationships, other than unrequited and secret crushes. At first, I thought to myself that I could deal with being alone and unloved in that way, but I figured as I grew older that maybe I'm just trying to be tough about it. I want to have the kind of love that other people have, envious as I may sound. I want to be able to look at myself and think, "wow, despite my flaws, someone still took the risk to get to know me and chose to stay."

Of course, this is not to say that the love my tight-knit circle of friends and family aren't adequate. I'm just curious. And hopeful that someday I get to have that other kind of love.

That said, I really love your works and I am privileged to be able to read them :)) it's always such a delight to see your rambles and reblogs in my dash. <3 Hope everything is going well for you.

Hello my love. You already know I'm going to suggest therapy so I'm going to get that out of the way early.

Here's the meat of it. There are thousands upon millions of people who feel exactly the same way you do and I truly believe this is because of the way western society has structured its media/propaganda. So much of the media we consume is loaded with this idea that romantic love is this totally different thing that will complete your life and show you how worthy you are if only you can find it.

This is a load of horse shit.

One of the unhappiest times of my life was spent in my first relationship. I actually had a harder time loving myself because I was scrambling to prove I was worth being loved by a person who liked me in theory but in practice frequently flaked on dates and didn't care about my emotional wellbeing.

I say all of that because I had your same attitude of "despite my flaws they're choosing to stay with me" and ultimately she left me. Over text. It was a whole thing.

So many of you talk about being "old" and "destined to be alone" and you're like 25. Hell even if you're 50, people find love at any age, but the only way to find anyone good is to be comfortable with the fact that romantic love isn't the end all be all of love. You can fall in love with anyone, that doesn't make it a good relationship. It just means you're in love.

Also what do you mean "someone took the risk?" Are you a serial killer? Do you set fire to police cars? You sell meth? What risk do you pose to anyone? You're sad and have low self esteem. So what? That makes you a risky prospect? Your flaws of *checks notes* talking down about yourself is such a huge hurdle that it's a grave danger to anyone that wants to date you?

And I'm sorry I feel like I'm getting sort of mean but you got me in older sibling mode with this and so you're getting big sister shit.

I just- like if you truly believe that you are such a burden to date then you aren't going to get what you want out of a relationship. You'll become obsessed with the first person that reciprocates your affections and it will spiral into something that hurts you. I am speaking from experience.

My dear, i am a stranger on the internet, and I love you. This world is cruel towards tender hearts and disappointment hides in every corner, but we keep loving the world and the people in it anyway. Love finds us when we least expect it, and if you truly want that sort of love it will come to you.

But I need you to be kinder to yourself. I know you said you struggle with self image. Stop measuring yourself against other people. Stop setting up goal posts for your life. Stop thinking your flaws make you some undateable ghoul. They make you, you, and whoever you date will love you for them not in spite of them.

[greenfiend]

I was wondering how you think that Will’s past with Lonnie and his connection to the upside down will be revealed to other characters in the show. Do you think Vecna will reveal Will’s past against his will or that Will will be given the opportunity to open up on his own terms?

Wow I've been blessed lately with great anon questions! Thank you!

So I have a sort of vision in my head of how the reveal will occur. First though, we will see more and more explicit clues… the clues, at this point, are INCREDIBLY subtle.

I don’t think Vecna will expose Will’s trauma. I know everyone has formed this view of Vecna as the One who exposes truths… but… he’s the opposite. First of all, he only communicates with his victims not with anyone else… and secondly, he doesn’t expose any secrets, he taunts and persecutes his victims. I talk about that more in my DID theory post. I actually think he wants his victims to stay silent, as he specifically targeted those who were talking about their trauma to Miss Kelley. This is a major clue.

Though paradoxically, Vecna exposes his own trauma to Nancy. He's struggling, afraid of the truth but yet desperate to reveal it. Much like Will... actually scratch that... exactly like Will. Since he is, much like El, an extension of Will, his own persecutor alter.

ANYWAY this is how I believe things will go down:

Mike already knows the truth... but he doesn't know he knows the truth. That's why he looks so damn confused in that moment. He's absolutely going to figure it though, out on his own. We know he's very smart, and Will told him already, he just masked the message. Much like he did with the painting speech.

Mike finally figuring out the truth will be the key to help unlock Will's memories.

Right now, Will has deeply repressed the truth from himself. We know this from this moment...

Larry is short for Laurence. Lonnie is also short for Laurence. Thus, Will only "vaguely" remembers Lonnie.

As we know from the NINA plot, our brains protect ourselves from trauma by repressing memories.

So... Will will need to finally access those memories and face the truth. Face his trauma head on.

I picture Will coming face to face with a Demogorgon. Then we cut to Will lashing out at the Demogorgon, expressing how cruel it had been to him and that it took everything from him. He FINALLY LETS EVERYTHING OUT!

I think his speech will gradually become more specific, as Will will say something like "Why did you hate me? Why did you hate me so much when all I wanted was to be loved? I was just a child." Then we will start realizing this isn't about a supernatural monster anymore. When we cut back to the Demogorgon, it morphs into Lonnie. Revealing he was the monster this whole time. He was the reason for all of the horrors in Will's life.

Afterwards, we will see Will finally reveal the truth to Joyce. And well... we know how she'll take the truth.

Larry = Laurence = Lonnie

That scene is extra satisfying after realizing Larry represents Lonnie...