#this is like the bible to me. when people say that something inspired them to do smth. I understand now. this is it for me
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gnaga37 · 7 months ago
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goodnight cancelled. I found it. I found the video.
years ago I saw a vid time-lapse of the process of turning an illustration into a looping animation and it was so inspiring. I did not have the skillz to do that at the time so the process looked crazy to me. now I've been wanting to try that kind of work for a while. in my research I wanted to look at that first video again but searching didn't help. until today. 30th of April at 2 in the morning. a very similar video to what I remembered showed up on my youtube. also dated from years ago. I open it. the workflow.. the interface.. could it be... I check the channel's other videos. There!!! in the middle of many thumbnails, the illustration I remember. I open that. it is. it's the video. after all these years... I found it. it's a league of legends fanart.
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sir-adamus · 6 months ago
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i've got the blu ray for volume 1 playing and i'm watching the behind the scenes video and Monty explicitly spells out how important collaboration with other creatives was in building RWBY, saying how he wanted to work with Kerry and Miles on it in creating the world and how he mostly gave them broad strokes. and it's mentioned how they all put the show bible together - i'm gonna put the whole transcript for the video under the cut (which i'm having to do myself because no one has uploaded this video anywhere as far as i can tell and there's no fucking subtitles)
Monty Oum [Creator and Director]: It’s the stories I’ve always wanted to tell versus the idea I came up with about, a little over a year ago. And we were talking about doing another show, and I just kind of half-asleep came up with the idea of a color rule for a bunch of characters. The red, white, black and yellow color scheme was something that was very prominent even in my previous work, so I started matching names up, matching ideas up. Also thinking about like, some of the ideas I’d stored up over the years. At some point or another the word ‘RWBY’ came to me.
Monty: Starting the show out originally, I designed the original character, Ruby, as well as going into the other characters. So once I had the first trailer done, and thinking about the rest of the characters for the show, I started bringing in other artists who I had watched for years. People I’d always said “someday I’ll work with them, someday I’ll have them design for me.” And when I was certain about having certain characters, I first contacted an artist I admired and found over DeviantArt. Her name was Ein Lee, she’s actually from Taiwan, and I found her art probably well over five years ago, and just loved her art style, and therefore wanted to incorporate it into my characters. So, I would do rough designs for team RWBY as well as designs for team JNPR, and she would flesh that out to be even further. To the point where eventually I didn’t need to design characters anymore, she started designing a bunch of the rest of the characters down the line.
Monty: The second person I brought on to RWBY was Kerry, because we had just been having conversations about the kind of show we could make. I’d been working with Miles on Season 10. He was writing scenes while I was making scenes, and so the three of us would have a lot of meetings and collaborate on the show to the point where I just started coming up with the broad strokes eventually and they had pretty much written the bulk of the show. Collaboration’s a big deal here, and I tried to include as many people as I can.
Kerry Shawcross [Co-writer]: Right after RvB ended, we wanted to just go straight into RWBY, but that was like right when we were going into commercial season. So we would work our normal hours here. Like 10 to 7-ish, then we would go back to one of our apartments and just start writing.
Miles Luna [Co-writer]: Monty really was enthusiastic about having these characters that may appear really one-dimensional for like the first few scenes that you see them, but the longer you get to know them, you realise “Oh, Yang isn’t just a dumb blonde party girl. She’s a very caring and nurturing girl, that has had to essentially be there for Ruby when she was young.”
Kathleen Zuelch [Producer]: When Monty and Miles and Kerry came to me, and really took me through the story. I started becoming a huge believer, because I’m a big fan of old school, traditional fairy tales, I love the Brothers Grimm, I love all the Snow White, and I love Little Red Riding Hood. I grew up with all of those stories, and the way that they were very clever in creating this whole world that’s kind of making homage to all of these amazing stories really inspired me to get more on board with what they wanted to do with this whole anime show.
Taylor McNee (née Pelto) [Art Director]: The world of RWBY, it looks very familiar. We wanted a blend of very classic looking architecture and clothing and cars, but we’re also mixing in this really kind of futuristic feel, like these little touches of some really futuristic stuff like holograms and things that you wouldn’t find in a classic [inaudible]. And that’s how we’re making this world unique. Our assets have to go through this pipeline of concept, modelling, texturing, and then finally being able to be put into the 3D program. So we start out with the concept and we usually bring that image into Maya, which is the main 3D software that we use. We have to make a 3D model that looks exactly like the concept that we were given, and it’s quite a process. Basically, we’re pushing polys and extruding stuff until we make the perfect shape, then afterwards we have to UV unwrap it, and then lay everything out on a texture sheet and then paint it, and that will put the image on the model. After that we’re basically done with the model and texture, and then we have to give it to the animators. So then we will set it up in Poser so the animators can grab it and use it for their characters.
Gray Haddock [Lead Editor]: There’s a lot of people working on this show, and there’s a lot of different elements in the pipeline. Editorial kinda serves as a hub between all the different departments, so we help all the communication and coordination between all the different pieces of the show, depending on what part of development that they’re in. Editorial’s getting involved way early in the process, we work alongside the director and the writers and the storyboard artists, and we use the scripts to help develop the storyboards and the camera angles for all those boards. So editorial is responsible for building up the moments of any given scene in terms of the timing and what you wanna look at, at any given moment. So we take the script and we help develop the camera angles and how long you wanna linger in a particular camera angle, look at one character or another or the scene as a whole, and the rhythm of the scene in terms of how long is it gonna take to spend on a particular line or when you want the music to come in, things like that. So we build up a set of animatics with the storyboards, and the first pass of all the audio. This is what then is handed off to the animators, so they can know exactly what is in what shot and how long do they have to animate it in a given shot. And once they’re done animating and their shot’s been approved, then their shot goes to the render farm, we get the rendered shot back and we drop it into the timeline for our episode and finesse the cut a little bit if we have to. But for the most part, we’ve done our job right and everything should pretty much be locked in for the most part by the time we’re getting animation.
Kerry: What’s kinda interesting as we’re creating the characters is, we kinda knew what kind of character they’d be. We knew Ruby would act a certain way, we knew Weiss would act a certain way, but we didn’t really know much about them. So we would get to the point where we’d be figuring out plotlines or figuring out dialogue and we’d be like “What would Weiss say here? What would Nora say here?” And then it turned into “Oh well now we know.”
Miles: Obviously we put a lot of thought into Ruby, Weiss, Blake and Yang before we started writing the dialogue. I remember sitting upstairs and we made a show bible, and we’re starting- we talked about likes, dislikes, personality traits. One of the first things I remember making was “Weiss drinks coffee. Blake drinks tea.”
Kerry: It’s important. It sounds not important at all, but it’s very important. It says so much about them
Miles: But it’s so important. So much about them, also it says nothing about them. It was just like- that’s just what it is.
Monty: I want the show to have resonance with people who are growing up. Cos everyone’s story is the story of kind of becoming who they are. Especially these days when the path of becoming who you are tends to be marginalised with reality. Having done what I’ve done, where I’ve essentially dropped out of high school, started learning this stuff on my own, and therefore land in a position where I get to take the things I was dreaming about when I was growing up and make it real. I tend to get a lot of response from people who are also not sure what they’re meant to become, a lot of them also have the same bright imaginations and with the way the world is, the hardships of what it means to grow up tends to marginalise who you are, and I would hate that to happen to anyone because the future is in creativity and that’s not something you can just manufacture. I actually would like this show to grow up with the people, so unlike most shows where they tend to be ageless or age very slowly, I’d like our fifteen-year-old fans watching fifteen-year-old Ruby, when they’re twenty-five, to be watching twenty-five-year-old Ruby, and to actually have some resonance with the character. Probably one of my favourite types of feedback is to say “I know this person” or “this person is just like me,” and that’s probably one of the best things about coming up with these characters.
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perseidlion · 2 months ago
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I'm new to the KAOS fandom, and I honestly love the way the show is riffing off myth.
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I've seen some rumblings of some people thinking they're changing too much. But, uhhh, the show definitely never promised they'd be sticking close to myth by its whole *gestures broadly* deal. Also like...WHICH version of the myths? There are so many and they changed, sometimes drastically over time. KAOS is just really continuing the tradition of remixing these characters and the stories.
I feel like the people who are saying this takes it too far probably have a superficial understanding of Greek and Roman mythology. Cause if you really dig into it, these stories are weird, contradictory, raunchy, violent and tragic.
I was a Classics major for two years (before I decided I couldn't learn Latin or Greek which was required to study primary sources, so I switched majors.) And let me tell you, KAOS is VERY accurate to certain portrayals of the gods. Not all, of course, but many.
Zeus is absolutely a horndog dick who sleeps with all sorts of people and spreads his seed everywhere. I mean, he straight-up disguised himself as other people to have sex with their partners. Animals, too!
Hera is incredibly petty and vindictive and transforms people into all sorts of things as punishment. She was especially hard on any of Zeus' lovers she caught, or his kids from different mothers.
Everyone was doing adultery all the time.
Hades wasn't a meek corporate type, but he also wasn't a devil analogue as he often gets interpreted as in pop culture. He's definitely a big ole grump and doesn't seem to have a soft side, but he's not often portrayed as evil. Zeus is not God and Hades is not Satan. That's really applying a Judeo-Christian framework to Greek mythology.
The myth of Orpheus and Eurydice was always more about grief and not being able to let go than about the power of true love.
The gods gained obedience and worship through fear. They absolutely punished people who didn't worship they way they wanted them to.
The gods were a giant, powerful, highly dysfunctional family with lots of petty grievances and grudges.
The Greeks had no concept of gay or straight. They conceptualized sex and sexuality as acts, not an identity. They were more concerned about who was the passive person in a sexual encounter (for reasons of class and manliness) rather than what gender their partner was. So it makes sense that this modern retelling would have a similiarly open an undefined concept of sex and sexuality.
Greek myth is full of people who change genders or who swap back and forth through magic or prayer, or were both male and female at the same time. Caeneus in the show, is based on a real myth of someone AFAB who wished to become a man.
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(sidenote: Misia Butler is so damned charming and handsome.)
It's also important to remember that the religion of the ancient Greeks lasted a very long time and changed over that time. There was also this really interesting dichotomy between the gods of plays and myths and the gods they worshipped in a religious context. That was one thing that is really hard to wrap your head around when you're studying Greek and Roman myth, especially when you're studying it alongside plays and epic poetry.
The gods of the stories who were being vengeful and petty and the gods they sacrificed to and worshipped were not the same - and they were. Sort of imagine it like Christian peoples' perceptions of Jesus vs Jesus in pop culture. Like, if you studied Dogma or Good Omens or something alongside the Bible and didn't distinguish between religion and pop culture, you'd definitely be confused.
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So there are all these competing stores, some benevolent and holy, some raucous and scandalous. KAOS very ably continues in that tradition by remixing and recontextualizing the source material for a new audience.
They do some reaaalll weird thing with timelines, though! They squish together myth and pick and choose different versions and inspiration. But honestly that doesn't bother me because it's all done deliberately and not out of ignorance. They're changing what they've changed to serve the story.
Plus it's great fun. It's one of the most creative shows I've seen in ages. Go and watch it! As a bonus, it's also hella queer.
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ellie-24 · 1 year ago
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Forbidden Fruit
Finally another installment set in my Big Daddy Elvis x assistant reader verse. Chronologically set after Maybe one day, but can be read as a stand alone. It's also not a reader-insert per se anymore because our lovely assistant has a name now. I hope you like it!! :)
Also I really gotta say a special thank you to the incomparable @whositmcwhatsit who made the whole thing readable and had some great tips! And thanks to @thatbanditqueen @vintageshanny @be-my-ally @missmaywemeetagain @from-memphis-with-love for being the most inspiring, awesome backup ever. (they're also the ones taking possible complaints regarding the word count, they're responsible for it)
Warnings: Elvis loves his guns, discussions of Elvis' health, mentions of alcohol, addiction, pills, light manipulation and gaslighting, a bit of period typical misogyny, a bit of smut at the end (oral, f receiving)
Word count: ~13.3 k
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You had continued staying with him at night after that one episode where he nearly overdosed. Elvis’ night terrors weren’t comparable to what most people mean when they describe what they go through when it’s time to sleep. Being around Elvis meant to completely ignore and unlearn your natural sleeping pattern. Scratch that. Being around Elvis meant that you had to forget everything considered normal. Day to day activities were determined by his unpredictable and sometimes challenging moods. In your short time working for him you quickly learned to adjust and be done with it. More importantly to never question anything. Things just made more sense when you stopped thinking about them too hard.
That’s how you found yourself sitting at Elvis’ bed at 5 in the morning reading to him. Being around Elvis meant being nocturnal. Which also meant that going to bed at 5 AM was a sensible thing to do.
“He's always been like this.” Charlie said to you a few days earlier. “Billy told me he never slept well. Even before his rise to fame, as a child. I guess that just stuck. He never outgrew it.”
“I think it might just be a habit now. He obviously performs at night. Very late into the night, it's only natural for your body to adjust.” Jerry had interjected.
“Well, he takes his pills before a show. You know the ones that make him more... energetic.” you offered.
Jerry raised his eyebrows. “Energetic. That's a nice way to put it.”
You shrugged. “He takes them before his shows. They're probably still full in effect when he tries to go to sleep.” The two men hummed, the conversation apparently over.
Whether it was a combination of those or something else entirely. Whatever it was, it caused nearly everyone in his orbit to go to bed when the rest of the world woke up.
He insisted that you stayed by his side from the moment he laid down until he woke up again. Clearly this was far beyond your duty as a personal assistant, but you couldn’t help yourself. You knew he hated being alone with his mind for too long, claiming it would get weird up there. He often found solace in his faith, carrying a bible everywhere he went. His books on spiritualism and numerology were constant companions as well. When his sleeping pills wouldn’t do the job and he found himself thrashing back and forth in his bed, frustrated that he just couldn’t seem to find any rest, he reached out for his reading glasses and turned on the lamp. His mind was running at full speed anyway, so he might as well put it to use.
The only thing hindering him now was the pain in his eye. The doctor couldn’t quite figure out what it was, but sometimes it was nearly unbearable for him. His body was so accustomed to the medication that even the painkillers he took hours ago couldn’t give him any relief.
“Do me a favour, will ya? Read this to me?” He held out a book to you.
“Is it your eye?”
He pursed his lips and narrowed his eyes at you. “...Nah, just wanna hear your sweet voice.” he mumbled with a grin.
In your one hand you now held Cheiro’s Book of Numbers, a very interesting choice for a bedtime story. (Don’t question things.) Your other hand was occupied holding his ring clad one. How he slept with all this jewellery was another mystery to you.
He closed his eyes and reached out for your hand, grasping it tight. You scooted closer to him. “I'm right here, E. I'll stay.”
He hummed and squeezed your hand even tighter.
Elvis certainly had to be the most physical and touchy person you’d ever known. You gently ran your thumb over his palm, assuring him the whole time. He’d sometimes grunt or hiss, his face scrunching up in pain, which caused you to stutter slightly. You tried to conceal it. Often you thought he had finally fallen asleep, his breathing evening out, his hand squeezing yours less and less.
However when you stopped reading, you’d hear him rumbling. “... Julie, be a sweetheart and read that last part again, will ya? Didn’t quite catch that.”
That was the exact sentence he mumbled every time you grew quiet. After the third time though, the sentence grew shorter and shorter each time until the only thing he eventually managed to get out was a slurred “Julie, sweetheart.”
You read aloud for two more minutes and when you stopped this time, there was no reaction from him. You closed the book with a sigh and put it on his night stand and checked the time. 7:48 AM. With a huff, you ran your hands over your face, wanting nothing more than go to sleep as well. It felt like every day you needed to apply more make up to the ever growing bags under your eyes. But you couldn't go to sleep. Not really.
Being around Elvis meant almost constant paranoia. Paranoia that his lifestyle would finally take its toll. You’d seen him almost die two times now. When he nearly overdosed the other day you realised the true extent of the damage all the pills caused.
“It's alright, sweetheart. The doctor prescribed them. He knows what he's doing, he's a doctor.” he laughed, looking at you like you had grown two heads.
“Jerry said you've been to the hospital multiple times already.” you insisted. “Don't you think-”
“He's just a nervous nelly. It was probably... dehydration or something along the lines, nothing dramatic. Don't believe everything you're told” he argued, leaving no room for disagreeing.
The only other time you witnessed him almost die was at dinner. You and the rest of the Memphis Mafia sat together enjoying a relaxed dinner after a successful show. Everyone enjoyed their food and made light conversation until Elvis started choking all of the sudden. You remember sitting in shock, dropping your plate as you watched Jerry run over to him and perform the Heimlich manoeuvre. This event had truly shocked you to the core, causing dinner to be considered a rather stressful affair now.
The truly terrifying thing about this whole nerve wrecking affair wasn’t necessarily the fact that Elvis Presley was in fact choking, it was how automatic and nonchalant everyone was about it. As if the whole process has been practised numerous times. Jerry later informed you that something like this would indeed happen on a regular basis. Almost everyone close to him had saved his life at one point. Literally. Charlie explained that the medication would alter and slow his reflexes, often causing him to choke on food. Sometimes he had trouble catching his breath, even without physical activity. That's why you always made sure to carry a second inhaler with you anywhere you went. There were many things to look out for and the responsibility sometimes made your head spin. Actually, you should start making a list, maybe it'll ease some of your anxieties.
You yawned and laid down next to him. You made sure to put a hand on his plush chest, feeling the coarse hair under your palm. The steady rise and fall of it and the strong beating of his heart calmed you a bit. Often you would just lay there and study his face, fighting the urge to close your burning eyes. The way his eyes were moving frantically under closed lids. Black eyeliner still smudged, long eyelashes fluttering over soft cheeks. His beautifully shaped nose would twitch occasionally as if you’d tickled him with a feather. His marshmallow lips would move from time to time like he was talking, or singing. You didn’t really know, but that’s when you had to pay close attention. Once he started thrashing around you scooted back a bit, not wanting to get accidentally hit by him. Eventually he'd calm down again and you breathed a sigh of relief every time. You won't ever forget the one time he actually got up and started to walk around. It had taken you a few seconds to figure out that he was sleep walking
He had to be closely watched throughout the night and in a way you of course understood why he insisted on you staying with him. You could clearly see that he was scared of himself at times, scared for himself. So you did your best to be there for him, even though it was taxing at times. Not only as an employee, but as a friend. He needed it. You turned your head to the night stand and checked the time again. 10:03 AM. Damn.
It felt like you had closed your eyes for about a second when you felt something pulling at your hair. Your eyes shot open and you saw Elvis leaning over you, a few strands of your hair between his fingers.
“Wakey, wakey, sweetheart.” He cooed at you and started to braid your locks.
“Hey E, what time is it?” you asked groggily.
“Time to wake up, sweetheart,” he hummed.
“Very funny.” You sighed and closed your eyes again. At that, he gave a light yank to the small braid he held in his hands.
“Don’t go back to sleep, Julie baby,” he insisted.
“Alright okay, I’m awake.” You turned over again. 5:26 PM. Damn, it felt like you were asleep for a minute. “Was Charlie already here?” you asked, rubbing your eyes. He must have been, otherwise Elvis wouldn’t be so active already. Just like he couldn’t go to sleep without special help, he needed a little something extra to get up and function again. It was a vicious cycle, really.
“Yeah, he was.” He waved away as you sat up.
“Oh my god, shit, why didn’t you wake me up? I really slept in!”
“I did.” He stated with an innocent smile, feigning ignorance. “Also, I had to show him what a cutie you are when you're asleep. Did ya know ya pull the funniest faces? I can always tell what you're dreaming.” You decided not to comment on this and rolled your eyes, swinging your legs over the edge of the bed. He placed a hand on your shoulder, holding you back.
“Wait, sweetheart, there’s something I gotta talk to you about real quick.” You turned back to him, giving him your full attention and he smiled, pleased. “You remember those crazy guys who tried to get onstage while I was performing, made a big fuss? Lamar, uh, mentioned they saw some guys lurking around, uh, looking like they’re up to no good. Down in the casino.”
You had an idea where this was going. The paranoia that everyone felt around Elvis extended to Elvis himself. He always felt like there was someone after him. To a degree you could understand, as there were real incidents like death threats, rude letters, or fans who got a little too excited and almost attacked him.
You had experienced it yourself after seeing the mean looks on the faces of some female fans directed towards you, and waiting for something to happen, but you knew not to let it affect you too much. However, Elvis took these things to heart, and you didn’t understand why his entourage would feed into those fears and the paranoia. The guys Lamar was talking about were probably harmless, but due to Elvis’ own concern he felt the need to tell him. Elvis made them see a threat everywhere. Everyone was aware that Elvis needed to know that he was in charge, that he was in control, and that he would decide what’s best for everyone, because he just knew.
He had told you numerous times that it was best to always carry a gun. After all he carried one everywhere he went, even onstage. The shock you felt at that particular revelation is hard to describe, but, as you had learned by now, it was best not to question things. You had declined every time he suggested it, finding it unreasonable, but now you had a feeling you were about to have that discussion again.
“...Sweetheart, I want you to be safe.” He continued and squeezed your shoulder.
“You don’t gotta worry about me. I can take care of myself.” You insisted, raising your chin.
He tilted his head to the side in disbelief. “Can ya? I remember ya nearly leaping into my arms, scared to death at the sight of a little spider. When was that? Three days ago?” he mused with a shit eating grin on his face.
You lightly smacked his arm. “That’s not the same! And the spider wasn’t small. For the record.”
“It was an itty bitty spider, sweetheart. It’s not my fault that everything looks huge for poor little Julie.” He smirked, waggling his eyebrows.
“Okay, I might be scared of spiders, but I’m not intimidated by some guys Lamar and the others deem ‘up to no good’,” you countered, mimicking the quotation marks with your fingers.
“It’s not funny, ya know how people can get. Pretty thing like you can turn into a damsel in distress real quick. Trust me. I just want ya to be able to protect yourself.”
“Elvis, we’ve been through this,” you sighed.
He took a deep breath. “Sweetheart, I- I feel responsible for you... Give me some peace o-of mind,” he stammered, leaning closer towards you with a pleading look on his face.
“I’m an adult, you know.”
He pouted. “Then start a-acting like one. Julie, you a-are so damn stubborn, why can’t you just d-do what I tell you,” he argued, throwing his arms up in frustration.
You took a deep breath and placed your hands on his shoulders. “Elvis, I know that you mean well and I appreciate your concern-“
“Don’t brush me off, sweetheart. Will ya do as you’re told?”
You sighed. It’s true you were stubborn, but he was stubborn as well, and persuading him didn’t work this time. The discussion was pointless and you knew that in order to save you some trouble the best thing you could do was just agree. He wasn’t gonna give up, you could feel it. There was a determination and finality in his eyes that left no room for arguing. On the one hand it could be considered flattering that he was so concerned with your well-being, but on the other it was scary to think about what was going on in his head, pushing him to such decisions.
“I guess I could give it a try. Just for tonight, alright?” His hand moved from your shoulder and brushed against your chin in a feather light touch. It sent a warm tingle down your spine.
“Anyone ever tell you that you can be real difficult, sweetheart?” he stated with a tender smile.
“Actually, you’re the first. Everyone I interact with always makes sure to tell me that I’m an absolute delight. Highlight of their day.”
“Hush now,” he chuckled as he got up from the bed with a grunt. He rotated his shoulder multiple times and put a hand on his back with a sigh. You knew that today wasn’t a particularly good day for him.
“...How is your eye?” you inquired with a more serious tone, getting up as well to fetch his sunglasses.
He squinted his eyes and shook his head with a small frown. “I’m good,” was the short answer you received. You carefully placed the glasses on his nose and wiped away some sweat that had gathered on his forehead. It always seemed to be there.
“Are you sure?”
“Stop worrying your pretty lil’ head about that,” he replied, tugging at your hair again. You smiled at him and gently ran your hand through his soft hair. He leaned into it.
“...I don’t-“
“I know my body, woman. I’m grown, let me handle it,” he cut you off, raising an eyebrow.
The irony of this exchange wasn’t lost on you. You had the feeling it wasn’t lost on him either as he cleared his throat and walked away from you and your touch. At times it could happen that he was self aware. Fleeting moments really.
He always claimed to know what everyone was supposed to do. If it were only suggestions he offered, but no, he had to make sure they were carried out. Preferably he carried them out himself, at least then he knew it was properly taken care of. He even felt responsible for things that weren’t his business in the slightest, but the moment someone else merely suggested that he should take care of something concerning himself, he’d shut them down in a second. Didn’t even want to hear it.
You followed him and he cast a warning look over his shoulder, as if he saw you opening your mouth through the back if his head. He opened a closet and pulled out a leather case, putting it on the glass table in front of him and swiftly opening it. At the sight of what was inside, a gasp escaped you: various firearms, badges and bullets, shining and reflecting the sun light, almost blinding you. His obsession with law enforcement was nothing new to you, he had proudly showed you his Reserve Captain of the City of Memphis Badge and his police flashlight the first time you met him, but seeing all these guns in front of you was something else.
“Pretty, aren’t they?” he smirked.
“Uhm, they’re certainly uh... This one’s pretty.” You pointed at a small gun decorated with golden leaves and different animals, which were carefully engraved into the steel.
“I had a feeling you’d like this one.” He responded proudly and picked it up with trained expertise.
“I like the animal,” you remarked, mentally slapping yourself for not coming up with something more clever.
He chuckled. “It’s a Smith & Wesson 19, I had it custom made in Germany. You wanna hold it?”
“Uh..”
“Don’t worry, sweetheart, it’s not loaded. See?” He opened the cylinder and showed you the empty chambers, then shut it again and pressed the gun into your hands.
“A pretty lil’ gun for a pretty lil’ girl.” He smirked as he assessed you carefully, licking his lips. You felt heat rising up your chest and neck and cleared your throat.
“...I don’t even know how to..” you trailed off, the gun still laying in your open palms, looking a bit lost.
“Here, let me,” he mumbled as he stepped behind you.
Suddenly his strong arms were around you, surrounding you, trapping you. For a moment you forgot how to breathe, your body betraying you and your muscles not moving the way you wanted them to. You were still able to move your eyes though and saw his big hands engulfing your smaller ones. He gently guided your trembling hands, showing you how to properly hold the gun. You weren’t sure if the trembling was caused by the highly dangerous firearm in your grasp or the equally dangerous Rock ‘n’ Roll star behind you. You took a shuddering breath after what felt like hours and promptly realised it was a grave mistake. His smell now surrounded you as well, an intoxicating mix of sweat, cologne and cigars. If you leaned back just a little you could feel the swell of his stomach, you already felt the heat of his body radiating off him. Oh, how you wanted to let go and just-
“Are ya still with me, sweetheart?” he chuckled behind you, his lip curling. Shoot.
“...Uh sorry, what did you say? I was... concentrating,” you stammered, relieved that at least he couldn’t see the blush on your cheeks.
He stepped forward with a small laugh, finally closing the gap between your bodies, trapping you completely to him. You were only wearing a tank top and the v neck of his shirt was so deep that you could feel his coarse chest hair against your shoulder. Sweet Jesus, this man was driving you insane! His warm hands started to work yours again, correcting angles and adjusting your hold. The coolness of his rings and the sight of the veins on the back of his hand caused your heartbeat to pick up once more.
“Yeah, like this... Wait, your finger has to go there... Relax your lil’ fingers, sweetheart... I said relax... That’s it,” he murmured, his rough fingertips now slowly gliding over your wrist, steadying your hand. He played you like an instrument, one of his guitars maybe, waiting to be tuned. You swallowed hard and prayed that he couldn’t see the goosebumps forming on your arms, or feel your pulse racing under his nimble fingers.
“Good. Now we gotta work on your stance.”
Without warning, you felt his strong thigh pressing itself between your legs, nudging your feet apart. You let out a surprised yelp and nearly lost your balance, but he hastily wrapped an arm around your middle, fingers digging into your stomach.
“Woah, careful there, little lady... Am I making you nervous?” he asked with a smirk. He knew damn well, he just enjoyed watching you squirm. His warm breath tickled your ear and for a second you thought you felt his soft lips gently brushing against your cheek. It was only for a millisecond, but it sent a shock through your core. Did he really just…?
“...You w-wish, huh? I -I just want to be careful with this... weapon of mass destruction,” you gasped and tried to conceal it with a laugh, feeling a bit breathless. He slowly ran his hands over your waist, down to your hips.
“Sweetheart, quit being so jittery. You gotta stop being so damn careful with this ‘weapon of mass destruction’,” he chuckled. “It can handle ya having a bit of fun with it.” He spoke in a low voice and pressed himself even closer to you, the double meaning of his words not lost on you. You wanted to deny it for your own sanity, but you were sure that it was the outline of his dick you felt against your backside. Was he wearing no underwear under these silk pyjamas? You felt a lump in your throat and your mouth turned dry. Like a desert. Oh god.
“What is it, Julie darlin’? Cat got your tongue?” he whispered, his chin resting on your shoulder. You stared straight ahead, because if you turned your head just a little bit, your lips would certainly brush against his. Then it would be game over. You had to focus, which was a difficult task with him continuing to knead the flesh of your hips without a care in the world.
You were used to his flirting and touching and, of course, you were both aware for your mutual feelings for each other, but you had made an agreement not to act on it, protecting both of you. Spending every night with him, though platonic, already meant treading on thin ice, and feeling him like this, so close, made your resistance grow weaker by the minute. He apparently had an equally hard time holding back and you knew it was up to you to stop right now. No matter how much didn’t want this moment to end.
You freed yourself from his grasp and let out a barely audible sigh at the loss of contact. Without his comforting warmth surrounding you, you couldn’t suppress a little shiver. You turned around and saw him drop his arms that still hovered in front of him as if you were still there. He adjusted his glasses and ran a hand over his mouth.
You got into position to hold the gun like he just showed you. “Like this?” you questioned. You knew it probably wasn’t perfect, you were hardly able to pay attention to what he had just explained to you. Maybe you hoped he would get close to you again, help you and correct you, so you could feel his wide frame against your smaller one. Just maybe. He cleared his throat and looked down.
“Yeah, it’s good,” he murmured and went over to the glass table again, the moment you two just shared now over. With a frown, you followed him and peered over his shoulder to see what he was doing. He opened a small box, revealing various bullets.
“...Now, for the Smith & Wesson you’re gonna need this .357 Magnum cartridge...” He continued listing facts about the ammunition with you listening dutifully, as if nothing happened between you mere seconds ago. Every now and then, he’d look at you to check if you were still paying attention to him and, though you didn’t really understand what he was talking about, you nodded your head every now and then. He showed you how to open and close the cylinder and placed a bullet in each of the six chambers. Alright, now it was loaded. Great.
“Here, watch this,” he said and got into position to shoot. You thought he wanted to show you the hold and stance again, but you were wrong. You saw his finger coming dangerously close to the trigger and, without warning, he pulled it. You shrieked as he actually shot at the sofa at the other end of the room. Was he completely losing his mind now, just shooting inside a building? You wanted to remind yourself not to question things, but this was too much. You could not leave it like this. Couldn’t pretend it was normal.
“Elvis! What are you doing?” you screamed, covering your ears with your hands.
“I’m demonstrating,” he answered, shrugging his shoulders.
“...You... You shot a pillow!”
“It’s ugly anyways.”
“Ugh... I don’t believe you sometimes,” you said, shaking your head. He actually had the audacity to laugh.
“Come on Julie, it’s funny.”
“...You’re a... a man child!” you said with a small nervous chuckle, your ears still ringing.
“And you’re a killjoy!”
“Oh my god, I’ll better go downstairs now, before you start shooting the windows. And you should start getting ready, you have a performance later, remember?”
“What was I just saying about a killjoy?”
“And put the gun away!”
“Lord, woman, you’re horrible.”
“It’s called common sense, E.”
“Boring,” he said, although he couldn’t hide how the corners of his mouth lifted into a small smile.
“Common sense!” you laughed and gathered your stuff as well as the keys for your apartment. The apartment you barely used now, spending most of your time and nearly every night with him, but you insisted on keeping it. You still wanted to keep that last boundary, the illusion that you weren’t as deeply involved as you were. You didn’t want to admit it to yourself.
On your way out you turned to him and waved.
“See you in an hour or so. If you need something just give me a call.”
“You forgot something,” he said, raising an eyebrow.
You halted in your tracks. Man, you just couldn’t get away with anything today. You sighed and he walked towards you with a serious expression on his face once more. He handed you the gun he had used to shoot the poor pillow.
“Take it, Julie.” Maybe it was better if you just took it. Even if you wouldn’t necessarily use it, it would be a precaution.
“...Alright, boss.” You mock saluted and grinned up to him. He smiled fondly, his eyes twinkling, as he brushed some of your hair behind your ear and his thumb briefly traced along your jawline towards your chin, lingering there for a moment.
“I knew you could be a good girl.”
“You like it?”
He hummed and leaned against the door frame, looking at you with a mixture of surprise and satisfaction.
“...Then I’ll have to rethink it.”
His face dropped and you let out a small giggle at his expression. You enjoyed it when you got to tease him and sometimes it was just too easy with him. He needed some light-hearted fun like anyone else, but it rarely happened; the possibility of him not appreciating the joke and the consequences of that always lingering in the back of everybody’s mind.
“You little minx,” he muttered with a grin and reached out for your waist. You backed away.
“Ah! No time to be silly! I told you we have to start getting ready,” you laughed and turned around. “See you later!” He leaned against the door frame and gently smiled at you until you were out of sight.
After arriving at your apartment, you opted for a quick shower and carefully reapplied your makeup the way Elvis wanted you to. He showed you exactly how to do it, claiming that everyone in the inner circle represented him and there was a certain image to uphold. You figured this made sense and complied with his rules. He was very particular about these things, always concerned with what others thought of him. Whether it was the fans not showing enough enthusiasm at his shows, or the tabloids printing horrible stories about him, it was enough to turn him sour and moody for a couple of hours.
After wiping off some excess lip gloss, you carefully eyed the gun and picked it up. Sighing, you chewed on your bottom lip. Were you really gonna go out there with a gun, even for effect?
It felt like just another one of Elvis’ silly little ideas, thinking he could  show you how it worked in a 10-minute crash course and then off you would go. He never thought these things through and his irresponsibility annoyed you.
“Nah, this is stupid,” you muttered to yourself, hiding the gun in your closet. Elvis wouldn’t know. You needed to be the sensible one.
You grabbed your bag and walked towards the door. As you turned the handle, you casted one last look over your shoulder, facing the closet. You shook your head and closed the door behind you.
On your way down you briefly passed the Colonel, but refused to spare him a glance. He showed up less and less, preferring to work everything out from a safe distance. Probably too much of a coward to face Elvis and the rest of the entourage.
After Elvis had tried to fire him a few weeks ago, there was a noticeable discomfort with the situation on all sides involved. Vernon had advised Elvis that it would be better to keep the Colonel around. Finances and debts played a major role, Vernon explained to you after you asked him about it. There was no way out of this horrid situation.
It made you mad and your frustrations were only made worse by your employer’s reaction, or his lack of reaction. Elvis’ resignation regarding the whole topic, his acceptance that there was nothing he could do, made you incredibly sad. Here was this man they called King, adored by millions of people and surrounded by luxury, and he was utterly powerless. He knew that he didn’t have the willpower, nor the energy to fight anymore, and just passively let these things happen to him.
When you arrived in the backstage area you quickly spotted Charlie and walked up to him, making small talk while you were waiting for Elvis. He showed up a few minutes later, looking as nervous as he did almost every time. You saw that he was sweating again already, his face shining and some of his black hair sticking to his face. You walked up to him and gently dabbed his face with a towel before placing it around his shoulders. He let out a shaky exhale and searched your eyes.
“Ready?” you asked with smile. He huffed a laugh and looked down, shaking his head the tiniest bit. You almost didn’t see it.
“Hold my hand for a bit, will ya, sweetheart?” he whispered and the vulnerability in his eyes was almost too much. One would think after 20 years in the spotlight he would have overcome his stage fright, but every new crowd was another challenge for him. ‘Every audience is different and they never saw me live before. So it’s like performing for the first time every time,’ he always said. You stepped closer to him and reached out for his hand, squeezing it and soothingly rubbing your thumb over the back of it.
“You’re gonna be great, I know it. I see you performing on that stage every evening and I never get tired of watching you. These fans, they’re here for you and you won’t disappoint them.”
“You really think so?” he inquired, his voice more similar like a little boy’s rather than a grown, experienced rock star.
“Yes, E, I do. You’ll blow them away.”
“If you say so, Julie baby.”
“Don’t you think I’m qualified enough to judge?” you asked with a teasing tone.
“Oh sweetheart, I think you’re highly competent,” he quipped, raising an eyebrow.
“I like to remind you of that every now and then.”
“I couldn’t possibly forget,” he smirked, though the tremor in his hand still gave him away.
“Good answer E. See? You know how to charm people. Now you just gotta go out there and do the same.” You squeezed his hand one more time and looked up to him with an encouraging smile.
He took a deep breath when Also Sprach Zarathustra started playing and looked up to the ceiling as if sending up a quick prayer.
“Okay E, let me have a look at you,” you said and reached for his towel, wiping away some of the sweat that had gathered on his face again, as well as some eyeliner that was already smudged. “...Yep, you can go on stage like this.” He gently cupped your chin, making you shiver slightly.
“I’ll be looking for you in the audience. Wish me luck.”
“Good luck,” you whispered and fixed some of his hair that had fallen out of place. “Now you’re perfect.” His eyes briefly flashed with what you thought was insecurity, but it was quickly replaced with a smirk.
“You can be quite charming if you want to as well, Julie baby. You sure it’s not you who’s supposed to be on that stage?” he winked.
“When I start singing, they’ll just flee for their lives,” you joked and he flashed you another smile before turning around, making his way towards the stage.
You gave him a thumbs up and watched him until he was out of sight. That’s when you noticed Jerry standing rather close, looking at you with an unnervingly neutral expression. You had a creeping feeling he’s silently watched the entire exchange between you and Elvis and, though nothing happened, you couldn’t help but feel slightly awkward and exposed under his assertive gaze. You cleared your throat and made your way towards the auditorium.
When you watched Elvis on stage there was no indication of his earlier nervousness. As always, he seemed at home in the bright spotlight, truly in his element. You cheered him on and just ignored the times he stumbled over the lyrics or couldn’t fully hit a note because he was out of breath. In fact, these were the little things that made the performance feel real, evoking genuine emotions within you.
After two hours of Elvis working his magic, you made you way back towards entrance to the backstage area to accompany him back to his suite. You stood in the corridor, mentally going through everything he needed for the night when you heard someone walking behind you.
“Hey, you.” You turned around to see a man around your age approaching, slurring his words. “Uh, do you happen to know where the restrooms are?”
You blinked. “Oh, uh you’re really in the wrong place. This is the way backstage.”
It took some time for him to register what you just said and you could see the gears turning in his head.
“...Oh... huh, you really seem to know your way around here. You come here often?” he asked with a smile that you think was meant to be charming.
You couldn’t help but laugh at his clumsy attempt of flirting. He was obviously drunk, but he was just trying to make conversation. Emphasis on trying.
“Believe it or not, for the last few weeks I’ve been here every night.”
“That’s crazy.” He said with big eyes, but then he nearly gagged.
“Oh my god, okay, come on, I’ll show you the restroom. Don’t want you to throw up all over the corridor.” You said, pulling him along.
“You’re really kind. I’m sorry, I’m not usually this drunk.”
“Yeah, I gathered that. First time in Las Vegas?”
“How do you know?”
“Uh, just a feeling. Happens to the best of us.”
He smiled down at you and promptly lost his footing. You stumbled until both of you fell to the ground with him on top of you. You groaned at the impact and looked around. Trying to get up wasn’t possible with his dead weight on you, so you pushed against his chest. His reaction was slow to non existent. You were sure he was almost passing out.
“Get off me!” you said a bit louder, trying to get his attention.
It seemed like a cruel joke that it was in that particular moment that Elvis, Charlie, Jerry and Lamar turned around the corner, witnessing the scene before them. And boy, it looked bad. You pushed against the stranger’s chest one more time, urging him to get up. He didn’t even have time to react, as he was yanked off by strong hands.
You looked up, relieved to be able to breathe freely again. Elvis had him by the collar of his shirt, pressing him against the wall, with Lamar and Charlie exchanging concerned looks. Jerry walked towards you with a frown and reached out his hand to help you up.
“Were you having fun?” Elvis hissed, his voice dangerously low. His blue eyes were burning beneath his shades, their expression almost scaring you.
“Elvis, he didn’t do anything!” you interjected. Jerry gently grasped your arm, holding you back.
“I asked you a question, you son of a bitch,” Elvis spat angrily.
From the way he stood you could tell that his back was giving him even more trouble than when he got up today, probably from a daring move he had just attempted during his performance, but he still managed to put on a brave face that would convince anyone that he’d still be up for a fight. Not that it mattered much to the drunk stranger, you weren’t sure that he even registered that it was Elvis Presley talking to him.
You ignored Jerry’s hand on your elbow and stepped towards Elvis.
“He’s drunk, I wanted to help him. He fell on me Elvis, nothing happened.”
It was as if he didn’t even hear you. You put a hand on his back, feeling him tremble beneath you, a combination of the post show adrenaline and pure rage. His silence was really starting to scare you. That’s how you knew it was serious. Really serious.
“Please, let go of him.” you begged when he didn’t answer you. You glanced over to the other guys, feeling helpless. All you got were neutral expressions, no one daring to move a finger. Elvis took a deep breath and pointed a ring clad finger at the stranger’s face.
“If you ever come near her again... if I ever see you again.. you’re gonna regret it. Now get outta my sight,” He warned. With a nod towards Lamar and the other two he let go of him and they escorted him away.
You looked at Elvis, who was still breathing heavily. He flexed his hands multiple times and eyed you carefully.
“Julie, where’s your gun?”
Shit.
Your silence answered his question.
“...I don’t believe this,” he mumbled, roughly grabbing your wrist and pulling you along with him, not saying another word to you. Once you were up in his suite again, he slammed the door and looked down on you with a frown.
“Answer me this: What would you have done if I hadn’t been there in time?” he asked, starting to pace around.
“I wasn’t in danger,” you answered, not moving from your spot.
“Damnit, I warned you about guys like him. I knew something like this would happen!” He pulled out the Colt 45 he hid under his pants leg and strode towards you. “I gave you one of these for a reason.” He continued, waving it in front of your face.
“Elvis, please put the gun away,” you said calmly, remembering the stunt he pulled a few hours ago with the pillow.
“I do what I damn well p-please,” he scoffed and turned away from you. You took a step towards him.
“Please, stop acting like this.”
“You don’t get to t-tell me what to do,” he said, pointing his finger at you.
“Goddamnit Elvis! What is going on?!” You cried, fed up with his antics.
“Why don’t you just do what I-I tell you?”
“Because I wanted to decide what I’m going to do,” you explained, lowering your voice a little to appease him.
“Great h-how that worked out f-for ya!” he spat. You scoffed, at a loss for words, and slammed a hand against your forehead.
“Julie, don’t fucking act like I’m the one who’s in the wrong now! I won’t have you disrespecting me like this,” he warned, his eyes burning into yours with a fury that almost made you back up a little.
“It’s not that! I’m trying to tell you that nothing happened! Look at me, I’m alright!” you argued with desperation in your voice as you gestured at yourself. Did he even listen to you?
“But what if something happened? Julie, I swear to god!” He was seething, his face red with exertion.
“What, Elvis?” you snapped. He just glared at you, his chest heaving.
“You know what? I’m not gonna discuss this right now. I’ll come back later,” you shouted and left the apartment without waiting for his reaction.
Just before you shut the door behind you, you heard him yelling at you, “Julie, if you leave now-“
That’s when you closed the door. And for a moment you were scared; scared because his anger was probably directed towards you now. You didn’t mean to upset him, he was going through so much already, but you also knew that it wouldn’t make any sense to try and talk to him right now. His temper was infamous among those in the inner circle, it was one of the first things you were warned about.
In order to have a normal conversation again he would have to calm down first. You had to calm down as well, knowing that you’d probably say something stupid if he continued to act this way. You felt tears of frustration and anger pricking at your eyes and almost ran down the corridor towards the elevator.
You found yourself wandering through the foyer and saw Jerry sitting on a sofa, apparently deep in thought. You let out a sigh of relief as, within the Memphis Mafia, he was the one that you trusted the most. Not only was he the only one who dared to challenge Elvis at times, but he also had known Elvis for a long time and was a great listener, which is why you’d occasionally come to him for advice.
“Hey, Jerry,” you greeted as you approached him tentatively. He looked up to you and blinked.
“Oh.. hey Julie. Are you okay? You still look a bit shaken... Um, don’t worry, we took care of that guy and escorted him back to his friends. We suggested that it would be better for them to leave. No one’s gonna bother you again.” You sat down next to him.
“He was harmless, Jerry, just drunk. I’m more worried about Elvis... He... um just threw another hissy fit and I’m afraid I made it worse.” With another sigh you sank into the soft pillows behind you, though relaxing wasn’t really an option right now.
“Yeah... he was really pissed about this guy. It doesn’t help that he already felt agitated the whole day. I think something just snapped in him... How did you make it worse though?”
“I walked out on him, mid argument.”
“Oh.”
“Yeah, oh. You know, he wanted me to carry a gun, because Lamar thought he saw some gangsters running around the casino... making him go crazy. He wanted me to carry a gun, knowing I have no experience with it, nor the ambition to be honest. I didn’t have it with me and he just... lost his damn mind.”
“I see.” You looked at him expectantly, but he sighed and shrugged.
“Julie... He wants to look out for you. I know he only means well,” he chuckled. “He means well most of the time, it’s just the execution that goes horribly wrong.” You felt a gentle smile tugging at the corners if your lips.
“Yeah, I know that, and I really appreciate his concern, but he needs to know that there are other perspectives as well. People might think differently than him,” you replied while absentmindedly playing with a loose thread on the cushion next to you. He nodded in understanding and turned to you.
“But that’s the thing, he thinks he knows best. And, as I said, he wants the best for everyone. He’s always worried and... concerned about everyone’s well being, wanting to keep everyone around him happy. Sometimes he even tries to fix things that aren’t even his business... It causes him sleepless nights, really.” He shook his head with a frown.
“God, I feel so bad, but he really got on my last nerve today. He shot a damn pillow and thought it was the funniest thing in the world.”
“That’s nothing. He... uh regularly shoots his television sets when there’s something on that he doesn’t like.”
“He does what now?” you asked, your eyebrows raised.
“It’s true. He really does things... his own way. That’s how I’d put it.”
“He’s nuts sometimes. Gosh, I just hope I didn’t mess up too bad this time. I know it’s right for me to stand up to my beliefs, but still.”
“I think he’d forgive you almost everything.” Your gaze drifted towards him, your lips pursed.
“I hope so... Do I have to apologise?” you asked, beginning to genuinely think you did something wrong now. He sighed.
“Julie, I know Elvis. Let me just say it would probably be better that way.”
“But do you think I should?”
“He wants to be right, discussing something like this with him won’t get you far.”
You hummed, this wasn’t really the answer you were looking for, but you knew it was all you’d get from him.
“And... uh there were no other incidents today? I didn’t hear anything. You know, about the weird guys Lamar thought he saw earlier today.”
“No, nothing. I guess it was a false alarm.” He shrugged. You couldn’t help the small chuckle that escaped your mouth. This was what started this entire debacle.
“Julie I know what you think, but it’s better to be safe than sorry,” he tried to explain. You hummed again and decidedly pulled off the string you’d been twirling the entire time.
“You’re probably right. I think I’ll go upstairs again and see if he’s calmed down a little. Hopefully he hasn't trashed the damn place. Because who's gonna clean it up?” she asked and pointed both thumbs towards herself.
He let out a little snort. “Alright, take care, Julie,” he said as he watched you get up.
“I will, thanks Jerry.”
With that you turned and made your way back through the foyer, thinking about the upcoming conversation with your boss. It was weird to think about him like that, and you had to remind yourself of that particular fact every now and then. You wandered around the hotel for almost half an hour before building up enough nerve to face him again.
When you finally opened the door to his suite with the key he’d given you, you spotted him sitting on his bed dressed in his silk pyjamas again and fumbling around with his jewellery.
“You’ve calmed down again, sweetheart?” He slowly got up, a rather goofy smile on his face.
“Me?” you asked, pointing to yourself.
“Got quite hysterical when ya left,” he said, approaching you with a grin. You raised your eyebrows, your mouth hanging open for a few seconds.
“I got hysterical?” Was he serious right now? You turned on your heel, your hand on your forehead, the whole apology you had prepared on your way up here now thrown out of the window. He couldn’t mean that now, could he? He followed you and placed his hands on your arms, turning you around, towards him.
“Wait sweetheart, don’t be like that. Come on, it’s okay, Julie baby, I know how women can get. Y’all are more tender hearted,” he said, putting his arms around you and stroking your hair.
You frowned and tried to take a step back, wanting to look at him, but he tightened his grip on you, keeping you in place. You’ve never seen someone with mood swings like him. It was extreme to the point where he could be irrational, one could never know what to expect from him. But don’t question things! You leaned into him, not really knowing if this was meant to comfort you or him.
The way he held himself and the slightly dazed expression in his blue eyes explained how he was so calm. He must have taken his damn pills already, otherwise he wouldn’t be this relaxed after the argument the two of you had. Especially after you stormed off, which must have made him even angrier. Now it seemed almost forgotten as he more and more leaned against you for support.
You desperately wanted to throw away all his medication, the fact that he never really dealt with his emotions and just numbed them was driving you mad, though you weren’t convinced that this alone was responsible for his reactions. His extraordinary talent to twist situations and circumstances so that they’d work in his favour could be a gift for him, but a curse for everyone else. You almost never got to discuss situations like this with him, properly working things out.
“Come on, sit down with me, sweetheart,” he pleaded, holding out his hands.
“Alright,” you replied with a neutral expression, despite still clearly seeing the image of him with that damn gun in front of you.
He led you over to his bed and sat down across from you, engulfing your hands with his bigger ones and hold them tight, taking a deep breath. His mouth opened and closed multiple times before speaking.
“Listen... I’m sorry for getting so angry at you earlier. I-I didn’t want to scare ya. I was just worried. Ya gotta believe me.”
The genuinely remorseful look on his face made your irritation dissipate slightly. You sighed. Communication is key.
“...And I’m sorry for yelling at you, I shouldn’t have done it. I know you mean well, but I was angry as well. Well, frustrated...you know what I think about guns,” you almost whispered, searching his eyes, hoping and praying he’d understand. He looked down and bit his lip, looking a bit bashful.
“...Yeah, I-I know sweetheart. I just can’t bear the thought of something happening to you. When I saw that fucker on top of you, I-I could have killed him.” His face became flushed again at the mere memory. You nodded and just squeezed his hands, knowing that explaining the situation again wouldn’t help. He dropped his head.
“Don’t you understand, Julie? W-What if I lose you?...Who would annoy me all day?” he added, after looking up again with a small smile. You forced a smile to match his while trying to ignore his vulnerability in the former half of the statement.
“Oh, I’m sure you would find someone in a heartbeat. You’re Elvis Presley.” His face grew serious again.
“No. Not someone like you.”
“Elvis..” you whispered, pressing your lips together as you felt your face begin to crumple, the emotions of the whole day finally catching up to you. Did he really mean it or did he want to distract from the actual conversation you were having? You hated how your voice trembled when you spoke up again. “We should really talk about-“ He put his hand on your cheek and watched you with a tender look in his eyes.
“No, you don’t have to say anything. I don’t wanna hear any more of it. I’m just glad we’re getting along again. I don’t like arguing with you.” Well, so much for that.
“Me neither,” you eventually uttered with a small sniffle,  your eyes burning. You didn’t know if it felt more like giving in or giving up.
“Oh, sweetheart. It’s okay, it’s okay. It’s all good again. Don’t worry. I-I won’t bother you with this again, okay? It’s all good again. All good.” He mumbled almost meditatively and guided your head to lay against his shoulder, your cheek brushing against his coarse chest hair.
You weren’t convinced of how serious he was about not bringing up the topic again, but for now you’d take it, since he left you no other choice. You knew it must be horrible inside his head and he really couldn’t help the way he was sometimes. He just wanted the best for you. It showed in the way he gently stroked your hair and shushed you, as if soothing a frightened child. And, for the second time that day, you thought you felt the feather light brush of his lips, this time against your temple, as if assuring you that everything was okay. As if he’d read your mind. It made you feel hot and cold at the same time.
Right now you didn’t have the energy to fight against the comforting feeling of his embrace and his affection and just let yourself sink into it. His ability to make you feel completely at ease, his softness, warmth and smell, combined with the rhythmic stroking of his strong hands almost lulled you to sleep.
You felt a sudden calm wash over you, the weird buzzing in your head and the tingling feeling of anxiety on your skin slowly disappearing. The silent promise that everything was going to be alright and that he would take care of everything for you felt like a safety blanket.
“Hey, E?”
He answered with a ‘Hmm?’ and you felt the vibrations of his chest against your cheek.
“Thank you.”
“For what?”
“I don’t know... for being there. The whole thing really stressed me out.”
“Well, you know, Julie baby, I have healing hands,” he said, shrugging as if it was the most normal thing.
“I think so too,” you chuckled. Not ironically, like you did so often. It was genuine this time, The more time you spend with him the more you thought he actually possessed some kind of magic, influencing everyone around him. Sometimes that was really no other explanation. He grinned at you, his eyes twinkling.
“So... what now, magic man?” you asked.
“...We could watch The Godfather again, so you can fawn over Marlon Brando?” He proposed. You laughed.
“You know, every day I regret it a little bit more that I told you about this silly childhood crush.”
“When I asked you, you said he was your favourite actor,” he retorted a tad accusingly, a little pout on his face to emphasize his point.
“Yes, I realise my mistake now,” you said with a hand over your heart, feigning shock.
After a few seconds though you weren’t able to hold your back your laughter and an involuntary giggle escaped you. He started smiling as well, though it didn’t quite reach his eyes. You now knew you had actually bruised his ego with that statement back then. He asked you this particular question only a few days after you met him and you naively answered with the first thing that came to mind, not really knowing the gravity of it. Not really knowing... him. How important these things were for him. Looking back, it was definitely some kind of test that you failed miserably, and he made sure to remind you of that faux pas every now and then, probably still a bit offended and wounded.
“... Do you want me to read to you again? Maybe... um you can try to go to sleep a little earlier tonight, what do you think?” you offered, trying to change the subject. Thankfully he bought into it.
“Mhm.. you always take such good care of me. Like a mama.”
“Well, thanks for that,” you answered, a bit unsure if the second part was really a compliment or not. He scooted closer, laying his head on your shoulder and throwing an arm around your middle, his hand finding its place at your waist.
“...No, I mean it, Julie. I-I really admire that about ya.” He raised his head again, looking deeply into your eyes. “A-And I don’t think I tell ya enough,” he whispered and squeezed your sides.
You felt your pulse quicken and let out a shuddering breath. Was it nervousness? Was it the stress? Was it anticipation? Excitement? There was certainly no denying that you liked the way his hands felt on your body.
“I’m sorry if I’m like this to you sometimes. I-I can’t always help it... My head is just so fucked up sometimes I know I can be a nasty asshole... I just w-want you to know what you mean to me,” he stammered with a frown. You knew it was hard for him to get these words out and you adored and hated him for saying them out loud.
“Elvis, you aren’t any of those things. And-“
He closed his eyes and gently nuzzled his nose against yours, making you stop mid sentence. He was so incredibly tender with you, even the fact that the tip of his nose was nearly freezing due to the cool room temperature didn’t deter you from leaning into his touch.
“...Yes, I am. I’m a selfish bastard who can’t even keep an agreement he made. A promise to the woman he adores.”
Every rational thought you had was thrown out of the window at this. The only thing you knew, felt, was him. This pull between you two had been there from the beginning and you so desperately fought against it. There had been many instances, many battles where you almost surrendered yourself to him, but you always managed to put your rational thoughts first.
Now, with his strong hands on your body, his beautiful face so close that you could feel his hot breath over your lips and the words that just slipped past his marshmallow ones, you felt something snap within you.
You leaned forward and eagerly pressed your lips against his, a surprised squeal escaping you at the same time. You were about to pull back and apologise, but that thought was quickly thrown out the window when you felt him kissing you back fiercely.
The bed under you creaked when he shifted his weight, moving to lay almost on top of you. His chains dangled from his wide chest and you reached around to pull him even closer to you. He complied and leaned down even further, his rounded belly now pressing up against you. A gasp escaped you at the feeling of his weight pushing you down into the mattress, utterly trapped and at his mercy.
One of his ring clad hands moved up from your hip to gently cup your cheek. The cool metal felt good on your burning skin and you felt Elvis smiling into the kiss. His lips were so incredibly soft and hot as they sloppily worked against yours and you weren’t able to form one coherent thought. When his hot, wet tongue slipped out to trace over your bottom lip you couldn’t contain a little groan.
You reached up to tread your fingers through the coarse hair on his chest, stroking up and down, while he tightened his grip on your waist. The contradicting roughness you felt against your hands versus the wonderful softness against your lips was an intoxicating combination. It was just so very him. He pulled away from you, allowing you to catch your breath and you looked at each other, breathing heavily.
“...Elvis, this isn’t good,” you whispered, a half-hearted attempt to stop him. To stop yourself. Both.
He licked his lips and trailed a lazy finger over your hip.
“Ya don’t like this?” he asked, looking at you from beneath his shades incredulously.
“Oh god...I- I do,” you stammered helplessly after he had rubbed soothing circles over your hip for almost a minute.
He smiled and leaned down to bury his face against your neck, peppering soft, sweet kisses along your pulse point, making you giggle. Then you felt his warm hand gliding under your shirt, pushing the fabric upwards until your bra was exposed. His attack on your neck stopped and he leaned back to watch you, biting his lip. What a pretty picture you were for him, with your face wonderfully flushed, biting your lip and breathing heavily. Your face grew even more hot under his intense gaze and the way he licked his lips and smirked down at you sent shock waves to your core. You quickly pulled the shirt over your head and dropped it onto the floor next to the bed. Ugh, still too hot.
“Lord have mercy,” he breathed, as he watched your chest rise and fall quickly with every laboured breath you took. He cupped one breast in each hand and his lip curled, a hint of mischief in his eyes.
“Ladies, you two look real fun. You can be my new best friends,” he cooed as he squeezed them together and leaned down to nuzzle into them with a playful growl. You laughed and the motion made them jiggle, much to his delight.
“E, you’re being silly,” you giggled.
“No, I’m being serious. I need to play with these before every show now. Will ya let me? Best stress balls ever, I’ll tell ya.”
“You are impossible. Can’t take you nowhere,” you replied with a grin and gently stroked his cheek.
“Let an old man have some fun, Julie baby,” he mumbled with a smile. He softly kissed your collarbone before carefully hoisting you up, his hands on your back, to unclasp your bra with his nimble fingers.
You let out a surprised ‘Oh!’ when he hastily pulled the undergarment off you and tossed it onto the floor. His eyes roamed over your form for what felt like hours, a mix of appreciation and concentration in his gaze, as if trying to memorize every little detail. It made you throw your arms over your face, a weak attempt to hide the fact that you were as red as a tomato. He clicked his tongue and reached up, wanting to move your arms away, finding it incredibly cute how flustered you were. He gently ran his fingers over your skin.
“Sweetheart, let me look at you,” he sang.
You stubbornly refused to let him see you and possibly laugh at you, and he quickly realised you wouldn’t budge. He smirked as he decided to alter his tactic. You felt his hands wandering downwards along you neck, over your chest and onto your stomach. He briefly paused there, his fingers drumming against your skin, before beginning to tickle your sides which caused you to squeal and laugh so hard that your stomach started to ache.
“E, stop!” you finally gasped, trying to catch your breath.
Eventually you moved your arms and swatted away his bold, exploring hands, making him grin triumphantly.
“You’re not playing fair!” you laughed.
“All is fair in love and war. Never heard of that?”
You wanted nothing more than to wipe that goofy, smug grin off his face when he leaned down to kiss the tip of your nose.
“...You’re such a pretty baby.” He whispered and rubbed his cheek against yours, reminding you of a cat, his sideburns tickling you. “Pretty, pretty, pretty.”
He mumbled into your cheek over and over again and you wrapped your arms around his wide frame. His hips started to move, slowly thrusting up against you in a steady pace and wetness pooled between your legs when you felt him growing against your clothed cunt. You let out a high pitched moan and his soft tongue licked a long stripe across your cheek in response. He felt your nails digging into his back, your fingers cramping and he softly whined against your ear, making you throb even more. God, it had to be a criminal offence to make such sounds.
You eagerly moved your hands to open the buttons of his deep v neck shirt, needing to see, feel his chest and stomach in their entire glory. It also felt unfair that you were almost naked and he was still fully clothed. After the first two buttons were open, you slipped your hand inside and stroked his soft belly. Suddenly he jolted away as if he’d burned himself. You drew back your hand and saw some of the insecurity you’d seen earlier this day flash in his eyes. But then it was gone again as quickly as it came and instead a stern look took over his beautiful features.
“Sweetheart, no,” he said determinedly.
“Why not?” you whined and reached out to fumble with the remaining buttons. He grasped your hands in his and lifted them to his mouth, kissing the back of them two, three, four times.
“...This is about you,” he muttered as he released your hands and moved to caress your bare stomach. You got the impression this statement wasn’t entirely true.
“But-“
“No buts, stubborn little lady.” He shook his head, his eyes trained on his fingers as they traced invisible patterns around your belly button.
“What happened to you liking it when I take care of you?” you pouted while lightly playing with his chains that were still dangling over you.
He reached up to brush some hair from your face and caressed your cheekbones with his knuckles.
“Please, Julie... let me show you,” he whispered with a sudden urgency in his voice, his eyes shining pleadingly under the tinted glass.
You removed his shades to get a better look at them. His deep blue eyes were almost completely black, pupils blown wide with desire, but there was also this intense vulnerability again, which overwhelmed you every time. You could tell how important this was for him right now and slowly nodded. Then you leaned forward and planted a quick kiss against his lips, which he almost anxiously returned, one hand coming up to softly knead your breast.
He eventually pulled away from you and moved down your body, gently kissing each pebbled nipple once, making you arch up against his skilled mouth before he trailed feather-light kisses along your stomach. He sat down between your legs and his hands skimmed over your hips until they stopped at the waistband of your pants. He briefly lifted you up, his hands on your butt and began to pull them down slowly. You watched with anticipation as he exposed more and more of your bare skin in slow motion, his eyebrows furrowed in concentration again. He did that a lot.
After your legs were finally completely bare under his praising eyes, he ran his hands up and down along them, whistling appreciatively. Then he gripped the back of your left knee and lifted it until your calf rested on his shoulder.
“Your legs, sweetheart,” he groaned and tapped against your thigh. “When I see you striding around with these in your lil’ platforms... Lordy, I just wanna be wrapped up in them. Every. Damn. Time.”
He turned his head and brushed his lips across your calf, the possessive grip on the back of your knee not faltering and his hot breath causing goosebumps to form on your skin. He pushed your knee back towards you until his soft mouth arrived at your ankle. Then he pulled off your shoes and tossed them off the bed, making them clatter as they landed next to the rest of your discarded clothes.
You raised your head when you felt his teeth grazing your skin, gently biting down on your ankle. He briefly kissed the light bite marks and moved up your calf again. The way his eyes were closed in bliss and his breathing ragged was almost too much for you to handle and you threw your head back into the pillow. He almost seemed to enjoy this more than you, the thought making you feel even warmer inside.
You promptly sat up again and wrapped your arms around his neck, needing to feel his velvety lips against yours again after the rest of your body got so much sweet attention from them. You held onto the hair at his neck when you felt his tongue lazily gliding over your bottom lip and moved your hips against his, feeling the slight bulge in his trousers. You reached down, your hand gliding over his crotch, feeling him half hard against your palm. He swiftly caught your wrist and brought it up to his cheek, shaking his head.
“Nuh uh, Julie baby, forget it. I already told you, this is about you. You really gotta to learn how to listen,” he chuckled, fingers gently tugging at your earlobe. “Now lie back, sweetheart, let me take care of ya. I’ll handle it.”
He hummed, his big hand sprawled across your chest, gently forcing you back against the pillow. You wordlessly stared at him as he moved back between your legs, his gaze lingering on the panties you still wore. He leaned down to get a better look at them and hooked his fingers under the waistband, toying with it.
After briefly meeting your eyes again and taking in your flushed face, he pulled them down, his hands grazing over your legs again. Your toes curled when he bunched your panties up in his fist with a grin.
“Sweetheart, these are soaked. Why didn’t ya say anything? Cat got your tongue again?” he cooed. You answered by wrapping your leg around his back, pulling him closer to you.
“Oh, I see we’re eager today, Julie baby? No words, just straight to the point. Hold on, let’s see what I can do about that,” he rumbled and lightly kissed along your inner thigh, getting closer and closer to your glistening pussy.
Just when you thought he’d pay attention to where you needed him most, he moved away again and started peppering your other thigh with sweet kisses and kitten licks.
“E! I swear-” you moaned, and tightened your leg around him, growing more and more impatient with him, the throbbing in your core nearly driving you insane.
“Oh, now she can talk again. What do you want, sweetheart?” he mumbled as he rubbed his cheek against your skin, barely able to conceal the smile tugging at his lips.
“That tickles, stop!” you laughed and moved to scoot away from him, but his hands quickly shot out to grab your hips, effectively holding you still.
You held onto the satin bed sheet when his mouth moved over the supple flesh of your thigh again, kissing and sucking at the soft skin there, surely leaving one or two hickeys. After for what felt like hours, you finally felt his hot breath ghosting over your clit, the tingling feeling in your lower belly growing stronger. You wanted to thrust up to him, desperate for any sort of friction, but found that he still had your hips in an iron grip, his fingers digging almost painfully into your skin. Each time you attempted to free yourself he tightened his hold, making it impossible to move. A whimper escaped you when he softly kissed your folds, his nose bumping into your mound.
“Quit the teasing!” you cried out, and he smirked up at you like he was having the time of his life.
“Julie baby, why are you so impatient? I told ya I’ll take care of ya,” he reminded you and licked a long stripe along your clit after deeply inhaling your scent. It made you throw your arm over your face again and you bit your hand to muffle the moans escaping you when he began to gently suckle at your sensitive nub.
One of his hands moved up to your breast and began to fondle it again, lightly pinching your nipple. You felt like your whole body was on fire, sweat forming on your forehead and you desperately wished someone would drop a bucket of ice water over you. Elvis’ moans and grunts, combined with the wet slurping noises made your ears ring and your legs began shaking from pleasure. You placed a hand over his, still gently massaging your breast and squeezed, encouraging him to increase the pressure, making him hiss.
“Damn, sweetheart... You’re so fucking wet, baby,” he grunted, voice muffled as he was still buried between your legs.
You slowly felt your orgasm approaching and grabbed onto his hair, desperate for something to ground you. You pushed his face harder against your pussy, his skilled tongue greedily trying to catch every last drop of your arousal and you nearly passed out when you suddenly felt him insert two fingers into your hole. You moaned and arched against him, your fingers and toes flexing uncontrollably when he curled his fingers inside you, his lips sucking on your clit even harder than before.
“E, fuck, I’m gonna cum,” you just managed to get out before shockwaves of pleasure rolled over you, a feeling of weightlessness in your bones. It only spurred him on as he continued throughout your orgasm, desperate to get each and every little sound out of you.
When you started wriggling against him from overstimulation he pulled away from you with a stupid grin plastered on his face and withdrew his fingers, making you shudder once again. He gleefully put them in his mouth, sucking off remains of you.
“Ya taste so sweet, I can’t get enough of that.” You attempted to lean up on your elbows to kiss him, but found that your muscles were still rather limp. “Was that alright, Julie baby? Did I make ya feel good?”
“E, are you joking? You’re the best.” You smiled, your fingers ghosting over his lips. “What about you, though?” His warm mouth engulfed your finger, briefly sucking on it.
“Mmh, if I only knew before that it was that easy to tame ya.”
“Don’t get cheeky now, Presley,” you huffed.
“Ah, there she is again. I might just-“ He lazily grinned and slipped his hand between your legs to cup your overstimulated pussy again, making you jump.
“God!” you gasped when he drew back his hand and smiled innocently, while you playfully glared at him. You reached up and played with his collar.  “...But really... let me take care of you now.”
“Nah, it’s alright, sweetheart... Little Elvis is more than happy to see ya, believe me. But he’s just a bit tired today, it was a long day. Ya understand that, right?” You hesitantly nodded.
“...Okay, E. Next time,” you mumbled and gently ran your hand through his hair. He laid down his head on your thigh and absentmindedly began drawing patterns on your lower belly again, lips puckered as if deep in thought.
After a while, his eyes grew more and more heavy and you watched him battle his sleepiness. It gave you time to begin reflecting on what had happened and you quickly found that it gave you a massive headache. Was this a one-time occasion? Was it a slip-up? Would it become a regular thing? You had just muttered something about a next time without thinking. Lord have mercy!
As long as you weren’t sure about the nature of this new layer in your relationship with him you weren’t to eager to let anyone else know. That’s something you were sure about. The only thing.
You shifted slightly, your current position not at all comfortable, which caused Elvis to rouse again. He gave you a sleepy smile and clumsily crawled on top of you again, eyes half lidded and dazed.
“God, what are we going to do now?” you thought out loud.
“Mmmh, I wanna cuddle with ya,” he muttered and smushed his lips against yours with a loud smack.
“...We can’t tell no one.” you whispered, regaining your senses and staring up at the ceiling. He hummed.
“...Whatever you say, Mommy,” he cooed and buried his face in your neck as his soft stomach pressed up against your side once more, his weight on top of you immediately comforting.
“I mean it, E,” you insisted, hoping he’d manage to be serious for just a moment. He wasn’t really known for being good at keeping secrets.
“Mhm. Me too. Lordy, you’re so soft and warm, sweetheart,” he slurred and closed his eyes after a quick peck to your neck.
You sighed with a smile and pressed a kiss against his forehead while wrapping your arms around him and holding him tight. There was no use in overthinking the situation right now. He smiled into your neck, still distinctly thinking about the sounds you made while he pleasured you. It felt like a lullaby.
You made a mental note to have this particular talk with him in the morning. Or, technically, afternoon and hoped he would understand.
“Good night, darling,” you murmured and dosed off with your hand resting on his chest, feeling, monitoring, his steady breathing like every night. Except everything was different now.
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ds9promenade · 2 months ago
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Podcast episode discussing DS9 "Past Tense" & "Far Beyond the Stars"!
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My friend Laura invited me onto their podcast to unpack Deep Space Nine episodes 3x11 & 12: "Past Tense" and 6x13: "Far Beyond the Stars," using them for a broader discussion on the role of science fiction in dreaming better futures into reality.
In our conversation, we:
compare the 2024 of "Past Tense" to our 2024
share our theories about historical events that may have inspired both episodes, as well as their relationship to other works of speculative/science fiction
point out and offer revisions for parts of "Past Tense" that somewhat undercut the story's intended messages about the evils of capitalism, ableism, police / military violence, and anti-homeless laws
gush about the artistry of the filming and acting in "Far Beyond" (Avery Brooks monologues my beloved)
and more — with a dash of humor as we go!
Give "Sanctified Imagination Far Beyond the Stars" a listen wherever you get podcasts — or read along with the transcript!
(CW: Christianity) — please do go in forewarned that Laura's Autistic Liberation Theology podcast centers around reinterpreting the Bible from a trans & disabled lens. If you skip to 44 minutes in you'll miss most of the religious commentary, except for when it makes sense to bring it up re: Joseph Sisko's 1950s incarnation as a street preacher.
If you are interested the full episode, some of the places we go in our winding conversation are:
Womanist midrash & sanctified imagination, which enact this call to imagine possibilities for the oppressed — to "make a way out of no way"
How Jesus's use of parables to teach about his envisioned "Kingdom of God" —where there's access for all, oppressors reformed and oppressed liberated, all needs met and all gifts celebrated — invites people to engage their sanctified imaginations to join in the work for a more just world, here and now
AutScape's & Crip Camp’s modeled possibilities for a fully accessible, disability-centered world
various directors / show writers who, through writing, discovered something new about themselves (think the Wachowski sisters & The Matrix, Dan Harmon and Community)
If you give it a listen (or read), I'd love to hear what you think! Did you connect with the concept of imagining better futures into reality? Any other Star Trek episodes you think encapsulate that well?
____
Transcript of the above audio clip:
Avery: I definitely think the writers of this episode were thinking about how When Deep Space Nine was coming out, people's response to seeing Sisko was, Yeah, is, you can't have a black space captain. A black man can't be the hero of Star Trek!
Which just shows, like, for the viewers, like, Yeah, we've come a long ways here in the 90s. But we still think it's ridiculous to imagine a black space captain and it's only just becoming possible now.
Laura: yeah the um, , editor of the magazine says "put it in a drawer for like a couple of decades and might be--" it's like, yeah, that's
Avery: Yeah.
Laura: inside joke.
Avery: At the end, when, um, Benny Russell breaks down after being fired and everything, the street preacher comes back and, Benny says, "Tell me, please, who am I?"
Don't you know?" "Tell me." "You're the dreamer and the dream."
Laura: ah, this is so amazing.
Avery: And, like, yeah, that fits on so many different layers with, uh, Benny Russell is dreaming Sisko and dreaming Deep Space nine, and also Sisko is dreaming him, and also breaking the fourth wall,
Laura: yeah, because they're, neither of them are real, they're both fiction and yet they're, yeah. real.
Avery: Yeah. Yeah. Breaking the fourth wall, the writers and Avery Brooks are the dreamers, and the dream. This is, this is what, people have been dreaming of, this even the possibility of this. And they're making it true.
Laura: and at the end, you see him looking out the window and seeing Benny Russell in the reflection of the glass and
Avery: it's such a good shot. It's so good. It like gives me chills
Laura: you Have to cast something into the space you're not there yet to-- that becomes you.
Avery: Yeah. dream yourself into being.
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tmwcs · 2 months ago
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I have a few questions it's for the "Seven" series
- Do they have encounters with Jesus, and how are they with him. Like how they are around him or how they treat him.
- When they were angels, did they have angel names.
- What do they think of Christianity, or like any kind of beliefs
- Do they follow gender roles of old times?
- What are their feelings about humanity.
- this one is the continuation of Seven, do their lovers have specific ages.
Sorry for asking so many. I'm just really curious about them 😭😭 there's so many things I wanna know about this series since I love it so much, you did a great work writing it and I love the dark theme of it.
I’m sorry it took me so long to answer. 😓 there’s quite a bit below the line. Enjoy!
Edit: @bookofthebee I made edits/additions to the last answer just now. ♥️
1. So I’ve thought about this before and kind of imagined the boys meeting Jesus on separate occasions in his adolescence. I think I drafted an answer for an ask that asked something similar and Subghoons character was the only one, aside from Heelel, that didn’t meet Jesus. sunghoon stood and saw Jesus after he died on the cross and noticed his crown of thorns was on crooked and he fixed it before leaving. Kind of as a sign of respect since he’s the son of their former master.
I can’t remember ever thinking Heelel meeting Jesus because he would have no interest and considering he was disgruntled against his former master, he didn’t care enough to see him. I always imagined the rest of the princes to meet Jesus and inspire/teach him some virtues that ignited him to teach/relay onto humanity. For instance, I once pictured Mammon crossing paths with Jesus, knowing who he was and installed the lesson in “teach a man to fish…”. I also imagined Sunoo’s character talking to Jesus about Mary Magdalene. Essentially, they all treated him with fairness and kindness, while inspiring him to inherit some valuable lessons to pass along to people. Heelel was the only one that didn’t care for him and may have hated him but eventually released all grudges the same time he discovered y/n.
2. So in this particular story, since I tried my best to make it somewhat accurate/relevant to the Bible, I would say yes. they had their original names in accordance with the Bible as angels—in addition to Enhypens real names. They didn’t adapt their current Biblical names until they became the Seven Princes of Hell.
3. When it comes to religion and beliefs, since the boys have been around before humanity existed, they kind of find most of it laughable. They know the facts about God, so a lot of things that is preached by the authoritative figures of the Church are something they just scoffed at. They, along with God, know that humans are imperfect and are meant to be that way. They understand the concept of humanities existence more than anyone so when they peek in and see all types of rituals, practices, or preachings, they just kind of ignore it. If you recall the moments where Heelel has with his y/n, he teaches her the history of the world—the universe, and sets a lot of records straight. In the story, they look at religion as a system of beliefs that was made up by people to make themselves feel closer to God, and find a lot of untruths and corruption within it.
4. The boys are immortal and have an extensive sense of wisdom, foresight, and intuition. I imagined them to see themselves as superior against any man or woman because of who they are—they’re far more superior and dominant beings who are very powerful. When it comes to the outlook on humans, they probably think the gender roles as a silly rule of society since humans, regardless of gender, are all the same to each other. They might see a woman lesser than them and enforce a more submissive role on them not because of her gender, but because she is human and they are royal immortals. To a man, they’ll enslave him just the same. But fortunately they don’t care about that, they just keep to themselves and never really interfere with the growth of humanity.
5. The boys used to detest Gods will in creating mortals. Obviously Heelel was more angry about it. The younger brothers all came to peace with the existence of humanity and gradually found them somewhat interesting. Heelel went from hating humanity to really not having any thoughts about them once he found out about y/n. He no longer hates them but doesn’t really care about them either. He only loves his darling and stopped hating on humanity once he found out that she would later exist.
6. I kind of imagined that each brother would have darlings that are all diverse in age. Some older and some younger, I haven’t thought of the details but I think the oldest would be a 28 single mother that is Jake’s y/n. Jungwons story is actually very unique because he bonded with a minor during the ancient period. She was a 16 year old martyr and was the reason why he developed a fondness for cats. In present time, he’ll meet a young woman in her 20’s that is identical to that girl. That is all I will say to avoid spoiling. Lol. Sunoo’s y/n is a married young woman who is with an abusive husband—she’ll be somewhere in her early to mid 20’s. Niki’s y/n is a young girl in her late teens (maybe 18-19) who dies and becomes an angel in heaven and struggles to accept that she is no longer alive and goes to Earth to watch over her family. Jays y/n is the daughter of a high official that is held captive for ransom—she’ll be about early 20’s. I started Sunghoons story already so you can see about his y/n.
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rey-jake-therapist · 14 days ago
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Hey. I simply wanna share my thoughts on this with someone. Not a Tolkien fan myself, I have always ignored everything Lord of the Rings related, tried to watch the movies and failed, everything seemed boring, even though I love dark fantasy, folklore, adventures and stuff. The only thing making me interested right now is the ROP portrayal of Sauron (am I a bad person? yes), so the controversy with the show also caught my attention and here's my useless take:
People of the fandom has been there for so long they literally turned “lore” into something sacred and holy. Sure, a lot of things there are inspired by Christianity (as a Christian, I quickly recognised it all after checking out the main worldbuilding points) but it's not the Bible! These books are fiction and it's nothing wrong with interpreting some events differently. Had to watch Galadriel scenes from the movies btw, and her “greatly desiring” the ring and then opposing Sauron in her dark form... makes much more sense if they previously had a personal story going on. So I see no problem here. But fans! If Tolkien himself returned from the dead and said Galadriel 1) isn't Mother Mary figure, more like Mary Magdalene 2) had loved Sauron in a twisted way and that's why she wasn't chilling with other elves in the elvish Eden those guys would never believed him and kept bitching. Ofc, they are free to do so, I just pains me.
Same happened to my favourite show, which made me evaluate a lot of things and change my life for the best, and most of “fans” hate it because it's against the idea they had it their heads for years. What's funny is that my show doesn't have any book source material, it's just a — unconventional a bit — biopic about a rock band frontman, produced and controlled in EVERY ASPECT by his best friend and soulmate. Who new him better than any of the fans. The show is brilliant and nothing like that has been done in our country before, yet 70% of what it gets is childish criticism.
So yeah, seeing ROP mistreated in a similar way makes me sad. I can't even tell my friends about the cons of this show, as most of them have already written on their blogs how awful and unworthy of anyone's time it is. Ugh, thank you for listening.
I hear you ! The most infuriating is that most of these people didn't even bother to watch the show. They just heard some YouTuber or TikToker trash the show and repeat what they hear.
I've also noticed that much of the criticism is made by haters who claim to be Tolkien fans, but who are really just fans of P Jackson's movies, and are certain that HE gave a faithful interpretation of the books while it's just... Not true ! Sauron was never described as a giant eyeball in the books, for a start, it was just the easiest way that P Jackson found to represent the fact that Sauron could see everything everywhere.
By doing so unfortunately he ripped off Sauron of everything that made him a fascinating character, and now those morons use the movie's depiction of Sauron to decide that Sauron always was a one dimensional character and completely ignore the fact that in season 1, he was in a repentance phase, hence not entirely manipulative and dishonest towards Galadriel.
And the same happens with Galadriel. The only person I know in real life watched it, but hated it saying she "can't forgive them for what they did to Galadriel", because she refuses to admit the idea that she can have been a warrior, with tendencies to be reckless and a tad immature. She wanted Cate Blanchett's Third Age Galadriel and won't have it any other way. Why ? Again because of PJ's movies. She didn't read the books ! When I told her that PJ invented the scene from the Hobbit where Galadriel faces Sauron in Dol Guldur, she was surprised but didn't care because at least it was Cate Blanchett looking beautiful and ethereal.
What is the show you mention in your ask ?
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9leaguesofmirrors · 1 year ago
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The Debt Collector and the Sin Detector
This fic is inspired by @jfinb, specifically the hilarious dynamic they wrote between Reverend Bernice and Lisgoe. I had to write a fic where they met, so here it is!
Also, this might be one of my favourite fic titles I've come up with
ALSO also, this fic takes place in a world where Lisgoe finds out about Ross and Pauline doing stuff while he and Ross were talking, so it could be taken as a sequel to The Downgrade, but it wasn't intended as such
CONTENT WARNING: Mentions of sex, cheating, and alcohol consumption
When Lisgoe skulked into the local bar, he was fuming. Having to walk in the rain, when he didn't bring a coat, after finding out the guy he was maybe-or-maybe-not trying to get somewhere with went and had sex with his boss did not help his hypertension
What made it somewhat better was seeing, as he went to the bar and ordered a beer, the Reverend sat in the corner of the room with a large brandy in her hand
"Fucking hell!" Lisgoe laughed as he approached her, beer bottle in his hand "Reverend Bernice Woodall, downing a drink like a champ!"
"Who's this twat..." She muttered, glaring at Lisgoe "What do you want?"
"I thought drinking was against the rules of the Bible."
"And I thought being a nosy little bugger went against the rules of society."
This just amused Lisgoe further and he took the seat opposite Bernice. He looked at her for a few seconds, taking a swig of his beer
"Come here often?"
"Why are you talking to me like a horny teenager?"
"I'm asking you a fucking question!"
"Drink your drink."
As the man sneered and leaned his elbows on the table, Bernice studied him for a few seconds. For some reason, she felt as though she'd seen his face before - or at least heard that disgustingly sexy voice before
"You ever been to church, Pet?"
"Fuck no!" He laughed again "I have a brother that's a Reverend, but we don't speak. I collect people's debts, and the shite I've done would send me straight to Hell - if I believed in it."
That's when it finally clicked, there was only one man in Royston Vasey that acted this dickish
"Mr Lisgoe himself," Bernice sipped her brandy "never thought I'd see the day."
"Never thought I'd see a Reverend drinking a brandy, but I guess there's a first for everything."
"If you had to sit around listening to a bunch of boring sods whine about disappointing Sky Daddy, you'd be in here everyday. At least you can punch them in the face when they piss you off."
Lisgoe made a face of agreement and drank his drink again. He'd almost forgotten about the fiasco with Ross until Bernice asked:
"So, what brings you here?"
That instantly made him clam up, glaring at Bernice slightly
"Since when was this a fucking confession booth?"
"I'm asking you a fucking question!" Bernice imitated Lisgoe's previous statement, which got a withering look in response
"What would you do if you found out someone you were seeing was bumming their boss behind your back?" He snarled before holding up his bottle "I've earned every drop of this."
Of all the reasons, Bernice wasn't expecting Lisgoe to be caught in a love triangle. He didn't exactly seem like the type to be annoyed over something like that
"She sounds like a daft twat. You're a cunt, but you're not ugly. And to wrap her legs around her own boss? Sounds like a dirty slapper to me."
"I don't give a shite anymore. I mean, do I look bothered? Is my face bothered, Reverend?"
"Not at all."
As they sipped their drinks, a neutral silence fell over them. Lisgoe was the one to break it
"And it was a he, he slept with his female boss."
"You fucking what? You mean you're a bum muncher?"
That got a slightly put-off glare from Lisgoe
"First of all, I'm not munching any bums! Second of all, just because I was with a guy doesn't mean I'm gay - I like women too."
"So you're a... what do they say? Bipolar? By proxy?"
"... Bisexual?"
"That's the bastard!"
Lisgoe shrugged, downing a gulp of his beer and slamming the bottle down with a satified sigh
"I don't label it. Only two things matter: either the other person has to be fuckable or I have to be really, really, really bored."
"Just make sure you get the boss out of the way."
"Piss off!" Lisgoe snapped, not showing any signs of offence "It's his loss, I'm a fucking delight!"
"You seem to be 2 shits short of a toilet in my eyes."
"At least I'm not wasting away in a little booth listening to people complain all day."
Oddly enough, the casual back-and-forth made Lisgoe feel a little less uptight about the whole situation prior. It felt good to have another person that was just as much of a foul-mouthed dick as he was - even if she did look slightly rotten
"About that fella, ever thought about revenge?"
Lisgoe looked at her, left eye twitching in confusion
"Your ex fling had it off with his boss," she explained "what better way to show him up than taking someone home? Someone that'll get Royston Vasey talking."
"You think I should pimp myself out?"
"No, you silly goat! I'm saying you should cause a scandal. He's an attention whore, so do something that takes that away. Plus, it might light a fire under his backside."
Lisgoe considered the suggestion, looking around at the people inhabiting the bar. Nobody was that impressive. In fact, they were unspecial at best and repulsive at worst - so nothing had really changed there
"Everyone here looks one cough away from death. I don't mind someone a bit older, but not fucking decrepid!"
"With the way your love life's going, you can't afford to be picky."
"Rude bitch! I thought the Bible preached kindness and shite?"
"I'm a Reverend drinking a brandy at one in the morning, do you really think I'm worried about a big book?"
Once again, Lisgoe found himself puffing out a laugh. It was an odd feeling; it was nice, but in a way that felt different to Ross. Less intense, more casual
Bernice finished off her brandy and placed the glass on the table, she then drummed her nails against the wood as she waited for the pleasant buzz of alcohol to hit her system
"Want another one?"
"Nah, don't bother."
"You a lightweight then?"
Bernice looked at him like he was the daftest twat in Royston Vasey
"Do I look like a lightweight to you? Can a woman not refuse a drink from a stranger? I don't want you using my body as a sex doll - not when I'm unconcious anyway."
"Fucking hell, relax! I'm not that twisted and I'm definitely not that desperate." Lisgoe finished off his beer "I'm asking because, shockingly, I'm enjoying myself. It's like talking to someone's batty grandma."
"Batty grandma!" Bernice was taken aback and apalled by the comparison "Don't take fucking liberties, Mr Lisgoe."
"You can just call me 'Lisgoe', nevermind that 'Mr' shite... unless saying that turns you on or something."
"I have a right mind to buy another drink just to lob the glass at your fucking head!"
Lisgoe smirked to himself, leaning back in his chair. He had to admit, talking to Bernice seemed to do a fair bit of good to his mood. It was a strange feeling, he felt more drawn to the Reverend than any other stranger, but not in the same way he was drawn to Ross. To him, they were in a strange middle ground between acquaintances and partners
"Got something on your mind, Pet?"
That effectively snapped Lisgoe out of interally berating himself and he turned to Bernice with a shrug
"Just bored."
Bernice's lips formed into a sly smile. She didn't feel a connection to the man in front of her - well, not a romantic one at least - but she wasn't blind just yet. She may have had a mild astigmatism, but her sight was fine other than that. And what she was seeing got her juices flowing... in more ways than one!
And who was she to pass up the opportunity?
"How bored are you, Pet?"
At that point, Lisgoe realised her game. Despite thinking that Bernice looked slightly decaying, there was something about her that suggested a decent lay - plus, shagging a Reverend was on his bucket list
"Really, really, really fucking bored." He shrugged "And up for revenge. But I need some help with that."
"Nothing like a revenge shag, is there, Mr. Lisgoe?"
Lisgoe got up with a devilish grin
"Knew that turned you on, you perverted shite."
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Bernice was the first to emerge from her confessional booth, her knees slightly stiff as she walked out. She looked around for a bit before confirming nobody was there
Lisgoe then exited, zipping up his trousers and scowling at her
"Last time I checked, people don't bite when they suck dick."
"I didn't bite you, don't be a big baby!" Bernice snapped back "My teeth just grazed you."
"That wasn't grazing, Bernice, I have bitemarks on my dick!"
"Don't act like you don't like it rough, you're the exact type. Bet that boytoy of yours took chunks out of you."
"Yeah, I like to play with pain, but Ross never bit me on the tip of my cock."
"Well, Ross is currently balls-deep in another woman, so you'll have to save those fantasies for another night."
With a sneer, Lisgoe leaned his back against the confessional booth. To say the experience was pleasant would be unture, but... at least... no, it was just unpleasant. And it caused Lisgoe's mind to wander back to a few weeks ago. The memories weren't even sexual, they were just better than whatever the fuck just happened
"Now what?"
Bernice's voice, once again, effectively snapped him out of his own head
"I'm not fucking you again."
"Never said I wanted that."
A pause in the conversation
"You're a fucking terrible shag," Lisgoe said "but you're not bad to talk to. You're a battered old witch and I like that."
"Well, I like that you're a moody prick with a weird sense of humour."
"That's oddly nice coming from-"
"You also have a very nice moan."
"And you had to fucking ruin it!"
They both ended up laughing, a proper laugh that neither of them had shared before. The kind of laugh that felt satisfying in a strange way
The kind of laugh only friends share
A/N: This took longer to finish than I thought, mainly because I forgot I even wrote it. It's a little cursed and VERY silly, but it's also a favourite for that exact reason
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elbiotipo · 8 months ago
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There's this idea about the flat Earth conspiracies that the reason the truth about the flat Earth is hidden it's because they want to deny God. Which is pretty senseless as both Christians and Muslims scholars accepted the round Earth model, but one of the biggest flaws of the Flat Earth conspiracy is that no one has any reason to go as far as they claim to hide the truth and fabricate all the evidence for the round Earth lie.
I think the hbomberguy's video about flat earthers, while also being hilarious, really points out at the end one of the reasons for people to actually believe it: a need to know something that others don't, perhaps in a world where things are increasingly complicated, feeling like you know The Truth gives you a rush of power.
I say there is a lack of religiousness on it because, for example, some fundamentalist islamic flat-earthers and geocentrists exist, but they don't bother with finding pseudo-scientific explanations, they just say that God made it that way and they believe it. Same with some creationists. Flat Earthers don't seem to want to prove God exists, they want to prove the Earth is flat because of... something.
This is also why I think it's pointless to spend so much time arguing logically against it. Some people seem to take some pleasure on mocking flat earthers to seem smart themselves (much like when they mocked creationists back when that debate raged instead of teaching them), like, wow congratulations you know the Earth is round, you're so smart dude, does it feel that good to be smarter than someone who think the Earth is flat? It's easy to prove the Earth is round, Erastothenes did it thousands of years ago. Instead we should ask why people need to build conspiracies around it. Because most of them are trolling, yes, but conspiracy thinking is a big, big issue, and fighting against it is harder than just outsmarting a flat earther.
And no, at least from my end, there is no real conflict between the discoveries of science and religion. I'm only Catholic when it's funny, but Pope John Paul II has said that the material evolution of the world does not conflict with the spiritual teachings of the church, and the Bible should not be taken literally because it was written by people, divinely inspired people but people from a time and place where they might not have known the same as us, and the spiritual message is more important than anything. I don't know about other religions, this always made sense to me.
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13thdoctorposts · 1 year ago
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Sacha Dhawan Panel Part 2
Please note this IS NOT word for word, but so you can get a general gist of the panel from Auckland Armageddon in June 2023.
Whovians of all ages got to ask him questions. 
This post is just Sachs’s second part of the panel there is a seperate post for Michelle’s panel, Michelle and Sacha’s panel and Sacha Panel part 1
Moderator: has anyone ever told you you're on their hall pass list? You know 5 people you can have relations with without your spouse getting upset?
Sacha: really?
Moderstor: yeah have you not heard about this? Supposedly there this list of celebrities if you meet them you get a hall pass
Sacha: Wow… Any takers?
Laughing from the crowd
Moderator: right next
I’m a fan or The Great and Doctor Who but I dont think there's a character more different from the Master then Orlo, when you do a character like Orlo who’s the only straight, non comedic character do you approach that differently then someone like the Master who is flamboyant? 
Sacha: yeah you do… those characters are so different you always try and find the truth in the character, I create a back story for the character, why they are they way they are why they make the choices they make in a certain way, which hopefully shows I can play a range of different characters. Its always coming back to some element of truth. I make a bible for all the characters that no one ever sees I have one for the Master, and you just hope if you keep coming back to that that it will pay off.
When you were given the tissue compressor obviously you have lots of fun playing around with it like leaving little gifts for the Doctor but is there a reason your version of the Master was so obsessed with shrinking people? Is it compensation for something?
Moderator:… and were going back to screening questions
Sacha: you know what I never thought about it like that but I now am, maybe it was. I think it was just his thing, his ability to just shrink people and throw them away and there’s actually a scene in the centenary special where there were loads of shrunken people dotted about that I had shrunk, all the top seismologists and in the scene with Jodie I thought it would be quiet funny just trample loads of peopled the BBC were like lets not do that, he’s just killed like 20 people that might be a little too much.
Where did you get the inspiration from for the fast clapping thing?
Sacha: you know what? when I sent a tape to Chris, just an audition tape to show what I could do, what my take would be and they give you a few thoughts on it and it was the plane scene, the revel that was the scene I put on tape for them... but on the day theres so much adrenaline going no one really knew how I was going to reveal and the truth of the matter is I didn’t know how it was going to be either. I just remember doing the first rehearsal on that plane then the switch happened and I think that's what’s great about the Master you just become overcome with this sense of adrenaline and craziness and if you just submit to it, crazy shit just happens and I remember the clap just came and the twirls and stuff like that just happened. I remember rehearsing and Bradley Walsh saying you do this thing when your playing the master you clench your butt, and thats just something that happened ‘oh look at his butt he’s clenching it again’ lol,  so yeah like I said crazy stuff happen.
Why was he looking at your bum?
Sacha: have you seen my bum?
Moderator: hands up who’s going to watch that scene again
Do you have any head canons for your character or any others on the show?
Sacha: what’s a head canon?
Moderator: it’s like people who write fan fiction do in their head about how this is what happened.
Sacha: oh… has anyone shared that with me?
Moderator: yeah
Sacha: I do get a lot of like the Doctor and the Master being totally in love, I’ve been sent some naughty kinda like fan art
Moderator: Was the bum clenched
Sacha: well they were unclenched!
Moderator: what has become of this panel?
If in the future theres a timeline where the Master does become the Doctor what does the interior of the TARDIS look like?
Sacha: well we saw the Masters TARDIS didn’t we, but I think it would just be a 24 hour party just happening all the time, loads of people in there, you’d be like who are all these people and he’d be like I don’t know we just do all this crazy stuff together, I'd just love an entourage of people from all walks of life he’s just collected from all different times.
Theres a just dance set up here have you ever danced to the Rasputin song on just dance?
Sacha: I was thinking about doing it, I went yesterday and queued up but I saw the talent that were throwing some shapes out there and I was like no thank you, I can't compete. 
Do you think you could win a fight against your Master?
Sacha: you know what I think I could but you know what I'm worried about? I think he might have something up his sleeve that would completely blow me to a million pieces, so yes and no
And Do you think you would be able to win against Michelle's Missy?
Sacha: oh yeah, easily hahaha
Moderator: I hope no one recorded that because if she finds out…
Sacha: laughing
What are the top 3 reasons you think the Master is better than the Doctor?
Sacha: I think he can do things she just won’t be able to do’s he’s more fearless than her shes too moral, hmmmm, what else makes my Master better?… I think he’s definitely much more sexier, cooler and she need needs companions… boring, I dont need anybody.
Moderator: actually costume changing, the Doctor wears the same clothes all the time 
Sacha: very true
Who do you think. Your Master would want as a companion in the TARDIS?
Sacha: Oh I dont think he wants companions, I think he'll pretend that he does then literally bin them when he’s done with them and find someone else
Since David Tennant has regenerated into the Doctor 3 times now do you think the Master could regenerate back into your Master and would you be up for that?
Sacha: Kinda yes and no really, when I finished the centenary special felt like it was the end of my era and also I was asked to appear in more episodes of Doctor Who but I kinda like coming in with a bang then leaving I didn’t want people feeling like ‘oh here he is again’ especially because it was such a great response to O and the reveal, but you just don’t know later down the line. It’s amazing Russell is back and I already know he’s going to do so many amazing things and some great actors are attached to it so it would be interesting to see what happens, so never say never but I fell like right now I’ve done my bit with it.
There was a lot of companions while you were there, old and new coming back who was the best companion, like not in terms of acting but in terms of character that you liked to play around with.
Sacha: I would probably say Bradley Walsh, and John bishop was in it and he’s another comedian and such a great character it would have been nice to mess around with him as well.
With the Doctor in the past you’ve had them meeting previous incarnations a number of episodes over the years, I’m wondering if through the use of CGI trickery would you like to see your Master with the original Master played by the late great Roger Delgado?
Sacha: 100%, actually going back to the centenary special people asked if I watched any of the other Doctors and actually did watch him and I mentioned that to Chris that as crazy as I am what I loved about Roger Delgado is he was very still and theres a sinister to him, so yeah definitely love to go back work with Roger Delgado.
The Master had a lots of really cool costumes I was wondering if you had a favourite?
Sacha: Yeah, I think, im not sure if you remember the purple jacket and all that? I think that was quite a favourite because one of the best things about when you incarnate that role you have a real say about how you want the costume to look and so I collated loads of pictures like steam punk and theres a band in the UK called Arctic Monkeys and I was really intrigued by Alex Turner and just him as a person and what he worse I sent loads of pictures to Ray Holman and Ray Holman being as amazing as he was came up with bits of the costume and it just worked, it was great. I remember trying it on for the first time and thinking yeah this feels good. I think if the costume wasn’t right it was my biggest worry, that if I didn’t get the costume right that I wouldn’t quite find the character. But having the purple jacket and the check trousers it just all felt so right and when I finished on Doctor Who as a present they gave me everything the whole costume, shoes, tie piece all the little bits the tissue compressor, so I’ve got it and I’m just waiting to sell at the right time (laughing this was said in jest)
Did they make a Jodie costume for you or did you wear hers?
Sacha: No they did (make his) we're slightly different sizes so there were elements of it but no they made it which was cool and obviously in that centenary special there was the one with elements of all the other Doctors, it was a mash up so it was really fun playing around with that, and they were asking me how do you want to wear it and it was great because then Jodie had to mimic how I wore it which was really cool.
And thats it, the end of Sacha's Panel. Both Michelle and Sacha were phenomenal and made the weekend one not to forget.
You can check out the other panels here Michelle’s panel, Michelle and Sacha’s panel and Sacha Panel part 1 .
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ambrosiagourmet · 8 months ago
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Feel free to ignore this, but I love reading your analysis and was wondering how you start analyzing things? I try to do it myself but I always feel so unconfident in my interpretations and feel scared about posting about them and them being “wrong.”
Just curious to see how you approach your analysis and meta! Have a lovely day!
Ooh, what a good question! I'm happy to share a little, sure.
Under the cut bc it got long hehe 😅
So my first (and probably the most important) response to this is: it's hard to feel 100% sure that you are totally "correct" about this stuff.
There are always going to be other ways to interpret things. There are things you miss, or perspectives you don't consider. There will always be people who disagree. And even if you are as accurate and totally convincing as humanly possible, there always going to be different types of analysis that you can't cover all at the same time!
I think, especially when it comes to like, doing casual analysis for something you love, it really helps to just follow your passion. It's fine to speak confidently about an interpretation that you find compelling, even if you haven't considered every possible angle of how it could be wrong. It's about what speaks to you, after all.
For instance, the conflict-avoidant Falin post (which is currently the analysis post of mine with the most notes) was largely born from an interpretation of Falin that really resonated with me, based on a couple of points I remembered strongly from reading the story. It's definitely not the only way to look at Falin, and I don't think it's like the universally correct interpretation of her character. But it is the interpretation that got ME interested in talking about her, and in turn, resonated with other people, too!
I have plenty of anxiety about this stuff, so I won't pretend that it's just easy to turn off that "what if I'm wrong, though" part of your brain, but I will say it doesn't hurt to try to start writing. You can always draft a post and come back to it, or delete/private it, or reblog it later to add more context or nuance. You aren't shackled to your opinion forever, much as the internet (and anxiety) can make it feel that way.
As to where to actually start with analysis... for me, it's almost always either a detail, a question, or both.
Here's an example of an Idea In Progress I've been thinking about.
While I was grabbing screenshots from the Nightmare chapter, I noticed that Marcille's hairstyle there is similar to one of the chapter covers I'd also just looked at:
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So like, that's interesting to me! Especially since the cover was from the chapter where Marcille makes her deal with the Winged Lion. So then I can start to ask like... what does it mean that there's this similarity? I could tie it in to the way I think the Lion kind of infantilizes her, talk about what influence the Nightmare chapter might have had on Marcilles decision. Alternatively, I could ask, are there any other similar times Marcille wears this hairstyle? Any other hairstyles that are repeated at key times?
Any of which could lead to some fun analysis! Alternatively, it can also just be fun to post about the detail without the analysis. Just be like, "hey, look at this weird thing." Other people might chime in with ideas about it, or maybe it will sparks something for you later! Either way, you'll have an easy reference saved for reference. Even if deeper analysis doesn't come, it's still fun to have pointed out. Details and connections are just. They are just great. And Dunmeshi especially has SO much to dig into.
(Oh, also, quick aside here: ignore anyone who tells you the details don't matter and weren't intentional. It fully does not matter. If drawing a connection helps you realize a new meaning in the story - if it inspires and motivates you - it's worth investigating.)
Anyway, the Adventurer's Bible is also a great place to find details to jump off of. The timelines and little blurbs highlight important events or facts about the characters, and you can then go fishing for other times those things come up or are referenced in the story.
In terms of starting from a question, it can also be fun just to spend a little time with something you don't feel like you totally got. I had a great time doing that with the succubus chapter, for instance. If there's a scene you find yourself kind of skimming over because its not clicking for you... go back and try and examine it! Even if it's just a small thing - an expression you missed or a panel with a funny little joke - it can be just as rewarding to try and pay attention to the parts of the story you don't understand as it is to dig into the parts you do.
~
Really, in a lot of ways, I like to use analysis as an excuse to just spend time with a story I care about. It's a way to savor it! And if you can write up those thoughts and ideas, you can share them with others, which can be even better. A dish doesn't have to be perfectly cooked to delicious, after all. Go, with Senshi's blessing, and make good food.
And of course, as with all things creative, never forget about Two Cakes:
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wesleysniperking · 11 months ago
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Omg y’all. I know some people aren’t religious. And I’m not pushing anything onto anybody. But I just discovered something that stopped me in my tracks. This actually isn’t even really new to any Usopp fan, at least on Reddit 🤷🏽‍♀️ .
It’s another Elbaf theory (more so a connection).
Beware of spoilers!
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So, I don’t know if Oda is a religious person, or even knows the story of David and Goliath. He very well might simply be irreligious. And as my sister put it, the best stories told by anybody are unknowingly from inspired by the bible. Oda has named some characters and things that come exclusively from the Bible.
But it has just hit me that Usopp is the David from David and Goliath. Okay, y’all have probably heard that (if you know you know). When some people have stated their Usopp Elbaf theory some have referenced David and Goliath. But get this…
NOT ONLY DOES DAVID FIGHT GOLIATH WITH A SLING, but what is significant is that David was also a shepherd. What do shepherd’s do? They take care of and guard sheep!
And Merry, her design and theme was that of a sheep! And y’all know how badly Usopp fought for her. He was willing to challenge his own captain over her, and that took guts and a strong asf conviction.
Of course of course, Usopp saw himself in Merry. He thought that if the crew could easily discard Merry they’d do the same to him. But that still doesn’t necessarily discredit my idea.
Usopp still fought for Merry because she had life, and was nakama. Like a true shepherd.
This is a passage in regards to the David parallel I’m trying for:
But David said to Saul, “Your servant was tending his father’s sheep. When a lion or a bear came and took a lamb from the flock, I went out after him and attacked him, and rescued it from his mouth; and when he rose up against me, I seized him by his beard and struck him and killed him. Your servant has killed both the lion and the bear; and this uncircumcised Philistine will be like one of them, since he has taunted the armies of the living God.” And David said, “The LORD who delivered me from the paw of the lion and from the paw of the bear, He will deliver me from the hand of this Philistine.” And Saul said to David, “Go, and may the LORD be with you.”
David is pretty much saying that he’d fight tooth and nail for any of his sheep, and Usopp did so for Merry. And if I want to get a little punny here, sheep does sound like ship. And with this same conviction David was willing to fight Goliath.
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But in all seriousness, there are a few parallels that I just can’t stop thinking about.
I asked my mother about the biblical figure David. And she told that he started out as this small shepherd boy and grew up to be king. Now Usopp isn’t a king. BUT 1) I know he’ll eventually become the king of shooters AND 2) during the Enies Lobby arc and Thriller Bark arc he donned the Sogeking persona. So, like David he did become a king, temporarily (and will STILL become a king). I know it doesn’t sound quite clear. But I think y’all know what I’m trying to say.
(Edit: Actually, there was an opportunity for David to become a king earlier than he did because he’d been chosen to become king from birth, but he opted to wait since he very well did have the earlier opportunity to slay Saul and take the throne…but he didn’t. Like Usopp wasn’t ready to take the Sogeking/Sniperking throne just yet).
Therefore, I must reason with myself. With Usopp being such a king during the Water 7 and Enies Lobby arc, and being right about Merry, I think the only reason why he apologized was to be humbled. I think that’s one of the only ways I can put it since I’m not truly certain if Usopp needed to apologize but we’ll save that for another day, or get over it.
Yet, I go back to David’s story, and I think about what happened after he became king. He became very problematic. Messing around with married women and what have you. So, Usopp needed to showcase humility. And Usopp did so by wholeheartedly apologizing to Luffy and the crew after leaving and rejoining the Straw Hats. Usopp can’t be too big headed.
Also, another thing I gathered was that David is known as the warrior king in the Bible. This aligns with Usopp’s dream and ideal: to become a brave warrior of the sea.
God chose David because he had a good heart. Don’t get me wrong, Usopp has his flaws (who doesn’t?). But that doesn’t mean he isn’t compassionate. He was willing to go to considerable lengths to have Kuro’s crew NOT touch the village. Despite not having 8,000 men to back him up, Usopp was willing to fight alone. He was adamant in saving the village with or without Luffy, Zoro, and Nami. Like David’s faith in God, Usopp’s conviction (the impossible an afterthought) gave him the faith to make the decision alone. The decision to fight with only his wit, determination, and superb marksmanship.
Therefore, Usopp has a good heart. He is the chosen one in his own way, simply because he’s just a normal person continuously underestimated because of his lack of physical strength.
Moving onto my next point.
Ever heard of the term the lamb of god? If not, I understand. But the lamb of god represents sacrifice. In Christianity this is the belief as implied in the Bible. And Merry, the ship Usopp fought so hard to save, sacrificed herself! She sacrificed herself to save Luffy and the crew! So that the Straw Hats could live!
I got this from journallive.com:
To be called a Lamb of God means that God gave Jesus to be killed like a lamb for our sins so we could live forever.” The majority of Old Testament passages that mention “lamb” refer to a sacrifice (85 out of 96). As a nation, Israel began its history by putting lamb's blood on the doorposts and lintels of each house.
The Strawhats aren’t immortal but we all know they’ll have a long lasting legacy. Merry is one of the reasons why they were able to move onto the New World (even if she wouldn’t be there with them), and live out their dreams. Back to the the David parallel, it’s significant to realize that Merry saved the crew mainly because of Usopp’s care. If he hadn’t taken care of Merry, Merry wouldn’t have developed a spirit. Merry wouldn’t have saved the crew. Simple.
It kinda makes me tear up just thinking about it. But like Christ, Merry sacrificed herself to save those she cared about. She sailed away with the crew one last time before she died to save them.
I understand if anyone reading this may debunk my words simply because they think I’m reading too much into things. But I don’t think I am, because like any Usopp fan, I think his actions during Water 7 hold a lot of meaning. Some say he did some stupid stuff in the Water 7 arc because of a stupid boat. But it wasn’t that.
So, how does this tie into Elbaf?
Well, a user on TikTok (m05s_3nergy) theorized that when the crew are in Elbaf, there will be a moment where they’ll encounter a formidable foe, and before the crew (or Luffy or another crewmate) step in, Usopp would step forward and let them know that he’ll deal with the enemy himself, and to move on without him.
Now, it’s up to anyone at this point to explore the possibility of him biting the dust or not.
One of the things I can conclude about each theory is that they all sound really cool, and I really do hope that Usopp will get a moment that’s similar to one of them. To have a David and Goliath moment isn’t as far-fetched as some would think because the most obvious parallel is less subtle than some think. Usopp admires the Elbaf giants and he’ll eventually be in the land of giants (Elbaf has been confirmed 👀). With Luffy’s track record they’ll come across trouble quickly, and as found in most of the arcs, a LOT will be going on. How can Usopp not have a moment to shine? When David dealt with Goliath it took smarts. He acquired 5 stones and with his faith in God, he was able to defeat Goliath.
Before anyone thinks that the Franky-Egghead hype and Zoro-Wano hype is what Usopp-Elbaf hype is. I think you’re mistaken. Since Little Garden, Usopp and Elbaf have been associated.
Usopp has befriended 5 (or was it 6?) giants from Elbaf. I can ramble on some more. But I’ll stop here. I just wanted to talk about the David and Goliath parallels and religious themes.
I might make a video on this very topic. There’s more research I need to do. And many more parallels I must make. So stay tuned.
Related link here
Conclusion:
Usopp = David
Slingshot = Sling
Goliath/Philistines = Formidable opponent/admiral/Evil Elbaf giant
Israelites = Strawhats and Elbaf dwellers
One person already beat me to it when it came to my David being a shepherd parallel: https://www.reddit.com/r/WildAnimeTheories/s/Pi1h3PhNuN
The user expands on other theories I find valid as well. They’re worth reading.
Reddit users just love the David and Goliath parallels:
1: https://www.reddit.com/r/OnePiece/s/4jciG5CbiD
2: https://www.reddit.com/r/OnePiece/s/G8UNHHox2Z
3: https://www.reddit.com/r/OnePiece/s/F9XOlBV2st
4: https://www.reddit.com/r/OnePiece/s/vs0zolxht6
5: https://www.reddit.com/r/OnePiece/s/OB5WlCEjVZ
6: https://www.reddit.com/r/Piratefolk/s/zjqJPslEsp
7: https://www.reddit.com/r/OnePiece/s/VRfJoJCPJg (this post makes more connections).
8: https://www.reddit.com/r/OnePiece/s/7gNionwEhO
9: https://www.reddit.com/r/OnePiece/s/IbupOpfYwO
10: https://www.reddit.com/r/OnePiece/s/8iNZsaQpfE
11: https://www.reddit.com/r/OnePiece/s/7akm49XfYK
12: https://www.reddit.com/r/OnePiece/s/mpDbdWCOar
13: https://www.reddit.com/r/OnePiece/s/P0GW2ZZiun
14: https://www.reddit.com/r/OnePiece/s/6s9IdE1Tec
15: https://www.reddit.com/r/OnePiece/s/iJDeiyvmrc
16: https://www.reddit.com/r/OnePiece/s/Dh4XYYToxj
Many more theories and links I’ll provide in another post.
Usopp fan club (feel free to join)
#WaitTillElbaf
usopp fan art credit: msprinklez (@danbooru)
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melit0n · 1 year ago
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Something that irks me within The Oh Hellos fandom (and Half·Alive because I'm gonna talk about them too) is people who listen to their music, mainly starting off with Solider, Poet, King because that is arguably their most popular song for multiple different reasons, say they really like it, and then find out The Oh Hellos' are Christian based (similar to Half·Alive), and then suddenly they say they hate it.
(ranting and explanation under the cut)
Like yeah, Solider, Poet, King is originally written about Jesus (and his supposed second coming) and or about Judas, Mary Magdalene and Jesus (Judas=soldier, M.M=poet, Jesus=king), but I don't underestand why that has an effect on people liking it (A). Or even religious people getting straight up mad about others misinterpreting Soldier, Poet, King, or misinterpreting the song themselves in general (B).
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(A). This is like, one of the hundreds of comments I scrolled through on just a lyric video for Solider, Poet, King. Like come on.
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(B). Taken from @lovejoycdinnit post which inspired this rant.
Don't get me wrong, I understand why some people are adverse to Christianity, coming from someone who was raised on Catholic Christianity, I can easily understsand the traumas that revolve around the religion, and, considering how many Christians act, the general hatred towards them as well. But instead of denoting the song, just because it's Christian and you've got issues with the religion, think about how many layers that adds. In The Oh Hellos' music, they constantly preach about forgiveness, kindness and loyalty, especially in their newest albums (I mean, take a listen to Soap from Zephyrus).
Same can be said with Half·Alive's Creature. People will listen to it, say it's really good, immediately put it into their character playlist (either OC or fandom character), maybe even find themselves in that song and then find out Half·Alive is based within the religious faith held by the main singer, and suddenly people don't like it.
Further, people need to stop being hypocrites when it comes to religious bands and or musicians who take ideas from the Bible for their work and say they like them, but not others. It's impossible to say Hozier and Ethel Cane for their religious ideals and ideas they take out of different Holy Books, but then dislike The Oh Hellos and Half·Alive for the pure fact of being religious.
Just because the songs are religious (either about general faith, or Jesus Himself) doesn't mean they can't be about your blorbos anymore! Solider, Poet, King can still be about your DnD characters, your group of friends, your own OCs or just fandom characters in general. Creature can still be about your DnD characters, your struggle with being human in a mental and physical sense, your own OCs or fandom characters. It legitimately doesn't matter. I get finding out the true meaning of a song can make people dislike it, but when it's specifically religious that's just straight up wrong. At that point it's just misotheism.
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a-queer-seminarian · 1 year ago
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Hey Avery, I love this blog and the binary-breakers blog. They’ve both been a great help to me as I reconstruct my faith. But I’m struggling with something: my fiancé and I are scheduled to light an advent candle during the Sunday morning service at his church. Initially I was really looking forward to it, but by chance I was curious about how old Mary was when she bore Jesus, and when I looked it up I learned she could have been anywhere from 13-16. Moreover, some traditions put Joseph as being much, much older. It’s just hard not to think in a very . . . sinister direction when considering that context, especially as far as God’s role in this is concerned. What did you learn about this topic in seminary, if anything? Is there any hope that my “problematic” interpretation is unnecessary/invalid?
Hi there! I think it's lovely y'all are going to light an advent candle tomorrow, and I hope it's a meaningful experience! I also totally get your dismay about Mary's age at Jesus's birth.
To start with the facts: yes, Mary was almost certainly a teenager when betrothed to Joseph. The Bible doesn't give any confirmation of her age, but in both ancient Jewish culture and Roman culture, girls were usually married off not too many years after they started menstruating.
When it comes to Joseph's age, I do have some slightly relieving news — he's unlikely to have been the old man he's often depicted as in medieval art. (I actually had a fascinating conversation on this topic with queer Catholic art historian Amy Neville on my podcast that you can read or listen to here!) He almost certainly would have been older than Mary, but it's uncertain how much older.
In ancient Jewish culture, the "ideal" marriage was actually one between a man and a woman who were both in their teens, with an expectation that a man marry by age 20. Being able to support a wife & kids was a key indicator of manhood, so men were expected to get married as young as they could. But in practice, it was more common for men to marry in their late 20s / by age 30, which does mean that their wives would often be a good ten or fifteen years younger than they were.
The Bible doesn't tell us what age Joseph was when he and Mary were betrothed, but it's unlikely he was older than 30, just as it's unlikely she was older than 18.
So maybe that's not quite as discomfiting as the image of a much older Joseph, but by our modern standards, it's still pedophilia. So what do we make of that? And what did God think of that??
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I believe it is an act of faith to be troubled by elements of scripture that should be troubling, rather than shrugging them off as being "God's will" just because they're in the Bible. I highly recommend Rachel Held Evans' book Inspired on this topic, which has a whole chapter on grappling with difficult biblical texts (you can read a long passage from it here).
While exploring our emotions and giving them holy space, it is also important to accept that biblical cultures are two thousand or more years old — the ancient world had completely different understandings of morality from us. That doesn't mean we shrug off displays of sexism or xenophobia in scripture — bigotry is bigotry, whether an ancient iteration or what we have today — but learning about biblical cultures enriches our understanding of why certain things, like slavery or women having little say in whom they marry, are present in the Bible (and often completely taken for granted by its human authors). It can help us distinguish between what is truly God-ordained, versus what the humans writing down their experience of God presume is God-ordained.
I appreciate how womanist theologian Wil Gafney explores the complexity of appreciating the Bible as an ancient human text while looking for Divine truth "between the lines":
“There is liberation in the gospel even though it is sometimes obscured by the structures of power that benefit from holding people captive. There is also a story in and between the lines of and behind the text we hold so dear that points to a liberation that not even the authors and editors of scripture were able to see clearly or, see their way to record.
Jesus was a rabbi, he would have never wanted us to cling to the letters and syntax of these texts as though they were his very body and blood but rather, his spirit and the Spirit of God, blow through them, ruffling and disturbing them and permitting us to read new truths in and out of them and, not lose sight of the ancient stories that are also part of our shared heritage."
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When it comes to Mary's young age when betrothed to Joseph and approached by Gabriel to request her "yes" to carrying God's child, your question of God's "role" in that is a vital one to ask.
In Mary's world, a woman without a kyrios, a man to be her protector, was in a very precarious position. Mary has to be betrothed to someone in her teens. We don't know whether God "approves" of this cultural practice, but we can see how God works within this custom to ensure Mary's security throughout her life:
when Joseph plans to divorce her after she becomes pregnant with Jesus, God sends an angel to persuade him to stick by her;
when Jesus is dying on the cross, he ensures that his beloved will protect Mary after he's gone.
Throughout scripture, God largely seems to operate within a people's cultural expectations (with key exceptions, like how God insists Their people treat foreigners the same as members of the group, or when God warns against giving the people a king just because that's what all the other nations have). That's what I see here. Mary must have a husband to be secure in her culture, and I imagine God ensuring that that husband will be one who will treat her well.
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Then there's the question of God espousing Mary — of the Holy Spirit "overshadowing" her so that she conceives Jesus. What exactly is this "overshadowing" act? Why is God getting a teen girl pregnant?
Again, Rev. Wil Gafney provides words that wrestle out the good news with this complexity. When reading Luke 1, she urges us to sit with our distress at the image of a powerful "male" figure (Gabriel) approaching a teen girl to tell her what's going to happen to her body:
"Sit with me in this moment, this uncomfortable moment, before rushing to find proof of her consent, or argue that contemporary notions of consent do not apply to ancient texts, or God knew she’d say yes so it was prophetic, or contend that (human) gender does not apply to divine beings, Gabriel or God, and the Holy Spirit is feminine anyway. Hold those thoughts and just sit in the moment with this young woman."
Our distress is holy; it shows our connection to a fellow human being, our thirst for justice. Honor what you feel, don't discard your emotions, even while you join them to sociohistorical understanding.
I highly recommend you read Gafney's whole article, but here's a little more from it that balances ancient culture with modern ethics:
"Yet in a world which did not necessarily recognize her sole ownership of her body and did not understand our notions of consent and rape, this very young woman had the dignity, courage, and temerity to question a messenger of the Living God about what would happen to her body before giving her consent. That is important. That gets lost when we rush to her capitulation. Before Mary said, “yes,” she said, “wait a minute, explain this to me.” ... Did the Ever-Blessed Virgin Mary say, “me too?” Perhaps not. A close reading shows her presumably powerless in every way but sufficiently empowered to talk back to the emissary of God, determine for herself, and grant what consent she could no matter the power of the One asking. And yet in that moment after being told by someone else what would happen to her body, she became not just the Mother of God, but the holy sister to those of us who do say, “Me too.” "
Because Mary was a teen girl, an impoverished Palestinian Jew living under empire, she can extend solidarity to people across all time who experience similar oppression, whose bodily autonomy is equally precarious. Just as her son, God in human flesh, extends solidarity to all who have ever been arrested or executed under an unjust state through his crucifixion. Divine power is expressed in and through those whom the world denigrates and discards — that's why God chose Mary, and why Mary in turn chose God.
Sorry this got so long and has a lot of complex stuff to wrestle with. I honor your courage to ask the hard questions, and I hope you are able to take time throughout Advent to keep pondering! There are no easy answers, but wrestling can yield a blessing.
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purplebass · 11 months ago
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A soft name but she uses it like a knife: an analysis of Lila's identities
Because I think about Lila so much and because I like to analyze names and symbolism so much... I realized something about her given names. I could write an essay about her multiple identities and Kell's but maybe in the future. Tes says that names are a valuable thing and people used personal names to curse those they disliked. Her birth name is Delilah which means "delicate". When Kell first meets her, he thinks that she has a soft name but she uses it like a knife, which is an accurate description of her character.
Only the people closest to her call her Lila, which is more informal. Lila Bard is a double faced matryoshka, we could say. There is one side she shows the people closest to her, which are few, and another side she only shows Kell. He's the only one who sees the tiniest doll in the heart of it all, and even so, there are still sides to her that he doesn't know. He's also the only character she openly told that it was fine to call her Lila after their first meeting.
According to other sources, Delilah could also be the epithet for "traitor" because in the Bible, Delilah cuts Samson's hair and he loses his strength (interesting fact that when Holland and part of Kell's magic end up in the inheritor, their hair turned white - could be inspired by this? Bets are on).
Delilah is also pronounced De-lie-la and I believe she is one of the characters who lies the most in this series and her pov is not 100% trustworthy (which I see as an amusing thing bc she is harder to figure out and it's fun when her lies are unmasked!). She introduces herself with her full name to everyone, but only few people keep calling her Delilah instead of Lila (among them Holland, Nadiya, and Ren). They aren't close, hence they don't dare to use her shortened name, I guess. It's also a way to distance themselves from her or to treat her with respect.
Delilah Bard is one of the identities she has, one she couldn't choose (because her parents gave her this name). Delilah Bard is the exterior, the person on the outside. Even when the text describes her and uses Delilah and not Lila, it's to paint a picture of her from an external point of view. We can explain who she is by thinking about a matryoshka doll: Delilah Bard is the bigger doll, the one everyone sees. Inside there are different sides to her: the magician, the thief, the captain, which have different names as well (the Sarows, the Shadow Thief, casero Bard, even Stasion Elsor).
Lila is the name she seems to prefer for herself, and the name which connects her to her magical part because one of the meaning of this name also refers to the lilac tree. When Lila calls her magic, mostly fire magic, she uses a line from Blake's poem: "Tyger, tyger, burning bright,". The "tiger lily" is also a species of lily flower. Her name Lila then encompasses her magical connection to Red London because it is connected to a flower. But it's yet another interesting connection to Kell because well, the tiger lily is orange-red with black spots. The tiger lily flower is also toxic for cats and we know that Esa doesn't seem to like Lila that much and the feeling is mutual. lol
If you want me to write about more of this stuff send me asks please 🥺
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elekinetic · 1 year ago
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user elekinetic do you have any tips to spare for outlining fics 😭 i feel like I word vomit any of the concept that I have in my head, and dialogue ,and build off that adding paragraphs as I go and I go so slow bc of it. But ive been trying hard lately to write a list of “scenes” and bullet point the story but yeah.
do you know anything that could help me have an idea of where to go start to finish instead of starting at the random spot I’ve come up with first? I waste so much writing time because I haven’t built a backstory for characters and things like that so i don’t always know how they start the story off, only the situation they’re in. Is that something that could help? Making a list for each character or something? Would love to hear your thoughts thank you! <3
hi! first of all i’m so flattered you asked! to be clear, i am a very slow writer too lmao and i’m relatively new to prose writing, and though in very confident in my understanding of what makes a good story (W screenwriting), i am still figuring out my outlining process. but hey! let’s learn together.
sorry in advance for how long this is. i love talking.
so i basically figure everything out in the outline and write after i feel very good about it. if you have a strong foundation, everything gets a hell of a lot easier. t kind of sounds like your process might be similar to mine, so i’m just gonna explain what i'm doing for my current project.
my key document is my “bible.” i split it up into a couple different sections using page breaks (page breaks my best friend ily page breaks):
pitch/word vomit summary
scene ideas
outline
notes
ok so wtf does that mean.
1. pitch/word vomit summary — explain your concept. bc i've got a film/tv background, im starting off with my logline. (e.g. "after robin learns will is gay, they have a heart to heart in an abandoned video store about insecurity and feeling alone. they learn they're not." sometimes i'll follow that up with a note to myself like, "this fic isn't robin finding out, this is what happens after. starts with her already knowing. will pov, focus on his perception of robin changing. subtly reference toward feelings about mike, dont come out (haha) and say it") then, i write as MUCH of the concept down as i can, like i'm explaining it to a friend. (sometimes i copy and paste rants from dms directly into the document). it can be totally out of order, non-sensical, contradictory. just get as many of your ideas down as possible. you want to be able to come back to this and be like, oh i totally forgot about that. vague chapter summaries, personal notes about themes, whatever you want. i have a list of beats that you find in romantic dramas for inspiration and a paragraph abt ways i want to parallel/subvert s3 of st. just. go ham. 2. scene ideas — this is pretty self explanatory. i take some of the stuff i have in the p/s and flesh it out, or put down new ideas. this is where i'm writing out dialogue in bullet points, or what i want them to be Really Saying. (e.g. "mike: [panics bc he feels seen, tries to flip it back on (redacted) and fails] ") this is for when i can see stuff more clearly or i get out of the shower with a whole exchange in my head. gonna be out of order, a little all over the place. 3. outline — so. this is where you start piecing it together. put the bullet points in order. figure out objective of each scene and what needs to happen to accomplish that goal. figure out pacing, what needs to happen when. this step is where im looking at dialogue and thinking "why does mike say that? why does he feel that way? what needs to happen to get him to this point emotionally?" or looking at scenes and thinking "these are two scenes with people arguing back to back. lets make sure they feel different and give the characters different tactics to get what they want (byler argument where mike is avoiding will vs max argument where max is avoiding lucas. i could use this to highlight similarities and differences in the relationships, but having two scenes with the same tactics back to back might feel repetitive. maybe i move the scenes farther apart or change circumstances. maybe mike and will are having a veiled argument while theyre with a group of friends in a public space and max and lucas' argument is outside max's house.) also asking if conflicts are resolved too quickly, if the miscommunications feel too convenient, if characters disappear or are only around as plot devices. write. troubleshoot. repeat. 4. random notes — everything else that doesnt fit. for me this is literally just taylor swift lyrics (writing the fic vaguely off of a Specific Song that SHOULD BE STREAMED MORE WHAT IS WRONG WITH YOU PEOPLE anyway) and links to posts i use as character reference to make sure im staying true to the characters. (remembering will said "i was being a total jerk to el, i deserved it," AND "you're ruining everything, and for what!"/"i wasn't moping!")
i want it to be clear im doing all of this at the same time. im jumping around and pulling new ideas and rearranging as stuff changes. i think the thing that's really hard is that i want to be able to sit down, write the outline, and then move on. but for us scatterbrained writers, you're gonna have to re-outline and readjust like. a thousand times. and that's okay. that's good! it feels tedious as hell but the story is so much better for it.
take your time. let yourself be slow. keep finding holes in your story and fill the world in as you fix them.
here are some more questions i ask myself to make the story better:
What are you trying to accomplish over the course of the story? What is it about? (for the will&robin fic, it was something about feeling seen for the first time.) When you get lost in your story or aren't sure why a scene feels stale, come back to this. is the scene furthering that goal?
What is changing internally for each of your main characters? (yes theyre dating by the end but like. what do they learn.)
Are the side characters people or props? (will pov scene of a party-wide picnic where everyone's talking but will is focused on mike's hands.... where is max's head at in the scene? you don't have to have a super long backstory and she doesn't have to be a big part of the plot, but if she's saying something, figure out why she's saying it. if will is having a heart to heart with el, understand why el is responding the way she is. the scene's goal may be to get will through a breakthrough, but el's circumstances will change in the scene too. figure out how this conversation lands with her. oh, and remember the adults are people too!)
Why is this character saying this/why are they responding this way? (this should answer your "where do i start?" question. start in that random spot and figure out A) why they are there and B) why they are reacting the way they do (see last bullet point).
side note: some of the best advice i ever got was "enter the scene late, exit early." skip the prologue. try starting from that random spot. if it feels like something's missing, figure out exactly what that something is, and go from there
Do the stakes feel high enough?
What do i need to set up to make sure this scene/beat is satisfying as possible? (are will and mike going to have a big argument? oh, so we have to show tension before.... BAM you have another scene to write and your outline is fuller)
i could go on a lot longer but. basically.
i edit while i write. i'm someone who needs a very fucking strong outline and a very fucking clear idea of the story before i can start writing it. i'm putting probably 70-80% of the leg work in at the start so i can focus on making the prose (or script, most of the time) the best it can be.
THAT BEING SAID, this is just the way i do it and i have like. a fic and a half published. im taking my sweet time bc im creatively burned out and this is for fun first and foremost. like i said. i am a Very Slow Writer.
i highly, highly recommend hitting up the ask boxes of writers like @/strangeswift, @/wiseatom, @/astrobei, or @/andiwriteordie. no guarantees on responses bc they are busy ppl with busy lives but i really do think theyre some of the best writers out here right now, and im not just saying that bc they're my friends. abby (strangeswift) and i have been each other's sounding board through a lot of projects and she's almost done with one of her first Big Fics, so its worth asking her about that.
i hope this helps! ah!!
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