#this is just so important to me

[fnafs-ex-boyfriend]

It’s a little hard to describe how important Alastor being aroace is to me. He’s just this cool, suave, mysterious, petty guy with a silly voice that has the same attitudes as sex and romance as I do and I think that’s really cool and awesome.

Edit: There’s a follow-up

[sangrefae]

i love getting to see day one expac launch bugs such as "eating pizza breaks male au ra faces" and "syrcus tower now has savage level difficulty mechanics"

[lazylittledragon]

domesticating your vampire: a memoir

(beautiful high res version on patre0n)

[the-phantom-peach]

🗣️ huh?? what do you mean I haven’t posted any Link signing propaganda yet??

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[flagellant]

yeah we might be brothers in christ but so were cain and abel so shut the fuck up before i decide to find a rock about it

[jackatlas]

watching the queen's dress up members of switchboard is just so special to me considering everything switchboard has done for british queer people

[avarkriss]

listen. listen to me so carefully right now. (if you're in the eclipse path/planning on viewing). please don't stare directly at the sun tomorrow. i am begging you - do not stare at it. if you got eclipse glasses off of amazon/other, please put them on in your house and make sure you can't see anything; if you can still see like regular sun glasses, they are not safe for eclipse viewing, you will burn your retinas, and we cannot fix that. eclipse glasses should be iso/ce certified, and aas (american astronomical society) approved. please make smart choices and protect your eyes. please.

[emberglowfox]

birds of a feather

[justbackgroundnoise]

Chappell Roan, a lesbian, went on a national broadcast tonight and performed a song about dating a closeted woman who refuses to acknowledge their relationship and denies the fact that she’s a lesbian. Never in my wildest dreams could I have imagined that happening but here we are and it’s amazing.

As a lesbian woman, to have an artist go out and be so entirely herself in every way, to be so proud of her own sexuality and to perform a song like this and have it be broadcasted to millions of people…it makes me so emotional. All I have ever wanted as a queer woman is to have this sort of unabashed representation and we’re finally getting it in such an incredible way. What an era we are living in and all I can say is long may it continue and I am so proud to be a Chappell Roan fan.

[egophiliac]

I love how you draw Leona’s hair…so soft and floofy…I know that man uses a 5 in 1 body wash and yet still looks like that…

thank you! 💛💛💛 truly, it is unfair how many of the Twst boys have absolutely gorgeous hair with zero -- nay, negative -- effort. do not make the mistake of asking them about their hair routine. it will only lead to madness.

[hinamie]

I'm always pushing you away from me / but you come back with gravity / and when I call, you come home

[elphabaxduo]

I need to eat water so bad… but not like Ice.,,,. Brrr I’m not eating cold water I just want it to crunch and be cruncy

I need to eat like a head of lettuce or cabbage I need a big fourth of a head of Napa cappage like for making kimchi cronch cronch cronch I can hear it now I will never be thirsty again if I eat a cabbedge

[grapehyasynth]

I really feel tremendous grief for friendships that kind of petered away in the face of life's currents. There are people with whom I formed deep, unique, vibrant, life-changing connections, and then we had to go our separate ways and it was too hard to maintain long-distance. There wasn't a fight, it just sort of faded. And I feel like I have more friendships like this than friendships that have endured, so maybe I just have to get used to it. But if grief is all the love we have left over - well, I never did get to finish loving them. I love them, and I miss them, and I probably always will.

[just-an-enby-lemon]

The thing about jonmartin is that Martin wants to be a romantic, he loves poetry and probably watches romance but for him it is a fantasy, a silly game he plays. Martin is at his core very cynical. Things don't work out for him so he doesn't really belive in romance, it is a pretty dream but that's it. He is pratical and realist. Dating Jon he has to remind himself it is real and he actually struggles with romantic gestures, it is something he has to remind himself to do, to remind himself he can do even and honestly who even has the energy and what if Jon doesn't even like it?

Jon on the other hand wants to be cynical. His first coping mechanism was pretend the things he was afraid of weren't real and goddam if he isn't afraid of love. It didn't really work to him so far so it's easy to pretend he doesn't care. But he is a romantic at heart. He saw love and he read about it and he has enough evidence that it is undeniable. And to be honest Jon was always to much a bunch of mushy feelings hidden in a grumpy (and bitter and afraid) trench coat. Dating Martin he has to hold himself so he isn't too much. He plays the grumpy unromantic guy at first. But he just can't stop giving flowers and planing dates (this is the guy that saw a theme park on a fear domain and considered how he wanted to take Martin to a romantic ferris whell date [until he discovered Martin was afraid of them]) and making all the silly things one does when in love.

TR: Martin is deep down very cynical about love but wants to/pretends to be a romantic and Jon is deep down very romantic but wants to/pretends to be cynical about love.

[oifaaa]

It's funny how opinions can change over time for instance I used to want Bruce to be a good parent but then I realised how fucking boring that is to read at the end of the day comics are soap operas and I'm here for the drama