#this is just my (overly thought-out) reasoning for why i'm not a fan personally

[jellicle-chants]

I've always wanted a CATS animated movie that depicts the characters as actual cats (rather than people in cat costumes), with either Don-Bluth-style traditional animation or more modern "hyper-realism" CGI. But I wonder if that would take the "theatre" appeal out of it for other people. What do you think?

I'll be honest, I've never really been in love with the idea of making CATS the musical an animated movie. I think the designs that exist from the proof of concept are cool, but there's also definitely reasons they struggled to take it past that stage. This is not to say that Eliot's poems could never be adapted into a children's animated movie, but I think making it specifically an adaptation of the stage show is what makes it iffy. I'll try to break it down more under the cut:

Problem A: at the end of the day, CATS is a dance show. A lot of the show is just dancing, and very involved dancing at that. What are you supposed to do with the 9 minute dance break from the Ball? It's too iconic to cut, and the non-anthropomorphic cats ironically don't have the articulation to pull off a lot of the dance moves. (I'm thinking of movies like The Aristocats for comparison, which really doesn't have the characters do much that actual cats physically couldn't. I guess if it were more like An American Tail it wouldn't be so jarring, but I'll get to that later.)

Problem B: CATS has too little plot for a traditionally structured movie. The 2019 version also ran into this problem, which of course it solved in the worst way conceivable, but it's still a problem. Movie and theatre audiences simply have different expectations, suspension of disbelief, etc. that CATS is too theatrical to cross over into. I think it would be really interesting to make a Fantasia-like movie with each of the poems/songs being a totally different short in an anthology, but I don't think that's what most people are imagining when they say they want an animated CATS movie.

Problem C: what do you do about humans? The cats of CATS live in a world clearly populated by humans, but they're never shown directly. Adding humans, to me at least, clearly poses a "power creep" problem: any adult human can easily overpower any cat, and also leans the movie towards a more plot-driven story (as I feel like a lot of animal movies with humans tend to have a human antagonist). On the other hand, you could just make the entire world be populated by cats, which would (mostly) solve the dancing problem. However, I feel like doing that misses the point of the original poems: to illustrate the different types of pet/stray cats. It's not as funny to imagine Skimbleshanks being in charge of a group of feline train workers (which could be a completely normal thing within talking-animal movies) than it is to imagine an entire train full of humans and the orange tabby cat who thinks he's in charge of all of them. The same goes for Bustopher Jones, Gus, Mungojerrie & Rumpleteazer, etc., etc.

[pong03]

Leo kurosagi analysis

this was requested but tumblr wont let me post to their ask so: Okay, Leo is selfish. I'm not gonna deny all the bad things people say about him, or even deny he is a bad person, but he is a GREAT set up for a character. I would like to say that Tokyo debunker is giving set up for growth from each character, Leo is just the most Jarring, for the fan base. full disclosure, I did not like Leo or even consider liking him until I saw the HATE on here, I'm not just trying to be quirky by liking the most disliked character either. I tend to just want to see the good in what most people dislike. I like kpop and I tend to bias the most criticized or least biased members of a group, because I think it's an amazing feeling to give love... Although I understand it's cathartic to hate too, and that's probably why the Leo hate is so strong. I also still don't LIKE Leo, but I really do want to explore his character and I probably will make more posts as we see him more and as I experience him more myself. The Leo cu*king tho, is maybe my least favorite "trope" in TBD fanfic rn... but I don't k*nkshame y'all :*

I also would like to say Sho is his friend, not his victim or Rapunzel. There is some value to Leo in Sho's eyes and I think we shouldn't degrade that because we see that if Sho doesn't like someone he will not engage i.e Ren. Sho is a sweet character and I think he might be friends with Leo because he wants to see the best in him or knows his more repulsive behaviors are a defense mechanism or explained by other reasons we the MC are yet to see. Why I think that is even tho the weird blob guys in the mystery diner suck at making food he still wants to see the best in them, and that very scenario could be a cheeky analogy from the writers themselves, about Sho and Leo. Obviously Leo could be blackmailing Sho, I know that is a commonly held belief, but I do have some perspectives that could debunk that thought. Leo doesn't Garner blackmail on his peers. I think Leo is nosy, and invasive, but he is also incredibly capable, implied by his contributions to the vagastrom group case. If he wanted to figure out who Alan killed he could with his hacking prowess, but instead he asks Mido himself. In invasive ways yes, but he could just have found the information himself, whether by hacking or asking the countless witnesses of the clash. Rather he asks Mido face to face, and, correct me if I'm wrong we can't say he wouldn't have taken no for an answer because Mido just gets mad at his antics and never gives him a straight up no. Again I could be wrong so let me know if Alan does give him a straight no. It's been a while since chapter two for me.

Right now I want to explore some possibilities for his character given the information we have about him ATM. I mentioned above the fact his little nasty, mean, degrading comments could be a defense moreso that he wants people to try and push past that to see if they're viable as his friends. Especially because he is micro-influencer he might be protective of himself because of that. As well as being a chronic liar online he may want to know if he can trust you not to expose him online. I think exploring his past would be amazing because even his stigma makes him seem like an overly cautious person, as well as invasive. Cautious? I feel like its cut and dry that wanting to hear what people say when you aren't around could hint to him being quite anxious about what people think about him. like idk I also feel like the jealousy we see towards Sho might also be more about people finding Sho more approachable. I think because Leo wants to be more involved with people in power he might have not been trying to scare Subaru away because "Sho is mine >:(" and actually could have been jealous that Subaru noticed Sho first and not him. Still awful right? but also like I said I don't see Leo as enjoyable but more so a lot of room for redemption, or explanation. Sympathy or empathy might be something we feel for him a lot if he is properly explored.

Obvs these are just possibilities right :) I actually find him very cute and I like his catty behavior, especially because in comparison to other nasty ghouls he is like a kitten hissing at you, harmless. Like dude Taiga shot me, and you're just a nasty baby, I smell your fear on the inside, you just want to be loved like everyone else. He's a true tsundere and not that "I swear I don't like you!!" shit and I appreciate that. I hope nobody misconstrues this as defense of his toxicity more-so that the point of tokyo debunkers focus seems to be everyone is demonizing these teens who seriously are just teens, and sometimes teenagers are catty are toxic, but they're still learning. Especially when the adults suck too... if not more because they are adults. AND LEO IS HATED FOR BEING STINKY AND MEAN BUT TAIGA AND ROMEO ARE LIKED BUT SO MUCH MORE MORALLY DECREPIT... so idk that especially irks me. I still would like to know what people think and if you are also excited to see the exploration of the ghouls especially Leo, and what theories you may have on him yourself.

[pinkgy]

PB is fucking things up, but there's hope, and here's why

During the past hours i've gave different opinions about this whole mess that's going on with What in Hell is Bad, but this is my final opinion.

Please, don’t attack me for “justifying” PrettyBusy, because I’m not, I already expect bad reactions because of this post.

I decided to write this because moments ago I checked the game's Reddit page and well, i already knew that many people has been quitting the game for various reasons, like the constant bugs and the lack of new content, but within the past hours this number increased significantly and almost every player of What in Hell is Bad that has some kind of presence in social media related to the game has spoken up about this, and i'm glad this is happening. For change to happen people needs to speak up, but i think that by know, PrettyBusy already knows it. I talked about this in a reblog i did some weeks ago, but i'll say this again, PrettyBusy is a business, a small one, but a business, and they have and can keep track of many things that are going on in the game, and by now, they probably noticed that they are losing players even without having to check what's going on in different social medias, and my hypothesis is that there's some internal issue going on for them to have so many unfulfilled promises and so many things that are lacking in the game. But i don't mean to say that we should be considerate, that's something that's up to every singular person.

They know about what's going on, and if you ask me, i believe that by the end of the day we will have an update from them explaining everything, Prettybusy may be fucking up many things right now, but they are really receptive and i think many of us have noticed that with the past issues, the last one being when they deleted the mission that involved using Nightmare coins during the past Nightmare Pass when many of us started to complain about it, they had no need to fix that because it wasn't an impossible mission, really hard i must admit, but not impossible, but they still did and compensated us later. And no, i'm not excusing PrettyBusy, I’m just trying to see the positive side out of this. PrettyBusy is being greedy, not event the biggest dating games have 40$ cards, or even content that is worth that amount of money, and for a game that doesn't even have a year since it's release that is absolutely inconsiderate, my theory is that they noticed that those overly expensive cards were actually being sold by players so they thought that if they released others, the same would happen and the F2P players would just ignore it and keep playing, and they ended up making a mistake by saturating the game with paid content and neglecting those parts of the game that are actually important, the Main Story and the Organic Players. And surprisingly, this is a common mistake many companies do, but they usually end up fixing it, because at the end of the day, us, Organic Players of What in Hell is Bad are the best promotion for the game, or any game in question since this example can be used for many other situations, a singer can have the biggest billboards, the best music, the most expensive commercials, but the fans are always going to remain as the best promotion they could have EVER, and if they don't have fans, they won't be successful. And if me, a normal 19 year old college student can realize this, i'm sure a COMPANY, a BUSINESS, can definitely do it way better and quicker too. No game wants to lose players, yes, they're earning 40$ for selling those cards, but they’re losing waaaaay more by losing F2P players, and summarizing the last tho paragraphs, PrettyBusy needs us because we are money.

It makes me really sad to see many players lose interest in the game, and if any of you care, I'm not leaving, at least not for the time being, i know it sounds dumb to see the positive side of everything that's going on (Because it's definitely not positive at all) but i will keep doing it, I like the game but that doesn't mean I'm going to justify what PrettyBusy is doing, and I think that's a valid opinion.

To conclude this, I’m going to gaslight myself into thinking that PrettyBusy isn't dumb and they do know that what they're doing it's wrong, and they will search for a way to fix this as soon as possible, and if you think this is impossible, read again this post because that's the whole purpose of it. I hope I'm right, but if I'm not, then I’ll try to stay optimistic until they fuck it up again.

If you want to mail PrettyBusy complaining about this, I'm really glad you are! I'm working on a mail too, I recommend you read THIS post before you do it, and please, remain respectful.

Thank you so much for reading this long-ass post! I'll gladly accept any addition to this post or any comment, but please remain respectful, and remember, this is a personal opinion, I'm also a F2P player, and believe me when I say that I'm as mad as you are about this but I just have my own point of view of it.

[allastoredeer]

No hate, just asking.

So you just personally like bottomAlastor and make every ship with him as bottom because of your personal likes. But this works the same way with bottomLucifer. People liking it and making him bottom in any ship. Or liking topAlastor and making him top in every ship. Maybe there are people who just go with trends in ship dynamics, but a lot of shippers just like it without any 'making mlm into hetero' meaning. Yes even when making Lucifer a bit more feminine since they do it in every ship simply cause more feminine Lucifer does things to them.

Exactly 👉👉 people like what they like and they don't need to defend or give me a list of reasons why they like it. I figured people liked bottom!Lucifer or top!Alastor because it scratches that itch for them (much like me with bottom!Alastor), otherwise they wouldn't be writing/drawing it at all.

It's why I don't seek out fans I disagree with or lurk on their pages/blogs to bombard them with reasons why I, personally, don't like how they depict radioapple (and because that's just a shitty thing to do in general, and no should be doing that. That's a one-way ticket to turning fandom into a very toxic place).

I keep my opinions and thoughts to my blog page for that reason. This is place where I can write about the things I like and dislike, post my art and fics, and interact with fans who share the same thoughts and feelings as I do. I'm sure a lot of fans would disagree, but, to me, most of the depictions of radioapple that I've seen come off as incredibly hetero coded, and a lot of the way Alastor is drawn/written squicks me out, especially when he tops. And that's not in the way that he's overly sexualized or anything, imma gonna sexualize that man to my heart's content, but Alastor's ace identity means a lot to me, and a lot of the time I just...don't feel it with him.

Now there's no "correct" way to write an ace character, as its a spectrum. There isn't a checklist of things you HAVE to follow. But with Alastor, especially when it's in a written work - especially when it's HIS pov - he doesn't feel ace. You can't tell that someone is ace based on how they talk or act - not usually - just like you can't assume a man is gay based on how he runs or talks, or a woman a lesbian because she has a short haircut. But in his POV, we're supposed to be in his head, we're seeing his thoughts and emotions. It's the perfect time to explore what he feels and thinks about relationships, sex, and everything in between, and yet most of the time he reads like any other non-ace character. It's like there's no real thought or consideration given to his identity and the experiences that come with it. Asexuality is more than "don't like sex" or "only like sex sometimes," there's so much more to it than that.

But I also know that this may be the first time some people are interacting or playing with an ace character, and just the fact that they're trying - however unintentionally aphobic it comes off sometimes - the effort is appreciated.

It's a real back and forth thing for me, obviously, LOL fandom culture and spaces can be so frustrating but so fascinating at the same time.

I don't think anyone is intentionally making the ship hetero, nor do they mean to - and besides, this is how I feel, and I know everyone isn't going to feel the exact same way. I'm sure there are people who see it as a very queer relationship, and I'm not going to judge or fight them over it. Everyone has different perspective, after all.

At the end of the day, I don't mind bottom!Lucifer (I see him as a switch, so he definitely enjoys bottoming), I just don't like how he's written/drawn with top!Alastor. It's the depiction of it that turns me off. I've seen top!Alastor and bottom!Lucifer art before that I have liked, but its few and far between, and overall not worth diving into to root out the few pieces I've enjoyed.

I like feminine Lucifer, but not to the extent that I've seen. I like the masculine side of him too, especially because he's a shortie. I like masculine Alastor, but I adore his feminine side. Alastor exudes so much gender, it's insane. He pulls off masculine, feminine, and even non-binary so well. He's versatile ❤️ And it aggravates me when he's depicted as super masculine and all the other stuff is toned down, if not stripped away.

But, like I said, that's why I stay in my little corner and I focus on what I enjoy. Ranting about things you don't like in fandom isn't bad, especially with fans that agree with you. It's very cathartic actually, and I've felt more connected with the fandom than I have since the show aired. it's only when you make your emotions, thoughts, and opinions other people's problems that it becomes a negative thing.

I'm not here to rain on people's parades, so I support, encourage even, that those who do like the things I dislike (and don't enjoy seeing me clown on them) block me. No hard feelings from me. I get it.

Damn, these posts really run away from me. They get so much longer than I intend XD

But anyway, I'm glad people are having fun with super feminine bottom!Lucifer and super masculine top!Alastor, that's the whole point of fandom, but it just isn't for me, at all, and I will likely continue to rant/clown on it with the fans who also share my opinion. I'm not going to shove it anyone's face of course, I'm keeping it to my blog, and I am A-okay with being blocked if that's not something people want to see 😊

[revolutionarygirlkaasy]

Thoughts on sympathy for James in SH2

I was originally going to write this in response to somebody else's SH2 post, but I think I should start my own to say this. Spoilers ahead.

Silent Hill 2 depicts misogyny. It depicts ableism. It depicts abuse and murder. And we know depiction is not endorsement, but neither is approaching a wrongdoer's story with nuance and sympathy.

For the record, in the 20+ years since SH2 came out, I've never seen anybody seriously argue that James was justified in killing Mary, or even that what he did is excusable. In the old days it was actually pretty common for people to say James is a murderer, that's all there is to it, and the only appropriate punishment is if he kills himself or whatever. And to be fair, James himself may agree with that depending on the ending you get.

Fortunately, the average player's interpretation of SH2 seems to be maturing with time. Nowadays there's greater acceptance of the idea that the nightmare Silent Hill shows to James does not depict the whole truth, but rather what James hates about himself and cannot accept. Fans are also more willing to consider what terminal disease is like from a caretaker's perspective, or the expectations (and entitlements) of manhood, or the secret suffering within the modern family unit, or even the disaster that is the American healthcare system. The game doesn't offer an exact explanation for why James broke, which is on purpose: it's up to you to imagine that grim situation and pepper in the details on your own. It's up to you to imagine what would push you to make that kind of choice. James' suffering is not suggested to have eclipsed Mary's, of course, yet you are meant to acknowledge that it was there.

And so James killed Mary. Much like in Crime and Punishment, one of the inspirations for SH2, the protagonist's situation had gotten so bad that killing seemed like a reasonable solution. But despite the grumbles I've been hearing, if SH2 wasn't condemning James' actions, then why would this story be told in the form of a horror game? And if the game didn't think it was worth knowing the ugly truth, or asking whether James can be redeemed, why would we have this story at all?

I guess what I'm saying is that if current fans seem overly kind to James for your tastes, it's fine to feel that way. And if you hate James because you personally really relate to Mary, I'm sorry. Still, I won't miss the days of zero sympathy takes on James. While it's definitely not true that anybody would do the same in his shoes, this is not the story of an evil person showing his true colors when put to the test. This isn't a story where we explore the circumstances that justify a murder. This is a story about people, not just James, reaching a breaking point and fighting to live with themselves afterward. These are tragic characters, and they should be treated as such.

[thattimdrakeguy]

What Happens When You Only USED To Care

I find it extremely hard to take any person in the fandom that does that schtick where they make fun of Tim based on made up or overly exaggerated stuff seriously.

I can't even find it within myself to give them the power of my hate, because it's more like a fly near your ear. You swat em away and bye bye bye.

Maybe it's because I know so much about how DC ended up being, that I can tell when they're bullshitting and saying stuff others put in their ear.

I mean you take a kid's favorite toy, and add modifications and paint jobs that take away the whole point of the toy, the kid's aren't going to want to play with it anymore.

Am I expected to blame the toy itself?

Especially with how the fandom has bastardized these characters that they so clearly love, but they still constantly get cancelled.

And I won't make mention of who, because someone will get sensitive, and plus then say "WELL TIM DID TOO" showing they're completely missing my point and didn't read the whole post.

I'm not sure why the fandom thinks taking complex and fascinating characters that allowed readers to escape their potentially bleak lives to jump into something more joyful (at least in an entertainment kind of way) and turning them into sitcom tropes is a great idea that OH IS SO GREAT, and EVERYONE WILL PREFER.

'Cause when the comics start copying that trend, you're actually scaring most people away.

Sure it's different from the big bad edgy we had to deal with a while, but it's still not getting these things back to were the once were.

You're replacing the bad, with a different flavor of bad. This time coated in a superficial dusting of praise that doesn't help anything get anywhere.

See, the fandom isn't as big as it may seem. It functions as an echo chamber which gives the illusion of their being way more. These comics wouldn't constantly be cancelled if they were as good or as popular as people make them out to be.

So all those posts praising the nonsense are as functional as having that one friend who praises you no matter what while the rest of the world says otherwise. Might feel good at the time, but let's face it, it gets you nowhere.

And that's just how the internet works. A bunch of little weirdos sitting around making their chamber, and thinking what they say to someone else still matters.

But it don't.

It doesn't.

They're all just so confident they mean something, when they mean as much to the greater world as a weed so far out of view, you don't bother trying to pull it.

You can make up what ever you want, and try to be as abrasive and irritating about what you made up as much of you want, go out praising when some desperate writer that settles for brownie points over critical praise and legacy puts it into a comic to find validation also as much as you want.

But the lack of genuine interest from most people still leaves it as a dud.

So many characters people think are popular, when they're tragically not, no matter if they were formerly good, is saddening. Because a lot of these characters at one point were good, and interesting, and genuinely popular beyond the small pond filled with indignity.

At best they have fan bases that once cared but now no longer do. That don't bother paying attention, because why should they after being denied the simple thing they want--good writing and characterization. The whole reason most start reading in the first place.

I might point one finger at one of these dudes, because I can comfortably say I used to love them too.

No one bothers trying to help out, and bring them back up though.

They want the instant glorification from a bunch of nobodies, who don't care about them as a person, and are only a validation machine instead of anything with a beating heart in it that will truly be there for them when times gets rough besides thoughts and prayers alone.

And as many years as I've seen this stuff, it never stops.

If I haven't been in a better place since I've almost entirely left DC behind in the dust, I would consider that depressing.

These people are online doing this so much that it is what they dedicate their lives to.

It is their life.

They made themselves so unlikable though, that a lot can't be bothered to find pity.

If you have to rewrite reality in your brain, what's the point of living there? You're just convincing yourself you're the only one not wrong, with no hint of irony. What a weirdo thing to do.

Clinging on to things with no solid backing.

In the grand scheme of things they are that insignificant unless you're also stuck in the chamber.

Hell, the only reason I made this post as long as it is, is less out of care and passion, and more because I can't help myself from being overly wordy.

If only DC could be fucked to remember what it takes to write good stories instead of ripping fandom people off. Maybe something would click in and once again take off.

And giving the illusion they now care--

As we can see with the frequent cancelations--

That only works when you have the talent and know how, to tell good stories, with great characters once again. A retro paint job and partially putting the character where they should be can only do so much, when limited talent has to take the rest of the wheel.

Otherwise all you're gonna get is a month or two of decent sells...and it's back into the dumpster again. Where the higher ups might eventually decide to blame the toy and not the manufacturers.

Unless you're Batman or Superman or that level of iconic/popular.

Disappointingly and quite obviously, it's not hard to know if not assume most characters don't have that level of icon to have their back in the dark times. Meaning most go back into the void unless the ones upstairs think this time their new failed from the start scheme will win them all back.

The secret of success in comics is simple, now it may not go back to the way it was, but they can still come back a bit, and here's the secret--

Learn how to fucking tell good stories, with good characterization, with artists that are beyond simply having good talent, but actual passion that shows them how everything's supposed to be.

If I order a nerf gun, and comes not looking anything like what it did on the box.

You know damn well the person who bought it is going to be displeased and not order from them again.

You're testing customer loyalty, and the economy not doing as grand, and prices going up--

The amount of time you have to get them back is depleting.

So get your head out of your ass and actually do something.

[oh-sweet-mama]

Soooo as I've been thinking; Imagine a Frankie Morales, (and the rest of the boys), in an outbreak!AU like I'm talking TLOU zombies. Soooo many thoughts.

(Sorry this is my favorite gif of Francisco!)

CW: zombie apocalypse canon violence <33, mild angst (longing for pre-outbreak), no descriptors other than "Beautiful", "gorgeous", and “stunning”

Like imagine him being all protective as you all backpack across the country following leads to a safe haven. (Sm like Jackson).

Imagine being forced to share a sleeping bag or a mattress, and y'all are secretly crushing on each other. He tries to keep himself at a distance, but he some how wakes up with you pressed against him, and that creates another issue within itself.

Santi and Benny constantly teasing him with looks and snickers as he wakes up to see them looking at the pair of you snuggled up with one another on a hot June night.

Imagine Frankie having to help you after you get injured from getting caught in a shootout at a rundown corner store. All gentle eyes, and calloused hands as he stitches you up.

Cooing that he "knows it hurts" and "It's going to be ok, baby. Only a couple more stitches". Followed with "You're doing so good, it's almost over".

As if he isn't the one dousing the wound with rubbing alcohol and poking your skin with a needle. You still look at him like he hung the stars and the moon, because you know that this is your Frankie helping you.

He gingerly takes you to bed, and pulls the shitty covers up your chin. Softly petting a hand over your forehead to brush stray hairs, and sweat. You look up at him, and Frankie smiles at you; partly in love, and partly in sadness.

Sadness that this is the reality now. That you got hurt trying to look for a can of green beans to feed the group.

But oh how he loves you. Way too overly protective, and didn't let you go into stores or run down buildings for the first 6 months of the outbreak. Barely lets you get close to having to pull your own firearm out, constantly keeping you tucked behind him, with his broad frame.

The feeling of usually having his hand wrapped around your upper arm. So he can pull you away from danger if needed.

The brown eyes that were once rarely hardened and mean, now only melt at the sight of you. Even when you inist that you feel gross; and haven't properly showered in a while. He doesn't care; he thinks the you're still the most beautiful person he's ever laid his eyes upon.

Even as you get rougher due to the outbreak, and backpacking through the haphazard land of was once a country. The scars that now adorn your face, and body. He thinks you're gorgeous. Abosloutely stunning.

Sometimes he wonders what it woud've been like if the two of you had gotten together before shit hit the fan. And that's when he lays there at night, with an ache in his heart, and an arm around you waist holding you close. He grieves the dream that he wanted to have a home with you. He'll imagine that the two of you are in a bed, in a safe room, with an overly spacious master bath. And his truck parked out front, and his only worry is when the next time is he'll mow the lawn. What's for dinner, and who's washing the dishes.

But Francisco Morales will take whatever your willing to give. He doesn't understand why you're still you even after all of this mess. Maybe it's the man that was in the army and saw days of combat that is currently out to play. But you still smile, and you still crack your stupid jokes. You steal his hat, and tease him about his dimple. And oh my- He's laughing in the middle of the goddamn apocalypse because of you. But he doesn't hate you for it; in fact, you're one of the last reasons he has to keep going.

AN: Did I just word vomit about Francisco Morales in the zombie apocalypse? yes! Did this possibly stem from the fact that I've been reading wayyy to much Joel Miller x Reader... possibly... Anyways, hope you guys enjoyed :)

[yuseirra]

This is just a running thought in my head, but the phone call in the first volume of this series really bugs me...there's something about it, I can't really put my finger on it..

I was just thinking about something. In the first volume, when Ai contacted Kamiki from the phone booth, Kamiki already knew about the existence of his children, right? It wasn't the first time he was hearing about them. The conversation went along the lines of, "Our kids are pretty big now, why don't you come see them?" This means that by the time the kids were around four years old, he was already aware of their existence, but hadn't met them yet.

And it seems he wasn't receiving Ai's address for the first time either. Ai mentioned, "Here's the 'new' address," implying that he knew the previous addresses and had been in contact with her. Judging by their conversation, it wasn't the first time they had communicated since they separated.

At the time of their separation, Ai said something like she wouldn't keep their children. But at some point, Kamiki must have found out about their existence. Either that, or it was Ai who's told him. Since Kamiki was near the hospital on the day of their children's birth, he must have known about the children at least from then. Ai might have told him, "I would like you to come," or he might have found out on his own. At the very least, from then on, he knew that their children were born, and she was raising them. Ai knew that Kamiki was aware of their existence on her end too. (Even in the main story, Ai contacted Kamiki in secret. If you look at that conversation, it's clear they hadn't completely cut ties.)

When did Kamiki and Ryosuke first meet? If their first encounter was near the hospital.. -I'm making a really tilted and quite a favorable assumption here- do you think kamiki would've known Ryosuke's true colors?; What if he really didn't know what kind of guy he was and was capable of doing and just thought of him as a fan of Ai's? I'm sorry, this doesn't make a lot of sense, does it? but just bear with me for awhile here. I don't really believe my line of thought here as well but I've just been trying to make sense of everything..

What if Kamiki called Ryosuke just to lament, drinking, after being heartbroken by Ai's refusal to get back together from her call? (There are bottles in a small cut showing them together.) Kamiki might have been saying something like, "I don't understand why we can't get back together, even though I'm being shown the children. I can really raise them well." If they exchanged contact information around the time the children were born, it means they've known each other for at least four years. If Kamiki was a person who could have harmed Ai out of resentment, there should have been a previous connection between these two guys, right? For they'd have met for that purpose.. However, at that time, Kamiki was just a middle schooler... How could someone in the age difference between a middle schooler and a university student pinpoint and meet like that? Did he find someone online who intended to harm the Ai and approach them?; Even if that's the case, it doesn't seem like the first time Ai's told Kamiki about the kids. If there were four years in between, there should have been a reason for not doing anything significant. Considering how easily Ai's shared the address without even the need to be inquired from him, it doesn't seem like Ai's intentionally hid it from Kamiki. If there was hatred from that time, the public phone conversation wouldn't be so casual. When Ai speaks, Kamiki is asking if they can get back together, and Ai refuses. This implies Kamiki still wanted to be together at that time. If Kamiki had been overly obsessed with her about this, Ai wouldn't have contacted him so comfortably, would she? Knowing the possible outcomes, why would Ai contact someone who's obsessively clingy and show them her beloved children?

The bouquet is the problem here, that bouquet appears everywhere in the scenes where kamiki's involved, he did send one to Akane too. But... Kamiki didn't really do anything to Akane directly, did he? Nothing bad's happened to her much except the time she almost fell off the stairs. Could it really just be that he sent it without any ill intentions? I mean, it was just before the dome concert...maybe he really did want to congratulate Ai about the dome; Maybe he sent the bouquet to Akane after seeing the broadcast that Akane and Aqua were dating, and because Akane's acting career was going well, he sent it with a feeling of "Take good care of my son." At least, there’s no evidence that Kamiki ever tried to harm his own children. On the contrary, he seems to be in a position of accepting it even if his children try to kill him (Mephisto's lyrics ARE SPOILERS, I'm telling you). If he was interested in his children, he would have watched Aqua's TV programs. Considering how well he understands Aqua, he must have been interested in various aspects.

Actually, the idea that he deliberately revealed Ai’s address to have Ryosuke kill her<—there are so many strange things about this if you examine it. It seems more like he carelessly let the address slip while drunk. If it’s true that he revealed the address, that is. When he was feeling down after being rejected, Ryosuke might have said he would go congratulate her on Kamiki's behalf, so Kamiki could have told him the address then (Yes, this speculation sounds stupid... I also think it’s unlikely...he can't be that dumb but). Even if they met for the first time at the hospital, they could have been friends for about four years and he might have been too drunk to judge the situation.

No matter what, he probably didn’t want to kill Ai. Considering the past, even if she broke up with him, Ai did a lot for Kamiki. She was not just an ex-lover, but also literally the light in his life. Even if she didn’t love him (which was his assumption, but that proved to be wrong too), he was aware that she accepted and cherished him, gave birth to and raised his children well. If he harmed her, what would happen to his children? He doesn’t seem that crazy at that point. And if he really wanted to harm her, there would be no reason to wait four years... If the reason he couldn’t find her was because he didn’t know the address, the fact that Ai just naturally reveals her address to him doesn't line up with it. If he felt betrayed and wanted to harm her, there would be no reason to wait so long and he would have continuously harassed and spied on her, but there was too long of a gap.

I think a lot will be revealed in the next chapter. Anyway, this part was confusing. I might be thinking excessively favorably because I don't understand the psychology of a crazy person, but Kamiki seems to really love Ai a lot? Even after so many years, he can't get over her and seems to be suffering from her death. He seems to know very well that Aqua would hate him about causing her death and thinks that he deserves it all. Does it make sense that he would think of scaring Ai by sending Ryosuke? It seems likely he leaked the address since Ryosuke did find her and he's like the only one that could have that information. But if kamiki really intended to scare her, it's unpredictable how sending this random other guy would turn out to end up like. Also, it's inconsistent for someone who claims to have a parent's heart towards his kids (I don't think this is a lie. There isn't a reason to lie about this) and loves Ai so much they'd talk about marriage with her to send someone else to scare her. It doesn’t add up. This seems more likely to have been an accident, but perhaps I'm like this because I want to take him positively. I just don't know.. but things don't really make sense for me regarding this incident.

Even if Ai's said they couldn't date again, she was allowing kamiki to see their children, it's not entirely a negative thing. I think kind of feeling this'd initiate'd be more about feeling heartbroken and sad (which is why he drank), rather than feeling angry and wanting to torment someone...yeah... That part was strange. It could use more elaboration. It should, too.

Anyway, if we assume that kamiki really didn’t intend any harm, he might be someone like Aqua in essence, being unable to forgive himself for providing a cause in the first place. He could be lying about the whole wanting to scare Ai and all thing thinking "It’s all my fault, I'm a bad person," because he doesn't want to live. This character doesn't really want to live in the first place. I think he rather wants himself to be hated.

Additionally, if I were the author, the upcoming chapters would likely be the fun parts that I’ve really wanted to write.

It would be the "Now I can tell!" parts. If what I think is correct, the entire idea we have had about Kamiki in the beginning could be totally flipped. That'd be so fun as the writer, seeing all the readers going "oh my gosh what the heck?? so this was how things were all along?" I'd do that, actually. Since he is the protagonist’s parent, he wouldn’t be a character that's written with hate.. The author has experience in writing romance, so I think he'd be capable of writings stuff like that, that'd be his forte. Depending on how the past is filled in, the explanation of his actions could be extremely varied.

Even as I write this, it seems unlikely. However, the circumstances presented in chapter 154 are not easy to accept based on Ai's previous actions and common sense.

[tarnussy]

Ok I have to ask about the tags on the Malenia fandom post... How the hell did they try to make Godrick a pedophile

There are 2 occasions that stood out to me: According to the first one, he is a pedophile and a rapist because the dead dragon didn't consent to be grafted (like???). Then there was mention of the grafted scions as well, tho that was in a separate post if I remember correctly. (Of course, creepy kids when Godrick -> bad!!! Creepy kids when Rennala -> good) This wasn't on a small account either, and like so, a whole eco chamber decided it's now canon. Based on who this person's fav character is, this assumption was extremely hypocritical. They called out this behavior from fans against their fav character (which was right 100% to call them out) but then, they turned around and did the same behavior they resented so much, this time against people who like Godrick (I assume bc usually his fans stay quiet or just ignore it, or are bullied off the site). Second one: person had a client at work who was overly kind in a smarmy way, so he was labeled creepy and "must have been a pedophile" all based on vibes, and then according to that logic they thought Godrick was one too simply based on their personal vibes (and seeing him in the worst faith possible). They had a feeling he was like that, and so people who like him were no different (according to this person). Second person was actively making the fandom as unenjoyable as possible. Their genuine goal was to make fandom experience fucking vile for anyone who liked Godrick (or anyone that liked a character they didn't like, all which I happen to like). And not just this person but a whole group of their besties who flocked to this behavior like flies to a pile of steaming shit. Just because why not, I suppose. I do feel like my experience with ER would have been much better if I never checked the tags or the fandom ever. Which is hard bc I am a creator myself and I used to monitor main tags because of my own posts as well. Before becoming an active blog, I liked nearly every character (M@lenia was my favourite female character back then!) but I'm unfortunately the type of person whose brain holds onto bad memories a lot and also associates characters with bad apples like this. And M@lenia's apples almost all seem super fucking bad. Very similar to stans of Alcin@ Dimitr3scu, same level of witch hunts as well. At this point there is no way I could ever look at M@lenia and not immediately think of all the disgusting, hypocritical and unfair behavior a big portion of her fans have been doing for years. Which is sad bc I think she is a cool character and I think she has chill fans as well who are nice. Too bad they are overpowered by the most loud ones. And it has an extreme level of irony bc this same type of fan is the one to scream into the void how awful Radahn fans are. I can 100% tell, since I am on every single social media for my ER accounts and interact with people everywhere, that Radahn fans are nowhere near on the same level. Sure, they have their arguments or even slightly problematic behavior but it's never at a level of personal witch hunts and ganging up on others. I know a couple of people who (similarly to me) liked both Godrick and M@lenia at some point, and just altogether left the fandom because of the constant attacks and arguments her fans were doing. So this is a way bigger issue than it seems. And ofc anyone who ever dared to speak about it was either witch hunted or ganked in the tags. I had multiple people hit me up in privately about this back when it was going down, so that definitely reassured me it wasn't just my observation. And, you know, fandom should be fun. Why be a petty asshole for no reason? And to a level that is very much harmful in real life? So their "it's just a game" shit-ass argument when you call out this behavior has no place when it comes to organized harassment that affects people in real life. And somehow it's always the perps who cry wolf. And everyone else who is affected should stay quiet in fear of witch hunt against them. You see this wall of text above? This is me keeping it short. Only scraping the surface here.

[youling-the-ghost]

I just got caught up on the bnha manga and boy do I have some thoughts about the future of the series. OBVIOUS SPOILER WARNING IS OBVIOUS

I don't know how to feel about the fact that bnha could be ending soon. On one hand, I'm glad that the final war arc is finally reaching its conclusion, but on the other hand, there are so many loose ends that I'm worried will never be tied up. I'm mostly worried about the future of class 1-A because every scenario that I thought of had something wrong with it:

Class 1-A continues studying at UA as if nothing had happened. This doesn't quite sit well with me because let's be real here, all of class 1-A were all more heroic than most of the Pro Heroes. Having them continue studying at UA would feel almost disingenuous to the entire final war arc. Despite this, I still feel like this is the best option for class 1-A. After everything that has happened, a sense of normalcy would probably be appreciated. Plus I'd love to see Shinsou as part of the hero course in their second year.

Class 1-A graduates from UA by default and all become Pro Heroes. I don't like this scenario for more personal reasons. The main reason why I love bnha so much is its academia aspects; I loved seeing the characters grow like actual students in a genuine school setting. Having the students graduate would be taking the main charm of the show away, at least in my opinion. Although I will say that it would be incredibly exciting to see the students that we've been following for the past 400 chapters become Pro Heroes, so I'm not entirely against this option either.

The hero society crumbles and heroes cease to exist, thereby disbanding UA and class 1-A. Honestly I'm only including this because it's a popular fan-theory, although I don't agree with it at all. It feels like a slap in the face to every student who faught in the war. It would genuinely be such a big disservice to have all of them who risked their lives fighting in the war, only for their dreams to be ripped from them. Another issue is that in my opinion, the heroes themselves isn't even the biggest flaw within the hero society. I feel like the biggest flaw with the whole system is how the general public views heroes. They see Pro Heroes as saints and pillars who can shoulder all of society's burdens and blames. Removing the job of Pro Heroes would just feel like putting a band-aid on an amputated limb, as the core issue of bnha's society shifting its blame onto others wouldn't be resolved. It would also just be scummy to title your series "My Hero Academia" only to remove the concept of heroes by the end of it. I'm not bashing Horikoshi's writing or even fans who support this theory, I just personally think that it's not a very plausible ending for bnha.

Again, I feel like option 1, where class 1-A continue to school as normal (followed by a time-skip when they become Pro Heroes) would be the best and most plausible option. However, I don't think it would be right for things to completely return to normal either.

I really hope that Horikoshi adds an arc after the current one that explores the aftermath of everything, including the public reaction to how hard the heroes faught against the villains and their unwavering spirit, which could also serve as a proper end to the overarching story of the broken hero society.

This is more of a tangent than anything else, but I CAN'T BELIEVE SHIGARAKI JUST DIED LIKE THAT??? I guess it makes me overly optimistic, but I genuinely thought at one point that Midoriya could save Tenko from All For One because it would be an incredibly fitting end for him. Tenko's main motivation behind becoming Shigaraki was the fact that not one person helped him when he was wandering the streets as a traumatised kid, and a common narrative that all of the League of Villains shared was how their fates could have been different had someone reached out a helping hand when they needed it most. Having Midoriya save Tenko from All For One would be such a satisfying ending, not only for the overarching story of the villains, but for those who wish that the villains could be redeemed. It would be such a perfect ending AND IT WAS TAKEN AWAY JUST LIKE THAT?? I don't buy it tbh maybe I'm just delusional but I have a feeling that the whole ordeal with Shigaraki isn't finished yet.

Lastly, IS MIDORIYA QUIRKLESS AGAIN?? Since Shigaraki had One For All when he died, that would mean that the quirk is also gone, right? So would that mean that he would no longer be able to become a hero? I could see this going one of two ways:

Shigaraki's not actually dead or One For All didn't disappear when he died, meaning that Midoriya can continue using it.

One For All really is gone and Midoriya is quirkless again, but he continues striving towards his goal of being a hero despite not having a quirk.

I think both options have potential and I wouldn't be opposed if either option becomes canon. Although, if Shigaraki gets revived for some bullshit reason, I might just riot. I know I literally just said that I'm not against Shigaraki not actually being dead, but that would require a plausible explanation for why he's dead but not actually dead. I think the most plausible explanation right now would be if somehow Shigaraki's quirk mutates and the "restore" part of it returns, which could "restore" his body again. But even that is a little...eh to me. Either way, I'm excited for what's in store.

You thought I was done, well SIKE! Let's talk about Midoriya's dad! Horikoshi has confirmed in 2018 that his identity will be revealed at some point, but it's nearing the end of the final war arc and still not one hint has dropped about Hisashi Midoriya. I feel like this could end up being another "Aoyama is the traitor" situation, where we think that Horikoshi has forgotten about this plot line, only for him to come back to it in full force that makes total sense in retrospect.

The most popular theory right now is that Hisashi Midoriya is actually All For One, and I actually kind of agree with it. I don't think that this is 100% going to be what Horikoshi goes with, but I think it's a pretty interesting idea that also has decent plausibility. Apart from the evidence that other fans have accumulated, there's also a lot of merit in the storytelling that could stem from this reveal:

It has already been established that the public is willing to turn their backs on heroes, no matter how much they sacrifice to ensure the safety of the civillians, if they believe that the hero is "immoral" in some way. The reveal that All For One is Midoriya's dad would be like the "Dabi is Touya" reveal except 10 times worse because this isn't just some villain, it's literally All For One. The public would not take it well, and that could be a great segue to directly addressing all of the issues about the hero society that Horikoshi has been building up.

This also completes the foil contrast between Midoriya and Shigaraki; two kids who were victims of the broken hero society, one born from a villain and one born from a hero, who become the opposite as they're taken under the wing of the greatest hero and the greatest villain. There's just something so poetic about that that I love.

Let's say that Tenko Shimura does get saved by Midoriya, imagine how he'd feel when he finds out that the person who saved him is directly related to the person who caused all of his pain and grief. It would probably break him, and this could lead to such an interesting arc of Tenko re-adjusting to a normal civilian life, dealing with the backlash that's bound to happen, and learning how to trust Midoriya again. It's such a compelling idea that I'm itching to write a fic about it.

But apart from that, there's also the fact that there aren't many other ways that would make the reveal interesting enough to justify it being such a long mystery. Think about it, there's probably a good reason that Horikoshi kept Midoriya's dad a secret for so long, and it would be lame as hell if he just turned out to be some guy. Having All For One be Midoriya's dad seems like one of the few ways for the reveal to be compelling. I could also see Midoriya being related to the Todorokis in some way, but then it would just feel like the "Dabi is Touya" reveal with extra steps.

And with that, I'm finally done with this ridiculously long post. Again, depsite my grievances, I'm super hyped to see what's to come with the series, and I'm genuinely so excited for chapter 424 to come out.

[rosesradio]

so I never finished Heroes of Olympus but also I never liked Percy/Annabeth in PJO (……. which makes me an outcast I know) my reasons were silly but I was like 13 when I read the first series. (something something she was too mean to MY Percy and he deserved better) ALL this is to say, I’m curious on your opinion of HoO Percy/Annabeth:

“was not a fan of the amalgamation they became in HoO, but that’s another post”

would love to hear your thoughts as to why it was better in PJO or whatever you feel like sharing!

so first off, you should definitely finish HoO !! i'm not a huge stickler for "you have to read all of the source material" (because i haven't read past the first ToA book), and HoO is really only Peak Literature if you're like 14 (not to say adults can't like it obv, i do, but when you get older you notice some glaring flaws lol). that being said, you should still finish it, it has its rises & falls. i for one have been rereading son of neptune (very very slowly) & listening along to the newest olympian podcast. but anyways

i honestly can relate to your take on being young & having a book boyfriend & feeling overprotective of him lol. when i was like 14 & first reading HoO, i felt that way with leo when calypso was treating him like absolute garbage...like that's my little guy lol

so my take on percabeth is kind of a, "like it more than i don't, not overly invested in a fandom sense, take it or leave it" on the tier list. i enjoyed their development in PJO despite the moments where annabeth did give him a bit of a hard time, etc. they had a close friendship & trusted each other & i think it developed into a nice relationship (i will say them getting together the morning after annabeth's older brother figure/childhood crush/war rival Died is some Unhinged romantic timing on Richard's part, but i get that ya gotta wrap up the book & the underwater kiss was still cute, etc).

that being said, i understand how they were seperated in HoO & circumstances were desperate, but obv the judo flip scene was just...ick. i think i saw a post somewhere that rewrote it to where she pulled her knife on him, he pulled his sword on her, the romans got freaked out & then they just kinda half-play sparred with no winner, and that helped percy gain back some of his memories, which i think was a sweet rewrite. but anyways.

in the rest of the HoO books they're just kinda...wildly codependant with no individual personalities. annabeth needs percy to save her in battle because it's not like she's been training Longer than he has, and percy needs annabeth's wisdom because Obviously he has none of his own, Right?? (someone save percy from the stupid allegations i can't do it in these conditions Richard—this is all your fault Richard & the fandom Is Not Helping—)

all in all i think Richard's just...not good at writing established relationships as opposed to build up, which is funny because he pairs so many ships off-page & then we gotta see the amalgamations for the rest of the books (someone save solangelo i can't i need a cig—)

also for the record i think perachel is underrated. i think there was a point in tlo where percy admitted in the narrative that hanging out with rachel was more carefree than hanging out with annabeth, and that's kind of the ideal you would want in a partner.

so i'll take them or not, i like fanart & cute hc's with them & having them as a background pair. i don't see myself writing anything with them unless it's like a request or something though. i ship both of them with other people more in a Fandom sense, remaining a casual fan of percabeth. i know there's a niche group in the pjo fandom that are anti-percabeth & say annabeth is abusive—i'm not gonna say that's a lie or the truth or anything, i can see where they're coming from but i can see the other side of it too.

so yeah, that's pretty much my unorganized ramblings on percabeth ! thanks for asking !!

[theghostbunnie]

How do you see Max and Neil relationship? I mean I know you ship it but why specifically? I’d love to hear your thoughts on it!

I see them my personal fannon wise as having a really deep connection and dynamic where the lines of platonic and romantic love get blurred (when they're older) and even though they're both really terrible at communicating that verbally, and their emotions in general as people, they both just know they can be way more comfortable, honest, and vulnerable around each other than other people bc they really are each other's person. Even when I'm shipping them with other people their friendship is still greatly important in their lives.

Just a silly little HC I have but: Max is shown to be impressed with Neil's capabilities and Neil is shown to be attention and ego-driven. Even though Neil knows not to take Max's opinion too overly highly bc, c'mon it's Max, I HC Neil secretly really likes the way it feels to be "Max's exception." The asshole with few friends and is hard to impress or understand.™

I think I've said it before but I'll say it again too much of maxneil is just ""max and his boyfriend"" rather than Max AND Neil. Max being a huge fan favorite and some fans wanting to give him a romantic partner and Neil being the closest dude in arms reach. Often just focusing on what Max can receive, how Neil feels about Max, what he can do for him, ect.

I love Neil as a character, he's my silly skrimbly and deserves his own life with intricate issues, and affection, and his own needs and flaws.

Neither one of them has endless patience!! They're both very morally grey just in different ways! I love using those aspects about them to come up with angst.

More Cannon-wise though I mentioned how Max is BIG on first impressions not only that, he's goal oriented and specifically wasn't looking for friends in the first episode. When meeting Neil for the first time this kid was: A: very openly unhappy with the situation, and B: smart. Max saw Neil as useful and felt a sensation of kinship. It wasn't until he cussed and yelled out Campbell did he also find him interesting and someone to give more respect towards, due to that sensation of kinship multiplying at the display of taking no shit and yelling at authority about it.

Max still wasn't looking for friends but Neil had showed him a side of his personality that paved a good way towards that anyways. Max trusted him pretty quickly to escape with him.

We know Neil and Nikki had both been victims of bullying, (Neil mentioning being the outcasted kid himself in the Jermy Fartz episode) so they developed a heavy clingyness to their first friend. (In the episode foreign exchange campers they're incredibly distraught he didn't want to be on their team. They're watching him and getting angry/sad about it. I honestly think this same problem they have socially comes back in the recent finale. Neil and Nikki need people to like them more than Max does, he's actively seen trying to calm them down about it.)

So where Max has a "push everybody away" method Neil and Nikki have a "hold on and never let go" to an unhealthy amount. Nikki moves past this partially, Neil doesn't.

Neil had a robot he made JUST to be his friend turn on him FOR being clingy and needy. He blinked away a TEAR when Max called him temporary. Max may have saw him as a friend first but Neil more openly held it closer to his heart.

They both have way more in common than people notice, Neil isn't really the voice of reason to Max's chaos. It depends on the day. Max can loose control of a situation he created for his own gain, Neil looses control when trying to gain attention or gain lack of it actually.

When Max thought he lost Dolph to bears Neil said hope you find him! And outed, But in camp cool kidz when Max starts an uprising after Neil gives him the idea, he's the only person to willingly stay on his side.

When Neil's AI got out of hand Max was impressed, but Neil had to drag him to help. Where as when Neil was lying about the story of Hanukkah, Max tried to give him advice and help him out.

Max both simultaneously uses Neil like a henchman sometimes, but Is impressed by his actions and capabilities. Neil is VERY attention and ego-driven. Max saying he's too dumb to find something just so Neil will happily fetch it for him is him playing on that, although it's a mean move it really shows how well he knows Neil. And even openly admits Neil knows him well too.

Max was the only person who knew/Neil trusted with his bathroom issues. (I hc Neil asks Max to whistle outside the outhouse for him and Max is like "do you know how many superstitions tell you not to whistle outside at night/j" and Neil is like neither one of us is superstitions just start that remix already istg!!!)

Both of their personalities hold so many similarities as well as alot of negative traits so they do bump heads alot, unlike Nikki's behind your back type shit talk, Neil insinuates once to his face he was smarter than Max and got a foul reaction from it.

This post is a lot more messy than the Nikki one as I can probably easily break down a timeline where Max warmed up to Nikki, but with Neil he seemed to connect with him pretty quickly, in reigny day where I mentioned he was quick to shut nikki down, in the same episode he's very driven to figure out where Neil is. Their dynamic is more complicated I think bc when Max and Neil aren't getting along it's more clear and direct and often due to their similar things. Pettiness, selfishness, egotisticalness. On the other side of the same coin they act silently attached to the hip and almost above other people together.

So I guess I ship it BC I like interpreting them with that very big understanding they have of one another, that deep rooted camaraderie, balanced out with that banter of being sassy little shits but in different ways. The potential angst of when they've already become THAT close but their problems of different moral greyness get too big.

The idea of them spending nearly every day together, and deeply loving each other but never actually saying it or expressing their affection in traditional ways, yet still feeling and knowing that love is there.

[critters-crimson-hollow]

˜”*°• Signs I am an Angel Dust kin •°*”˜

Updated 12/10/2024 : Angel was the one writing all of these but we didn’t back then! He was blending with me so yeah! Since we didn’t know we were a system, we talk at the 1st person. Anyway, good reading~

I'm writing down the similarities with my kins. This post is about my Angel Dust identity, so I advise you to read the wiki to understand better.

It can be different for anyone. It doesn't mean you are less or more Angel Dust than I am, okay? I made this to help people who are kinsidering but also to help me. Because you'll see, I have some behaviors or thoughts that are very toxic that I want to get rid of.

I made a list to be less triggering as possible. If you know Hazbin Hotel, you can already know what kind of things you can find on my list.

Anyway, good reading~

(Sorry for the mistakes, English isn't my native language~)

basic things to start with

green eyes, name starting with 'a', european, the date of birth is the 1st of the month…

ITALIAN FOOD!!!

huge fan of pastas (lasagna, ravioli, carbonara…)

prefer fruits over candies

i like cooking

i like to suck...

POPSICLES!

gay femboy~

actually, achillean, but it's still gay

feminine curves (I'm transmasc, I'm a damn curvy man~)

long nails, ALWAYS

fishnets and high boots~

prefer shorts over skirts

feminine body language and mannerisms I just slay~

animal lover!!!

pet owner of two baby kitties~ i would give my life for them

cats, pigs, and cows as pets ♡

i hate moths, too scary

my personality is rather...particular?

arrogant when i dislike you, a tease when i like you

sassy and sarcastic

confident on the outside...

but insecure on the inside.

a sister who is like a bestie~

let's talk about traumas now!

family trauma!

overly sexualized since my childhood, yeah

but i like looking sexy tho

i hate my dad

alcoholic dad and alcoholic family

but my mom's side is neat, so it's fine

if my mom wasn't a sweetie, i would have become like my dad-

my dad makes drugs~

he learned me how to do so

but nope, i won't do that

SA traumas~

love/hate relationship with abuser

it was my step dad, he was a father to me

he is out of my life now, tho

unfortunately, when you have a feminine body, sexual harassment never stops-

PTSD, depression, anxiety because why not

convince people only want to abuse me if they come talking to me trauma related

want a solid relationship built on respect, with someone who values me and wants to be with me…

but don't believe it's possible

because i'm just an object for men, right?

also, a good culture in sex subject without really knowing why

even if i'm aroace, i enjoy the idea of bdsm for some reasons

when i dream, if i encounter an abuser, i give them my body almost immediately

i prefer choosing to give it to them rather than being forced to

toxic, but i know i would do the same irl

i don't watch porn

~~inferiority and superiority complex~~

don't like being seen as vulnerable so…

masking at all cost!!!

"i'm doing just fine, darling." nope

i can handle myself.

but can someone help me..?

self desctuctive

negative self-talk and neglective of myself mostly

i get addicted too easily

to people AND things...

subscribed to toxic people, in friendship mostly

have a few friends i would give my life for

so protective, loyal and caring for them

i prefer being hurt than seeing them hurt

fear of abandonment

often feel like i don't worth people affection

i'm too messy

but i want to be better

overall, a loser baby traumatized boy

That's all I was thinking about! I'm not very proud of being this way, but I can't deny it. I didn't want to have Angel as a kin for a lot of those reasons and also because since I kinfirmed him, flashbacks and memories (from both my current life and kin life) are more recurrent.

I will do the same with my other kins but I wanted to start with my highest kin. -Angel/Stolas

[kitkatopinions]

Okay, so I just watched a Miles Luna cameo video talking about the chant Pyrrha does to unlock Jaune's aura, link here to the reddit post of it. And it's a very interesting video for a number of reasons. Please note that while talking about this, I wanna be aware that my interpretations of what he's saying may not be definitively true. Miles Luna is someone I don't know and I'm unable to ask for clarification on anything he says. I'm simply talking about what this video made me think and how it came across, not trying to say like "this thing he said definitely means blah blah blah." This was just very interesting and I wanted to talk about what I found interesting and what I got out of it.

So he was answering the question "what's the deal with Pyrrha's aura unlocking chant thing in volume one? Was it like a standarized thing, or was the mantra unique to a person's beliefs?"

I'm going to be putting things that Miles said in indented and then talk about the things I think are worth talking about.

"I've always been in the camp that it's the latter, that that's like a Pyrrha Nikos thing."

So this'll happen again, but it's just interesting that Miles' answer comes in the form of 'this is how I saw it' rather than 'this is how we saw it,' which makes it seem like there wasn't an agreed upon conclusion or even an agreed on supposition on what this moment even was.

"The story behind that is a wild one, it takes us back to volume one. Back when me, Monty, and Kerry were... Learning how to tell stories." *Laughs* "Stories that lasted more than like - you know - five minutes, and build worlds and stuff. And back then, you know, so much stuff was rough around the edges. And it was a lot of experimentation, and just trying things, and having to just like, throw ideas out there and commit to them because we just had to work really quickly and..."

Miles talking about how rushed they were, how they didn't know how to tell a real story yet and were just 'throwing out ideas and committing to them' is just... To me, it really seems like it indicates what I already thought, that things weren't 'planned from the beginning' because they were just writing, and writing on a deadline, so they were putting things into the story without fully thinking them through and committing to them because it was all they could do.

"I remember we were trying to establish, you know, we need to teach the audience how aura works. First off-" *Laughing* "I don't think we did a super good job with that. The same with semblances, and a bunch of things."

It's so funny to me that if rwde posters and rwby critics said something along those lines, like 'they weren't good at telling us how aura worked' or 'they really just didn't establish a lot of things very well,' many anti-rwde posters would just hate us. XD And this is what I mean when I talk about how overly defensive some people in the fandom are, because one of the main writers and creators can look back and laugh about the ways they went wrong in the early volumes and recognize that they weren't the best at storytelling, and meanwhile there are fans that would be like 'ummm why do you need your handheld? Obviously aura works like *insert headcanon here* and you should've gotten that through the brilliant scene, you fucking idiot." Like, it's so much easier for me to fondly smile and shake my head at the sort of charming follies of early-RWBY. Random tangent, but it reminds me of watching a movie with my ex-boyfriend where he got angry that I said a character who was getting in a physical fight was aggressive and he rewound the movie several times and made me watch the character start a physical fight repeatedly to 'prove to me' that the character wasn't being aggressive, and I was just sitting there thinking 'I would like this movie a lot more if you weren't so defensive over it.' But anyway, back to the video.

"But I remember we were like 'okay, well Jaune's kind of our like - our big dummy who needs to be taught everything so the audience can learn a lot through Jaune. So Jaune doesn't - It makes sense that Jaune doesn't have an aura, and maybe he like um, unlocks it at some point like during the - the Emerald Forest trials, but like how?' And we were trying to figure stuff out, and Monty goes like-" *Shrugs* "'What if we just have Pyrrha unlock it for him?' And we were like 'how would that work?' And he was like 'I don't know, man, Pyrrha's supposed to be the best. Maybe she's really in tune with her aura. And so like, you know, maybe if like, people are really in tune with themselves and - and in sync with their aura, they can give people with more potential - they can just give them a little nudge.' And we went 'yeah, sure! Why not?'"

So if you applied the ideas of the two criteria here to world building, you have 'People who are really in tune with themselves and in sync with their aura can unlock other auras' and 'People who have potential can get their auras unlocked.' Which means potentially characters who are shown to be confident, self-assured and who know who and what they are - like Glynda, Robin, Maria, maybe WBY now that they had their 'I am a Huntress' moments - could hypothetically have this power if it hadn't been dropped. And who has potential is a bit trickier, but civilians who can or want to fight, maybe? So, would Whitley count as being able to unlock an aura? See, the interesting thing is that I wouldn't consider Pyrrha to be particularly self-assured emotionally. Physically, yes, but emotionally I think she suffers from some insecurities that might give her blind spots. So maybe unlocking aura requires someone to be physically in tune with their body.

"I remember Monty wanted to write uh, Pyrrha's monologue and - and it's so Monty. Um, but it's one of the few things where he was like 'Hey, can I take a stab at that? I think it would be fun.' And he did, and I think it's really great."

Him saying 'one of the few things' is also interesting to me. But I do tend to have the opinion that from what I've heard, Monty would have ideas and Kerry and Miles are the ones that did most of the writing and like, turning the ideas into a firm thing. That's just the vibes I've gotten from the way that they've talked, and this just kind of makes me think that more.

"And it's very - It comes across as very, like, mystical. And like, ooh, exciting, mysterious. Because that was - that was kind of what we wanted the vibe to be about like aura. Like it's this spiritual thing that like, we understand how we can kind of use it um, practically, in combat. But like, emotionally and spiritually, there's so much more depth there. It has room to grow, there's things about it we don't understand. And um, we felt that what Monty wrote kind of encapsulated that sort of mysterious, spiritual um, like, side of it. And also for Pyrrha too. Like it made her seem like she was just levels upon levels higher than where Jaune was at the time. And we also felt - I mean I definitely feel as though, that it's something that like, she likes to think about and something that she says to herself to give her courage. Because if she's gonna fall in battle, then so be it. But she believes that her spirit - that there's a part of her that will live on, long after her body falls, and will go to some other plane on some grand adventure."

A part of me wishes that this had been so much more explained, but also I feel like the spiritual part of things isn't something that I want heavy emphasis in when it comes to the characters that seem to disregard their lives a bit, if that makes sense? Like, don't get me wrong, I'm not one of the people who think that Pyrrha going to fight Cinder is some indication of fault with her or Ozpin or something, I think it's perfectly logical that she went up to fight Cinder. I just also think that adding in that Pyrrha thinks 'if she falls then so be it,' before having her actually die. RWBY has a very dicey at best track record when it comes to suicide (Penny, Ruby in V8) and I think adding in these elements for Pyrrha would just have made it even worse.

"And I think that gives her the courage to... Be Pyrrha Nikos, out on the battlefield, fighting for the lives of others. That's kind of always been my take on it. But yeah, the short behind the scenes answer is um, Monty thought it would be a cool thing to do. Um, that was the answer to a lot of things from back then."

More 'not everything was well planned' indications here.

"Um, and I - and I like it a lot too, because we were really trying to explain to the audience that the creatures of Grimm don't have souls. There should be no moral quandaries about slaughtering hordes and hordes of these scary looking creatures."

Okay, so... I'm going to get into some controversial stuff here, because if they wanted to ensure that there were no moral quandaries about fighting the Grimm in the early seasons, why were they comfortable having the White Fang being such prominent enemies who Team RWBY would throw off of train cars that were blowing up in a tunnel soon to be overrun by Grimm? To me, if I was concerned that people would take issue with the main protagonist mowing down animal-like creatures that acted mindless and therefore had to establish that they don't have souls, I would be five times more concerned with making sure my main protagonist wasn't just tossing aside talking sentient humans especially if I had made them part of an in-universe marginalized minority group. Just a thought.

"And then, you know, on the opposite side of that, if the things that all of our protagonists fight are soulless, then we should make something that makes huntsman and huntresses really strong, it's the fact that they do have a soul that can manifest itself in ways that can protect the user - like the body of the person. Uh - uh, it's just something that, I don't know. It's like warm, fuzzy like faith and belief. And just, it felt like the nice counterbalance to the like, hollow, cold, violent Grimm."

What's interesting to me about this statement is that they wanted Huntsman and Huntresses specifically to counterbalance the Grimm by having proof of their humanity in their souls being so blatantly represented. If it were me, I would have humanity in general separated from the Grimm through their souls. But it's almost like the only people they care about and the only people they want the audience to care about are the hunters and huntresses, and not the civilian figures and random people just living their lives. I think that does sort of come across in the writing with things like Cinder killing people on the bridge in volume eight and knocking them down but then later on Yang saying in volume nine that they saved everyone, and Weiss throwing the guards into the ocean never to be seen again, and no one really bringing up or caring about how Mistral is pretty much defenseless, and so on and so forth. I think this also comes across in the fandom, where I've seen people talk about 'why would we care about the NPCs' and things like that. This just makes it seem to me that the writers don't really care about civilians.

"So yeah, that's kind of my all over the place answer, I hope you like it. Because that's how I always felt about it. We kind of just rolled with it back then, because we had to, because we had to work so fast, with so many constraints working against us."

The fact that even the main writers and creators seemed to be on time crunches where they couldn't take the time to really figure things out speaks volumes I think about how Rooster Teeth does business. Also, more little reasons here to not believe everything was planned from the beginning. Miles Luna says they just rolled with things not even because they wanted to but because they had to, because they didn't have time to put more thought into what they'd do before they did it.

"And we were super inexperienced. Um, if I were to do it all again, I would wanna - I would wanna dig into that more. I think there's some cool, untapped potential there. And in a million other places in the show."

This is so true that there is so much untapped potential in RWBY. But I just think it's really funny that once again, this is something rwde posters and rwby critics would get blasted for saying. XD Like I remember one time posting like 'there's so much I would change and explore more in RWBY if I could reboot it' and someone in the comment section was like 'I bet your writing sucks, idk why you think you could improve anything about RWBY.' If I said RWBY was full of untapped potential and I wish it was dug into more, I might get accused of being a know-nothing idiot or an obnoxious entitled brat, lol. XD

"Um, but, you know, those rough edges and that sort of like - amateur is too strong a word - but the - the over ambition of RWBY, I think has always been one of its greatest strengths and also greatest weaknesses."

For once, I completely agree with Miles Luna. One reason why RWBY is something I keep coming back to is that there's just so much there to work with, so much that could be really good. But it's also one of the biggest flaws of RWBY that it always packs so much in that it just doesn't seem to have any interest in properly exploring or following through on, and I do think it would be a much better written show if the writers would just stop and take a breath and scale back and edit to what they can handle. It's like filling your fridge with a ton of perishable food in the hopes of cooking amazing meals, but then not taking the time to ever really cook or do anything good with the ingredients and then throwing together a hodgepodge sandwich before (or even after) things start spoiling in the fridge. It's great for creativity and it makes me want to actually cook something good with all those ingredients, but you still think they shouldn't have been that ambitious and you're like 'next time you go shopping just buy stuff for a regular old sandwich because apparently you can't handle it, and this sandwich has moldy cheese, too many vegetables, balsamic vinegar, mustard seeds, uncooked lobster, and a twinkie. What were you thinking?' Anyway, long spiel short, RWBY has great potential, endless heaps of good ideas that are inspiring and that's one of the best things about the show! But it's also way too ambitious and it leaves the show in a mess. I don't even have a good solution that would keep the scope of the show and how it gets the creative juices flowing without being too much for the writers who can't seem to do any real depth or follow through, I'm just talking. XD

"Uh, but it has a lot of charm, and we had a lot of heart back then. And i'm glad that people still think about volume one to this day. It's just cool."

It's interesting to me that Miles Luna says 'we had a lot of heart back then.' Now again, I'm not trying to say 'Miles Luna definitely meant that they don't have heart now,' because I don't know him and I don't know what he meant, but just the nostalgia in his tone and the way he talked, it made me think about how RWBY used to feel like this loved thing that people really wanted to do, whereas now sometimes RWBY feels like the thing that people don't want to do that they're just plugging away at, and like skipping past loads of exposition and having their characters act exasperated and tired out by everything. I've gotten to that state where I was really excited about writing something, and then when I got out of the mood to write it and was just forcing myself too, it would leak into skipping over important things and just writing the characters to go through the motions in like vague annoyance because I was vaguely annoyed. It's a sign that I need to grow as a writer, but it also makes me go 'do I really want to even be writing this, does this even spark joy' and sometimes the answer is no. And it just kind of feels like sometimes that's what RWBY is now, a project people don't want to do anymore that no longer sparks that same joy that it used to.

But on a better, lighter note, I'm glad too that people are still thinking about volume one, because it often feels like the RWBY fandom on the general whole just doesn't even like the early volumes and wants to forget them, or even forget seasons 4-6 sometimes. Some people will act like the only thing that matters is the present, and looking at the setup or the early established things is just stupid when it's like... No, that's the whole thing that RWBY was built on. Volumes 7-9 alone don't tell a complete story. It's a hodgepodge sandwich full of a bunch of mismatched stuff maybe, but I really feel like the people that eat the whole thing and might complain about the bad parts actually like the sandwich way more than the people who take the top piece of bread and then tell you that all that other stuff doesn't matter anymore. XD But yeah, that's just the things that I was thinking about when I saw that cameo video.

[castlebyersafterdark]

i know we are free love around here, 60s vibes, but do you ever feel a little shameful about liking noah or finn deep down? i still do :( not for queer reasons, just because they dont know who we are but we know lots about them comparatively. idk. sometimes i feel like im ogling lol. i mean, i am, but idk why that feels shameful.

Hmmmmm interesting one. To be honest - not really? I think I was hesitant to actually post or type out thoughts earlier on, but it wasn't like the thoughts weren't already in my brain, the thirst and the admiration and the imagination. I more felt bad about other people getting uncomfortable but just in that they needed a warning this was happening here and that's what my blog was about - and I think I give that vibe by now, it's pretty apparent what we're about in this little corner. If people hated it, they'd have told me and while I got hate in the past here, never about enjoying the boys. (Yet. Hoping to not jinx it.)

I understand the hesitation someone might feel though, and not everyone needs to be so blatant in regards to sex and scrutinizing lives and discussing the little personal details we find. But - I don't think there's anything wrong with it while staying in your lane. I keep it private, to the blog. It would take work to find a random untagged tumblr blog. I think we as fans of the famous have to reconcile the reality that celebrity comes with a layer of exploitation and too many personal details accessible to the public, their image copied everywhere, a little intrusive at times on a larger scale than the average person - but what are we gonna do about it? Human nature.

Does anyone really need to be famous? Nope. But people are talented or in the spotlight and so now we are aware and now we've latched on and formed a mental connection and we are interested and you can't take it back or shut it off! We are attracted or invested! Etc, etc. So - yes, we are ogling. But we're ogling strangers or people we know irl, too. We're looking up people's lives on social media and paying attention to details. We do that with anyone we know and form a mental connection towards. Like I said - for a celebrity this just happens on a larger scale with more people doing it. I think even if someone denies attraction, which is valid, liking a celebrity and following their life at all is a lot like having a crush and how a crush occupies the brain.

Maybe it plays into the current culture of guilt with any personal pleasure and that includes basic enjoyment of things that are overly indulgent? And celebrity culture and interest into it plays into it. This is definitely an indulgent interest or hobby. Or how people say that having a crush and thinking sexual thoughts about someone else is bad because it's non consensual WHICH - NO!! That's not how it works!! That is very dangerous thinking and what got the internet to where it is today. You can be attracted to and think about and even get off to other people and it's totally fine and natural and human. It's a culture of guilt and repression we are becoming suppressed and trapped under. It's totally OK to embrace interests and embrace sexuality and I'm not just talking about orientation.

There's a difference between saying all these things to a person's face and making them actually uncomfortable or going into someone's DMs and saying a bunch of out of nowhere sexual stuff or sending them explicit things about them. There's a difference between finding someone hot or talking with your friends about it or mentally getting off and treating the real person not like a real person with agency etc. Basically my rule is - is what you are currently doing about this affecting their lives?? If the answer is no, where is the harm? Stay in your lanes and appropriate spaces, let your brain wander where it wants and embrace it - because thought crimes are not real.

Fully down with and agree that my whole vibe is very free love and non-judgement and openness about sex and not just sex, but anything that brings safe harmless enjoyment and eases the mind about being true to yourself.

[heroesoath]

Realized that some people might not be familiar with my muses, and what they can do, so here's a cheat sheet for my mutant muses specifically. I can write about the non-mutants at a later date!

alex.

Alex has the mutant power to absorb energy, though more specifically radiation and shit from the cosmos like sunlight. His body stores this energy where he can later expel it in a blue or yellow colored plasma form in blasts, waves, and other means.

I personally think that when he stores too much energy his body can become overheated. It starts with a burning sensation in his hands and it spreads, it's why he constantly has to shoot plasma every so often. Alex has a long history of not being able to control his powers, the goofy original costume with the eggbeaters on the mask and the black spandex was created so he could control his powers more easily because they are dangerous! He can essentially be a walking atom bomb if he's not careful.

dani.

Dani's powers have evolved over time, but originally they were seen as the telepathic ability to create illusions based on people's greatest fears. They have since been expanded on so that she can create illusions based on anything, and they can become physical constructs. A popular illusion she can make are psionic arrows, since she's a gifted archer.

I want to point out that Dani's powers were originally VERY tropey, she's Cheyenne and Claremont literally said let's make her a literal Dreamcatcher. it's iffy and it needed to be addressed. Another tropey ability she has is her rapport with animals, but I now associate this more with her telepathic gifts rather than it being a separate thing.

Dani can read minds, but it's not something that's easy, she tends to stick to her illusion based powers and archery in combat.

jamie.

Jamie has the power to create duplicates of himself! Originally this was an extremely hard power to control, and like Alex, he had to wear a special suit to help keep control. Since those days however, Jamie has had the smart idea of sending his duplicates out into the world and doing things, whether it be attend college, medical school, law school, become an olympian, his duplicates have done a lot of things and Jamie would eventually find them and reabsorb them, retaining their knowledge and skills they have obtained. The ethics of his powers have been discussed not only in the comics, but by fans alike. It's an interesting question if Jamie's duplicates have autonomy since so many of them have different personalities ( all parts of Jamie's overall personality ).

When Jamie needs to fight, he'll just create a bunch of dupes, he's a one man army and there's something unsettling about seeing a clone army coming at you. Luckily for him though, Jamie tends to just use his powers for passive reasons, like when he is a detective or more recently a scientist on Krakoa.

jean.

Jean is a telepath and a telekinetic. I'm not going to get into her omega level status, she's extremely powerful and that's great and all, but people who focus on that aspect of her bore me to tears so I won't subject anyone to that either. She's good at what she does, she can move things with her mind, read people's thoughts, lots of shit with her brain.

Jean is also the host of the Phoenix Force, a cosmic being whose exact nature has flipped back and forth based on the writer, but it seems that they are moving back to the original intent of the force from Chris Claremont's brain. The Phoenix is Jean's power, and it's uniquely tied to her and her bloodline alone. She's the cosmic firebird of all creation and life, it's wild, it's terrifying, and it's fun. I'll probably write more about this once Jean's new solo comic comes out.

julian.

Julian is a telekinetic. He probably has the most simple powers of my entire mutant cast ( along with Piotr ) , he can move things with his mind and fly. His powers manifest as a green light, not unlike the Green Lantern Corps of DC fame.

His powers are not overly powerful, he's not on like Jean or Rachel Grey's level, but Emma Frost did unlock his potential when Julian flew across the United States at the sound of light in order to save Laura from dying. After this event his powers began to be very finicky, but they seemed to have stabled out.

I remain on the side that he's not ultra powerful, but in moments of distress or when he needs to save someone he can tap into the part of his brain that controls his power levels and manifest a higher control. It's rare though and when he does he ends up in a light coma for a few days to heal.

piotr.

Piotr has the power to shift his skin into steel. He grows in size and becomes extremely strong in this form.

He's a perfect defensive wall, he can crash through things, throw things ( and friends ) and do probably untold damage to most things. It's probably the most interesting thing about him from his original introduction in the 70's. He's the team's bruiser and tank and yet the duality with his soft and gentle personality makes for an interesting take on the "big guy" trope.