#this is great development for both of them

[mvrdermeharder]

Now that the official translations are out I wanna ramble a bit abt the new chapter

First of all, I actually think that Isagi’s writing is very interesting here. He’s always been someone who could connect with others easily, and imo he’s been the most empathetic person in bllk (which makes sense regarding his upbringing ofc). But also, he’s used this empathy to his own benefit, as it came naturally to him to understand others and to feel for them. What obviously comes to mind is this scene with Bachira from the second selection

So it’s interesting how his new awakening is all about throwing his emotions and empathy away. And the more I think about it, the more I am on board with it. Kinda.

Because reading the new ch, I felt so off seeing how emotionless Isagi is all of a sudden. Especially these panels, his eyes look soulless and he looks so utterly empty inside that it’s actually off putting

And the puzzle-eye panel creeps me out even more: I know this is manga, but even then, the facial symmetry is uncanny, the perfect roundness of his irises looks unnatural, his face is drawn too perfectly. It literally resembles a soulless robot with a human face, and it actually makes me uncomfortable to look at him.

And throughout the whole chapter he either has an impassive expression on, or we see his back only… which is so weird, since he’s been quite expressive up to this point. Getting no emotions from him feels especially strange.

And to be honest, I kinda like this development. Because it’s interesting.

But also… if i think about it, subconsciously pushing aside his empathy for the sake of victory has always been there inside of him… and this mentality too, had been proven to be valuable.

This scene with Kira is where we first see his ego awaken, so maybe this is the truest, most original form of it…? Just like what Noa said in this chapter “we may have opened the door to Isagi’s ego”. And it might be about wanting to rewrite fate? Destroying stronger opponents and the expectations ppl have for them, as seen with Rin’s blocked goal in 284. (Or even Bachira’s development in the second selection is sort of Isagi destroying the script… huh. Even tho that’s based on empathy… hmmmmmm looks like there are multiple ways to destroy fate)

But back to the current development, I wonder if this is what Kaneshiro hinted at when saying that he hopes we’ll still like Isagi. Him changing to this unemotional, robotic player… It would be interesting to see how this could backfire w him hurting others because of his discarded empathy. (Ooo Kaneshiro had also said that Bachira’ll be important in the story again👀)

But what’s interesting, is that I actually think that Isagi’s recent proposition to abandon all feelings and ego is actually… good for Kaiser? Like, I wouldn’t say that it’s completely healthy, but it’s definitely healthy-er than the shit he has going on rn?

I talked about how Kaiser pushing himself into his childhood mentality isn’t the answer to achieve his goals, him perceiving himself as an “unlovable sub-human who yearns for love but can never gain it” is not the right ego and it can lead to catastrophe…

So Isagi telling him to “abandon our egos”?? That’s perfect, actually???? Isagi reassuring Kaiser that they will both put aside their dislike for each other for a while? For the very first time someone is not actively looking at Kaiser with some type of malice, or not just using him for their own gain, but putting him on equal ground instead? Even if it’s to use each other, it’s not… ill-natured. For the first time Kaiser is not a piece of shit nor a rotten manipulator full of malice.

Bc let’s not forget: Ness has never been on equal ground. He’s a dog subjected to malice. That is all that Kaiser (is allowing himself to) feel for him. And Ness’ love born out of manipulation can never be recognized as valid and honest. It’s so fucking hard to accept love and kindness from someone when you feel like you’ve manipulated them into liking you.

So well, getting back to 285, the team-up with Isagi does not equate to “feeling loved”, but still, it’s a peaceful neutrality.

And the best thing is, now that Kaiser is (likely) abandoning his own unhealthy ego, the real goal stays the same! He’s still encouraged to score, by which he attains a bit of love, but his self-loathing is put on a pause, so he doesn’t have to play in restriction. Isagi is right there for now.

And ofc, i’ll say it again: this is not the final solution to “fix” Kaiser’s psychological stuff. But it is still better than whatever he had experienced before, and it could be the first step to get used to being treated as an equal instead of an enemy - to accept something that is not kindness, but definitely not malice either.

I mean look. This is literally the first time that we see him get physical with anyone. Touching someone without ill intent. And that’s huge.

So all in all: This chapter was GREAT!!

(But as always, feel free to disagree, these are only my opinions)

[kennedyhateskanye]

Jinx dating head cannons

because i unfortunately developed a deep and uncharacteristic attraction to her.

Warnings: angst, f!reader, writing of drastically poor quality probably, codependency,

Jinx isn’t all there, you knew it very well going in, both of you, which is why her intelligence, depth, and capacity for love shocked you. Of course her mental illness rises and falls. Flaring up and resolving itself several times each day. It’s not uncommon for her to be extremely lucid and seemingly resolved of any mental block for a few hours, behaving so “normally” you’d forget she struggled at all if you didn’t know her so very well.

Of course the longer you loved her, the more resilient you became to the emotional roller coaster she dragged those around her on. You learned not to take it personally. And even more importantly, to never hold it against her, after all, if it was hard for you to deal with her mental anguish, it must be infinitely more difficult for her.

However, what most people don’t know about loving jinx, when they picture it, is that all the work it was seemed minuscule in comparison to the pay off.

She was a force of nature, complex and beautiful and unforgiving, to witness her was to be put in awe. Any struggle she gave you was collateral. You’d walk through fire through her love. Enormously more warm and sweet and all encompassing than that of any of the smirking pilties that turned their nose up at her.

She’d wake up in the middle of the night. To watch your chest rise and fall, and to thank her lucky stars that you were here with her.

She thought of you in everything, saw you in everything she did, evrey task she carried out, every tool and trinket she built

It was near constant you’d walk into your shared room to find something she’d crafted for you with her own two hands and her remarkable genius. Welded flowers, jewelry boxes, wind up toys, hell sometimes you didn’t even know what they were supposed to be, all painstakingly painted in great detail with her signature colors.

That and the notes, oh the notes. all scribed in her chicken scratch with her special quill fountain pen. You’d find them everywhere. Under cups, in your journals, on the walls, hidden beneath pillows. Some were proclamations of love, some were slightly nonsensical. Some were drawings of you two, or sketches she did of you while you weren’t looking, ink strokes depicting you distracted with a task, face scrunched in concentration.

You guessed all her little tendencies were not only small acts of love, but also reminders, that she was there, even when she was away. Jinx struggles with abandonment, scratching grading voices telling her you’ll leave her, storm off and forget about her without a second thought. So, Subconsciously she reminds you, tries to entertain and to please even in her absence.

You are her first thought in the loneliness of the morning when you’re not yet awake, she often feels a pang in her heart at the thought of you and wraps herself desperately around your body, nuzzling her face into your neck or chest to capture your scent and your presence.

She lets loose for you, lets her hair down, lets her hips sway to the music while she’s working, lets her foot tap absentmindedly, lets her subconscious train of thought out, and finds herself loving nothing more than when you reply to each bit of her ramblings as she goes.

She has never felt such relief as she has for the duration of your relationship. Someone to stay, to rub her temples and hum for her when the voices swarm hurting her head. Someone to disarm her when she hallucinates, using practiced exercises to help her check reality. Someone to bandage her hands when she chews at her cuticles and skin absent mindedly

The care absolutely goes both ways, though, and jinx truly does dote over you in endless ways.

She can sense when you are even slightly altered in any way, frustrated, sad, doesn’t matter. She can tell, and she uses her supercomputer of a brain to make a mental bullet list of the most effective ways to make your uncomfortably dissapear

Sometimes jinx looses herself in her scattered mind and forgets to come up for breath. Forgetting to bathe, to eat, to sleep. You take the burden off her shoulders, slowly and tediously washing all of her long blue hair, braiding it back into a wearable style. Scrubbing days old makeup of her face with a washcloth and a gentle hand, taking turns biting out of something you cooked for her.

After these sessions you dress her in your clothes and lay in bed together for hours wide awake, while she stares at you with wide beautiful eyes, saying very little, iorn grip on your arm or your hand, her heart racing with immeasurable love and affection

That’s a whole other thing, jinx has a very serious staring problem, your not sure what it is, but you’ve come to accept it, she often goes selectively silent and stares with her eyes blown wide. Taking in evrey facet of your being. It’s unmistakably affectionate

Jinx wants to be buried with you, jinx wants to see you through evrey season of every lifetime. There’s no question that girl loves you

[astra-ravana]

Mirror Magick Applications

Mirrors are a big part of our lives. Mirrored surfaces, both man-made and natural exist almost everywhere. Every culture has myths regarding mirrors and I'm sure some of these we have all heard. Such as breaking a mirror is worth seven years of bad luck, that you shouldn't keep them in the bedroom, or to cover all your mirrors after someone dies, so their soul isn't trapped. Mirrors are more than just shiny bathroom fixtures, they are literal portals and amplifiers with several magickal utilities.

Trapping Energy by Charging Mirrors

Mirrors can be used to 'trap' the energy of any setting you find particularly powerful. For example: leaving your mirror close to the ocean waves or in a dark forest overnight. It will absorb the potent natural energies, then you can use the mirror in late workings as you please.

Lunar magick is another area where mirror work is ideal. Place a few mirrors under the moon to charge them with the energy of that phase. If you want to use them for a specific purpose, consider marking them with a symbol or sigil. When you need the energy of the moon, or a moon phase, you can access it as needed by using an appropriately charged mirror.

Amplification

Mirrors, like crystals, can help to amplify the power of your spells ans rituals. Keeping a mirror on your altar can bolster and increase the success of your workings. Just as focused sunlight on a mirror ignites a fire, focused magick will ignite a spell. Make sure your spell components are reflected, or better yet, perform the working on top of a mirror, to substantially increase its power.

Scrying and Accessing Other Realms

When correctly utilized mirrors can be used to access messages and visions that we wouldn't normally be able to connect with. Scrying is an ancient divinatory magick that is often used as a form of fortune-telling. Traditionally, a lot of scrying was done with water, the ancient Celts and Greeks even practiced this form of divination. Mirror scrying is an evolution of these water oracles, with historical practitioners like the famous John Dee, who used highly polished silver, brass, mercury, or obsidian.

Scrying wit mirrors can be particularly powerful due to the idea that your reflection is the manifestation of your soul. When viewing your reflection, if you're well in tune with yourself, you can ask your soul questions regarding your life and development or even open up the door to another dimension entirely. Mirrors can be enchanted and sigified into being gateways in and of themselves.

Many scrying mirrors are black because one's own reflection can be rather distracting. The traditional material of a black mirror is obsidian, however you can craft your own by painting one side of a piece of glass black. Picture frames are great for this. A black mirror is the best option for scrying as you won't be distracted by your own features, leaving you open to interpret your visions.

Banishing

Mirrors, as reflective surfaces and magickal conductors, are often used in banishing spells. Banishing magick can be used when someone is directing negative energy your way or you're being harassed. In this case, a mirror can be used to return bad energy back to the person who sent it.

Banishing magick can be a wonderful tool when applied to bad habits or negative thoughts as well. To banish an idea or behavior, encant something akin to: "[what you're banishing] you've caused me pain, I banish you, now stay away. Mirror help to reflect my plight, and keep [what you're banishing] out of sight". Keep the mirror close to you in order to protect you from what you're banishing.

Defense

Mirrors are also an incredibly effective defensive tool. They can deflect any negative energy, ill intent, or malevolent spirits sent your way. By placing mirrors in areas where you need the most protection, you can repel any unwanted energy trying to infiltrate your space. For added potentcy, draw a protective sigil/symbol on the mirror and/or place a protective crystal in front of it.

Hexenspiegal: The Witch's Mirror

A hexenspiegal is a small mirror used as a protective charm to reflect away baneful/attack magick, the evil eye, and other bad omens and intentions, as well as return the energy back to its sender. Its basis is in German folk magick. Translated, it means "witch's mirror". Hexenspiegals may be suspended from cords, fastened to walls, or, in the case of small ones, worn as jewelry. You can make your own by cleansing, decorating (optional), and sigifying/enchanting a small mirror to your intent.

[rainydayssj]

I agree with a lot of this. I always appreciate it more when a show lets the viewer make their own interpretations, which allows them to interact with the story, as opposed to laying everything out at all times.

However, I think the problem for me at least was not that the storylines were “too vague” it was that they were barely there at all. As in the opportunity costs of the narrative choices they made weren’t explored either. Kind of a “all those cuts and for what?” issue.

An example being the choice to timeskip to the end of Caitlyn’s dictator arc. This loses out on some great development but ok, with this frame of mind they could switch to instead focus on how Caitlyn will redeem herself in the eyes of both her mother’s legacy and in Vi’s eyes? Maybe she can explore the power of forgiveness and maturity and what it means to make these choices when lives outside of yourself (Zaun) depend on it? But they didn’t?? Do anything like that either?? Caitlyn isn’t allowed to grow, only feel regret and fatigue. Same thing with Vi, Mel, Sevika…

Almost everything character-wise was put into “turbo-fuck-it-just-get-to-the-finale” mode. It’s like they weren’t even trying to leave things for interpretation… more like touch-and-go tying up loose ends to justify sticking everyone on the same side in the same place for the finale. Which is, objectively bad writing.

I’m choosing to do the same as you by filling in the gaps with my own interpretation, but I think it’s still justified to point out the gaping chasms of what could’ve been, given the quality of writing we know they’re capable of.

I knew we would eventually reach a point where masses of people would misinterpret Arcane, but I never imagined it would be this bad.

Yes, I absolutely agree that season 2 was rushed, especially Act 3, and it is undeniable that the series would have benefited from at least one more episode if not an entire act. However, the current discourse about the show is so superficial that it's impossible to have a conversation about anything deeper but a mere synopsis of the characters and story.

So many of you expected this series to hold your hand and dumb everything down so you can understand it. But when it wasn't the case, you all started rioting and calling the characters vague, the plot bad, and the ships underdeveloped.

The amount of people who value spoken text more than the actions of the characters is worrying. And more worrying than that is the amount of those who interpret the said actions so superficially. I can't believe it needs to be explained that it wasn't Vi's death that led to the "good" timeline, but the lack of hextech. The result would have been the same if either of them had died. It wasn't about Vi, but about the child that died because of dangerous technology and that therefore that technology must not be used. The mischaracterization of Vi in general is insane. Call me biased and unfair, but the moment I hear you don't like her I will assume you didn't understand the show.

Also, the whole discourse around Caitvi scene in episode 8 is giving brainsmooth. No, Vi didn't choose Cait over Jinx, quite the opposite. No, Cait didn't plan all of it to fuck Vi. No, Vi didn't do it because she felt forced or because she is a horny animal who doesn't care about her sister. No, them fucking in a cell is not about the class difference, but about the fact that Vi felt an insane rush of emotions after realizing that Cait would let go of her revenge and help Jinx escape, all for her. Yes, I do agree that it would be nice if we got a longer conversation between Vi and Caitlyn and it would feel great to hear Cait apologize, but I'll always value actions over words. Her talking to Jinx, recognizing that she is just as bad as her, and choosing to trust Vi that her sister can change, thus letting Jinx escape will always mean more than any verbal apology and I'll die on that hill.

Also, it was Jinx's decision to let go and walk away. It was not about Vi trying to get to Vander, but about Jinx being tired of everything. Even if that fight didn't happen, the result would be the same: Jinx would leave because she knows that Vi couldn't do that. She knew that the two of them couldn't have a normal life together and that Vi would never give up on her. Jinx didn't "die" because Vi pushed her or failed her, but because she loved her too much. Whether you believe that she is dead or that she escaped, it's her decision either way.

Again, I agree that too much happened too quickly, but stop confusing your stupidity and inability to read between the lines with the quality of the series.

Arcane is flawed but still brilliant.

[sasahuaa]

Azul Ashengrotto as an omega

Riddle - Leona - Kalim - Vil - Idia - Malleus

gn!reader; sfw (subspace is not meant to be smutty but can be perceived as foreplay depending on reader’s wants); word count: 3027; tw: Azul’s canonical low self-esteem

The ocean is ruthless with its inhabitants, and the Coral Sea is no different. Despite the fact that this population is not lonely like the majority of the sea creatures, they learned to toughen themselves up, eat before being eaten, try to become greater than you look, force those around you to submission.

Azul's weak, soft heart was subjected to this terrible treatment. He became used to the dark and cold reality that his homeland, hiding himself in his octopot or running away using his ink as a distraction was something he mastered before meeting the tweels.

And the more he was hurt, the more he pitied himself. When mermaids with pretty, colourful and bright tails existed, who would look kindly to a disgusting octopus? Omegas are meant to be beautiful and soft, like Rielle! Or at least, that's what his former classmates used to spit at him, who could spare a glance to this poor unfortunate soul?

He would show them, though, Azul would swim higher than all those insolent mers ever could.

Courting

Getting to know you was like breathing through his nose for the first time, refreshing and terrifying.

When he met the magicless alpha from Ramshackle, he thought you could be easily defeated much like your friends, as the quote goes “you're the average of the five people you hang out the most". Azul is an observer, watching his prey before making any move, enticing little fishes until they fall into his tentacles by their own choice.

So of course, you self-sacrifice the little you had to protect your friends. And he underestimated you, he admits. Azul failed in seizing Ramshackle dorm, but he wasn't mad about it, after all, his interest was picked by the resident of it.

“I think you are pretty great without having to steal from others. You have a strength greater than any magic. You are a hard worker, Mostro Lounge is proof of that, it's more difficult to be better at working hard than at magic.” Do you know how his heart palpitated after hearing your kindhearted words? It surprised him at first, but he shrugged it off for this alpha just being a flatterer, he wasn't special, he thought, he was merely stunned because he didn't think you would act mellow with him after almost leaving you homeless and slaving your friends.

Azul got closer to you during winter break, after dealing with Jamil and receiving you from time to time. Mostro Lounge has the scent of the beach and coral reefs, he personalized the candles to do so, and the more time you spend with him there, helping him cook for two and then choosing a table for you both, the closer he gets the candles to you, making the smell cling to you.

The housewarden is quick to notice his feelings developing, he feels nervous before you visit him, tidying up his lounge and VIP room when you confirm you imminent presence, he is flustered frequently around you, specially when he hears your compliments or words of praise about his establishment, spitting ink discreetly (or he thinks he is being discreet) on napkins as soon as his heart misses a beat and he changes colors.

Yeah… color changes, apparently he learned that he can get even redder than an angry Riddle, or get blue to purple color. That afternoon, while in the bathroom and trying to put his act together before returning to your table, he noticed his affections for you.

Octomers change color to attract mates, also omega octopuses release chemical cues with their scent to seduce alphas, it's alike a pre heat scent, and bringing his wrist to his nose to check- yes, he is awfully aware that for mers he is not being subtle at all.

Azul uses suppressants and scent patches, his scent to attract a mate was so strong that even his precautions were rendered useless. This alpha certainly bewitched him!

Mentioning mers, now Azul can understand Jade and Floyd's strange behaviour, eels have a more keen sense of smell, so undoubtedly they caught up first on his scent. The tweels sometimes lurks by the table, teasing him more than normal, Jade would snicker a comment about a famous tale of a mermaid princess and a human prince mating, or Floyd would steal the cutlery, leaving you and Azul to share one pair.

At least they were keeping these disgraceful actions in private (Azul cheered momentarily).

About his little huge crush… Azul is a bit lost. In a quiet evening in his dorm room, looking at himself in the mirror, he wonders if he has enough confidence to pursue you. If he was younger, he would say no, Jade and Floyd were his only friends, others his bullies, what would make anyone fall in love with him?

But he had worked on himself since then, Azul considers himself average in appearance, he is strong in magic and one of the top students in NRC, on top of that, he is successful, he wonders if this is enough to become a prospect mate. Also, he knows how to appear confident, and a reliant person is attractive, right?

Azul won't outright ask for courtship, he prefers for you to notice yourself that he is your best option in a partner, that way, it seems that it was completely your choice and he would escape the embarrassment of a confession! Two birds in one stone. Also, he can't underestimate the power of body language, like the great witch of the sea once said! He considered making a contract after he ensnared you, but decided against it. He wants a relationship built on affections, someone that won't leave him because it's their choice, not because they are afraid of suffering the consequences.

With his plan in mind, Jade and Floyd intruded in his schemes unprompted, most often than not jabbing at him and trying to discompose Azul in front of you, the twins would often push Azul to your direction, making him trip until you caught him in your arms while asking if he was okay.

The housewarden also would use his new point system in Mostro Lounge to his favour. 1500 madol to gain 3 points, and 50 points are necessary to have a meeting with him is the usual offer that his clients receive, but Azul would place discount coupons for you to find, free points pamphlets or giving you more points than the deal. Besides the usual night meeting that was usual between you two during winter break that turned into a normal occurrence even after the classes returned, you now are frequently in his VIP room in “professional” meetings.

If you don't have anything to ask for in a deal, that's fine too, you both could do anything at all, save the deal for later.

Before, Azul used his secondary gender to entice more people to his contracts, he wouldn't submit or act flirtatious, but he release pheromones to appear benevolent and willing to help, not his fault that so many betas, alphas or even omegas fall for a compliant omega. With you, he was also more blunt, resting his cheek on his palm to flaunt his neck and looking at you through his lashes, he worked everything in himself, he can be more omega-like to accomplish his objective.

He may think he is being smooth, but Azul is a pathetic loser in love, he schedules your “dates”, but he is losing his shit behind closed doors, like a middle school girl with a crush, squealing when he receives your texts, and sometimes he is so damn obvious, staring at your lips intently while turning purple.

Just look at him, permit yourself to drown in his spell of love, breathe in his chemical cues of seduction, and eventually become utterly his.

After you two are officially courting, there's some unhealthy behaviours that needs to be worked upon. Azul often thinks that his value comes from the things he possesses instead of himself, in a way he feels empowered by your relationship, after all, you are the perfect mate, but sometimes his admiration falls onto the toxic side. He started the process to accept himself after the overblot, but on hard days he returns to the old habits, you would become his world and he would feel crushed without you.

It will take guidance and time to form a healthy relationship, he hopes you won't give up on him.

Growling

When he was little, Azul used to growl more, it was one of his only methods of defense from his bullies, to cover their sneers with his sound, hoping the agony of distressed omega would keep them away. As he started his business with deals when he was a junior he learned to contain his growl, for his stepfather explained to him that people who seem friendly and approachable are the most successful.

And while in NRC he almost never growled again, besides from the usual tiring P.E classes, but he would only do that when he was sure no one was listening, for showing weakness was disgusting. For many students, Azul was one of the most calm omegas in the school, and his Octavinelle dorm mates would report that even if they acted up and received a scolding from their housewarden, they never were at the end of a growl.

With Azul becoming comfortable in the relationship, his growls towards you are not out of irritation, if you have a disagreement he still wouldn't voice these tones, preferring to be reasonable than to concede to base instincts, he growls in playful situations, rather.

Like when playing with board games, if you do a move that renders him defenseless, he will growl in betrayal, how could his alpha be so ruthless with him? All of that while his lips quirks in a soft smile.

Purring

Like growling, he doesn't do it often, the moments that he is relaxed are rare and far in between, his mind never rests, his responsibilities and insecurities weightening on him.

When Azul was a little octopus, he purred while protected in his mother's arms or inside his octopot, using the vibrations of a broken purr to comfort himself after a rough day in school.

It also takes Azul to be comfortable in your relationship to purr, they are low sounds and very soothing, his body barely moves when he is making them, so you won't be able to feel it when placing a hand on his chest or neck.

He purrs in times where it's just the two of you together, most likely in his VIP room or any of your dorm rooms, when you cup his cheeks with your ring finger caressing the behind of his ears, his pale skin changes to a plethora of colors while he smiles and purrs, leaning closer to receive kisses and enjoy being spoiled with affection.

Nesting

If he took his time before purring in your presence, showing his nest takes even more. He wants to make sure that you are into this relationship as much as he is, his heart would break in fragments impossible to glue back together if he showed you his most sacred space only for you to turn your back and leave him.

He is not used in assembling nests, not the ones made on land, his nest in the coral sea has his octopot and some corals, algae and shells. On land, he likes lighter blankets and pillows, easier to move and does not make him feel trapped, he chose deep blue tones to make his nest. Azul prefers the comfort of tight spaces, so his nest is either under his bed or inside his closet, he never keeps the nest assembled, changing it's place frequently or tucking away his items.

Azul got some of your things even before officially courting, he didn't outright ask or stole from you (though Floyd might have done something similar either to embarrass him or to play a prank on you if he was feeling like it), he used to make pointed remarks about being in need of a specific clothing or an alpha smell, and you are willing to provide to this omega in need, aren't you?

For when he starts to bring you to his nest, he was extremely nervous, using more scent patches than usual, it was enough to mask his nervousness, but he learned the hard way that there's nothing he can do to prevent the smell of needy omega that he produces whenever he is with you.

Azul needs reassurance, he leans to prefer actions rather than words, so when he gives you permission before you enter his nest, and you don't make any comment of how cramped his nest is and pull him to your embrace, he will purr happily.

Nesting time is quiet if it was dependent on him, he rambles non-stop out of it, but there's no need for words in the attachment of both his safe haven and his sacred space, he won't be opposed for whispered lovesick words though, and while the usual is him talking more between you two, sharing random facts, occurrences in the school or gossip in general, in his nest you become the talker.

Marking

Azul is crazy about marking, he never thought someone would accept him completely, you now use a Octavinelle armband with your uniform, it doesn't matter that you are not part of his dorm, speaking of that, he has available rooms! Wouldn't it be nice if you could live with him 24/7? You can even use this opportunity to transform Ramshackle as another branch of Mostro Lounge, he promises he will give you part of the revenue.

He will be a bit grumpy if you refuse.

The octomer is paranoid about your relationship, that you could leave anytime soon, he needs to keep a watchful eye on you all the time, he is saddened he can't ask the twins for it, they do whatever they want most times, so convincing you to be closer to him is his best option.

The armband reeks of his scent, he debated covering your whole body in it, but he is afraid of being called clingy.

There's only one exception that will make him surpass this fear and claim you shamelessly, it's if another omega threatens his positions, he hears about another omega having a crush on you and making plans to confess? And if Azul hears that this omega is talking badly about him, he will go berserk.

For weeks you had Azul glued to your arm, flaunting your relationship in school halls or with his patrons, and if he is the reason why bad rumors are propagating about that omega he will never let you know.

Subspace

To guide Azul into subspace is difficult, and it would occur unintentionally on a day that he is feeling particularly troubled. He is openly touchy and clingy.

Azul is easy to maneuver in this state, but in a demanding way, Azul has a high pain tolerance, so his alpha can be as rough as they want with him. Bite, scratch, squeeze, Azul will accept anything.

If Azul is feeling daring, he will bring you to his bathroom, return to his octomer form and pull you to his bathtub so you both can entangle together. He will whimper, whine and growl if his alpha tries to get away, his tentacles coiling around their body in a death grip, at the same time his eyes fill with tears, are you so cruel to leave him when he is in need? He will blame his appearance if he suspects that, stay with him and make him feel like the prettiest of them all.

☽ ☼ ☾

“Azul, wait here.” Jade stopped him in the middle of the hall after leaving Vargas’ lesson, they are on their way to Crewel's classes, and Azul is still feeling out of breath, his throat hurts from the need of water, is he still feeling his own legs? He can't say for sure, the only thing moving him forward being his will to maintain his reputation as a top student. Honestly, if he wasn't drowning on his own self pity, he would notice that Floyd escaped the class.

“What is it, Jade?” Azul turned to him, using a light cloth to clean his sweat. He only received a cryptid smile in answer.

“They are coming!” screams of panic from other students fill the air, a commotion to clean the way while Floyd is running through anyone in his way. Azul is starting to feel restless, one thing he knows about the twins, and the current situation he is in, is that they found entertainment in the new reactions that they discovered from the octomer.

And as much as he wanted to yell at them both, from the frustration of them meddling with his relationship with the person he is in love with, and from the sudden push he suffered from Floyd, all his thoughts became white noise the moment he landed.

In your arms, to be exact.

With your scent surrounding him and a strong hold keeping him steady. Azul's legs turned jelly, and you embraced his waist to support more of him. He couldn't help the ink he spilled from his mouth and fell on your chest, mortification hitting him instantly.

“Hey, are you alright?” your voice was heavenly, he felt so flattered by the clear worry he noticed in it.

His scent flared up, Azul mourned the scent patches that clearly were ruined with the chemicals of a octomer begging for a mate. He could even feel himself turning blue and purple!

He needs to answer you, right? You look even more concerned, if that was possible. But any words escaped him with you so close, just the way he wants to spend with his alpha forever.

Azul will put the twins in cleaning duties later, but he may be forgiving if he can snatch more time with you from their antics.

[katerinaaqu]

Finished Chapter 14 of The Song of Achilles and like you I already found one change that gets on my nerves. Why is Odysseus now the Prince of Ithaca? When he was already King by the events of the original poem? What was Madeline Miller’s purpose in demoting him from King to Prince?

This better have a payoff or else… without Odysseus being King I feel his 20 year absence from Ithaca has less serious consequences. I think without him being King of Ithaca, his wife’s suitors wouldn’t be so eager to replace him.

Well I will start with what me and other classics readers say, that Miller is extremely biased with certain characters and that shows in her writing (true she writes in a very beautiful way and has great expression but still...) so certain characters are depicted positively and others negatively (no surprise or news there) and she writes in a feministic way so certain characters in the background are bound to be disregarded or worse changed. However most people have come to know that her writing of characters is really inaccurate or that it comes straight from her imagination (see for example how in order to get her romcom aura we must see a "homophobic character" aka Thetis who acts almost as a villain, we see the stereotype of star-crossed lovers like Achilles and Patroclus (which is a trope she uses by combining elements from the original but ignoring the character development of others in order to fortify her message) etc.

That being said, Miller's style seems to me like she uses SOME elements of the original, blasts them out of proportions, altering it to be more simplified to fit a romcom setting and re-writes the rest to fit the characters. I am not 100% famliar with her books given how I haven't read them in the full but I have seen stuff around and read some passages so take this hypothesis with a grain of salt but this seems to be the case to me. So in this case it is clear that Miller doesn't see Odysseus in a very positive light (given what she goes with to her other novels as well) so yeah her trying to lesser his importance or the status in the story seems more than just a possibility to me.

So here goes my reply, sorry if this is long:

In this case she seems to take advantage of the fact that in translations there is no distinct difference in the text between the word "prince" or "king" in the homeric text (both are being stated by the term άναξ (anax->wanax, from mycenean greek as well) and is being used to speak on the ruler that has under his command the ships and the army. That is to be said some of the commanders of the greek army had living parents back home and Odysseus was included among them. It seems like Laertes was in a way retired since indeed Odysseus seemed to be a king in his own right, in fact Penelope even insinuates he had been so for a long time, given how she tells Antinous the story of his father who arrived to the palace begging Odysseus for his own life, possibly implying that Odysseus was a ruler of his own right more than 20 years prior, possibly before Antinous's birth or during Antinous's childhood or infantry. On the other hand some people seem to separate his father from Odysseus by naming Laertes "King of Cephallenians" and Odysseus "King of Ithaca" aka that technically Laertes is the king of the entirety of the kingdom (Ithaca, Cephallonia, Acarnania etc) and Odysseus's juristiction is Ithaca. Personally I do not fully support that last one given how Odysseus is the only one who seems to be in charge even if Laertes is still alive. It seems that the tradition in Ithaca was a bit more family-like in terms of ruling and the king retired from his duty because of age, letting the younger and more capable son to rule (potentially Laertes is an exception and gave the authority to Odysseus because he thought he was more capable ruler than himself. Odysseus possibly proved his worth during the internal conflicts with the Taphian pirates or in conflict in Messinia [when he received his bow in his youth as a gift])

It also seems to be backed up by how by n large they got married within the kingdom (Eurylochus is from the same kingdom, from the small island of Same and marries Odysseus's sister Ctimene, the suitors of Penelope all come from within the kingdom from different principates and regions). Laertes and Odysseus seem to be exceptions to the rule since Laertes marries Anticlea, daughter to the great thief Autolycus who lived in Parnassus and Odysseus who married Penelope from Sparta) So it seems that the kingdom is more like a "family business" than actually some kingdom with expansive or military construction (unlike Mycenae or Sparta) so it doesn't seem impossible that there is either a tradition for the old ruler to quit and pass the throne to the next generation rather than wait for his death to pass authority or that if one did it wouldn't seem impossible. It also seems that other kingdoms are not necessarily the same as modern kingdoms either. Icarius is still alive when the events of the Odyssey take place. We don't know if Tyndareus also is alive or not, from what I remember, in Homer's writing so it is not clear what kind of rules exist to that realm. Could it be also that the ruler is not only of age (able to grow a beard aka around the final 20s or early 30s) but also marriage that gets them ready to rule? Like Menelaus is a ruler of Sparta by marriage, Odysseus rules as a sovereign ruler because of his marriage? It could be although again the suitors of Helen were often called "kings" in literature, it doesn't seem to be the case given how most of her suitors are either young (Ajax, Menelaus, Antilochus was also mentioned or even Diomedes in some sources even if the two of them would be literal children at that time) or sons of existent rulers let's say Odysseus. So it is possible that marriage AND coming of age play their part in succession. It gets a bit confusing as well since Odysseus leaves order to Penelope that she has to wait till her son is of age (when his beard grows) to pass him the throne, if he hasn't returned till then. Does Odysseus imply that his son would rule if he was of age, regardless of his death or is he implying that they first have to confirm he is dead before Telemachus takes over? It is indeed an enigma but then again the case of Odysseus is complicated; he goes to a war that he doesn't know if he is gonna return from and according to some readings and traditions, he was repared to be off for a long time as well from an omen he heard so his case with Telemachus seems to be an exception rather than the rule given the extreme conditions they deal with.

Either way yeah it doesn't seem that Odysseus is not a ruler in his own right in any shape or form in the Iliad or the Odyssey despite the fact that Laertes was still alive throughout the entire process. Either because it was a consistent tradition or because Laertes made an exception, it seems that Laertes was not an active ruler by the time Odysseus left for Troy and as I said it seems that Penelope implies Odysseus was already a ruler capable of giving pardon to someone (Antinous's father) or command armies (Taphian pirate incident, Messina, Troy) so yeah it doesn't seem that Odysseus is considred "a Prince" like for instance his brother-in-law Eurylochus or the Suitors and their families but he seems to be a king in his own right; he is the one who has the duty to send away the suitors; he is the one to command the army and he is the one to call the counter-attack in the Odyssey against the retalliation of the families after the murder of the suitors and not Laertes.

So to close this already long answer yes among the many changes Miller imposes in her book to fit her narrative, it seems that she takes advantage of modern day perspectives of rule and succession (aka the sovereign ruler's death before the other takes over) plus the fact that there is no distinct word between king and prince in the ancient texts to call Odysseus "a Prince" possibly to decrease his status (similar to how ancient writers mentioned Odysseus not being legitimate son of Laertes but a bastard son by Sisyphus) so yeah it does seem like it as you said given how Miller doesn't seem to be fond of Odysseus as a character. But that would be my hypothesis. Either that or Miller simply doesn't want to consider a different rule of succession than the modern one she and her readers are familiar with aka a king becomes king only after his father's death. Which is ironic though given how many people mention Odysseus "a king" even if they know or possibly because they forget Laertes is still alive.

Hope this helps

[mean-scarlet-deceiver]

Gordon and Edward, Part 2

Hello and welcome back to "Jobey ruins beloved RWS characters for you, using the power of... the actual RWS text!" 😇

Part 1: Gordon, what's your damage? 😭 / The Doylist Reason / Rent. Free. 

Post 2 (this post): Edward's Defences / Gordon's Growth

Post 3 (upcoming post, link later): Collision / Uh… Cleanup Crew?

Edward's Defences

Pretty consistently, through the next 45 years, Edward (most conflict-avoidant engine ever built?) takes a four-pronged approach to dealing with Gordon and the threat he represents:

He keeps Gordon at a distance. He focuses on building connections with… Literally Everyone Else. Gordon is kept more than a good buffer's length away (and when they must be in close proximity things do tend to go south in a hurry).

He tries to never give Gordon a reaction, or any other ammo. Will not admit weakness or discomfort or upset. Difficult, because he has a transparent face when he's sad! And he's comfortable confiding in others! But he'll never, willingly, let Gordon see him bleed. 

Instead he treats Gordon very lightly. Adopts a sort of affectionate knowingness, which allows him to "laugh off" Gordon's more irritating or threatening qualities. 

He takes control of the narrative. He doesn't shy from telling humans the engines' business. He spreads stories (I'm not saying false stories) that counter Gordon's branding of himself as supreme and infallible. He also builds his own brand as reliable and sensible. 

Where do I get all this from? The text: 

"I've got some trucks to take home tomorrow," he told him. "If you take them instead, I'll push coaches in the Yard." (~1925)

We're less than one full book away from "now all three engines are great friends" and Edward is already shedded somewhere else, baby. That move was likely integral to developing those two new friendships with Henry and especially with Gordon… ironic but true. Hey, we know that the big engines seem to have only learned to appreciate Thomas after he left, too! And, of course, it gives Edward some space from all of the *waves hand vaguely* at the Big Shed. He doesn't like conflict (and Gordon is a conflict-generating machine). 

They both rested at the next station; Edward told James how Gordon had stuck on the hill, and he had had to push him up! (1925) 

Bro. Bro bro bro bro bro. I am pointing urgently. 

This bit is so telling. It's been two years since the events of EDO/E&G and Edward is already seen defining Gordon's whole brand as we now know it to newcomers. 

If it wasn't for that moment, I wouldn't insist with nearly as much confidence what I think then comes into focus as a clear fact: The early RWS itself is all evidence that Edward is winning the propaganda war, lol. Gordon's opinion of himself is a silly, endearing, limited point of view. Edward's opinion of himself is canon, bitches! 

Incredible stuff. 

This scene is a glimpse into the tactics that allowed Edward to eventually win this game (poor Gordon has no idea they're playing). Here he is laying the groundwork a good 20 years before the books about them were even published! And this is a good place to remind readers that, unlike in TVS where they make Gordon's hill problem a recurring gag, we only see Gordon stalling out there and requiring a banker's help once. In Christopher Awdry's Gordon the High Speed Engine, he also specifies that Gordon (who is about to have trouble on the hill again, in the 1980s) stuck before on this hill. "[O]nce." Once. 

This is not a habit of his. It was a one-off thing. It's only remembered at all because his superior attitude and his ignorance of the words "thank you" offended Edward so deeply that he kept the memory of this event alive for over 20 years, until the Thin Clergyman got the story in print. 

It's a bit messed up. 

It's more than a bit petty. 

It's so bloody funny. 

No, I don't think Edward is some consciously evil Machiavellian genius. He's neither vindictive nor that far-sighted. But he's resilient, and creative enough to instinctively change the rules of the game when otherwise they'd grind him into rust. And there is his characteristic kindness mixed up in all of this, too: He needs to find a way to welcome Gordon's presence in his life, so he finds a narrative that makes Gordon funny and lovable instead of a threat. He sees James is insecure, so he tells that story at least partly from real solidarity and empathy. It's not like he's trashing Gordon, either – there is no lie told, and James is not put off trying to "motor-mouth" his way into Gordon's good graces. I'd characterize it, not as trashing Gordon, more… injecting an element of realism into his growing legend ;) We see in the same book that Gordon is continuing in his superior attitude (which involves putting others down, even if it's a bit more indirectly than he did two books earlier) and that his attitude depresses and dejects newcomers like James. There is good, civic-minded reason to slyly undermine Gordon's branding of himself as all-powerful and invincible – it's not good for the railway as a whole if Gordon is allowed to lord over them all on his throne unchecked, the new engines forever overawed. It is kind of Edward to welcome James and give him a boost, it's genuinely useful for everyone that in the end James triumphs to seize the role of a darkhorse rival junior but trusted colleague of Gordon's. 

At the same time, while it's all justifiable and even beneficial, this action is also very useful in cementing Edward's own position. Let's just be clear-eyed about this. 

"Shall I help you, James?" called Edward. / "No, thank you," answered James, "I'll pull them myself." / "Good, don't let them beat you." (1925-6) 

Edward and James show a perfect understanding of each other in this moment – different though they may be, Don't let them beat you is a shared value. (Shared by a lot of engines, of course; probably a steam engine culture thing. Douglas says something similar in RWS after accidentally destroying the spiteful brakevan.) It applies here to trucks, but no doubt that's a value that motivates them in other areas, too. 

It's just worth remembering this, when it comes to Edward's stance re: Gordon. He's more subtle about it than James is. He sort of has to be (he cannot directly compete with Gordon, as James can). But he's still determined to not be beaten. 

Errr, but then Gordon triggers a chain of events that Edward could have never conceived of. The Fat Controller sends him to Tidmouth, Edward goes in with no idea what he's facing, and wham. We have the first of the two really severe strains on this relationship: 

Gordon came clanking past, hissing rudely[...] / "They all hiss me, Sir," answered Edward sadly. "They say 'Tender Engines don't shunt', and last night they said I had black wheels. I haven't, have I, Sir?" (~1927)

Two things to note here. This clash doesn't only represent Gordon's and Edward's differing views on what is proper to the dignity of an engine and what he owes to his railway. That's all The Author can see of it, of course… The Author being a human, and thus with a vested structural interest in vindicating Edward's point of view on this matter — and in mocking Gordon's view to scorn. This is why, so far as the book is concerned, Gordon and his two big-engine followers don't have a wheel to run on here. The Gordon position is portrayed as thoroughly unreasonable (even if, despite the narrative's best efforts, the text must admit that the Fat Controller does actually have to get a new tank engine – which was Gordon's demand all along!) 

Because of The Author's interest, there's no chance of any acknowledgment that the other tender engines' anger might have the slightest validity to it. However I think we are seeing another, parallel clash going down here:

Gordon naturally sees friendship as, well, as an Alliance. My friends are your friends and your enemies are my enemies. United we stand, together we fall. The problem is that while Edward is mild-mannered he's not a follower, like Henry and James – he has his own mind and he's not about to substitute Gordon's convictions for his own. Edward's idea of friendship is mutual sympathy and support. Emphasis here on mutual, because you just know that young Gordon was quite prepared to receive support (as his due!) but had trouble returning it. That's something Edward considers a serious insult… whereas his own idea of friendship simply has nothing to do with "how dare you cut the branch out from under me when I'm risking my tender leading collective action against management!" To Gordon that's a real betrayal. I suspect when Edward undercut his strike Gordon was genuinely hurt and felt a real righteous indignation – one that is never expressed in canon because to the Author there's nothing even slightly valid in Gordon's hurt. But canon (the Author, the railway, the whole institution of human society that made and employs these guys) does validate Edward's position that boasting and one-upmanship are hurtful, itself a sort of betrayal – which is a big problem, since for Gordon they're alarmingly close to a damn love language.

This is a position on which I feel no need to take sides. I know the Author's position. I think they just have irreconcilable values and that Gordon's values, while I don't share them, aren't just shit, either. I don't condone all his behavior here but I do think his idea of friendship is consistent over the course of the Wilbert books and that he would feel genuinely betrayed here. And if you've been betrayed then it makes sense that you are hurt and angry. 

What a mess. 

"Tender Engines do shunt, but all the same, you'd be happier in your own Yard." (~1927)

Guys, I'm telling ya, the Fat Controller knew what he was doing when he separated Edward from the other "great friends" after the events of TTRE. He knows. Letting Edward have distance from Gordon is policy. Pre-existing policy. Drafting Edward to Tidmouth was a last-ditch effort to avoid buying a tank engine but TFC is unsurprised when it takes less than one (1) day of proximity for Edward's "laugh 'im off" strategy to fail. Proximity causes the fragile Edward and Gordon relationship to collapse immediately – which inevitably means that it's Edward who gets hurt – and so Hatt is resigned to his new expenditure. Off to the engine orphanage. 

After Percy is brought in, Gordon et. al. are suitably punished, and equilibrium is restored, there is again a long period of relative peace between 2 and 4. And it's not because Gordon has lost his capability to be an asshat to others (see "Gordon's Whistle" and "Off the Rails" and "Duck Takes Charge" and – etc.) But Edward's defences are restored and he continues to reinforce them. Again in safety at his own station, he regains his ability to laugh knowingly and to gather intel for the oppo file: 

“It sounds like Gordon,” said Edward, “and it ought to be Gordon, but Gordon never whistles like that.” / It was Gordon. / … / He screamed through the station and disappeared. / “Well!!!” said Edward, looking at Henry. / “It isn’t wrong,” chuckled Henry, “but we just don’t do it,” and he told Edward what Gordon had said. (1935-6) 

After Henry's rebuild, there is a long "dark" period – end of Depression (including Gordon's rebuild) and WWII. During the course of the war the Thin Clergyman begins (and ends) his stint as publicity director for the NWR, and in 1945 TTRE is published. I reckon the focus on Edward, Henry, and Gordon reflects that this was a high-water mark in their friendship. The qualities and values that these three actually do have in common – duty, loyalty, determination – would have been at the forefront for those years. They would have faced a lot of very difficult days together, and together they got through them. The bond might have been heightened because frankly this is the sort of circumstance I can see them at their very best but the opposite being true for James, so there might have beena bit of "the old band getting back together" and re-bonding. In particular I can see Edward and Gordon during the war years learning to better appreciate the other's strengths. In 1945 you can easily imagine 'the three railway engines' looking ahead to a happy new era and genuinely believing that all their petty squabbles are in the past, they will never have problems between them again. 

Lmao. 

Well actually, of course, life goes on. By 1952 Gordon in particular is achieving brand-new levels of asshattery in the lead up to his ditch tourism. However, the interactions between him and Edward this year support my guess that this was a period of detente: 

“I won’t go, I won’t go,” grumbled Gordon. / “Don’t be silly, don’t be silly,” puffed Edward. (1952) 

This is their most obvious "tug-of-war" moment ever, but actually the stakes here are soooooo low lol. To me this is one of their cosiest and most comfortable interactions, actually. This is a rare case where they don't sound like stuffy, old-school, vaguely-to-explicitly dysfunctional colleagues. They just sound like siblings. For once they're being fairly frank with each other. 

Wait… what's this... for twice? 

1952 was a banner year for them, guys!

The engines in the Shed were excited and wondered who would pull the Royal Train. "I'm too old to pull important trains," said Edward sadly. / "I'm in disgrace," Gordon said gloomily. "The Fat Controller would never choose me." (1952) 

This is a remarkable moment in this dynamic. It's the only time Edward ever admits vulnerability in front of Gordon. Fascinating. 

I think it's extremely relevant here that Gordon has been in dire disgrace for what appears to be at least two months by this point. His status (though soon to be restored!) is currently nuked. Gordon's been in a very amiable frame of mind towards everyone. He has never been less of a threat.

It's also extremely probable that, even if this book was published first, this scene almost certainly takes place after EtBE. So earlier this same year where Gordon hits his lowest-ever status, Edward has hit his highest since Gordon arrived – the Fat Controller has overhauled him and Edward returned to an enthusiastic hero's welcome from the other engines. Everybody's drinking their respect Edward juice just then. 

So this is a very brief period where Edward does not seem to feel any need to keep a wall up around Gordon – nor the others. 

Now, with James and especially Henry, perhaps that wall never goes up again. But with Gordon, well. Let's just enjoy the moment. Presumably the whole royal visit prolonged this high point in their relationship even a bit longer. But it won't last. 

When Gordon and Henry heard about the accident, they laughed and laughed. "Fancy allowing cows to break his train! They wouldn't dare do that to us. We'd show them!" they boasted. / Edward pretended not to mind[.] (1952) 

Backtracking to earlier the same year. Gordon's acting an ass here – but not like the asshole of the tender engines' strike affair. We're back, not to insults, but to mere boasting. But... reminder that while Edward probably feels an insult keenly (he feels everything else keenly; why not this?), it's boasting that really seems to get under his paint.

I cannot overemphasize the line He pretended not to mind. 

Edward is not a pokerfaced engine! This is not natural behavior for him! He's the "why are you sad?" "hullo Edward, you look upset" "Where is Thomas??? peepipeeeep!!" guy. This is play-it-cool stuff is behavior he developed as a shield against Gordon. 

To be sure, we also see him employ it later this same book, this time against James: "Late again?" / Edward laughed, and James fumed away. The difference is – well, the need for the life-saving chase was pretty lucky, of course ;) but the real difference is that at the end of the affair James makes a real apology. As a result, the narrative tells us (doesn't show us, which is too bad, but I'm going to trust the telling), their old friendship is restored, strengthened even. Unfortunately making a real apology seems to be something completely beyond Gordon, at least at this point. And even if it wasn't, well, Edward never directly asks for one or complains about the behavior of the other engines to their faces. I don't know if Gordon is capable of apologizing to Henry either, but at least in that case Henry is going to be very loud and clear that he wants one. (This is probably at the bottom of the success of the 3+4 friendship. Gordon needs things spelled out for him – and Henry complains and grumbles without restraint, so Gordon will always be kept up to date on exactly where they stand.) Edward doesn't do that, perhaps can't do it because it violates his "never admit weakness in front of Gordon [or, in this one case, James]" defense mechanism. His remark referencing the "Old Iron" insult hints that he's ready for an apology – and James is able to take the hint and respond appropriately. Maybe that's why we've only ever seen Edward have to use the laughing pokerface strategy with James once, and we see him using it re: Gordon many times. 

Going back to "Cows." At the end of that story Edward needles Gordon the same way he later does James. Gordon responds, not so humbly and sincerely, but arguably a form of relationship repair happens: 

"Well, well, well!" chuckled Edward, "two big engines afraid of one cow!" / "Afraid – Rubbish," said Gordon huffily. We didn't want the poor thing to hurt herself by running against us. We stopped so as not to excite her. You see what I mean, my dear Edward." / "Yes, Gordon," said Edward gravely. / Gordon felt somehow that Edward "saw" only too well. (1952)

Well… they too are restored to their status quo. 

It's just that their postwar status quo is polite, passive-aggressive points-scoring. 

Now, at least it's civil! It sounds friendly. It sounds like there's mutual respect there. But...  

It's not enmity. But you might call them frenemies.

I also need to remind us that we are reading the above quote because it is in print. Post-war, there is a new factor playing in this dynamic, a nearly-invisible but probably incredibly important one: the Thin Clergyman keeps publishing one or two books about their goings-on, every damn year. His interviews and his publications have already stirred up all sorts of old history (notably Troublesome Engines came out like two years ago, so they got to re-live that pretty recently). But now the RWS has "caught up" to current events so the engines are having the interesting new experience of an account of their doings for the year coming out, like, right away. Everyone becomes famous, but this also means that the books (and The Author's take on them) are shaping more and more people's perceptions of these guys, who have enough foreign traffic on their railway in this era that they cannot be ignorant of this effect. You know what they say about fame: it takes already imperfect relationships, and makes 'em better! 😇 Wait, no, they definitely do not say that... There is no chance that this sort of meta "reality tv show" factor didn't affect their outlooks and relationships. 

Especially in a relationship like this. Where the Thin Clergyman's account of things heavily favors Edward, and rather severely trims Gordon's wheels. 

Ooooooooooooof. I don't even want to speculate about the details of how this play out, but just bear in mind that it's. there. 

Maybe it illuminates a lot of stuff going on in Duck and the Diesel. Including this… 

“[H]e told Edward what Gordon had said. / “Don’t take any notice,” soothed Edward, “he’s just jealous. He thinks no engine should be famous but him.” (1957) 

Erm. That's a pretty blunt assessment. Especially from an engine who usually has rose-colored glasses firmly attached. 

I've never heard Edward say anything negative before about… anything. Literally anything. Let alone an anyone. 

His prior remarks about Gordon always had the air of "haha… lol… Gordon, we love him of course 🙃…" There's no laugh here, no fondness, no attempt to soften things. 

Not that this bluntness is a bad thing, in and of itself. But if the goal of Edward's defences was initially to find a way to maintain a good relationship (and I think it sincerely was), then the last example, from DatDE, is a yellow flag. It's been over thirty goddamn years now, and Edward is not growing more accepting and comfortable with Gordon – the opposite, actually. I don't hear Edward being unfair to Gordon there, precisely, but I do seem to hear markedly less tolerance than before. 

And this is interesting, the hint that Edward is losing patience with Gordon. Because Gordon is actually engaged in a lot of self-improvement. 

Gordon's Growth 

He's been on a magical journey of character development, guys. 

And it started way before his book/1952. 

We see the little crocuses of Gordon's emerging awareness that Other Engines Have Something To Offer, Too almost from the get-go. I would count the fact that (back in 1923) it's Gordon who proposes that Henry is let out of the tunnel to try pulling his train. Which. Crazy idea, really. But even crazier because Gordon's been shown to have previously spent day upon day upon day whistling "Serves you riiiiiiiiight!" 

Honestly, this is yet another hint to me that Gordon comes across as way harsher than he means to. I almost called the above "openly taunting Henry." But honestly, given his immediate and unexplained turnaround by the end of the story… once again, I think Gordon was being judgey and blunt, but really had no idea that what he was doing was so hurtful. Or that other engines have, like, feelings. Real feelings. 

We see this pattern again and again. Gordon tells Edward "[I'll] be a splendid sight for you" and James "Ah well, we all have to begin somewhere, don't we? Run along now and fetch my coaches" and the two smaller engines, quite understandably, seem to say in their hearts oh my God, what an insufferable asshat. Meanwhile Gordon thinks he's being friendly. Or at least condescending (but, like, in the fun, benevolent way). Similarly, Gordon tells back-from-major-reconstructive-surgery Henry that he's been really letting the side down in, like, three different ways – and I bet if anyone had directly challenged him he would have sincerely been like "... What? What's the problem? I told him we were happy to have him back!" Even his spat with Henry that led to his boasting in "Off the Rails" began with what have may been genuinely mother-henning his friend. I would not be too shocked to learn that Gordon gets twinges of unease that he never examines every so often when he sees Henry with a train and has a subconscious flashback to their fears for Henry's life after the Kipper accident. Altogether, there seems to so often be a good and commendable instinct on Gordon's part – it's just that for the longest time he doesn't seem to have a clue about how to transmute those instincts into something that other engines are going to find legible. And then if he gets even slight pushback his good instincts collapse and he reverts to his childish "meee! meeeeeeee! 😤😤" instincts. 

It's a slow hard slog for him to learn how to Use His Words and Relate To Others, but we do get to see progress. And it starts early! He makes friends with James after James successfully takes the Express (1925-6) – and it's really quite a gracious overture. He, along with James, sympathises with Henry after the elephant incident (the Author, of course, explicitly denigrates this, suggests that it was purely a matter of politicking and scheming and that it would have been healthier to have mocked Henry, the way the proletariat should always be cutting each other down at the slightest opportunity, really sticking the boot in each other's neck gratis. But hell with that! Lmao. Catch me ever swallowing Management's narrative about how their striking workers banded together. Anyway, even if I granted for the sake of argument that Gordon was faking his sympathy, well, I mean. Gordon faking sympathy is still #Growth. Fake it till you make it!) He is also friendly and kind when he rescues Percy from the Big Bank of Earth – he indeed shows so much tact that he finds something to give Percy credit for, instead of saying (which would have been true) "This is all your fault, dumbass…" 

"Off the Rails" represents a bad week or so for him, but the incidents in the rest of Gordon's book don't show us a newly humbled Gordon – more just a recently re-humbled one. His behavior to James is perfectly in line with those previous incidents. His behavior to Thomas doesn't come out of nowhere either… although in that one Gordon is trialling some new material: 

“I’m sorry I was cheeky,” said Thomas. / “That’s all right, Thomas. You made me laugh. I like that. I’m in disgrace,” Gordon went on pathetically. “I feel very low.” (1952) 

We all see what's new here?

1) The Alliance. Now, Gordon putting words to it (and words that make it into the RWS) is new. The concept overall is not new; this seems to be a verbalization of an attitude that Gordon has adopted long ago. As I argued above, this is just Gordon's whole concept of friendship. It is worth pointing out, though, that he never before extended this concept to tank engines. (He could condescend to them. Not offer them alliance and equality, though. Therefore didn't get upset when Thomas didn't "understand" his concerns as A Tender Engine, either. There was no expectation of a pact. Not back then. It's only now that this changes.) 

As the next decade or so goes on, we're going to see that Gordon (and Henry) seem to continue extending this implicit alliance to every steam engine. (Diesels, after that whole disastrous introduction to them via the most devious of engines, are a sort of last barrier.) Think "We engines have our differences, but we'd never talk about them to the trucks." Think Gordon laughing with Stepney and Duck over their triumph with "the heavy train." Think of rallying around Donald and Douglas when they learn there is a threat of scrap. That concept of alliance that was once limited between the big engines (plus or minus Edward, depending) is now extended. It doesn't mean that there are never conflicts or clashes within the ranks, of course! But it does mean that there's a new attitude spreading on this railway. This book is where we see the first sign of Gordon spearheading it. I wouldn't say he gets credit for creating or implementing it all himself – but he does deserve credit in the sense that, if he had not whole-heartedly bought into this idea, it wouldn't have become entrenched on the main line. 

2) Vulnerability. I directed attention in the previous section to the way that Edward will not admit weakness in front of Gordon. Gordon has something similar… but worse. Until this point, Gordon would not admit vulnerability to anyone. At most would complain, or try to make some "objective" case as to why he is ill-used. 

That isn't what happens in this exchange. He doesn't make the slightest argument for himself, he doesn't object to being in disgrace. He simply owns, aloud, that it sucks. I feel very low. 

There are other indicators that this is not a one-off, that Gordon is simply coming to terms with the reality that he is, basically, a sensitive soul: 

One day Gordon saw [Sir Handel] shunting, and laughed. / “My Controller makes me shunt,” Sir Handel said sheepishly, “and take trucks to quarries too. I’m highly sprung, and I suffer dreadfully.” / “Our Controllers don’t understand our feelings,” sympathised Gordon. (195…5?) 

This isn't as vulnerable as the Thomas case – Gordon's not feeling Very Low in that moment, after all – but it is very intriguing. In a previous book, Sir Handel treated Gordon like they were equals, which left Gordon "speechless." As well it might! And now, when Gordon meets up with him again, he does have the upper wheel: He catches out Sir Handel not being so very express-enginey after all! But when Gordon laughs at him, Sir Handel owns up to his embarrassment. And this is exactly how you get Gordon's best side. When you're vulnerable, he stops acting the bully, and he's sympathetic. Very similar to the case from "Percy Runs Away." But this time, Gordon seems to be going a half-step further than just claiming the role of benevolent patron. "Our Controllers don't understand our feelings." He really does cement Sir Handel's claim to equal fellowship. 

It's probably not mere politeness, though, that makes Gordon sympathize. He's revealing something important here about his inner life. When Gordon is seen as his most proud and demanding, he is actually troubled and upset – putting up a very good thick front over it, though. 

We will see confirmation that he's a creature of Feels again in 1968, after he spends a whole page (that's a lot of time, in RWS-land) unable to express more than "I'm not happy" – which the other Tidmouth engines ignore or treat as a superficial complaint because, well, they just had no reason to think that Gordon would ever be like this: 

Gordon backed down on his train, hissing mournfully. / “Cheer up, Gordon!” said The Fat Controller. / “I can’t, Sir. The others say I’ve got boiler-ache, but I haven’t, Sir. I keep thinking about the Dreadful State of the World, Sir. Is it true, Sir, what the diesels say?” / “What do they say?” / “They boast that they’ve abolished Steam, Sir.” / “Yes, Gordon. It is true.” / “What, Sir! All my Doncaster brothers, drawn the same time as me?” (1968) 

*dramatic gesture* Gordon the “I Just Want a Little Goddamn Sympathy” Engine, ladies and gentlemen. 

Returning to our overall topic, this is an interesting similarity between Gordon and Edward. Despite their numerous and obvious differences, they both have a lot of Feelings – like, to the point where it’s a burden, and figuring out what to do with ‘em drives their respective character arcs. 

Being them, of course, they approach the problem from opposite directions, lol. Edward is basically toughening up, and starting to adopt the role of an elder/mentor (he does this a lot later than I gather people think he does, and in more limited circumstances. But you do gradually see him becoming less A Normal, Emotive Peer and more of A Sympathetic Listener, One Half Step Removed from Ordinary Engine Life, Giving and Not Asking For Support). Gordon has almost the reverse assignment. He's opening up, and gradually learning how to come down from his high horse and be on a level with others. 

Once Gordon learns how to use his words to express himself like a rational being, he starts being able to form much healthier bonds with others. (I didn’t say with everyone. And I didn’t say they were perfectly healthy. Just… healthier than some of his past bullshit, lol.) 

And, when Gordon gets the kind of support he needs, he becomes much less of a pain in the arse. This arc continues all the way through to the Christopher Awdry books. 

To the extent that, as of Main Line Engines, he IS still a pain in the ass… well, I think we can infer that he hasn’t yet got that support network quite in place. 

Ironically, ‘emotional support’ is a real strength of Edward’s. It’s something we’ve seen him lend generously to a laundry list of other engines… and something we never see him offer Gordon. 

For obvious reasons. Gordon burned him so many times before and (the key commonality, of course) Edward is sensitive, too. It’s always obvious that he feels things keenly and takes things hard. His character arc has a lot to do with channeling that sensitivity into action and learning to build more backbone. 

It's on a collision course with Gordon's character arc, which is about connecting with and owning his feelings and learning how to express them. 

We can see the crash coming in part to, again, the absence of what we see between them in this pre-60s era. Gordon has repeatedly proven that he can be a very good friend, when an engine is down (Percy, James, Thomas, Sir Handel). This is a great footing for Gordon to show his best and most generous side. 

Unfortunately Edward's entire strategy for dealing with Gordon since at least 1925 has been about NOT showing any weakness in front of him. A strategy he's followed with great success. 

So it's no surprise, that both characters are growing and developing, but that their relationship is growing more and more hollow. 

It's no surprise… but it is aggravating. 

And the thing that makes you want to tear your hair out the most? Gordon – Mr. Oblivious himself – has no idea anything's wrong.

And, honestly, watching Edward getting slyer and slyer about forever keeping Gordon squarely on the back foot is a joy… I’m so proud of him… even as part of me groans because, funny though this is, they could have had something even better. 

Let’s take a closer look at MLE. They’ve both spent decades now dosing on ‘character development.��� Unfortunately those arcs are on trajectory to criss-cross – and the smash-up happens here.

[dianagpeppermintnightmare]

I'm not gonna disagree with the validity of some of these points, but I still feel the need to make some of my own.

So, "shonen", of course, is merely a demographic. It isn't a genre. When people outside of Japan use "shonen", they're often just using it as shorthand for what's an actual genre: battle manga. Shonen encompasses a great deal of genres, from sports manga, romance manga, slice of life manga, and gag manga, and even those can blend together. It still amuses me a bit that smaller slice of life gag series like Nichijou or Azumanga Daioh are both shonen and nobody seems to notice. Even a yuri manga like Bloom Into You is shonen, and was published in the same magazine as Azumanga Daioh.

It should also be noted that the vast majority of battle shonen that takes off outside Japan are the ones published by Weekly Shonen Jump, which has a particular brand and image. When people harp about alleged clichés in battle shonen (regardless of whether these clichés are actually that prevalent or if they're just going solely off Dragon Ball and Naruto), it's usually the tropes frequently utilized in these particular mangas. Which, to be honest, reflects a very narrow view? It's like simplifying American comic books to just Marvel. I'd also argue that some of them don't get enough credit for their female casts (I'd point to Gintama and Black Clover as good examples), but overall...well, splitting mangas by gendered demographics naturally leads to the aforementioned issues with female representation.

Dandadan is an example of a shonen that exists outside of the Weekly Shonen Jump bubble. It's published on Jump+, which has a looser guideline for what fits the image. It could never have been published in Weekly Shonen Jump. And I think that's a big reason why people are touting it as being this big shakeup, because it's from a different publication (still by Shueisha, sure) with more room for experimentation. There's still only a limited amount of Jump+ series that have been big hits, which is partly down to it being relatively newer. It could be a good sign for the future if Jump+ keeps having hits with this level of good writing and representation.

But seriously, don't limit yourselves with the shonen manga you read. There's still a couple with genuinely good female characters, some even protagonists! I'm gonna list a few for people to check out:

1. Undead Unluck. Great romance, great action, genuinely insane plot twists, very well-characterized female cast who all get moments to develop, and Fuuko Izumo is genuinely one of the best shonen protagonists out there. 10/10 character development. There's definitely some iffy stuff early on, but hey, same with Dandadan. And if you like romance, Undead Unluck does it VERY well.

2. Akane-banashi. So imagine a sports manga, except it's not about sports, it's about rakugo. That's this series. Incredibly engaging, Akane is a fun MC, and then you delve into deeper themes about the power of art and storytelling and you start crying.

3. Magilumiere Co. LTD. More proof that locking anime adaptations of good manga to Hulu and Prime is bullshit. A Jump+ series about magical girls as an actual business for responding to monster attacks, the main protagonist is a newbie to the world of adulting and job hunting before becoming part of a small magical girl startup. The only manga I've read where "privatizing the magic industry" is an actual plot point. And yes, there is commentary on aspects of capitalism and how valuing profit over people is bad.

And those are just the ones I'm reading. That's without going into Kindergarten Wars or Shy, both series with their own cult followings and female MC's. Or hell, Frieren got super popular, and some people don't seem to realize it's published in Weekly Shonen Sunday.

So, in short...yes, Dandadan bucks a lot of clichés associated with the most popular battle shonen, but it's still speaking from a limited point of view. There IS more variety out there, you just have to look. Don't just focus on the stuff that gets the big social media reactions from the anime adaptations, focus on the smaller cult hits too.

Ways I can think of that “DanDaDan” differs from other shonen series:

* Female MC is as important as male MC

* Canon romance gets consistent development through the series. I think that’s part of the reason why the MC ships with the rivals (Aira, Jiji) aren’t as popular with the fandom for once. The main ship is actually getting good development, so the fanbase doesn’t have to make up headcanons to fill in the space.

* Flips the found family trope on its head by having the main group despise new people whenever they show up and they even actively try to kick them out. The new people only end up staying because they keep lingering around to the point that the main group just gives up and lets them stay.

* The rivals aren’t emo or angst-ridden. Aira is a delusional tryhard popular girl while Jiji is a himbo drama queen. I’d even go as far to say that the MCs are the ones who are emo and angst-ridden.

* Supporting cast is more than just important, they become integral to the story. I’d say that the further you read into DanDaDan, the more it becomes an ensemble cast where everyone is a protagonist in their own right.

* World-building is all over the place, but in a good way. Most other shonen are pretty consistent with what kind of world their characters live in. MHA is superhero-based, Naruto is ninjas and magic, Bleach is spirits, and so on. DanDaDan feels like the author just throws whatever cool shit they can think of into the story. That’s actually the reason why I wrote in a different post that DanDaDan reminds me more of Marvel/DC than any other shonen series, it manages to capture the catch-all insanity of those comics.

* Doesn’t rely on hidden power-ups. The main characters either have to outsmart the villains or they have to train to get better with the powers they already have.

* The pervert comic relief guy is actually endearing for once. Not because of his pervert tendencies, but because he’s so oblivious to how socially inept he is that it’s kind of funny. This is gonna sound strange, but he sorta reminds me of Thor in Thor Ragnarok. Full of himself and oblivious to how dumb he can be. He’s Thor without the good looks lol.

* Flips the “nerdy outcast loser somehow gets a harem” trope. Instead of making Okarun cooler than how he actually is, the story emphasizes that the women who fall for Okarun are as weird as him. Momo is a weird outcast, Aira has main character syndrome, Vamola doesn’t understand how to human because she’s literally not one, Rin thought Okarun was a vampire (and wanted him to be).

* Flips the “elderly figure in charge of the teenagers” trope. I don’t really get motherly figure vibes from Seiko Ayase, I get more “cool wine aunt who is stuck with her niece” vibes. In fact, there was the arc where Okarun showed up to her in spirit mode to get her help with fighting off the alien invasion and Seiko’s response was, “Well, I’m not in the area and I have other shit to do, so you kids figure it out.”

* The series takes the piss out of the trope of mystical/magical items that the group acquired to get their powers. I mean…the main mystical MacGuffin in the series are Okarun’s balls.

* Okarun was about to go into an “I’m weak / I wish I was stronger / I want to get stronger for my friends” breakdown, but Turbo Granny told him to shut up and keep fighting.

* Not afraid to put the “cool girl” in as many funny situations as possible. Off the top of my head, the series built up Momo as this cool, tough girl who doesn’t take shit from anyone…then several chapters later, Okarun found out she got a job at a maid cafe.

(Feel free to add to the list!)

[skeedelvee]

Carry On Countdown Day 1 - Something Old

For this year's COC I've decided to put together daily fic rec lists! Let me know if you find any new favorite reads from these <3

For todays prompt I've gone with fics written pre-Wayward Son!

To Get to You by ikehgaan

Rated M, 40,437 words

I think of this fic often. Fight kissing! Who could ask for more!

Simon figured the Pitches didn’t exactly encourage being open and honest about feelings. Unsurprising, but a little sad. Baz always acted aloof, as though nothing got to him, except with Simon. Simon could always get to Baz. (When Simon can’t take out his frustration on Baz by fighting him in their room because of the anathema, he resorts to more… unconventional methods).

No Tomorrow by Spockzilla

Rated T, 42,142 words

I will never listen to Take a Chance on Me with out thinking of this fic. It's such a fun take on the time loop trope!

“Why didn’t you wake me?” I growl groggily into my pillow. “It’s not my job to wake you up. Get an alarm clock, you fucking numpty,” he snaps. I wonder if super hearing is a vampire thing. “You threw my alarm clock into the moat first year!” I shout over the music. “Not my problem,” he says, as he slams the door shut behind him.

Cinnamon Lips by @f-ing-ruthless-baz

Rated T, 9,249 words

I love a good drunkenly getting together story and this is a great one!

“Snow, did you drink my Fireball?” “Your what?” He blinks at me, wobbling in place for a second, so I nod at the flask in his hand and he grins. “It tastes like cinnamon sweets and burning,” he says proudly. “That it does. Now hand it over.” He scowls. “You know, you act like you’re so fucking perfect all the time, Mr. Know-It-All, Mr. Good-at-Magic, Mr. Shampoo-Advert-Hair—” “Snow—” “But imagine what people would say if they knew Basilton fucking Pitch, top of the class, hangs out with corpses and drinks cinnamon sweets?”

Two Pints of Lager and a Packet of Crisps by stellatundra

Rated M, 3,936 words

Baz sowing some wild oats? Simon getting jealous as hell? Sign me up!

After his kidnapping ordeal, Baz goes to a magickal bar, deciding he deserves just one night to forget about destiny, numpties and Simon Snow. Simon follows him, convinced he’s up to no good, but is taken by surprise when he sees his roommate kissing another boy.

All this soulmate shit by half_witch

I only read this for the first time this year. It is so fun. If you love magic soulmate tropes, this one has just about all of them!

Rated M, 31,573 words

Simon has learned to despise his ‘evil anti-friendmate’ Baz despite being connected to him through magic their entire lives. From sharing luck at ten years old, to mind reading at twelve, to teleportation at seventeen, and the Red String of Fate at twenty—Simon and Baz know only three rules: 1) The New Year’s Eve countdown brings them one new bond to share, 2) The bond only lasts the year, and 3) Bonds NEVER occur twice. But this year, the magic is out of their control and seems hellbent on bringing them closer together—even if it kills them.

I Hoped It Was You by EllisyaSyron

Simon and Baz fall for each other without knowing they're talking to each other. It's like You've Got Mail, but better since neither of them lose their family bookstore in the end. Excellent dialogue!

Rated T, 8,901 words

as requested by anon: "au where baz and simon start talking online bc baz writes drarry fics and simon draws fanart and they do a collab (they don't know that it's them)" BlackPrince: I want to kiss you. SSPuffPride: I want to kiss you too. I wish I could BlackPrince: ...Tell me how you would.

Unspoken Rules and Simon's Nights by @lilmcgil

Rated E, 5,503 and 5,822 words respectively

This was one of the first Snowbaz fics that I ever got obsessed with. Both fics are truly excellent!

Simon and Baz develop a nightly routine. In the daylight they pretend it's not happening.

Companion piece to Unspoken Rules. Same plot line, but from Simon's perspective. I think it would make more sense if you read that first. But don't let that keep you from reading this if you haven't! Be a rebel if you want.

If you have any recs that fit the prompt that I've missed, feel free to leave them in the comments! There's plenty of gaps in my reading so there's a good chance I may not have read it.

Also I've had a hard time finding if some people are here on Tumblr, so if you know someone who hasn't been tagged, feel free to leave that in the comments as well <3

@carryon-countdown

[my-halo-is-a-little-broken]

Examples of what i had hoped they would expand on (I would have loved filler episodes or at least wish they hadn't cut so much out):

What exactly did Silco do that made Vander attack? We know it's connected to the bridge and Felica, but we never know what the reason was other than a vague, "Vander wanted to stop fighting, Silco didn't".

How did Vander and Silco make up in the au? Did Vi trigger Silco to go back to blisters and bedrock upon learning one of Felicia's kids, the very first one that created the blisters and bedrock convo, was no longer living?

Did the girls, or at least Vi, know Silco at all from the "before" times?

Was it Silco and Vander making up that led to the undercity improving? Was it something else, like Heimerdingers' influence? It couldn't have just been Hextech not being invented.

What was Vi and Jinxs bio dad like?

How did Viktor manage to make it from the Undercity and rise all the way up to being Heimerdingers assistant? I'm not saying it's impossible, but we've seen the barriers and such that make it hard for people from the Undercity to achieve great heights in Piltover.

What happened to make the Firelights even consider listening to Sevika and seeminly develop a partnership? Was it a talk? Desperation? Scar doesn't seem the type to fold easily.

Sevika's reaction to Isha, or anything from her in Act 3, really. How did she get on the council, and what was her reaction to it?

Jinx and Echo prepping for the final battle. I wanna know how they made Jinxs' dirigible(?).

Who did Ambessa fall in love with? What exactly did she steal? Was it Mel in general? Or the magic Mel ended up with?

Did Jayce end up jumping in the au, or was he just exiled? Did he and Cait blow up in the apartment explosion?

Why did Vi trust Loris so much? What was their friendship like?

Why was Loris not on the front lines or being the "shield" he's shown as?

What was with the look in Stillwater when Ambessa saw the disgused Jinx and Sevika?

Vi's pitfighting arc.

Jinx and Isha getting close.

Mel. Her time captured, getting back to Piltover, anything to do with her.

Singed creating Warwick. That was a long time to experiment on a (seemingly) lifeless body until things turned just right for it to "work".

What happened to Lest?

Does Vi know about Cait's suspicions about Jinx living? I personally don't think so, as I feel Vi wouldn't give up on trying to reunite with her. Even with Jinxs permission to be happy with Cait, Vi isn't the type to give up on her sister. She would at least want to keep in contact. You're telling me this woman survived years in Stillwater and all the other bullshit mainly for her sister, and then just decides to let her go?

How does Warwick "survive" (like being able to make blood) Isha blowing everything up with the gems, but apparently doesn't survive falling and Jinxs bomb? I know he has regeneration, but one of those is worse than the other, and yet he survives it.

Do Ekko and Vi bond more? Both of them have lost Powder/Jinx, and they're the only two left from each others childhood.

I'm sure this will eventually get covered in the other series they're planning, but it appears Orianna (is that how you spell her name? Idk, I don't play LoL) is similar to the creatures Viktor makes, so how is she "alive"?

Is Bandle City outside of timelines, or is Heimer gone from "our" timeliness forever?

[linddzz]

ok your arcane blogging has almost convinced me to watch the show because it seems WILD and also, visually STUNNING like wowww

but I have absolutely no idea what the show is even about, could you give me a summary? (also what streaming service is it on?)

Yessss excellent! The show is indeed fucking nuts and also visually stunning. Just. Goddamn. Every single episode had moments of us going "that looks so pretty" and/or "holy shit that looks so fuckin sick"

It also does some of the best visual storytelling outside of the Spiderverse movies. They do so much playing around with 2D looking effects and light bursts, with music that slaps and is also used to create in-story sort of music videos to help drop character backgrounds and establishing where people are in episodes, which helps them handle the many characters really well!

Also the animation of micro-expressions in this show makes me lose my mind. I'm sure you've seen the gifs all over my blog and how much facial animation there is in them lmaoo

Good news is it's finished after 2 seasons, which I like as someone who prefers shows that don't just kind of go on for forever. It could have been 3-4 seasons but they did great nailing a rare mix of a plot AND character focused story that had a ton of moving pieces.

You also don't need to know shit about LoL and from what I can tell, it was more used as a base for the world setting and the first building blocks for the characters. They take advantage of the pre-made world really well and do this immersive style of world building where you may not know what all is going on in this world, but you can really tell that it's there and developed you know? But character lore wise we all tried to predict season 2 based on the original lore and then got cold clocked by how the basic character beats actually played out so. Yeah. The most video game aspect of this is the character designs and the FULL embrace of "what if this lady had a big glowing cyber arm she punched things with and what if it was the coolest shit you've seen."

As for what it's about...theme wise big points are

- love as both a destructive and restoring force, especially love between family and friends

-forgiveness and how one draws the line on what going too far means

-self perpetuating systems of classism that can pull even well meaning actors into being oppressors, and even how different forms of rebellion can begin recreating the oppression they're rising against (there are arguments on how this got handled in season 2 but I don't think there's any really solid storyline way to handle such heavy themes)

- the unexpected consequences of chasing progress as an ideal

-big buff hot women who punch!!!!!!! Women who are yoked!!!

-making you kind of hate how much you like that imagine dragons song

-beat drops that make you yell "LETS FUCKIN GOOOOO"

Plot wise it's about:

Set in a trippy art deco/art nouveau punk aesthetic city that has technology and where magic exists, but has been considered dangerous and only used by mages born able to harness it. Scientists learn how to access magic via mechanical and chemical technology. This causes a lot of problems. It mostly follows two sisters caught within the volatile time, along with a central cast from multiple parts of the city.

It's streaming on Netflix!

[sea-of-memoriesy]

1-D Trio

Heras: I think Skully wants to talk about his favorite person

Sebek: Of course he is, he's our friend after all

Skully: I don't know why, but the way you both talk about it, it sounds like it was the most embarrassing things on the world... Not that I mind, I love to talk about the greatness of Jack Skellington

Sebek: Same with Waka-sama!!

Heras: Same with Aura too :D

Context: Ace decided to prank them because he's starting to get annoyed by how three of them keep fanboy Ing over three different people. Only for his prank ended up wrong and send three of them into the sky where they're free falling from there TwT

Heras & Skully: WE'RE GOING TO DIEEEEEE

Sebek: NOT IF I CAN DO SOMETHING TO PREVENT IT!

DON'T WORRY! THEY'RE SAFE!! A LITTLE BIT TRAUMATIZED BUT SAFE NEVERTHELESS!! :D

Sebek: There there, we're fine now... I will talk with Riddle-senpai about Ace's behaviour... It's okay, we're on the ground now and we're safe...

Bonus!! PE time!!

Sebek: Are you alright Heras? You look like you'll collapse any second now

Skully: I think the correct sentence is that he will develop a heatstroke any second now

Heras: How come both of you are okay in the middle of this unforgiving heat?? Both of you are monsters on it's own for being able to withstand the heat

Skully: We can say the same thing for you too, you know

Sebek: Yeah, you and your immunity against cold is scary

[arttsuka]

Ok here are my thoughts about arcane season 2, buckle up

I wana say, I liked the second season, less about what we saw, more about the story they wanted to tell.

It started fine but as soon as episode 4 came the problem was clear. The pacing was bad. Everything was happening too fast, there was no time for smaller moments. A lot of character development was off screen too.

I've heard they were supposed to have more seasons but decided last minute to cut the show short because 'there are more stories to be told'.

Caitlyn had most of her arc off screen which is such a shame, I really wanted to see how she realized she was being manipulated, I wanted to see her dictatorship era. But we got none of that, it's implied it happened but we didn't get to see it.

Sevika was relevant up until ep4 and then we see her again in ep8. I don't think she has any speaking lines after ep4. Such a waste of her character, she was really interesting.

Isha. She came to the series as suddenly as she left. I have a lot of problems with her character, one of them being that she wasn't introduced organically. She randomly fell on Jinx (by accident). Arcane relies way too much on 'right place right time', on coincidences so, when that can be avoided, it definitely should. Make her fall on top of the first person that passed through on purpose so she won't get hurt (that person being Jinx is the only coincidence here). Her sacrifice felt a bit unearned because we didn't get to see her a lot, and after ep6, they never speak of her again (it affected Jinx sure but they don't even mention her once).

Mel. They did her dirty this season. They speedruned her arc (and the whole thing felt so out of place). I've heard that maybe the next show was going to be focused on Noxus etc which, if it turns out to be true, would be a bad decision. If they are actually planning on making something about Noxus, I'd at least expect Ambessa to be there and also, it would be a great opportunity to learn about Mel and her powers in greater detail instead of whatever we got.

Viktor as the herald, ultimate life form or whatever was so short lived. Make you wonder why they decided to include it only in the last episode instead of implementing a bit earlier.

Vi was also so, useless this season. She did almost nothing. She was a punching bag for the most of it.

Jinx felt a bit ooc, less about what she was doing and more about how there wasn't any time to see her get over Silco's death. Silco had such a negative effect on her mental health (all these hallucinations from s01) but he dies and boom, mentally stable? I would have liked to see her become healthier (it would also tie nicely with getting to know Isha better).

Vander. They brought him back. It was actually foreshadowed in the first season. Him being back is not my problem, on the contrary I think it was a great way to naturally bring Vi and Jinx back together. My problem was how we see him for 2 episodes (and then he 'dies'). It felt like a waste of time honestly, time that could have been used to see something else.

Episode 6 has to be the worst episode of the whole show. The pacing is pretty bad. The events that take place in it feel like 3 episodes, not 1. We get not 1 but 2 different artstyle montages, making the episode look, weird...

The best episodes were probably ep03 and ep07. Both had nice pacing (especially ep07, it felt like it was straight out of s01) and the story explored in them was pretty captivating. But I do have a problem with ep07. It's where Ekko got his 'time powers' from and honestly, they were pretty underwhelming? Also not at all well implemented to the story. We literally see him use them 3 times. 1: when he finds out about them, 2: when he saves Jinx and 3: when he goes back to try not to get captured by Viktor's mannequins. The last 2 on the same episode. That 4-second-limit was never really relevant (at least I don't think it's was). They wasted an entire episode giving him powers only for him to never really use them and for the machine to act as a bomb.

Also I didn't like the dancing scene with Powder and Ekko. I understand the vision behind it but I felt like my TV was dropping frames. It felt choppy, cheap (such a shame for a beautiful scene).

Now, I liked the lesbian sex scene in ep8, I really did, but it felt so out of place. Jinx basically implied she was going to kill herself, Vi was on the verge of tears because she was insecure about how she seemed to only make the wrong choices and then, that scene happens. It leaves a bitter taste in my mouth. I've seen people compare it to the s01 'Jayce/Mel vs Viktor dying' scene and while I understand where the comparison is coming from it's definitely not the same. In that scene, Jayce didn't know Viktor was dying (he knew about his deteriorating health, but he was clearly shocked and left Mel to go check out on him etc etc).

Also, Caitlyn should have gone down on Vi. I think they image would have been stronger. Vi was at the bottom of the barrel her entire life (literal plot point, being from the undercity etc) so seeing Caitlyn, someone of higher status and power, being the one to 'bow' would just be more powerful. Just a thought.

I just feel like I liked their relationship and dynamics more in s01. They had more casual moments, more natural dialogue. Yes we won but at what cost? Their relationship was so sweet in s01. In s02 it started sweet, turned out to be manipulative on Caitlyns side*, they break up and then they're fine again.

*in ep3 it's clearly shown that while Caitlyn loves Vi she's willing to manipulate her to reach her own goals. That first kiss we see was definitely more of a 'I'm gonna play with your emotions so you don't doubt me' rather than 'let's just kiss now'.

I liked how Jinx cut her hair. The whole 'hair holds memories' and how she was ready to move on. Too sad that scene didn't have the proper gravity it deserved because the lesbian sex was happening (probably) the same time.

Ep9 was, something. I'm conflicted about it. On one hand I really liked how they tied up Viktor's and Jayce's plot lines, on the other hand everything else was so rushed. Caitlyn and Mel were a team (they didn't feel like one honestly), they fought Ambessa and then she randomly died from the black rose. It felt like they just wanted an excuse to kill her. 'She needed to die so Mel could become the wolf' no, not really. She could still be alive, have Mel 'spare her life' or something. It would be more on track with Mel's ideals that way.

Jinx sacrificing herself to save Vi was also so forced**. It felt specifically written so she could 'die'. I do believe that 'Jinx is alive' theory because Caitlyn looking at the vents while holding that monkey head Jinx's bomb had + that air balloon Powder said she'd fly away with are all too specific to be coincidences.

**her sacrifice was forced but foreshadowed. Isha was acting as an 'archetype' of what Jinx had to become. Her whole existence in the show was so Jinx could become an icon for Zauns revolution and for her to sacrifice herself so Jinx could see and do the same, break the cycle.

What really bothered me was how Jayce and Viktor seemed to be the only characters who had a complete story, everyone else had a lot missing scenes (they did too but way less, there never was a point where I thought 'where does this come from?', everythingwas explained about them. I wish I could say the same about the 'arcane', magic). It's so unfair, on the female lead show about 2 sisters for the male characters to be the final focus. Also another thing that bothered me how they did a seemingly better job at writing Ekko/Powder, the straight ship we got to see for 1 episode on a different timeline, rather that Vi/Caitlyn, the lesbian ship AND main focus since they're both main characters from the timeline were following.

Something else, I feel like the score for s01 was better/more memorable than s02. Sure s02 has some pretty good songs but s01 felt more diverse on that? Maybe that's just me.

Kinda lazy how they used the same song for the opening credits while using visuals way too similar (if not the same) to the artstyle of the show. Although, truth to be told, the s01 opening was way too good for any standards, it would be very hard if not impossible to make something better. Still, I feel like they could have done a better job.

Also maybe that's just me but there were a lot of predicable moments. Sometimes a scene would start playing and I'd know exactly where it was going (something I can't say for season 1).

I really liked in s01 how in each episode, before the opening, we got to see some glimpses from the past of each character. It was a great way not to have too many random flashbacks and include these scenes organically in each episode. In season 2 we don't get that. I understand that we already know these characters but it's still something I adored from s01.

What made s01 so appealing was how they handled the story, didn't rush things. How they took their time to make us understand and like the characters. With s02 we didn't get that luxury.

Season 1 was a masterpiece and unfortunately, season 2 didn't meet the expectations.

I still enjoyed watching it but it was definitely not as good as the experience of watching s01.

[thee-horny-thicky]

Head cannons about Muzan and kokushibo sharing or liking the same person

Based on canon, Muzan isn't one to get attached to people. However, that wouldn't stop him from seeing you as a possession that he wants to keep to himself. You'll live life like a pampered pet, living to serve your masters, playing nice with whoever he tells you to, and avoiding those he doesn't want you around. If anyone infringes on his territory, he'll get incredibly jealous.

At least, without his permission.

Upper moon or not, few would get his permission. However, Kokushibo would. He's proven his loyalty to Muzan a dozen times over, and most importantly, dangling a pretty little thing like you in front of him is a great motivator. If Kokushibo does well, he gets you all to himself for a night or two. If he fails to please his master, Muzan will keep you away until he's back in his good graces. Your presence makes Kokushibo easier to manipulate, giving the stoic, traumatized demon much-needed peace and pleasure. Muzan sees you as little more than a plaything, whereas Kokushibo sees you as his newfound reason.

This'll make you gravitate to Kokushibo more, much to Muzan's chagrin. He might not treat you the best, but you're still his, first and foremost. Suddenly, Kokushibo would have to jump through a lot more hoops to get some time with you, and you'll be punished if you asked too much about Upper Moon #1.

So, Kokushibo does something he's never done before. He rebels against Muzan, stealing moments with you. Muzan is often busy and doesn't keep track of every little thing his demons do. His hunt for the Blue Spider Lily distracts him, so he doesn't monitor you 24/7.

Time together is a break for both you and Kokushibo. Seeing each other brightens both of you up, and makes pesky feelings start to bloom. Dangerous feelings that can lead to disaster, and that have you reconsidering your position as Muzan's pet.

Sure, Muzan is good at sex and funds an extravagant lifestyle for you, but he lacks the warmth and devotion that Kokushibo provides. Both of them sharing you are the best of both worlds, but given the choice, you'd choose love over material wealth.

Let's just hope Muzan doesn't catch wind of this development. Otherwise, there'll be hell to pay.

[xiaolin-shoedown]

Do you have any Jack Spicer headcannons?

DO I????????

Yea I do let's get into his brain, education, and stunted cultural connections. (Also pro-tip, the entire series in, what I believe is a full digital remaster, is available on dailymotion right now. The quality is immaculate it's like, unbelievably good to look at.)

1. His mother is a second generation Chinese-American, his father is an American businessman. From the architectural structure of his house- and, there aren't any good screencaps I have on hand for this but the interior shots we see of his house that aren't his lab or bedroom- and his proximity to the temple I don't doubt they've relocated to China. That said "Spicer" is a pretty European last name, and nobody come for me but his cousin Megan? That's a little white girl. He's theoretically and functionally closer to Chinese culture, but his education has swayed pretty exclusively western which I'll circle back around to after some context.

2. Despite being closer with his mother than his father growing up, he speaks very, very little Mandarin. His mother speaks English and Mandarin almost equivalently, as she grew up speaking both, but growing up in America with her own American father, English was the language she got more use out of before moving. Jack's father on the other hand can have, at best, a highly stilted simple conversation in Mandarin, He say hello, introduce himself, ask how you are, etc. but not much further in depth. So aside from a few exchanges, English was the primary spoken language in their home. He absolutely can not to save his life read or write in Chinese, traditional or simplified. He can recognize maybe 3 words if they are very, very clearly printed and spaced out. To be fair he isn't great at reading and writing in English either.

3. He has pretty severe dyslexia, phonological and surface. He tends to spell out any words he doesn't know phonetically, and on paper he struggles the most with directional letter orientation, (sz, nu, bdpq, mw) and sometimes formative lines (OQ, NMVW, PRF, XY, Il). A lot of time's he'll either purposefully capitalize a certain letter to differentiate it from a different, similar letter, write the correct letter backwards, or do both. Speaking out loud is much easier, but still presents occasional difficulties, especially with words that change with plurals/tenses in ways other words don't. (house->houses= mouse->mouses + years of "No Jack it's mice" = mouse->mices).

4. This does not change the fact that he's very, very intelligent. He has an exceptional grasp on engineering which we see in the show, but it's more than just welding metal together. He's able to develop schematics for complex machinery and execute them in record time. The boy made An Actual Working Time Machine That Worked. If you put a piece of paper with a complicated mathematical equation written on it in front of him he would look at you like you just asked him to perform a miracle, but if you, out loud, pose a hypothetical scenario in which the same equation could be applied, without even specifying the equation itself, he could run the numbers in his head and he could do it fast. Written numbers, ESPECIALLY with variables presented as letters, are like looking at alphabet soup. You write A²+B²=C² and he assumes you're stupid because the answer is obviously 25. (4²+3²=25) (16+9=25) so where are you getting 0 from? What do you mean that says ABC and not 430? This is math?

5. All of this strongly contributed to him being home schooled, working with translators and aids was already a headache for his parents, and that's before throwing the ADHD into the mix, once his classmates reached an age where they realized they could make fun of him for all of the above it just wasn't worth it anymore, and homeschooling it was. This was both a blessing and a curse for him, because while he was able to focus on what he wanted, without any of that silly "show your work" nonsense, he improved to the level he's at now by sheer self motivation. Unfortunately he had no self motivation for anything he Wasn't interested in, it started as not wanting to work on things to being flat out unable to make himself do so. Who cares if he writes an S backwards? He can read it. To him that's better than trying his best to improve and messing it up anyway.

6. We know, canonically, that he is afraid of genuinely failing. He scares himself out of a redemption arc because he fully believes he's going to fail at being good the same way he's failed at being evil. It's actually much less intimidating to fail at being evil. Unpacking that even further, he is less afraid to disappoint Wuya, evil witch who at full power could and tried to kill him, and Chase young, his evil hero who he blatantly has a massive crush on, who could also kill him, than he is to genuinely try and redeem himself and become close to the monks only to fail and let them down.

7. When I said his education was swayed western, I mean linguistically, getting him talking and writing in one language was already an uphill battle. Any interest he has in historical study is globally spread out and militaristic in focus, but most specifically on weapons and machinery. That's because his actual interest, the only area he genuinely feels smart in, is engineering. He leans into the fact that he's a genius in it because maybe, if he pushes it hard enough, no one is going to notice that he gets his S's backwards or writes out labels phonetically on his blueprints. Mental math is mental math in any language, technology is technology in any culture, and that's the only area he is able to really focus on anyway. And under Alllll of that, there's also the part that knows, if he gets better at linguistics his mother is going to try again to get him learning to write in at least simplified Chinese and speaking Mandarin, and it isn't even that he doesn't want to, he actually thinks it would be kind of cool, but he's not about to admit that. Because if he tries, genuinely puts his all into it, and still can't improve or figure it out, that's going to be a bigger let down than him never trying in the first place. Right?

Anyway this is like, a fraction of the headcanons I have about Jack Spicer. He is literally The Character Ever to me. If I listed Every headcanon I have I would actually hit the tumblr post character limit. He's blorbo from my shows. He's babygirl.

[astra-ravana]

The Power Of Ley Lines

Ley lines are straight lines or tracks, essentially energy grids that stretch across the earth in every direction. The ancients marked these lines with stone monuments and pagan temples. Our ancient ancestors could feel the magick and power emanating from these lines, so they set up natural sanctuaries and called the intersections of the ley lines sacred places.

If we look at some of the world's most important sites on a map, we can draw straight lines between them. These lines form a grid-like pattern across the entire surface of the planet. Stonehenge, the Great Pyramids of Giza, and Machu Pichu are sacred sites the connect, through the lines, with many other sites, including landmarks like Mt. Everest.

You won't find the ley lines on a typical geographical map or in a history book. They are mostly a topic in occult books or folklore. The contemporary concept was developed by Alfred Watkins in 1921, who believed so strongly in ley lines that he organized a group, that gathered in England and walked the countryside in search of them.

Faerie Paths and Corpse Roads

Spirits often travel the earth along ley lines. In England and throughout Europe there is a concept referred to as a 'corpse road'. A corpse road was a path taken by funerary processions to escort the recently deceased to their final resting place. Terrifying stories are told of supernatural creatures on corpse trails that, more often than not, correspond with ley lines.

Faeries, also known as the Fae, the Fair Folk, or the Sidhe, are known to travel along specified paths as well. There are many stories from Ireland and the British Isles that describe Faerie pathways leading into hills or over Fae bridges. These paths also follow ley lines. People are warned not to ever travel a Fae path during twilight hours (dawn or dusk) or at night, for fear the Faeries would steal them away.

The Importance of Ley Lines Today

Though the concept has ancient roots, ley lines are just as relevant in modern practice and very much affect us. The planet is like a living being, in and of itself. It produces energetic vibrations that we can both feel and interact with, if the conditions are right. The ley lines are like earth's veins; sacred sites where the planet allows us to easily tap into her essence.

Of you feel particularly revitalized after visiting your secret hiking spot, swimming in a body of water, or digging your toes into a patch of dirt or moss, then you know a taste of the potency that comes with being near a ley line.

The Affects of Ley Lines

• If your home is on a ley line, it may make thr energy more intense or chaotic.

• You may not be able to relax and sleeping may be difficult.

• You may experience increased paranormal activity, including apparitions, disembodied voices, and encounters with spirits, Faeries, or elementals.

• If your business is on a ley line, you will most likely notice an increase in energy, positive or negative. Your business may be considered haunted.

• When ley lines intersect, any building located on the intersection will have a constant flow of energy. This will cause supernatural occurrences and regular chaos.

• At ancient/sacred sites on ley lines, you will experience spiritual development, enlightenment, awakenings, visions, feelings of peace, messages from beyond or spiritual downloads.

Discovering Nearby Ley Lines

Finding your local ley lines is easier than one wound expect. Think of any historical landmarks in your area. Native, ancient, and pagan landmarks are excellent starting points, as are caves, rivers/creeks, manmade mounds, burial grounds, etc. The ancient natives were very in tune with nature and knew the lines intimately.

In addition, consider local sites with well-known hauntings, supernatural activity, or legends attached to them. Locations with high paranormal activity are most often on or near a ley line. For example, Gettysburg PA, Washington DC, and further, every state capital are located on ley lines.

Locating a Ley Line

After investigating your local sites and finding possible line spots, it's time to make the journey to confirm it in person. This is a sacred journey and you should prepare as such. Cleanse yourself before traveling to any sacred place so you can be as spiritually pure as possible. This will make the energy from the lines easier to sense. It's also a wise idea to bring along a pendulum or dowsing rods. Once there, be open to any sensation. You may feel nervous or excited.

You can dowse and find which areas have the highest energetic charge, test each place with the pendulum/rods, if they spin or swing vigorously, you are very close to the ley line.

Ley Line Magick

In addition to being excellent places for spirit work and necromancy, the energy of the lines can be harnessed to super charge manifestation. Enlightenment is primary. It should go without saying that visiting a ley line give you divine insight, spiritual downloads, and/or a total spiritual awakening.

Healing is another prominent form of magick performed at ley lines. While there, ask the earth and the spirits to send healing vibrations up through your feet and throughout your entire being. Stand still for a while and feel the healing energy pulse through your body. Few sensations match this potent connection.

Other forms of ley line magick include drawing love, abundance, meditation, grounding, cleansing, and charging. You can perform entire rituals on top of ley lines to add primal power to the working and drastically increase the success rate of your spell.

Ley Lines in the US

• Montana Megaliths, MT

• Pryor Mountains, MT

• Bighorn Medicine Wheel, NY

• Sedona, AZ

• Serpent Mound, OH

• Mount Shasta, CA

• Mount Denali, AK

• Tocobaga Indian Mound, FL

• Uinta Basin, UT

• Chicago, IL (Lake Michigan)

• Yellowstone National Park, WI

• Pine Barrens, NJ