#this is coming from someone who is NOT a historian AT ALL

[lefresne]

maybe a strange question, but it's inspired by that modern lens of analysis post you reblogged: do you have any favorite academic articles about arthurian lit? my interest in it is extremely new and i'm not even remotely a medievalist so i'd like to read some articles that might lessen the modern lens i know i view arthuriana through

Ok WOW hi, hello and thank you for your question!! Everyone is always welcome to my little corner of the internet, whatever their level of knowledge of Arthuriana! 

So this is obviously an incredibly broad ask, and it would kind of depend on your personal interests as well as where you fall on the spectrum of ‘the original historical context of a narrative can only take you so far when it comes to ascertaining the meaning of a literary text’ (in other words: is ‘meaning’ inherent to the text or is it constructed through reception, and to what extent is this reception historically specific? Will you read a medieval text as a medieval person would? Is it useful to aspire to? People way more intelligent than me have debated about these things at length) As with most things, it’s probably a bit of everything.  Context is always going to be important, but it is my opinion that so is acknowledging your own historical ‘vantage point’ from which you are viewing and interpreting these texts. I personally use a lot of postmodern theory as a lens through which to examine medieval literature because it is what I enjoy, personally, and because there are far more resonances between them than you might think. A really good piece of academia will place theory and medieval literature in such a relationship that they illuminate each other. SO this is just a verryyy long-winded way of saying that I personally don’t see any issues in applying a ‘modern lens’ to Arthuriana if it is done in a thoughtful, intelligent way and I like to think a lot of my recommendations reflect my interest in that! (I was trained in a very theory-heavy institution so this perhaps also colours my approach!)

(long post so I have a few recs under the cut!)

Some books I find very thought-provoking that examine the interactions between modern theory and medieval lit (amongst other things) :

Fragments and assemblages: forming compilations of medieval London by Arthur Bahr

Imaginary Worlds in Medieval Books: exploring the manuscript matrix by Martha Rust

The Medieval Poetics of the Reliquary by Seeta Chaganti

The Medieval Literary: beyond form edited by Robert John Meyer-Lee and Catherine Sanok

Bloodless Genealogies by Zrinka Stahuljak

Thinking Through Chrétien de Troyes by Zrinka Stahuljak, Virginie Greene, Sarah Kay, Sharon Kinoshita and Peggy McCracken

Some articles I really like (which doesn’t mean I always agree with them wholeheartedly, usually just that I think they are Neat for various reasons)!:

Gawain and the Nick of Time: Fame, History, and the Untimely in Sir Gawain and the Green Knight by Richard Godden, Arthuriana (2016) 

The Ends of Excitement in Sir Gawain and the Green Knight: Teleology, Ethics, and the Death Drive by Mark Miller, The New Chaucer Society (2010)

Arthurian Time and Space: Chrétien de Troyes’s Conte del Graal and Wace’s Brut by Rupert Pickens, Medium Aevum (2006)

Writing History, Writing trauma: the rape of Ygerna the Medieval Brut Narratives by Gillian Adler, Medieval Feminist Forum (2021)

[claitea]

i've had these scenarios written down since volo's debut in pokemon masters and i just really wanted to scribble them down and finally release them

[sprinedankle]

guys i think im going to buy my first vinyl record and its going to be the boygenius ep and I DON'T HAVE A RECORD PLAYER!! BUT I DONT CARE!! actually my mom's partner has one so im going to steal it from him

[qqueenofhades]

hi I hope you don't mind but I would love to hear your long tired historian rant you mentioned in your tags on that one post, if you feel in the mood to share? (no pressure!)

(also thank you for existing, you do wonderful work and the world is a better place for you being in it)

Aha. Well. For context, the mention of said rant was in relation to this post:

Basically, this post struck a nerve because of how it exactly encapsulates the anti-intellectual, anti-academia, anti-historical, anti-reality thinking that is absolutely rampant in social media spaces, even and especially spaces that identify as leftist, liberal, or otherwise "superior" to the right wing when it comes to identifying fake news or misinformation. (Example A: anything ever written by a self-proclaimed leftist on Twitter.) We all know that there are huge problems with the American public school system (and the people writing this are almost always American) and the American practice of education in general, and that yes, there are many things that happened in the past (or y'know, the present!) that are not taught very well, or at all. But because the American public school system is so decentralized and largely autonomous, incredibly dependent on the temperament of local superintendents and/or school boards, taxation and funding, availability of teachers, requirement of useless standardized tests, etc., it is very difficult (if not outright impossible) to claim that this is the result of a Unified Grand Conspiracy To Not Teach Real History To The Youth In Order To Make Them Mindlessly Support Capitalism. That is the exact sort of deranged conspiratorial thinking that the right wing does and fits everything into a sinister narrative about how "They" are planning to keep you ignorant and therefore nothing harmful that you ever think or do is really your fault. It's not good.

(Whoosh. That was very calm and reasonable of me. For the rest of this post, please just picture Captain Holt "apparently that's a trigger for me" dot gif.)

Also: even in public school, and despite the Republicans' best efforts, there are plenty of opportunities to study complex or "controversial" subjects. For example, I spend a week every June grading AP Euro History exams with a lot of other educators in a giant windowless steel box (woo-hoo, fun times!) Every year, there are questions on the exam about women's rights, imperialism and exploitation, slavery/race relations, the development of capitalism and the current economic model, religion and science, the history of labor, and other topics that would be considered "controversial" if you're an idiot. This is an exam taken by high school students in all grades from across the country, and there are also AP World History and APUSH (US history) exams every year which are doubtless making an effort to address similar themes. This is an advanced program, yes, but it's widely available to many schools and is not a result of a sinister plot to keep the youth from discovering the truth. Also: you live in an era of absolutely unprecedented access to information. Put down the ChatGPT bullshit generator and visit a goddamn public library. Or even open Wikipedia. The tools are there for you to start educating yourself and they are so easy to find!!!!!

The "Historians Are Hiding The Truth!!!" narrative becomes even more ridiculous in university-level or professional academic historical-study spaces, especially when historical educators and associations (such as the American Historical Association) have been at the forefront of pushing back against right-wing efforts to censor history, punish teachers, and remove culture-war subjects from classrooms. Also as someone who has advanced degrees in history, has taught/worked in several universities in different countries, writes and publishes historical research, and otherwise participates professionally in the field: trust me, we aren't "hiding" shit. There are vigorous debates and disagreements on various bogglingly obscure subjects and points of clarification and so forth, but that doesn't mean we're not talking about them (trust me, we're often talking about them too much). If you're issuing confident blanket statements about how "historians are conspiring to hide x," you're an idiot.

This also has dangerous repercussions in the field of, say, politics and civics, where a lot of absolutely braindead Online Leftists have spent the last four years posting deranged nonsense on social media and then, whenever they're called out on it for that not actually being how anything works at all, whining that "I was never taught this!!!" (And yet, it somehow never actually changes their perspective or their theories....) They whine about how "they didn't know this" and it was someone else's fault, they make up total fantasy about what the Biden administration did or should have done and now are still happy about Trump coming back because "It will teach the Democrats a lesson!!!" and otherwise accelerating us oh-so-quickly down that slippery slippery fascism slope. Their weaponized ignorance and their magical fantasies about what "should" have happened often come back to this same learned helplessness, where it's everyone else's fault (especially Capitalism's) that they're total wankers. Look: I'm not a goddamn fan of capitalism either. But we all grew up in this same system, and some of us aren't raving idiots, so at some point, you have to take the tiniest modicum of personal responsibility for the information you seek out, the content you consume, the opinions you propagate, and the people you surround yourself with. Shocking.

I've said it before and I'll say it again, Online Leftists are actively and unrepentantly enabling American fascism and should be treated in the same way as we treat MAGA when it comes to deciding what is good or worthwhile information. This is because their entire political philosophy (insofar as their beliefs can be dignified with the term) is based on the "make shit up and remove it from any basic empirical references, grounding in reality, or 'should I run the most basic Google search and see if I'm completely talking out of my ass in a distorted social media echo chamber? Nah I'm good' " technique. This is, as the original tweet above references, trying to retcon sheer malicious laziness and stupidity into grand ideological theories about how it's actually "better" that they don't know a damn thing and won't shut up. It's your evil history teacher's fault, or "academics are all rich and elitist" (ask any academic-precariat person like me and we will laugh hollowly and then throw monkey poop at you), or "They" wouldn't let you learn this, or on and on. Even in our terrible, awful, no-good very-bad timeline, there are still ample tools to educate yourself, to learn how to filter out bad information and junk news, and otherwise gird yourself even a little for the even-more-massive assault on empirical reality that we are about to experience in the next four years (ugh). I suggest you take advantage of them.

[city-of-ladies]

"Here’s what we know about Julia Felix: she lived in Pompeii from at least 62 CE. She was possibly illegitimate but was definitely not a member of the social and cultural elite. She worked for a living setting up and running a very interesting business and, by 79 CE, she had planned to shift her focus from managing a business to owning property. We know all these things because twentieth-century excavations at her business uncovered an advert, carved in stone and attached to the external wall of her huge building. It reads:

"To rent for the period of five years from the thirteenth day of next August to the thirteenth day of the sixth August, the Venus Bath fitted for the nogentium, shops with living quarters over the shops, apartments on the second floor located in the building of Julia Felix, daughter of Spurius. At the end of five years, the agreement is terminated."

This find illuminated the building it was attached to, bringing what otherwise looked like a very large anonymous domestic house into dazzling focus. With this description of the purpose of each room written by the owner herself, archaeologists and historians could see the site through a whole new lens and they realised that they had discovered a Roman entertainment space for the working middle classes. It is, so far, a completely unique find and it is magnificent. It offers us, as modern viewers, two amazing things: a little glimpse into the lives of the commercial classes of the Roman Empire who are so often completely and utterly invisible, and a brutal reminder that so much of what we ‘know’ about Roman women in the Roman world comes from rules concerning only the most elite.

We’ll do that second part first, because it’s the least fun. Roman written and legal sources are pretty universal in their agreement that although women could own property, they could not control it; they had no legal rights, could not make contracts and were to be treated as minors by the legal system for their entire lives. In order to buy or sell property women required a male guardian to oversee and sign off on any transactions. This is a basic truism of women in the Roman Empire, repeated ad nauseum by sources both ancient and modern including me, and it is undermined by Julia Felix’s rental notice. 

The rental ad makes it pretty clear that Julia Felix is the owner-operator of a business complex including public baths, shops and apartments (there’s more too, as we’ll see), and she doesn’t seem to require anyone else to help her rent it out. She names her father – sort of; ‘Spurius’ might just mean that she is illegitimate – but this is effectively a surname, a personal identifier to differentiate her from other Julia Felixes in the area. It doesn’t mean her father was involved. Furthermore, the use of her father’s name as an identifier suggests that Julia didn’t have a husband and was either unmarried or widowed in 79 CE. The strong implication of her advert is that Julia Felix was an independent lady, a honey making money and a momma profiting dollars who could truthfully throw her hands up to Destiny’s Child.

We will never know if Julia escaped the flames and choking ash of 79 CE, fleeing as it swallowed her business and her home, but one discovery, made on 28 January 1952, suggests that she didn’t. The archaeologists, led by Amedeo Maiuri, uncovered on that day the skeleton of a woman who had fallen while running across the garden during the disaster. It’s clear this fallen woman was well off, because she was wearing a lot of gold jewellery. She carried four gold half-hoop earrings and wore four gold rings. Two of these rings were particularly expensive; both contained a red carnelian gem, one carved with a figure of Mercury, the other with an eagle. Around her neck she wore a necklace of gold filigree, dotted with ten pearls and hung with a green pendant. Someone stole both the necklace and earrings from the Pompeii Antiquarium in 1975 and no one, somehow, had ever bothered to photograph them so all we have are descriptions but the rings that survive are fine and expensive. The woman who wore them – was wearing them when she died – had real money to buy these objects and the woman who wore them did'nt leave Pompei in time.

 Moreover, when she was found it was clear that at the moment of her death she was heading not towards the street or towards safety, but towards the shrine to Isis in the garden where all the most valuable possessions were kept. The valuable possessions that Julia Felix grafted for and maybe couldn’t bear to leave behind. There’s no way to tell whether this skeleton is Julia Felix, whether these bones once stood and looked at the plots of land Julia bought and made plans, or whether they belong to a looter or a chancer or someone just caught out. But it’s nice to pretend that Julia Felix, who shaped the city’s roads around her dream and offered respite and luxury to workers and made a tonne of money doing it, died and was buried with the place that still bears her name."

A Rome of One's Own: The Forgotten Women of the Roman Empire, Emma Southon

[discoursedumpster]

@puppypalice what do you think a Zionist is, though? Because this implies that there's some kind of Zionist organization or political party that people can join.

As far as I can tell, there are two different definitions people are using for "Zionist."

People who don't think Israel should be violently destroyed.

A specifically Jewish movement of people who love genocide in general, or genocide of Palestinians in particular.

But there's not an organization for either of those things.

You seem to be picturing the second definition? But like... what are they joining? The IDF?

I know they're not joining some evangelical megachurch that wants Israel to exist so that the End Times can come or whatever.

Because nobody is protesting those. They rarely even get mentioned.

I know they're not joining Hamas/PIJ/PFLP, despite the fact that Sinwar said he would fight until the last child in Gaza; despite Haniyeh demanding "the blood of Gaza's children, women, and elderly;" despite the fact that Gazans loathe Hamas for starting the war, routinely torturing and executing dissenters, and committing countless atrocities against them over the past 15 months.

Because at best, nobody gives a shit about Hamas. And at worst, they buy the propaganda that Hamas is "the Palestinian resistance." (Instead of the We Want To Live movement and the Gaza's Liberators movement.)

Are future historians going to be saying this about anyone who hates and opposes Hamas? Because that seems to be what usually gets Gazan activists, and Jews, denounced as Zionists.

If so, that now includes not only most of Gaza:

But also, the rest of Palestine:

That's from one of the co-organizers of the We Want To Live movement, who has twice been jailed and tortured by Hamas for organizing marches in Gaza.

He's only 24, and he's repeatedly put his life on the line for Gaza's freedom. And there is not one person in the pro-Palestine movement that will platform him, or anyone like him. Even Ahmed Fouad Alkhatib -- another Gazan activist, one who hates Israel significantly more than Howidy -- gets pre-emptively blocked.

Anyway, the context for the whole "they'll call them Zionists" thing was that the Hind Rajab Foundation filed 12 complaints against IDF soldiers.

Which does make it seem like that must be what everyone's going to be called Nazis for joining?

The Hind Rajab Foundation is chaired by a former Hezbollah member: Dyab Abou Jahah, a Belgian man from Lebanon who also:

founded a Holocaust denial group;

has repeatedly called for the violent destruction of Israel;

says Europe makes "the cult of the Holocaust and Jew-worshiping its alternative religion";

questioned the existence of the Nazi gas chambers;

and calls gay men “AIDS spreading faggots”...

...just to hit the highlights.

The article notes that there were no troops around when Hind Rajab was killed. Which is news to me, because I only learned about it on social media.

So basically, a guy who is at best a Nazi apologist started a group named after someone who wasn't killed by the IDF, but who he wants us to think was. And now that group is running "a campaign... to identify Israeli soldiers who have published videos to social media in which they commit, claim to have committed, or appear to endorse committing potential war crimes, and to file complaints against the soldiers on that basis."

@stoptheantisemitism blocked me after I said you can't just report people you assume must have committed a war crime. Because surely you can, since "they've posted themselves committing atrocities all over social media" or whatever.

But in fact, the article they posted literally says that the campaign includes people "who appear to endorse committing potential war crimes."

And no matter how despicable or disgusting that is, it's also absolutely fucking silly to be like, "Hey!! Sri Lanka!! SRI LANKA!! This guy who tweeted about wanting to burn Gaza City to the ground is in your country right now!!! Arrest him!!!!!!"

The fuck you want Sri Lanka to do about that??? He didn't commit a crime on their soil, and he's not a citizen of their country.

So I'm assuming you're talking about the IDF. But what's the point of saying that future historians will imply people were Nazis for joining the IDF even if they don't hate Palestinians? People are already calling them that today.

More to the point, it's not like there's a massive movement to move to Israel and get permission to join its military.

Is the point just to make sure we damn everyone in the IDF, whether they personally hate Palestinians or not, whether they were conscripted or not, etc?

Is the point just to call them Nazis?

Is the point to minimize the Nazis by deemphasizing what they did?

Because it seems important that Hitler not only industrialized mass murder and killed a peak of 500,000 people a month, but also:

declared a state of emergency,

seized dictatorial powers,

stripped Jews of their citizenship,

made relationships and sex with them illegal,

pressured white people to boycott all Jewish businesses,

and banned them from leaving the country without turning their property and money over to the Nazis,

none of which Israel has ever done to either the Palestinalsians, or its own Arab citizens.

like, I would assume that nobody is making a conscious attempt to minimize what the Nazis did. But it minimizes what they did either way.

[archangeldyke-all]

Reader just straight up not comprehending that Sevika is scary? Like when people talk about how intimidating Sevika is and Reader is just like “Uhm, what do you mean?? That’s my Sevi-bear?? She’s precious.” Pffft

-🥨

I LOVE THIS

men and minors dni

out of all the people in silco's little gang, you never understood why people thought sevika was scariest.

silco is scary. the man never raises his voice, doesn't bat an eye when he orders someone's death, and seemingly feels no remorse about anything... ever. he could blow over in a strong wind, but somehow, through sliminess alone, he's come to rule the entire undercity. that's scary.

lock is scary. just the pure physical size of him is intimidating enough, but add onto that the scars, prison tattoos, and the added strength of shimmer-- the man looks more like a killing machine than a human sometimes.

ran freaks you the fuck out-- they're quiet as fuck on their feet, and they've never missed a target-- sometimes, you think you see them in the shadows of your apartment at night.

but sevika?! sevika's not scary.

sevika's a fucking grandpa.

sevika's happiest when she's gambling with her boys, a cigarette in her mouth, you in her lap.

sevika loves to read but always falls asleep a chapter or two in, snoring as her book falls closed in her hands.

sevika can't be left alone around a freshly baked sweet treat-- or she'll eat the entire thing in one sitting.

sevika's not scary.

"you're married to sevika!?" a goon asks one evening while you wait for her to wrap up her work.

you blink at the man in front of you, trying to place him. he must be a new hire. "why is that surprising to you?" you ask.

"you seem so normal, and sevika's scary!" he squawks. you huff and roll your eyes.

"have you ever tried to get to know her? or do you just let the eyeliner and mech arm scare you off?" you ask. the man ties to speak, but a flash of anger sparks up in you. "you know, i bet you wouldn't be saying this if sevika was a man. why is sevika scary? 'cause she's a woman with power-- that's why." you're ranting now, defensive of your wife and getting worked up.

"no, that's not--"

"baby!" sevika's sweet voice calls. your little argument is completely forgotten as you turn around to greet your wife with a dreamy sigh.

"sevi-bear." you coo, pulling sevika in for a hug. she nuzzles against your throat, humming happily as you comb your fingers through her hair. "let's get outta here baby. made some brownies for you-- they're cooling off at home."

"fuck. i love you so much."

the pair of you leave the bar, tangled in each other's arms, none the wiser to the flabbergasted goon you left behind.

(sevika had threatened to tie a noose around his balls and let him dangle from the rafters earlier today when he'd joked about cheating at a game of cards.)

(now he's questioning his sanity, because the same woman who made him shit his pants in fear at lunchtime is giggling and covering her very defensive, slightly delusional wife in smooches as you two leave the bar hand in hand.)

taglist!

@fyeahnix @lavendersgirl @half-of-a-gay @thesevi0lentdelights @sexysapphicshopowner

@shimtarofstupidity @chuucanchuucan @badbye666 @femme-historian @lia-winther

@ellsss @sevikaspillowprincess @emiliabby @sevikasbeloved @hellorai

@glass-apothecary @macaroni676 @artinvain @k3n-dyll @sevsdollette

@ellieslob @xayn-xd @keikuahh @maneskinwh0re @raphaellearp

@iamastar @sevikitty @claude999 @nhaaauyen

[batmanisagatewaydrug]

first of all, this is all legit, and not bait, though i have a feeling it may come off that way, this did happen to me. please don't publish if tumblr sends it off anon.

i'm a lesbian with gender dysphoria, and while i haven't had much sexual experience, i would consider myself a stone top. in the last year and a half i began reading "terf"/radical feminist writings and reading "terf" tumblr blogs fairly actively, largely out of frustration with misogyny i was experiencing IRL. though i never engaged with the community i did stop identifying as genderfluid and started understanding my dysphoria as stemming from the trauma of being bullied by other girls for having a high-androgen DSD, and using different pronouns/transition thoughts as unhealthy coping mechanisms. i'm happy with this, but i also don't know if i'm attracted to women anymore.

i've always been attracted to women in a way that's stereotypically guy-like; i find feminine women very attractive and not so much fellow(?) butches, want to penetrate with a strap on, don't like bush much, cursory interest in BDSM/daddy kink. i read/watched het erotica and porn sometimes and identified with the man. what i read problematized pretty much every aspect of that- femininity as a cage, penetration as violence/straps as disidentification w the female body, infantilization of women, bdsm as abuse etc. also, desisting making me more conscious of dysphoria/knowledge of how extensive sexual dimorphism is putting me off both women with larger breasts and hips AND smaller breasts and hips/unrealistically masculine body types as well. so a lot of what turned me on before isn't arousing anymore, or i feel guilty about it, and i haven't been able to find butch4butch stuff which is much healthier very interesting.

i consider my sexuality healthier now on a political level but my ability to get aroused/jerk off has plummeted (used to be i could jork it sunrise to sunset) and thinking about being in a relationship w another woman makes me feel uneasy and weird, especially since a lot of what i read emphasized reciprocative cunnilingus/tribbing (which i don't like) as the healthiest sex options. i also think about both my dysphoria and my sexuality issues 100x more than i did before, even though i was promised the opposite (freedom from dysphoria and feeling happier as a lesbian), and it's stressing me out day-to-day. i'm aware based on your general ethos that you probably think i'm a terrible person right now, but i figured it'd be useful to seek the opinion of someone who radically disagrees with what i've read on what i could/should do next, since i admittedly miss being at peace with my sexuality.

thanks for reading.

hi there anon,

it's a bummer that you'd think I would assume you're a terrible person based on everything you've told me here. I generally try not to consider people terrible unless they're actively being shitheads or hurting other people, which doesn't sound at all like you're describing. from what you've told me, you've been up to your eyes in some information that's made you feel deeply uncomfortable in your sexuality and now you're seeking out a new perspective to help you make sense of that hurt. that describes most of the people who send me questions!

it's so striking to me that much of what you're describing is very reminiscent of what's recounted in The Persistent Desire, an anthology of writings on butch/femme identities edited by femme historian and archivist Joan Nestle that was released in 1992. in various essays and interviews countless butches and femmes recount their discomfort with the feminist turn against butch and femme identities that too place in the 70s, when both roles were declared problematic recreations of heterosexuality and summarily decried as politically "incorrect" for lesbians. it's shocking to me how much what you've described echoes these accounts experienced by lesbians half a century ago - the disowning of women who are "excessively" feminine or masculine, the demonizing of penetrative sex, general insistence that there are "correct" sex acts that every lesbian is supposed to enjoy, and the deep discomfort and insecurity that this causes among people who don't fit into the very rigid standards of proper lesbian identity set forth.

here's a link to a PDF, if that's interesting to you at all. it's very long, so feel free not to read it straight through; it's a great project to skim and an incredible way to get in touch with the lesbians who came before us. their accounts of their lives are so wildly different from the boundaries of "good" queer representation that feel so universal today; in discussing their own lives many of these women speak very bluntly about their experiences with abuse, drugs, sex work, and violence. it's a great glimpse into the lives and history of a lot of very ordinary lesbians just living their lives, and I'm very grateful it's been preserved.

now, as for what you're actually gonna do: hey. listen. first of all, if you haven't given up reading this stuff yet, you've gotta. you simply cannot keep internalizing stuff that makes you overanalyze your own sexuality so hard that you feel uncomfortable about being attracted to women. that's not "healthy," that's conversion therapy lite. there are other places to talk about feminism without being made to feel ashamed of yourself.

listen: there's nothing unhealthy about anything that you described about yourself. being a stone butch, being attracted to certain looks and aesthetics, watching porn, wanting to use a strap and roleplay during sex and not being interested in other sexual activities - all of those thing are completely normal and, yes, healthy. certainly healthier than feeling the need to repress your sexuality so hard that thinking about being with a woman doesn't feel right!

should we run through that list?

femininity as cage - sure, okay, femininity isn't for everyone, and there are parts of it that suck. that doesn't mean there's anything wrong with women who like to wear dresses or put on makeup or shave or whatever, or anyone who's attracted to those women. genuinely I cannot think of anything less interesting or important to feminist organizing than getting hung up about what people want to wear. it's clothes, dude. it's fucking clothes. pick a more important hill to die on, I implore you.

penetration is not the same thing as violence. there's just nothing to debate about that one; it's patently absurd to pretend that every act of penetrative sex is rape and you'd have to fundamentally misunderstand how consent works to believe that.

straps are not about "disidentification with the female body," they're about augmenting a sexual experience. a strap-on is not more problematic than a vibrator or a massage oils or a pillow used to prop up a body part. unless those are also bad? are those bad? are pillows disidentifying from the female body also? I'm not up to date on this.

straight up I don't even know which part of your whole deal the infantilization of women is supposed to address, but a thing that I've always found interesting about a lot of radical feminists who are deeply distrustful of sex is the way that many of them seem to assume that women can't be trusted to understand their own sexual desires and need to be taught what's appropriate. seems kind of condescending to me, personally.

BDSM isn't the same thing as abuse. abuse, crucially, is not a situation that people can safe word out of or negotiate the constraints of. it's kind of like how, you know, I purposefully pay people to shove needles in my skin when I want a tattoo, but I wouldn't be stoked about it if somebody just ran up to me in public and started stabbing me without any warning or conversation. context is crucial. there can certainly be abusive people within BDSM spaces, but that's true of people of literally every sexual proclivity on earth, and certainly not an innate feature of BDSM. it's just make believe, dude. it's dress up. it's sex LARPing.

also, psst, hey. that thing about being attracted to women in a "guy-like" way? no such thing. men are humans, dude; they experience attraction in as many different ways as anyone else. for every dude interested in the same stuff as you there are men yearning for hairy women, muscular women, masculine women, women who will dominate them, women who would rather be eaten out then penetrated, and so on. to say nothing of the men who aren't into women at all! and, as is obvious from your own experience, men don't have a monopoly on those kinds of feelings, anyway! there are no men or women feelings, dude; it's all just people having feelings and fighting for their lives trying to figure out what they're into to.

I want to particularly talk about that last bit, where you mentioned not enjoying or wanting to engage in cunnilingus or tribbing. that's totally fine! people like different shit in all kinds of combinations - I'm personally a huge fan of getting eaten out and scratched up or bitten, but I don't do penetration and I've genuinely never met anyone who actually liked tribbing - and there are absolutely people out there who will, to paraphrase the poet Tinashe, perfectly match your freak.

(have you heard about the perpetual, critical shortage of tops that the queer community faces? you'd be a godsend, just saying.)

also, actually, hey I wanted to circle back to another thing as well: it's deeply alarming to me that whatever radfem stuff you've been reading has you feeling "put off" of women with wide hips and large breasts as well as women with small breasts and hips. what is wrong with either of those? both of those are just ways that women naturally look. women just look a wide variety of ways, and it's sad that that's upsetting you now. just thinking about this, conceptually, is giving me hives.

having been up to your eyes in all of this, I can definitely understand why you'd feel the urge to overanalyze you own gender and sexuality to the point of completely talking yourself out of identifying with anything that feels good for you. as I said, that's actually not healthy in any way, and as a sex educator I can't say that I think anyone genuinely invested in your well-being would want that for you.

entirely aside from their feelings on trans people, which I obviously disagree with pretty vehemently, one of the things about radfems that's most endlessly vexing to me is the insistence that such an extremely narrow range of sexual behaviors are appropriate. seems like a miserable way to live, and I sincerely hope you can detangle yourself from the morass of shame it's landed you in. you deserve better.

[burningembers91]

Back Alley Bar - Seong Gi-Hun x Fem!Reader

Synopsis: Seong Gi-Hun has given up on life, given up on himself. But for some reason, the pretty girl who serves him drinks still thinks he can be saved.

Seong Gi-Hun was a typical example of “like father, like son.” He was unreliable, he was selfish, he was sneaky and a liar. He was the spitting image of his father, and his father before him; a complete and utter lowlife. His marriage had crumbled, his wife and daughter had left him to start a new life in America, and his mother was recently deceased. She’d passed away on the floor of their living room while Gi-Hun gambled away the money he could have used to save her life. 

He didn’t deserve to live, didn’t deserve to still be breathing when his mother wasn’t. She had given everything to her son, forgiven him time and time again. She had been the epitome of patient, always giving him another chance to redeem himself. Gi-Hun didn’t deserve redemption, and while he waited for the devil to collect his dues, he would slowly drink himself into the abyss. 

That was where he’d met you, in some dive bar in a back alley, slumped over the bar with a whiskey in his hand. You were there working part time, using the cash to pay for a university degree. Every shift you worked, Gi-Hun was there, drinking himself into a stupor. Most nights you’d call him a cab home, but some nights you’d drive him home yourself, idly making conversation as you drove through the dark Seoul streets. He rarely responded, but you never gave up. You’d seen more than your fair share of shit in your time as a bartender, but you’d never seen anyone as broken as Gi-Hun. Whatever had happened to him, it must have been bad. You weren’t even sure if he knew who you were; he was so drunk most of the time it was miracle he could remember anything about the previous night. But he knew who you were; you were one piece of light in his dark, dark world. 

He knew you thought he wasn’t listening when you chatted to him in the car on the way home. But he remembered everything you said to him. How you were bartending on top of working full time as a teacher to save up to go back to university. How you’d just broken up with your boyfriend, but you didn’t really mind because he’d been a prick anyway. How your dream was to become a historian, but you were worried you were too old to change career. 

“Why do you do this?” He mumbled one night, as you walked with him to your beaten up, rust bucket of a car. 

“What do you mean?” You asked, throwing your bag into the back before climbing into the drivers side. 

“Why do you help me? I’m no one. I don’t deserve your kindness.”

“You are not no one.” You turned to look at him in the passenger seat, resisting the urge to touch his cheek. This man was so broken, and you had no idea how to help him. 

“I’ve done bad things,” he whispered, “I’ve hurt people. I’ve stolen, I’ve lied, I’ve cheated.”

You took a deep breath, staring out of the windscreen as rain began to fall, battering the concrete around you. 

“It’s never too late to make a change,” you said, although you knew all too well how that was easier said than done. 

Gi-Hun laughed bitterly. “Changing now won’t bring my mother back from the dead. It won’t bring my daughter back from America. It won’t make my wife come back to me.”

You didn’t know what to say, so you stayed silent. How did you help a man who was so broken, so beyond repair? 

As you dropped him off outside his dilapidated apartment, you called to him through the sound of the pouring rain. 

“I’m not giving up on you, Seong Gi-Hun!” You smiled at him, and even through his drunken haze he could tell what a beautiful smile it was. He would never understand why you helped him, would never understand why you’d decided he was worth saving. Everyone had given up on him, but for some reason you wouldn’t. 

A woman like you didn’t need a man like him. You needed someone who could care for you, who wouldn’t leave you broken into pieces as he’d left everyone he’d cared about. But your words echoed in his head as he drifted off to sleep. “You’re not no one. It’s never too late to change.”

Maybe you were right; maybe there was still time to atone for his sins.

[irisinluv]

Yandere x Time Traveler Reader

You could recite the rules by memory if you had to. You were read them before each and every time jump. The most important being- don’t do anything to alter the course of history, don’t let anyone know about time travel, and don’t stay longer than necessary. There’s a slew of other minute details to the rule book, time traveling is a delicate business after all. But you love your job, and you understand how important your work is. You see, history records are often sloppy. We do our best to put things together with old newspapers, books, and the occasional photo, but what if you could go back and meticulously record everything the exact way it was?

Well, historians realized they could utilize time travel to observe and document historic events and time periods. That’s where you come in. You are a field agent- dressed in time appropriate clothes, practiced in period accurate slang and culture, armed with a backstory, and ready to jump back in time to learn the things time has forgot.

You’ve done countless runs before, and this one is no different. Go in. Learn everything you can, and then get the hell out. You don’t stay more than a week, and whatever you do, you stick to your company drafted backstory if anyone ask. So, with this in mind, you wave to your team, and step back in time.

The 1920s proved to be more colorful than you’d imagined. Sure you knew not everything was in black and white… but you expected things to be a bit more drab. The streets were busy with old timey cars in each of the primary colors, women bustled down the streets in loose, boxy dresses with gorgeous patterns. You took note that maybe the 20s were onto something when you noticed the high waisted pants all the men seemed to be wearing. You’d certainly be recommending these slutty little numbers make a comeback.

Taking in all these details, you took a moment to enjoy being a tourist in a new time. This was your favorite part of the job- constantly exploring. You loved the freedom you had. Granted you had your rules, but you could go anywhere. Any time. It was fantastic. Ducking into a cafe, you took a second to inspect the menu before ordering, and taking a seat at a booth. You began people watching as you sipped your drink, taking mental notes of everything and anything that you could jot down later. Suddenly, you’re interrupted from your observations as someone slid into the seat across from you in the booth.

Sawyer saw you order and sit down, and was fascinated by you. You carried yourself differently than anyone he’d seen before, with a natural ease and confidence, yet he could see your eyes assessing everything around you with a slight hint of wonder that made him wonder what those eyes would say if they looked his way. After observing you for several minutes, Sawyer made his move.

You couldn’t help but feel comfortable about the man who slid into your booth and started chatting with you. It wasn’t against the rules to talk with people like this- it was often crucial in fact. As long as you didn’t do anything drastic like save or end their life, convince them of some major course of action, etc…. It often paid to have a friend in an unfamiliar time. So when Sawyer asked you if you had plans this evening…. You had told him you were free.

Now it’s a quarter to 6 and he’s picking you up at the hotel you’d arranged earlier in the day. You had a change of clothes already packed for the occasion, and were buzzing to see inside a real speakeasy during prohibition. Sawyer was prompt in picking you up, and it was only a short walk to a back door of a building. He was ushered inside and soon the two of you were sitting together, leaning close to speak as you sipped (rather horrible) watered down drinks.

You kept to your story- you were traveling from the countryside, and would be in town for the next week. Sawyer noticed, however, how much you steered the conversation away from yourself. You did so skillfully and he had to admire that, but you were secretive none the less. Of course, this only served to further fascinate the man. What was originally just a little crush began to turn into a burning need to know more. What were those calculating eyes of yours thinking? Why did you take everything in with such wonder, like you were committing every detail to memory? He had to know.

For the next several days, Sawyer acted as your guide through the city, showing you clubs and shows and the best places to eat. You found yourself genuinely enjoying his company, and it wasn’t hard to tell he greatly enjoyed yours- showing up first thing each morning to escort you on another adventure. You realized you needed to begin distancing yourself from him, however, as he was pressing you for more details about yourself, and was expertly dodging your attempts at redirection. So, with only a few days left before you had to return, you switched hotels. Went to a different part of town, and began looking into the affairs of a few businesses. You needed to round out your research more anyways.

Sawyer arrived at his usual time, only to find you gone. The hotel attendant explained you’d checked out early, and left no explanation. Sawyers heart stopped. You were the love of his life. He knows it’s sudden, and stupid, he hardly knows you…. But at the same time he feels like he knows you better than anyone else alive. In the few days you’d spent together he’d taken in every little detail about you. He could tell when you were excited or disgusted just by the way your nose twitched. He knew your food preferences, knew how to make you laugh, and just felt like he knew you on a soul deep level…. But you were gone. You’d left him….

You were taking note of the stock in a grocery store a few days later when Sawyer finally saw you. He didn’t approach, instead, followed you back to your hotel. He watched you through a sliver in the curtains as you pulled out a pad of paper and began writing. He watched until you fell asleep, and then slowly crept in through the window. He gently picked up the notepad, only to furrow his brows, confused. You were…. Taking note of the style of labels on soup cans, and the price stickers used? He looked around the room and saw a few other note pads, gently placing the one he’d grabbed back next to your sleeping form, he began snooping through the rest of your notes. You had pages and pages written about what you’d observed, meticulous notes littered with your own commentary and thoughts. And that’s when Sawyer realized the truth. He didn’t have all the details- but he knew you were from the future. You were from the future, and you’d be leaving him in less than 24 hours.

He knew he had to act. He found the small device you would use to return home- it was disguised as a watch, and tucked away inside one of your luggage bags. Holding the small object in his hand, he came up with a plan. Shooting one last look to your sleeping form, he made sure everything was as you left it, aside from your watch, which he slipped in his pocket, and then crept back outside.

The next day, you hustled to finish investigating the last few things your colleagues were interested in. You were walking down the road when you heard a familiar voice call out. Closing your eyes and letting out a soft curse, you turned to see Sawyer racing towards you with a grin.

“Hey! There you are! When they told me you’d checked out a few days ago I’d assumed you left! Glad I found you though! Did you lose a watch by any chance? I found it in the pocket of that coat you borrowed after the theater, it’s small and gold with some swirling patterns carved into it?”

Your eyes widened…. That was your ticket home. How the hell did you not notice it was gone?? You thank him profusely for finding it, and tell him that yes, it’s yours! He clarifies,

“It’s back at my place, I didn’t think I’d run into you so I wasn’t carrying with me. If you’d like, you can swing by my house with me and pick it up?”

Of course you readily agree- after all, you need to leave in a few hours, and seeing inside his house would be great for your research. So, you agree to go home with him. I mean you only had a few hours left. Saying goodbye for real this time wouldn’t hurt.

Sawyers breath catches as you step inside his house. Why does this seem so natural? So perfect? You, fingers lightly tracing the wood banister as you take it all it. You, turning to look where he stands in the entryway - God, he can imagine coming home from work, with you greeting him with a smile just like this. The only thing missing is a kiss. He blinks out of it as he realizes you’re asking about your watch.

“Oh, yes, of course! It’s just down here, follow me!”

He leads you downstairs to a partially finished basement. Partially finished is a loose term. It’s a usable area at least, a workbench in once corner, and minimal boxes cluttering the space. Instead, it’s relatively clean, there’s a few chairs and a couch set up. Far from a living space, but it’s certainly functional. You’re taking all this in when suddenly you’re pulled back wards, stumbling into a chair. Ropes are wound around your midsection, pinning your arms and torso to a chair. You cry out and squirm but he’s surprisingly fast and strong,wrangling your kicking feet until they’re tied to the chair legs. Soon, you’re securely bound to the chair, and he didn’t even have to knock you out. He finds it kind of adorable how easily he overpowered you if he’s being honest.

You cry out and ask him what he’s doing, demand he lets you go! But he only produces your watch from his pocket, and stares at it with curious eyes.

“So, this little thing is your ticket back, hm? I wonder what it’s like- your world. Your time….”

Your eyes grow wide. He knows. He knows you’re not from this time period. That’s breaking one of the most important rules. This in itself could have irreparable consequences to the course of history… what if he decides to use it? Decides to travel through time, un-trained, causing chaos!?

“Please! You have no idea the consequences this will have! You can’t use it! Please- there’s a way things have to be done, you could permanently alter the course of human history with the littlest misstep! The future depends on you letting me go and giving me that watch back!”

He steps closer to you and gently strokes your cheek, realizing you don’t get it. You think you’re tied up because he’s interested in the time traveling. You think he’s going to misuse it. Silly you. He’s not interested in traveling through time.

“Darling… come now. There’s no need to worry. I’m not going to use your watch.”

Your gaze turns confused as you look up at him, and he adores watching your eyes as you try to puzzle your way through this one. He takes pity on you and leans forward to press a kiss to your lips.

And then you watch as he drops and crushes your way home beneath his boot.

“The only future I’m interested in…. Is ours.”

[loveemagicpeace]

🦋Mercury & Communications🦋

Mercury in Aries - your way of expressing yourself is very direct and you can be harsh with your words. You focus a lot on topics that interest you. You can have a strong opinion when it comes to things that involve you. You can be very impatient when it comes to information and you want to know it right away. At times, your communication can be more aggressive and you don't like so many details. You use highly expressive language and throw a lot of slang into your speech.  You are not so attentive to things around you. Criticism or negative feedback can be taken personally. Still, they are not afraid of a fight or a challenge, on a mental level. They like to talk about sports. In life, they can be involved in many sports activities. Mercury-in-Aries people suffer from headaches, especially in a raucous and noisy atmosphere.

Mercury in Taurus- your way of communicating is more slow, monotonous. You like to have conversations (especially you like to talk about food, music, money, movies), I also noticed that they like debates that are of better quality and include rich content. They stubbornly stick to a certain opinion and give in only when they have good arguments for it. They like to talk about clothes or beauty in general. They also like to talk about nature or plants. These people rely on their senses when it comes to processing information. Smells, noises, and mood are all employed. Mercury in Taurus people have an overall pleasing manner of communicating. These natives learn best when they see real-world uses for the theories they’re trying to absorb. They will not talk with all people , but only with those they feel comfortable with. Taurus are often successful art and antique dealers.

Mercury in Gemini-your communication is very fast and variable. Also, your way of expressing yourself can be too fast for some people. You can absorb a lot of information, but you are not a person who would think about something for a long time. You can quickly change your mind and decide on something else. You like to change topics and get information from several different sources. Many times you are more interested in the opinions of others and can make decisions based on them. You can quickly get bored and replace your energy. Gemini people pick up more from their environment than most, and they can process information at lightning speed. At times there is a distinct lack of order in your life. You would make a wonderful debater, public speaker, or ac- tor, and you have lots of friends because of your infec- tious good humor.

Mercury in Cancer-your way of expressing yourself is usually emotional. A lot of your words come from emotions and how you feel at a certain moment. You put a lot of emphasis on family and their opinion. There can also be a mother here, who in some way affects how you think and communicate. You have to be careful not to rely too much on your mother's opinion. You like emotional conversations that cover many deeper topics. Most of all, you like to talk in a comfortable place, such as at home, on a comfortable chair, on the sofa, while drinking your favorite drink. You can quickly become emotional in a conversation and if someone hurts you, you can be rude with your words. that Mercury in Cancer natives will remember almost anything — from their own past, to your conversation two months ago. Mercury- in-Cancer people are successful as scholars, historians, teachers, and writers. You are likely to make a profit in real estate and may inherit money from the maternal side of your family.

Mercury in Leo- your way of communicating is fast but superficial. Many times, if you are not interested in the topic, you will no longer listen or give importance to it. Sometimes you can say things that are out of place and only later realize that you may have exaggerated. Your way of expressing yourself is also dramatic. You like to talk about others, gossip, love dramas. In conversation with others, you often find yourself in it. You are excellent at promoting ideas and getting their message across. These people can be very attached to their opinions, taking pride in their beliefs, which are often rather idealistic. You are also very confident in everything you say.  You have a sunny side that is always with you. Though you would rather play than work, you are determined to be successful.

Mercury in Virgo- your way of expressing yourself is stable, sometimes judgmental, firm, realistic, even political. You like to talk about serious topics. Many times the topics can be politics, the world, work or general happenings in everyday life. When you speak, you always tell everything in detail and you can go very deep into the details of certain things. You can also be conflicted when it comes to expressing opinions. Many times you can give advice to people even if they don't ask you for it (you always want to find a way to solve a problem). They generally pick up a lot of facts and figures, and learn their own trade well, but have trouble truly absorbing the knowledge they collect on a deeper level. Mercury in Virgo natives may appear humble at times, but they get quite protective when it comes to handling day-to-day affairs. A fault is your eagerness to take on too much work or too many projects. You wear yourself down, and at times become nervous and hypercritical. As a Mer- cury-Virgo you have a superb talent for creative crafts.

Mercury in Libra-your way of communicating is beautiful, gentle, warm, pleasant. You can talk to any person and you can create a way of talking to any person. Although you can be a bit judgmental at times. You can talk a lot about your partner and the relationship. The theme of love is primarily in the foreground with this Mercury. If you are interested in anything, it is the relationships of others or what is happening with others. You can also have the quick influence of others (which means that sometimes you think with the head of others or rely on what your partner says). Your partner's opinion can be very important to you. You are also always looking for harmony and peace in conversation. You are good at solving other people's relationships because you know how to look at things from an objective perspective. You are especially successful if you team up with a strong person who can direct you.

Mercury in Scoprio-your way of expressing yourself is through depth, emotion, directness, truth. You are always looking for the way to the truth, no matter what the situation is, you will always want to know the truth, because that is what will set you free in a way. You can have obsessive thoughts, and especially if you like something, you can only think about it for days. You like long emotional and deep conversations. You like to have a really open, real conversation with someone. You like it when the person tells you their secrets and that you can share a dark side with the person. You don't like small talk. You are direct and sometimes very harsh, especially if someone makes you angry or hurt. You can say the harshest things to a person without a bad conscience. Your way of communicating is also very passionate, inspiring and dedicated. You always know how to empathize with other people. You probably have a volatile temper, and Mercury-Scorpios are known for their biting sarcasm when crossed or upset. You have an emotional intelligence. You will fight for a cause even if it is hopeless, or sacrifice your time and ener- gies for someone you love.

Mercury in Sagittarius-your way of expressing yourself is very energetic, intellectual, optimistic and happy. You always know how to find the good side of a situation and you know how to see the key things in a conversation. You can help others with your words. You give good advice to others. You can also help others find their way. You are open-minded and honest. You're a life-long learner who loves discussing deep, philosophical questions. You also have an expressive nature and a great sense of humor, which often make you the life of the party. Your opinionated and honest personality can sometimes hurt peoples’ feelings, and your visionary way of thinking can make it hard for you to focus on small details. Your mind naturally absorbs new information, and you love pondering life’s deep questions. Some people find you too blunt and outspoken, but that quality springs from Sagittarius’s basic honesty.

Mercury in Capricorn- your way of expressing yourself is usually very realistic, serious and maybe sometimes more cruel. You can also have a pessimistic view. This makes you a practical person; your thoughts are more realistic and down to earth; and communication over concerned matters is precise and clear. You don’t waste time and get down to the point, earning people’s respect. You speak when you have something to say and choose your words carefully to ensure you appear well-spoken and knowledgeable. You can talk a lot about work and this could be the theme most of the time. Mercury-Capricorns often at- tain positions of leadership because they are so dependable and have an air of authority. Life is serious to Mercury-Capricorns and you see its dark side—though a redeeming trait is your dry sense of humor.

Mercury in Aquarius-your way of communicating can be very different from others. Many times you can emphasize things that involve society and friends. You can also look a lot at your friends and what they think about a certain thing. You are rebellious when it comes to your opinion. You can talk about very strange, unusual topics (such as: aliens, robots, etc.). You are intelligent, idealistic, humanitarian, open-minded, eccentric, and unconventional. • You spend a lot of time in the realm of your mind, and you’re always searching for logical, rational explanations for things. You love to analyze character and motivation, and with your finely tuned powers of observation are able to predict accurately how someone will react in a certain situation. Sometimes you may seem eccentric, for your ideas are ad- vanced and you also enjoy saying things that shock other people.

Mercury in Pisces- your way of expressing yourself is very poetic, dreamy, cute and loving. You can have a very friendly way of communicating with others and you never want to hurt other people. Many times you pay more attention to how others feel than how you feel. When you talk about a certain thing, you really get into it and your mind really opens up and you usually have a sparkle in your eyes. You like when someone listens to you and you are happy to talk about it. Because you can often be misunderstood, you don't like to talk to many people, but only to those who bring you warmth and give you the feeling that they understand you. You are also sensitive, imaginative, and open-minded. You think in colors, shapes, and feelings and express yourself through abstract ideas and art. ou prefer to live in your fantasies rather than deal with facts, logic, and details. You are big on feelings and impressions rather than words, trusting your inner voice to tell you what’s going on rather than what’s right in front of your face.

🎸For personal readings u can sign up here: https://snipfeed.co/bekylibra 🎸

-Rebekah🩷🧚🏻‍♀️

[a-lurking-fae]

◇ SYNOPSIS ¡ — in which a girl is born, only to live in conplete and utter tragedy.

◇ WORD COUNT ¡ — 1.4K

◇ SERIES ¡ — BATFAM X FONTAINE! NEGLECTED READER

Dragons were usually recluse, so the fact that these fierce creatures decide to meet each other is a surprise. It was more of a surprise they didn't meet to fight—

“You know, hatchling. She's someone that could be by your side for eternity. You have both raised a child right?”

Neuvillette nods at the man before him, as he clenches his cup. “Although you may have done things in the wrong order— I'm sure that you have the chance to get onto the right track.”

The white haired dragon huffs, “I do not believe her heart hold feelings for me, after all, we were simply in a co-parent situation for our daughter—”

“Who's to say that she has not earned your affections, and you, hers— during that time?” Zhongli took a sip at the osmanthus wine, a bit frustrated at the man— who seems like he is going through puberty.

“I— I am unsure on how to approach her with this topic…” Neuvillettes’ mind was plagued with the thoughts of her, how could he repent for the broken promise of protecting their child?

“Well, if I must say, it wasn't your fault.” Zhongli sighs, he needs to drink more honestly— Neuvillettes' eyes trail onto the sight nearby, Furina is adorned with flowers, as you create more crowns for her.

Neuvillette heads toward you both, a feeling tells him that a storm is coming up. This is simply the calm before it.

You wanted to head to Liyue next, so Mr. Zhongli-totally-not-rex-lapis-or-morax volunteered to guide you. After all, is there really anyone who knows Liyue better than him?

He watches you closely— as you bid farewell to your grandparents, continuing onto your adventures. The journey to Liyue was surprisingly calm, not that you'd have it anyway— but it felt as if… multitudes of eyes were staring at you, that couldn't be, right?

“The City of Liyue is just right up ahead.” Zhongli looks on, there are a few monsters up ahead, but Xiao will most likely take care of them before you will be able to sense them.

After a few hours of hiking, you both finally end up in Liyue, the sight mesmerising you. It was as great as your mother's journal told you. There were many unfamiliar people, their attire looked pretty, and there was lots of street food around too!

First-things-first, food!— “I know some places nearby in Liyue that will provide you some rest. There are two prominent places here, the Wangshu Inn and the Baiju Guesthouse.” You forgot about your sleeping place for a bit—

“...Although, we may have a few problems in booking a room in the Baiju Guesthouse. They say a Prince rented a room there.” There were many people trying to break in too, it was quite the scene.

“Wangshu Inn it is!” You really didn't have those great memories with prince's after all. Zhongli nods at your answer, “It'll be around an hour from here to the Inn, we could eat something here, then rest there.”

He leads you to Wanmin Restaurant, a place quite favoured by his people. “This is one of the places I frequent. Childe, a… friend of mine, dined together here with me. The food is good, and has high quality ingredients.” He recalls the dragon-and-phoenix chopsticks he bought the ginger-haired man, He could certainly purchase one for you if you wished.

Zhongli ordered a few dishes such as slow-cooked bamboo shoot, crab roe tofu, boiled fish, and plenty of other dishes. He wanted to pay for the whole thing, but he seemed like he lost his wallet, so you decided to rush to pay.

After eating, you both finally started to head to the Inn. You were sure Zhongli was the most knowledgeable about Liyue, after all, he certainly stood his ground against the multiple historians against him.

He took you around the city, introducing you to Hu Tao, who seemed quite… unique! There were other people you met on the way, Xinqiu, he definitely had some great recommendations in literature. He reminded you of Jason.

The walk was really only about an hour, and the full stomach you had earlier was finally digested. You paid for both your lodgings. The owner's name was Verr Goldet apparently? She seemed very nice.

Zhongli helped you unpack your stuff, and you both finished placing your items in their respective rooms. It just turned to night, yet you couldn't shake off the feeling that something— someone was watching you.

"She's quite the sharp one." A mysterious figure looks at you. "Of course, she's my daughter, after all." She smiles.

────୨ৎ────

“Batman, you do realise what you ask of us?” Diana is befuddled at the request. Travelling between planets and worlds weren't unheard of— but to somewhere they don't even know the coordinates about?

“There's a slim chance that we'll be able to find her!—” Red Robin slams a book on the table. The Justice League knew that they were close with the Waynes, but creating a mission this dire— with many risks Diana might say.

“This was our— her mother's diary, might hold some clues on where they might be.” Nightwing clenches his fist, it a precious relic from —---. Showing this meant revealing the secrets of not only their mother, but their sister too.

“It needs to be deciphered first, but not a single thing adds up.” Not even Red Robin could solve the mystery of these messages. How do they expect them to solve it?!

“I'll take this to Themyscira, my mother may know something about this.” Bruce could only nod. Heading out with the other bats, as the Justice League look at each other with confused faces.

If the world's greatest detective— nor the second, how were they supposed to even start? All eyes fall upon Diana, as she sighs, the silhouettes of the Bats fading right before their very eyes.

When the rest of the Family arrived, Alfred could only sigh at the sight. Damian wasn't this beaten up, Tim drank more energy juice than coffee compared to last week, Bruce became more violent with each passing day— his morals barely intact.

They head to their respective rooms, simply throwing their costumes together, and letting Alfred take care of the rest. He certainly saw better days than these.

For Alfred, the death of Mrs. Wayne was one of Bruce's hardest losses. He may have gained a diamond, but he lost his home. Alfred could faintly recall their steps around the manor.

The Lady would tease the master, before running off and going on a thrilling chase. Remembering her jumping to the chandelier, Lady Martha was certainly surprised at the sight. Richard certainly reminded him of her.

Alfred submerges the bloodied clothing with water, letting the washing machine do their work. He is well aware that there may not be a chance that you'd forgive them. He, after all, took a role in your neglect.

Alfred acknowledges his mistake, but for the masters to be this dense? He could only hope that you were safe— Alfred grips his head, massaging to possibly get rid of his headache.

He wonders when spring will come.

────୨ৎ────────୨ৎ────

NOTE : Feel like this was pretty rushed hehe— sorry about that-

@euphoria-looney , @kittzu , @welpthisisboring , @maybeethan69 , @randomperson0ntheinternet

[punkpandapatrixk]

🧝🏻‍♀️Mystical Glow-Up Secrets ♦︎ Timeless Pick A Card

Your mystical glow-up is literally divinely ordained, no cap HAHAH I’ve got this vibe from the deck-bottom but let me start with this quote:

'A Humanity that thinks materialistically will produce frightful beings in the future, and a Humanity that thinks spiritual thoughts, will work upon and transform the future organism so that beautiful Human bodies will proceed from it.' – Rudolf Steiner

Oh, gosh.

We are in an era of spiritual consciousness. This is an era where we learn to reflect outwardly what it means to be a 5D-Consciousness Being. Living in a 5D consciousness, people naturally feel lighter, freer, younger, prettier, healthier, more fit, more stress-free, more energetic; all because people's whole vibrations are 'triggered' by a more spiritual ae-nergy.

ae is known as chi or prana or orgone in other languages; by synchronizing with your ae, ever so organically your body learns to derive vital energy from a purer source of consciousness—a high vibration of aetheric authenticity—that reflects in the physical world as a glow-up of the highest divine order~♥︎

As your Mind comes into alignment with the ae of your Spirit, so your Body becomes attuned to that Order. The significance of ae will only grow as more people come into a spiritual kind of liberation from the chains of insecurity propagated by the monsters in the media and politics.

No matter what the propaganda of the moment may say and try to do, you could always be the conscious individual that distils information and derives from this process only the essence of what is good for you on a personal level. If you’re happy, satisfied, confident and proud with your intelligent conscious choices, that spark of contentment is what truly makes a person glow from the inside out~★

education: Body Care and Grooming (1948)

technomagy: Facial Symmetry with Muscle Toning (Energetic Programmed Audio) by Sapien Medicine

deck-bottom: XX Judgement Rx, Silver Historian (Polydore Vergil), Priestess of Beauty

[PAC Masterlist] [Part 1] [Part 3]

[Patreon] [Paid Readings]

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

Pile 1 – As You Mend Your Heart, Babe, All of You Gets Beautiful Again

assistance: what is coming is 100000x better than what is gone by doyouflow

what’s been taken from you? – 9 of Wands

Although this is a 9 of Wands card, I see that the entirety of your Pile is water-based. You’re someone whose heart is very pure and kind, and you’ve sacrificed a lot of yourself for being there for others. I’m hearing: ‘for a pessimist I was pretty optimistic, and I got nothing—NOTHING—but betrayal and abandonment, and I am exhausted.’ Being charitable around the wrong fucker can surely drain our spiritual aenergy!

You’ve been through multiple cycles of ‘exhausting’ friendships with people who couldn’t appreciate you for the delicate human that you are. They only saw you as this fiery, strong, charismatic capable individual who always managed to whip up a positive attitude in any circumstances. It never occurred to them—not that they’d care to wonder anyway—that maybe this time around you’re the one needing a hug.

Nobody cared; and even the ones who pretended to care, only wanted to know what your gloominess was all about. And they went on to talk shit behind your back and had a good laugh about it. ‘MU HA HA HA, turns out Y/N ain’t even that shit! Y/N is pretty pathetic/loser/crazy BU HA HA HA HA!!!’ Funny thing is, you always knew about their shit one way or another and the whole revelation broke your heart to pieces. Multiple times with different people… tsk tsk…

recalling fragments of your beauty – 9 of Cups

Well, now, I can see you’ve lost a lot of these ‘friends’ and worked on yourself to create new neural pathways towards a truer sense of spiritual abundance. I’m sure right now your Life is pretty OK in areas like finance and material security; your job or creative project is going swimmingly; you have a pretty good work-life balance; and for the most part you’re really enjoying the peacefulness of your solitary Life.

But if there’s one thing, I think you haven’t had a really good conversation with someone interesting in a pretty long time. I see that your eyes have not twinkled from being complimented by someone genuinely kind in a really long while. You’ve lost a lot of your affection for people and you’ve lost faith in being energetic and social. People always disappoint in the end because their hearts are ugly and they’re mean to each other. This deep-seated belief has caused your eyes to look dead and droopy.

Have you perhaps noticed that you’ve developed a set of sanpaku eyes? The minimalistic science behind it states that people could develop sanpaku eyes after going through a lot—like a FUCKTON—of heartache and disappointments. I think your case could be dealing with some kind of a ‘betrayal trauma’ or some variety of ‘injustice trauma’. Look ‘em up, babe~ ♥︎

sealing the deal with the Divine Feminine – Knight of Cups

If some years have passed now since the last time you were around your fake friends, or even frenemies, I want you to know that your beauty has not been lost to time or ageing. Nope. Not at all. That’s bullshit. I can see that you’re the type of person who ages very UNNATURALLY. If your natal chart has a lot of Water aenergies or you have strong placements in Water Houses, you’re defo the type of bitch that can TRANSFORM your physical appearance by sheer mood ;D At this point, you can’t even age coz that skin barrier is strong AF LMAO

THAT’S WHY! Your true mystical glow-up secret lies in your mending your pretty Heart~ You’ve never had an ugly Heart, obviously, and still now it’s not ugly or anything; but it’s the way you think about how deserving you are of a friendship or relationship that honours your complex sensitivity that needs to be acknowledged and RECLAIMED. Doesn’t matter how, doesn’t matter when or who’s coming next, I just want you to know that if this reading has popped in to your Life… Your Soulmates are coming to get you, bitch. Pack up and play in the sea! XD

The good times that you’re going to be having with your Soulmates, Soul Tribes, Soul Fam—however you may resonate—are going to refill the stars in your Heart, automatically reflected in your eyes~ ★_★v Hahah I promise you that you’re going to reunite with Souls who are very, very old friends with you. You’re going to live a very happy, passionate Life doing things you like with people you Love… How the hell do you think that’s not gonna heal all of you and make everything about you beautiful again?😉

Originally, you’re a beautiful bitch. And if you’ve also got some Capricorn/Saturn/10th House placements, it’s very likely you’re ageing backwards! What the hell even is that?? \`★_★`/

GODDESS OF BEAUTY🔻💙

beauty on the inside – Green Physician (Paracelsus)

beauty on the outside – Priestess of Inspiration

Access full reading + cards on Patreon🌸

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

Pile 2 – It’s the Passion in Your Heart That Reflects Outwardly Your True Inner Beauty

assistance: I TRUST things aren’t falling apart they are FALLING INTO PLACE by doyouflow

~wah, girl, you really gotta check out the bonus content for this one XP~

what’s been taken from you? – 5 of Cups Rx

Out of all the Piles, you’re the baddest bitch of them all, do you realise that? You’ve got the most unhinged aenergy about you XD You’re a psycho, you know that? You’re generally thought of as either unpredictable or uncontrollable, but you could also be both, unprovoked LMAO People think you’re a problem child, because you’re so gutsy. I’m literally not getting ANYTHING about what’s been taken from you ^_^; Are you sure you still need this PAC? XD

First of all, you literally exist in your own dimension. That’s why people can’t control you. They can’t tame you. You’re a weirdo, a maniac even, who does things your way, plans things according to your vision, and yours alone, for the most part. People think you’re rather selfish but it’s because you’re a girl, right? If you were a man they’d say you’re DRIVEN. And yes! DRIVE that Bentley, bitch! No, DRIVE that Tesla into OUTER SPACE, bitch! You don’t appreciate people telling you what you CAN’T do!

And you don’t like it when people gaslight you about your confidence just because they’re a little bitch. You love being a Supreme Bitch—you’re a girl on a mission; ain’t nobody got the aenergy to listen to nobody’s guilt-tripping. And in that sense, your spirit and psychology have never really been hit by society. Society has never been able to take away anything from you ♡

recalling fragments of your beauty – XIV Temperance Rx

I see that your Beauty has stayed intact for the majority of your Life. It’s not like you’d resonate with having lost fragments of your beauty to years of depression, malnutrition or anything of the sort? Your mindset has remained strong for the majority of your adult Life. You have a strong mentality and this is reflected well in your physical body. A glow-up is easy, as long as you want it. And for the most part, your glow-up is tightly bound to your sense of purpose.

You’ve always known you’re meant for great things. And from a very young age you already worked on your mentality. You REFUSED to be normal, you refused mediocrity. It wasn’t a walk in the park until you reached your conviction though. Your childhood was rather constrictive, either due to societal expectations…or familial expectations. The adults around you thought you didn’t notice but you saw all of these fences put around you, and they pissed you off. Even your peers couldn’t understand what you wanted to make out of yourself.

So you rebelled from a very young age. You were, yes, THEE problem child, only because the small-minded people around you were a problem to your goals! Such hindrance. And now you’re glowing up and grabbing all the money bags and they jealous? Are you even fucking kidding my butt? Your path towards a total glow-up of your mindset and real life was not always perfect, but what’s perfection? All of the struggles play into creating your lore👑

sealing the deal with the Divine Feminine – 2 of Cups

If you’ve never heard anybody tell you this, allow me to be the first. Your drive, your determination, your ambition and motivation, although these qualities may make you appear like a selfish bitch on the outside, I, ME, MYSELF, understand that you want these things not only for yourself. There are people in this world you want to protect and provide for. Maybe it’s your mother who was abused or left by her deadbeat husband, idk. Maybe it’s a sibling or a pet you want to give the best Life for, idk.

Maybe, you want to achieve success and fame and be seen by the world, because you want to save the world from the malady of its own crazy, idk~ You want to be an example, a healing presence, a voice of reason, a voice for the voiceless, idk? You may look a certain bitchy, scary way on the outside, but your heart is good; it’s PURE GOLD. You live for the betterment of someone else and if that’s not LOVE, what is?

What most people don’t understand about you is how your sparkle of beauty literally comes from this desire to protect and provide for someone other than yourself. You have a lot of Love in your heart, even if you don’t always admit it to yourself. Your entire Life, your glow-up has come from your being DRIVEN. Vroom vroom, MOTHERFUCKER .・°☆~ You leave a trail of stardust for your aenemies ♥︎

GODDESS OF BEAUTY🔻💛

beauty on the inside – Green Alchemist (Nicolas Flamel)

beauty on the outside – Priestess of Patience

Access full reading + cards on Patreon🌸

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

Pile 3 – When Your Existence is Useful to the Healing of Others, Their Love/Gratitude Nurtures You Back to Health

assistance: you get to be universes favorite by doyouflow

what’s been taken from you? – Page of Cups Rx

See, it’s crazy that literally a few mins before starting on you, Pile 3, I came across a quote that says this:

‘Some of us are such advanced Souls that we did not come here to be supported, but we came to be the support system for many. If you’ve had a challenging Life and feel you never had proper support or Love, that is because YOU are the Love and Support.’

Well, my heart broke, but…hey, there’s clarity and validation there😊

All of these cards are in reverse, telling me there’s a lot that’s been taken from you. Your heart, compassion, resources, money, hobby items, OMG, the list is endless! So much has been taken away from you. Either by people borrowing stuff without remembering to return or people getting a favour without returning it to you. At least, even when it seemed like they did return some favour to you…the return was either lacklustre or just…it didn’t feel right?

You’ve felt gaslit too much your entire Life. An incessant feeling of being unseen, unappreciated, unloved, could’ve eaten away at your self-worth. You’ve often been the miracle in someone else’s Life, but when it comes to you needing a transformation in your Life, where’s MY miracle…? I think you could have Chiron in 12th House or Pisces? That kind of placement is one where an individual constantly feels like they’ve been forsaken by God, or the positive forces of the Universe…

recalling fragments of your beauty – 3 of Pentacles Rx

The truth of the matter is, you’ve not been forsaken by your Spirit Guides. See, this message is gonna be especially resonant for you who do have Chiron or Saturn in the 8th or 12th House—that the Universe, your Higher Self and Spirit Guides have given you so little guidance and support, because you’re meant to learn how it feels like to be in the shoes of Humans. See, it’s not to say these Humans do not have support—babe, they CAN’T access the support because they’re BLIND and DEAF AS FUCK.

Humans are so embarrassingly divorced from their own intuition. Even the most religious folks are blind and deaf to actual angelic whispers. In many cases, because their false religions have taught them to worship wrongly and be obedient to evil authority and not question any injustice and wrongdoings. The more blindly religious a person is, the more separated they are from their own Humanity, because now their ears are deaf to empathy.

You came into this world to understand the twists and turns of how it feels like to navigate this crazy Matrix with so little guidance, so that one day, when you’re propelled into your main mission, you can remind and even teach people how to re-connect with Love—the true source of all compassion and Divinity in Human Form. When you remind people of their Humanity, you regain, and grow exponentially in Beauty ♥︎

sealing the deal with the Divine Feminine – 6 of Pentacles Rx

So, as you can see, you have a very important spiritual mission in this incarnation. I do not give a goddamn dime what you think you look like; whether or not you‘re conventionally attractive; whether or not you fit some bullshit beauty standards; YOU ARE FUCKING BEAUTIFUL when you’re seen sharing your healing gifts with the world! You do remember that a lot of historians say Cleopatra wasn’t perceived as necessarily that conventionally beautiful by most people, right? But that everybody was charmed by her intelligence and charisma when talking about politics?

Yeah, you give me that vibe, bitch <3 That the essence of what you do to alleviate sorrow in the world, when seen by others, when people listen to what you say, when what you do or write changes people’s lives for the better, when people feel motivated by your sheer aenergy to improve themselves—it’s that kinda shit what will help you regain your natural beauty, or manifest a glow-up ☆

When you engage in your Life’s main mission, it’s people’s Love for what you do and the Gratitude they feel for what it’s done in their lives what will aenergetically nurture you back to health. In a nutshell, people’s appreciation for your Life’s Work IS your support system in this world—later on in Life maybe if you haven’t started. It is your Purpose to be useful to the healing of others~ You’re defo gonna have an audience \^_^v Namaste, bitches~★ I honour all that you’ve been through and all that you’re going to do for this world~ You’re so LOVED!!! <3

GODDESS OF BEAUTY🔻🧡

beauty on the inside – Gold Historian (Raphael Holinshed)

beauty on the outside – Priestess of Love

Access full reading + cards on Patreon🌸

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

[PAC Masterlist] [Part 1] [Part 3]

[Patreon] [Paid Readings]

[kakiastro]

Astrology Notes:

Mercury Edition

This is what my astrology notes look like lol

-People who have a Mercury-Uranus aspect can indicate having lots of intelligence. These are the “mad geniuses” of our world. These native may have lots of ideas on how to help humanity as a whole. You might be in a lot of controversies over your words or be misunderstood. On the flip side of this aspect, this can indicate someone who has a strong knowledge of it all personality and don’t want to hear others options. May get offended easy and loves to argue.

-Mercury/Moon aspect natives need to control their emotions before they speak especially if you have it in a harsher aspect like a square or opposition. You may get flustered or your feelings may get hurt easily. These natives are sensitive to words, they may act like they don’t care but it definitely hurt their heart. On the flip side, they may be mostly the quiet type of people. Once they open up, it’s like a whole different person lol. They also have a strong intuition, they understand people more than they let on. They also have a soft spot for babies and young kids.

-Mercury Capricorn/10h natives has a lot of wisdom within them. They start learning harsh lessons during there early years. Usually by the time they reach their first Saturn return, they may sound like a retired 60 year old giving out advice due what they’ve endured 😅 Capricorn rules over time, so as they get older, the more introspection they have on the word. These are the perfect natives to receive advice from because of the lived experience. On the flip side, if these natives use their words or actions to hurt others, it will come back. Capricorn is one of the “power” placements , hence why it rules the 10h(highest point our chart) so moral of the story, use your words for good. Make stretching your daily routine, your cap Mercury will one day thank you. Also, take care of your teeth, even if you can’t afford to go the dentist , brush them and floss.

-Mercury/Jupiter aspect natives have a thirst for knowledge and seeking the truth. They don’t believe in the theory “not everything has an answer.” Because to them it does, you’re just too stupid to them to find it but they will😅don’t lie, y’all know it’s true! These natives will make excellent historians, professors, gurus, researchers, writers. They are pretty open about their beliefs and don’t mind debating you about them.

-Mercury Pisces/12h natives occasionally experience brain fog😅 they have the ideas and creativity but they’re time when their brain is filled with smoke😭 sometimes they just be talking and we don’t know what their talking about but they have beautiful voices so we let it slide lol. Speaking of voices, they are incredibly singers, like you just get lost or hypnotized by their words. Listening to frequency music or Lo-fi songs will help soothe y’all mind. Take care of feet, clip your big toe nail and put some lotion on them. Don’t be out here with goblin feet😭

-Mercury Sagittarius/9h natives loves foreign cultures and always traveling some damn where chile😅 these natives are either anti-religious or very religious. They may also just like studying religion as an interest without really holding those beliefs themselves. May have lots of father figures growing up. May have their own library of books and publications they love to keep. These natives, like Capricorn are also good at giving advice because they’re constantly researching or reading to find answers. Take care of y’all legs by stretching, running, even if you’re disabled, if you can, physical therapy or someone you trust can stretch your legs for you. I know everyone circumstances is different and that’s ok! Do what you can with what you got!

-Chiron Gemini /3h words can be so healing but triggering at the same time. They tell it like it is and it can sting but at the same, their advice can help the collective. They may have a wound with a sibling(s) . They could’ve been bullied in elementary school. These people at their best, turn their pain into healing and help others. They may understand the misunderstood people in our world. At worst, they use their pain to hurt others , they may have started out doing that but then started learn and heal. It really depends on the person because we all have free will.

-Chiron is said to associated with Virgo since it’s a healer astroid. It’s also associated with Sagittarius because he’s a teacher and a centaur which are ruled by Jupiter.

-Mercury/Venus natives have such beautiful voices and has a way with words😍these are the true charmers, they way that they can make you fall in love with them with just their voice and words. If they decided to write a book, it would get lots of attention especially if they write romance and poetry.

-Mercury Aries’s /1h natives loves cussing and has a potty mouth on them for sure 😅y’all put a sailor to shame. They may come off as brash with their words even though they mean well. You just have to listen to the words and not the tone sometimes😅. I also notice these natives tend to get lots of headaches or migraines with this placement.

I’ll stop here but I might make a part 2 to this. Let me know what Mercury placements or aspect you want me to make note on. I’m also open for paid readings if you’re interested!

[ma1dita]

asking for trouble

a 'partners in crime' installment - luke castellan x dionysus!reader words:  7.8k prev -> when the curtains close | next -> as above so below summary: (post-TLT, compliant to TLO) The one where Luke's final wish is to see you. (He's himself again, and all he wants is to find out if the trouble was worth it all) a/n: non-descriptive mentions of blood and war, main character death. angst. a boyfriend that yall may or may not agree with. one chapter left after this!! i imagined the last scene to play out with luke in a room where they have the immersive exhibits at a museum

—

[august 15th; camp half-blood kitchens, long island, new york — 9:49 pm]

Everything begins and ends with love if we are fortunate enough.

There’s a stillness that fills the air the night before what historians and future demigods alike will deem the Battle of Manhattan. It’s stifling—suffocating in the silence of the camp kitchens as you cover a sheet cake with blue frosting, piping the edges with a steady hand as you check the clock, time always ticking over your shoulder.

Almost lights out.

The circumstances are different now though, and surely no one will be able to sleep soundly tonight. Fate is hard at work unraveling the future, the gods and their spawn alike are preparing for war, yet you’re here putting sprinkles on Percy Jackson’s birthday cake.

It’s the most nonsensical thing you’ve done all week amidst the war preparations, taming the whirlwind of mixed emotions that shook camp in the days before. Perhaps it comes with the knowing that everything will change, and the only way out is through. Only the lucky ones get to go home after this.

“Are you really not coming with us tomorrow?”

Clarisse chuckles at your question from her position against the doorway, crossing her arms and watching you stick candles on the top of the sweet dessert. Her hands flex over her sleeves, tugging at the fabric like she needs to hide away from the rest of the world, “You make it sound like it’s a walk in the park instead of what it really is.”

“Is that why then?” You look up from your piping bag raising an eyebrow at her, “We need all the help we can get, Risse.”

“It’s a death wish. I don’t know how you do it grandma, but the world will keep spinning no matter if 5 shows up or not,” Clarisse mutters, rolling the words around in her mouth, “How do you do it? Knowing that he’ll be there…I-I don’t want Chris to put himself through that again. We’re going to lose anyway—something, if not everything.” 

You know that too.

There’s something ironic about how the children of war won’t be joining the fight of their lives, but Clarisse La Rue is as stubborn as a mule when she doesn’t get her way. Only something truly special would send her running to the battlefield at this point.

“A part of me feels obligated to be there and help fix it, Risse. This is the path I chose.”

She scoffs, her sneakers knocking against the side of the kitchen island. The daughter of Ares is wistful, hesitant… and nothing like herself tonight. You suppose conflict shapes someone like her like how insanity lines the essence of your being. Intangible, but the base of every choice—the driving reason connecting you to your godrents. 

“Yeah, I know that, but I still don’t get it. You don’t have to be here anymore,” she says thoughtfully, moving the cylinders of sprinkles around on the counter by height order, then by colors of the rainbow, “you could’ve chosen the easy life without all of this…I mean, if I ever got out of here alive, I wouldn’t look back.” The statement is sharp in the silence as if she’d attacked you with Maimer. Your eyes meet hers as if there’s a big secret she’s missing out on. You always look at them like that now, with a faraway gaze of a place none of them can reach.

“Who’s to say? Getting old and aging out of here is harder than you think, you know… College, rent, taxes…” you list off with every squeeze of the piping bag, spelling out Percy’s name with white frosting. Clarisse bites her lip, resting her chin against the palm of her hand as she watches you.

When she closes her eyes at night, she often dreams of being home in Arizona, dry heat prickling at her cheeks and dust swirling at her ankles. That’s what her future will look like, she thinks—and she’ll let herself be selfish if it means she gets what she wants. What do you dream of? Do you think about a future for yourself if you’re so worried about saving everyone else’s?

“But you still came back. Is this easier than that?”

Not easier, but familiar. Nothing you ever want comes easy after all. There is a comfort in walking the grounds of a camp counselor job you used to dread instead of filling out job applications; easier to you means fighting with the gods and slaying creatures of old instead of paying student loans and making rent. 

“I think you’ll find out that you do stupid things for love, Clarisse La Rue.”

She’ll never tell you this, but you’re the strongest person she knows. You’ve shown her that strength doesn’t always mean brain or brawn. Sometimes strength is loving someone without expecting anything in return, and the gnawing feeling in her stomach eats at her in an unsatisfying way—like Tantalus reaching for the grapevine, fingertips grazing the leaves for eternity.

Instead, Clarisse wipes down the counter with a Clorox wipe as you make your way towards the door, cake in hand. Tonight, she and her siblings will sleep with the knowledge that they’ll get to see another day. Call her selfish, sure—but that’s how she loves them. Alive.

“I still stand ten toes behind the fact that Michael Yew can be knocked down a fucking peg,” she mutters. There’s a small smile on her face and when she looks up at you, she sees your face is illuminated by moonlight. Clarisse hopes this won’t be the last time—silently praying to her father to extend his hand onto you.

“I’ll see you when I see you, La Rue.”

Whenever that is, she thinks. This is easier than a goodbye. What matters is showing up. What matters is that they try. That’s what she reminds herself as she turns off the big light and heads toward Cabin 5. 

Does any of that still matter in the end if they aren’t alive?

Her siblings are already asleep when she tucks herself into bed despite the music and laughter coming from 12. Light from across the way filters through her window, a warm glow cast across her face leaking through even when she shuts her eyes. It warms her, reminds her of the orange of the stupid shirts they wear, sunsets on Fireworks Beach, and the molten lava that drips down the climbing wall. 

Home might not be what she remembered it to be after all these years. Clarisse decides to sleep on it, hoping that when they wake, there’ll be something worth fighting for.

[august 15th; cabin 12, long island, new york — 10:08pm]

Camp Half-Blood is quiet as you walk through the dark forest, minding your step over the brambles and checking off your mental list of responsibilities before day breaks. The air is especially cool for a summer night, melancholy being your only jacket as you move on auto-pilot. Your fingers tighten around the tray you hold, pushing the door open to Cabin 12 which currently houses most of your campers. It’s lively and bright in here—you would think they’re all celebrating a Capture the Flag win instead of being sent off to their deaths for the greater good.

Tomorrow, they’ll wake up soldiers.

The wood creaks beneath your boots and it’s drowned out by the sound of soft chattering and laughter, a few of them still scuffling over sleep spots, and then—”HAPPY BIRTHDAY PERCY!”

There are only enough people in here to comfortably fit in a few of the strawberry trucks tomorrow—some went home to their parents to avoid the chaos and some chose not to fight at all. And the ones that remain— all 40 of them, that is, are spread out on the floor in sleeping bags writhing like worms. All the whooping and cheering is accompanied by Michael leading his siblings in song (and Connor and Travis ruining it by chanting CHA CHA CHA!). 

Percy is just shy of sixteen now, but the sheen in his blue eyes still reflects the tranquility of open water and something tender that you saw in him when he came to camp at twelve years old. Later, through mouthfuls of cake and smears of blue buttercream on his cheek, the son of Poseidon looks up at you thoughtfully, “Is this a pity cake?” He tries to make light of the situation by acting like the fate of the world doesn’t depend on his life or death, and you take a deep breath. 

Even demigods fall victim to fate, and the gods still push on. But what of their children that fight for change in the world they set the rules for; their children that fight their battles for them and lose their lives for immortal beings that live forever?

“This is a birthday party, not a pity party, Percy Jackson. There's no pity for the damned,” you chuckle. Damned if we do, damned if we don’t. All of the world’s problems seem so permanent when you’re 15 years old. It’s just fucked up that his will actually alter the course of humanity.

“And if this is the end of the world, I just wanted to make sure we’ve told you happy birthday first.”

“Well thanks,” Percy mumbles over a spoonful of buttercream, face reddening when Annie throws a paper towel roll at his face, “Hey!” It reminds you a lot of when you and Luke would fight in the dining pavilion, chicken tenders and mac n’ cheese flying through the air, and apples cut just the way you like.

You blink. 

It all boils down to him or Luke.

“Wipe your face, Seaweed Brain!”

Percy rolls his eyes, smiling down at his plate regardless of the weight he carries upon his shoulders. The more you want to live the more you have to lose, you think as you brush your knuckles against a spot of frosting he missed. You don’t look at the blonde boy and see a hero of the Great Prophecy—still, you see him as the little boy who was mesmerized by you conjuring strawberries on his plate on his first day at camp, innocent and honest. 

Looking around the room wistfully at that thought, you start to see the memories of their childhood blanket all of themlike ill-fitting clothes; it’s all you can notice. The feeling is so big it swallows you whole. Annabeth is still the little girl who’d rattle off obscure facts from Snapple bottle caps from her time on the road, drawing pictures of buildings with your eyeliner after sneaking into your room. Silena still makes blush out of berry juice and would call you about boy problems as if she’s not a child of the goddess of love herself. Will is still the boy who sings as he lights up fireflies and draws smiley faces on bandages. Katie, the girl who makes flower crowns for your birthday and eats strawberries with you soaked in morning dew. You look around and see scraped knees that you’ve kissed better, sleepy eyes you’ve sung to, and hearts you’ve kept warm—this is your glory, your greatest achievement being the family you’ve found in the woods of the Long Island Sound.

“You see it too?” Grover mumbles, nudging you and you sigh, squeezing his shoulder. Sometimes you forget the satyr is older than you; he stands tall as your pillar of support, unwavering in his promise to protect these kids. 

“We’re getting old, man.”

“You’re only 23. There’s so much left of you,” he deadpans. Laughter comes out of you in waves as you shake your head smiling.

“And what a pleasure it’s been to grow up with you.” 

Grover bids you a good night as you walk up the stairs to your old room, phone in hand while you dial a familiar number. Your boyfriend answers before the end of the first ring.

“Hey, I didn’t think you’d still be up!”

Settling against the windowpane near your bed, a soft smile graces your features and you realize he’s not there to see it. It’s always been easy with him—Dex was unbelievably kind, and he had a heart that he’d share without you having to ask. He was unlike any man you’d ever encountered before, and over the past year and a half you found it easy to love him. 

Worst of all, he’s utterly devoted to you. At least every part of you that you were willing to give him, even if it wasn’t all of you per se. Plus, you saw the ring in his desk drawer last week.

It was too…good to be true.

You recognize that this was your way out like Clarisse said, your escape from the turbulence that was your life as a demigod. But it was hard to believe that you were deserving of it. He’d never know of the ichor that runs through your veins, and the life you’d have to leave behind to truly be with him. You suppose every love you’ve ever had was sacrificial. You just wonder if because of that, easy makes it hard to feel real.

Maybe if you survive this one you’d tell him the truth. But for now, he’s rambling in your ear about his sudden work trip upstate. Morpheus and Hypnos are already at work then, redirecting the city dwellers out of Manhattan. It must be later than you thought already and in a few short hours, Apollo will be shining his rays across the Island for what you hope won’t be the last time.

“I wish I was with you right now,” you mutter in a hushed tone, and you hear him laugh breathily through the static sound of the phone. It’s easy to imagine him twirling the telephone cord between his fingers, flopped over the tiny loveseat you went halfsies on with your first big paychecks. The apartment you both moved into after graduation is more accurately a shoebox—but it’s yours, and the love you have for it is immeasurable in comparison to the square footage. You hum, listening to the sound of his voice, “Maybe I can catch you before I go—stop by and say hi before I drive up.” 

He won’t. By morning, you’re not even sure if he’ll remember you—all traces of Greek gods and their counterparts wiped clean from memory until it’s all over, whenever that is. You’re mindlessly walking in circles around your room, bare feet padding against the floorboards. He repeats your name and you realize you haven’t been paying attention, the tail end catching your ear, “Hmm?”

“Or you could come to me. I’m sure your dad won’t mind. It’s time I meet him, don’t you think?” 

And out of anything happening tomorrow, that especially sounds like a nightmare so you make a noise of disagreement, “I can’t. You know I can’t, honey. I’ve got…” your voice trails off as your lilac eyes land on a faded photo strip thumbtacked to your wall, “unfinished business to deal with.” There’s nothing left but inky silhouettes on the sun-damaged paper, two past lovers huddled together. But you know what it’s a picture of. Rye Playland, you and Luke at fifteen, cheek to cheek and covered in wisps of cotton candy.

“Mm. Sounds important. Does your unfinished business have a name?” 

Dex sounds playful now, teasing despite the silence on your end of the line. A beat passes, and then another, and he can hear the sound of your hands rifling through the things in your desk drawer. The dragon scale necklace is cold in your palm. 

For good luck, you think. 

It’s been a while since you’ve worn it—keeping it safe in the only home you and Luke shared, and as soon as it touches your neck, you feel a little less empty inside. It feels like a safety blanket, protecting you from whatever might come next. You almost feel guilty to be relieved.

Thumbing the cord absentmindedly, you mutter, “You don’t even know the half of it, Dex.” 

“Maybe one day you’ll tell me.” Sometimes, it’s like he knows— Dex must be the ivy that grows over the walls you’ve built up around yourself, and he can see glimpses of who you try to hide behind your stone-cold resolve. He wonders if you’ll ever tell him about the names you call out at night— an indistinguishable language he’ll never fully understand. He wonders where you’ve gotten your constellation of scars and where your mind goes when you sit next to the window and stare at the skyline.

Oh, he wonders.

The glow-in-the-dark stars are faded now on the ceiling when you look up at them, fighting to give their last bits of light. You wonder too, if there’s any fight left in you; a bit of Luke always remains—he’s everywhere you look. You can feel him as night falls upon New York, bidding you goodnight before it crumbles tomorrow. 

“Maybe. Good night, honey.”

Dex yawns into the receiver. You know his feet are kicked up onto the coffee table even though you always tell him he shouldn’t, and that his glasses are already off for the night. You really think he could be a nice guy to end up with, all things considered. Dex was the epitome of normal, and after almost two and a half decades of existence, it’s quite evident that you are anything but. 

Normal might be quite nice.

He yawns again. Hypnos must have reached his window, “I love you, you know that?”

“I do. Me too. Good night.”

It’s the truth. 

You love this man and the spaces he’s filled within the chaos of your life. You love all of him, from the perfectly normal way he makes breakfast for you every morning (and laughs when he burns the toast), and takes the train to work at a middle school in Harlem (“6th grade ELA takes a lot out of a man,” he jokes). He picks you up from your job at the therapist’s office downtown if you get out too late, as a gentleman would (though you’ve fought monsters that he’d scream at the sight of). Once upon a time, normal was exactly what you used to wish for.

There’s a moment where your breath hitches and you sink against your pillow and you wonder if he would love all of you—demigod and all. Could he get used to this— summers at Camp Half-Blood with chariot races and gladiator-style fighting, pegasi and harpies roaming the grounds, and watersports with woodland nymphs? Dex never even questions your green thumb or how Pollux made him hallucinate your dead brother when he came to visit (“It’s what Castor would’ve wanted! The full twin-terrogation!” he insists. You convinced your boyfriend he got food poisoning that night). Could you come clean about knowing how to slay a chimera, or why you never get drunk, and have the stamina of an Olympian (the athletic kind, but not too far off from the truth)? 

But it shouldn’t be called coming clean. That makes it sound like you’re ashamed of who you are—which you’re not. You’ve just been hiding this part of you from a normal human that you love very much.

Gods, is this how your dad felt when he was seeing your mom? 

Somehow insanity has always felt bearable—love, however, has always been such an ordeal.

The phone bounces onto your bedspread once you hang up the call. There is no more time to worry about playing a part. Tomorrow, everyone comes as they are—whatever happens after will be a problem if you reach another day. Fate has its way of making itself known, you know that by now. Blinking, you take a deep breath, and very intentionally, with your feet criss-cross applesauce, you pray—for what, you still try to figure out as the minutes tick by. 

Better late than never.

Here at camp, you were always the last one up after lights out, anyway. Tonight of all nights shouldn't be any different.

[august 16th; 34th street and herald square, manhattan, new york — 9:17 am]

“Where do you think you’re going, mister!”

Your little brother flinches, immediately turning tail and walking across the deserted street to meet you in the middle. He’s taller than you now, craning his neck down to look at your angry glower as you thrust a finger into his face, “You’re sticking with me.”

“Jake said he’s taking 9 and 12 to the Holland Tunnel,” Pollux calls out, shuffling his feet and you punch his arm hard, “OW! —It’s what Percy wants.” He swats your hand away for good measure, his arm guards clanking against yours when he dodges another swing at his head.

“We are Cabin 12, you shithead. I’m not letting you out of my sight for a second.” Your staff is heavy against his shoulder and Pollux can’t help but let his gaze wander to where Jake Mason and the other children of Hephaestus are waiting for him a block over. Manhattan is a warzone, and the difference between fighting empousai and fighting his older sister right now is very similar in theory—hard to do alone. The tunnel is halfway across the city from the Empire State Building—if something were to happen to either of you…

"M’not here to fight,” he sighs, “with you at least. I need to do my part, sissy.” The old nickname is an arrow through your heart and you grab Pollux’s hand, “I just want to make sure you’ll be okay. I wouldn’t be able to forgive myself if I couldn’t get to you in time.”

“HEY 12! You coming, or what?”

The two of you look towards the small army down the block, both of your hands intertwined like grapes from the same vine. You’re not sure if you can let go; you’re not sure if your father could lose another child. But Pollux’s face is almost set in stone—he’s never been more sure of himself. Your lip wavers, forcing itself into a stiff smile and he softens at the sight, “I’ll be okay.”

“And if you’re not? Then what?”

He shrugs, “Then… then I’ll get to see Castor.”

You nod, breathing shakily, and flinching when Jake calls for Pollux again, “Well. If you are okay…You come find me. After this is over, you come straight back home to me. You got it?”

Pollux hugs you, hard—the force of all of him sending you sprawling into his arms and it knocks the wind out of you. As the twins have grown, it’s been rare for them to show you any affection. They’d usually recoil or whine about how mushy their older sister is, and each time it makes you laugh. But right now, you stand there gripping onto his t-shirt, breathless; the ringing in your ears gives way to words he mumbles into your hair, “I love you,” he says, in case you didn’t already know. 

Just in case this is goodbye. You take it in for a moment longer, running a hand through his blond hair and cupping his cheeks as you finally step away, “I love you. I’m so proud of you, P. We all are.”

“Haven’t done anything yet,” he grins, backing away slowly, a skip in his step as he nears the small troop of Hephaestus kids. You wave them off, blowing a kiss as they band together and turn in the other direction.

Why is it that you can only be proud of someone if there’s something to prove it?

You think about all 40 of your campers fighting for their lives in the greatest city in the world. The sound of hellfire, roaring monsters, and screams that could only come from your kids. Fatigue wears you down with each swipe of magic towards enemy forces, monsters writhing in pain at your feet, demigods reduced to insanity and blood-curdling screams. It disgusts you even more so that no one can witness the weapon you've been forced to become.

After all, no one knows any of you were there. Life continues on outside of the bubble containing the Battle of Manhattan. And only the ones fighting will be able to remember this. Only you will remember the blood you spilled to wrestle for your destiny.

The rest of the city continues to sleep, safe from the people who swore to protect it.

[august 18th; empire state building, manhattan, new york mount olympus, in the sky above new york??? — 5:22 pm]

Running up 492 flights of stairs was another type of hell you didn’t expect to put yourself through, but it was faster than waiting for the elevator to Olympus. It’s quiet besides the steady rush of blood pumping in your ears, your boots slapping against the tile to reach your friends who might be in danger at the hands of someone you know well. But it’s too late to give up when you’re so close—you realize you’re praying to anyone who’ll listen as you push through the pain of always being a little too late. 

“Ugh!”

Air pierces through your lungs painfully as you trip up a landing, hands clawing against the banister. Have you been running in place this whole time, quick to start but hard to follow? Your lip quivers, eyes trailing up the stairwell faster than your legs can take you. 

Whatever the outcome, you’ll be better for it, you hope.

It’d be easier to give up. To stay away and not watch Percy fight for his life against him. You dry heave as you press your head against the wall, wondering if it’s worth not seeing what will become of this wretched prophecy. It’s hard to survive loving the villain when the rest of the world is dying because of it. Your legs feel like jelly underneath you, and not a single soul in Manhattan knows you’re here—until you feel the strength of an old traveler lift you up and revitalize your soul. Looking down to see your boots retie themselves tightly, the feeling in your chest reminds you of him. Everything leads back to Luke, and you think wherever he is now—Hermes knows that too. 

“Thank you,” you mutter. He’s handpicked your prayer through the tempest that hangs over Manhattan so that maybe your hands will be gentler in smiting his lost son. You find yourself with the nerve to run up the last dozen flights of stairs, pushing past the entryway to see Thalia Grace under a statue of her stepmother, “THALIA!” You barely make it to her fallen form before her free arm tries to push you away from the rubble.

“Get out of here! I mean it—” Thalia spits out your name through gnarled teeth and bones crunching under the heavy hands of Hera. The statue lays over the bottom half of her body, holding her legs down like how one forms a fist, and the daughter of Zeus pushes through pain and millennia worth of her dad’s karmic debt in giving her life—the essence of being a forbidden child still has a hold on her, even now. 

“I’m not gonna…leave you…”

With everything in you, both demigod strength and sheer desperation, you push at the unmoving stone and your fingernails begin to splinter from the pressure. 

But you know what it feels like to get left behind. 

Desolation slowly sets in your bones, a hollow feeling that spreads through your core as sweat rolls down your cheeks, and when you sniff to wipe it away, Thalia’s lip quivers. She’s writhing in pain and everything is coming to an end down the hall from where you stand. 

“We’re so close, Grace. I’m not giving up on you when we’re this close. I need you in there with me so you just hold on, okay?”

The marble is cool to the touch under your moist hands, and her face is fixed in a grimace as she looks up at you and sees you for who you are—another demigod who was never given a fair chance at fate but with a spirit of a hero waiting for the right chance. Thalia coughs before slapping your hand away, “LISTEN TO ME! I’ll be okay. He needs you to be there. We’re almost out of time!” 

You barely register your body moving as you get up and start to run, looking back at Thalia by the time you’re at the top of the landing. There are no words that you could imagine to string together when your eyes meet hers in the distance that separates you two—the feeling of grief bearing down as you both know the end is near and inside those doors.

As you turn back around, you take a moment to wonder if you might’ve had different people in mind for who’s up there waiting for you.

[august 18th; the hall of gods, mount olympus, the sky above new york— 6:48 pm]

Finally pushing through the heavy doors of the Hall of Gods, your eyes burn like salt in a wound as you travel toward the center to see three figures laid out on the marble mezzanine. There’s a cramp in your calf by the time you reach them, your legs giving way as you skid to a stop in front of Luke’s corroded body. The pain doesn’t register for you, split skin going numb as you stare into the eyes of a storm you fell in love with almost ten years ago. 

A stranger is no longer wearing your love’s skin. Percy and Annie’s eyes feel heavy against your back as they watch you sigh in relief, a landslide of emotion rolling off of you when you see he’s still breathing, even faintly, as if he waited for you to make it back to him.

“It’s Luke,” Annabeth chokes out, “the scythe transformed into Backbiter and I knew it was him. He was fighting for us.” Her voice makes you flinch, makes this more real—it echoes as the wind carries it through the hall. Without a doubt in your mind, you know it’s him by the way he looks at you with tired eyes, soft and amber—the light pushing away the shadows and he reaches out for you. His skin is paled by the River Styx, face weathered by the Titan as you gently guide his head onto your lap. A pathetic cry slips from your mouth when you realize there’s more pressure in the fingers he brushes against your cheekbone versus the one holding the blade embedded in his chest. 

Fuck, what do you even say? 

He’s dying right in front of you and you can’t think of a single word to say.

The clock is ticking and every breath of his comes out weaker––he speaks before you can find the words, breathing out, “I missed you,” like it was a relief to say it. And it all comes spilling out like a secret you’ve been safeguarding since the day he left— a mix of your tears and his blood smearing across your cheek as he reaches out to wipe them ever so gently. You find yourself smiling in the face of death itself—smile even if the both of you can feel death’s hand on him saying that time is finally up because the act of meeting each other here in the middle makes the years you’ve gone without him worthwhile. 

The reunion is also the loss; a nasty habit you’ve both fallen into over the years. But this time, Luke’s finally able to give you the world he wanted to see just before he leaves it.

You clutch him close without intending to let go, purple eyes scavenging for confirmation that this is your Luke, the one who pushed you through the brambles of the North Woods, wind in his hair and mischief in his smile. He’s citrus and musk, cunning smiles, something sacred kept within cabin 11, calloused fingers pulling at your t-shirt, and the voice out of tune at nightly sing-a-longs—and he loves you still. 

Loving you was the only thing that never changed.

“Shhhh, don’t waste your energy. The gods will…” you swallow a sob despite yourself, “I…my dad’s going to be here soon. He’ll help us.” There’s a lump in your throat that carries the weight of everything unsaid. Who would help you now that everyone else is getting what they wanted—a brighter tomorrow without the villain? But the prophecy unveils itself so cruelly, and the one who hurt you is the hero in this story, just as he’s always dreamed. It so happens to be at the cost of loving you.

Luke’s eyelids flutter like butterfly wings descending softly. You press a kiss onto his forehead like you used to while waiting for him to fall asleep. The chuckle that rumbles his ribcage is faint against the hand of yours that’s holding him together and the war is finally over and no one even knows that besides the four of you in this room.

“I'm running on borrowed time,” Luke wheezes, “I think my life ended the day I left you.” His thumb weakly traces the tear tracks cascading down your face, and he’s reacquainting himself with every feature of yours while he can touch it—to hold and be held by you after so long feels like drinking up ambrosia, his last bits of strength telling you what you’ve always known. 

Is there a word stronger than love?

One that would explain how close and how far you feel to him at this moment and you don’t want to say the wrong thing but there are no wrong words when it comes to the right person. Hoarsely, through wavering lips, you chuckle, “Then it's time to stop running, baby. I’m here now.”

It’s exhausting to carry the weight of tomorrow in your arms and to know it’ll be made possible only by letting him go. You’re holding him too tightly, claws sinking in to feel—to ground yourself and keep him tethered to this reality, just in case a different answer falls out of the sky. 

But falling with Luke Castellan, falling for him, has been nothing like you wanted. You've said your goodbyes more often than you can count. 

This part is just about letting him go.

“I think I’m doomed,” he laughs, coughing harshly. Blood soaks his airways, retribution for the lives he took. It drips out of his mouth and you still look at Luke like he’s asked you to marry him. What a soft, funny thought. 

Love must be more violent than war, to feel like this—to know he’s wrecked your world and still come out the other side smiling at him like he put the stars in the sky. His fingers are slipping out of yours as you hold onto the knife that keeps him here and Luke mutters, “I’m so s-sorry. You deserved better in this life.” You hear Annabeth sob from somewhere behind you but you can’t look at anything else but his eyes, not daring to miss another moment of him.

“Can’t be all that bad,” you say with a watery chuckle, wiping his mouth with your thumb. There’s more of a mess now with your feeble efforts but the action comforts you more than him; caring for Luke is something you cannot unlearn. 

“This life gave me you. I don’t want to know anything else. Do you hear me?” 

You want Luke to know this—to understand that even if this is how fate has handled the both of you, there is no other hand you would hold but his.

“You’re my whole life, Trouble.”

“I know, angel. I know. It’s always been me and you.”

You and me, he mouths, an echo of himself left to relay the message as his eyes lose their warmth, empty now and unseeing. And then he's home in your arms again as you hold every broken and bloodied piece of him together until he's no more. The parts of him he leaves behind blur into you, rivulets of his lifeforce weaving through your fingertips even when you put pressure against the knife you both hold, hands cradling the spot under his armpit, and to Percy and Annabeth it looks like you're holding his heart, clutching it between your fingers.

Protecting it until his last beat—when he finally gives it over to you. 

It was always yours, anyway. 

Before, in the in-between, and now after, his heart is yours.

Time stops for Luke Castellan, the man born to die, in the Hall of Gods that day— in the arms of his partner and in the presence of his little sister and truest friend. 

Lips against his ear, no one tries to pull you away, even when the gods of Olympus march in expecting a battle to only find a dead hero and a story that needs to be told.

You’ve never seen him so still before. 

Luke’s always been the one with something to say, hands fidgeting to hold yours. Still, you hold his hand even if he can't feel it, still smile even if he can't see you, still whisper words of devotion even if he can't hear it. By the time you feel your father’s hands on your back and hear Percy say, “We need a shroud. A shroud for the son of Hermes,” you imagine that he’s miles away from where he lays motionless, dead weight in your grasp. Nothing can pull you away from the mantra you set to remind him that he’s yours even when he leaves again. Luke’s soul will soon journey where you cannot follow, and you whisper to him in the stillness amidst the noise, “I love you, I love you, I love you…” 

When the Fates come to collect the body, their ancient hands spin around the two of you as they unweave your hold on him. You weren’t given a choice—his material body dissipates in front of your eyes and you swear you feel the tug from deep within your core as you watch them float Luke away. It’s so much different now from when he used to fly around your room with his stupid winged Converse—even the gods avert their eyes when you let out a sob that shakes the ornate hall. Hopelessly you watch, sat down on the marble and unable to move or follow—as if maybe he’d still answer to your sweet nothings, and not leave you hanging once more. You slump against your father’s side, catatonic and at a loss for words—they leave with him, floating away into the distance.

Humanity’s biggest problem and resolution has always been love—this was never a story about the lack thereof.

[august 18th; death, pre-judgement? — the seven minutes after]

The path that Luke Castellan takes after he dies is most peculiar and unlike any path he’s traveled before. And yes, there have been several times that he’s come close to death—under Ladon’s claws in the Garden of Hesperides, and when he relinquished his physical self by bathing in the River Styx, but neither of those times where he’s cheated his way out can compare to the real thing. 

He once read in one of Annabeth’s textbooks that there are seven minutes of brain activity that wanes in your consciousness before you die. There’s a distinct thrumming in his ears when he comes to, and Luke discovers he’s completely in the dark with no sense of direction and most importantly, no visible way out. The old him, were he still alive—would be panicking by now, short terse breaths and sweat upon his brow. Old Luke would have fidgeting hands and eyes that rocket around for an exit. But this Luke, whoever he is—whatever he is now, finds himself eerily calm. Everything glows in a vignette, and familiar scenes materialize before his vision, a kaleidoscope of color and your shrieking laughter surrounding him in the familiarity of your happiness with him—it feels like lifetimes ago. He realizes he’s smiling. 

Versions of you swirl in the space he stands in, taking up space wherever he can look, wherever he turns—you’re there. 

And he remembers.  

Memory is a choice after all, much like love is. And no one can take that away from Luke Castellan except death itself.

The scene flickers for a moment, eyelashes fluttering against morning light peeking through the windows of Cabin 11.

It’s Luke’s first morning at Camp Half-Blood after the storm that brought him and Annabeth there. You’re standing over him with a half-beaten pillow and a menacing grin that grows as he spits out feathers. It’s his first impression of you, Kool-aid tipped hair and hands shaking with a crushed Redbull can in your other fist.

“Good. You’re still breathing. Wasn’t sure for a sec.”

A voice yells out your name and you make a run for it, barefoot and giggling and looking back at him every few steps—his breath catches in his throat again like how it did on the first day you both met.

The scenery changes and he’s sitting next to you on the dock of Canoe Lake.

“I dare you.”

“No way,” he hears himself say, and then he sees you fling algae at him in ropes, cold and slimy that it makes his voice crack, “He—ey! You’re gonna get us fired and it hasn’t even been a full day since we got the job,” he says, clearing his throat as you bite your lip.

“What’s one last hurrah?”

“You’re always gonna be Trouble, aren’t you?” he says, getting annoyed by the orange fabric that temporarily blinds him. Chuckling, you pull your shorts off and look back at him, eyes glinting in the moonlight and he can’t help but ogle at the rest of you, gulping hard. You catch him staring and he averts his eyes, looking back at the treeline to see if anyone’s come to find you both. A resounding splash echoes in the silence between you and Luke turns back to find your head bobbing visible above the water and not much else.

“I double-dog dare you, Castellan.”

He jumps in.

The dark blue of the water turns into light reflecting the pinks and purples of the sky above Montauk Point at sunset.

“We’re alive! Told you we’d be fine,” you yell, clicking your seatbelt off and jumping out of the car before Luke can even put the hatchback in park. It was his first drive anywhere—you’ve finally graduated from looping around Farm Road.

“Hey wait up!”

He calls out your name, but you’re already kicking up sand as the distance between you grows until he locks up the car and chases after you. You didn’t stand a chance, slipping and sliding in the sand as the son of Hermes quickly grabs you around the waist and throws you over his shoulder as you scream bloody murder. When he sets you down, your arms are looped around his neck and you’re smiling against the pink and tender scar on his cheek.

“Think we can break into the lighthouse before the guards come, angelface?”

The sound of crashing waves turns into chattering cabin counselors and when Luke looks around again, he’s at the Big House, with everyone else pushing their chairs in and walking towards the door. He holds his hand out and you grab it with no words or instruction—like a key nestled within its lock, exactly where it’s meant to be. 

“Last order of business, kind of…” Your dad drones from his spot near the windows. Luke tries to let go of your hand but you don’t let him, “Don’t panic,” you mutter.

“This… fraternization won't become an issue for all of us, will it?”

Everyone’s frozen near the doorway, staring at your intertwined hands. Luke clears his throat and turns toward Mr. D, “I’ll see to it that it doesn’t. Sir.”

You could almost hear a pin drop, and no one knows what to say next—not even Mr. D.

“Yeah, I’ll keep Castellan in line.”

That’s the confirmation everyone was waiting for; a mixture of groans and the clinking of drachma fill the air as Chris holds his hands out and takes his spoils of victory with a charming smirk on his face. Clarisse throws the coins at his head.

“I feel like I should take a bow or something,” Luke snickers into your ear, before placing a kiss against your temple.

You’re still in his arms and still look good in orange, but when he pulls back to look at you again, you’re both hovering above the ground near the dining pavilion. His knees are shaking when his winged Converse flap madly underneath you—a flurry of uncoordinated movement that makes you want to piss yourself.

“You’re lucky I have a strong core, babe,” he grins—and he’s thrilled at the fear on your face as you clutch onto him for dear life, one arm around his abdomen and the other around his neck, both legs latched around his waist.

“I swear to the fucking gods if you drop me, Castellan…”

His right foot jerks in a slightly different direction, making him laugh as you squeak.

“Castellan, huh? That scared, Trouble? Not gonna drop my baby.”

The wind around you whirls like a tornado as Luke tries to show off, getting higher and higher until, “LUKE!”

He catches you by the fingertips again and now there’s sand beneath your feet. You’re still spinning in his arms and his mom is singing along to a song playing on the radio you brought to Westport Beach. May claps lightly and you tug her up with a soft smile, “Come on Miss May! Take your son out for a spin.” Tugging at the damp white t-shirt you wear over your underwear, you take a seat on the picnic blanket and watch them with a smile you haven’t given Luke in years.

“Mother-son dance,” May whispers in his ear, humming a few notes of the wedding march.

He closes his eyes and soaks it all in, slightly swaying.

That thrumming is in his ears again, a steady beat against his chest and he feels it everywhere—a pounding rhythm that cannot be ignored. He opens his eyes and you’re snuggled against each other, tangled beneath the sheets. You’re still asleep and Luke just…watches you before the morning starts (whenever this is) and it all has to end. You’re breathing against his neck, lips slightly agape as warm air brushes his pulse. He moves hair out of your face and you pull him in unconsciously, skin to skin with no atom of space left between you. 

Luke blinks. 

You’re in your college apartment.

He blinks again.

His childhood bedroom.

Again, please.

In Cabin 12.

Please, just one last time.

You’re drooling against his neck in his tiny bunk in Cabin 11 and the noise is getting louder now—a static sound that morphs into the sound of your voice throbbing like a heartbeat, “I love you, I love you, I love you.”

It’s the last thing he can hear before he has to go.

_ 

“I wanna see your eyes / Is it a crime to say I still need you?” - Adrienne Lenker

[teecupangel]

(sorry in advance, I've been stewing over this for so long that this will be a long one xd)

I was re-reading your fics on ao3 again (sue me, im starved for desmond time travel content) and whilst reading Eagle of Alamut's description i realised '...wait a damn minute, it is true! all of Desmond's knowledge on past is from his ancestors!' (not everyone is as big of a nerd as shaun). Cue weeks of relentless daydreaming over Desmond in Reneisance Italy trying his damnest to lay low... but: 1) he does not know what is socially acceptable at the time (clothe and behaviour wise)

2) the animus likely shielded it's users from the more... er.. unsaviory historical accuracy (child marriage, smell, violence and mistreatment towards the poor, women, disabled)

3) politics, culinary arts, medicine and money value from that era are not common knowledge (or even fully known to todays historians)

4) Ezio was not known for his subtility...

...so while desmond may know who to strike in order to protect Ezios family from getting executed, what places he may know to avoid if he wants to avoid attention from the italian brotherhood.

He does not know what he was getting himself in to when he decided to travel back in time.

I can just imagine him thinking that he can finally retire and live his life, but then BOOM here comes the shock of sociatal injustices! religious violence! inequality! horrendous mistreatment of beggars and disabled people! and as a good man raised in the 21st century he obviously can't, in his right conciousness, just turn his back on these issues, on these people.

So here he is, in Rome of all places, doing his best to atleast stay hidden from the Auditore's, and consequesntly, the Italian brotherhood's, detection, as he stalks the bright rooftops of Roma as histories (probably) very first assasin turned vigiliante!

I can just picture him at one point or another, getting mistaken for a Spanish assasin and his only attempt at 'confirming' (read: encouraging misleading rumours), is to use the very little languistic knowledge the American education system has bestowed upon him. cue him very awkwardly trying to immitate a Spanish accent/ speak in Spanish. or just, you know, say the only words every student knows, 'Feliz Navidad'.

It would be so funny if Desmond’s Spanish are based on:

1) what little remains of Ezio’s Spanish (maybe on par or even worse than his French)

2) Basic Spanish that he learned on the Farm

3) Spanish songs he heard

So people think that Desmond is eccentric.

And Rich.

Because Desmond wants to help people but he doesn’t want to be seen as an Assassin so…

He becomes a supposed rich Spanish (Arabic would have sent a red flag to the Brotherhood) noble who came to Rome to live a life away from his ‘family’.

Why is he ‘rich’?

Well, killing nobles and other ‘evil doers’ will flag the Brotherhood as well so it would be better to just…

Leave certain incriminating evidence in the doors of their enemies and let them duke it out. Hey, if some things go missing while they’re too busy with their enemies, that’s just collateral damage.

Also…

Sometimes, things go missing when some people get into accidents.

It’s easy to buy the impoverish area in Rome. It’s a bit challenging to get doctors to treat them.

Until Desmond flashed the right amount of money, of course.

Desmond manages to stay under the radar by being part of the upper echelon.

An eccentric foreigner who helps the poor and sick out of the goodness of his heart.

Or… because he apparently believes that the way to heaven is through good will and not… paying the clergy.

Desmond knows that being seen as completely good is a bad thing as well so he lets rumors spread that he’s an opportunist who heals the sick and protects the weak to receive their loyalty. He gives them salary to become his guards (not that he needs any) and people whisper how loyal the poor are to someone who gives them bread.

And to hammer in that “no, Ezio, I am absolutely not connected to the Templars BUT I’m also not going to be a good ally, just leave me alone!” plan he has, he becomes a patron of the art.

Sexually progressive art.

The church hates him but tolerates him because Desmond does ‘donate’ (jokes on them, he donates what he stole from the church) and the artists love him because he commissions stuff with the same thing over and over again “whatever you want to paint/sculpt/work on but I want the Borgia men getting fucked in the ass while Lucrezia Borgia watches”

He’s not rich enough to actually be a threat (especially after Ezio starts wrecking shit up) and he keeps to himself most of the time.

But, of course, life always has it out for Desmond and he comes face to face with a wounded recruit at the edge of his property and…

Well…

He only wanted to heal him then send him on his merry way.

He didn’t expect Ezio to come barging in thinking said recruit has been kidnapped by the eccentric ‘possibly sexual deviant’ Lord Miles.