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#this is a weird post but we living
roosterbruiser · 1 year
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You are such an incredibly talented writer! I can't even begin to express how much I loved Cruel Summer!
I'm begging/ pleading for Hangman not to be dead I need a Gale x Hangman sex scene as compensation for the trauma you have put me through by killing Bob/ Payback and Fanboy all in one chapter.
I have a theory that Goose was the killer 30 years ago. Paul says that "he's back" and Rooster obvi looks like Goose and Paul being scared when he is being chased confuses Rooser for Goose. Rooser also says that his father died in a "freak car accident". What if it wasn't a car accident but the aftermath of the massacre and Rooster has become obsessed with the camp and wants to recreate it.
(Also what was your outfit for Taylor Swift I feel like it would've been so cute and I need ideas?)
thank you so much for your kind words!! you're the best for reading and for sending this ask!! mwah!!
as for Jake........I plead the fifth
as for the rest, I will absolutely bookmark this and come back later!! after the last chapter is posted!!
also face reveal below the cut
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I did not take any cute pictures bc I always get really nervous before concerts sjsj!! but basically, it was super hot in KC so I knew I had to wear something I wouldn't die in!
so I wore a purple sports bra (like a cute ribbed, washed cotton one from Target) and a sheer iridescent shirt that was oversized for maximum airflow. then I wore my tried and true wide leg jeans and a pair of cowgirl booties! it was easy and kept me cool for the most part!
also this is my psa to everyone: the Urban Decay All Nighter setting spray is a miracle worker. I sweated my fucking ass off (we were in the nosebleeds so like we were genuinely closer to the sun) and my makeup DID NOT MOVE! I had to SCRUB it off later!! and if you layer it like I did....it will stay on literally forever!
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fungi-maestro · 6 months
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Happy tdov to fat trans people. 🏳️‍⚧️ Biggest thing that helped me as a trans kid was seeing older fat trans people. There were a lot of really irritating "advice" posts going around early in my time on the internet with a lot of misinformation in them, but one that I constantly saw (in addition to people claiming you should wear your pants rediculously low or only wear button ups) were posts saying you had to lose weight to transition. Can confidently confirm that is completely untrue. 👍
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tippenfunkaport · 8 months
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That viral post that's going around about how people who write "book quality" mlm fic are too "normal" to publish and have real jobs so only "weird" people publish their "shitty" fanfic is so completely out of touch with reality and I am giving a massive side eye to everyone reblogging it.
Not only is it completely, easily verifiably untrue (you cannot enter any professional writing space without tripping over a dozen grizzled scifi writers who got their start by filing off the serial numbers and publishing their Star Trek fanfic even going back decades ago??? it's a whole thing?? plus how can you look at the mlm category on Amazon right now and say with a straight face that people aren't publishing shitty Spirk and Stucky fanfic??? Oh, honey...) it's also the perfect example of this kind of sneering elitism that true artists would never sully themselves by seeking profit, they do it only for the purity of the thing that always somehow leads back to, "no one should be paid to make art, actually."
The only reason you're seeing more published fanfic right now has nothing to do with the idealistic purity of your hypothetical government employee written smut of the past vs the debased scribbles of those awful straights of today and everything to do with the fact that a) self-publishing has created a voracious readership that wants a ton of content so it's become a viable, flexible income stream for many, especially disabled people b) anyone can publish now with self-publishing tools so there are less gatekeepers and c) lockdown got a lot of people into fandom and therefore writing who never tried it before.
And if you really think there's no "shitty" published mlm and no "book-quality" m/f writing out there that started as fanfic, then you are clearly not a reader so why are you even talking about this?
#love how they manipulated people into spreading that post by making it seem like a cishet vs gay thing#when the real message is OP thinks trying to sell your writing is cringe and 'weird' and 'normal people' with jobs would never#which would of course never have flown on the fandom website#so they played into the queer shipping is purer than cishet shipping puriteen thing#and it worked!#because my god people are gullible#this is the direct pipeline that leads to AI thievery#''normal' people write for the joy of it anyway so why do you need pay? you are just greedy and 'weird'!'#'oh no this isn't about who we get to call cringe and who gets to profit from art it's about um...#(quick what's a hated m/f ship?).. oh uh 'shitty' REYLO#and not our super pure uh... (spirk is still popular right? lets throw in that avengers one too to make it seem timely) stucky!'#I'm sorry if I have no sense of humor about this but the year is 2024 and people are still way too ready to sneer#about writers trying to earn a fucking living in the shittiest timeline#and i need you to look deep into yourself and ask you why it's so important to you to tell yourself that only people writing what you like#are 'normal' with real jobs and to vilify everyone else as 'weird' and 'shitty'#for trying to make an income during a financial fucking crisis#i would say sorry for ranting about this but I'm not sorry because wtf#write whatever you want#publish whatever you want#there is no moral fucking purity in what the content is#and one thing certainly doesn't make you more 'weird' or 'normal' than the other#like there is soooo much shitty mlm that started as fanfic???#that post is 100% OP made up some guys to get mad about and called them relyos for the clicks#writing#publishing#writblr#writeblr#i wasn't going to tag this anything but you know what fuck it I'm mad#i had like 5 more tags but tumblr cut me off which is fair 😅#fan fiction
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nevertheless-moving · 7 months
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unable to stop dwelling on the discworld trouser leg of time where, in the penultimate fight scene in Nightwatch, Carcer manages to kill teenage Sam Vimes.
Which means that the future that Duke Vimes came from can no longer exist, which means he can’t go home. Meanwhile you’ve got a bunch of history monks with stored up temporal energy, a prepared space outside of time, and the need to do some desperate damage control before the Auditors get involved. Death shows up, reality is unweaving, Sam is reading Carcer his discworld miranda rights because what else is he supposed to do.
and finally, with little other option, the monks de-age Sam so he fits the time period and send him back out into the fray.
(they didn't call it deageing of course. His memory is hazy, splintered during that terrible in between moment, They....took the time out of him? Sanded away the edges of his self for a terrible, workable fit? It...wasn't a good feeling.)
Just—damn. Sam Vimes having to live his whole crapsack life over again, but this time as his disillusioned-reillusioned, unwillingly-character-developed, noir-epic, Duke of Ankh, Commander Sir Samuel Vimes self. 
Younger (Older? He's never felt so Old, His steps so Childlike, reality twisting in his gut like one of Dibbler's pies) Sam Vimes walking around in a haze after the revolution. Desperate to go home, knowing he can’t. Wanting to drink. Knowing he can’t.
The whole precinct feels pity, he really took Keel’s death hard, hardly speaks except to do his job. Eventually he has to grit his teeth and start being present, because what else is there to do?
Resists the urge to drink until Colon takes the whole watch out to celebrate because -he’s going to be a father!
Come on Sammy, one drink won’t kill you— and after the first drink he’s cracking jokes and after the second hes smiling and after the third hes honestly the life of the party and sometime after that he’s crying about how he was going to be a father and my wife would be ashamed if she saw me drinking like this and— 
Oh shit, Did anyone else know he had a wife?? A PREGNANT wife??? What—aren’t you like 12—no you're 17 now aren't you but when did—
You guys n’ver met ’er—oh gods none if you ev’n know ‘er, is jus’ me...
What—when did you lose—
I lost her the same damn day I los’ ev’rythin else, whadya think...bleeding Carcer...the fuckin revolution...
So! That! Sam only vaguely remembers the night, but rumors travel faster than light on the disc, so by the next day the whole damn city knows about poor Sam brung low by the loss of his poor, tragic, pregnant wife, so young to be a widower, and the Seamstresses nod because they already knew, don’t ask them how, somethings you just have to know in that trade.
And his mother—I don’t know, sue me, I’m a time travel fiend but there’s something deeply intriguing about a man meeting his dead parent, who is somewhat younger than him, and stepping into the old relationship like a badly fitting thing that's supposed to fit well. She would know, right? How would she deal with her son’s impossible grief? Maybe she wouldn’t know—he spent most of the time out of the house, running with different street gangs, maybe he avoids her until she dies and lives with the guilt twice over. God, we don’t even know her name. There’s just so much narrative and emotional potential that I don’t even know where to start.
When he’s on duty, which is most time - it’s agonizing because at first he remembers cases, saves lives that would have been lost. But the more time passes, the hazier his memory because in the original timeline he was becoming an alcoholic. Fuck! A kid dies and he could have saved her if he hadn’t been such a drunk, if he had just remembered where the asshole lived, but it’s all a haze, and he wants to drown out his guilt, but that’s what caused this in the first place.
Good young Sammy, who spends his rare off-time in dusty libraries (and yes, the irony that he’s apparently Carrot now is not lost on him) reading gods-only-know.
It’s not like he can ask the wizards for help, cutthroat and vicious as they are now in the not-so-distant-past.
Good young Sam, who...talks to the Broken Drum’s pet Bouncer like he’s a real person and not a dumb rock? That’s a bit weird, but he’s a bit of a funny guy.
Good old Sam, who believed the testimony of the dwarf who said the humans were trying to rob him and let the dwarf go??
the PROBLEMS this man would cause, good grief. Can you imagine a moderately progressive middle aged man with some degree of begrudging diversity and equity training that he did, for all his sins, pay attention to, suddenly going back to like, 1990, going back just 30 years, and going...oh damn this is kind of fucked up, no man you can’t say that, holy shit.
Except Sam’s lived through even more rapidly shifting social moroes! There’s no seamstress guild, there’s no women allowed inside the university, there’s no black ribboner’s society. People hunted trolls for their teeth! But Sam can’t just unlearn everything, and he can’t shut up, and he has no real luck and anyway he would absolutely get himself (temporarily) fired.
FUCK. Sam has no idea what to do with that. None. Zero clue. Wanders around in a haze until that dwarf he saved from police brutality finds him and insists on repaying the debt. No, he insists, do you have any idea what debt means to a dwarf?
“Sort-of?” he replies hesitantly, and that honest admission of incomplete knowledge shows a hell of a lot more respect and understanding than any self proclaimed dwarf-expert ever did.
Gets a job as a surface man, hauling rocks into the city. It’s backbreaking work, but, in true Discworld fashion, it’s also one hell of a workout (again the irony of being Carrot is not lost him. he freezes for a minute while hauling a rock cart, when he remembers he's technically Lost Nobility too, in a strict sense, but someone curses at him in the street and he's comfortingly grounded)
And here is where this au slides into a SPECTACULAR romantic comedy, BEAR WITH ME. Because in his time on the Watch he’s already done noir, action adventure, war story, detective who dunnit, psychological horror, but guards guards only allowed him to be a romance protagonist in an extremely limited context.
Give me righteous, twenty-something-looking, can’t-say-he-doesn’t-have-style, young Sam Vimes, not an alcoholic,  being fed three square meals a day by his dwarven forced found family, hauling rocks. He is startled to find him bumping his head on a low hanging bar that he doesn’t think used to be there, eventually realizing that he’s an inch or two taller than he remembers. Huh. Guess all that bearhuggers really did stunt his growth.
Still doesn’t get what some of the looks from women he’s getting are about, sure, he’s dirty but so is everyone else. Fine, he took his shirt off, but it’s hot out, there’s far wrinklier than him hauling heavy loads, get a life. 
Happens to glance in the Ankh one day when it’s particularly slow and shiny and is startled to realize that he might be turning heads for a different reason. Oh. Right, not that he was ever a heartbreaker, but he did alright for himself... when he was a younger and his face hadn’t been broken so many times. Which...it isn't now.
Is mildly disturbed by the revelation.
Especially once things blow over at the precinct and what with high mortality rates, he ends up with getting hired again. The boys are delighted to have him back, nevermind that he’s an odd one, noone is ever quite in your corner like Vimsey, absence makes the heart fonder, no one else works that hard, and he’s not even competition for promotion. All around great guy, we should set him up with somebody and just, no.
It just keeps getting worse! He’s literate! He’s a feminist! He believes abuse victims! He’s got a tragic backstory! He’s unreasonably good in a fistfight! He’s kind to animals! Word gets around that there’s a good man on the watch and he’s just waiting for a good woman to come snap him up. The widower excuse doesn’t hold people off completely, and for some it’s its own sort-of appeal. 
Things REALLY become stressful after he rescues that carriage full of noblewoman.
What’s he supposed to do? Let them get robbed? Or worse? Chasing down and beating up 10 goons is as easy as beating up one, when they’re that stupid, getting separated like that, drunk and distracted, and he knows these streets better than anyone, really it’s nothing. And oh lord he’s Modest too.
I mean, they were genuinely greatful, as genuine as people like that are capable of being, the skill having grown rusty. And then there is something...magnetic about the man. An air of command.
So, soon enough you get Lady Marigold of Marigrave calling on Treckle Road for that gallant young officer who rescued them, she really needs to thank him. And Viscountess Elanor Thitzferal specifically requesting that he guard her at her next soiree. And Baroness Julieta van Shoeholten insisting that he come to her home while her husband’s away, for... manly protection.
Aaaah just zero sympathy from the guys. None. 'It’s become a competition, they’re just trying to see who can get me into bed first, it’s like I’m a piece of meat, you can’t send me sir, the Marquess greeted me in a nightee last time you made me go to—' and 'small gods Vimes are you even listening to yourself, shut the hell up'.
Simultaneous to this, (again this is several years into the timeline) swamp dragon accessories come into style. Which means abandoned swamp dragons scrounging on the street. Vimes takes one back to his apartment, blows his paycheck on dragon medicine, and eventually, heart in his chest, brings it to the Ramkin estate. The sunshine orphanage doesn’t even exist yet and he’s just standing outside the gates like an idiot, what is he thinking. Turns around, but her carriage is pulling up and—
well. they meet. it's cute. he's never felt so young. he's never felt so old, too old for her, too poor—
and certainly her thoughts linger too long on the awkward, kindly, handsome young commoner, but is it any wonder she doesn't quite connect it to the stern, dangerous, sexy young guard the ladies seem to be in some quiet, cuthroat competition over?
i have this gorgeous, absurd scene in my head in which Vimes is strong armed into standing guard at some high society soiree and one of the pushiest ladies insists he dance with here, or, if he prefers, if he's not confident about his skills, he can dance with her in-private at her home and he’s like [grinding teeth, looking for a way out, seeinf one] “I would be honored to dance with you.”
Steps right into some ultra-complex dance with multiple partner swaps (she never thought he'd pick this one, devilishly intimidating to one not strictly trained, and you barely spend anytime with your first partner).
But he does alright. Better than alright, for a common man, sometimes misstepping but his hands and feet always end up where they need to be. Raises several eyebrows part way into the song because he's throuwing in some slightly scandalous, no innovative, extra lifts and twirls that wouldn't become fashionable for another decade or two. Who even is that guy? Some out of towner? No, no he's in a guards uniform...how very strange.
Gets to Sybll and she's used to embarrassment during these dances, she tries to get out of them when she can... but can't always. Men awkwardly skipping the lifts, or worse, trying and failing. But him — oh it's him, the one who helped little Erold, and looked at her like—like—well like she was someone beautiful. And he's doing it again, and he's strong and there's a quiet moment where she's in the air, they lock eyes, and the rest of the room melts away.
And then the partners change again, the moment ended.
Just...living throught it all again. To the left, a dance he almost knows the steps to, throwing others off balance with erratic moves , honest mistakes, and delibrate stepping on toes. Improvising. Ruining. Improving. Getting far, far too much attention.
Hes almost excited when the first assassains start coming after him. It's like a hobby.
Everyone tells him he should get a hobby.
Interactions with young vetinari...I don't have the energy to write it all down, the slow circling in on each other, both burning with the need to fix the city, save it, their city.
needless to say he ends up fired again, life under real threat after offending some high lord.
Conveniently enough he has an employment opportunity- bodyguard to fucking Vetinari on his 'grand sneer.' The bastard knows vimes isn't what he seems, though sam is pretty sure that he doesnt know the exacts.
Vetinari hypothesis:(the ghost of keel? Keels son, with some hereditary curse? Or a larger spirit of justice possessing a string of unrelated souls? He knows things he shouldn't- mind reader? Fortune teller? Havelock once arranged for a wizard to bump into him on the street, the magical fool gave an odd double look and then muttered something about destiny looping in on itself giving him a headache. Destiny? Lost noble? And hes far too familiar with sybyl, one of the few bearable noblewomen in this city. And his thoughts on guilds, when havelock can trip him into speaking... Most of all, if hes reading him at all correctly (for all the mystery hes not that hard to read, unless thats a very clever cover) then it seems that behind those dark haunted eyes is Respect. Loyalty. For vetinari. What an interesting man. A puzzling asset. An intriguing threat. )
Did I mention the timeline is changing, healing slowly around the place where it was torn? Healing enough around scars to perhaps get some flexibility back, with some painful stretches and...massaging of said scar tissue?
And hes heading to unresting uberwald, a place where a werewolf pack still hunts humans and, truely unrelated but perhaps equally exhausting, an eldritch spirit of vengeance just might be looking to stretch its legs in a hapless vessel?
Opening drabble Vimes Vetinari Meta (Unwell) Scene from the Uberwald Grand Sneer
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fumifooms · 22 days
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do you happen to have that page that talks about the beauty standards of each race?
Yeah sure. While scavenging pics for this I found this neat reddit compilation & chart & theory talk too. I had um, way more to say than I anticipated (I know you only wanted the one page. I have nothing to say for myself. Like most topics in Dunmeshi things snowball because they’re so interconnected. Mercy…) so, many races and observations are only mentioned near the bottom.
Beauty standards and race in Dungeon Meshi
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Not pictured there’s also how elven society is harsh on visibly disabled people, and how the demon took away Mithrun’s silver eyes and ears to take away his pride. There’s also how Senshi might have fit in with the orcs more easily because of the dwarven wide body shape, and how they tend to have more body hair too I suppose. In the extra on orcs we see Senshi living with the orcs and he gets judged because of the hierarchy rather than his looks.
What is fashionable also differs from culture to culture, and there’s how tattoos only seem common with elves, though dwarves and others do also sometimes have some. They seem to not raise much brows, which makes sense since for many essentially they’re for professional (magical) purposes especially with elves. Gender roles also differ in type and importance, but generally they are similar to irl ones for the races we see. Elven society seems to be the least gendered, which would be an unsurprising logical outcome of having lesser sexual dimorphism aka they look more androgynous. Comparing fashions and gender roles and how they affect beauty standards would be a whole other compilation and conversation. Kui has great worldbuilding partially because she’s got such a good grasp on sociopolitics and geopolitics. History affects cultures and beauty standards greatly. Kui’s oneshot Distant Utopia was very eye opening on her way to worldbuild and the consideration she gives these things, I do really recommend reading it.
Out of the big 5, we know the least about gnomes, but their sheet does say both culture and region are similar to dwarves’ and they end up being confused together often, so we can imagine the beauty standards are similar to dwarves’ as well.
I wanted to touch on this in a post eventually, but how one daydream hour page said half-foots tended to be curvaceous like in the artwork below puzzled me for a long time, all the half-foot characters we see during canon are rather slender and lanky after all, Chil’s succubi also being more curvy than plump. Economics are for sure a factor in that I imagine, the half-foots characters we see are all implied to be some flavor of poor or malnourished, as are half-foots depicted as empoverished oppressed minorities in general. Even comparing the artwork with the half-foot sheet’s depicted average half-foot, the ones on the left seem bigger. Wouldn’t it make sense though, if unlike dwarves half-foots don’t have similar naturally wide bodies, yet due to idolizing dwarves they work towards having a similar body shape/type to emulate them?
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It’s said half-foots tend to stick to pretty ethnically homogeneous regions (aka half-foots-only communities) unless they move to the big city with ambition to try and make it big (like Chilchuck and his wife & kids did), and that’s interesting imo because then that would mean that in a ton of half-foot communities, they rarely see or interact with dwarves whom they try to emulate. Of course, one thing about beauty standards is that when they get adopted, at one point it stops being "this is how dwarves look and so this is how half-foots should look" and just becomes "this is how half-foots should look", most people feel as though beauty standards aren’t learned but innate, so I figure the half-foots wouldn’t have any problem still seeking dwarvish traits when there are no dwarves around.
There’s also stuff you can glean here and there if you want to extrapolate more. Like how in the race swap artworks, Mickbell is only smiling in the dwarf portrait, and Rin’s elven portrait looks very close to her elven one- Rin who is stated to be beautiful in her profile blurb. Benichidori’s extra does teach us tallmen can definitely have harsh beauty standards, but also since the text portrays her as very dysmorphic that’s likely reflected in her thoughts to a much more intense degree than is common, not an accurate strict baseline to go off. Ah, Kabru’s blue eyes are also why he and his mother lived a rough life in Kabru’s hometown, but that seems to be regional. Good post here on the topic of Kabru’s blue eyes and ties to irl history. There’s a lot to be said about Kabru being a man that in many ways is close to elven beauty standards, and how that might have affected or been affected by his upbringing with elves + his persona as someone that can effortlessly charm most people. Marcille’s section here in this essay also goes into Marcille’s struggles to fit in with the ideal image of an elf.
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Looking human
Also notable are beastkins and demihumans: Demihumans are all dehumanized which makes people treat them worse. So if you differ from the visual idea of "human" (an in-world subjective categorizatiom just as much as demihuman is) most people do judge you negatively. Elves and dwarves get to fight about which type of human is considered the prettiest, but demihumans are below tallmen and half-foots, they are considered as simply below the beauty contest, incompatible with it.
Onis are perhaps the demihuman people we know of with the least cultural influence on the dunmeshi world, and with less intensely different appearances than other demihumans, but even them are treated as lesser than human, treated as beasts to slain for reputation points or useful strength to have around and command. It’s said their "magnificient horns" and fangs are often shaven off when the oni lives in tallman towns, so you could easily make the argument that onis are denied the right to have their own beauty standards, having to conform to other people’s and going through mutilation to take away features they might otherwise have taken pride in. Inutade was bought by the Nakamotos from a dangerous sumo fighting ring that got one of Inutade’s tooth broken on her first and only fight. Remember when I said different fashions existed in dunmeshi and how those could also affect beauty standatds? Like the elves, if you look at the portraits pages that include a lot of characters that aren’t in the story you can see distinct cultures within the same races, for example one young elf is bald which is in sharp contrast with usual elven long luscious hairstyles, and that’s especially true for onis I think. Maybe not only from different regions but different eras as well… They have a bit of population in the very north of the western continent, so I like to think some of the ogres live in very cold, maybe even subarctic conditions. The point I’m getting at here is that within a race, culture/ethnicity like with Kabru as well will also influence them, different communities will have differing beauty standards. The oni history blurb and third row first collumn portrait remind me of Mongolia (which historically was a lot of different nomadic communities with different cultural identities as well. Something something, the oni empire experienced a decline and then tallmen overpowered them, and now they’re governed and split apart by stronger social classes & slavers and the richness of culture was hurt for it), but obviously many of them are dressed and look rather japanese, makes sense considering living in/close to Wa, and first row second collumn portrait reminds me of ainus which again would be logical considering geographical placement, though I’m far from an expert. Interestingly, ainus are indigenous people both in Japan and Russia- Perhaps the northern western continent ogres are meant to be closer to Russia than Canada like I imagined? Ok tangent over.
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The kobold sheet says they’re especially sought after as slaves because they’re "adorable", but locally in the western continent they’re repeatedly said to be seen more as ferocious and dangerous. The dehumanization is most apparent in the first comic below. The language barrier and conflicts no doubt worsen this by a lot, but I think it’d be hard to deny that their canine appearance makes the dehumanization worse. "They’re ferocious beasts, they’re demihumans, they can’t be communicated with". Most characters in Dungeon Meshi’s world are desensitized to slavery and most characters are prejudiced one way or another. Point being, kobolds are fully removed from human beauty standards, but no doubt for kobolds, other kobolds are more beautiful than humans are. They’re assumed to be an uncivilized bunch, but just like any other people they like to aforn themselves with nice clothes and jewelry and keep themselves clean and groomed; they too take care of their appearance and take pride in it.
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And the orcs! This one we have the most contact with in canon, with not only there being foreigner characters from the ethnicity or hearsay of their homelands and culture but full on contact with a community. We get to see up close what they’re like and what they think, and of course in turn they’re our introduction to how demihumans are harshly looked down upon and seen as inferior, less human and thus less worth valuing and less dignified. It’s text that orcs are ugly to most humans and humans are ugly to most orcs. Since I judged they didn’t need accompanying explanation the pictures showing this are in the pictures dump at the top.
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God forbid you sell vegetables to orcs my god- but then again they do basically mandate adventurers to kill any orcs they come across so yeah the world isn’t above that even a bit.
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So yes, my main point here is simply that orcs are yet another evidence of the physical ideal of "human" being an important beauty standard for human societies globally.
Izutsumi is our glimpse at how beastkins are treated in the world, and in Wa at least that’s ending up being caged and mistreated as part of a freak show. Izutsumi hates her appearance and wishes she could leave the feline part of herself behind to only be human. Interestingly, not that we have a lot of info on them so this is very much a take with a grain of salt situation, but there seems to be less stigma around artificial beastmen, those who can shapeshift at will. The main difference is of course appearance, that most of the time they simply look like average tattooed humans. Artificially creating humans is an illegal practice, and no doubt it’s not well regarded, but being able to hide that makes them less likely to be discriminated at any moment, or even just discriminated less intensely. Again, looking human is important, not only for belonging but for safety’s sake. Beauty standards rule the world with harsh hands.
Mermaids and fishmen
Ok we’re done now right? Right-! But wait… Wait…! Mermaids and fishmen are said to be demihumans too, special separate cases to the main three demihuman species however, which is also represented by how mermaids and fishmen both are in the Adventurer’s Bible chapter Monsters meanwhile ogres, kobolds and orcs are in the chapter World. They’re an interesting topic because they directly tackle this topic, not only in a meta way for the readers but also making characters themselves struggle to quantify their humanity with the goal of knowing wether they should be eaten or not, especially Chilchuck. Chilchuck’s "is it really just a matter of feelings?" mini arc.
The party asking themselves "Should we eat this?" is very common, and often they end up playing a little loose on morality, like eating the red dragon’s meat despite it having digested Falin. Not unsimilarly Marcille freaks out a little over the vegetables they harvested having been grown with fertilizer, aka largely human poo. Half of the motivation of "should we eat this perhaps sentient creature" is out of consideration and compassion, but more strongly and more often, the characters struggle with a sense of taboo at eating something too closely related to humans. Even, feel uncomfortable because of the deepseated impression that eating it would dirty them in some way. Cannibalism is an interesting and relevant topic in many ways, but what I want to mention is how there’s the more or less universal belief that committing cannibalism inherently taints you as a person and turns you more monstrous, morally but also literally depending on some myths such as w*ndigos and onis in some cases, like in Touge Oni. Marcille and Izutsumi both express a fear of eating monsters turning them monstrous. Maybe this is part of what Laios was hoping for, honestly. There are two fears here, if eating a demihuman monster constitutes as cannibalism or not, and so, will eating it taint you because it’s a human, or will eating it taint you because it’s a monster? You are what you eat, until it’s a little too literal. You morally are the means by which you get your food, and you physically are the result of your nutrition. Dungeon meshi manages to mix an exploration of humanity with the theme of food because our relationship to food is very deep and complex, psychological as much as physiological.
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In the end, the characters sort of shrug and accept that they’ll never quite understand the world of mermaids and fishmen and how they operate, and what that means about them. Laios is the one always challenging these notions other characters take for granted, it’s not obvious to Laios why people are softer on mammals than other animals and plants, it’s not obvious to Laios why people would be afraid of eating a monster just because it’s a monster, it’s not obvious to Laios why some food is gross to Marcille but not fish testicles, it’s not obvious to Laios why you should immediately regard orcs and kobolds badly.
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"Cows are probably closer to humans [aka closer to being human] than fishmen, though they’re clearly intelligent", dehumanization to lessen empathy towards them to be able to eat them. Meanwhile, mermaids seemingly have a less noticeable "civilization" or intelligence, they hunt in groups like fishmen, but they don’t use tools and such, they feel more primal and similarly instinct driven, and yet… Do they attract sympathy more? Mammals, humans, is it because of their nature or because of their appearance?
Both the nature and appearance of fish are ones people don’t typically sympathize with. "Fish don’t feel pain", "goldfish only have 5 seconds of memory", "it’s okay to keep in bowls too small and empty for them until they die", so many lies and misconceptions exist that make people less considerate of them. The average lifespan of a goldfish is 10-15 years, the record is 43, but they’re not seen as lives that really matter, so a lot of goldfish die in a few weeks of bad aquarium conditions. There’s a lot of research on animals evolving to look cute and appealing to make some predators want to kill them less and parents want to care for them more, including humans. First good google research result gave me this credible short article on the topic. In Chilchuck’s weighing wether a fishman is far enough from being human or not, "face is 100% fish" is his biggest argument for it being more acceptable. The face, the most important thing for empathy and recognition. The face, the decapitated fishman one that falls into his hands next chapter.
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To quote @room-surprise: "Chilchuck can't explain why it's wrong to eat the merpeople, even though it's NOT complicated. But the problem is Chilchuck would have to accept and acknowledge that the merpeople might be people? And that's outside of the worldview he passively believes, so he can't just say that, because he doesn't think that's true. But that IS why he "feels" it's wrong. And it's all you'd need to say for Laios to understand! But it would require acknowledging that maybe the way they're treating and talking about the merpeople is wrong."
The idea of Chil not being able to grapple with how maybe some monsters are more humans than they seem, him who had been an advocate of half-foots rights, half-foots who get undermined and treated as inconsequential sacrifices… Grappling with how he could relate to the merpeople’s situation almost, and pulling away because it’s so existentially horrifying. I do not want to see myself into an hostile fish-faced warrior I can’t communicate with. In a way this also relates to Chilchuck being the only party member who doesn’t see Izutsumi as a cat in the relationshio chart, the only one to treat her with full human dignity. He knows the struggle to be taken seriously, he knows being infantilized and he knows what it’s like to be treated as less than human.
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Below, you will see Chilchuck draws the line of where they become not okay to eat as when "they already look like mermaids". Above, there’s speculation that the algae hair is partly to mimic "the mermaids’ beautiful female form". Is it because mermaids are their enemies and the ambiguity might give them extra seconds to attack or flee? Is it to trick adventurers instead? It’s striking to me that this is what works, with the adventurers. Sure the fishmen are intelligent, but explicitly here, what makes them no longer acceptable prey to Chilchuck is that they look close enough to a mermaid, close enough to human. Mermaids who of course themselves have this form to entice and seduce and charm the adventurers they prey on. Chilchuck considers the intelligence due to the tridents, but most of his internal debate centers around their appearance, and the image of a fishman skewered sickens him. The power of mimicry… Mimic being a beautiful human woman. Mimic being cute, babies being wired to make us feel protective and softened. Half-foots, sometimes pretending to be children for scams or help or avoiding trouble.
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The mermaids are only concerned by their differences and not their similarities, and have no trouble treating the fishmen as food rather than peers. To an outside perspective like us, the audience, all these categorization of "more human" and "less human" between onis and orcs and elves and tallmen etc seem stupid and unfounded, but to the people living in Dungeon Meshi’s world, elves may as well be mermaids while onis are fishmen, not alike at all, unworthy of empathy and thus fine to eat.
Ultimately, Dungeon Meshi promotes unity. It’s about seeking to understand the unknown and the misunderstood, the dehumanized and the inhuman. It shows the good that comes from seeking to understand what you do not, even when that’s one another.
#Dungeon meshi#dunmeshi lore#Compilation#Ok… I think I didn’t forget anything. Feel free to point things out or discuss in comments and tags though#Delicious in dungeon#Ik i strayed a bit from the central topic but who knew beauty standards and discrimination went hand in hand /s#Ask me about my dunmeshi kobold oc……….. ask me about my dunmeshi ocs……..#Can we give body neutrality an amen#Tw racism#cw racism#The “what are you talking about Marcille. Senshi is handsome” gag has 2 layers then doesn’t it#Like obvi Marcille is noticing the difference between shapeshifter and og senshi rather than making a judgement#But the elf being *the* one to notice and say “Senshi looks more handsome than usual that’s weird??” may very well be an effect of living#with elven beauty standards yeah#Meta#I wanted to make a post on the half-foots body type thing and the oni mongolian coding and the chilchuck merman thing so#Three in one 🎵 why take the initiative when you can just wait for the tiniest opportunity#Chilchuck tims#Analysis#dunmeshi fishmen#It’s very interesting to think of how there being so many people *that* physically different affects politics and beauty standards#Mimics…. Pacing my room. Pondering. Mimics………#The burnout is over yippee#Ok but for reals though race is largely a social construct. Critical race theory good. Go read Distant Utopia by Ryoko Kui#‘Yeah sure.’ < person who thought she’d just be grabbing like 3 pics and had no clue she’d become hyperfocused for hours#The classic societal obsession for classifying and exaggerating physical traits into boxes of innate goodness vs evil…
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crave-mp3 · 2 years
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I LOVE BEING ARO SO MUCH!!!!!! I WILL NEVER FEEL ROMANTIC ATTRACTION AND THATS BEAUTIFUL AND NATURAL AND SOMETHING I WILL WIELD AS A WEAPON AND A SHIELD AGAINST ANYONE WHO WOULD CHANGE ME OR ERASE ME!!!!!! REALIZING I AM ARO WAS ONE OF THE MOST JOYFUL AND FREEING AND ILLUMINATING EXPERIENCES OF MY LIFE!!!!!!!!!!!!!!!! MY EXUBERANCE AT LIVING WITHOUT THE NARROW SOCIETAL IDEA OF "LOVE" KNOWS NO BOUNDS AND I SEE BEAUTY IN EVERYTHING!!!!!!!!! MY LIFE OVERFLOWS WITH JOYFUL ABUNDANCE!!!!!!!! I AM BURSTING FOR AFFECTION WITH EVERYTHING!!!!!!!!!!!!!!! I WILL NEVER BE "ALONE" (I WILL NEVER BE LONELY) BECAUSE I WILL MAKE FOR MYSELF A LIFE THAT SINGS AND SHINES!!!!!!!!!!!!! I LOVE LIVING A LOVELESS LIFE!!!!!!!!!!!!!!!!!!!!!! I LOVE THE SELF RELIANCE OF MY HAPPINESS!!!!!!!!!!!!!! I AM INFINITE AND BOUNDLESS AND DEFY DESCRIPTION OR CATEGORIZATION!!!!!!!!!!!!!!! I AM AROMANTIC!!!!!!!! ALL IS JOY!!!!!!!!!!!!!!!! ALL IS LIFE!!!!!!!!!!!!!!!!!!!!!
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aurosoul · 2 years
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me and my bf spent last night in the desert and I discovered I could make art in the sand
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mycological-mariner · 4 months
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First day of Pride and I just want to shine a light on all the trans people who are unable to transition, especially those who aren’t fresh faced university grads. Those who don’t live in a supportive or even just accepting home or community. Those who aren’t well off, those who aren’t good at or popular enough to crowd fund. Those who can’t afford transitioning. Those who can’t even transition socially or need to stay in the closet for your safety. Those who rely on benefits or unforgiving jobs to just pay the bills. Having to hear day in and day out you’re just GNC, that your pre-transition body is “ugly” and the ways you can express your gender are “cringe.” Every trans person who’s been told they aren’t “trying hard enough”. Those trans people who won’t even get to imagine transitioning for years.
I see you. I love you. You’re so undervalued and under appreciated in a world where being a white, well off 20 year old on HRT and getting surgery is more common to see than people who work full time and just don’t have that privilege. It sucks, so much. But you are loved and you are seen.
Happy Pride Month to trans people who aren’t where they want to be. The world is better with you in it. We all need each other.
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spoiledmilks · 10 months
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It has been 3 years since my favorite youtube channel has been deleted
Quickly sketched this for the death-anniversary
Memento mori, unus annus 🖤🤍
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danandfuckingjonlmao · 7 months
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PASSENGER PRINCESS????? YOUNGER BROTHER ENERGY????? FFS DAN AND PHIL GET OFF PHANNIE TWITTER STOP BEING CHRONICALLY ONLINE GO TOUCH GRASS THIS IS RIDICULOUS
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atomicpirateperson · 5 months
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so I realized that around this time of the year is already past my 1 year anniversary of being hyperfixated on Rob?? time flies
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this is the timeline of how it happened according to some vague memories:
1. i happen to see some random video of The Rerun on like, YouTube I think
2. me: hmm i think that one eyed guy is giving some real gender envy– wait. oh no. its happening. he's the new Chosen One, isn't he
3. im not hyperfixated im not hyperfixated im not–
4. I AM SO FUCKING HYPERFIXATED I LOVE ROB FROM TAWOG HE MEANS EVERYTHING TO ME!!!!!!
5. rob is a major part of my life and my headspace now. i couldn't stop if I tried, because some part of my brain views him as an actual close friend, and therefore abandoning this hyperfixation would feel extremely cruel. i would never do that to him and therefore he will be my imaginary bestie/adoptive son forever. i will never grow out of it. i am perfectly okay with that
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h00tzz · 3 months
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HELLO people of tumblr I simply MUST throw my tf2 ocs at you
I swear there’s actual lore and they all have names and backstories and they’re all CLONES living in the clonepocalypse but I’m writing this at 4am and I have places to be tomorrow I hope I don’t regret losing my mind and posting this tomorrow
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gumdefense · 11 days
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Gumshoe and Kay post because I miss them and they’re a criminally underrated duo
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The stage plays are all on YouTube ! The subtitles in the screenshots here were made by Rayne :D
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shift-shaping · 2 months
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Is Solas getting paid by the Inquisition for his work
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piarlieism · 15 days
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oh so now we're finally talking about it
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At first Minato thinks the sound he hears is his eardrums popping, but a moment later he realizes that it came from a distance– a distance they’re closing as they sprint onward, in fact.
In front of him, Sanada stops short. “What–?” Minato can barely hear him. “Dammit… Both of you, hang on!” He takes off again, not even short of breath. 
Minato is almost jealous. Despite all of his time spent with the track team, he feels dizzy and ready to collapse by the time the alleyway behind Port Island Station comes into view. Every breath might as well be filling his lungs with tar instead of air.
The shadows in the alley sharpen and focus into human shapes– not two, but three of them: one sprawled on the ground; one standing as tall as it can; the third looming over them both, arm extended towards the smallest figure, taking aim–
“Takaya!” Minato’s voice sounds foreign in his own ears. He wouldn’t have guessed he’d be able to speak at all, much less shout.
Everything happens all at once after that.
Takaya’s whole body jerks towards Minato’s voice. 
The shape on the ground lunges up and forward, taking the smaller figure crashing back down with it.
The gun goes off with a sound like–
Like a gunshot.
It isn't a clap of thunder. It's not at all like the crack of a whip. 
There is no metaphor that can soften the truth. 
The noise that tears open the silence of the Dark Hour is a gun being fired: a spark igniting powder propelling a bullet at shattering speeds towards the soft, vulnerable bodies of his friends.
Speckles of something dark and reflective fan through the air, glittering obscenely where they catch the light of the moon. Takaya almost seems to glow under that sickly light; pale skin and hair and eyes and shining silver gun gleaming ghost-bright in the murk of the alley, in stark contrast to the dark shapes huddled on the ground.
He meets Minato's eyes briefly. His expression is openly astonished for less than a moment before it shifts to fury, then is immediately papered over with a mask of calm indifference. He says something, but Minato is still too far away to hear. The Dark Hour swallows him up faster than Minato would have assumed possible.
He isn't terribly preoccupied with Takaya's Houdini act at the moment though, because–
"Shinji–!"
Aragaki lies prone on the pavement with Amada pinned underneath, whose breath is coming in shallow, panicked gasps, his face pale under dark splotches of blood. The bullet intended for Amada has shredded Aragaki’s right shoulder into a confusion of gore and torn wool and glimpses of pinkish-white that Minato tries not to think too hard about.
“Hang in there, Shinji!” Sanada hauls him off of Amada and onto his back, revealing another wound in his gut, a black well of blood. More of it dribbles sluggishly from the corner of his mouth. Aragaki doesn’t cry out in pain as Sanada and Mitsuru rearrange him in their hold, lifting him off of the cold concrete and supporting his head. He hardly makes any noise at all.
Minato feels like his ears have been jammed full of cotton. He can tell people are talking, but he can no longer pick out any voices or words. His vision tunnels, phantom colors chewing at the edges. 
He stands there and watches as Yukari frantically tears out of her jacket and hands it off to Mitsuru, who packs it hard against Aragaki’s ruined shoulder. 
He stands there and watches as Junpei unties his own jacket from around his waist and uses it to dab gingerly at the side of Amada’s face– it’s only now that Minato realizes that not all of the blood that Amada is wearing is Aragaki’s. The shape of Amada’s left ear is all wrong, like some of it is just missing, but Minato only catches a brief glimpse before Junpei presses the jacket over the injury and holds it there, hiding it from sight.
Yukari tries to summon her persona. Io flickers above her like a mirage for less than a second before vanishing. She pulls the trigger again, but the result is the same. She pulls the trigger again and again and again, face contorted and body heaving with sobs that Minato can’t hear. Io stops appearing at all. He stands there and watches.
It’s no use. They’re too far from Tartarus or any powerful shadow that could be harboring a piece of its influence. They’re too close to the end of the Dark Hour. Minato has two personas that can cast Recarm, but they wouldn’t be of any use even if he could draw his evoker, if he could move at all.
He stands there. And he watches.
Aragaki is saying something to Amada, and Amada answers through his sobs. Their mouths are moving, but Minato still can't hear. Why can’t he hear anything? Why does it feel like his mind is clouded over in static? 
Something jabs hard into his side and suddenly Minato’s ears work again, like a loose wire has been jarred back into place.
“--ato! Minato! Hey, are you listening?!” He blinks, dumbfounded, and turns to the source of the voice. Junpei is staring at him. Minato has no idea what he’d call the expression Junpei is making at him, but it’s not one he’s ever seen him wear before. “Give Sanada-san your coat, man! We need to stop the bleeding!” 
Even though he can hear again, it still takes him far too long to actually comprehend what’s being said. Junpei starts to repeat himself before it finally clicks and Minato shucks his jacket and hands it over. Junpei passes it off to Sanada, and Sanada presses it against the hole in Aragaki’s stomach. Aragaki doesn’t even flinch, just looks over at Koromaru gently nudging his hand. He pets him weakly. It’s probably the most movement he can manage.
“Just a few minutes–” Fuuka says, nearly hysterical. “The Dark Hour ends in a few minutes. As soon as it does, I-I’ll call an ambulance!” 
“Did you hear that, Shinji?” With the hand that isn’t leaning on the makeshift bandage, Sanada grabs Aragaki’s, gripping tight. Aragaki grips back, much weaker. “Just hold on for a bit longer!” 
“Aki…”  Aragaki’s voice is quiet and thready, but everyone falls silent at the sound of it. “Take care of him…” He slowly inclines his head towards Amada. 
“Don’t talk like you won’t be around!” Sanada says through gritted teeth.
“Pr…promise me, Aki.” 
Sanada’s breath hitches and he bites his lip against it. “…Alright. Alright, I– I will. I promise I will.” 
Aragaki smiles and Minato’s heart lurches. It’s sad. It’s final. 
It’s relieved. 
Aragaki is smiling like a weight has finally been lifted from his shoulders. He looks so content that Minato almost envies him. “This is…how it should be…” he sighs.
He slumps in Mitsuru and Sanada’s arms. Minato’s ears ring. There is a chorus of strangled cries from his teammates. 
Amada chokes like he’s been stabbed. “No–! H-he can’t–!”
“Is he–?” Junpei’s voice shakes.
“He’s alive,” Sanada gasps, still clutching Aragaki’s hand. “He’s still breathing–”
“I can feel his pulse,” Mitsuru affirms, pressing two fingers gently to Aragaki’s neck. “It’s weak, but it’s there. He’s only passed out, but unless he gets medical attention soon…” She can’t even finish her sentence, but she doesn’t need to. The implication is heavy enough. 
“Still breathing,” Sanada murmurs to himself. “He’s still breathing–” He says it again and again, as though he can force the words to remain true through sheer repetition.
Without fanfare, the green glow of the Dark Hour vanishes. The murky clouds that had blotted out the stars disappear and the moon returns to its normal size. 
“Yamagishi!”  Mitsuru exclaims.
“R-right!” Fuuka is already dialing. Her voice is strained and thin but steady as she relays the necessary details, and the person on the other end of the line thankfully seems to understand. It isn’t until she closes her phone that Fuuka allows a choked sob to escape. “Th…they’re on the way,” she says, her voice breaking. 
All they can do now is wait. Nobody speaks. Most of the team crowds around Aragaki, if nothing else to assure themselves that he’s still alive. Only Amada stays off to the side, until Junpei breaks away to crouch next to him and speak quietly. 
And Minato. He’s frozen in place, staring at the battered body of a man he’s come to greatly respect as the life slowly leaves him. His eyes burn, but it doesn’t feel like the sting of tears. They don’t feel wet at all. Has he been blinking? 
A hand rests on his shoulder. “Minato-san,” Aigis says, her vocals strangely gentle. How does she feel about all of this, Minato briefly wonders. “Are you alright?” 
“...No,” he answers, voice barely audible even to himself. Minato hasn’t felt like this since… not since Back Then. Not since the bridge, and the car.
Aigis’ face remains as impassive as always, but somehow she still looks sadder than she ever has. Sadder than Minato thought she was capable of. “I am here if you need me.” The compassion in her voice feels like a brick thrown against his chest.
It’s only a few minutes until they hear sirens, but it’s the most agonizing few minutes of their lives. Even in Tartarus, where a minute can stretch like taffy, time has never seemed to creep by so slowly.
A group of punks has started to gather, trying to gawk at the sprawled figure hidden within the protective ring formed by his teammates. They scatter as soon as the ambulance pulls up, stopping right next to the huddle. Four paramedics pour out and swarm around the injured parties as fast as they can. Two police cars arrive moments later. Officer Kurosawa steps out of one of them.
The alley is filled with disorienting pulses of red and blue light. Minato almost misses the sickly haze of the Dark Hour.
There’s a whirlwind of voices– explanations and questions and medical jargon– but Minato absorbs none of it. He just watches (again– again, he just watches, and does nothing) as three of the first responders transfer Aragaki onto a stretcher and load him into the ambulance. The fourth gently guides Amada inside as well. 
Everyone wants to go with them, but there’s only enough spare room for one more person. Minato isn’t surprised when Sanada insists it be him. Nobody argues, and the ambulance takes off the moment Sanada is inside. 
The last train has already left the station, so the rest of them will have to find another way to the hospital. And they will. They have to.
None of them can bear the idea of doing anything less.
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