#this is a lovely song by Vera Lynn

[gilliandersons]

you're my best friend now i've no one to tell how i lost my best friend and it's karen talking about martha

[aetherose]

TAG DUMP 2

[biceratops7]

Y’ALL I JUST FOUND SOMETHING WILD:

I figured this out by pure accident because musically, I’m not a big fan of Tori Amos’s singing style (I’m sorry 🙁, besides the point though!), so I pulled up the original instead to put on my playlist.

And GUYS. I don’t think “A Nightingale Sang in Berkeley Square” is about them at the Ritz together in the 21st century, or at least not at first…

It’s about this.

“A Nightingale Sang in Berkeley Square” originally came out in 1940 by Vera Lynn, one year before Crowley pulled the most romantic ass stunt Aziraphale had ever seen and, let’s be honest, the vibes uh… changed. I mean there was a reason the rumor of them being an item spread in hell around this time.

And that’s not all, the song was actually meant to be part of a musical, on the West End. The place where they made a fond memory together for the first time in nearly a hundred years, took care of each other, trusted each other. Hell, where Crowley and Aziraphale, both friends of the theatre in different ways, probably heard this song about causing the impossible and falling in love just a year prior for the first time.

Yah so I’ve FULLY drank my own koolaide and completely believe that they already associated this song with each other. Not only saw it as a fond reminder of that night in 1941, but the quiet, gentle reality they might have together someday. But they wouldn’t DARE say that out loud, wouldn’t be ridiculous enough to let themselves hope for it.

I think this was Aziraphale breaking the unspoken rules and acknowledging this thing they share. Him saying “I know, I see you. I hope so too.”

[selineram3421]

🎩

You're Off-key

Prologue

Reader X Gravity Falls

Warnings ⚠

⚠ The Book of Bill SPOILERS HERE! Do NOT read if you don't want any spoils of the book. Other than that, enjoy. -mentions of madness, blood, cryptids, italics= thoughts, ya know..the usual. Oh! And for our old pal Stan, some swear words. ⚠

You missed this.

Being one of the weird kids who loved the supernatural, interested in solving puzzles, uncovering secrets. Of course you ended up watching Gravity Falls.

Never really growing out of it, you'd still watch videos about ghosts or getting a heavy duty flashlight and a pair of brass knuckles for whatever made a noise in your apartment.

Ghost or not, they'd learn not to mess with you!

At some point you got The Book of Bill.

It was so cool! Little funny and silly at times. There was also the triangle's descent into madness. Man those pictures were good.

Also an axolotl?

You don't know but it looked cute.

As you kept reading, the more you wanted to experience everything you didn't get to when you were younger.

So you decided on a road trip!

A road trip to all the places that inspired the creator of the show and the final stop would be Bill's statue!

Best friend in the passenger seat! Sun glasses in the glove boxes! And snacks to last you a while before the next gas station stop!

You even brought a camera!

"Ready for the time of your life?", you asked excitedly.

"In this heat?", your best friend fanned their face with the paper map. "It'll be meh but yeah, I'm ready for the car AC."

You both were in the car, ready to begin the adventure to Oregon, but you were just double checking before it actually began.

"Ok, ok. I'll start the car.", you said and put the key in the ignition, turning it and starting the car.

Immediately putting the AC on high, both of you were ready and you slowly backed out the driveway.

"Let's get that fucking pie!", you said and put on the sun glasses.

It was really bright today.

First you went to the famous diner with the pie. It was a give in, honestly but the pie was really good. Next to the Oregon Vortex. Now that was a really weird shack! Everything was leveled but you were standing slanted a bit. Then you both went to every roadside attraction that you could and got some key chains for souvenirs. It's been really clear weather since you started the road trip, which was a bit of a surprise. It was supposed to sprinkle at some point.

Finally, the last thing on the list arrived.

Playing the song "We'll Meet Again" by Vera Lynn as you drove to the parking area and both of you were singing along to it before you had to turn off the car.

You brought The Book of Bill for fun.

Deciding to joke around, you bought some spaghetti to go and went to park the car before venturing into the woods where Bill's Statue was.

"Are you seriously gonna try it?", your best friend laughed.

"Why not?", you smiled while putting a water bottle in your pack. "It's ok to be silly. Mabel says so. Trust the silliness!"

"Yeah, ok.", they agreed with a smile. "If we get mauled by a bear, I'm sacrificing you first."

.....

"Fair."

Camera, spaghetti, book of Bill, and water! (Also a flashlight.) You were ready for a photo shoot with the oh so famous Dream Demon!

Looking back to see the sun, you guessed that you had about two hours to find Bill's statue before it got too dark. Your best friend had a map they downloaded off the internet that would lead you straight to it. Of course, with you having some attention issues, you'd get sidetracked by anything you found interesting, hence needing the two hours.

⯅

You were right!

The two hours were needed because you were still trying to solve one of the codes in the book, while also getting distracted by some cool looking bugs around the area.

"Did you try the Caesar cipher?", your friend asked.

"Yeah, but this is new. It's something else.", you sighed. "I should have tried the website before leaving.", you grumbled sadly.

"Hey, it's totally fine!", they said and patted your back a few times. "You'll get to do that when we go back home.", then they pointed towards the right with their thumb. "By the way, Bill statue is next to us, over by those bushes."

"WHAT!?", you screeched and ran over, whispering a few ouches as the branches of the bush scratched your legs.

That's when you saw it.

In all of its odd glory was the Bill statue with its hand out, waiting for a hand shake.

"Eeeeee!", you cheered as you got closer, hearing your friend laugh behind you as you did so. "I gotta give him spaghetti!"

Opening up your bag, you took out the take-out box that held the noodley deliciousness and took a quick forkfull for yourself before putting it in front of the stone triangle.

"I really thought you were joking.", says your friend as they watch you take out the book and camera from your backpack.

"Nope!", you smile, snapping a quick picture of the statue with spaghetti. "Ok, now for the silliest part."

You take out Parmesan cheese and a cheese grater.

"Oh this is fucking hilarious.", your best friend says and takes pictures of you with their phone.

The sun hits the horizon and the sky is slowly darkening, you start grating the cheese and when you think it's enough, you stop.

"Hey, take a pic with me shaking his hand.", you say and get closer to the statue, reaching out to touch it.

"Sure thing jellybean.", they say and lift their phone up. "It's my turn after you."

"Ok!", you say and put a thumbs up as you put your other hand on the statue's.

As you look to where your best friend is, all you can see is darkness.

You call their name in confusion. "Are you there?", you ask. "Turn on the flashlight, its really dark out here."

But you get no response.

And then you hear something odd.

Kinda sounds like someone with a weird sound filter over their laughing.

"Ok, ha ha.", you roll your eyes. "Quit playing the Bill audio and take the picture already."

When you try to get a better hold on the statue, you realize you weren't holding anything at all.

"What?", you say and look at your hand. "Wait.. Why can I see my hand perfectly fine when everything else is-"

"Well, well, well!", says a familiar voice from behind you.

What?

Turning around you see a floating, glowing Dorito chip with a fancy bow tie and a top hat.

Holy shit.

"Here we are at last! I've been waiting an eternity to meet you."

How is this happening? Was one of the snacks you ate expired? Did you eat the wrong brownies!?

"Thanks for reading my best seller kid!", Bill says and twirls his cane into existence in his hand. "And for the handshake.", he blinks. Winks?

"Wait, hold on! I-!", you start.

"See you in Gravity Falls!", the triangle snaps his fingers and suddenly there's a hole beneath your feet that reveals a cartoon animated forest.

"Wha-"

"Don't break your neck on the way down!", the one eyed demon waves.

And you begin to fall.

ZKDW D QLFH VXQQB GDV

~Seline, the person.

Part 1

Taglist@

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YO-🎹 | GF List🏞️

[signanothername]

What kind of music do you think the bad sanses listen to

Oooh

Killer absolutely listens to Rock and indie/ alternative rock, such as Sub Urban, Burn the ballroom, Pink Floyd, or (and i’ll die on this hill) Will Wood, or he listens to musicals such as the Epic Musical, Ride the Cyclone Musical and the Miracle Musical (he absolutely listens to Jojo’s bizarre adventure music too chchch)

Nightmare either listens to classical music like a basic bitch or listens to beautiful old jazz gems like “what a wonderful world” and “La vie en rose” by Louis Armstrong, “we’ll meet again” by Vera lynn, “Heartaches” by Al Bowlly, “put on your Sunday clothes” by Barbra Streisand, or “I’ll never smile again” by Tommy Drosey

I like to think Dust loves listening to those Alternative/indie nostalgic yet somewhat creepy quiet music such as “Repressed” by i don’t like mirrors, and “Goodnight dad I love you” by Wishing, and “you smell like dead flowers” by vslush_, either that or he listens to Korean songs such as “Villain” by Stella Jang, and “Drunk-Dazed” by ENHYPEN

Horror absolutely listens to Pop music!! But not any Pop groups/artists, cause he absolutely listens to masters like Abba and Michael Jackson, i can imagine him listening to songs like “Crucified” by Army of Lovers, “Lay your love on me” by Abba and “Virtual Insanity” by Jamiroquai

As for Error, he’s absolutely the type that just listens to his fave shows’ OSTs, but a headcanon i have that I’ll forever hold on to is the fact Error doesn’t listen to music at all <3333

[cntloup]

We'll meet again

Fem!Reader slight angst, fluff, pregnancy

You saunter around on the warm hardwood floor, spinning softly to the sound of the music emitting from the record player.

We'll meet again, Don't know where, Don't know when, But I know we'll meet again some sunny day

The sun shines through the white curtains, filling the room with its golden light and warmth, creating a cozy atmosphere. You hold the daisies that you picked from the garden this morning in one hand and put the other one on your 6-month-pregnant belly, rubbing gently as you let out a sigh and try not to think about it. You begin humming the tune while putting the flowers in a vase.

Keep smiling through, Just like you always do, 'Til the blue skies chase those dark clouds far away

You continue moving delicately feeling the light ridges and grooves against your bare feet, completely unaware of the presence of your husband who’s leaning against the doorway, watching you with pure love and adoration in his eyes. As soon as your eyes land on him mid-spin, a loud gasp leaves your mouth “Si!”. He makes his way towards you with a faint smile on his scarred lips, cups your face gently in his hands and captures your lips in a passionate yet tender kiss without hesitation. It's bittersweet, full of love, yearning and pleas of 'be careful' and 'come back' as he's about to leave for a two-month deployment. One of his hands starts moving downwards to your lower back, softly caressing the skin of your neck and brushing faintly against your shoulder on its way, lips moving smoothly against yours until you’re both out of breath. You slowly pull away, staring into each other’s eyes adoringly for a while. He presses his lips to your forehead then gets down on his knees to place a loving kiss on your belly and rests his forehead there for a moment. Tears start to form in your eyes. He stands on his feet, wipes the tears that rolled down your cheeks, "I will come back, lovie. I promise." he mutters as he kisses your tear-stained cheeks and places his hands on your hips and rests his chin on your shoulder. You both start swaying and humming the song together.

And I will just say hello, To the folks that you know, Tell them you won't be long, They'll be happy to know, That as I saw you go, You were singing this song

comments/reblogs are greatly appreciated ♥ 

[ckret2]

i’m admittedly obsessed with music/have music as a special interest so this question has been on my mind for quite some time now - if Bill (from your goldilocks fanfic) were to listen to any music, or have any particular music taste, what would it be? Any particular songs in mind that he likes? ( <—totally not looking for more/new songs to listen to hahahahaha…sweats)

half of me thinks he’d like 40s/50’s/60’s music (thanks to the vera lynn reference in the fic, but also bc he sings it in-show), but the other half of me wants him to like musicals (heathers, in particular) - i can’t explain why lol

alternatively, if you’ve answered smth like this already, i’d love to know what songs you enjoy/listen to!

Have a post about his tastes and a hideous-sounding playlist! And it even held up in the face of TBOB.

The only difference in my headcanons is that I said the peak of his his tastes centers on the 60s and I subsequently found an interview where Alex confirms Bill's tastes do indeed range from about 40s~60s; but I just got out of another fandom where everyone headcanoned a character is into 40s music ranging into the 50s and I'm pretty burnt out on The Most Popular 40s Jazz That Everybody And Their Grandma Knows so I still personally prefer to focus on the 50s for him lmao.

In fic he makes a reference to a band called Mysterious Mo's Average Joes; I imagine them as an in universe equivalent to Question Mark & the Mysterians, except more obscure.

Specific to my headcanoned music tastes of Bill from my fic rather than just Bill in general: coming in his tastes are all the same, but hanging around Mabel has given him an expanded palate for boy band music and kids music, although on the boy band front he prefers dance-y songs over ballad-y songs and on the kids music front he has to steer through a minefield of cheaply-produced 80s cartoons that use synthesized music to save cost on an orchestra.

So far, nothing else has happened to change his tastes.

Although eventually Robbie's introducing him to emo.

I listen to too much music for the question "what songs do you listen to," it's like asking "what words do you use" lmao, lemme look at my recent activity. Lately I've been getting into She Hates Emotion and the new albums by Zeal & Ardor and Fleshgod Apocalypse; I've been slacking in my metal education on learning the difference between black metal and death metal (I usually focus on symphonic metal & neighboring genres) so I'm looping back to the basics to learn more there; big fan of Saltatio Mortis's new album; I've been listening to the deeper cuts & newer material of mainstream early 00s alt rock & nu metal bands (Shinedown, Stone Sour, Staind) to see what I've been missing out on beyond their radio hits; and in general the past few months I've been trawling through playlists of classic 80s goth, dark wave, synth pop, & aggrotech to expand my library there. Very excited for the new Linkin Park lineup, love their new vocalist so far and it's heartening to see them releasing new material. Not so excited by the new Nightwish album, it has the nightwish sound but not the spark. This isn't even an accurate representation of my full musical tastes, I've just been really into metal recently. Current favorite bands of the last few years are Alt-J and Ghost. I listed some of my favorite albums on this post. It's too bad you can't just link your Spotify liked songs without sticking them all in a separate playlist—oh hold on I have a songs I can sing playlist, it's perpetually incomplete on top of being 3-4 years out of date but it's a starting point.

[tonydaddingham]

i did not break my own heart last night thinking about the missing 1941 scene and have it sat in my brain all of today spinning around like a fucking microwave in order to not make you lot suffer with me. and i somehow feel i may be right about this so buckle up and lets break it down.

so yes, following on from this post, i think that there is going to be a third 1941 scene. twice is a coincidence, three times is a pattern. it's been literally set up like that by even bringing back 1941 into s2 in the first place. but we're missing a crucial detail because it does not - at all, really - explain how they went from evading danger from hell and having a cosy candlelit bottle of red to celebrate, to the bastard 1967 scene. we all know this, this is nothing new.

the symbolism of nightingales is probably going to cast a shadow on this. these two excellent analyses look at the meaning of nightingales in the context of R&J, and the relation that the song has to this point in time, respectively. in summary; it's a song that should be around in 1941 courtesy of vera lynn and others, and the nightingale itself carries the meaning of love being hidden and forbidden by way of it singing under the cover of darkness, before being replaced with reality and soberness - represented by the lark. the Dinner of '41 scene is set in the bookshop at night; this would parallel - that they are safe and concealed, and truths can be shared, but the writing is on the wall that stepping outside would be to shatter the illusion, so to speak. it might be that the song itself gets miracled up onto the record player, or a wireless lying about - whatever. note: i don't think they'll dance though, not given crowley in ep5, "you don't dance"... but then again, if there ISNT a kiss in s3-1941, an aborted dance seems like the next best option... the cowardly one, but i'll take it

this would also track with aziraphale having his epiphany after the church in s1-1941; specifically, in my eyes, that he doesn't necessarily just realise he loves crowley, but that crowley by way of saving his books loves him too. this is only supported by the whole of the s2-1941 scene of trusting in each other as the only way to pull off the trick, the subterfuge. this is then, again, also important in the context of what i think happens in s3-1941.

i do think aziraphale is going to bring the books up again, and what crowley did, because it needs to be addressed. the Nazis/furfur confrontation has scared him, regardless of whether he saved them both, more than he realised. its put things into startling perspective. i think he's going to bring up the books, and actually question crowley a little more as to why he did it. the repeated use of, and subsequent weird reaction crowley has to, the use of the term "friend" in s2-1941 would indicate that this is going to be a focal point in s3-1941. are they just friends? is crowley disappointed that aziraphale is still referring to him as that, after what he did? 'saving' aziraphale in the church, and then saving his books? or is aziraphale just saying 'friends' so hesitantly in both instances because he's not completely sure where crowley stands?

we as the audience know the answer to this, but they obviously do not. if one of the crucial themes of s3 is going to be resolving miscommunication, it makes sense for this scene to be the first, and last, time they communicate properly... at least, until they sort out the issues that culminated in the Final Fifteen.

so let's say they start getting into a very roundabout way of discussing what they mean to each other. there will need to be the sobering, ice-water-over-the-head realisation however, as s2-1941 demonstrated, that they cannot belong to each other, because they manifestly belong to heaven and hell respectively. crowley is still being spied on, and it firmly places aziraphale in their line of sight too. it's going to bring up the holy water discussion; why crowley asked for it - to protect himself, whether by taking out demons or taking out himself, as long as it means he - and most importantly, aziraphale - does not get hurt.

they actively confess that they want to be together, in a way that is more than they are now. aziraphale wants to, but says that they can't, because it's too dangerous. crowley suggests that no one ever has to know, they can hide it (there, in the bookshop, whilst the nightingale is singing), and even if they are found out, they can run. "hell won't just be angry; they'll destroy you..." // "no one ever has to know".

aziraphale doesn't want to have to hide it, doesn't want a halfway measure- is still thinking in black and white. crowley however thinks that something is better than nothing - thinking in the grey. but ultimately, as long as they are still shackled, they cannot do what they want, and it puts the other in danger. "surely the great thing about being a demon is that you can do whatever you want" // "you sound jealous, angel...". instead, aziraphale promises that the day that they are no longer tied to heaven or hell, they can be together; crowley scoffs, thinking that that will never happen, so they will never happen, "you're so clever! how can someone as clever as you be so stupid?!"

the reason they can't right now is because they could be caught. they would have to skulk around, be ashamed, feel guilty - and aziraphale is tired of feeling like that. because only having crowley in secret would hurt more. not being able hold his hand, or dance with him, or kiss him, unless it was in the bookshop. if hell were to find out, crowley would be killed, true, but if heaven were to find out, aziraphale could be cast out. and if crowley survived hell long enough to see aziraphale fall - he'd never forgive himself, and in a way, i don't think he'd ever forgive aziraphale either.

it's tearing them to pieces, but they have to stop whatever is happening between them in its tracks. it's acknowledged, but it's not named. this gives them plausible deniability; if they called it 'love', it would be undeniable. so, aziraphale asks for crowley to go; asks him to leave before they do something they can't come back from. crowley doesn't listen - crowds him, gets in close, and aziraphale is powerless to stop it. doesn't want to stop it. he's selfish by nature, a selfless kind of selfishness, but he wants this with all his being. and then - "this is too fast, crowley, please don't..." // "im sorry, angel. please... please, forgive me". aziraphale never gets to answer, to grant him that, because boom - the actual first kiss.

so. now that i've had to make you read that, i'm going in for the kill. let's look at everything that follows - and look at how the above might recontextualise it.

1967: the offer of the picnic, the Ritz? ie. the literal lyrics of berkeley square? aziraphale has caved in the interest of giving crowley a weapon to use if all else fails, to protect him, but that's as far as he's willing to progress. everything else is still too painful; he's on the brink of tears, promising that one day they'll be able to do what they want, to be open about how they feel, but not yet. they can't. crowley tries to push, "ill give you a lift, anywhere you want to go..." (him offering again to run away? a second chance to leg it?), and aziraphale reminding him that they can't, he can't... don't make him go too fast again, it's not fair. it also sets up perfectly that aziraphale and crowley don't speak for the next 40 or so years (as far as we're aware) until armageddon is threatened.

bandstand: mostly this is still centred around the apocalypse contextually, but i think with the above hypothetical scene in mind (the offer to hide, to run away, to be together), aziraphale is sent back to remembering their mutual confession that they've nonverbally agreed not to bring up, because it's not safe, and it's too painful. they've skirted around it, and returned instead to a tentative kind of friendship at the beginning of s1, but they're still not safe to address why seeing each other again, being so close to each other and not being able to touch is so painful. anyway - aziraphale refuses their side, but the above scene would re-view this as 'our side can't exist yet, you know this! you know why it can't!', and crowley leaves, again after pushing a bit more than aziraphale can stand.

alpha centauri: basically a facsimile of the above; same steps, same dance. but this time, crowley harks back to aziraphale's foolish (?) hope that they will be together, without having to run away, when the day comes that they don't have to answer to heaven or hell. and aziraphale smacks him right back, echoing crowley asking for aziraphale's forgiveness in kissing him, "i forgive you." crowley knows exactly what aziraphale is getting at, there - he's answering crowley's whispered plea to forgive him for pushing, for trying to force him, for acting in desperation. but he's also not answering that - he's skirting around that very thing, forgiving him like a knife would, slicing back at crowley for not only insulting aziraphale on something that is likely a genuine insecurity of his, but also putting him back in his place, for their safeties, because them being together just cannot happen. not yet.

and "please forgive me" in 1941 might seem out of character, but idk if it is; crowley knows that doing what he's about to do will hurt aziraphale, aziraphale has (hypothetically) told him as much, but he needs to do it - and seeks not benevolence or forgiveness as crowley-the-demon, but actually seems aziraphale's forgiveness, as crowley-the-person. the echo would certainly match the tone given here, in multiple ways:

the ritz: i mean, what is there to say? yes, their song is literally playing on the piano, and heralds the shift in their being out from heaven and hell, the day has finally come where they can - again, going by this entirely hypothetical scene that ive concocted - actually be together as they want to. and the nightingale literally singing outside, but as @shoemakerobstetrician beautifully pointed out, god remarks that it's covered up by traffic. so actually, if we again refer back to R&J interpretation of the nightingale, the love is still hidden, still somewhat under wraps, but can only just about be heard over the noise of the streets outside. the prohibition of them being together, of loving each other, is dwindling. and one day, it'll stop singing altogether. that day is coming, it will come, and then they can do what they please. so whilst the ritz scene may well be a mark of them starting the next chapter, it's slow to take hold, there's still hesitancy - which absolutely makes sense when we see that they are still very tentative with each other come the beginning of s2.

s2 general: aziraphale realises their freedom first; he gets excited by the dance, and being able to show his love to crowley, completely and without barriers, in the form of the ball - what he has read to be the best way to do so. he touches crowley more. he shares his bookshop with him, gifts it to crowley as being his as well as aziraphale's, this safe space that is so wholly theirs that crowley has the power to grant entry. the same with the bentley - aziraphale sees it as theirs, and crowley silently agrees, granting aziraphale the same power. crowley is comfortable in the bookshop to remove his glasses, has a place for them. the bookshop becomes tidier, more minimalist, to make crowley more comfortable in it (it is more cluttered in s1, im certain of it). it might just be the grading between s1 and s2, and lack of clutter, but the yellow is more prominent - his literal favourite colour. everything just screams that aziraphale is ready to make good on his promise from s3-1941.

crowley... for once, is the one not quite catching up. not realising the little dates here and there are literally poses them as a couple (although yes, the coffee shop one is to prep crowley for the goob jumpscare), that aziraphale has granted him the power to grant entry. aziraphale literally asking, practically begging, crowley to help him hide goob. the mf colour of the walls. the colour of the bentley. it's not until nina outright asks him if they are together that he realises how careless they've been - but wait, is it careless if they have nothing to be careful of? well, arguably crowley does, hell are still hanging around him like a bad smell... but this is what he wanted! this is what he was pushing aziraphale for! so, does he risk it? he's not sure, but he's certainly realising that aziraphale is ready, if nothing else. and by the time the ladies stage their little intervention, crowley finally realises that the confession he started in 1941 now can be fully aired, can come out into the open.

the Feral Domestic: *fingers at temples* i know i have been fairly vocal about my interpretation of this scene, and frankly - until we get this hypothetical s3-1941 scene, i stand by it - but let's say this speculation about the scene is true, and re-examine the key points in the Final Fifteen that would completely turn on their heads in terms of meaning:

literally, harking back full circle to what aziraphale promised in 1967 as what they would do when they could fully acknowledge their love, and what they did as soon as - on paper - they were free at the end of s1. this is however before he's spoken to by nina and maggie, so maybe this is what crowley was planning in terms of confessing fully to aziraphale, but after their meddling he realised that yes, they need to actually talk about it again. he doesn't understand why they're telling him what they are - because he's existed so long in gestures and gifts and not talking, literally dismissed it now as a viable option, that it doesn't even occur to him to try talking again.

which is why he does something brave, and tries to tell aziraphale instead (say it out loud, make it undeniable, put a name to it, "i love you", something that i think was crowley's actual intention before aziraphale interrupts him) when he comes back to the shop... he's so nervous, because it's vulnerable, and because the last time he did, they ended up hiding for 50-ish years.

next up:

now, im reluctant to think that aziraphale lied in the Feral Domestic, because i do think the key thing at work is his paramount need to do the Right Thing (ie. make a difference in heaven). whilst metatron obviously manipulates him, im not entirely convinced that aziraphale wholly sees through it. i don't think he knew that metatron was up to something, i think the shaking off of this naivety is going to be part of his s3 character development. but this sentence - again, especially in context of the hypothetical s3-1941 scene - must on some level frighten him. especially if you take this meta into account, aziraphale must realise at least that they were never safe, even when they were denying what they were and how they felt, it didn't make a bit of difference. now, metatron could have just been talking about the arrangement, not referring to any romantic elements of any kind, but the threat of it? no wonder he pushes for crowley to join him in heaven; he could keep crowley safe there. they could be together, and heaven - in his eyes - would be able to say a word against it.

then:

the fear sets in; crowley was too late in telling him, acknowledging that they could be together, realising what aziraphale was saying to him without words, and now heaven has come for him. plonked them right back where they were in s2-1941, but perversely mirrored; instead of hell coming for crowley with violence, heaven came for aziraphale with kindness. crowley doesn't have a magic trick he can just do on the fly, perform it perfectly when the need for it is greatest, and has to cling to the hope that aziraphale still sees them as the barrier to them, the reason they can't be together. and in true miscommunication fashion, i think aziraphale does see it, but what metatron said lingers, and in addition to being inside the institution, changing it from the inside out, in order to make a difference... he knows that whilst it's exactly the opposite of what they wanted, he needs to make them safe. better to be inside the tent pissing out, than outside the tent pissing in.

but aziraphale doesn't tell crowley what metatron said, because instead he either deliberately tries to deny the implications of it (cognitive dissonance king behaviour), or he doesn't want to panic crowley and is trying to convey to crowley that he can't speak his concerns, not when the metatron could still be watching, and instead just needs crowley to trust him, take his hand, and join him in heaven where they can be safe. doesn't tell crowley that heaven hasn't captured him in shackles again, but he's willingly held out his wrists because it's the safest thing for him, and them, to do.

so it's one thing to look at what crowley's saying, but aziraphale's reaction? before, i just found it to be out of confusion, him not really understanding what crowley was saying, but tbh i never paid much attention to it (david stole this bit of the scene - not to put down my beloved michael here, but he did). and i know others have remarked here that aziraphale is flitting his eyes to the window and looks scared and stressed, but i don't completely think that its because he's scared that metatron is watching (although, now, i will accept with the rug thing and hypothetical s3-1941 in context it is definitely playing a part), but also because he's just starting to recognise that this is a repeat of the s3-1941 scene, "this sounds familiar, we've been here before... oh, we've definitely been here before... oh shit. i still can't do this, not unless he comes with me. we still can't be together, not in the way crowley wants. the way he's trying again, now, to ask for."

but the issue is: crowley wants to run away together. again. and i totally get why, but once again, going back to 1941: it's exactly the solution that will not work. they cannot run from this. heaven, and hell, will find them. they will come for them. it wasn't an option in 1941, it wasn't an option in 2019, and it isn't an option in 2023. aziraphale begins shaking his head - crowley is confessing, but a) aziraphale doesn't run from things, it isnt in his character, and b) it's just putting them back where they started - something that they have to hide. it defeats the purpose.

and this? yeah, im sure on neither side it was meant the way im about to interpret it, more of an unspoken thing, idk... but if the bookshop is indeed their place of safety, and is where they (as far as crowley sees it) can speak and keep their love, it makes sense that crowley is telling aziraphale he needs to stay. the bookshop can be interpreted so many ways - it represents their relationship, or that crowley means him, himself - but what if we looked at it like crowley is trying now to covet it, because it's protecting them? what if he's saying, "well, if you won't run away with me, we can't be free to have our relationship as we wanted it, not unless we stay here... heaven has come for you, has come for us, and whilst they're here we can't move. so what other option is left remain in this bookshop? to never leave it, and what we have inside it, because there's no other option in which we can be together if you won't run with me."

and what if aziraphale is saying, "no, i have an option, and that's to be together in heaven! they won't be able to do anything, not when im in the position the metatron has offered me, that can be our new bookshop... nothing lasts forever - this bookshop won't last forever, it's compromised, and we can't continue to secret away what we feel inside it, it's time to move forward."

welcome to the line that breaks my heart the most in this whole goddamn scene - and tbh i think is fairly self-explanatory in the hypothetical s3-1941 context. that aziraphale is trying, once again, to tell crowley that he is offering himself, letting them be an 'us', as crowley says shortly after - that before he couldnt do it, and these arent the best of circumstances, but they can finally do it and not have to hide in the bookshop. but crowley reminds him, "hey, i was in your shoes, remember. i wanted us to be together then, and you told me you couldn't, didn't want a halfway measure - well, now i don't either. and this will be a halfway measure, because i don't think us being together in heaven is going to go the way you hope it will. i understand a whole lot better than you do." in any case, it would explain why aziraphale choses this moment to look so devastated. this is what he promised crowley, but now crowley - to his mind, in the things left Unsaid - doesn't want it... him.

and then... back to the nightingales. they're not singing at all, not even under the rumble of traffic, like they were at the Ritz. they're completely absent - day has broken, the things unspoken have now been said, and there's no denying them anymore. from crowley's point of view, there was nothing to stop them this time, but if aziraphale won't run with him, then they have to go separate ways, because there is no other way. aziraphale knows there's the possibility that the only place they could actually be safe is heaven itself, that the bookshop was never as safe as they hoped it had been, but that crowley might actually come to see that. but the fact that crowley is resigned to just... returning to 'reality', to a world that's still turning where they aren't together? despite everything they've just said? "we could've been... us." well, that hurts.

and then... the kiss. now. im still of the mind that the kiss was an Issue. i definitely think it was meant out of love and desperation, and out of possibly being a goodbye. this would echo the hypothetical s3-1941 kiss... but it was hurtful. it was abrupt, and harsh, and not at all romantic (imo). it was possessive, and almost cruel. i do think still it was a last ditch attempt, a temptation, to get aziraphale to change his mind, before crowley leaves the shop and returns to the 'real world'. but it hurts aziraphale in many different ways - but with 1941 put in there, too? crowley is just testing his resolve, trying to push him, come around to giving in. crowley asked him to forgive him the last time he kissed aziraphale, and this time - this time, aziraphale is giving him what he asked for.

[lightyaoigami]

sharing my writing playlist for my piece in @lawlightzine ∴ pre-order your copy of conviction at lawlightzine.bigcartel.com & read my preview here~

yumeji's theme ∴ shigeru umebayashi

i wanna be yours ∴ arctic monkeys ∴ i wanna be your setting lotion, hold your hair in deep devotion

wicked game ∴ chris isaak ∴ what a wicked thing to do, to let me dream of you

memoria ∴ indochine ∴ je te retrouverai comme tu étais, je te retrouverai comme si rien n'avait changé

you're the one ∴ the vogues ∴ since i met you, i just can't forget you, i love you more each day

tessellate ∴ alt-j ∴ triangles are my favorite shape, three points where two lines meet

i need you ∴ steve beddall ∴ i need this fantasy, so i can recognize what's hidden from me

when i'm small ∴ phantogram ∴ bring me to the fire, throw me in the flame, so show me love

i can't handle change ∴ roar ∴ i can't help but repeat myself, i know it's not your fault, still lately i begin to shake for no reason at all

bag of bones ∴ mitski ∴ mercy on me, would you please spare me tonight? i'm tired of this searching, would you let me let go?

end of the world ∴ skeeter davis ∴ i can't understand, no i can't understand how life goes on the way it does

pink in the night ∴ mitski ∴ i know i've kissed you before but i didn't do it right, can i try again, try again, try again?

dreams tonite ∴ alvvays ∴ if i saw you on the street, would i have you in my dreams tonight?

space song ∴ beach house ∴ tender is the night for a broken heart, who will dry your eyes when it falls apart?

end of the world ∴ remy bond ∴ why am i so nostalgic for the now, if only i’m dreaming?

we'll meet again ∴ vera lynn ∴ we'll meet again, don't know where, don't know when, but i know we'll meet again some sunny day

[sanders-sides-uncorrect-quotes]

List of songs that make me think of the dark sides: (will be added to, also most will be angsty and some may be disturbing)

The Mind Electric by Miracle Musical

Blow My Brains Out by Tikkle Me

Donut Hole by Hachi

From A Place Of Love by Mili (from Library of Ruina)

We'll Meet Again by Vera Lynn

Harpy Hare by Yaelokre

Christmas Kids by ROAR

Just Take My Wallet by Jack Stauber

Want You Gone from Portal 2

Love Like You from Steven Universe

The Other Side Of Paradise by Glass Animals

Dramaturgy by Eve

Turn The Lights Off by Tally Hall

Never Be Alone by Shadrow (yes the fnaf 4 fansong, it fits ok-)

Two Birds by Regina Spektor (y'all remember that one animatic with this song? Changed my brain chemistry)

[haveyoureadthisfanfic]

Summary: WW2 AU. Feliciano Vargas is a passionate, if slightly scared, Italian resistance member. Falling in love with a German fighter pilot was the last thing he expected... and it will test his national loyalty, and his heart, to their limits.

Author: George deValier

Note from submitter: Link is to a reupload/archive, as the original ff.net account was deleted somewhere around 2019. Probably the most famous/notorious Hetalia fic, written by much beloved fandom writer George deValier, as part of a larger WW2 AU known collectively as the Veraverse due to being based around songs by Vera Lynn. The mysterious account deletion after years of inactivity probably only added to the mythos.  It was absolutely the kind of fic you'd find scattered references to in the most random corners of the internet back in the heyday of the Hetalia fandom, with all the dramatics you'd expect to follow. 

[vampirevatican]

Heart Don't Stand a Chance

a record player starts, and the countess opens a book. “tonight, you'll hear the tale of two strangers growing closer. i hope you enjoy, delulutober!”

pairing - hobie brown x black! fem reader

genre/tags - MDNI, friends to lovers, unrequited/unconfessed love, smoking weed, extremely touch starved/cuddly but "we're just friends", smut, oral, groping, p in v sex, mating press, foreplay, teasing

summary - he talked you up from the club all the way to your place. you shared blunts, thoughts, and feelings, but somewhere along that road from strangers to friends something started to grow.

notes - 2.5k words, i heard this song. i thought about hobie bc as chill as he is, he carries himself like he's hot shit and even with that there is a depth to him. attempt at his british slang pattern, or bbe (black british english)... mighta blew my best work in the first half, ye.

Tonight was a clubbing kind of night. After the week you had it was crucial to go out looking the baddest and having a night on the town. You couldn't get carried away on drinks, had to drive yourself home, and didn't feel like dealing with ignorant men trying to get you wasted. Infact, you weren't gonna tolerate any nigga that tried to shoot his shot tonight. Yes you were the finest thing out here but that didn't mean you had to suffer their bullshit. Then he showed up, tall, dark and handsome.

"Hey there peng ting," and his voice, "thought I could chirps you for a bit." You let him, but find yourself rolling your eyes. "Alright boy, what's ya name?" You take the bait and with that cute accent of his he says, "Hobie, Hobie Brown. Yours?" Your heart, or something else, was already dead set on how hot he is and if the conversation went nice this exception would be worth it. It was, because he spent that night just talking to you. Sure he flirted but it felt more like a teasing banter than him being desperate for you to be in his bed.

He would've been drinking but decided to hold off for you, "Who needs Vera Lynn, when you're here, I'm already bein' entertained." You laughed and he swore he'd never hear a more beautiful sound. "So where's your ends, would've spotted a pretty bird like you a while ago." Hobie could feel that you were trying to stay guarded but you hadn't pushed him away or backed off. "Islington," She answered and took a sip of her drink with those shiny lips, "From outta the country for a bit. Call it a vacation and business trip." Her voice was like music to his ears and he couldn't get enough, "Ah, you're my neighbor then. Islington a straight shot to London, innit? If you're doing business, what's your business here then?" Basic small talk but he had gotten all the info he needed out of you then and there. Name, Occupation, Intrests and a couple other base line things along with hearing that lovely laugh.

It was far too long for the both of you to have felt such a spark and comfortability between another person. Sure he had his 'bredrin' but something about this was different, it was like there was more to it. The night flew by and even though the club was packed it felt like it was just you and him.

"So you usually frequent pubs like this?" You asked him and he simply shrugged, "A bit of a pass time. I see you've caught up with some of the slang, what do you get up to?" The conversation stayed like this, shooting questions back at each other, "When I ain't busy, I stick to my own. Foreign place and I'm not trying to get in no rubble." Occasionally flirting, "You're looking dench, ya always dress that sharp or is it just for me?" You ask and he compliments you right back. "Got pretty nice garms yourself. If you want it to be just for you, go ahead." He said, not shooting down your advances either.

With a drink or two, low in alcohol, for the both of you he offered to take this night out on the town with him as an escort. Both of you leaning against the bar and looking out at the sea of people he leaned down next to you and said, "Like a suitcase in here. Should head on out if we want the privacy." Something about that didn't sound like a terrible idea, so you agreed and let him hitch a ride in your car. Sharing playlists together on the ride back to your place, since he didn't really mind where he woke up and unbeknownst to you he was looking out for your comfortability and safety.

That was your first night in the UK you didn't spend alone. Yeah you had made some friends over here and sometimes there were sleepovers that consisted of binging shows, doing each other's hair or makeup. Some indoors and sometimes outdoors fun, but this was vastly different. His fine, lanky ass was waltzing through your apartment like he owned the place before plopping down dead center on the couch. Man spreading and arms outstretched on the back of the couch.

"What?" Hobie simply asked when he caught you staring. It wasn't like he minded it, infact he thought it was cute and it gave him time to stare when those pretty brown eyes focused somewhere else. It felt like you were tracing the outline of his body, sketching down the details instead of stripping him bare. " 's rude to stare, leng." He said, propping his hands behind his head and putting his boots on the coffee table, closing his eyes for a second before catching your gaze to see you try and hold back a smile as you rolled your eyes and shook your head. "You're bare brown, a damn mess." The way she mixed his slang and hers was cute too, 'We should mix like that...' he thought but shook it off as he picked up the remote to put something on the TV. Meanwhile in your room you decided to go ahead and unwind because, you're back home, it's late, and you'll be damned if you don't wash your face and get into something comfortable.

Hearing your footsteps he didn't even turn his head to address you at first, "Almost thought you'd leave me he-" He was cut off by a huge bonnet smacking him in the face. "Dumbass, it's my flat and if you spending the night; like i expect you to," you said muttering that one bit of expectations, "then put that on, no need to fuck up those nice locs when we skin folk." He obliged and felt you settle in beside him. It couldn't have been the drinks, so it had to be genuine, because looking at you in your bonnet and a huge sleep shirt was enough to make his heart skip a beat. She was definitely still leng without the makeup, fancy dress or accessories. "A bit rude to stare, innit?" and that beautiful voice.

Since that night you two have had smoke and jam seshes, movie nights, youtube, and streaming binges. You had gotten his number and address and would swing by anytime you could if he couldn't because you were 'neighbors'. Some nights he'd stay and spend some of the morning with you, and vice versa. Other times he had other things to do and so did you, or was it being petty? You weren't sure and couldn't quite understand it either. Though thinking on the nights before, as the sun rose, whenever you got in the shower or took a bath it felt like washing off glitter. Cleaning off the sparkle and shine his very presence filled you with, it was like any other mundane task and life returned to normal, until he came along again. Nights of watching some thing and laying your head on his shoulder, laying down in his lap, being held in his arms. Flopping down on your bed you let out the biggest sigh. If you loved him, it would be too much to handle. He couldn't feel the same way back, he's just really comfortable with you, right?

Tonight was just like any other night but the days before weren't. Each morning or late-night goodbye was reconciling with the thought of something more. Hobie couldn't get you out of his mind and every time you hung out he couldn't stop overthinking exactly what you thought of him. If it wasn't that it was focusing on you. How your soft brown skin felt against him, how you looked up at him, your lips either glossed over or baren, the shape of your body, the way you got more and more comfortable with him. Your head on his shoulder and watching the TV as you both commentated over a show you've seen more than once now. "Hobie?" your voice pulled him out of the trance you had always put him in, though the thoughts of fucking you didn't stop and they were just stronger now with you being so close. "You wanna take a hit or nah?" He could only nod and took the blunt from you, 'I am... way too horny to talk to this woman right now...' This was definitely true but from your perspective, it seemed like any other day, until you went to lay your head on his lap, and in an instant you were sitting on his lap.

You could feel just how hard he was through his sweatpants and now you were both just staring at each other. Brown eyes locked in a staring contest, waiting for a first move while drowning in each other's gaze. His hands slide up and down your sides and settle at your hips and you feel a shiver down your spine. "H...hobs," your voice was like a whisper as he got closer to you, "Yeah?" He broke his stare by looking at your slightly parted lips, and without another word, he kissed you. His kiss trails from your lips to your neck as he makes a low groan from you rocking your hips and wiggling ever so slightly. His hips slightly buck upwards as a whine leaks out from his lips, while he nuzzles your neck and whispers, "This has been on my mind, all day." Both of your grinding stops for a moment as your hands go to cup his face and force him to look at you directly. "Hobie, if you feel the way that I feel... then I trust you." With those words, he felt instant encouragement and a softness in his heart. He kissed you once more, just as passionately but it felt more intimate instead of heated.

Squeezing your hips and caressing your thighs brought the both of you back to your previous activities, and you continued to rub upon his grey sweatpants that had started this mess. Breaking the kiss once more, you rest your forehead on his shoulder and moan out to him. "Hobie, please... more." His hands were playing with the waistband of your shorts and hearing your plea he pulled them down, along with your panties, with your help. Now, straddling him you go to pull at his sweatpants, "Closed mouths don't get fed, if you want me to join ya just say so." He teased and you rolled your eyes, getting up off of him and then getting on your knees as you pulled off his sweatpants. His cock sprung out and you licked your lips, he could've sworn his heart skipped a beat. Stroking him and kissing up and down his shaft, maintaining eye contact you tease him back, "Hm? What is it Hobie, did you want more." You say before licking slowly from the base and up to his tip, feeling his hips shudder and another whine escape his lips. He didn't need to ask, feeling your mouth take him in before he could say anything. His hands gripping the couch cushion he was sitting on as you sucked him off, stopping for a moment and taking one of his hands and placing it on your twists. "You can touch, like I said I trust you." Feeling the long twists in his hands and stroking your head he smiled, "Thank you." Taking his length back into your mouth you hummed in approval, continuing where you left off.

Just as he was about to cum you stopped and he let out a laugh and groan, "What now baby?" Hearing that pet name made your heart soar as you stood up and sat on his lap again, taking off your shirt and bra, back pressed to his chest as you rested your head on his shoulder again. "You're either gonna fuck me hard or reciprocate, Id like both though." Your breath against his ear gave him goosebumps, and he swallowed hard. His hard-on slightly twitched from your words and you slid your slit up and down his shaft, the slick spreading across him.

Without saying a word he started to rub circles into your clit, the right amount of pressure that made you hips chase his hand while still grinding on him. His other hand made it's way to one of your tits as he kissed and licked at you neck. Your moans filled the room and after enough foreplay you guided him into your hole and started to ride him. Hips rolling back and forth as he thrusted upwards and kept you steady on him by holding your hips.

In the moment you turn to look at him and his gaze was focused on where you swallowed him whole, he looked as entranced as any other time you caught him just looking at you. You whisper in his ear, "You fit so good inside, filling me up just rig-ht!" Your voice becomes a slight screm of surprise as he turns you around and picks you up, standing, with him still inside. Feeling you clench around him he chuckles and you drop your head on his shoulder. "Aw, you were close huh?" He coos to you as he moves to your bedroom and lays you down on the bed. When he slides himself out you can't help but let out the most desperate whine, but it's then replaced with some silence as you feel him lift your legs. Knees pressed to you shoulders,"Don't worry, gonna fill you right up again." Your heart beat quickens and your skin feels so hot that only standing in a freezer could cool you down, after hearing those words against your ear. He slams himself back in and sit for a second drinkng in your loud scream and you falling apart on his cock. He then rode you through the mid point of your orgasm, riling you up all over again.

You woke up the next morning with him by your side, your limbs tangled with eachother. Neither of you left eachother that morning and when he had to go he kissed your forehead. The next week that followed was radio silence on both ends and from that night you couldn't deny it anymore. It was more than just the sex, it was his prescene alone in any context that put you on cloud nine. A feeling like this was few and far inbetween and you couldn't resist when he offered to hang out again, this time at his house boat.

Laying side by side on his mattress, looking at the stars through the sun roof, you didn't cuddle up to him like you usually did. "What's wrong?" He simply asked and you looked over to find his gaze lazer focused on you. "You love me right?" Is all you could manage, word vomit, a ridiculous question but he didn't think of it as such. Pulling you closer to him as he wrapped his arms around you and stroked your hair, still in those long and pretty twists. "Of course I do, and I promise I ain't going no where."

[connorsnothereeither]

If you had to pick one song for each of your characters from their official playlist to describe them, what songs would they be?

God this is a way harder question to answer than I expected because it’s harder to narrow down than I thought-

Ulysses song, with what his story became, would probably be Never Love an Anchor by the Crane Wives. It’s THE Ulysses and Aax song in my mind, and it’s one of the first songs I think of when I think back on him as a character. However I will say that honourable mention prior to those reveals, Heaven’s Gate by Amélie Farren is a song I cannot seperate from Ulysses in my mind. From the moment I heard it, I associated it with him.

Virgil is a little easier. Touch Tone Telephone by Lemon Demon is inescapably him, I fear. I could give others touching on different parts of his personality, but it is just… so very Virgil. At least right now.

For Dan… I am torn. If, gun to my head, I had to pick one… It Will Come Back by Hozier. But… honestly I am genuinely torn between that song, and Glitter & Gold by Barns Courtney. It could go either way, and I’m just barely leaning towards the former.

For Leopold? We haven’t gotten to see as much of him, but I think it’d be We’ll Meet Again by Vera Lynn. Not only is it deliciously old-timey and ingrained in popular perception of the world wars, but it hits a lot of the right beats for him, in ways which I cannot explain right now, but which will make sense over the course of his story.

Honourable mention King Morgan because I know people love him: Everybody Wants to Rule the World by Tears for Fears.

[iiotic]

༻༉ Alastor (spotify) playlist

Songs:

Stalker's Tango - Autoheart

Bernadette - IAMX

Killing of A Sacred Deer - Nick Cause

Dead to Me - Melanie Martinez

The Red Means I Love You - Madds Buckley

Mama's Boy - Dominic Fike

Roaring 20s - Panic! At The Disco

Outrunning Karma - Alec Benjamin

Sociopath - Stay Loose, Bryce Fox

my boy - Billie Eilish

I Can't Decide - Scissor Sisters

Mama - My chemical Romance

Boy In The Bubble - Alec Benjamin

The Masochism Tango - Tom Lehrer

Posin - Glenn Gatsby

You're Never Fully Dressed Without A Smile - Peter Marshall

An Unhealthy Obsession - The Blake Robinson Synthetic Orchestra

People I Don't Like - UPSAHL

Fire Drill - Melanie Martinez

MONSTER - KIRA, GUMI

Twisted - MISSIO

Sarcasm - Get Scared

Cry - Cigarettes After Sex

my strange addiction - Billie Eilish

Look Who's Inside Again - Bo Burnham

Sex with a Ghost - Teddy Hyde

bury a friend - Billie Eilish

We'll Meet Again - Vera Lynn, Sailors, Soldiers & Airmen of Her majesty

Black Coffee - Louia Prima, Wolfgang Lohr

Tag, You're It - Melanie Martinez

All Eyes on Me - OR3O

911 - Ellise

The Fine Print - The Stupendium

If I Killed Someone For You - Alec Benjamin

Psycho - Mia Rodriguez

Turn the Lights Off - Tally Hall

The Mind Electric - Miracle Musical

Crazy = Genius - Party! At The Disco

Zydrate Anatomy - Paris Hilton, Alexa Vega, Terrance Zdunich

I Love You Like An Alcoholic - The Taxpayers

Test Me - Melanie Martinez

[pastriibunz]

NIGHTMARE KAI-ME OFFICIAL LINEUP!

“LOOK WHAT HAPPENS, NIGHTMARE TI KAIME!”

Summary: A 10 part/episode miniseries revolving around Kai’s misadventures in Hatchetfield! Follow Kai’s goofy hijinks as she deals with everything from robots to cat loving kidnappers! Some episodes are based off of episodes from Team Starkid’s series “Nightmare Time” and some episodes are original works by yours truly (with prompts/plot outlines by @local-soda-can)!

SEASON ONE, EPISODE ONE - Hey, Melissa!

“meow meow meow meow - meow mix cat food”

Episode Type: Canon (?)

Summary: Kai gets involved in a very bizarre adventure with her father’s bubbly coworker, Melissa. KAI GETS CATGIRL’D LETS FUCKING GOOOOOO

SEASON ONE, EPISODE TWO - The Waylon Squatter

“we’ll meet again - vera lynn”

Episode Type: Non Canon

Summary: Peter Spankoffski and Stephanie Lauter decide to break head into the Waylon to make hang out. Their plans are interrupted by Grace Chasity, who decides to tag along on their little adventure, much to their dismay. The three are informed of the rumors of the Waylon being haunted by various ghosts, one of which being the ghost of a young homeless girl who hid in the Waylon in hopes of shelter, but was driven insane by what went on inside the walls. She now stalks the halls, singing a beautiful, yet haunting melody, now dubbed ‘The Waylon Squatter’. The trio brushes off the rumors as just that and sets off to disprove them. Their adventure takes a turn for the worse as they come face to face with a very real Waylon Squatter, who doesn’t take well to strangers in her territory. The trio now has to try and survive while uncovering the mystery behind The Waylon Squatter’s past.

SEASON ONE, EPISODE THREE - Forever And Always

“forever & always - original starkid cast of nightmare time”

Episode Type: Canon

Summary: Paul Matthews and Emma Perkins are finally getting hitched, and their adoptive daughter, Kai Drew, is happy to join them on the ride! However, when secrets arise from Emma's past, the happy family's lives are turned upside down as the couple is forced to confront their skeletons in their closets, and Kai is forced to choose between the family she thought she knew or the truth.

SEASON ONE, EPISODE FOUR - Revised Reprise

“puppet boy - devo”

Episode Type: Non Canon

Summary: Paul and Emma love Kai! Of course they do, she’s been living with them for a while now, she’s practically their daughter! But, they realize something: they don’t really know much about Kai’s past, other than she lived in a town called Unington with her parents and friends. Everything else is a mystery to them. So, what do they do? Ask the source, of course! Kai is hesitant to share the details of her past, as her life has been full of tragedies and hardship. With enough convincing, Kai starts to think back to her past. While doing this, she stumbles upon something strange: she can’t quite remember what traumatic events happened to her. And the things she can remember? They’ve been twisted and turned into a more romanticized version of events, along with an entirely new person added into her memories. Confused and determined to get to the bottom of this, Kai heads back to her hometown to figure out why her memories were rewritten and who was behind it.

SEASON ONE, EPISODE FIVE - Watcher World

“the blinky song - original starkid cast of nightmare time”

Episode Type: Canon

Summary: Kai is invited to spend the day with her Uncle Bill and his daughter, Alice, for some “family bonding time” at Watcher World, an older amusement park located on the edge of Hatchetfield. But, of course, Kai can never catch a break, as her fun turns to fear when she realizes there’s more to the park than meets the eye.

SEASON ONE, EPISODE SIX - Miss Ingénue

“venetian blind man (song) - will wood”

Episode Type: Non Canon

Summary: Kai loves living in Hatchetfield! She’s got some awesome parents that she loves a lot, and most of everyone is half decent towards her. Recently, however, things have been a bit…odd. Paul and Emma have been strangely overprotective of her, barely allowing her room to breathe. Plus, whenever she goes out alone, she can’t help but feel like she’s being watched by thousands of eyes, and not in a good way. Watch as Kai tries to get to the bottom of the strange happenings that are occurring to her.

SEASON ONE, EPISODE SEVEN - Abstinence Camp

“virginity rocks - original starkid cast of nightmare time 2”

Episode Type: Canon

Summary: Kai is forced to go to Hatchetfield’s very own Abstinence Camp by Paul when she offhandedly mentions she kinda, sorta, peggedaman lost her virginity and he freaks. Despite her protests and repeated reassurances of the fact that she is asexual, she gets sent to the camp. And as trouble follows Kai everywhere and refuses to lay off her, she learns of a dark secret, one that stalks the camp, lurking in the shadows. One that punishes the horny and troublemaking teens of the camp that refuse to abstain. One that carries an axe.

SEASON ONE, EPISODE EIGHT - Food For Thought

“dinner is not over - jack stauber’s micropop”

Episode Type: Non Canon

Summary: All your worst nightmares have come true: Kai has entered the work force! That’s right, Miss Drew now has a job at Hatchetfield’s very own Miss Retro’s! Kai’s extremely thankful for the job, as it allows her to do one of her only comforts left: cooking for others! Kai’s BANGIN cooking skills begin to attract attention, and the diner gets a lot of traction! However, cooking takes a turn for the worse, as Kai begins to get plagued with horrific and grotesque visions of her friends and family as she cooks. Panicked and overwhelmed by the visions, Kai is forced out of the kitchen and onto the diner floor, taking orders and bringing customers their food. But when a mysterious customer enters the diner and requests Kai to cook their meals, Kai is forced back into the kitchen. The food ordered is strangely familiar to her, and Kai’s suspicions start to grow as she wonders who the customer is, and what they want with her.

SEASON ONE, EPISODE NINE - Web Of Lies

“kiss me, son of god - they might be giants”

Episode Type: Non Canon

Summary: Kai has won. Finally, after years of searching, Kai has found a timeline where nothing bad happens. She’s finally able to have that happy family she so desperately wants! But, nothing lasts forever. She soon is plagued by visions of other timelines. With her deduction skills, she soon concludes that something or someone is messing with her, and she has a pretty good idea of who. She confronts them, and she thinks her problems are over. Soon, however, things start to spiral out of control. Also, does anyone mind telling Kai what the heck a Webby is?!

SEASON ONE, EPISODE TEN - Space Drifter

“another believer - rufus wainwright”

Episode Type: Non Canon

Summary: Kai’s habit of running from her problems finally catches up to her.

SOUNDTRACK LINK:

[bradshawsbaby]

Letters to My Love // Part VIII

We’ll Meet Again

Series Masterlist

Pairing: Bob Floyd x Female Reader

Summary: When you signed up to volunteer with the USO, you never anticipated that you would meet a man like Ensign Robert Floyd. Fate brings you together one balmy spring evening in Charleston—the night before Bob is set to ship off across the Atlantic. Pen and paper become your only means of sharing your heart with the naval aviator who’s captivated it, igniting a correspondence that spans the distance between you. Can love blossom even as war rages and thousands of miles keep you apart?

Word Count: 2.9k

Author’s Note: Oh my goodness, it’s been well over a month since I last updated this story and I sincerely apologize for that! I hope you all enjoy Bobby and Peach’s next set of letters!

Set the Mood: If you’re looking for some 1940s vibes, check out the playlist I made to pair with the story.

The title of this chapter comes from the song of the same name by Vera Lynn, a song which also happens to factor into this part of the story!

Dedication: As always, this story is dedicated to my dear friend, @luminousnotmatter​. Clara, thank you, thank you, thank you for your support of this story!

Warnings: Alternating POV, brief allusions to war, and references to rationing. This chapter is mostly fluff, fluff, and more fluff!

March 6, 1943

Sweet Peach,

Looks like I have my own elephant in the room to address this time. You asked for a photograph, and I’ve inundated you with five. Trust me, you think Dottie is bad, but I would dare to wager that she’s not nearly as insufferable as the lugheads I’m bunking with over here. When they caught wind of the fact that I was planning to send you a photo—which, for the record, was not at all forward of you to ask for and which actually gave my ego quite a nice boost—you should have seen the holy hullabaloo they raised. You really would have thought I was planning to feature myself on the front cover of Life Magazine with the way they carried on.

My original intent was to send you my graduation photo from Annapolis. My mother ended up packing a copy of it with my things when I left home—I think she was hoping I’d find a nice girl to give it to. She’ll be thrilled indeed to find that I have. Speaking of which, I hope you don’t mind that I’ve mentioned you in my letters to my family. I feel like you’ve become such a special part of my life, if you don’t mind me saying so, and I wanted them to get to know you a little bit, the way I have.

But anyway, like I was saying, I was glad that my mama tucked that photo away with my things so that I could have something to send you, though it’s by no means as spectacular as the photograph you sent me. When Tommy Boy and Benny found out that was the picture I was planning to send you, however, they started talking a whole bunch of nonsense about how I needed to send more pictures that showed off “the real me.” According to Benny, I look way too stiff and formal in my graduation photo. I told him that I thought the ladies were supposed to love a man in uniform, but he told me that’s apparently not the case when said uniform looks like it’s choking the life out of you. Tommy Boy said I should send you pictures that remind you of the fact that I actually do know how to have a good time—his words, not mine.

Even Paul agreed with them. That traitor.

To make a long story short, Peach, that’s why you’re (hopefully) holding those five photographs in your hand right now. In addition to my Annapolis photo—which my mother still happens to think is nice, even if the fellas don’t—are a few photos of us on board our carrier. I’m glad that you remember what I look like so that you don’t confuse me for my much better looking buddies—I hope seeing us side by side doesn’t do me too much of a disservice. I labeled them on the back for you, but there’s a few shots of me and Paul, then me, Benny, and Tommy Boy, then all four of us, then me standing beside me and Paul’s plane.

You know, now that I really think about it, I have a feeling that Benny and Tommy Boy’s grand scheme all along was to make sure that you had photographic evidence of them to show to all your friends and fellow USO volunteers. I tried to explain to them that you had very kindly informed me that most of the girls you know are spoken for, but they both still seem to have it in their heads that you can find a couple nice girls for them. Like I told you, they’re completely insufferable. Good thing they’re also pretty great guys, otherwise I don’t think I’d be able to stand it.

Anyway, all that to say that now you have some photographs, Peach. More than you asked for, I know, and I hope they don’t disappoint. Perhaps it was you who’s been remembering things with rose-colored glasses all this time and not me? Either way, I’ll stop rambling about it now.

Paul, Tommy Boy, and Benny send all their best. Paul especially appreciates all your kind words, and your thoughts for him and his family. He says he knew you were a great girl, right from the start when you nearly spilled that punch all over him.

Speaking of punch and the dance, congratulations to your friend, Emily! A little bit of good news in the midst of all this madness is always greatly appreciated. And I’m sure that when the time comes, you’re going to be the prettiest bridesmaid there ever was.

Can I be honest with you though, Peach? I’m sure Emily is a lovely girl, especially if she’s lucky enough to count you as a friend, but at the moment, I have to confess that I don’t hold her fiancé in quite as high esteem. Now to be fair, I don’t know much about this Eddie guy, but from what I do know, he has to be one of the most foolish men I’ve ever seen. Before I explain, I should mention that I saw Eddie at the dance that night, right before he pulled Emily out onto the dance floor. You might wonder how, and I’d tell you it was because I was standing a few feet away from the punch table like a total coward, trying to work up the nerve to go talk to you. So the truth, Peach, is that I saw what happened between you and Eddie—how he approached you and asked you if it would be alright if he asked Emily to dance.

On the one hand, I was selfishly relieved that he didn’t ask you. That meant that all hope wasn’t lost, and I might still get a shot to talk to you. But on the other hand, I couldn’t understand how one man could be so stupid, if you’ll pardon my saying so. Like I said, I’m sure Emily is a lovely girl, but I don’t understand how anyone could see you, Peach—especially that night, when you looked so beautiful in your pretty party dress—and think to dance with anyone else. I suppose you’re right though. It is funny how things work out. And as big a fool as I thought Eddie to be at the time, if I saw him right now, I might just shake his hand and thank him. Because if he hadn’t been a fool, I might not be talking to you right now. And let me tell you, Peach, that is as depressing a thought as any I can think of. So three cheers for Eddie and Emily! I wish them nothing but a lifetime of happiness, and I’ll join them in praying for an end to this war so that they can have their big wedding.

It sure is wild to think that in your last letter, you were telling me about your holidays, and now it’s already March. Time feels like it’s flying much too fast, but not quick enough at the same time. Do you know what I mean?

Paul still can’t believe how big Clara and Paul, Jr. are getting every time Natasha sends him updates. In her last few letters, she wrote that Paul, Jr. has finally started talking—she was very smug that his first word was “Mama,” but only because Clara’s first word was “Dada.” And now that he’s started, he just can’t stop. He’s starting to call everyone by their names—or at least his version of their names—and he even says “Dada” now when Natasha points to pictures of Paul. In her most recent letter, Natasha said he was even starting to walk and that she’s been having to chase him all over the house. “He’s going to be a runner, like his daddy,” she wrote. Did I ever tell you, Peach, that Paul and I ran track and field in high school? He could always run circles around me. Paul’s quite the proud papa, and he’s been bragging about his family to anyone on the carrier who will listen—it usually ends up being me, Tommy Boy, and Benny.

I’m sure little Frankie—or maybe not so little anymore—is starting to walk and talk now, too. Has he been giving you, Dottie, and Paddy a run for your money?

Peach, you once called me an honest man and so I don’t want to lie to you now—as much as I’d like to say that I’m sorry to hear you haven’t been attending any more dances, I’m just not as good a man as all that. The truth of the matter is that I’m quite chuffed (can you tell I’ve been spending time with a lot of Brits?) to hear that you’re saving a dance for me. It makes me want to finish this war and get home all the faster, knowing you’ll be there to welcome me back.

You know, we’ve actually gotten to enjoy a few USO performances over here recently. It does a lot to lift our spirits, and it always makes me think of you. One of the singers performed that Vera Lynn song, “We’ll Meet Again” the other night and I couldn’t help but imagine how nice it would be to be dancing with you again. I thought I might share some of the lyrics with you, the ones that really made me think of you:

We'll meet again

Don't know where

Don't know when

But I know we'll meet again some sunny day

Keep smiling through

Just like you always do

'Til the blue skies chase those dark clouds far away

I believe deep down in my heart that we’re going to meet again, Peach. Just like the song says, I might not know where and I might not know when, but I know it’s going to happen. And what a happy day that will be, when I get to see your smiling face again.

I haven’t even sent this letter yet, and I already can’t wait to receive your next one. I hope whatever you’re doing right now, Peach, it’s bringing a smile to your face and that you’re doing real well.

Until next time and until we meet again.

Most Truly Yours,

Bobby

P.S. I’m very embarrassed to admit that for a farm boy from Iowa, I’ve got quite the brown thumb. My only advice to you and Dottie when it comes to your Victory Garden is don’t do anything I would do!

April 2, 1943

Dear Bobby,

What an absolute treat to receive not one, but five wonderful photographs with your last letter! You can tell Tommy Boy and Benny that they were dead wrong—I would have been MORE than happy with just your photo from Annapolis! I think you look remarkably handsome in it, and I’m very thankful to your mother for thinking to send it along with you. The other photos you included are just the icing on the cake.

I love getting a tiny glimpse of what life is like for you over there, and it’s so good to see all of you smiling, despite the circumstances. Tommy Boy, Benny, and Paul all look very handsome as well, but between the two of us, I don’t think any of them could hold a candle to you. Still, it does make me wonder if being handsome is a requirement for joining the Navy nowadays? If so, I’d say you all certainly fit the bill.

Dottie was quite eager to see your picture, and I’ll have you know that she declared you even more handsome than she had been imagining—and my big sister has quite a vivid imagination, let me tell you. Paddy teased her about it endlessly, saying that maybe she should find herself her own pen pal considering how much she seems to enjoy sticking her nose into my correspondences. Just to get back at him, Dottie traded our extra coffee rations with one of our neighbors for more sugar rations. Paddy grumbled about it the next few mornings, but Dottie made it up to him with a chocolate cake after dinner.

I’ve been keeping all your photographs on the desk in my room, Bobby, and I’m looking at them right now as I pen this letter. I promise you that I certainly wasn’t remembering you through rose-colored glasses and that, in fact, you’re even more handsome than my faulty memory could recall. I especially love the pictures of you with your friends—your smiles are all so bright that I can actually feel the joy of your friendship just by looking at them. You have such a lovely smile, Bobby, made all the lovelier by the fact that you have such a wonderful heart underneath.

While we’re on the topic of photographs, it seems that you and I are starting to play tag with them. Since you sent such sweet photographs of you and the boys, I thought I might send a photograph I really loved that we took while we were home in Georgia for Christmas. That’s me, Dottie, Frankie, and Paddy on Christmas morning, right before everyone started opening their presents. Since I talk about them all so much in my letters, I thought it might be nice for you to put some faces with their names. Besides Paddy, of course, since you already know his face.

By the way, I’m truly touched to know that you’ve mentioned me in your letters to your family. Of course I don’t mind it! My family knows all about you, so it seems only right that you should be able to tell your family about me. Maybe one day we’ll all get to be together to share some peach cobbler and pumpkin pie!

Tell Paul, Benny, and Tommy Boy that I say hello and that they looked great in those photos! Tell Tommy Boy and Benny in particular to keep their chins up, and that they’ll find two lucky girls to call their own very soon! And you can tell Paul that I’m still mortified about that punch spill.

Oh, Bobby, I’m so embarrassed to think you overheard my conversation with Eddie that night! Truth be told, in that moment, I felt so silly. I thought for sure he was going to ask me to dance, so I felt a bit ridiculous when it turned out he just wanted to know if it was okay to ask Emily. In all honesty, I really wanted to leave after that. But then you showed up and everything changed. My whole night turned around. Dottie always says that everything happens for a reason, and I really do believe that. I think Eddie and Emily were meant to meet each other that night, just like you and I were meant to meet each other, Bobby. Knowing you has brought so much goodness to my life, and I can’t imagine what it would be like if our paths hadn’t crossed that night. So now I can say thank goodness for Eddie wanting to dance with Emily!

I know exactly what you mean about time, Bobby. Dottie and I were just talking about how we want time to slow down because it feels like Frankie is growing up way too fast! Just like Paul, Jr., Frankie is walking now and we have to be vigilant at all times to make sure he isn’t getting into any mischief. Just the other day, he somehow managed to get his hands on Paddy’s keys and hide them under the couch. We spent hours looking for them! He also said his first word a couple months ago—Dada. Thankfully, Paddy was home to hear it, and I don’t think I’ve ever seen him look so proud. Dottie pretended to be miffed—”Fifteen hours I spend in labor with that boy and he says ‘Dada’ first!”—but she really was excited, too. Now he also says Mama, hi, bye-bye, and milk. Sometimes he’ll say doggy, too, when we see dogs out on the street. The funniest thing is that he seems to have given me the nickname “Cookie.” Whenever Dottie asks him who I am, he laughs and says, “Cookie!” So to you, I’m Peach and to my nephew, I’m Cookie. I don’t know what I ever did to deserve all these food nicknames!

I’m so thrilled to hear that the USO has finally made its way over to you boys! I can’t imagine what you’re all going through over there, but I know that you do deserve an opportunity to relax and unwind.

That Vera Lynn song is so beautiful, and my heart is so full to hear that it made you think of me, Bobby. After I read your letter, I remembered that we actually have a record of that song in the house, so I immediately went and put it on. I admit, I played it a few times and imagined that you were here dancing with me. We will meet again, Bobby, I just know it. I feel it in my heart, too, the same as you. And the sun will be shining bright when we do, just like the song says.

I hope the sun is shining on you right now, Bobby, and that wherever you are, you’re safe and you know that I’m thinking of you and wishing you the speediest return home.

Until we meet again, know that I’m sending you all my very best.

Most Affectionately Yours,

Peach

P.S. Dottie and I have been cursed with brown thumbs ourselves, but we’re determined to make this Victory Garden work! I’ll keep you updated on our efforts!

P.P.S. I know it will probably be a while until we hear from each other again, so I want to wish you a very Happy Easter. Stay safe, Bobby!