#this is a heavily edited post
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sylphbound · 2 months ago
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little miss fortune
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courfee · 3 months ago
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look at that!! i've talked about it so much and now chapter 1 actually exists in real life!!
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skybson · 28 days ago
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2x12 - The Alternate
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notebookmusical · 9 months ago
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edit challenge vs. ​@bossuets ♡  round fifteen → favorite aaron tveit role
"I’ve done a little bit more off-center things and I find myself more drawn to conflicted characters and flawed people. It’s different on stage, you’re telling the same story every night so your character wants to change within that story. But with a television series, you’re potentially living with this character for five to seven years so there’s a potential for change over a long period of time."
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zylphiacrowley · 2 months ago
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Radiant Finale
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ink-the-artist · 11 months ago
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I love your artwork so much! Your colors are so vibrant and none of the white speckles in the paper ever shows, its so impressive and I really dig it! I was wondering if you use any sort of blending medium? Like baby oil or anything? Either way, I really enjoy looking at your artwork and I'm always excited to see whatever you'll make next
I use a colorless blender (prismacolor, which is wax-based so baby oil probably wouldnt work) but my scanner is also rly bad about picking up white specks in a way photographing the art with my phone isnt, so I usually have to do some digital editing to get rid of them as well.
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I do this by duplicating the layer, setting the one on top to "darken," and using the mixer brush to blend out the white spots + just use the eyedropper tool to select the color of that area (needs to be a slightly lighter shade of it) and color over the white spots with the brush tool
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i edited a small bit of the original scan to show what i mean
original:
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with the edited layer:
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heres how it looks set to normal instead of darken, I used both the mixing brush and regular brush just to demo it
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youredreamingofroo · 5 months ago
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Genesis Wings - - An albino who paints like a toddler, wears fake elf ears, has terrible self confidence and listens to way too much Dominic Fike - -
[ scrapped render of her under the cut <3 ]
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overlyobsessed223 · 2 months ago
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second chances
another halbarry ficlet. spoilers for kevin smith's GA bc this story takes place directly after his run. can maybe be read as platonic. featuring spectre hal and afterlife barry, enjoy :)
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Heaven has never been a particularly loud place. The sprawling hills that seem to stretch on endlessly provide each resident more than enough space to comfortably exist, and even then, the blissful peace that comes with complete and utter contentment lends to a lack of a need to converse or even speak in and of itself. Save for the whoops and laughter of the young boy wonder who inconspicuously showed up at the pearly gates only a few years after him, Barry has always known the afterlife to be nothing less than tranquil.
And yet, as he runs his thumb along the shaft of one of the arrows that have, as of recently, been left abandoned in the luscious green grass, he can’t help but think Heaven seems the quietest it’s ever been. 
Too quiet, even, perhaps. 
Seeing someone enter through the gates of this place only to return back to the land of the living has been far from unheard of. Barry remembers his bittersweet reunion with Clark some time ago, only for Clark’s soul to be pulled back to his body a short time after. But he has to admit, Oliver’s revival, in particular, has him slightly… surprised, due to the way Ollie had adamantly and consistently refused the second chance Hal so desperately wanted to give him.
Speaking of Hal, Barry senses his presence before he sees him. Well, mostly he senses the Spectre’s wild, angry, vengeful spirit, but he can perceive Hal, too, the loving, sentimental, willful man he’s always been veiled just beneath the powerful force of the wraith he’s bound to. There’s also sadness and guilt—so, so much guilt that it seems to physically weigh on his shoulders and in his eyes, and each time Barry sees him he’s harshly reminded that Hal has not yet earned his place in paradise. 
“So, he’s really gone fully back?” Barry asks, continuing to study the arrow in his hand.
“Yes,” Hal’s voice answers from somewhere behind him. “For now, at least.”
Barry hums and nods. He swallows hard, feeling a prick of bittersweet grief in his chest. Zooming around the valley and scooping up all of the arrows scattered in the grass, he places them back into the quiver and leans it up against the target next to the bow. 
“I kinda thought you’d seem… I dunno. Happier?” Hal comments after a moment. “Now that he’s gone. You two always did butt heads.”
“Yeah, we did,” Barry lets out an amused breath of laughter. A lifetime of heated arguments and cutting words flashes through his mind, and he remembers them fondly.
Oliver’s quick wit and snappy remarks did not die with him, but Barry was met with a very different Oliver Queen standing at the gates of the afterlife, one who he at first almost didn’t recognize. Ollie carried a certain kind of weariness, hollowed to the core by a life of mistakes and insecurities and internal struggles. His eyes had welled up with tears, actual tears when he saw Barry. He’d yanked him into a long, tight hug, and Barry for not the first time had wondered what exactly became of the world after the crisis and why it seemed to leave all of his friends shells of who they once were.
“It was nice having him around,” Barry says. He runs his hand down the edge of the red and white target, reminiscing as he’s so prone to do nowadays. “He mellowed out in his old age. I liked his company.”
He pauses, glancing at the empty valley he and Oliver used to spend hours playing in together.
“But,” he adds, “I’m glad he’s embraced the second chance he’s been given on Earth. If not for him, then at least for the people who loved him.”
“I wanted to bring you back, too.”
Barry stops. He turns around to look at Hal for the first time since he showed up and can just barely catch a glimpse of a too-pale face and dark eyes under a large, shadowy hood. 
“I tried,” Hal’s eyes lower fractionally, like he can’t bear to meet Barry’s gaze. “But you—it’s been so long since your—there just wasn’t anything left of you to put back together.”
As he speaks, his words are heavy with shame. Whether that’s due to his failure to bring Barry back to life or that he tried to do it at all, Barry isn't sure. 
“Well, that’s okay,” Barry says, and he offers Hal a genuine smile to show him that he means it, really and truly. “My time in the sun is long over, Hal. From what I’ve heard, Wally’s filled my boots just fine as the Flash.”
“It wasn’t the Flash I was trying to bring back,” Hal’s eyes lift to look at him head-on. The light of Heaven’s eternal day hits his face more, illuminating his tightened jaw. “It was Barry Allen.”
“Hal…” Barry sighs. He reaches to pull back his cowl and runs a hand through his hair. 
“There’re people who love you, too,” Hal says, his voice slightly wavering. “People who would do… anything. Anything to have you back with them.”
Hal pushes back the hood on his head, letting it pool around his neck and shoulders, and Barry can see his entire face, from the deep frown tugging at his eyebrows and lips to the despair glimmering in his eyes. The years of compounded grief that, even in death, has left him looking aged and worn. Barry’s heart begins to ache. 
“I know,” Barry says softly. 
Because even before he died, Barry never doubted that Hal loved him. There was a special, unspoken connection between them, and in his final moments, one of Barry’s biggest regrets was leaving it unspoken. Now, though, Barry’s realized that maybe it wasn’t as unspoken as he’d thought. 
Their individual paths of life split off from one another long ago, with Barry’s cut short and Hal’s a dark, winding road of pain and suffering. But in death, here they are, together. Although it isn’t like it used to be, and it’s far from a second chance for both of them in the way they'd like it to be, it’s still something to cherish and make the most of. 
“Hey,” Barry moves to stand at Hal’s side, bumping their shoulders, “you don’t need to go back to work right away, do you?”
“No,” Hal tilts his head, that unruly chunk of hair becoming dislodged. Barry doesn’t bother to hold himself back from reaching to push it back into place. “Why?”
“Because we should race,” Barry gestures to the wide, open valley. “Like old times.”
Hal blinks. Then, he breaks out into a grin that’s rare nowadays. In a flash of green light, Hal is wearing his Green Lantern uniform, ring pulsating on his fist as he levitates from the ground. 
“Alright, Barry,” Hal says, and his voice has already brightened significantly. “Let’s race.”
Barry pulls his cowl back onto his face, dips into a running position, and waits for Hal’s starting gun construct to go off. 
Things aren’t the same. They’re on borrowed time before Hal has to go back to his work as the Spectre. Barry will have to remain here, and it could be minutes or eternities before they find themselves together again. 
So all they can do now is make every last second count. 
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mixtercandy · 1 year ago
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Space Doughnut gajinka/humanization i did a bit ago :3
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hikaruchen · 28 days ago
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Repent now, repent now! Remember this body is not your home; No pleasure in the sea, No wound is as sharp as the will of God.
— REPENT NOW CONFESS NOW, Lingua Ignota
INPRNT
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Here I am being the bearer of good news to tell you Chapter 28 of A King’s Burden by the amazing amazing @thedarknone has updated! GO CHECK IT OUT IF YOU HAVEN’T! Huge thanks for giving me the opportunity to work on this commission, such a pleasant experience and I can’t wait to work with you again :DD
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jaspersfeelinartsy · 22 days ago
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Gladiator -- RnS Helsknight Animatic
Tis finally finished! This took me so much longer than I was expecting...I hope you enjoy!
Credits:
All art by me
Song: Gladiator by Jann -- YouTube | Spotify
Redstone & Skulk (RnS) Helsknight Characterization by @silverskye13
Original Helsknight character by Welsknight
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theonceandfuture · 19 days ago
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Once & Future Infodump #1
500 years ago, the kingdoms of camelot and balor were one. camelot was ruled by a family of dragon shifters, notorious for their strong connection to magic, their kingdom lying deep within the darkling woods. balor, to the southeast, was ruled by the dragonlords, companions of the dragons that lived within both camelot and balor's borders. it is said that the peace between the kingdoms ceased when one man, known now only as the dragon king, the leader of the dragonlords, became too greedy, and desired the throne of the pendragon family as well as his own. (some sources argue that it wasn't the greed of the dragon king that motivated his actions, but the influence of a trickster god, but since the beginning of uther's reign, this knowledge has more or less been lost to time due to the purge of magic in camelot.)
the dragonlords used their unique abilities against the pendragons, twisting them to their will. as punishment for their cruelty, the gods had no choice but to intervene, (possibly because this problem was caused by the gods themselves, but who's to say?) and they struck the dragonlords, diminishing their numbers and dimming their power. the last of the dragonlords went into hiding for hundreds of years, keeping their ways to themselves and protecting the dragons from persecution. the pendragons thrived, though the dragon blood in their veins thinned over the years, naturally diluted by their mingling with humans. though it is still whispered that the pendragons retained many of these traits, despite no longer harnessing the ability to transform. in uther's time, the remaining dragonlords reunited with the pendragons, forming a friendship once again. but once again, the peace did not last between them...
some quick facts about dragon shifters:
the ability to transform into a dragon sticks around for about 5 generations
usually they are born like humans, but sometimes (say, like, 25% of the time?) they are hatched from eggs, much like actual dragons
most of the dragon shifters that have been around for the past century or so are related to the pendragons, hence why dragon shifters have disappeared (they can only copulate with humans, think of it kind of like how scientists think that the neanderthals disappeared)
some dragon shifters used to be created purely through magic (aka they have no genetic parents) and thus they would typically take on the appearance of the humans they grew up with in their human forms
anyway. that's what you needed to know in order to understand the joke i'm about to make. merlin was under the impression aithusa would probably look like him or gaius/freya because he assumed she was created through magic, but aithusa is actually a distant pendragon ancestor who's egg was preserved for centuries using magic!
thus, this image:
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(aithusa is just arthur with albinism)
edit: corrected my language on this post! for those who may not be aware, "person with albinism" etc is a more respectful way to describe people with albinism as opposed to the way i said it before. here and here are my sources.
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pasta-pardner · 2 years ago
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spotify | john marston's revenge quest, set to music from 1960s spaghetti westerns.
Fun detail: the opening cutscene for Red Dead Revolver (2004) features an instrumental version of "His Name Is King". The lyrical version is oddly fitting for John, given that it's a song about seeking vengeance for a dead brother.
#red dead#rdr2#john marston#arthur morgan#pardner playlists#pardner posts#tagging arthur in this bc even tho its a john-centric playlist.. its about the way john grieves arthur#y'all know me !!! im always a sucker for a revenge story!!!#so i cant help but dwell on johns attitude of ~i will throw away my chance at a future because i'm stuck in the past grieving you~#like thats a banger. thats a good revenge story. the ultimate act of devotion is also an ultimate act of betrayal.#this is admittedly a kind of pulpy playlist and im embracing that. im a fan of 'horse opera' westerns and im attaching that to epilogue joh#anyways. all the songs on this playlist were released btwn 1966 - 1971 so its definitely a vintage vibe.#i tried to match that vintage energy with the graphic design. the cover art is screenshots of rdr2 that i've /heavily/ edited in photoshop#i wanted the images to look like those oil and/or acrylic paintings done for old movie posters#it took a lot of filter adjustments and paint-overs to get to this stage. i spent a lot of time on it. (please clap)#i initially wanted john to be wearing arthur's hat for this but . hdkhjdf ran into some difficulties sourcing usable screenshots.#i refuse to accept unmodded epilogue john as canon. i dont know what you think that thing is but that is not my son etc etc.#its jmrp or bust for me#most of the jmrp screengrabs i could turn into a workable composition featured the john hat so i just went with that. unfortunate but mehh#sidenote. plz click for quality bc a lot of the paint texturing in these covers gets lost in the compression#alight yall. have fun with the playlist !! lmk if u end up giving it a listen.#rdr2 spoilers#🤠#art
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raiiny-bay · 2 years ago
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but I can't wait until I see your face and my brain thinks that it's looking at a stranger
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hannahdra-ws · 2 months ago
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maybe I've been getting you wrong.
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neptunym · 2 years ago
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ms paint doodles for @post-it-notes7 's fic series, heart and soul. i highly recommend it to anyone that either likes the kirby anime or meta knight bc it's a delight to read :]
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